Skip to main content Smithsonian Institution

Search Results

Collections Search Center
12 documents - page 1 of 1

Oral history interview with Harlan Butt, 2009 July 27-28

Interviewee:
Butt, Harlan, 1950-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Brooks, Jan  Search this
Glantz, Ken  Search this
Japanese tea ceremony  Search this
Kington, L. Brent (Louis Brent)  Search this
Lechtzin, Stanley  Search this
Moty, Eleanor  Search this
Paley, Albert  Search this
Pijanowski, Eugene  Search this
Pijanowski, Hiroko Sato  Search this
Pujol, Elliot  Search this
Scanga, Italo  Search this
Shirk, Helen Z.  Search this
Snyder, Gary  Search this
Staffel, Rudolf  Search this
Winokur, Robert  Search this
American Craft Council  Search this
Arrowmont School of Arts and Crafts  Search this
Enamelist Society  Search this
Haystack Mountain School of Crafts  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts  Search this
Rhode Island School of Design  Search this
San Diego State University  Search this
Society of North American Goldsmiths  Search this
Southern Illinois University at Carbondale  Search this
Tyler School of Art  Search this
University of North Texas  Search this
Type:
Interviews
Sound recordings
Place:
Australia -- description and travel
India -- description and travel
Japan -- Description and Travel
Topic:
Art, Asian  Search this
Art -- Study and teaching  Search this
Buddhism  Search this
Metal-workers -- Texas -- Interviews  Search this
Weaving -- Study and teaching  Search this
Record number:
(DSI-AAA_CollID)15907
(DSI-AAA_SIRISBib)296475
AAA_collcode_butt09
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_296475
Online Media:

Oral history interview with Harlan Butt

Interviewee:
Butt, Harlan W., 1950-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
American Craft Council  Search this
Arrowmont School of Arts and Crafts -- Faculty  Search this
Enamelist Society  Search this
Haystack Mountain School of Crafts -- Faculty  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts -- Faculty  Search this
Rhode Island School of Design -- Faculty  Search this
San Diego State University -- Faculty  Search this
Society of North American Goldsmiths  Search this
Southern Illinois University at Carbondale -- Students  Search this
Tyler School of Art -- Students  Search this
University of North Texas -- Faculty  Search this
Brooks, Jan  Search this
Glantz, Ken  Search this
Japanese tea ceremony  Search this
Kington, L. Brent (Louis Brent), 1934-2013  Search this
Lechtzin, Stanley, 1936-  Search this
Moty, Eleanor  Search this
Paley, Albert  Search this
Pijanowski, Eugene, 1938-  Search this
Pijanowski, Hiroko Sato, 1942-  Search this
Pujol, Elliot  Search this
Scanga, Italo, 1932-2001  Search this
Shirk, Helen Z., 1942-  Search this
Snyder, Gary, 1930-  Search this
Staffel, Rudolf, 1911-2002  Search this
Winokur, Robert, 1933-  Search this
Extent:
7 Items (Sound recording: 7 sound files (5 hr., 19 min.), digital, wav)
90 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Australia -- Description and Travel
India -- description and travel
Japan -- Description and Travel
Date:
2009 July 27-28
Scope and Contents:
An interview of Harlan W. Butt conducted 2009 July 27-28, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Butt's studio, in Ptarmigan Meadows, Colorado.
Harlan Butt speaks of the influence of Asian art on his work; the use of text and imagery in his work; the use of pattern in his work; his undergraduate minor in weaving; the influence of Asian religion and mythology; series The Earth Beneath Our Feet , Garden Anagogies, and Snakes in Heaven; his childhood growing up in Hopewell, New Jersey, near Princeton; undergraduate work at Tyler School of Art, Philadelphia, Pennsylvania; discovery of Buddhism and Eastern religions; his mother's death when he was 20; studying with Stanley Lechtzin and Elliot Pujol at Tyler; graduate school at Southern Illinois University, Carbondale; interest in Japanese tea ceremony; more exploration of Zen Buddhism; use of color in his work; studying with L. Brent Kington; reliquary series; move to Connecticut in 1974; second trip to Japan in 1984 to co-curate Kyoto Metal: An Exhibition of Contemporary Japanese Art Metalwork; introduction to Japanese system of artisan apprenticeship; early efforts as a writer and poet; the influence of poet Gary Snyder; summer teaching position at Rhode Island School of Design, Providence; teaching job at San Diego [California] State University in the mid-1970s; rattles and pipes series; exploring the Western landscape; the power of the snake image; taking a teaching position at University of North Texas, Denton (1976- ); first trip to Japan in 1980; differences in artisanal/metalworking practices in Japan and the United States; teaching workshops at various craft schools, Penland School of Crafts, Penland, North Carolina; Haystack School of Crafts, Deer Isle, Maine; and Arrowmont School of Arts and Crafts, Gatlinburg, Tennessee, compared with teaching in a university; the pros and cons of the gallery system; work with the Nancy Yaw Gallery, Birmingham, Michigan; the challenge of commission work; National Parks Project, Denton Center for the Visual Arts, Denton, Texas; the role of haiku and text in his pieces; series 1,001 Views of Mt. Mu; series Snakes in Heaven; the influence of his wife and children; trip to India and organizing Colour & Light: The Art and Craft of Enamel on Metal, National Gallery of Modern Art, Mumbai, 2001; trip to Australia; involvement with the Society of North American Goldsmiths, Enamelist Society, and American Craft Council; subtle issues of environmentalism in his work; his affinity for metalsmithing and enameling. He also recalls [Rudolf] Staffel, Robert Winokur, Italo Scanga, Jan Brooks, Mike Riegel, Rachelle Thiewes, Eleanor Moty, Albert Paley, Shumei Tanaka, Ken Glantz (Ken Chowder), Randy Thelma Coles, Sandy Green, Mickey McCarter, Gene Pijanowski, Hiroko Pijanowski, Toshihiro Yamanaka, Helen Shirk, Ana Lopez, and Sarah Perkins.
Biographical / Historical:
Harlan W. Butt (1950- ) is an artist, metalsmith, and educator in Denton, Texas. Mija Riedel (1958- ) is a writer and independent scholar in San Francisco, California.
General:
Originally recorded on 4 sound mini discs. Reformatted in 2010 as 7 digital wav files. Duration is 5 hr., 19 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art teachers -- Interviews  Search this
Topic:
Art, Asian  Search this
Art -- Study and teaching  Search this
Buddhism  Search this
Metal-workers -- Texas -- Interviews  Search this
Weaving -- Study and teaching  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.butt09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-butt09

