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Publications, New York Academy of Sciences

Collection Creator:
Wheatland, Richard, II, 1923-2009  Search this
Container:
Box 6, Folder 3a
Type:
Archival materials
Date:
1959-1966
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
New York Airways Collection, Acc. NASM.1992.0052, National Air and Space Museum, Smithsonian Institution.
See more items in:
New York Airways Collection
New York Airways Collection / Series 2: 1973 Acquisition
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1992-0052-ref752
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Anton Refregier papers

Creator:
Refregier, Anton, 1905-  Search this
Names:
ACA Galleries  Search this
Bard College -- Faculty  Search this
Gosudarstvennyĭ Ėrmitazh (Russia)  Search this
National Council of American-Soviet Friendship (U.S.)  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
United States. Works Progress Administration  Search this
Woodstock Artists Association (Woodstock, N.Y.)  Search this
World Peace Council  Search this
De Diego, Julio, 1900-  Search this
Dreyfuss, Henry, 1904-  Search this
Elisofon, Eliot  Search this
Evergood, Philip, 1901-1973  Search this
Fast, Howard, 1914-  Search this
Geddes, Norman Bel, 1893-1958  Search this
Greenwood, Marion, 1909-1970  Search this
Kent, Rockwell, 1882-1971  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Morley, Eugene, 1909-1953  Search this
O'Higgins, Pablo, 1904-  Search this
Packard, Emmy Lou, 1914-1998  Search this
Randall, Byron, 1918-1999  Search this
Refregier, Lila  Search this
Siqueiros, David Alfaro  Search this
Yavno, Max  Search this
Extent:
35.9 Linear feet
Type:
Collection descriptions
Archival materials
Travel diaries
Greeting cards
Interviews
Cartoons (working drawings)
Scrapbooks
Transcripts
Photographs
Diaries
Sketches
Place:
Chile
Soviet Union
Guatemala
Mexico
Date:
circa 1900-circa 1990
Summary:
The papers of Woodstock area painter, muralist, and designer, Anton Refregier (1905-1979) date from circa 1900 to circa 1990 and measure 35.9 linear feet. The collection records Refregier's early commercial work and murals for the Works Progress Adminstration (WPA) and documents his career through to the 1970s with records of commissions for many public and private buildings, exhibitions in the United States and abroad, teaching positions, essays and publications, and extensive travel, particularly to the Soviet Union and Mexico. The collection contains scattered biographical material, personal and business correspondence, notes and writings, 15 diaries and journals, mural and tapestry files, exhibition files, personal business records, printed material, 10 scrapbooks, artwork including sketches and cartoons for murals, and photographs of Refregier, his friends, family and travels.
Scope and Content Note:
The papers of Woodstock area painter, muralist, and designer, Anton Refregier (1905-1979) date from circa 1900 to circa 1990 and measure 35.9 linear feet. The collection records Refregier's early commercial work and murals for the Works Progress Adminstration (WPA) and documents his career through to the 1970s with records of commissions for many public and private buildings, exhibitions in the United States and abroad, teaching positions, essays and publications, and extensive travel, particularly to the Soviet Union and Mexico. The collection contains scattered biographical material, personal and business correspondence, notes and writings, diaries and journals, mural and tapestry files, exhibition files, personal business records, printed material, scrapbooks, artwork including sketches and cartoons for murals, and photographs of Refregier, his friends, family and travels.

Biographical material contains legal records such as Refregier's will and marriage and death records, passports, resume material and 2 interview transcripts.

Correspondence, both chronological and alphabetical, constitutes almost a third of the collection and documents all aspects of Refregier's career including his work for the WPA, private commissions, representation by ACA Galleries, his involvement with groups such as the Woodstock Artists Association and his teaching work for institutions such as Bard College. Also documented are his involvement with local political groups and international organizations such as the National Council of American-Soviet Friendship and the World Peace Council, and travels including visits to the Soviet Union. Notable correspondents include Henry Dreyfuss, Philip Evergood, Rockwell Kent, Emmy-Lou Packard, and Byron Randall. Correspondence also includes family letters written primarily by Refregier to Lila Refregier, in addition to greeting cards received by the Refregier family, many of which contain original arwork.

Writings are primarily by Refregier and include drafts of many essays and autobiographical writings, in addition to copies of published works including Natural Figure Drawing, An Artists Journey and Sketches of the Soviet Union.

