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Interview with Anthony Anderson

Creator:
Anacostia Community Museum  Search this
Names:
Anacostia Community Museum  Search this
Extent:
1 Video recording (MiniDV)
Culture:
African American  Search this
Type:
Archival materials
Video recordings
Interviews
Place:
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
2011
Scope and Contents:
Filmmaker Anthony Anderson lived in Anacostia in southeast Washington, D.C. until he entered high school when he moved to Montgomery County, Maryland. Anderson started creating and writing stories at a young age, and involved himself in the performing arts, including stage plays in high school. After several unsuccessful attempts to secure a role on 'The Wire,' Anderson was inspired by Spike Lee interview in which Lee stated you have to create your chance. Anderson explains this inspiration lead him to revisit his previously written scripts and start making films. He talks about his first film 'The Ties that Binds,' and his web series 'Anacostia.' Anderson explains his inspiration comes from people in Washington, D.C. and what success means to him. He talks about his creative process, where his ideas come from, trusting people he works with, and his biggest struggles creating the web series. Anderson provides advice to aspiring Anacostians.
Interview. Dated 20110210.
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
Motion picture producers and directors  Search this
African American motion picture producers and directors  Search this
Civic leaders  Search this
Communities  Search this
Genre/Form:
Video recordings
Interviews
Citation:
Interview with Anthony Anderson, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.01-007.16, Item ACMA AV005206
See more items in:
Community and Creativity Project Records
Community and Creativity Project Records / Series 2: Oral History Interviews
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7db5449e6-7121-464b-991f-8646c11bdb34
EDAN-URL:
ead_component:sova-acma-01-007-16-ref101

Iowa Fieldwork: Interview with Chris Denney; Interview with Male-Winnebago & Yankton Sioux

Creator:
Smithsonian Institution. Festival of American Folklife. Iowa Program 1996 Washington, D.C.  Search this
Wood, Larry V., 1947- (field worker)  Search this
Artist:
Denney, Chris  Search this
Performer:
Denney, Chris  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Indians of North America  Search this
Americans  Search this
Santee Sioux Tribe  Search this
Winnebago Indians  Search this
Type:
Archival materials
Sound cassettes
Place:
Iowa
United States
Sioux City (Iowa)
Date:
1995 December 27
Track Information:
101 Interview with Chris Denney.

102 Interview with Unidentified Winnebago.
Local Numbers:
FP-1996-CT-0601-7
Date/Time and Place of an Event Note:
Recorded in: Sioux City (Iowa), United States, Iowa, December 27, 1995.
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
American Indian  Search this
Alcohol  Search this
Drugs  Search this
Alcoholism  Search this
Motion picture producers and directors  Search this
Addicitions  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1996 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1996, Item FP-1996-CT-0601
See more items in:
Smithsonian Folklife Festival records: 1996 Festival of American Folklife
Smithsonian Folklife Festival records: 1996 Festival of American Folklife / Series 3: Iowa - Community Style / Fieldwork
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5b2f28fcd-935a-4589-ade6-d19c7fb82906
EDAN-URL:
ead_component:sova-cfch-sff-1996-ref3176

Festival Recordings: Community Talk: Old Traditions; Passing on Culture; Culture Bridging; Immigrant Stories; Experience

Creator:
Smithsonian Institution. Festival of American Folklife. African Immigrant Program 1997 Washington, D.C.  Search this
Miller, Mark K., 1953- (recorder)  Search this
Swerda, Frank (recorder)  Search this
Performer:
Ansah-Brew, Kwame  Search this
Asante, Nana  Search this
Frimpong, Ernest  Search this
Pereira, Aristide  Search this
Cook, George  Search this
Abraha, Abrehet  Search this
Rutayuga, John  Search this
Modupe, Cece  Search this
N'Tube, Dominic  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Americans  Search this
African American  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Maryland
Ghana
Silver Spring (Md.)
Senegal
Ethiopia
Nigeria
Date:
1997 July 5
Track Information:
101 Old Traditions in New Settings: Music of the Durbar / Kwame Ansah-Brew, Nana Asante, Ernest Frimpong. Xylophone,Drum,Mbira,Woodblock.

102 Passing on Culture: Bringing Up Families in the U.S / Aristide Pereira, George Cook.

103 Culture Bridging: Film Making / Abrehet Abraha.

104 Immigrant Stories / John Rutayuga.

105 Immigration Experiences / Cece Modupe, Dominic N'Tube.
Local Numbers:
FP-1997-CT-0291-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 5, 1997.
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
World music  Search this
Xylophone  Search this
Drum  Search this
Mbira  Search this
Woodblock  Search this
Musical instruments  Search this
Music  Search this
Marriage  Search this
Manners and customs  Search this
Child rearing  Search this
Media formats  Search this
Motion picture producers and directors  Search this
Motion pictures  Search this
Emigration & immigration  Search this
Community Organizations  Search this
Traditional medicine  Search this
Health  Search this
Medicine  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1997, Item FP-1997-CT-0291
See more items in:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife
Smithsonian Folklife Festival records: 1997 Festival of American Folklife / Series 2: African Immigrant Folklife / 2.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk589a78dea-1f4c-4485-adb6-1f68738c616c
EDAN-URL:
ead_component:sova-cfch-sff-1997-ref654