Oral history interview with Mary Lee Hu, 2009 March 18-19

Interviewee:
Hu, Mary Lee, 1943-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Baldridge, Mark S.  Search this
Choo, Chunghi  Search this
Christensen, Hans  Search this
Dingeldein, Otto  Search this
Eikerman, Alma  Search this
Farafol, Daphne  Search this
Fenster, Fred  Search this
Fike, Phillip G.  Search this
Halper, Vicki  Search this
Ho, Ron  Search this
Kidman, Hero  Search this
Kington, L. Brent (Louis Brent)  Search this
Marshall, John  Search this
Matsukata, Miye  Search this
Matzdorf, Kurt  Search this
McMurray, James  Search this
Moty, Eleanor  Search this
Noffke, Gary  Search this
Pujol, Eleanor  Search this
Seppä, Heikki  Search this
Turner, Gary  Search this
Warashina, Patti  Search this
American Craft Council  Search this
Cleveland Institute of Art  Search this
Cranbrook Academy of Art  Search this
Lawrence Arts Center  Search this
Miami University (Oxford, Ohio)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Society of North American Goldsmiths  Search this
Southern Illinois University at Carbondale  Search this
University of Washington  Search this
Type:
Sound recordings
Interviews
Place:
Afghanistan -- Description and travel
Australia -- description and travel
China -- description and travel
Indonesia -- description and travel
Iran -- description and travel
Nepal -- description and travel
Ohio -- Description and travel
Papua New Guinea -- Description and travel
Tibet (China) -- Description and travel
Turkey -- description and travel
Topic:
Body adornment  Search this
Jewelry  Search this
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Study and teaching  Search this
Jewelry making -- Technique  Search this
Metal-workers -- Washington (State) -- Interviews  Search this
Women artists -- Washington (State) -- Seattle -- Interviews  Search this
Record number:
(DSI-AAA_CollID)15659
(DSI-AAA_SIRISBib)282415
AAA_collcode_hu09
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_282415
Online Media:

Oral history interview with Eleanor Moty, 2014 November 18-20

Interviewee:
Moty, Eleanor, 1945-  Search this
Interviewer:
Church, Sharon, 1948-  Search this
Type:
Interviews
Sound recordings
Topic:
Educators -- Wisconsin -- Interviews  Search this
Jewelers -- Wisconsin -- Interviews  Search this
Metal-workers -- Wisconsin -- Interviews  Search this
Women artists -- Wisconsin -- Interviews  Search this
Record number:
(DSI-AAA_CollID)16217
(DSI-AAA_SIRISBib)368475
AAA_collcode_moty14
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_368475
Online Media:

