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Margaret Kilgallen that's where the beauty is Courtenay Finn, Jenelle Porter

Title:
That's where the beauty is
Curator:
Finn, Courtenay  Search this
Author:
Porter, Jenelle  Search this
Author:
Kilgallen, Margaret 1967-2001 Works Selections  Search this
Host institution:
Aspen Art Museum (Aspen, Colo.)  Search this
Subject:
Kilgallen, Margaret 1967-2001  Search this
Kilgallen, Margaret 1967-2001 Criticism and interpretation  Search this
Kilgallen, Margaret 1967-2001 Themes, motives  Search this
Physical description:
198 pages color illustrations, photographs, portraits, facsimiles 25 cm
Type:
Exhibitions
Illustrated works
Essays
Criticism, interpretation, etc
Exhibition catalogs
Place:
California
San Francisco
Date:
2019
20th century
Topic:
Painting, American  Search this
Mural painting and decoration, American  Search this
Mission School (Group of artists)  Search this
Women painters  Search this
Themes, motives  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1104862

Murals without walls : Arshile Gorky's aviation murals rediscovered / Ruth Bowman, guest curator

Author:
Gorky, Arshile 1904-1948  Search this
Bowman, Ruth 1923-  Search this
Newark Museum Association  Search this
American Federation of Arts  Search this
Subject:
Gorky, Arshile 1904-1948  Search this
Newark Airport  Search this
Physical description:
96 pages : illustrations (some color.) ; 27 cm
Type:
Exhibitions
Place:
New Jersey
Newark
Date:
1978
Topic:
Mural painting and decoration, American  Search this
Aeronautics in art  Search this
Call number:
ND237.G66 M97
N40.1.G66 M9
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_646465

The Robert Winthrop Chanler exhibition / introduction and catalogue by Christian Brinton

Author:
Chanler, Robert Winthrop 1872-1930  Search this
Brinton, Christian 1870-1942  Search this
Physical description:
[24] p. : chiefly ill. ; 28 cm
Type:
Exhibitions
Date:
1922
Topic:
Mural painting and decoration, American  Search this
Screen painting, American  Search this
Call number:
ND237.C45 A4 1922
N40.1.C4575B8
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_108706

George Biddle papers

Creator:
Biddle, George, 1885-1973  Search this
Names:
Federal Art Project  Search this
Justice Dept. Building (Washington, D.C.)  Search this
National Library Building (Rio de Janerio, Brazil)  Search this
Supreme Court Building (Mexico City, Mexico)  Search this
United States. Dept. of the Treasury. Section of Fine Arts  Search this
United States. Dept. of the Treasury. Section of Painting and Sculpture  Search this
Berenson, Bernard, 1865-1959  Search this
Brewer, Bessie Marsh, d. 1952  Search this
Brooks, Van Wyck, 1886-1963  Search this
Diederich, William Hunt, 1884-1953  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Pascin, Jules, 1885-1930  Search this
Poor, Anne, 1911-2011  Search this
Poor, Henry Varnum, 1887-1970  Search this
Pound, Ezra, 1885-1972  Search this
Roosevelt, Franklin D. (Franklin Delano), 1882-1945  Search this
Shahn, Ben, 1898-1969  Search this
Sterne, Maurice, 1878-1957  Search this
Extent:
0.76 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Place:
United States -- Social conditions -- 1933-1945
Date:
circa 1910-1970
Summary:
The papers of New York painter and muralist George Biddle (1885-1973), measure 0.76 linear feet and date from circa 1910-1970. The collection includes a certificate signed by President Harry Truman, transcripts of Biddle's diaries, a manuscript of a memoir about meeting President Franklin Roosevelt, three letters from William Hunt Diederich's daughter, transcripts of letters from Bernard Berenson, sketches and mural studies, and two glass plate negatives.
Scope and Contents:
The papers of New York painter and muralist George Biddle (1885-1973), measure 0.76 linear feet and date from circa 1910-1970. The collection includes a certificate signed by President Harry Truman, transcripts of Biddle's diaries, a manuscript of a memoir about meeting President Franklin Roosevelt, three letters from William Hunt Diederich's daughter, transcripts of letters from Bernard Berenson, sketches and mural studies, and two glass plate negatives.
Arrangement:
The collection is arranged as one series.