The collection contains diaries and journals from 12 years in various formats including published and handmade day planners and typed and handwritten journal entries. They include sketches and primarily record travel and daily activities including specific projects such as the New York World's Fair mural (1938-1939).

Mural and Tapestry files document individual commissions bid on and/or completed by Refregier. The creation of the Rincon Annex Post Office mural and subsequent controversies over its subject matter are well-documented here, as are many of Refregier's commissions for banks, hospitals, hotels, shopping centers, and schools.

Exhibition files document at least 15 of Refregier's exhibitions, including his first one-man show at ACA Galleries (1942) and his exhibition of paintings at the Hermitage Museum (1967) in what was then Leningrad.

Personal business records contain addresses of contacts. Scattered records referencing market values for Refregier's work can be found throughout the series in records such as bills and receipts, financial notes and tax records.

Printed material provides extensive coverage of Refregier's entire career through announcements, invitations, catalogs, and news clippings. His interests in art, literature, music, theater and politics are also well-represented in these files.

The collection contains 10 scrapbooks, mostly in fragmented condition, which contain a mixture of photographs, sketches and other artwork, notes and fragments of writings, and printed material. The scrapbooks document a variety of subjects including Refregier's family life, travels to Guatemala and the Soviet Union, and the artist at work.

Artwork consists primarily of artwork by Refregier in the form of mural design sketches and cartoons in various media, including pencil, ink and pastel, in addition to 21 sketchbooks, many of which also contain journal entries and notes. Also found here are prints and reproductions of Refregier's "Peace card" block engravings for every year from 1950-1973, with the exception of 1970.

Photographs document all phases of Refregier's career and include family photographs dating from circa 1900, photos of Refregier in the studio including work for the WPA, Refregier and other artists and individuals at events and parties from the 1940s-1970s, travel snapshots probably taken in Chile, Guatemala, Mexico, and the Soviet Union, and photographs of artwork and installations. Individuals pictured include Julio de Diego, Marion Greenwood, Rockwell Kent, Pablo O'Higgins and David Siqueiros; also, a series of press photographs by Albert A. Freeman pictures Refregier with Howard Fast, Norman Bel Geddes, Marion Greenwood, John Kingsbury, Yasuo Kuniyoshi and Harry Stockwell. One photograph by Eliot Elisofon, 2 by Eugene Morley and 4 by Max Yavno can also be found here.
Arrangement:
The collection is arranged as 11 series:

Series 1: Biographical Material, 1925-1980 (Box 1; 0.25 linear ft.)

Series 2: Correspondence, 1912-circa 1990s (Boxes 1-11, 36, OVs 38, 45; 10.2 linear ft.)

Series 3: Writings, circa 1930s-circa 1970s (Boxes 11-14, OV 45; 3.3 linear ft.)

Series 4: Diaries and Journals, 1923-1979 (Box 15; 0.6 linear ft.)

Series 5: Mural and Tapestry Files, circa 1930s-circa 1970s (Boxes 15-18, 36, OVs 38, 45, 46, RD 42; 3.65 linear ft.)

Series 6: Exhibition Files, 1942-1981 (Boxes 18-19; 0.6 linear ft.)

Series 7: Personal Business Records, 1920s-1980s (Boxes 19-20; 1.8 linear ft.)

Series 8: Printed Material, circa 1920s-1980s (Boxes 21-28, 36; 7.4 linear ft.)

Series 9: Scrapbooks, 1930s-1960s (Boxes 28, 37, BV 47; 1.1 linear ft.)

Series 10: Artwork, circa 1930s-circa 1970s (Boxes 28-30, 36, OVs 40, 41, RDs 42-44; 3.5 linear ft.)

Series 11: Photographic Material, ca. 1900-1980s (Boxes 31-35, 39; 4.5 linear ft.)
Biographical Note:
Russian-born Woodstock painter Anton Refregier (1905-1979) immigrated to the United States in 1920. Refregier was well-known for his sometimes controversial social realist murals for the WPA.

After an apprenticeship to the sculptor, Vasilief, in Paris, Anton Refregier attended the Rhode Island School of Design from 1920-1925 and studied with Hans Hofmann in Germany in 1927. He had his first one-man show at ACA Galleries in New York City in 1942 and settled in Woodstock, New York, with his wife, Lila, and three children Anton, Jr., Brigit and Aleksandre, where he became a prominent member of the artist community.