Jewelry-Designers-Moty, Eleanor

Collection Creator:
Jeffers, Grace  Search this
Formica Corporation.  Search this
Container:
Box 14, Folder 16
Type:
Archival materials
Collection Restrictions:
The collection is open for research use. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Grace Jeffers Collection of Formica Materials, Archives Center, National Museum of American History
See more items in:
Grace Jeffers Collection of Formica Materials
Grace Jeffers Collection of Formica Materials / Series 6: Subject Files
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0565-ref397

Oral history interview with Eleanor Moty

Interviewee:
Moty, Eleanor  Search this
Interviewer:
Church, Sharon, 1948-  Search this
Extent:
19 Items (sound files (9 hrs., 2 min.), digital, wav)
204 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2014 November 18-20
Scope and Contents:
An interview of Eleanor Moty, conducted 2014 November 18-20, by Sharon Church, for the Archives of American Art, at Moty's home and studio in Tucson, Arizona.
Biographical / Historical:
Interviewee Eleanor Moty (1945 - ) is a studio jeweler, metalsmith, and Professor Emeritus at the University of Wisconsin, Madison, Wisconsin. Interviewer Sharon Church (1948- ) is a studio jeweler and Professor Emeritus at the University of the Arts, Philadelphia, Pennsylvania.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Educators -- Wisconsin -- Interviews  Search this
Jewelers -- Wisconsin -- Interviews  Search this
Metal-workers -- Wisconsin -- Interviews  Search this
Women artists -- Wisconsin -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.moty14
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-moty14

Moty, Eleanor

Collection Creator:
Wilde, John, 1919-2006  Search this
Container:
Box 7, Folder 16
Type:
Archival materials
Date:
2003-2006
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. One box of letters from Walter Hamady is ACCESS RESTRICTED; use requires written permission. The Walter Hamady letters microfilmed on 2539a, 4710a, and 5661 are also ACCESS RESTRICTED.
Collection Rights:
The John Wilde papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
John Wilde Papers, 1935-2011. Archives of American Art, Smithsonian Institution.
See more items in:
John Wilde papers
John Wilde papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-wildjohn-ref106

Oral history interview with Mary Lee Hu

Interviewee:
Hu, Mary Lee, 1943-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
American Craft Council  Search this
Cleveland Institute of Art -- Students  Search this
Cranbrook Academy of Art -- Students  Search this
Lawrence Arts Center  Search this
Miami University (Oxford, Ohio) -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Society of North American Goldsmiths  Search this
Southern Illinois University at Carbondale -- Students  Search this
University of Washington -- Faculty  Search this
Baldridge, Mark S., 1946-  Search this
Choo, Chunghi  Search this
Christensen, Hans, 1924-1983  Search this
Dingeldein, Otto  Search this
Eikerman, Alma  Search this
Farafol, Daphne  Search this
Fenster, Fred, 1934-  Search this
Fike, Phillip G., 1927-1997  Search this
Halper, Vicki  Search this
Ho, Ron  Search this
Kidman, Hero  Search this
Kington, L. Brent (Louis Brent), 1934-2013  Search this
Marshall, John, 1936-  Search this
Matsukata, Miye, 1922-1981  Search this
Matzdorf, Kurt  Search this
McMurray, James  Search this
Moty, Eleanor  Search this
Noffke, Gary  Search this
Pujol, Eleanor  Search this
Seppä, Heikki  Search this
Turner, Gary  Search this
Warashina, Patti, 1940-  Search this
Extent:
8 Items (Sound recording: 8 wav files (5 hr., 42 min.), digital)
163 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Afghanistan -- Description and Travel
Australia -- Description and Travel
China -- Description and Travel
Indonesia -- Description and Travel
Iran -- Description and Travel
Nepal -- Description and Travel
Ohio -- Description and Travel
Papua New Guinea -- Description and Travel
Tibet (China) -- Description and Travel
Turkey -- description and travel
Date:
2009 March 18-19
Scope and Contents:
An interview of Mary Lee Hu conducted 2009 March 18-19, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Hu's home and studio, in Seattle, Washington.
Hu speaks of growing up outside Cleveland, Ohio; her early interest in making objects; attending the Lawrence Art Center camp in Kansas at the age of 16 where she first experimented with metals; her like of working with tools in order to create something; taking metal smith classes at the Cleveland Institute of Art during high school; attending Miami University in Ohio for two years followed by two years an Cranbrook Academy of Art; working as a TA with L. Brent Kington at Southern Illinois University in Carbondale; her collaborative work in both textiles and metals while at Carbondale which lead to her first experimentation in weaving silver wire; creating a body of work for her Master's thesis in which all the pieces were woven wire; various works, their origins, when, where and why they were created, including her Neckpiece, Choker, Bracelet, Brooch and Ring series; her aesthetic interest in patterns, line and positive/negative space; a limited interest in and use of color in her work; the transition from silver to gold wire; a progressively larger interest in the history of jewelry and body adornment which eventually became a lecture at the University of Washington, where she taught for 26 years; numerous trips around the world to countries such as China, Tibet, Nepal, Afghanistan, Iran, Turkey, Australia, Papua New Guinea and Indonesia; a strong interest in ethnic and native jewelry/body adornment practices; the various purposes which jewelry can serve in society; her involvement with the Society of North American Goldsmiths and the American Craft Council; her technique based teaching practices; the role that modern technology plays in teaching, learning, and making jewelry; the lack of support and funds for metals programs in universities around the country; her library, which includes aver 2,000 books about the history of jewelry and body adornment; her collection of jewelry from around the world; her want to create beautiful and functional jewelry; the public and private aspects to jewelry and it's role in museums; current projects and the importance to maintain interest of metals in younger generations. Hu also recalls Gary Turner, Hans Christensen, Otto Dingeldein, Heikki Seppä, Hero Kielman, Phil Fike, Patti Warashina, Gary Noffke, Elliott Pujol, Chonghi Choo, Daphne Farafo, Vicki Halper, Ron Ho, Miye Matsukata, Alma Eikermann, Mark Baldridge, Kurt Matzdorf, Eleanor Moty, Fred Fenster, John Marshall, James McMurray, and others.
Biographical / Historical:
Mary Lee Hu (1943- ) is a metalsmith in Seattle, Washington. Smith was educated at Cranbrook Academy of Art and Southern Illinois University. She teaches at the University of Washington.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 8 digital wav files. Duration is 5 hr., 43 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Body adornment  Search this
Jewelry  Search this
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Study and teaching  Search this
Jewelry making -- Technique  Search this
Metal-workers -- Washington (State) -- Interviews  Search this
Women artists -- Washington (State) -- Seattle -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hu09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hu09