George Sidney Collection

Collector:
Sidney, George, 1916-2002  Search this
National Museum of American History (U.S.). Division of Music, Sports and Entertainment  Search this
Names:
Columbia Pictures  Search this
Metro-Goldwyn-Mayer Pictures  Search this
Paramount Pictures  Search this
Goodman, Benny (Benjamin David), 1909-1986  Search this
Margret, Ann-, 1941-  Search this
Robinson, Edward G., 1893-1973  Search this
Sidney, George, 1877-1945  Search this
Sidney, Hazel Mooney  Search this
Sidney, Louis K.  Search this
Sullivan, Ed, 1901-1974  Search this
Donor:
Sidney, Corinne Entratter  Search this
Extent:
54 Film reels
96 Cubic feet (288 boxes, 6 oversize folders)
Type:
Collection descriptions
Archival materials
Film reels
Photographs
Place:
Hollywood (Los Angeles, Calif.)
Date:
1885-2002
bulk 1940-1967
Summary:
George Sidney (1916-2002) was a film director during the Golden Age of Hollywood filmmaking (1927-1954). He spent the longest period of his career at Metro-Goldwyn-Mayer (MGM) until the 1950s. He later produced and directed films for Columbia Pictures and Paramount Pictures. He was a president of the Directors Guild of America and an avid photographer. He was the recipient of three awards from the Academy of Motion Picture Arts and Sciences (Oscar). The collection consists of photographs, photographic negatives, personal and business materials, and film. The collection also contains material created by George Sidney's uncle, George Sidney, vaudevillian and motion picture actor.
Scope and Contents:
The George Sidney Collection consists of approximately eighty-eight cubic feet of photographs and materials from the Hollywood director George Sidney, most dealing with his career in motion pictures. Sidney was an avid photographer and collector of photographs documenting extremely well the Hollywood film community during the Studio Era (1927-1954) of filmmaking. The bulk of the collection is from Sidney's most productive years, circa 1937-1968.

MGM's motto was "More Stars than there are in Heaven" and the researcher would be advised that the extent of this collection is such that it is impossible to list and identify all of the celebrities and personalities photographed, both behind and in front of the camera. There are stills from Sidney's many productions as well as his on-set personal photographs. There are photographs from dinner parties, and many studio and film community functions. Productions are dated to their generally accepted first theatrical release date (Los Angeles and New York) and in the case of a Broadway show to their opening date.
Arrangement:
The collection is arranged into six series.

Series 1: Photographs, Photographic Negatives, and Slides, 1914-1996, undated.

Subseries 1.1: The Camera Eye of George Sidney, undated.

Subseries 1.2: Productions (Motion Picture, Stage, and Radio), 1921-1968. Subseries 1.3: Personalities and People, 1932-1996, undated.

Subseries 1.4: Personal and Family, 1914-1992, undated.

Subseries 1.5: Family Photograph Albums and Scrapbooks, 1918-1950, undated.

Subseries 1.6: Travel and Locations, 1940-1981, undated.

Subseries 1.7: Studio, Entertainment, and Public Events, 1949-1995, undated.

Subseries 1.8: Tests, 1938-1967, undated.

Subseries 1.9: Photographic Negatives, 1937-1979, undated

Series 2: Production Ephemera, Posters, Scripts, 1930-1991, undated.

Subseries 2.1: Production Posters, 1943-1964, undated

Subseries 2.2: Production Ephemera and Scripts, 1930-1991, undated

Series 3: Office Files and Personal Material, 1903-2002, undated

Subseries 3.1: Personal Material, 1944-2002, undated

Subseries 3.2: Correspondence, Random Files, Indices, and Inventories, 1903-2002, undated

Series 4: Music Manuscripts, Sheet Music, and Music Related Material, 1885-1992, undated

Subseries 4.1: Music Manuscripts, 1937-1960, undated

Subseries 4.2: Sheet Music, 1885-1990

Subseries 4.3: Music Related Material, 1971-1992, undated

Series 5: Audiovisual, 1933-2001, undated

Subseries 5.1: Film, 1940-1960, undated

Subseries 5.2: Audio, 1933-2001, undated

Subseries 5.3: Video, 1989-2001, undated

Series 6: George Sidney (1877-1945), 1909-1945, undated
Biographical / Historical:
George E. Sidney was born in New York, New York on October 4th, 1916 into a show business family. His father Louis K. Sidney (birth surname Kronowith) (1891-1958) was a Broadway producer, actor-manager, and one of the vice-presidents of Loew's Incorporated. Sidney's mother, Hazael Mooney (?-1969), was a vaudeville performer, part of a sister act known as The Mooney Sisters. She was a native New Yorker, daughter of prominent New York City attorney Henry Mooney. She and Louis were married at her home, 12 West 109th Street, New York. Another residence was 179 West 63rd Street.

Louis K. Sidney began working for Loew's Incorporated in 1923. He managed theatres in Denver, Pittsburgh, Toledo, Dayton, and New York. Later he was in charge of stage productions for the theatre circuit. He was in charge of MGM's East Coast film production facility in New York. He and Hazael followed son George to Los Angeles in 1937. Louis produced two motion pictures at MGM, The Big Store with the Marx Brothers and Hullabaloo. After February 1951, he was a member of the four man executive committee in charge of MGM. At his retirement in 1955, Louis K. had risen to the position of vice-president of Loew's, Incorporated. He served as vice-president and director of the Motion Picture Producers Association, as a director of the Motion Picture Relief Fund, and the Hollywood Coordinating Committee.

George Sidney had two uncles in show business, Jack Sidney, known as "Jack of Spades" a black-face comedian, and Sidney's half-uncle, George Sidney (1877-1945) (real name Samuel Greenfield), a vaudeville comic. George had a successful Broadway and screen career, most notably as the bum, Busy Izzy, a character that lasted on the vaudeville circuit from 1901-1915. His initial Broadway success was in a show entitled Welcome Stranger that ran for 309 performances. Welcome Stranger had an extensive touring schedule across the United States. In conjunction with Charlie Murray, he developed a comedy act known as Cohen and Kelly that was not only a vaudeville success but easily made the transition to motion pictures. The Cohens and Kellys films became a motion picture franchise for Universal Studios in 1924. He was married to Carrie Weber (?-1940). George was a member of the Friars Club and an avid sports fan. He owned a racehorse named Kibbitzer.