Series 1: George Biddle Papers, circa 1910-1970 (0.7 linear feet; Box 1, OVs 2-4, MGP4)
Biographical / Historical:
New York painter and muralist George Biddle (1885-1973) proposed to President Franklin Roosevelt the establishment of a federal relief program for artists during the Depression, and subsequently painted a number of government murals under the auspices of the Federal Art Project, including murals for the Department of Justice in 1935.

Biddle was born to a prominent Philadelphia family and graduated from Harvard College. He studied at the Académie Julian and the Pennsylvania Academy of Fine Arts, and served in the United States Army in World War I, before returning to New York where he had his first series of one-man shows.

In 1933 Biddle wrote to long-time friend President Franklin Roosevelt, to suggest a work relief program that supported mural painters. Although the idea initially met with opposition, Biddle persisted and the resulting art projects of the Works Progress Administration went on to support the production of thousands of paintings in government buildings throughout the country during the Depression.

In 1940 Biddle was invited by the Mexican government to create a mural for the supreme court building in Mexico City. Biddle had visited Mexico in 1928 where he had traveled and sketched with Diego Rivera, and seen firsthand the value of government sponsored art programs.

In addition to his murals, Biddle was also known for his portraits, lithographs, and paintings. His work can be found in the Metropolitan Museum of Art, the National Gallery of Art, the Museum of Modern Art, the Whitney Museum of American Art, the Los Angeles County Museum of Art, and others. His work has been shown throughout the United States, Europe, Mexico, Japan, and India in over a hundred one-man shows and group exhibitions.
Related Materials:
Originals of the edited diary transcripts in this collection are in the Library of Congress, Manuscript Division. The unedited diary has many more entries than the edited version and includes more details about Biddle's daily life and work, versions of articles by Biddle, and lists of his works of art through 1934.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming, including one of Biddle's original diaries, 1933-1935 (reel D127), records from the Federal Art Project, personal correspondence, articles and talks relating to Artists Equity (reels P17-P18), and a photocopy of Biddle's inventory notebook listing artwork and exhibitions (reel 4909). While the inventory notebook was discarded after microfilming, all other loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
The papers on reels P12-P18 were loaned for microfilming in 1954 by the Philadelphia Museum of Art in Philadelphia, PA. George Biddle lent the material on reel D127 in 1963 and donated the rest of the collection to the Archives of American Art between 1966-1970. In 1972, Michael Biddle, George Biddle's son, gifted a photocopy of an inventory notebook that was discarded after microfilming.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
New Deal, 1933-1939  Search this
Federal aid to the arts  Search this
Mural painting and decoration, American  Search this
Art and state -- United States  Search this
Muralists  Search this
Genre/Form:
Diaries
Citation:
George Biddle papers, circa 1910-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.biddgeor
See more items in:
George Biddle papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw914a8a397-8d17-42b1-8038-b8b6e3075445
EDAN-URL:
ead_collection:sova-aaa-biddgeor
Online Media:

Ernest Fiene papers

Creator:
Fiene, Ernest, 1894-  Search this
National Academy of Design (U.S.)  Search this
Names:
American Society of Painters, Sculptors and Gravers  Search this
Fiene, Paul  Search this
Extent:
3.8 Linear feet ((partially microfilmed on 3 reels))
Type:
Collection descriptions
Archival materials
Date:
1926-1965
Scope and Contents:
Correspondence, notes, photographs and printed materials concern Fiene's painting, publications and other art-related activities.
REELS 2353-2355: Correspondence (1926-1957) concerns art-related activities and the American Society of Painters, Sculptors and Engravers (1935-1936). A subject file on the Tupperware Art Fund contains applications (1953-1955) and photographs of Fiene painting. Printed material includes clippings (1930-1960) and exhibition catalogs for Paul Fiene (1933), Ernest Fiene (1926-1959) and the American Artists Council (1936). Three scrapbooks (1923-1961) contain clippings, exhibition catalogs and photographs of Fiene and his artworks. Other materials include a resume, an autobiographical account, a 1938 lecture, "Toward New Horizons", delivered at the Art Students League, and Alex Domonkos' (1954) notes on lectures by various artists, including Fiene's discussion of landscape painting.
UNMICROFILMED: Correspondence (1957-1964) concerns art-related activities. Photographs show Fiene, working on the mural in the High School for Fashion Industries, and works of art, including murals for the Interior Department and the council room of the International Ladies Garment Workers Union. Other materials include a manuscript, a typescript and illustrations for Fiene's book COMPLETE GUIDE TO OIL PAINTING (1963-1964), clippings (1940-1964), exhibition catalogs (1964), 2 galley proofs and minutes (1957-1958) from 2 meetings at the National Academy of Design.
ADDITION: Letters from friends, including other artists, 1932-1965; passport and membership cards; financial records, consisting of banking records, invoices and receipts, insurance policies, and records of investments; and a few printed items and photographs.
Biographical / Historical:
Painter, lithographer, etcher, illustrator and teacher. Died 1965.
Provenance:
Material on reels 2353-2355 lent by Maria Fiene, daughter of Ernest Fiene. Unfilmed material (0.8 ft.) donated by Syracuse University, 1984, and an additional 0.8 ft. donated by Maria Fiene, 1994.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters  Search this
Topic:
Painting, American  Search this
Mural painting and decoration, American  Search this
Identifier:
AAA.fienerne
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a3229be1-4950-4964-b587-9f073e2c4db8
EDAN-URL:
ead_collection:sova-aaa-fienerne

Ain't misbehavin' [videorecording] : the Coit Tower murals / New Pacific Productions ; producers, David Bolt, John Esterle, and Sue Ellen McCann ; director, David Bolt ; writer, John Esterle ; art director, Sue Ellen McCann ; narrator, Bruce Holbert

Creator:
New Pacific Productions  Search this
Names:
New Pacific Productions  Search this
Bell, Michael S., 1946-  Search this
Chessé, Ralph  Search this
Howard, John Langley, 1902-  Search this
Jewett, Masha Zakheim, 1931-  Search this
O'Connor, Francis V.  Search this
Zakheim, Bernard Baruch, 1898-1985  Search this
Extent:
1 Item (videocassette (VHS) (ca. 20 min.), sd., col., 1/2 in.)
Type:
Collection descriptions
Archival materials
Video recordings
Date:
c1986
Scope and Contents:
Reviews the history of the San Francisco Coit Tower from its building, the commissioning of the often controversial murals by the Public Works of Art Project in 1933, and their significance in both artistic and political terms, through to the more recent problems of restoration and the commemoration of the 50th anniversary of the murals in 1984. Appearing in the video are Coit Tower muralists, Ralph Chessé, John Langley Howard and Bernard Zakheim. Offering commentary and analysis are: Masha Zakheim Jewett, author of COIT TOWER, Michael Bell, Assistant Director, San Francisco Art Commission, and art historian Francis V. O'Connor.
Publication, Distribution, Etc. (Imprint):
San Francisco, Calif. : New Pacific Productions [production company], c1986.
Provenance:
Donated 1986 by David Bolt.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
To be used for research purposes only. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Coit Memorial Tower (San Francisco, Calif.)  Search this
Mural painting and decoration -- 20th century -- California -- San Francisco  Search this
Mural painting and decoration, American -- California -- San Francisco  Search this
Public Works of Art Project (Calif.)  Search this
Genre/Form:
Video recordings
Identifier:
AAA.newpacif
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw988208547-d33c-4b7e-bfc0-c6a2ddd4e122
EDAN-URL:
ead_collection:sova-aaa-newpacif

William C. Palmer papers, 1933-1978

Creator:
Palmer, William C. (William Charles), 1906-1987  Search this
Federal Art Project (Iowa)  Search this
Palmer, William C. (William Charles), 1906-1987  Search this
Subject:
Public Works of Art Project  Search this
Treasury Relief Art Project  Search this
United States. Dept. of the Treasury. Section of Fine Arts  Search this
United States. Dept. of the Treasury. Section of Painting and Sculpture  Search this
Topic:
Federal aid to the arts  Search this
Art and state  Search this
Public art  Search this
Mural painting and decoration, American -- Washington (D.C.)  Search this
Mural painting and decoration -- United States  Search this
Muralists  Search this
Theme:
Government Sponsorship of the Arts  Search this
Record number:
(DSI-AAA_CollID)7241
(DSI-AAA_SIRISBib)209389
AAA_collcode_palmwill
Theme:
Government Sponsorship of the Arts
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209389