Refregier completed several social realist murals for the federal Works Progress Adminstration (WPA) program, including one at the New York Worlds Fair in 1939 and the controversial Rincon Annex Post Office mural in San Francisco begun in 1941. He also completed interior design installations for businesses such as the nightclub, Cafe Society Uptown, and the restaurant, The Cookery, in New York City. In addition to being an easel and mural painter Refregier worked in tapestry, mosaic, ceramic, and collage, and completed many commissions for hotels, banks, hospitals, restaurants, synagogues, supermarkets and deparment stores throughout the country.

Refregier taught at various institutions including Stanford University, the University of Arkansas, and Bard College and his publications inlcude Natural Figure Drawing (1948), An Artist's Journey (1965), and Sketches of the Soviet Union (1978). He traveled regularly to the Soviet Union to explore and exchange ideas about art and culture and as a representative of the World Peace Council.

Anton Refregier died in Moscow in October 1979 while visiting the Soviet Union. His work can be found in many museums including the Corcoran Gallery of Art, the Metropolitan Museum, the San Francisco Museum of Art, and the Whitney Museum of American Art.
Related Material:
Also found in the Archives of American Art are an oral history interview with Anton Refregier, 1964, Nov. 5 by Joseph Trovato; and Papers regarding Anton Refregier mural controversy, 1953.
Provenance:
Donated 1983 by Lila Refregier, widow of Anton Refregier, and in 1992 by Brigit R. Sutton, Refregier's daughter.
Restrictions:
Use of original papers requires an appointment.
Rights:
Authorization to quote or reproduce for purposes of publication requires written permission from Bridget R. Sutton via Bridget's son, Tim Sutton. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Tapestry  Search this
Art -- Study and teaching  Search this
Political clubs  Search this
Muralists -- New York -- Woodstock  Search this
Art -- Commissioning  Search this
Painters -- New York (State) -- Woodstock  Search this
Mural painting and decoration -- Archival resources -- 20th century  Search this
Designers -- New York (State)  Search this
Artists' studios -- Photographs  Search this
Genre/Form:
Travel diaries
Greeting cards
Interviews
Cartoons (working drawings)
Scrapbooks
Transcripts
Photographs
Diaries
Sketches
Citation:
Anton Refregier papers, circa 1900-circa 1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.refranto
See more items in:
Anton Refregier papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-refranto

Hildreth Meière papers

Creator:
Meiere, M. Hildreth, d. 1961  Search this
Names:
Exposition internationale (1937 : Paris, France)  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Peter A. Juley & Son  Search this
United States. Navy  Search this
Abbott, Berenice, 1898-1991  Search this
Dunn, Louise Meière  Search this
Extent:
27.3 Linear feet
0.068 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Slides (photographs)
Transcripts
Video recordings
Photographs
Poetry
Diaries
Sketchbooks
Place:
Spain -- History -- Civil War, 1936-1939
Date:
1901-2011
bulk 1911-1960
Summary:
The papers of Hildreth Meière measure 27.3 linear feet and 0.068 GB and date from 1901 to 2011, with the bulk of material dating from 1911 to 1960. The collection documents Meière's life and travels, and her long and prolific career as an architectural muralist through biographical material, correspondence, writings, thirteen diaries, files regarding her war relief work during the Spanish Civil War and World War II, printed and digital materials, extensive photographs and slides, eight sketchbooks, and two videocassettes and 93 reels of motion picture film documenting her travels, her volunteer efforts in Spain following the civil war, artwork, and home movies.
Scope and Contents:
The papers of Hildreth Meière measure 27.3 linear feet and 0.068 GB and date from 1901 to 2011, with the bulk of material dating from 1911 to 1960. The collection documents Meière's life and travels, and her long and prolific career as an architectural muralist through biographical material, correspondence, writings, thirteen diaries, files regarding her war relief work during the Spanish Civil War and World War II, printed and digital materials, extensive photographs and slides, eight sketchbooks, and two videocassettes and 93 reels of motion picture film documenting her travels, her volunteer efforts in Spain following the civil war, artwork, and home movies.