George Sidney made his on-screen debut in The Littlest Cowboy (1921) starring Tom Mix. He moved to Los Angeles in 1930. Sidney went to work as a messenger at MGM. Louis B. Mayer's nickname for Sidney was "boy". Sidney flourished at the studio and by the time he was twenty he was directing screen tests and one-reel shorts. He directed installments in the Our Gang and Little Rascals series, as well as the Pete Smith and the Crime Does Not Pay series. He won back-to-back Oscars for two of his shorts, Quicker'n a Wink (1940) and Of Pups and Puzzles (1941). His feature film directing debut was Free and Easy (1941) starring Robert Cummings. His first major film musical was the all-star, war time musical, Thousands Cheer (1943), starring Kathryn Grayson and Gene Kelly. Sidney always indicated he viewed films as entertainment and seems to have rejected the auteur theory of directing embraced by some of his well known colleagues such as John Ford and Vincent Minnelli. His film, The Three Musketeers (1948), starring Gene Kelly and Lana Turner, was one of MGM's highest grossing films in the post World War Two period. He won his third Oscar for the short, Overture to 'The Merry Wives of Windsor, in 1954. Jupiter's Darling (1955) with Esther Williams was Sidney's last film for MGM. He was loaned to Columbia Pictures to direct The Eddy Duchin Story (1956), after which his contract at MGM ended.

Sidney went on to become an independent producer and director at Columbia Pictures where he directed such films as Pal Joey (1957), starring Frank Sinatra, and Bye Bye Birdie (1963) starring Ann-Margret. He returned to MGM in the 1960s to make A Ticklish Affair (1963), starring Shirley Jones and Viva Las Vegas (1964), starring Ann-Margret and Elvis Presley. His last film was the musical Half a Sixpence (1967) starring Tommy Steele for Paramount Pictures. Sidney also directed and produced for television most notably Who Has Seen the Wind (1964). He financed and founded Hanna-Barbera Productions in 1944. He was a two-term president, 1951-1959 and 1961-1967, of the Directors Guild of America (DGA), earlier known as the Screen Directors Guild (SDG).

In his personal life, Sidney was married in 1942 to legendary MGM drama coach, Lillian "Burnsie" Burns Salzer (1903-1998). He was eight years her junior. They lived at the Sidney home (1140 Tower Road) in Beverly Hills. They divorced in the mid 1970s. For a brief time Sidney maintained a penthouse apartment for George Sidney Productions at 144 South Beverly Drive, Beverly Hills. He maintained a suite (301) in the Palm Wilshire Building, 9201 Wilshire Boulevard in the 1970s. He married his second wife, Jane Adler Robinson (?-1991), second wife and widow of actor Edward G. Robinson (1893-1974), around 1978. The house at 1140 Tower Road was sold and Sidney moved to the Robinson home at 910 Rexford Drive in Beverly Hills. Sidney married his third wife, Corinne Kegley Entratter (1937-?), widow of showman and Las Vegas entrepreneur John Entratter, in 1991. Sidney was a prolific photographer. He collected art and was apparently an avid gardener. He was a member of the Royal Horticultural Society. He died in Las Vegas, Nevada in May 2002.
Related Materials:
The Harry Warren Collection, AC0750

The Groucho Marx Collection, AC0269

Sidney related artifacts from Sidney's films are housed in the Division of Culture and the Arts, National Museum of American History, Smithsonian. There are scrapbooks donated by the Sidney Estate in the collection of the Cinema-Television Library, Doheny Library, University of Southern California, consisting of eleven volumes containing photographs, correspondence, publicity documents, and other materials, circa 1933-1963.
Provenance:
This collection was donated to the Archives Center in 2005 by Corinne Entratter Sidney, widow of George Sidney.
Restrictions:
Collection is open for research but is stored off-site. Researchers must handle unprotected photographs with cotton gloves. Researchers may use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis and as resources allow.

Viewing film portions of the collection requires special appointment, please inquire; listening to LP recordings is only possible by special arrangement.

Special arrangements required to view materials in cold storage. Using cold room materials requires a three hour waiting period.

Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
The Archives Center does not own exclusive rights to these materials. All requests for permission to use these materials for non-museum purposes must be addressed directly to the Archives Center, and the Archives Center will forward the request to the copyright holder. Collection items are available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use.
Topic:
Motion picture production and direction  Search this
Motion picture producers and directors  Search this
Motion pictures  Search this
Vaudeville  Search this
Musicals  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- Silver gelatin -- 19th-20th century
Citation:
George Sidney Collection, Archives Center, National Museum of American History, gift of Corinne Entratter Sidney
Identifier:
NMAH.AC.0867
See more items in:
George Sidney Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep878cc8f7c-849a-43d0-8ca9-4149e7f39a74
EDAN-URL:
ead_collection:sova-nmah-ac-0867
Online Media:

Race Movies: The Popular Art of the Black Renaissance

Creator:
Anacostia Neighborhood Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Ellington, Duke, 1899-1974  Search this
Foster, William D., 1884-  Search this
Johnson, James Weldon, 1871-1938  Search this
Micheaux, Oscar, 1884-1951  Search this
Smith, Bessie, 1894-1937  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
1 Sound recording (open reel, 1/2 inch)
1 Sound recording (open reel, 1/4 inch)
2 Video recordings (VHS)
1 Video recording (MiniDV)
Culture:
African American  Search this
Type:
Archival materials
Sound recordings
Video recordings
Place:
Harlem (New York, N.Y.)
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
1985
Scope and Contents:
Short film in which narrator provided the history of African American contributions to the film industry and portrayal of African Americans in film from the silent film era through the Harlem Renaissance. Includes images and clips from The Birth of a Nation, The Birth of a Race, By Right of Birth, The Homesteader, and The Scar of Shame. Includes work and contributions of Bessie Smith, Duke Ellington, James Weldon Johnson, Oscar Micheaux, and Bill Foster, also known as William D. Foster, to the film industry.
Short film. Part of The Renaissance: Black Arts of the Twenties Audiovisual Records. AV003253-1 and AV003253-2: music only, no sound and/or very low volume sound between songs. AV003253-3: narraton only. AV003253-4: repetitious sound. AV003253-5: narration and music. Dated 19850906. AV003452: narration only, undated. AV002130 and AV002141: image and sound (narration and music) including movie clips, undated. AV005152: image and sound, original Dub from 3/4" [U-Matic] tape - remastered version, dated 19850905.
Biographical / Historical:
The exhibition - The Renaissance: Black Arts of the Twenties - showcased the evolution and achievements of the Renaissance, which was the explosion of literary, visual, performance, and cinematic creativity generated by black artists between the end of World War I and the early days of the Great Depression. Represented is the creativity of Marian Anderson, Richard Barthe, Countee Cullen, Aaron Douglas, Duke Ellington, Meta Warrick Fuller, Roland Hayes, Zora Neale Hurston, Malvin Gray Johnson, Alain Locke, "Jelly Roll" Morton, Paul Robeson, George Schuyler, and Wallace Thurman, among others. The exhibition, held at the Anacostia Neighborhood Museum, ran from September 1985 - December 1986.
Local Numbers:
ACMA AV003253-2