Festival Recordings: Art and Urban Life (Robbie Inqui, Hector Nazario, Gaspar Ingui, Wilfredo Feliciano, Elena Martinez) (Steve Zeitlin)

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2001 June 27
General:
This audio recording has been transcribed. View transcription and play recording here. Download a PDF of the transcription here.
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Mural painting and decoration, American -- New York (State) -- New York  Search this
Mural painting and decoration -- New York (State) -- Brooklyn  Search this
Street art  Search this
Graffiti art  Search this
Graffiti artists  Search this
Latino and Latin American artists  Search this
Urban Life  Search this
Collection Citation:
Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2001, Item FP-2001-CT-0096
See more items in:
Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival
Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival / Series 4: New York City at the Smithsonian / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5478d08af-771e-460b-988d-a0eb2a0bae5a
EDAN-URL:
ead_component:sova-cfch-sff-2001-ref759

Stanton Macdonald-Wright papers

Creator:
Macdonald-Wright, Stanton, 1890-1973  Search this
Names:
Russell, Morgan, 1886-1953  Search this
Seuphor, Michel, 1901-1999  Search this
Summerfield, Anne, 1917-  Search this
Summerfield, John, 1917-  Search this
Extent:
14.5 Linear feet
Type:
Collection descriptions
Archival materials
Blueprints
Diaries
Essays
Travel diaries
Place:
Italy -- description and travel
Hawaii -- description and travel
Japan -- Description and Travel
Date:
1890-2018
Summary:
The papers of Southern California painter Stanton Macdonald-Wright measure 3.2 linear feet and date from 1907 to 1973. The collection contains correspondence with family, friends, and artists, including Morgan Russell, and his wife Suzanne Binon, Michel and Suzanne Seuphor, Ann and John Summerfield, and Bethany Wilson. Also found are writings, six diaries, travel journals, printed materials, and artwork. There is an 11.3 linear foot unprocessed addition to this collection donated 2019 that includes biographical material, personal and professional correspondence including illustrated letters, two scrapbooks, a diary by Stanton macDonald-Wright, works of art includind sketches in various media, photographs, scrapbooks, Jean's research and writing, Stanton's teaching materials, printed material, interviews on three cassettes, and files related to Stanton's estate.
Scope and Contents:
The papers of Southern California painter Stanton Macdonald-Wright measure 3.2 linear feet and date from 1907 to 1973. The collection contains correspondence with family, friends, and artists, including Morgan Russell, and his wife Suzanne Binon, Michel and Suzanne Seuphor, Ann and John Summerfield, and Bethany Wilson. Also found are writings, six diaries, travel journals, printed materials, and artwork. There is an 11.3 linear foot unprocessed addition to this collection donated 2019 that includes biographical material, personal and professional correspondence including illustrated letters, two scrapbooks, a diary by Stanton macDonald-Wright, works of art includind sketches in various media, photographs, scrapbooks, Jean's research and writing, Stanton's teaching materials, printed material, interviews on three cassettes, and files related to Stanton's estate.

Writings consist of drafts of essays, plays, and book manuscripts. There are drafts of A Treatise on Color with palettes and color wheels, The Basis of Culture, and Macdonald-Wright's autobiography Bittersweet: An Artist's Life.

There are six diaries and numerous travel journals. One diary was written in Paris in 1909 in which Macdonald-Wright muses over the aesthetics of art and his color theories. Five additional disbound diaries cover his life from 1939-1973. Travel diaries date from 1959-1972 and cover trips to Italy, Japan, and Hawaii.