Biographical material includes an autobiographical narrative written by Meière, her many awards and certificates, membership information, passports, her U.S. Navy service records from World War I, documentation of her brief marriage and family genealogy, obituaries, and memorial service documentation. Also found are extensive writings and research conducted by Meière's daughter, Louise Meière Dunn, which include a complete list of Meière's commissions, detailed biographical narratives, and records of Meière's works held elsewhere.

The papers contain Meière's personal and family correspondence, travel correspondence, and business correspondence regarding professional activities. Much of the correspondence with family and friends was written during Meière's extensive travels over the world. Both family and travel correspondence have extensive indexes, summaries, and in some cases, transcripts prepared by Meière's daughter, Louise Meière Dunn. Some of the indexes, summaries and transcripts are digital. Writings include poetry and diaries kept during childhood and school years, travel diaries, essays and talks written about Meière's work, writings Meière prepared for committees of the National Mural Painters Association, and detailed travelogues of her trips to Constantinople and the Balkans in 1933, to Russia in 1936, her "Grand Tour" to Australia, Southeast Asia, India, Africa, and Europe in 1952-1953, and her "Holy Land" tour of the Middle East in 1954.

Civilian War Service Records document Meière's efforts at war relief organization during and after the Spanish Civil War and during World War II. The Spanish Civil War files include extensive photographs provided by the Spanish government as well as three motion picture films documenting refugees and damaged architecture and public artwork shot by Meière during a trip sponsored by Franco's government. World War II activities concern Meière's efforts to organize artists in the United States to design and execute murals and other works of public art at military facilities around the U.S.

Travel records include maps, ephemera, slides, and 83 motion picture films taken on trips abroad between 1933 and 1958. Trips include Eastern and Western Europe, the Mediterranean Region and the Middle East, South America, Mexico and Guatemala, India, Sub-Saharan Africa, Southeast Asia, Australia, New Zealand, Scandinavia, and the UK. The motion picture films are mostly shot in Kodachrome color and many contain intertitles prepared by Meière to identify locations for travel lectures.

Printed materials consist primarily of clippings and publications that reference Meière's work, contain profiles of her, or contain published writings by her. A single published educational film is also found, given to her by an Australian filmmaker friend. Additional photographs, digital photographs and moving images include personal photographs of Meière, with portraits by Peter A. Juley and Sons and Berenice Abbott, photographs of many of her commissioned works, and a few photographs of artwork by others. Home movies show Meière with friends in 1926 and 1940. Among the photographic documentation of artworks by Meière and others are motion picture films of the 1939 New York World's Fair, the D.C. Municipal Building Frieze, and the 1937 Paris Fair; also found are 311 lantern slides and 201 glass copy negatives of her own completed works as well as murals she documented while traveling, notably murals in Norway and Oberammergau, Bavaria, taken in the 1930s.

Eight sketchbooks date to her early years as an art student and artist and include many figure studies, landscapes, and theatrical sketches made at home and abroad.
Arrangement:
This collection is arranged in 8 series. Indexes, summaries, and transcripts prepared by Louise Meière Dunn that relate directly to archival materials in the collection are found throughout the collection with the material they describe. These indices are particularly rich in Series 2, Correspondence.

Series 1: Biographical Material, 1915-2003 (0.6 linear feet; Boxes 1, 14, OV18)

Series 2: Correspondence, 1901-2011 (3 linear feet; Boxes 1-4, RD19, 0.038 GB; ER01-ER03)

Series 3: Writings, 1904-1960 (1.3 linear feet; Boxes 4-5)

Series 4: Civilian War Service Records, 1938-2006 (1.3 linear feet; Boxes 5-6, 15, FC 28-30)

Series 5: Travel Records, 1933-1958 (12.8 linear feet; Boxes 6-10, 15, OV18, FC 31-111)

Series 6: Printed Material, 1913-1998 (2.1 linear feet; Boxes 10-12, 15, FC 112)

Series 7: Photographs and Moving Images, 1915-1966 (5.8 linear feet; Boxes 12-13, 16, 20-27, FC 17, 113-127, 0.029 GB; ER04)

Series 8: Sketchbooks, 1911-1922 (0.4 linear feet; Box 13)
Biographical / Historical:
Hildreth Meière (1892-1961) was born in Flushing, New York, and had a prolific career from 1921-1961 as an architectural muralist working primarily in an Art Deco style. Meière painted murals and designed for various mediums including mosaic, metal, and stained glass. In 1956 the American Institute of Architects awarded Meière their Fine Arts Medal.

