Doctor Jazz --Original Jelly Roll blues --Smoke-house blues -- Steamboat stomp --Grandpa's spells --Cannon ball blues -- The chant --Black bottom stomp.
Local Numbers:
FW-ASCH-LP-0272
Jolly Roger.5001
Publication, Distribution, Etc. (Imprint):
Jolly Roger 1951
General:
For jazz ensemble, Jelly Roll Morton, piano-leader; George Mitchell, cornet ; Kid Ory, trombone ; Omer Simeon, clarinet ; Johnny St. Cyr, banjo ; John Lindsay, bass ; Andrew Hillaire, drums.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
The animule ball --Shooting the Agate --See see rider --New Orleans funeral.
Track Information:
101 Animule Ball, The (part 1) / Piano.
102 Animule Ball, The (part 2) / Piano.
103 Shooting the Agate / Piano.
104 See See Rider (part 1) / Piano.
201 See See Rider (part 2) / Piano.
202 New Orleans Funeral (part 1) / Piano.
203 New Orleans Funeral (part 2) / Piano.
204 New Orleans Funeral (part 3) / Piano.
Local Numbers:
FW-ASCH-LP-4156
Riverside.9002
Publication, Distribution, Etc. (Imprint):
New York Riverside 1957
Date/Time and Place of an Event Note:
1938.
General:
Jazz piano. Program notes by Martin Williams on container. Performer(s): Jelly Roll Morton, piano, vocal, and commentary. Production notes: Recorded in Coolidge Auditorium, Library of Congress, Washington, D.C., May and June, 1938.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Mama 'Nita --Spanish swat --New Orleans blues --La paloma --Creepy feeling --Creepy feeling (concluded) --The crave --Fickle fay creep.
Track Information:
101 Mama 'Nita / Piano.
102 Spanish Swat / Piano.
103 New Orleans Blues / Piano.
104 La Poloma / Piano.
201 Creepy Feeling (part 1) / Piano.
202 Creepy Feeling (part 2) / Piano.
203 The Crave / Piano.
204 Fickle Fay Creep / Piano.
Local Numbers:
FW-ASCH-LP-4157
Riverside.9004
Publication, Distribution, Etc. (Imprint):
New York Riverside 1957
General:
Program notes by Martin Williams on container. Production notes: Originally recorded in the Coolidge Auditorium of the Library of Congress during a five-week period beginning May 21, 1938. "Under the auspices of the Library and its Chief of the Music Division, Harold Spivacke, and responding to the questions of its Folk Music Curator, Alan Lomax...Morton... combined commentary, playing, singing, exaggeration, and autobiography to create this important documentary: a personalized history of New Orleans jazz."--Container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Discourse on jazz (part 1) --Kansas City stomps --Discourse on jazz (part 2) --Kansas City stomps (concluded) --Discourse on jazz (part 3) --Discourse on jazz (concluded) --Randall's rag --Maple leaf rag: St. Louis --Maple leaf rag: St. Louis and New Orleans --King Porter stomp --You can have it.
Track Information:
101 Discourse on Jazz (Part 1) / Piano.
101 Kansas City Stomps / Piano.
102 Discourse on Jazz (Part 2) / Piano.
102 Kansas City Stomps (concluded) / Piano.
103 Discourse on Jazz (Part 3) / Piano.
104 Discourse on Jazz (Part 4) / Piano.
201 Randall's Rag / Piano.
201 Maple Leaf Rag (St.Louis) / Piano.
202 Maple Leaf Rag (St.Louis and New Orleans) / Piano.
203 King Porter's Stomp / Piano.
203 You Can Have It / Piano.
Local Numbers:
FW-ASCH-LP-4158
Riverside.9003
Publication, Distribution, Etc. (Imprint):
New York Riverside 1957
Date/Time and Place of an Event Note:
1938.