ACMA AV003253-3

ACMA AV003253-4

ACMA AV003253-5

ACMA AV003452

ACMA AV002130

ACMA AV005152

ACMA AV002141
General:
Title transcribed from contents of recording.
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Topic:
African Americans  Search this
Harlem Renaissance  Search this
African Americans in the performing arts  Search this
Motion picture producers and directors  Search this
African American motion picture producers and directors  Search this
African American musicians  Search this
Musicians  Search this
Race films  Search this
Museum exhibits  Search this
Genre/Form:
Sound recordings
Video recordings
Citation:
Race Movies: The Popular Art of the Black Renaissance, Exhibition Records AV03-024, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-024, Item ACMA AV003253-1
See more items in:
The Renaissance: Black arts of the Twenties exhibition records
The Renaissance: Black arts of the Twenties exhibition records / Series ACMA AV03-024: The Renaissance: Black arts of the Twenties audiovisual records
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa71b1b718f-fa04-4b60-8420-4d7bb50a977b
EDAN-URL:
ead_component:sova-acma-03-024-ref505

Nike Advertising Oral History and Documentation Collection

Interviewer:
Center for Advertising History, Archives Center  Search this
Ellsworth, Scott, Dr.  Search this
Creator:
Nike, Inc.  Search this
Names:
Adidas  Search this
Asics  Search this
Nike, Inc.  Search this
Wieden & Kennedy  Search this
Interviewee:
Onitsuka  Search this
Bedbury, Scott  Search this
Bowerman, William  Search this
Brown, John A.  Search this
Champ, Janet  Search this
Clarke, Tom  Search this
Clow, Lee  Search this
Conlon, Jerry  Search this
Davenport, Bill  Search this
Dolan, Liz  Search this
Donohue, Richard  Search this
Farris, Nelson  Search this
Hale, Cindy  Search this
Hoffman, Susan  Search this
Jackson, Bo  Search this
Jaqua, John  Search this
Johnson, Jeff  Search this
Kitami, Shoji  Search this
Knight, Phillip  Search this
McConnell, Pam  Search this
Moore, Charlotte  Search this
Moore, Kenny  Search this
Moore, Peter  Search this
Onitsuka, Kimachiro  Search this
Parker, Mark  Search this
Riswold, Jim  Search this
Robinson, Charles  Search this
Sakaguchi, Tokio  Search this
Stobie, Patsy Mest  Search this
Strasser, Robert (marketing executive)  Search this
Thomashow, Mark  Search this
Wieden, Dan  Search this
Extent:
12 Cubic feet (25 boxes)
Type:
Collection descriptions
Archival materials
Oral history
Videotapes
Tear sheets
Clippings
Audiotapes
Fliers (printed matter)
Advertising fliers
Commercials
Interviews
Place:
Beaverton (Or.)
Portland (Oregon)
Date:
1958 - 1992
Summary:
The Nike Advertising Oral History and Documentation Collection is the result of a two-year study of advertising of Nike athletic shoes. The effort was supported in part by a grant from Nike, Inc. Thirty-one oral history interviews were conducted with advertising, marketing and product development executives at Asics, Nike, John Brown & Co., Chiat/Day/Mojo and Wieden & Kennedy. A variety of related materials were gathered by the Center for Advertising History staff. The objective of the project was to create a collection that documents, in print and electronic media, the history and development of the company and its advertising campaigns.
Scope and Contents:
This collection consists of thirty-one oral history interviews conducted by historian Scott Ellsworth with advertising, marketing and product development executives at Asics, Nike, John Brown & Co., Chiat/Day/Mojo and Wieden & Kennedy and related materials collected by the Center for Advertising History staff. There are audiocassettes (original and reference), 1/4" open reel audiotape (master), 3/4" videotapes, and VHS videotapes.
Arrangement:
The collection is rganized into seven series.

Series 1, Research Files, 1979-1992

Subseries 1.1, Materials Compiled by the Center for Advertising History, 1979-1992

Subseries 1.2, Material Compiled by Nike, 1982-1992

Series 2, Interviewee Files, 1990-1992

Series 3, Oral History Interviews, 1990-1992

Subseries 3.1, Original Audiotapes (audio cassette), 1990-1992

Subseries 3.2, Researcher copies (audio cassette), 1990-1992

Subseries 3.3, Preservation masters (1/4 inch audiotape), 1990-1992

Series 4, Television Commercials, 1977-1990 and undated

Subseries 4.1, Master Copies, 1977-1990 and undated

Subseries 4.2, Researcher copies, 1977-1990 and undated

Series 5, Print Advertisements, 1985-1993

Subseries 5.1, Ad Slicks, 1985-1993

Subseries 5.2, Slides, 1989 and undated

Series 6, Trade Catalogues and Photographs, 1958-1982

Series 7, Administrative Files, 1982-1990
Biographical / Historical:
The Nike Advertising Oral History and Documentation Collection is the result of a two-year study of advertising of Nike athletic shoes. The effort was supported in part by a grant from Nike, Inc. Thirty-one oral history interviews were conducted with advertising, marketing and product development executives at Asics, Nike, John Brown & Co., Chiat/Day/Mojo and Wieden & Kennedy. A variety of related materials were gathered by the Center for Advertising History staff. The objective of the project was to create a collection that documents, in print and electronic media, the history and development of the company and its advertising campaigns.

The consistently high quality of this advertising, its award-winning artistic and creative innovations, and its contribution to the fitness movement in America combine to make this a significant chapter in the history of contemporary American advertising.