Printed material includes a copy of Les Synchromistes exhibition catalog, a newspaper clipping, and The Future of Painting by Willard Wright. Artwork consists of blueprints for Macdonald-Wright's Synchrome Kineidoscope, a color and light projecting machine first envisioned by Macdonald-Wright and Morgan Russell as early as 1913 and finally completed in the late 1950s.
Arrangement:
The collection is arranged as 5 series.

Missing Title

Series 1: Correspondence, circa 1907-circa 1972 (0.5 linear feet; Box 1)

Series 2: Writings, 1920-circa 1970 (0.9 linear feet; Box 1-2)

Series 3: Diaries, 1909-1973 (1.3 linear feet; Box 2-3)

Series 4: Printed Material, 1913-1967 (0.3 linear feet; Box 3, OV 4)

Series 5: Artwork, 1969 (0.1 linear feet; Box 3, OV 4)
Biographical / Historical:
Stanton Macdonald-Wright (1890-1973) was the creator of a modernist style of painting based on pure spectral color known as chromatic abstraction or "Synchromism." He worked in New York and later primarily in Los Angeles.

Stanton Macdonald-Wright was born in 1890 in Charlottesville, Virginia. In 1900 the family moved to Santa Monica, California where they ran a seaside hotel. A few years later he took courses at the Art Students League in Los Angeles, studying under Warren T. Huges. His older brother was Willard Huntington Wright, a respected art critic who wrote Modern Painting: Its Tendency and Meaning (1915), upon which he collaborated with his younger brother Stanton, and The Future of Painting (1923), and later became a detective novelist under the name S. S. Van Dine.

At the age of seventeen, Stanton Macdonald-Wright married his first wife and moved to Paris where he immersed himself in European art and studied at the Sorbonne, the Académie Julian, the École des Beaux-Arts, and the Académie Colarossi. While in Europe he also befriended fellow American painter Morgan Russell and the two artists began working closely together. They studied with Canadian painter Percyval Tudor-Hart between 1911 and 1913 and were deeply influenced by their teacher's color theory, which connected the qualities of color to those of music. Together Macdonald-Wright and Russell developed a style of painting based on color and named it "Synchromism." They introduced their work in 1913 at the Der Neue Kuntsalon in Munich and in Paris at the Galerie Bernheim-Jeune. These exhibitions helped to establish Synchromism as an major influence in modern art well into the 1920s.

Stanton Macdonald-Wright and Morgan Russell returned to the United States eager to promote their work and theory. It was not long before the two separated, but both continued to work in the Synchromist style. Together, they held one more Synchromist exhibition in New York in 1916 which received significant critical support. Macdonald-Wright also participated in the prestigious 1916 "Forum Exhibition of Modern American Painters" in New York and exhibited his work at Alfred Stieglitz's famed 291 gallery in New York in 1917. Yet, financial success evaded him.

Macdonald-Wright moved to Santa Monica in 1918, where he taught and served as director of the Los Angeles Art Students League. In 1924 he published his instructive Treatise on Color. In 1927 he organized another joint exhibition with Morgan Russell at the Los Angeles County Museum of Art, where he also exhibited five years later. He exhibited at the Oakland Art Gallery, the California Palace of the Legion of Honor in San Francisco, Alfred Stieglitz's An American Place gallery in New York, and the Stendahl Galleries in Los Angeles. From 1935 to 1942 Macdonald-Wright served as director of the Works Progress Administration's Federal Art Project for Southern California, followed by a faculty position at the University of Southern California at Los Angeles where he taught for sixteen years.

In the late 1950s, Macdonald-Wright completed the Synchome Kineidoscope, a color and light projecting machine first envisioned by Macdonald-Wright and Morgan Russell as early as 1913.

Macdonald-Wright traveled extensively throughout the 1960s and early 1970s, spending time in Hawaii, Italy, and Japan. Macdonald-Wright married three times and died in California in 1973, at the age of 83.