Meière was educated at New York's Convent of the Sacred Heart, Manhattanville, the Art Students League in New York, the California School of Fine Arts (now San Francisco Art Institute), and the School of the Art Institute of Chicago, in addition to pursuing studies in Italy. Her major commissions include the Nebraska State Capitol at Lincoln, the National Academy of Sciences, the Resurrection Chapel of the National Cathedral in Washington, D.C. In New York, she designed the Art Deco plaques on the exterior wall of Radio City Music Hall; created mosaic interiors for the Irving Trust Building at 1 Wall Street; and provided ecclesiastical decorations for St. Patrick's Cathedral, St. Bartholomew's Episcopal Church, Temple Emanu-El, and elsewhere. She also created murals for the Chicago 1933 Century of Progress Fair, and the 1939 New York World's Fair.

She was also an active officer in the Art Students League and the National Society of Mural Painters. Some of her most inspired collaborations were with the architect Bertram Goodhue in the 1920s, and only his sudden death in 1924 put an end to them, although some projects were finished with the successor firm.

Meière died in 1961 at the age of 68. Her work is remembered in several major publications, including The Art Deco Murals of Hildreth Meière by Catherine Coleman Brawer and Kathleen Murphy Skolnik, with photographs by Meière's granddaughter, Hildreth Meière Dunn, published in 2014; and the catalog of the 2009 exhibition at St. Bonaventure University, curated by Brawer and photographed by Dunn, entitled Walls Speak: the Narrative Art of Hildreth Meière.
Provenance:
A majority of the collection placed on deposit 2001 by Louise Meière Dunn, daughter of Hildreth Meière. The collection was donated incrementally by Dunn through 2012. Donations occurred 2001-2007, and again in 2010-2012.
Restrictions:
Use of original papers requires and appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Mosaicists -- New York (State) -- New York  Search this
Topic:
War relief  Search this
Travel  Search this
World War, 1939-1945  Search this
World War I, 1914-1918  Search this
Women artists  Search this
Art commissions  Search this
Motion pictures (visual works)  Search this
Genre/Form:
Slides (photographs)
Transcripts
Video recordings
Photographs
Poetry
Diaries
Sketchbooks
Citation:
Hildreth Meière papers, 1901-2011, bulk 1911-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.meiemari
See more items in:
Hildreth Meière papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-meiemari
Online Media:

Slides

Collection Creator:
Meiere, M. Hildreth, d. 1961  Search this
Container:
Box 6
Type:
Archival materials
Date:
1946-1958
Scope and Contents:
Slides in this series were taken during travels by Hildreth Meière and her daughter Louise Meière Dunn from the 1940s through the 1950s. Architecture, murals, and mosaics are highly represented in the images, and some landscape, local scenes, and personal photos are also found. Approximately one-half of the slides are from a lengthy trip Meière refers to in her writings as the "Grand Tour," which began in Australia and New Zealand, and continued to Bali, Indonesia; Bangkok, Thailand; India; Sub-Saharan Africa; Italy; Great Britain; and France. While in England, they witnessed the coronation of Queen Elizabeth II. Other trips represented in travel slides include Mexico and Guatemala in 1946, South America in 1947, Italy in 1949-1950, Scandinavia in 1951, Middle Eastern countries referred to as the "Holy Land" trip in 1954, and Belgium in 1958, specifically to see the Belgian Fair of that year. Also found are a large set of slides of Italian Mosaics filed with slides from Italy. These and other identified sets appear to have been assembled for slide talks given by Louise and Hildreth Meière.

There are no identifications on the slides themselves. Some sets of slides correspond to slide lists of subjects depicted but there are no comprehensive lists of subjects. Handwritten notes with general information about locations and artworks depicted are also found with some sets of slides, and may have been used in travel talks given by Hildreth and/or Louise Meière Dunn.
Arrangement:
Slides are arranged by country, some of which have several sets, the earliest encased in taped glass, and later sets in cardboard mounts. Where slide lists and/or notes about slide content exist they are filed directly before the set of slides they describe, and identified sets of slides are arranged in numerical order. Note that some sets of slides were given an original number sequence and then rearranged, presumably for lectures, so that lists are non-sequential. The order of identifications in these lists therefore does not always match the order of the slides, which are filed in numerical order when numbering exists. Where no lists of slides exist and slides have not been assigned numbers, slides are simply organized by country.
Collection Restrictions:
Use of original papers requires and appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Hildreth Meière papers, 1901-2011, bulk 1911-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.meiemari, Subseries 5.2
See more items in:
Hildreth Meière papers
Hildreth Meière papers / Series 5: Travel Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-meiemari-ref367