One aim of the project was to record the process of decision-making in the creation of successful ad campaigns, a process not often documented in the surviving records. Topics addressed in the oral history interviews include the origins of Nike and Nike advertising, the relationship between corporate culture and advertising, the place of advertising in overall marketing strategy, the development of brand image and identity, the nature of the creative process in producing effective advertising images, the use of athletes as endorsers, and Nikes'simpact on the popular culture. Well-known campaigns are examined in depth, including Nikes's, use of the Beatles tune "Revolution", the "I Love L.A Spots" produced in conjunction with the 1984 Olympics, the controversial billboards campaign, the award-winning "Bo Knows" spots, and a series of commercials directed by African-American filmmaker Spike Lee. The collection is also a rich source of visual imagery for researchers interested in the portrayal of athletes, women and African-Americans.
Related Materials:
Materials in the Archives Center

Alka-Seltzer Documentation and Oral History Collection, 1953-1986 (AC0184)

N. W. Ayer Advertising Agency Records, 1849-1851, 1869-1996 (AC0059)

Campbell Soup Advertising Oral History and Documentation Project, 1904-1989 (AC0367)

Cover Girl Make-Up Advertising Oral History and Documentation Project, 1959-1990 (AC04374)

Federal Express Oral History and Documentation Project Collection, 1972-1987 (AC0306)

Caroline R. Jones Collection, circa 1942-1996 (AC0552)

Marlboro Oral History and Documentation Project, circa 1926-1986 (AC0198)

Pepsi Generation Oral History and Documentation Collection, 1938-1986 (AC0092)

Rob and Julie Strasser Collection, 1970-1990 (AC0525)
Provenance:
The collection was donated by Nike, Inc. in 1991 and 1992.
Restrictions:
Collection is open for research but the master (preservation) tapes are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Women in the advertising industry  Search this
Sports for women  Search this
Sports  Search this
Women in advertising  Search this
Television advertising  Search this
Signs and signboards -- 1970-2000  Search this
Slogans  Search this
Marketing  Search this
Music in advertising  Search this
Commercial art  Search this
Endorsements in advertising  Search this
Broadcast advertising  Search this
Business -- History  Search this
Basketball  Search this
advertising -- History  Search this
Track and field  Search this
Copy writers  Search this
Athletes  Search this
Shoes -- 1970-2000  Search this
Motion picture producers and directors  Search this
African American athletes  Search this
Running -- 1970-2000  Search this
Running shoes -- 1970-2000  Search this
Athletic shoes -- 1970-2000  Search this
Shoe industry -- 1970-2000  Search this
Genre/Form:
Oral history
Videotapes
Tear sheets
Clippings
Audiotapes
Fliers (printed matter)
Advertising fliers
Commercials
Interviews -- 1970-1990
Citation:
Nike Advertising Oral History and Documentation Collection, 1958-1992, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0448
See more items in:
Nike Advertising Oral History and Documentation Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep82f2adbe0-ae8f-4849-bac5-19e0e1848c55
EDAN-URL:
ead_collection:sova-nmah-ac-0448
Online Media:

Oral history interview with Cheech Marin, 2017 October 16-17

Interviewee:
Marin, Cheech, 1946-  Search this
Interviewer:
Franco, Josh T., 1985-  Search this
Subject:
Art Collectors: A Project in Partnership with the Center for the History of Collecting in America at The Frick Collection  Search this
Type:
Sound recordings
Interviews
Topic:
Art -- Collectors and collecting -- California -- Interviews  Search this
Actors -- California -- Interviews  Search this
Authors -- California -- Interviews  Search this
Motion picture producers and directors -- California -- Interviews  Search this
Record number:
(DSI-AAA_CollID)17519
(DSI-AAA_SIRISBib)391020
AAA_collcode_marin17
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_391020

Oral history interview with Tony Ganz, 2014 December 6

Interviewee:
Ganz, Tony, 1947-  Search this
Interviewer:
Drohojowska-Philp, Hunter  Search this
Subject:
Bonin, Ted  Search this
Bontecou, Lee  Search this
d'Offay, Anthony  Search this
Deitsch, Jeffrey  Search this
Fries, Charles W.  Search this
Ganz, Paul  Search this
Ganz, Sally  Search this
Ganz, Sol  Search this
Ganz, Victor  Search this
Hesse, Eva  Search this
Lowry, Glenn D.  Search this
Marks, Matthew  Search this
Matta-Clark, Gordon  Search this
Mutrux, Gail  Search this
Oldenburg, Claes  Search this
Picasso, Pablo  Search this
Smithson, Robert  Search this
Stella, Frank  Search this
Thek, Paul  Search this
Weinberg, Adam D.  Search this
Whiteread, Amber  Search this
Zwirner, David  Search this
D. Lisner Jewelry  Search this
Harvard University  Search this
Art Collectors: A Project in Partnership with the Center for the History of Collecting in America at The Frick Collection  Search this
Type:
Interviews
Sound recordings
Topic:
Motion picture producers and directors  Search this
Art -- Collectors and collecting  Search this
Photography  Search this
Record number:
(DSI-AAA_CollID)16213
(DSI-AAA_SIRISBib)368428
AAA_collcode_ganz14
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_368428
Online Media:

Oral history interview with Charles Atlas, 2016 May 31-June 1

Interviewee:
Atlas, Charles, 1949-  Search this
Interviewer:
Yablonsky, Linda, 1948-  Search this
Subject:
Visual Arts and the AIDS Epidemic: An Oral History Project  Search this
Type:
Interviews
Sound recordings
Topic:
AIDS (Disease) and the arts  Search this
Motion picture producers and directors  Search this
Record number:
(DSI-AAA_CollID)17344
(DSI-AAA_SIRISBib)380477
AAA_collcode_atlas16
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_380477

Behind the screen : how gays and lesbians shaped Hollywood, 1910-1969 / William J. Mann

Author:
Mann, William J.  Search this
Physical description:
xxiv, 422 pages, 16 unnumbered pages of plates : illustrations ; 25 cm
Type:
Biography
Biographies
Place:
United States
USA
Date:
2001
Topic:
Gay motion picture actors and actresses  Search this
Gay motion picture producers and directors  Search this
Homosexualität  Search this
Filmacteurs  Search this
Filmregisseurs  Search this
Filmproducenten  Search this
Homoseksuelen  Search this
Film  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_632109