This biographical note draws heavily on the Archives of American Art's West Coast Regional Collector Paul Karlstrom's collection description written upon acquisition of the papers.
Related Materials:
The Archives of American Art holds several collections related to the Stanton Macdonald-Wright papers. There is an oral interview of Stanton Macdonald-Wright conducted 1964 Apr. 13-Sept. 16, by Betty Hoag. There are also Stanton Macdonald-Wright Letters to Alan and Fanny Leslie, the Stanton Macdonald-Wright Collection of photographs, Stanton Macdonald-Wright Letters to Morgan Russell, Walter Houk Letters from Stanton Macdonald-Wright, and an Oral History of Stanton Macdonald-Wright by Jeanne M. Marshall for the Voice of America Conducted in 1967.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reels LA 1 and LA 5) including a brochure on the Santa Monica Library murals and six photographs of the panels while in Macdonald-Wright's studio. There is also a 1939 exhibition catalog for "Southern California Art Project" a master's thesis on Macdonald-Wright by Dori Jean Watson (1957), and one scrapbook of photographs, clippings, and other printed materials dating from circa 1910-1964. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Stanton Macdonald-Wright first loaned materials to the Archives of American Art for microfilming in 1964. David Nellis, a gallery owner, gave the Archives the artist's unpublished autobiography in 1978. The bulk of the Stanton Macdonald-Wright papers were donated to the Archives of American Art by his widow, Jean Macdonald-Wright, in 2 installments in 1995 and then in 2019 as a bequest.
Restrictions:
This collection is temporarily closed due to archival processing. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- Los Angeles  Search this
Topic:
Mural painting and decoration, American -- California -- Santa Monica  Search this
Synchromism (Art)  Search this
Painting, Abstract  Search this
Color in art  Search this
Genre/Form:
Blueprints
Diaries
Essays
Travel diaries
Citation:
Stanton Macdonald-Wright papers, 1907-1973. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.macdstan
See more items in:
Stanton Macdonald-Wright papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92754d264-a987-4a95-9b40-39727bfd1bc6
EDAN-URL:
ead_collection:sova-aaa-macdstan

Alton S. Tobey papers

Creator:
Tobey, Alton S. (Alton Stanley), 1914-2005  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1939-1980
Scope and Contents:
Resumes; a typescript, "In Profile: Alton S. Tobey," by Wayne Baruch; letters concerning mural commissions, gifts of portraits, and financial matters; receipts; 3 notebooks; exhibition announcements; clippings and other printed material; and photographs of Tobey and his works of art.
Biographical / Historical:
Painter, mural painter, lecturer; Larchmont, N.Y. Born 1914. Died 2005.
Provenance:
Donated 1980 by Alton S. Tobey.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Painting, Modern -- United States  Search this
Mural painting and decoration, American  Search this
Muralists  Search this
Identifier:
AAA.tobealto
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97e4ff359-e147-4da7-a41b-1f71e7624f1c
EDAN-URL:
ead_collection:sova-aaa-tobealto

Vincent Aderente papers, 1906-1960

Creator:
Aderente, Vincent, 1880-1941  Search this
Aderente, Vincent, 1880-1941  Search this
Subject:
Blashfield, Edwin Howland  Search this
Topic:
Mural painting and decoration -- 20th century -- New York (State)  Search this
Mural painting and decoration, American  Search this
Federal aid to the arts  Search this
Theme:
Lives of American Artists  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)5602
(DSI-AAA_SIRISBib)208436
AAA_collcode_adervinc
Theme:
Lives of American Artists
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208436

Emmy Lou Packard Papers, 1900-1990

Creator:
Packard, Emmy Lou, 1914-1998  Search this
Packard, Emmy Lou, 1914-1998  Search this
Subject:
Covarrubias, Miguel  Search this
Edmunds, John  Search this
Rivera, Diego  Search this
Reynolds, Malvina  Search this
Refregier, Anton  Search this
Lange, Dorothea  Search this
Kahlo, Frida  Search this
O'Higgins, Pablo  Search this
O'Gorman, Juan  Search this
American Civil Liberties Union  Search this
Public Works of Art Project  Search this
Type:
Scrapbooks
Sketches
Photographs
Interviews
Diaries
Topic:
Printmakers -- California -- San Francisco  Search this
Mural painting and decoration, American  Search this
Mural painting and decoration, Mexican  Search this
Latino and Latin American artists  Search this
Women artists  Search this
Women muralists  Search this
Women printmakers  Search this
Women painters  Search this
Women sculptors  Search this
Theme:
Latino and Latin American  Search this
Women  Search this
American Art and Artists in a Global Context  Search this
Record number:
(DSI-AAA_CollID)5519
(DSI-AAA_SIRISBib)211816
AAA_collcode_packemmy
Theme:
Latino and Latin American
Women
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211816
Online Media:

Vincent Aderente papers

Creator:
Aderente, Vincent, ca. 1880-1941  Search this
Names:
Blashfield, Edwin Howland, 1848-1936  Search this
Extent:
1 Microfilm reel (130 items on partial microfilm reel)
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1906-1960
Scope and Contents:
The microfilm collection of the Vincent Aderente papers contains correspondence (1910-circa 1934), including four letters from Edwin Blashfield; 5 sketches by Aderente; and notes and printed material on three mural commissions executed by Aderente. Commissions include murals at the main post office in Flushing, NY depicting local historical events; at the general court house in Jamaica, NY (circa 1942-1943) depicting the different periods of law from Egyptian to American; and at the main branch of the Lincoln Savings Bank in Brooklyn, NY depicting Lincoln's life. Also included in the collection is a list of portraits and murals by Aderente, including works by Edwin Blashfield on which Aderente worked as an assistant; a photograph of Aderente; and printed material, including many reproductions of Aderente's murals and graphic work, and a series of booklets on the history of the Detroit Library.
Biographical / Historical:
Vincent Aderente (1880-1941) was an Italian American muralist. He studied at the Art Students League and was Edwin Blashfield's assistant. Aderente's work can be found across the United States, including at St. Matthew's Cathedral; the Detroit Public Library; the United States Post Office in Flushing, Queens; the Queens County Court House; and the Long Island Savings Bank.
Related Materials:
The Detroit Public Library Burton Historical Collection holds the Vincent Aderente papers, 1899-1965.
Provenance:
Lent for microfilming 1969 by Mrs. Vincent Aderente, widow of Aderente.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Portrait painters  Search this
Muralists -- United States  Search this
Topic:
Mural painting and decoration -- 20th century -- New York (State)  Search this
Mural painting and decoration, American  Search this
Federal aid to the arts  Search this
Identifier:
AAA.adervinc
See more items in:
Vincent Aderente papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b47913a0-51c8-45e7-a050-2fb14e4b69fb
EDAN-URL:
ead_collection:sova-aaa-adervinc

Oral history interview with John Spencer

Interviewee:
Spencer, John, 1911-1996  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Cornwell, Dean, 1892-1960  Search this
Extent:
2 Items (sound cassettes (1 hr., 23 min.), analog.)
41 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Los Angeles (Calif.) -- Buildings, structures, etc
Date:
1994 September 1
Scope and Contents:
An interview with John Spencer conducted 1994 September 1, by Paul J. Karlstrom, for the Archives of American Art.
Spencer discusses his work assisting Dean Cornwell on the Los Angeles Central Library murals between 1927-1933; his subsequent relationship with Cornwell; and his experience as a young artist in Southern California in the 1930s.
Biographical / Historical:
John Spencer was a painter from Pasadena, California.
General:
Originally recorded 2 sound cassettes. Reformatted in 2010 as 3 digital wav files. Duration is 1 hr., 23 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire audio recording is restricted. Contact Reference Services for more information.
Topic:
Art, American -- California, Southern  Search this
Art, Modern -- 20th century -- California, Southern  Search this
Muralists -- California -- Interviews  Search this
Mural painting and decoration, American  Search this
Mural painting and decoration -- 20th century -- California -- Los Angeles  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.spence94
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f03c77d5-b351-47f5-b669-9440dd021916
EDAN-URL:
ead_collection:sova-aaa-spence94
Online Media:

Oral history interview with José and Malaquias Montoya, 1988 Feb. 28-June 2

Interviewee:
Montoya, José, 1932-2013  Search this
Montoya, José, 1932-2013  Search this
Interviewer:
Hernandez, Eduardo  Search this
Subject:
Montoya, Malaquias, 1938-  Search this
Montoya, Malaquias  Search this
Royal Chicano Air Force  Search this
Type:
Sound recordings
Interviews
Topic:
Mexican American artists  Search this
Mexican American art  Search this
Mural painting and decoration, American  Search this
Mural painting and decoration -- 20th century -- United States  Search this
Hispanic American artists  Search this
Painters -- California -- Interviews  Search this
Theme:
Latino and Latin American  Search this
Record number:
(DSI-AAA_CollID)13570
(DSI-AAA_SIRISBib)211798
AAA_collcode_montoy88
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211798

Oral history interview with Judith Baca, 1986 August 5-6

Interviewee:
Baca, Judith Francisca, 1946-  Search this
Baca, Judith Francisca, 1946-  Search this
Interviewer:
Mesa-Bains, Amalia, 1943-  Search this
Type:
Sound recordings
Interviews
Topic:
Latino and Latin American artists  Search this
Mexican American art  Search this
Mural painting and decoration, American  Search this
Chicano art movement  Search this
Women artists  Search this
Women painters  Search this
Women arts administrators  Search this
Women muralists  Search this
Theme:
Latino and Latin American  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)5436
(DSI-AAA_SIRISBib)211937
AAA_collcode_baca86
Theme:
Latino and Latin American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211937
Online Media:

Oral history interview with Merlin F. Pollock, 1979 July 30 and 1980 July 30

Interviewee:
Pollock, Merlin F., 1905-1996  Search this
Pollock, Merlin F., 1905-1996  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Art Institute of Chicago  Search this
Federal Art Project (Ill.)  Search this
Type:
Sound recordings
Interviews
Topic:
Mural painting and decoration, American -- Illinois -- Chicago  Search this
Arts administrators -- Illinois -- Interviews  Search this
Muralists -- United States -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12533
(DSI-AAA_SIRISBib)211981
AAA_collcode_polloc79
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211981
Online Media:

Oral history interview with Lewis W. and Erica Beckh Rubenstein, 1993 February 23

Interviewee:
Rubenstein, Lewis W. (Lewis William), 1908-2003  Search this
Rubenstein, Lewis W. (Lewis William), 1908-2003  Search this
Interviewer:
Rubenstein, Erica Beckh, 1914-2014  Search this
Subject:
Polcari, Stephen  Search this
Lebrun, Rico  Search this
Orozco, José Clemente  Search this
Rubenstein, Erica Beckh  Search this
Vassar College  Search this
Type:
Sound recordings
Interviews
Topic:
Mural painting and decoration, American  Search this
Art and state  Search this
Painters -- New York (State) -- Poughkeepsie -- Interviews  Search this
Educators -- New York (State) -- Poughkeepsie -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12718
(DSI-AAA_SIRISBib)215330
AAA_collcode_rubens93
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215330
Online Media:

Oral history interview with John Spencer, 1994 September 1

Interviewee:
Spencer, John, 1911-1996  Search this
Spencer, John, 1911-1996  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Cornwell, Dean  Search this
Type:
Sound recordings
Interviews
Place:
Los Angeles (Calif.) -- Buildings, structures, etc
Topic:
Art, American -- California, Southern  Search this
Art, Modern -- 20th century -- California, Southern  Search this
Muralists -- California -- Interviews  Search this
Mural painting and decoration, American  Search this
Mural painting and decoration -- 20th century -- California -- Los Angeles  Search this
Record number:
(DSI-AAA_CollID)11771
(DSI-AAA_SIRISBib)215798
AAA_collcode_spence94
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215798
Online Media:

Oral history interview with Michael Spafford and Elizabeth Sandvig, 1992 September 2-4

Interviewee:
Spafford, Michael, 1935-  Search this
Spafford, Michael, 1935-  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Sandvig, Elizabeth, 1937-  Search this
Type:
Sound recordings
Interviews
Topic:
Painters -- Washington (State) -- Seattle -- Interviews  Search this
Muralists -- Washington (State) -- Seattle -- Interviews  Search this
Mural painting and decoration, American -- Washington (State)  Search this
Record number:
(DSI-AAA_CollID)12402
(DSI-AAA_SIRISBib)216423
AAA_collcode_spaffo92
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216423
Online Media:

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