General:
Riverside: RLP 9003. Program notes by Martin Williams on container. Production notes: Originally recorded in the Coolidge Auditorium of the Library of Congress during a five-week period beginning May 21, 1938. "Under the auspices of the Library and its Chief of the Music Division, Harold Spivacke, and responding to the questions of its Folk Music Curator, Alan Lomax...Morton... combined commentary, playing, singing, exaggeration, and autobiography to create this important documentary: a personalized history of New Orleans jazz."--Container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
The original quadrille --Tiger rag --Panama --Mr. Jelly Lord -- Original Jelly Roll blues [Chicago blues] --Ancestry and boyhood [spoken] --The miserere ; Boyhood memories [spoken] ; Hyena stomp.
Track Information:
101 The Original Quadrille / Piano.
102 Tiger Rag / Piano.
103 Panama / Piano.
104 Mr. Jelly Lord / Piano.
105 Original Jelly Roll Blues / Piano.
201 Ancestry and Boyhood / Piano.
202 The Miserere / Piano.
202 Boyhood Memories / Piano.
202 Hyena Stomp / Piano.
Local Numbers:
FW-ASCH-LP-4159
Riverside.9001
Publication, Distribution, Etc. (Imprint):
New York Riverside 1957
Date/Time and Place of an Event Note:
1938.
General:
Riverside: RLP 9001. Program notes by Martin Williams on container. Performer(s): Jelly Roll Morton, piano, vocal, and commentary. Production notes: Recorded in Coolidge Auditorium, Library of Congress, Washington, D.C., 1938.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Sammy Davis and Tony Jackson --Pretty baby --Tony Jackson, Alfred Wilson, Albert Carroll, and Kid Ross -- Mamie Desdoumes ; and, Mamie's blues --Albert Carroll and Buddy Bertrand --The crazy chord rag --The game kid and his blues --Game kid wouldn't work --Buddy Carter -- Bad Sam and Benny Frenchy --All that I ask is love.
Local Numbers:
FW-ASCH-LP-4160
Circle.14007
Publication, Distribution, Etc. (Imprint):
Circle
General:
Program notes on slipcase. Performer(s): Jelly roll Morton, vocals and piano. Production notes: Recorded in the Coolidge Auditorium of the Library of Congress, Washington, D.C., May-June 1938.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Levee man blues --The Storyville story --The naked dance -- I hate a man like you --Honky tonk blues #1 --Honky tonk blues #2 --If I was whiskey and you was a duck --The winin' boy.
Track Information:
101 Levee Man Blues / Piano.
102 The Storyville Story / Piano.
103 The Naked Dance / Piano.
104 I Hate a Man Like You / Piano.
201 Honky Tonk Blues #1 / Piano.
202 Honky Tonk Blues #2 / Piano.
203 If I Was Whiskey and You Was a Duck / Piano.
204 The Winin' Boy / Piano.
Local Numbers:
FW-ASCH-LP-4163
Riverside.9012
Publication, Distribution, Etc. (Imprint):
New York Riverside 1957
Date/Time and Place of an Event Note:
1938.
General:
Jelly Roll Morton, piano, vocals.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
The Broadway swells (part 1) --The Broadway swells (concluded) --Buddy Bolden's legend (part 1) --Buddy Bolden's legend (concluded) --The marching bands (part 1) -- Ungai ha --Creole song --If you don't shake --The marching bands (concluded).
Track Information:
101 Broadway Swells, The (part 1) / Piano.
102 Broadway Swells, The (part 2) / Piano.
103 Buddy Bolden's Legend (part 1) / Piano.
104 Buddy Bolden's Legend (part 2) / Piano.
201 Marching Bands, The (part 1) / Piano.
202 Ungai Hai / Piano.
203 Creole Song / Piano.
204 If You Don't Shake / Piano.
205 Marching Bands, The (concluded) / Piano.
Local Numbers:
FW-ASCH-LP-4164
Riverside.9011
Publication, Distribution, Etc. (Imprint):
New York Riverside 1957
Date/Time and Place of an Event Note:
1938.