Communication, the image speaks : conference papers : ninth International Design Conference in Aspen, June 21-27, 1959

Author:
International Design Conference (9th : 1959 : Aspen, Colo.)  Search this
Physical description:
1 v. (various pagings) : ill., map, ports. ; 29 cm
Type:
Congresses
Place:
United States
Date:
1959
C1959
Topic:
Design  Search this
Art  Search this
Motion picture producers and directors  Search this
Call number:
NK1164 .I61 1959
NK1164.I61 1959
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_449474

Oral history interview with Tony Ganz

Interviewee:
Ganz, Tony  Search this
Interviewer:
Drohojowska-Philp, Hunter  Search this
Names:
Art Collectors: A Project in Partnership with the Center for the History of Collecting in America at The Frick Collection  Search this
D. Lisner Jewelry  Search this
Harvard University -- Students  Search this
Bonin, Ted  Search this
Bontecou, Lee, 1931-  Search this
Deitsch, Jeffrey  Search this
Fries, Charles W., 1928-  Search this
Ganz, Paul  Search this
Ganz, Sally  Search this
Ganz, Sol  Search this
Ganz, Victor  Search this
Hesse, Eva, 1936-1970  Search this
Lowry, Glenn D.  Search this
Marks, Matthew  Search this
Matta-Clark, Gordon, 1943-1978  Search this
Mutrux, Gail  Search this
Oldenburg, Claes, 1929-  Search this
Picasso, Pablo, 1881-1973  Search this
Smithson, Robert  Search this
Stella, Frank  Search this
Thek, Paul  Search this
Weinberg, Adam D.  Search this
Whiteread, Amber  Search this
Zwirner, David  Search this
d'Offay, Anthony  Search this
Extent:
4 Items (Sound recording: 4 sound files (2 hr., 4 min.), digital, wav)
41 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2014 December 6
Scope and Contents:
An interview with Tony Ganz conducted 2014 December 6, by Hunter Drohojowska-Philp, for the Archives of American Art and the Center for the History of Collecting in America at the Frick Art Reference Library of The Frick Collection, at Ganz's home in Brentwood, California.
Ganz speaks of his parents, siblings, and early childhood; growing up in New York city; his family's collection and interest in art; collecting Picasso; going to museums and galleries as a kid; understanding Picasso; Putney School; his interest in photography and film; attending Harvard; making films; meeting his wife; beginning collecting; collecting drawings; building his collection; equity; Eva Hesse; Amber Whiteread; Gordon Matta-Clark; Moving to Beachwood Canyon; Robert Smithson; Paul Thek; Ted Bonin; Claes Oldenberg; Frank Stella; plan for his collection; following one's intuition; ones that got away; and friends in the art world. Ganz also recalls Victor and Sally Ganz, Paul Ganz, Sol Ganz, D. Lisner Jewelry, Chuck Fries, Gail Mutrux, Matthew Marks, Anthony D'Offay, Jeffrey Deitsch, Lee Bontecou, David Zwirner, Adam Weinberg, and Glenn Lowry.
Biographical / Historical:
Tony Ganz (1947-) is a film producer in Brentwood, California. Hunter Drohojowska-Philp is an art critic and writer from Beverly Hills, California.
General:
Originally recorded on 2 SD memory cards as 4 digital wav files. Duration is 2 hr., 4 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Occupation:
Filmmakers  Search this
Topic:
Motion picture producers and directors  Search this
Art -- Collectors and collecting  Search this
Photography  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.ganz14
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f29970bf-e6b5-4620-9f69-64af6f28f17c
EDAN-URL:
ead_collection:sova-aaa-ganz14
Online Media:

Oral history interview with Charles Atlas

Interviewee:
Atlas, Charles  Search this
Interviewer:
Yablonsky, Linda, 1948-  Search this
Names:
Visual Arts and the AIDS Epidemic: An Oral History Project  Search this
Extent:
3 Items (sound files (6 hrs., 54 min.), digital, wav)
213 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2016 May 31-June 1
Scope and Contents:
An interview with Charles Atlas conducted 2016 May 31-June 1, by Linda Yablonsky, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at Atlas' home and studio.
Biographical / Historical:
Charles M. Atlas (1949- ) is a video artist, film director, and lighting and set designer in New York, New York. Linda Yablonsky (1948- ) is a writer in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
For information on how to access this interview contact Reference Services.
ACCESS RESTRICTED; Use requires written permission.
Occupation:
Set designers -- New York (State) -- New York  Search this
Video artists -- New York (State) -- New York  Search this
Topic:
AIDS (Disease) and the arts  Search this
Motion picture producers and directors  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.atlas16
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95fa67b65-2c53-432a-9a18-eafd19f3e547
EDAN-URL:
ead_collection:sova-aaa-atlas16

