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Victoria Hutson Huntley papers, 1929-1999

Creator:
Huntley, Victoria Hutson, 1900-1971  Search this
Huntley, Victoria Hutson, 1900-1971  Search this
Subject:
Philadelphia Museum of Art  Search this
Old Bergen Art Guild  Search this
Type:
Sketchbooks
Photographs
Designs
Topic:
Women printmakers  Search this
Women artists  Search this
Printing -- Technique  Search this
Muralists -- New York (State) -- New York  Search this
Women artists  Search this
Women painters  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)15665
(DSI-AAA_SIRISBib)282434
AAA_collcode_huntvict
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_282434
Online Media:

Victoria Hutson Huntley papers

Creator:
Huntley, Victoria Hutson, 1900-1971  Search this
Names:
Old Bergen Art Guild  Search this
Philadelphia Museum of Art  Search this
Extent:
1.3 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Photographs
Designs
Date:
1929-1999
Summary:
The papers of Victoria Hutson Huntley measure 1.3 linear feet and date from 1929-1999. Biographical material, correspondence, writings, artwork, printed material and photographs chronicle the professional activities and personal life of the lithographer and muralist.
Scope and Content Note:
The papers of Victoria Hutson Huntley measure 1.3 linear feet and date from1929-1999. Biographical material, correspondence, writings, artwork, printed material and photographs chronicle professional activities and personal life of the lithographer, painter, and muralist.

Biographical materials highlight Huntley's achievements. Her professional correspondence illustrates an active career; correspondents include Old Bergen Art Guild and Philadelphia Museum of Art.

Autobiographical notes convey her passion for art, feelings about her health, and the hindrances faced by female artists. Her other writings include "An Artist's Experience in the Everglades" and "On Making a Lithograph," articles that reflect her personality, ideas, rationale and procedures for executing her work.

Artwork consists of a mural design and 10 sketchbooks that also include notes. Printed material includes newspaper clippings and pamphlets that provide insight into the art world of the 1930s and 1940s as it chronicles Huntley's art endeavors and exhibitions. Books are Le Colophon Book Collector's Quarterly containing a reproduction of work by Huntley, and Victoria Hutson Huntley, an article she made into a volume as a gift for her mother.

The majority of the photographs are of Huntley's artwork. They show her growth as an artist and the influences of the places she lived. Also found are some family photographs.
Arrangement:
The collection is arranged as 6 series:

Missing Title

Series 1: Biographical Material, 1946-circa 1968 (Box 1; 0.1 linear feet)

Series 2: Correspondence, 1954-1997 (Box 1; 0.1 linear feet)

Series 3: Writings, 1946-1999 (Box 1; 0.2 linear feet)

Series 4: Artwork, 1939-1952 (Box 1-2; 0.2 linear feet)

Series 5: Printed Materials, 1929-1999 (Box 1; 0.50 linear feet)

Series 6: Photographs, 1929-circa 1970's, undated (Box 1; 0.20 linear feet)
Biographical Note:
Victoria Hutson Huntley (1900-1971) was a painter, printmaker, muralist, and educator who worked in New York City, Florida, and New Jersey.

Beginning in 1919, Victoria Ebbels studied at the Art Students League with John Sloan, George Bridgman, Max Weber, Kenneth Hayes Miller, George Luks, and William C. Palmer. After her father's death, circa 1920, she briefly attended teacher's college and moved to Denton, Texas.

At the time of her first solo exhibition at Weyhe Gallery, New York City, in 1930, she was encouraged by Mr. Weyhe and his gallery director, Carl Zigrosser, to explore lithography. Hutson followed their suggestion. George Miller was her lithography instructor from 1930-1948. For the first five years, she devoted herself to lithography exclusively; during the first year, the Boston Museum of Fine Arts, Metropolitan Museum of Art, Art Institute of Chicago, Houston Museum of Fine Arts, and Newark Public Library purchased prints. After developing chronic health problems and undergoing surgery in 1954, the physical demands of lithography greatly limited her ability to work, and when she did, assistance was required.

Huntley considered herself to be a modern artist but felt it was going nowhere. Around 1935, she explored Cubism and other modern movements. After experimenting with other techniques she adopted the Mixed Technique, using egg emulsion underpainting with resin-oil overpainting. Subjects included lyrical landscapes of the Florida Everglades, industrial themes, people, flora, and fauna. She also painted murals commissioned by the U.S. Treasury Department Section of Fine Arts for post offices in Greenwich, Connecticut, and Springfield, New York.