Greece, Mosaics

Collection Creator:
Meiere, M. Hildreth, d. 1961  Search this
Container:
Box 7, Folder 16
Type:
Archival materials
Date:
circa 1954
Collection Restrictions:
Use of original papers requires and appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Hildreth Meière papers, 1901-2011, bulk 1911-1960. Archives of American Art, Smithsonian Institution.
See more items in:
Hildreth Meière papers
Hildreth Meière papers / Series 5: Travel Records / 5.2: Slides / Holy Land / Set 2
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-meiemari-ref431

Istanbul, Turkey, Mosaics

Collection Creator:
Meiere, M. Hildreth, d. 1961  Search this
Container:
Box 7, Folder 18
Type:
Archival materials
Date:
circa 1954
Collection Restrictions:
Use of original papers requires and appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Hildreth Meière papers, 1901-2011, bulk 1911-1960. Archives of American Art, Smithsonian Institution.
See more items in:
Hildreth Meière papers
Hildreth Meière papers / Series 5: Travel Records / 5.2: Slides / Holy Land / Set 2
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-meiemari-ref433

Italian Mosaics

Collection Creator:
Meiere, M. Hildreth, d. 1961  Search this
Container:
Box 8
Type:
Archival materials
Collection Restrictions:
Use of original papers requires and appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Hildreth Meière papers, 1901-2011, bulk 1911-1960. Archives of American Art, Smithsonian Institution.
See more items in:
Hildreth Meière papers
Hildreth Meière papers / Series 5: Travel Records / 5.2: Slides
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-meiemari-ref459

Slide List for Set 1

Collection Creator:
Meiere, M. Hildreth, d. 1961  Search this
Container:
Box 8, Folder 12
Type:
Archival materials
Date:
circa 1949-1950
Collection Restrictions:
Use of original papers requires and appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Hildreth Meière papers, 1901-2011, bulk 1911-1960. Archives of American Art, Smithsonian Institution.
See more items in:
Hildreth Meière papers
Hildreth Meière papers / Series 5: Travel Records / 5.2: Slides / Italian Mosaics
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-meiemari-ref460

Set 1

Collection Creator:
Meiere, M. Hildreth, d. 1961  Search this
Extent:
2 slide boxes
Container:
Box 8, Folder 13-14
Type:
Archival materials
Date:
circa 1949-1950
Collection Restrictions:
Use of original papers requires and appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Hildreth Meière papers, 1901-2011, bulk 1911-1960. Archives of American Art, Smithsonian Institution.
See more items in:
Hildreth Meière papers
Hildreth Meière papers / Series 5: Travel Records / 5.2: Slides / Italian Mosaics
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-meiemari-ref462

Set 2

Collection Creator:
Meiere, M. Hildreth, d. 1961  Search this
Container:
Box 8, Folder 15
Type:
Archival materials
Date:
circa 1949-1960
Collection Restrictions:
Use of original papers requires and appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Hildreth Meière papers, 1901-2011, bulk 1911-1960. Archives of American Art, Smithsonian Institution.
See more items in:
Hildreth Meière papers
Hildreth Meière papers / Series 5: Travel Records / 5.2: Slides / Italian Mosaics
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-meiemari-ref463

Set 1

Collection Creator:
Meiere, M. Hildreth, d. 1961  Search this
Extent:
3 slide boxes
Container:
Box 9, Folder 1-3
Type:
Archival materials
Date:
1946
Scope and Contents:
Subjects depicted include UNAM Mosaics, Monte Alban, Oaxaca, Puebla, Guadalajara, and the Diego Rivera and Rufino Tomayo murals.
Collection Restrictions:
Use of original papers requires and appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Hildreth Meière papers, 1901-2011, bulk 1911-1960. Archives of American Art, Smithsonian Institution.
See more items in:
Hildreth Meière papers
Hildreth Meière papers / Series 5: Travel Records / 5.2: Slides / Mexico
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-meiemari-ref466