Oral history interview with Cheech Marin

Interviewee:
Marin, Cheech  Search this
Interviewer:
Franco, Josh T., 1985-  Search this
Names:
Art Collectors: A Project in Partnership with the Center for the History of Collecting in America at The Frick Collection  Search this
Extent:
7 Items (sound files (3 hr., 27 min.) Audio, digital, wav)
141 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2017 October 16-17
Scope and Contents:
An interview with Cheech Marin conducted 2017 October 17-18, by Josh T. Franco, for the Archives of American Art and the Center for the History of Collecting in America at the Frick Art Reference Library of The Frick Collection, at Marin's home, in Pacific Palisades, California.
Mr. Marin discusses growing up as a young Chicano in South Central Los Angeles and Granada Hills, California, and his early exposure to the liturgical art of the Catholic Church; his family's use of altars in their homes; his cousins and their independent studies as schoolchildren and his particular focus on art history and classical music; the discouragement by a teacher at at young age to pursue doing art work himself; his early collections of sports memorabilia and ephemera; his wife Natasha Rubin, the pianist, and his former wife Patti Heid, the painter, and his children; his initial interests in Chicano art and the beginnings of his art collecting in this field; the concept of rasquache, especially how it applies to Chicano art; the paintings of Carlos Almaraz; his time working with clay and pottery in college, and as an assistant to the ceramist Ed Drahanchuk. Mr. Marin also describes the work being done to create The Cheech Marin Center for Chicano Art, Culture and Industry in Riverside, California; the importance of the early centers around the country for Chicano art, including Corpus Christi and San Antonio, Texas; his work in film and television; his comedy partner Tommy Chong's interest in New Guinea art; his lecture tours about Chicano art; his assistant Melissa Richardson Banks; the organization of the touring exhibition Chicano Visions [2001-2007]; the potential of Riverside, California as a new mecca for art; the club scene in Hollywood, California in the '70s; his time living in Kennett Square, Pennsylvania and his exposure to the equestrian world; and the salons he and his wife Natasha have conducted in their home as a way to create interaction between Chicano artists and classical musicians. Mr. Marin also recalls Vincent Valdez; Steve Martin; Paul Thiebaud; George Yepes; Robert Berman; Alice Walton; Adán Hernández; Sonya Fe, as well as Stacy King; Belkis Ayón; John Russo; and Luis and Daniel Valdez, among others.
Biographical / Historical:
Cheech Marin (1946- ) is an actor, writer, director, and art collector in Pacific Palisades, California. Josh T. Franco (1985- ) is the National Collector, Archives of American Art, Smithsonian Institution, Washington, D.C.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is access restricted; written permission is required. Contact Reference Services for more information.
Topic:
Art -- Collectors and collecting -- California -- Interviews  Search this
Actors -- California -- Interviews  Search this
Authors -- California -- Interviews  Search this
Motion picture producers and directors -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.marin17
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95f328453-5739-4f4b-a273-eed1e2a5d0d0
EDAN-URL:
ead_collection:sova-aaa-marin17

Fred/Alan MTV Network Advertising Collection

Creator:
Ha! Comedy Network.  Search this
Goodman, Alan  Search this
VH-1.  Search this
Nickelodeon.  Search this
Seibert, Fred  Search this
MTV Network.  Search this
Fred/Alan, Inc.  Search this
Extent:
4 Cubic feet (15 boxes)
Container:
Box 7
Box 8
Type:
Collection descriptions
Archival materials
Photographs
Tear sheets
Slides (photographs)
Date:
1981-1992
Summary:
Collection contains advertising and promotional materials primarily created by the Fred/Alan Advertising Agency, 1981-1992, for the MTV Network. Also advertising and promotional materials for Nickelodeon, Nick at Nite, VH-1 and Ha! Comedy Networks.
Scope and Contents:
The collection consists of advertising and promotional materials created by the Fred/Alan advertising agency between 1981 and 1992 for the MTV network, which includes Music Television, Nickelodeon, Nick at Nite, VH-1, and Ha! Comedy Network. Also included are advertising and promotional material for the Disney Channel, the Movie Channel, Showtime, Home Box Office and other Fred/Alan clients including Miller Beer, General Foods and Myers Rum. The materials demonstrate the intersection between American popular culture and advertising in several ways. First, because many of the advertisements were designed for trade publications of the cable television and advertising industries, they reveal some of the thinking behind the cable television industry's attempts to establish and stabilize its market during the 1980s, a decade which witnessed the emergence and spectacular rise of cable programming. Secondly, because MTV Networks began as a commercial proposition to attract a difficult-to-reach teenage audience and later, to capture the baby boom generation, the collection also provides evidence of the 1980s trend toward market segmentation. Finally, both in content and style, MTV Networks pioneered a new aesthetic which has had repercussions throughout American popular culture, and particularly in television programming and advertising.
Arrangement:
the collection is arranged into three series.

Series 1: Print Advertising and Promotional Material

Subseries 1.1: Music Television, 1981-1991

Subseries 1.2: Nickelodeon, 1988-1992

Subseries 1.3: Nick at Nite, 1987-1991

Subseries 1.4: Video Hits-1, 1987-1991

Subseries 1.5: Ha! Comedy Network, 1990-1991

Subseries 1.6: The Disney Channel, 1981

Subseries 1.7: The Movie Channel, 1982

Subseries 1.8: Fred/Alan and other clients, 1987-1989

Series 2: Videotaped Commercials

Series 3: Photographic Materials

Subseries 3.1: 2x2 color slides

Subseries 3.2: Still photos
Provenance:
Collection donated by Fred Seibert, President of the Fred/Alan advertising agency in New York City, February 15, 1992.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Music in advertising -- 1980-2000  Search this
Motion picture producers and directors  Search this
Marketing -- 1980-2000  Search this
Humor in advertising -- 1980-2000  Search this
Copywriters  Search this
advertising -- 1980-2000  Search this
Television advertising -- 1980-2000  Search this
Sex in advertising -- 1980-2000  Search this
Genre/Form:
Photographs -- 1980-2000
Tear sheets -- 1980-2000
Slides (photographs) -- 1980-2000
Citation:
Fred/Alan MTV Network Collection, 1981-1982, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0453
See more items in:
Fred/Alan MTV Network Advertising Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8c7fabd7b-e00e-4178-ad38-125fed9d3b49
EDAN-URL:
ead_collection:sova-nmah-ac-0453
Online Media:

Program Records

Topic:
Native Networks (Website)
Native Americans on Film and Video (Monograph)
Creator::
National Museum of the American Indian. Film and Video Center  Search this
Extent:
21.5 cu. ft. (21 record storage boxes) (1 document box)
Type:
Collection descriptions
Archival materials
Manuscripts
Clippings
Electronic images
Electronic records
Compact discs
Digital versatile discs
Floppy disks
Black-and-white photographs
Color photographs
Black-and-white transparencies
Color transparencies
Audiotapes
Videotapes
Date:
1977-2016
Descriptive Entry:
This accession consists of records that document the breadth and history of the programs and work of the FVC, including the NAFVF, film screenings, the Native Americans on Film and Video publications, and the Native Networks / Redes Indigenas website. Some materials date to when the before the National Museum of the American Indian as was a part of the Smithsonian and was known at the Museum of the American Indian, Heye Foundation.

Another project documented in the accession is Proyecto Audio-Visual Indigenista (PAVI), which was a project to survey individuals and organizations in twenty-six South and Central American countries who are knowledgeable about indigenous works on audio, film and video in their respective regions. The project was initiated to increase awareness of the media in Central and South America - who produces it, what types of works are available, how these works are used in relation to indigenous and non-indigenous communities - as well as to facilitate contact between indigenous producers and organization in Spanish and Portuguese speaking countries and funding, distribution, and producing organization in the United States and Europe.