From 1921-1930 she was an Associate Professor of Art at the College of Industrial Arts, which later became the State College for Women. Huntley taught painting and drawing at Birch-Wathen School in New York City. In Connecticut she was resident artist at Redding Ridge School, 1939-1942 and at Pomfret School for Boys, 1942-1946. She served on the faculty of Rollins College, Winter Park, Florida, from 1946-1953. Although Huntley stopped teaching when health problems curtailed her activities and they had to move to a cooler climate, she continued to paint and, when able, produced prints.

Victoria Hutson Huntley exhibited widely. She had solo exhibitions in New York City, Philadelphia, San Francisco, and Washington, D.C., and participated in group shows throughout the United States, and in Algeria, England, France, Italy, Scotland, South America, and Sweden.

When Kopper's Coke won The Philadelphia Print Club's Mary Collins prize for Lithography in 1932, the donor found it difficult to accept that a woman would find a factory suitable subject matter, and made it clear she had no part in selecting the winner. (When Huntley's industrial scenes were exhibited in London, it was assumed the artist was a man and she received checks written to Victor Huntley.) Huntley also won awards from the Library of Congress (1945), Association of American Artists (1946), and Society of American Graphic Artists (1950 and 1951). In 1947, the National Academy of Arts and Letters funded an Everglades expedition. The following year, a Guggenheim fellowship enabled her to create 25 lithographs in Florida.

The work of Victoria Hutson Huntley is represented in the permanent collections of many institutions, including: Metropolitan Museum of Art; Boston Museum of Fine Arts; Art Institute of Chicago; IBM Corporation; University of Florida; Art Students League Memorial Collection; Bureau of Education, Italy; Collection of the Government of Italy; and University of Glasgow, Scotland.

She married William K. Hutson in 1925 and they had one daughter. The marriage ended in divorce in 1933 and Ralph Huntley, a scientist and mathematician, became her second husband. By the following year, she was using the name Victoria Hutson Huntley professionally. His academic career took them to Connecticut, New York City, back to Connecticut, Florida, Illinois, and New Jersey. After her husband retired, the Huntleys remained in Chatham, New Jersey, where she had two studios, one for painting and another for lithographic work.

Victoria Hutson Huntley died in 1971.
Provenance:
The Victoria Hutson Huntley papers were donated by Derek Cocovinis of DDC Fine Arts, which purchased the artist's estate.
Restrictions:
Use of original material requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Topic:
Women printmakers  Search this
Women artists  Search this
Printing -- Technique  Search this
Muralists -- New York (State) -- New York  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Sketchbooks
Photographs
Designs
Citation:
The Victoria Hutson Huntley papers, 1929-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.huntvict
See more items in:
Victoria Hutson Huntley papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-huntvict
Online Media:

Oral history interview with Buffie Johnson

Interviewee:
Johnson, Buffie  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Hayter, Stanley William, 1901-1988  Search this
Hofmann, Hans, 1880-1966  Search this
Pollock, Jackson, 1912-1956  Search this
Putzel, Howard, 1898-1945  Search this
Rothko, Mark, 1903-1970  Search this
Smith, Tony, 1912-1980  Search this
Extent:
2 Sound tape reels (Sound recording, 5 in.)
140 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1977 Nov. 22-1978 Jan. 23
Scope and Contents:
An interview of Buffie Johnson conducted 1977 Nov. 22-1978 Jan. 23, by Paul Cummings, for the Archives of American Art.
Johnson speaks of her childhood in New York City and Ducksbury, Mass.; her early encouragement in art; life in Paris and the European scene before World War II. She discusses gettting established as a painter, selling her early work, the change in her painting toward abstraction, her friendship with gallery owner Howard Putzel, painting a mural for a movie theater, her inspirations for painting and her interest in the women's movement. She recalls Tony Smith, Hans Hofmann, Stanley William Hayter, Mark Rothko, and Jackson Pollock.
Biographical / Historical:
Buffie Johnson (1912-2006) was a painter and muralist from New York, N.Y.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript: Use requires an appointment.
Occupation:
Painters -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Topic:
Painting, Abstract -- New York (State) -- New York  Search this
Mural painting and decoration -- New York (State) -- New York  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.johnso77
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-johnso77
Online Media:

Oral history interview with Urban Neininger, 1964 Sept. 22

Interviewee:
Neininger, Urban, 1906-1985  Search this
Neininger, Urban, 1906-1985  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington),, 1920-  Search this
Subject:
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Muralists -- New York (State) -- New York -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12522
(DSI-AAA_SIRISBib)213686
AAA_collcode_neinin64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213686

Oral history interview with Juan Sánchez

Interviewee:
Sánchez, Juan, 1954-  Search this
Interviewer:
Espinosa, Fernanda  Search this
Names:
Pandemic Oral History Project  Search this
Extent:
1 Item ((29 min.), digital, mp4)
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Date:
2020 July 30
Scope and Contents:
An interview with Juan Sánchez conducted 2020 July 30, by Fernanda Espinosa, for the Archives of American Art's Art Pandemic Oral History Project at Sánchez's home in Brooklyn, New York.
Biographical / Historical:
Juan Sánchez (1954- ) is a printmaker, muralist, painter, and teacher in Brooklyn, New York.
Related Materials:
The Archives of American Art also holds an interview with Juan Sánchez conducted 2018 October 1-2, by Josh T. Franco and the Juan Sánchez papers.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the audio is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the audio recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Art teachers -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Topic:
Pandemics  Search this
COVID-19 (Disease)  Search this
Latino and Latin American artists  Search this
Genre/Form:
Interviews
Video recordings
Identifier:
AAA.sanche20
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sanche20
Online Media:

Oral history interview with Layqa Nuna Yawar

Interviewee:
Yawar, Layqa Nuna, 1984-  Search this
Espinosa, Fernanda  Search this
Names:
Pandemic Oral History Project  Search this
Extent:
1 Item ((24 min.), digital, mp4)
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Date:
2020 August 18
Scope and Contents:
An interview with Layqa Nuna Yawar conducted 2020 August 18, by Fernanda Espinosa, for the Archives of American Art's Art Pandemic Oral History Project at Yawar's home in Newark, New Jersey.
Biographical / Historical:
Layqa Nuna Yawar (1984- ) is a muralist in Newark, New Jersey and New York. Yawar is also known as Lenny Correa.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the audio is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the audio recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Muralists -- New York (State) -- New York  Search this
Muralists -- New Jersey -- Newark  Search this
Topic:
Pandemics  Search this
COVID-19 (Disease)  Search this
Latino and Latin American artists  Search this
Genre/Form:
Interviews
Video recordings
Identifier:
AAA.yawar20
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-yawar20
Online Media:

Ada Rasario Cecere papers

Creator:
Cecere, Ada Rasario, 1894 or 8-1971  Search this
Extent:
0.2 Linear feet ((on 1 microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1937-1971
Scope and Contents:
Correspondence, photographs of Cecere's work, exhibition catalogs, clippings, and miscellaneous papers.
Biographical / Historical:
Painter, muralist and designer; New York, N.Y.
Provenance:
Donated 1972 by Ada Cecere.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Muralists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Designers -- New York (State) -- New York  Search this
Art teachers -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women educators  Search this
Identifier:
AAA.ceceada
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ceceada

Oral history interview with Louis Bouché, 1959 August 7

Interviewee:
Bouché, Louis George, 1896-1969  Search this
Bouché, Louis George, 1896-1969  Search this
Interviewer:
Morse, John D., 1906-  Search this
Subject:
DuMond, Frank Vincent  Search this
Romanowsky, Dimitri  Search this
Penguin Club (New York, N.Y.)  Search this
Wanamaker Gallery of Modern Decorative Art  Search this
Armory Show (1913: New York, N.Y.)  Search this
Type:
Sound recordings
Interviews
Topic:
Abstract expressionism  Search this
Sculptors -- United States -- Interviews  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Muralists -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11613
(DSI-AAA_SIRISBib)212250
AAA_collcode_bouche59
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212250
Online Media:

Oral history interview with Herman Cherry, 1965 September

Interviewee:
Cherry, Herman, 1909-1992  Search this
Cherry, Herman, 1909-1992  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington),, 1920-  Search this
Subject:
Benton, Thomas Hart  Search this
Macdonald-Wright, Stanton  Search this
Federal Art Project  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Mural painting and decoration  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Lithographers -- New York (State) -- New York -- Interviews  Search this
Artisans -- New York (State) -- New York -- Interviews  Search this
Educators -- New York (State) -- New York -- Interviews  Search this
Decorative arts  Search this
Muralists -- New York (State) -- New York -- Interviews  Search this
Theme:
Craft  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)11793
(DSI-AAA_SIRISBib)213356
AAA_collcode_cherry65
Theme:
Craft
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213356

Oral history interview with Charles Searles

Interviewee:
Searles, Charles Robert, 1937-2004  Search this
Interviewer:
Veloric, Cynthia  Search this
Names:
Sande Webster Gallery  Search this
Extent:
149 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1991 June 13
Scope and Contents:
An interview of Charles Searles conducted 1991 June 13, by Cynthia Veloric, for the Archives of American Art Philadelphia Project.
Searles discusses his early life in Philadelphia; military service; discovering African sculpture; attending the Pennsylvania Academy of the Fine Arts; being included in the 1969 exhibit "New Black Artists"; traveling to Europe and Africa on a Cresson Fellowship from the PAFA; his experiences in Nigeria; exhibiting and teaching in Philadelphia, moving to New York City; his work in various media; subject matter; interest in dance and music; participating in Recherché; and being represented by the Sande Webster Gallery in Philadelphia.
Biographical / Historical:
Charles Robert Searles (1937-2004) was a sculptor, painter and muralist in Philadelphia, Pennsylvania and New York, N.Y.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 3 hr., 52 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Sculptors -- Pennsylvania -- Philadelphia  Search this
Painters -- New York (State) -- New York  Search this
Painters -- Pennsylvania -- Philadelphia  Search this
Muralists -- New York (State) -- New York  Search this
Muralists -- Pennsylvania -- Philadelphia  Search this
Topic:
African American art -- African influences  Search this
Recherché (Group)  Search this
African American artists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.searle91
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-searle91
Online Media:

Oral history interview with Urban Neininger

Creator:
Neininger, Urban  Search this
New Deal and the Arts Oral History Project  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington), 1920-  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Extent:
15 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 Sept. 22
Scope and Contents:
An interview of Urban Neininger conducted 1964 Sept. 22, by Harlan Phillips, for the Archives of American Art.
Biographical / Historical:
Urban Neininger (1906-1985) was a mural painter from New York, N.Y.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hrs., 23 min.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Topic:
Federal aid to the arts  Search this
Muralists -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.neinin64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-neinin64
Online Media:

Oral history interview with Ben Knott

Interviewee:
Knott, Ben  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington), 1920-  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Extent:
1 Sound tape reel (Sound recordings: (45 min.), 7 in.)
14 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1964 July 14
Scope and Contents:
An interview of Ben Knott conducted by Harlan Phillips on 1964 July 14 for the Archives of American Art New Deal and the Arts Project.
Needs summary
Biographical / Historical:
Mural painter, art administrator; New York, N.Y.
General:
Unrelated interviews of Lawrence W. Morris and Urban Neininger conducted by H. Phillips are also on this tape.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Use requires an appointment.
Topic:
Federal aid to the arts  Search this
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Muralists -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.knott64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-knott64
Online Media:

Oral history interview with Reuben Kadish

Interviewee:
Kadish, Reuben, 1913-1992  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington), 1920-  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Extent:
1 Sound tape reel (Sound recordings, 7 in.)
33 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1964 Oct. 22
Scope and Contents:
An interview of Reuben Kadish conducted 1964 Oct. 22, by Harlan Phillips for the Archives of American Art New Deal and the Arts Project.
Biographical / Historical:
Painter, mural painter; New York, N.Y.; d. 1992.
General:
An interview of Benjamin Cunningham conducted by H. Phillips is also on this tape.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Federal aid to the arts  Search this
Mural painting and decoration -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Muralists -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.kadish64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kadish64
Online Media:

Oral history interview with Richard Haas

Interviewee:
Haas, Richard, 1936-  Search this
Interviewer:
Berman, Avis  Search this
Creator:
United States. General Services Administration. Design Excellence and the Arts Oral History Project  Search this
Names:
United States. General Services Administration. Design Excellence and the Arts Oral History Project  Search this
Extent:
1 Item (Sound recording, master: 1 data compact disc (6 hr., 11 min.), digital, 4 WMA files)
133 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 Jan. 13 and Mar. 16
Scope and Contents:
An interview of Richard Haas conducted 2009 Jan. 13 and Mar. 16, by Avis Berman, for the Archives of American Art's U.S. General Services Administration, Design Excellence and the Arts oral history project, at Haas' studio, in New York, N.Y.
Haas discusses his early interest in architecture; his family connection to Frank Lloyd Wright; attending Taliesin for two summers in 1955 and '56; Meeting Joseph Friebert while an undergraduate student at the University of Wisconsin-Milwaukee; taking studio classes and experimenting with different art styles and techniques; the influence of Abstract Expressionism and Post-Impressionism on his artworks; joining the ROTC program and painting his first mural at Fort Leonard Wood, MO; viewing the murals of Thomas Hart Benton and John Steurt Curry; going to graduate school at the University of Minneapolis, MN and meeting Jack Tworkov and Peter Busa; visiting Mexico on his honeymoon and viewing the murals of "Los Tres Grandes"; teaching art at Michigan State and developing his series, Boxes; the evolution of his art while teaching at Bennington college in Vermont and the shift from architectural drawings into murals; moreover, Haas speaks about the rise of street art in the 1970s and '80s in New York; his first mural at 112 Prince Street; his collaboration with Doris Freeman; the political challenges associated with doing public art; the collaborative process between the artist and architect; the importance of location when choosing a mural and the work's relationship to its environment; furthermore, Haas discusses his GSA projects in Kansas and West Virginia; his other mural commissions, particularly White House Detention Center, 1997; and the impact of technology on the medium. Throughout the conversation, Haas speaks about fellow artists Richard Serra, James Rosinquist, Malcolm Myers, as well as architects Philip Johnson, Grant Marani and Tim Vreeland.
Biographical / Historical:
Richard Haas (1936- ) is a trompe l'oeil muralist from New York, N.Y. Haas was educated at the University of Wisconsin and University of Minnesota.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Muralists -- New York (State) -- New York -- Interviews  Search this
Trompe l'oeil painting  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.haas09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-haas09
Online Media:

Oral history interview with Herman Cherry

Interviewee:
Cherry, Herman  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington), 1920-  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
Federal Art Project  Search this
New Deal and the Arts Oral History Project  Search this
Benton, Thomas Hart, 1889-1975  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Extent:
36 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1965 September
Scope and Contents:
An interview of Herman Cherry conducted 1965 September, by Harlan Phillips. Cherry speaks of his background and education; the Depression's effect on him; his first association with the WPA Federal Art Project; working for Stanton Macdonald-Wright; how the project functioned; trying to create an "American style" in painting; the team approach to creating murals; the effect of the project on individual artists and their styles; experimenting with materials; unions and political problems; social interaction between artists on the project; the current art market; his overall view of the Federal Art Project. He recalls Thomas Hart Benton.
Biographical / Historical:
Herman Cherry (1909-1992) was a painter, mural painter, lithographer, craftsman, writer, and teacher in New York, New York.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 8 min.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript: Patrons must use microfilm copy.
Topic:
Federal aid to the arts  Search this
Mural painting and decoration  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Lithographers -- New York (State) -- New York -- Interviews  Search this
Artisans -- New York (State) -- New York -- Interviews  Search this
Educators -- New York (State) -- New York -- Interviews  Search this
Decorative arts  Search this
Muralists -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.cherry65
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cherry65
Online Media:

Oral history interview with Louis Bouché

Interviewee:
Bouché, Louis, 1896-1969  Search this
Interviewer:
Morse, John D., 1906-  Search this
Names:
Armory Show (1913: New York, N.Y.)  Search this
Penguin Club (New York, N.Y.)  Search this
Wanamaker Gallery of Modern Decorative Art  Search this
DuMond, Frank Vincent, 1865-1951  Search this
Romanowsky, Dimitri  Search this
Extent:
23 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1959 August 7
Scope and Contents:
An interview of Louis Bouché conducted on 1959 August 7, by John D. Morse, for the Archives of American Art.
Bouché speaks of his art education in France; painting trips to Brittany; studying at the Art Students League with Dimitri Romanovsky and Frank Vincent DuMond; the Armory Show, 1913; managing a gallery at Wanamaker's (the Wanamaker Gallery of Modern Decorative Art) in the 1920s; his technique and materials; teaching; the Penguin Club; his taste in books and music; and abstract expressionism.
Biographical / Historical:
Louis Bouché (1896-1969) was a painter and teacher in New York, New York.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav file. Duration is 53 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art students -- France  Search this
Topic:
Abstract expressionism  Search this
Sculptors -- United States -- Interviews  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Muralists -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.bouche59
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bouche59
Online Media:

Oral history interview with Lucienne Bloch

Interviewee:
Bloch, Lucienne, 1909-1999  Search this
Interviewer:
McChesney, Mary Fuller  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Extent:
85 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 August 11
Scope and Contents:
An interview of Lucienne Bloch conducted by Mary McChesney on 1964 August 11 for the Archives of American Art New Deal and the Arts Project.
Biographical / Historical:
Lucienne Bloch (1909-1999) was a mural painter in New York, New York.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 4 digital wav files. Duration is 4 hr., 15 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Occupation:
Muralists -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Designers -- New York (State) -- New York  Search this
Topic:
New Deal, 1933-1939  Search this
Federal aid to the arts  Search this
Mural painting and decoration  Search this
Women artists  Search this
Women painters  Search this
Women photographers  Search this
Women designers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.bloch64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bloch64
Online Media:

Oral history interview with Reuben Kadish

Interviewee:
Kadish, Reuben, 1913-1992  Search this
Interviewer:
Polcari, Stephen  Search this
Names:
Pollock, Jackson, 1912-1956  Search this
Extent:
1 Sound cassette (Sound recording)
40 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1992 Apr. 15
Scope and Contents:
An interview of Reuben Kadish conducted 1992 Apr. 15, by Stephen Polcari, for the Archives of American Art. Kadish discusses designing murals for the WPA in the 1930s; working as an artist in the South Pacific for the U.S. Army during World War II; the N.Y. art scene in the 1940s; and his views on government support of the arts and on art censorship. He recalls Jackson Pollock.
Biographical / Historical:
Reuben Kadish (1913-1992) was a painter, sculptor, and mural painter from New York, N.Y.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Mural painting and decoration, American  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this
Art and war  Search this
Art and state  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Muralists -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.kadish92
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kadish92
Online Media:

Oral history interview with Marion Greenwood

Interviewee:
Greenwood, Marion, 1909-1970  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
Federal Art Project  Search this
New Deal and the Arts Oral History Project  Search this
Treasury Relief Art Project  Search this
Extent:
15 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 Jan. 31
Scope and Contents:
An interview of Marion Greenwood conducted on 1964 Jan. 31, by Dorothy Seckler, for the Archives of American Art's New Deal and the Arts Oral History Project.
Greenwood speaks of her background and education; her mural work before joining the Treasury Relief Art Project; working on murals for the Red Hook Housing Project in Brooklyn, N.Y.; changing from murals to easel paintings; and her opinions regarding government support for the arts.
Biographical / Historical:
Marion Greenwood (1909-1970) was a painter, lithographer, mosaicist, fresco, and mural painter from New York, N.Y.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 11 min.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Topic:
Federal aid to the arts  Search this
Mural painting and decoration  Search this
Lithographers -- New York (State) -- New York -- Interviews  Search this
Mosaicists -- New York (State) -- New York -- Interviews  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Muralists -- New York (State) -- New York -- Interviews  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.greenw64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-greenw64
Online Media:

Oral history interview with Hale Woodruff

Creator:
Woodruff, Hale, 1900-1980  Search this
Interviewer:
Murray, Albert  Search this
Extent:
26 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Date:
1968 November 18
Scope and Contents:
Interview of Hale Woodruff conducted 1968 November 18, by Al Murray, for the Archives of American Art.
Biographical / Historical:
Hale Woodruff (1900-1980) was a painter and educator in New York, New York.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others. Funding for this interview provided by the New York State Council on the Arts.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Educators -- Georgia -- Atlanta  Search this
Muralists -- New York (State) -- New York  Search this
Topic:
Art, American  Search this
African American artists  Search this
Genre/Form:
Interviews
Identifier:
AAA.woodru68
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-woodru68
Online Media:

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