General:
Riverside: RLP 9011. Program notes by Martin Williams on container. Production notes: Originally recorded in the Coolidge Auditorium of the Library of Congress during a five-week period beginning May 21, 1938. "Under the auspices of the Library and its Chief of the Music Division, Harold Spivacke, and responding to the questions of its Folk Music Curator, Alan Lomax...Morton... combined commentary, playing, singing, exaggeration, and autobiography to create this important documentary: a personalized history of New Orleans jazz."--Container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Levee man blues --The Storyville story --The naked dance -- The sporting life --I hate a man like you --Honkey tonk blues I --Honkey tonk blues II --If I was whiskey and you was a duck --The winin' boy II.
Local Numbers:
FW-ASCH-LP-4165
Circle.14012
Publication, Distribution, Etc. (Imprint):
Circle
Date/Time and Place of an Event Note:
1938.
General:
Jelly Roll Morton, piano, vocals, and narration.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
side 1. Pinetop's boogie woogie. Pinetop's blues. Jump steady blues. I'm sober now -- side 2. King Porter stomp. The Pearls. Frog I more rag. Fat meat and greens.
Track Information:
101 Pinetop's Boogie Woogie / Pine Top Smith. Piano.
102 Pinetop's Blues / Pine Top Smith. Piano.
103 Jump Steady Blues / Pine Top Smith. Piano.
104 I'm Sober Now / Pine Top Smith. Piano.
201 King Porter Stomp / Jelly Roll Morton.. Piano.
202 The Pearls / Jelly Roll Morton. Piano.
203 Sweetheart O' Mine / Jelly Roll Morton. Piano.
204 Fat Meat and Greens / Jelly Roll Morton. Piano.
Local Numbers:
FW-ASCH-LP-3407-2
Brunswick.58003
Publication, Distribution, Etc. (Imprint):
Brunswick 1950
General:
Pine Top Smith. A King of the piano : in a collection of rare piano solo recordings : volume 1 / Jelly Roll Morton.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Creole belles -- Black and white rag -- Purple rose of Cairo -- War cloud -- Maple leaf rag -- High society -- The entertainer -- The ragtime dance -- New Orleans hop scop blues -- My Maryland -- The chrysanthemum -- Panama -- Wall Street rag -- Love will find a way -- Rubber plant rag -- You can have it, I don't want it -- Tickled to death -- The junk man rag -- Winin' boy blues -- St. Louis tickle -- Hindustan -- Ethiopia -- Red pepper -- Pickles and peppers.
Track Information:
101 Creole Belles / J. Bodewalt Lampe.
102 Black and White Rag / George Botsford.
103 Purple Rose of Cairo / Armand J. Piron, Steve Lewis.
104 War Cloudlles / Larry Shields, Nick LaRocca.
105 Maple Leaf Rag / Scott Joplin.
107 The Entertainer / Scott Joplin.
108 The Ragtime Dance / Scott Joplin.
111 The Chrysanthemum / Scott Joplin.
113 Wall Street Rag / Scott Joplin.
106 High Society / Porter Steele.
109 New Orleans Hop Scop Blues / George W. Thomas.
110 My Maryland / W.S. Mygrant.
112 Panama / Wm. H. (William H.) Tyers.
114 Love Will Find a Way / Eubie Blake, Noble Sissle.
115 Rubber Plant Rag / George L. Cobb.
116 You Can Have it, I Don't Want it / Hill, Pyron, Williams.
117 Tickled to Death / Charles Hunter.
118 The Junk Man Rag / Luckey Roberts.
119 Winin' Boy Blues / Jelly Roll Morton.
120 St. Louis Tickle / Barney and Seymore.
121 Hindustan / Harold Weeks, Oliver Wallace.
122 Ethiopia / Joseph F. (Joseph Francis) Lamb.
123 Red Pepper / Henry Lodge.
124 Pickles and Peppers / Adaline Shepherd.
Local Numbers:
Arhoolie.420; Arhoolie.1058
FP-ARH-CD-420
Publication, Distribution, Etc. (Imprint):
El Cerrito, CA Arhoolie 1994
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