Staff represented in the collection include Elizabeth Weatherford, Founder and Head, and Emelia Seubert, Assistant Curator. Materials include correspondence, memoranda, grant proposals, images, newsletters, programs, budget records, brochures, invitations, press releases, transcripts, survey records, retreat records, audience evaluations, permissions and releases, audio and video recordings, clippings, and other related records. Some materials are in Spanish as well as in electronic format.
Historical Note:
Created in 1979 within the former Museum of the American Indian, Heye Foundation in New York, the Film and Video Center (FVC) was the country's oldest media arts center for Native and indigenous film. The center was dedicated to promoting Native and indigenous filmmaking throughout the Americas and opening up new opportunities for Native film.

One of its major programs was the biennial Native American Film + Video Festival (NAFVF), which showcased new works of independent film and videomakers and Native American mediamakers, with a focus on current issues and contemporary life. The Festival ran from 1979 to 2011.

In addition to the NAFVF, the FVC also presented and supported a variety of film festivals. Starting in 2000 as a partnership with the Center for Contemporary Arts, the Native Cinema Showcase brought Native films and filmmakers to Santa Fe's Indian Market. Among the other festivals it participated in or supported are: the Pacifika Showcase; the D.C. Environmental Film Festival; First Nations/First Features: A Showcase of World Indigenous Cinema; the Agua Caliente Cultural Museum's Native FilmFest in Palm Springs, California; and Arizona State Museum's Native Eyes Film Festival in Tucson, Arizona.

FVC also hosted two film ongoing film series that showed feature-length films, followed by discussion: Dinner and a Movie in Washington, D.C., and At the Movies in New York. At each location there were regular daytime screenings for general audiences and frequent special programs. In Washington, films were shown several time a week that were geared towards families, educators, and students. In New York, daily screenings highlighted topics related to current exhibitions and important themes in contemporary Native American life. Also in New York, FVC presented Especially for Kids which was a daily morning program for children.

In addition the FVC published Native Americans on Film and Video (2 volumes) which serves as a compilation of primarily documentary films made by and about Native Americans. Not only do the volumes contain listings of video tapes and films, including general descriptions, production data, running times, production credits, language of the production, and distribution information; but also sections on special film collections across the country and additional resources.

Another project that the FVC worked on was developing the website, Native Networks / Redes Indigenas, which reflected the live meetings and workshops that the FVC organized for filmmakers attending the NAFVF.
Rights:
Restricted for 15 years, until Jan-01-2032; Transferring office; 06/23/2017 memorandum, Toda to Brill; Contact reference staff for details.
Topic:
Proyecto Audio-Visual Indigenista  Search this
Motion pictures  Search this
Film festivals  Search this
Motion picture producers and directors  Search this
Indians of North America -- Social life and customs  Search this
Video recordings -- Production and direction  Search this
Documentary videos  Search this
Indians of South America -- Social life and customs  Search this
Indians of Central America -- Social life and customs  Search this
Indians in motion pictures  Search this
Indians in popular culture  Search this
Museums -- Educational aspects  Search this
Indians of South America -- History  Search this
Indians of North America -- History  Search this
Indians of Central America -- History  Search this
Genre/Form:
Manuscripts
Clippings
Electronic images
Electronic records
Compact discs
Digital versatile discs
Floppy disks
Black-and-white photographs
Color photographs
Black-and-white transparencies
Color transparencies
Audiotapes
Videotapes
Citation:
Smithsonian Institution Archives, Accession 17-252, National Museum of the American Indian. Film and Video Center, Program Records
Identifier:
Accession 17-252
See more items in:
Program Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa17-252

The international dictionary of films and filmmakers / editor : Christopher Lyon ; assistant editor : Susan Doll

Author:
Lyon, Christopher 1949-  Search this
Doll, Susan 1954-  Search this
Vinson, James 1933-  Search this
Physical description:
5 v. ; 24 cm
Type:
Biography
Dictionaries
Date:
1984
1987
1984-1987
Topic:
Motion pictures--Plots, themes, etc  Search this
Motion picture producers and directors  Search this
Motion picture actors and actresses  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_196182

World film directors / editor, John Wakeman

Author:
Wakeman, John  Search this
Physical description:
2 volumes : portraits ; 27 cm
Type:
Biography
Dictionaries
Biographies
Biographical dictionaries (form)
Date:
1987
1988
1987-1988
Topic:
Motion picture producers and directors  Search this
Producteurs et réalisateurs de cinéma--Biographies--Dictionnaires anglais  Search this
24.32 history of film art  Search this
Filmregisseur  Search this
Biografie  Search this
Filmregisseurs  Search this
Filmproducenten  Search this
Biographie  Search this
Call number:
PN1998.2.W67 1987X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_353459

International dictionary of films and filmmakers / editor, Nicholas Thomas ; consulting editor, James Vinson

Author:
Thomas, Nicholas 1928-  Search this
Vinson, James 1933-  Search this
Cook, Samantha 1965-  Search this
Physical description:
5 v. : ill. ; 28-29 cm
Type:
Biography
Dictionaries
Date:
1990
1994
C1990-1994
Topic:
Motion pictures--Plots, themes, etc  Search this
Motion picture producers and directors  Search this
Motion picture actors and actresses  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_407856

Spencer Sweeney / Spencer Sweeney ; [editor: Priya Bhatnagar]

Interviewer:
Sweeney, Spencer  Search this
Editor:
Bhatnagar, Priya  Search this
Subject:
Sweeney, Spencer  Search this
Physical description:
497 pages : illustrations (chiefly color) ; 32 cm
Type:
Catalogs
Interviews
Anecdotes
Place:
New York (State)
New York
New York (N.Y.)
Date:
2015
21st century
Topic:
Painting, American  Search this
Artists--Interviews  Search this
Art dealers--Interviews  Search this
Musicians--Interviews  Search this
Motion picture producers and directors  Search this
History  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1066141

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