Photographs and Moving Images

Collection Creator:
Meiere, M. Hildreth, d. 1961  Search this
Extent:
5.8 Linear feet (Boxes 12-13, 16, 20-27, FC 17, FC 114-127)
0.029 Gigabytes (ER04)
Type:
Archival materials
Gigabytes
Date:
circa 1915-1966
Scope and Contents:
Photographs and digital photographs and moving images include personal photographs and home movies of Meière, family, and associates, and photographs and motion picture film of artworks by Meière and others. In addition to printed and digital photographs, negatives, slides, and transparencies, this series contains 311 lantern slides, 201 glass negatives, 8 original film reels, and duplicates of those film reels on 8 film reels and 2 videocassettes (HDCAM).

Personal photographs include numerous portraits of Meière throughout her life, from her time in school to her time in the U. S. Navy during WWI, and later portraits taken by Peter A. Juley and Sons and Berenice Abbott. Other personal photographs are found with childhood friend Katherine Harvey in costume, as well as autographed theatrical photographs of actresses Marjorie Patterson and Margaret Anglin by Sarony and Charles Frohman. A motion picture film contains home movies shot in 1926 and 1940 in New York City on one film reel. Family slides of homes and family members are also found, along with photographs of Meière with personal and professional associates, including formal group photos of annual New York City Arts Commission dinners, Meière accepting her honorary doctorate at Manhattanville College, and Meière riding camels in Egypt.

Photographed artworks by Meière include snapshots of sketches for some of her earliest commissions from 1924, lantern slides and copy negatives of later commissions, lantern slides and glass negatives of a series of drawings Meière made of the 1934 performance of the passion play in Oberammergau, Germany, as well as murals in Oberammergau, motion picture film of Meière's and other artists' murals and sculptures at the 1939 New York World's Fair on 3 film reels, and motion picture film of the Municipal Center Frieze in Washington, DC on 1 film reel. Triptychs created by Meière during WWII, mainly for the Citizen's committee for the Army and Navy, are documented in a film documentary, "The Making of a Triptych," on 2 film reels, and in 25 color lantern slides and color transparencies. Numerous photographs of various commissions by Meière are also found.

Photographed artworks by others include a bust of Meière by James Drummond Herbert, slides of the Brussels Fair of 1958, slides of cave paintings in Italy, France, and Lebanon; a set of slides of Flemish paintings, and a large set of glass copy negatives and lantern slides of murals in Norway, possibly taken during Meière's 1932 trip to Scandinavia. A reel of film shot at the Paris Fair of 1937 is also found.
Arrangement:
Glass plate copy negatives and lantern slides in this series are housed separately.

See also Series 5, Travel Records, for a very large series of slides and motion picture film, which includes images of mosaics, architecture, and international fairs. Additional photographs are also found in Series 1, Biographical Material, in the Dunns' research on Meière's Century of Progress Murals from the Chicago World's Fair of 1933-1934.
Collection Restrictions:
Use of original papers requires and appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Hildreth Meière papers, 1901-2011, bulk 1911-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.meiemari, Series 7
See more items in:
Hildreth Meière papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-meiemari-ref7

Prints

Collection Creator:
Meiere, M. Hildreth, d. 1961  Search this
Container:
Box 13, Folder 6
Type:
Archival materials
Date:
circa 1924-1960
Scope and Contents:
Subjects include National Academy of Sciences, Nebraska State Capital, One Wall Street, The Westport Room Murals, Fred Harvey Restaurant, World's Fair Murals, S. S. America Dining Room Decorations, Prudential Life Insurance Mural, Traveler's Insurance Mosaic; oversized prints in box 16.
Collection Restrictions:
Use of original papers requires and appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Hildreth Meière papers, 1901-2011, bulk 1911-1960. Archives of American Art, Smithsonian Institution.
See more items in:
Hildreth Meière papers
Hildreth Meière papers / Series 7: Photographs and Moving Images / Photographs and Moving Images of Artwork by Hildreth Meière / Various Commissions
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-meiemari-ref720

San Marco, Venice--"An oriental poem in marble, mosaic and gold." [Active no. 2058 : half-stereo interpositive,]