Folded Brooch

Artist:
Eleanor Moty, born Glen Ellyn, IL 1945  Search this
Medium:
constructed, scored, folded, and soldered sterling silver, 22k gold, and limonated topaz
Dimensions:
5 5/8 x 2 x 3/4 in. (14.3 x 5.2 x 2.0 cm.)
Type:
Decorative Arts-Jewelry
Crafts
Date:
1990
Credit Line:
Smithsonian American Art Museum, Gift of Karen Johnson Boyd in honor of Michael W. Monroe for his years of dedication to the Renwick Gallery
Object number:
1996.21
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Renwick Gallery
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk78e9868bd-ff43-4cb2-b73d-b111ab7d07dc
EDAN-URL:
edanmdm:saam_1996.21

Tourmaline Brooch II

Designer:
Eleanor Moty, American, b. 1945  Search this
Medium:
Silver, polished tourmaline quartz, ivory
Type:
jewelry
Decorative Arts
Brooch
Object Name:
Brooch
Made in:
USA
Date:
1980
Credit Line:
The Susan Grant Lewin Collection, Cooper Hewitt, Smithsonian Design Museum
Accession Number:
2016-34-73
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Product Design and Decorative Arts Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq41958062b-79f3-402d-b661-82ea918a38a3
EDAN-URL:
edanmdm:chndm_2016-34-73
Online Media:

Master metalsmith : Eleanor Moty

Title:
Eleanor Moty
Author:
Moty, Eleanor  Search this
Simon, Marjorie  Search this
Metal Museum (Memphis, Tenn.)  Search this
Subject:
Moty, Eleanor  Search this
Physical description:
1 volume (unpaged) : color illustrations ; 22 cm
Type:
Books
Exhibitions
Exhibition catalogs
Date:
2012
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1088445

Metalsmiths and mentors : Fred Fenster and Eleanor Moty at the University of Wisconsin-Madison / [Jody Clowes]

Author:
Clowes, Jody  Search this
Fenster, Fred 1934-  Search this
Moty, Eleanor  Search this
Chazen Museum of Art  Search this
Subject:
Fenster, Fred 1934-  Search this
Moty, Eleanor  Search this
University of Wisconsin--Madison Faculty  Search this
Physical description:
125 p. : ill. (some col.) ; 28 cm
Type:
Exhibitions
Place:
Wisconsin
Madison
Date:
2006
C2006
Topic:
Art metal-work  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_799819

Modify Your Search







or


Narrow By