New Deal and the Arts Oral History Project Search this
Extent:
34 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1965 January 9
Scope and Contents:
An interview of Hebe Daum Stackpole and Jack Moxom conducted 1965 January 9, by Mary McChesney, in Oakland, California, for the Archives of American Art New Deal and the Arts project.
Biographical / Historical:
Hebe Daum Stackpole (1912-1993) and Jack Moxom (born 1913) were muralists from Oakland, California.
General:
Originally recorded on 1 tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 22 min.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Interviews of brothers José and Malaquias Montoya conducted 1988 Feb. 28-June 2, by Eduardo Hernandez, for the Archives of American Art.
The Montoya's recall growing up as Mexican-Americans in a rural town in Colorado; moving to urban areas in California; their early education and development of their political awareness; and their artistic experiences, including their founding of the Royal Chicano Air Force, a group working primarily as muralists.
Biographical / Historical:
José Montoya (1932-2013) was a Mexican-American poet and artist in Sacramento, Calif. Malaquias Montoya (1938- ) is a Mexican-American artist in Oakland, Calif. He and his brother José founded Royal Chicano Air Force, a group working primarily as muralists
New Deal and the Arts Oral History Project Search this
Extent:
40 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1965 July 24
Scope and Contents:
An interview of Guy and Genoi Pettit Maccoy conducted, 1965 July 24, by Betty Hoag, in Chatsworth, Calif., for the Archives of American Art New Deal and the Arts Project.
Biographical / Historical:
Guy Maccoy (1904-1981) was a mural painter and painter. Genoi (1894-1982) was an illustrator, designer, and painter. Both were from Chattsworth, Calif.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 2 digital wav files. Duration is 1 hrs., 22 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
An interview of Frank Romero conducted 1997 January 17-March 2, by Jeffrey Rangel, for the Archives of American Art, in Romero's studio, in Los Angeles, Calif.
Romero discusses his growing up in East Los Angeles and his large extended family; his earliest art studies in the public schools; attending the Otis Art Institute where he studied with Joe Mugnaini and had contact with Millard Sheets and Peter Voulkos; the "very polyglut culture" of East Los Angeles; the influences of television, western movies, rock-and-roll, and rhythm and blues on his early musical/artistic taste; time spent in New York; returning to Los Angeles in 1969; and his marriage and family.
He describes his move into Carlos Almaraz's house which became the informal meeting place of the artist group Los Four (Almaraz, Romero, Gilbert Sanchez Lujan, and Roberto "Beto" de la Rocha); the Los Four show at the Los Angeles County Museum of Art in 1974; and the stylistic aesthetics of Los Four.
Romero describes the "boys club" nature of Chicano art centers; his contributions to the Chicano art movement; his relationship to the Chicano/Mexican culture and mainstream U.S. culture; murals done by members of Los Four for the Inner City Mural Program; his work for the Metropolitan Transit Authority; the Murals of Aztlan exhibit in 1981 at the Craft and Folk Art Museum; and his shows at the ARCO Center for the Visual Arts. He concludes with his assessment of the Chicano arts movement, the relationship between economic and art cycles, and the role of the more established artists to those of a younger generation.
Biographical / Historical:
Frank Romero (1941- ) is a painter from Los Angeles, Calif.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 9 digital wav files. Duration is 4 hr., 27 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Muralists -- California -- Los Angeles -- Interviews Search this
Topic:
Painters -- California -- Los Angeles -- Interviews Search this
This interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Funding for the digital preservation of this interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
New Deal and the Arts Oral History Project Search this
Extent:
27 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 Dec. 17
Scope and Contents:
An interview of Carlton Lehman conducted 1964 Dec. 17, by Mary McChesney, for the Archives of American Art.
Biographical / Historical:
Carlton Lehman (b. 1911) was a mural painter and arts administrator with the Federal Art Project in Sacramento, Calif.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav files. Duration is 48 min.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