Topic:
ITALY TOUR
Publisher:
Underwood & Underwood  Search this
Photographer:
Littleton View Co.  Search this
Names:
Basilica di San Marco (Venice, Italy)  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (3-1/4 x 3-1/4".)
Type:
Archival materials
Photographs
Place:
Piazza San Marco (Venice, Italy)
Italy
Venice (Italy)
Date:
1898
Local Numbers:
RSN 25921
General:
Similar to RSN 13583 and 13584. Orig. no. 50.
Currently stored in box 3.2.45 [66], moved from [165].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Cathedrals -- Italy  Search this
Birds -- Italy  Search this
Pigeons -- Italy  Search this
Plazas -- Italy  Search this
Architecture -- Italy  Search this
Genre/Form:
Photographs -- 1890-1900 -- Interpositives -- Glass.
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 25860-25974
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref23683

Hall of mosaics, marvelous relic of prehistoric builders, ruins of Mitla. 6357 Interpositive

Topic:
MEXICO
Publisher:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5")
Type:
Archival materials
Photographs
Place:
Mexico
Mitla Site (Mexico)
Local Numbers:
RSN 26882
General:
Currently stored in box 3.2.52 [130].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Halls -- Mexico  Search this
Mosaics -- Mexico  Search this
Ruins -- Mexico  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 26810-26909
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref24641

Palace chapel of the old Norman kings, magnificent with colored mosaics, Palermo. 8556 Interpositive

Topic:
SICILY TOUR
Publisher:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (5" x 8")
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
Norman
Palermo (Sicily)
Sicily (Italy)
Local Numbers:
RSN 22708
General:
Currently stored in box 3.2.26 [219].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Architecture -- Sicily  Search this
Cathedrals -- Sicily  Search this
Chapels -- Sicily  Search this
Mosaics -- Sicily  Search this
Palaces -- Sicily  Search this
Royalty -- Sicily  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 22673-22770
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref20475

Rich mahogany carvings and mosaic floor in the patio (court) of an old Spanish home. Active no. 9231 : stereo interpositive

Topic:
SOUTH AMERICA PERU TOUR
Publisher:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (5" x 8".)
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
Lima (Peru)
Peru
Local Numbers:
RSN 23157
General:
Currently stored in box 3.2.29 [199].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Sculpture -- Peru  Search this
Architecture -- Peru  Search this
Art -- Peru  Search this
Carvings -- Peru  Search this
Dwellings -- Peru  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 23061-23160
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref20924

California, An Exhibition for Artists and Layman Behind the Scenes in Making a Mosaic

Collection Creator:
Cahill, Holger, 1887-1960  Search this
Container:
Reel 5289, Frame 0410-0413
Type:
Archival materials
Date:
undated
Collection Restrictions:
The microfilm of this collection has been digitized and is available online via the Archives of American Art website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Holger Cahill papers, 1910-1993, bulk 1910-1960. Archives of American Art, Smithsonian Institution.
See more items in:
Holger Cahill papers
Holger Cahill papers / Series 3: Works Progress Administration Federal Art Project / 3.4: Administration of the State WPA/FAP
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cahiholg-ref325

The Revival of Mosaic by Arthur W. Sears

Collection Creator:
Cahill, Holger, 1887-1960  Search this
Container:
Reel 5291, Frame 1324-1330
Type:
Archival materials
Date:
undated
Collection Restrictions:
The microfilm of this collection has been digitized and is available online via the Archives of American Art website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Holger Cahill papers, 1910-1993, bulk 1910-1960. Archives of American Art, Smithsonian Institution.
See more items in:
Holger Cahill papers
Holger Cahill papers / Series 4: Writings, Lectures and Speeches / 4.4: Writings by Others
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cahiholg-ref919

Alhambra

Creator:
Court of the Myrtles (Alhambra, Granada, Spain)  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Slide (col.)
Type:
Archival materials
Slides
Place:
Spain -- Granada
Spain -- Andalusia -- Granada Province -- Granada
Date:
1960
General:
See lecture booklet - Slide # 19. This is the "Court of the Myrtles", which is one of the largest. Clipped myrtle make lovely hedge again alabaster columns frame the cool loggias.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Spring  Search this
Oranges  Search this
Standard  Search this
Columns  Search this
Arcades (Architecture)  Search this
Hedges  Search this
Relief  Search this
Fountains  Search this
Ponds  Search this
Mosaics  Search this
Walls  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item SP002002
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 2: International Garden Images / Spain / SP002: Granada -- Alhambra
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref4199

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