Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by Smithsonian Institution Collections Care Preservation Fund
Artwork Files (Boxes 63-71, 94-95) and some photographic materials (Boxes 93 and 101) are ACCESS RESTRICTED; use requires written permission. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by Smithsonian Institution Collections Care Preservation Fund
Artwork Files (Boxes 63-71, 94-95) and some photographic materials (Boxes 93 and 101) are ACCESS RESTRICTED; use requires written permission. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by Smithsonian Institution Collections Care Preservation Fund
The nutting girl --The bonnie wee lassie who never said no --Bundle and go --Blow the candle out --The foggy dew -- Toorna-ma-goon --Rolling in the ryegrass --The jolly tinker -- The long peggin' awl --The thrashing machine --Up to the rigs of London Town --The wind blew the bonnie lassie's plaidie awa --The cunning cobbler --As I walked through Dublin City --The light drag'on --The Orkney style of courtship --The cuckoo's nest --The soldier and the lady -- Molly, put the kettle on --Never wed an old man --The maid of Australia --The merchant's son and the beggar's daughter --The bold English navy --Cruising round Yarmouth.
Track Information:
203 The Orkney style of Courtship / John Findlater.
102 The Bonnie Wee Lassie Who Never Said No / Jeannie Robertson.
103 Bundle and Go / John Doherty.
104 Blow the Candle Out / Jimmy Gilhaney.
105 The Foggy Dew / Phil Hammond.
106 Toorna-Ma-Goon / Jimmy MacBeath.
107 Rolling in the Ryegrass / Paddy Taylor.
108 The Jolly Tinker / Thomas Moran.
109 The Long Peggin' Awl / Harry Cox.
110 The Thrashing Machine / Anne O'Neill.
111 Up To The Rigs of London Town / Charlie Willser.
112 The Wind Blew the Bonnie Lassie's Plaidie Awa' / Jimmy MacBeath.
113 The Cunning Cobbler / George Spicer.
201 As I Walked Through Dublin City / Seamus Ennis.
202 The Light Dragon / Harry List.
204 The Cuckoo's Nest / Jeannie Robertson.
205 The Soldier and the lady / Jeannie Robertson.
206 Molly, Put the Kettle On / Seamus Ennis.
207 Never Wed an Old Man / Jeannie Robertson.
208 The Maid of Austrailia / Harry Cox.
209 The Merchant's Son and the Beggar's Daughter / Davie Stewart.
210 The Bold english Navy / Lal Smith.
211 Cruising Round Yartmouth / Harry Cox.
101 The Nutting Girl / Cyril Poacher.
Local Numbers:
FW-ASCH-LP-2951
Caedmon.1143
Publication, Distribution, Etc. (Imprint):
New York Caedmon 1961
General:
Peter Kennedy and Alan Lomax, editors. Historical and critical notes, with tunes and timings inserted in each container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
The Elfin knight --The false knight on the road --Lady Isabel and the Elf Knight --The Twa sisters --Lord Randall --Edward --King Orfeo --The Cruel mother --The Broomfield wager --Captain Wedderburn's courtship --The Twa brothers --Lord Bateman --Lord Thomas and fair Ellen --Lord Lovell --Lord Gregory --Barbara Allen --George Collins --Cruel Lincoln --The Prickelly bush
Track Information:
101 The Elfin Knight (Child No. 2)/ Ron Copper.
102 The False Knight on the Road (Child No. 3)/ Frank Quinn.
103 Lady Isabel and the Elf Knight (Child No. 4) / Fred Jordan.
104 The Twa Sisters (Child No. 10) / John Strachan.
105 Lord Randall (Child No. 12) / Jeannie Robertson.
106 Edward / Jeannie Robertson.
107 King Orfeo / John Stickle.
108 The Cruel Mother (Child No. 20)/ Thomas Moran.
109 The Broomfield Wager / Cyril Poacher.
201 Captain Weddeburn's Courtship / Seamus Ennis.
202 The Twa Brothers / Lucy Stewart.
203 Lord Bateman (Child No. 53) / Thomas Moran.
204 Lord Thomas and Fair Ellen (Child No. 73) / Jessie Murray.
205 Lord Lovell / Ethel Findlater.
206 Lord Gregory (Child No. 76)/ Elizabeth Cronin.
207 Barbara Allen (Child No. 84)/ Jessie Murray.
208 George Collins (Child No. 85)/ Enos White.
209 Cruel Lincoln / Arthur Benjamin Butcher.
210 The Prickelly Bush / Julia Scaddon.
Local Numbers:
FW-ASCH-LP-2953
Caedmon.1145
Publication, Distribution, Etc. (Imprint):
New York Caedmon 1961
General:
Works selected from: English and Scottish popular ballads / edited by Francis James Child. Program notes with song text inserted in containers.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
The royal forester --The Baffled Knight --Johnie Cock --Robin Hood and Little John --The Jew's garden --The battle of Harlaw --The four Maries --The Gypsie laddie --Georgie -- The Dowie dens of Yarrow --Glenlogie --The grey cock -- Henry Martin --Lang Johnny More --Willie's fate --Our goodman --The farmer's curst wife --The jolly beggar -- The auld beggarman --The keach in the creel --The golden vanity --The trooper lad.
Track Information:
101 The Royal Forester / John Strachan.
102 The Baffled Knight (Child No. 112) / Emily Bishop.
103 Johnie Cock (Child No. 114) / John Strachan.
104 Robin Hoon and little John / John Strachan.
105 The Jews Garden / Cecilia Costello.
106 The battle of Harlaw (Child No. 54)/ Lucy Stewart.
107 Te Four Maries / Jeannie Robertson.
108 The Gypsie Laddie / Harry Cox.
109 Georgie [sound recording] / Harry Cox.
110 The Dowie Dens of Yarrow (Child No. 214)/ Davie Stewart.
201 Glenlogie / John Strachan.
202 The Grey Cock (Child No. 248) / Cecilia Costello.
203 Henry Martin (Child No. 250) / Phil Tanner.
204 Lang Johnny More / John Strachan.
205 Willie's Fate / Jeannie Robertson.
206 Our Goodman (Child No. 274)/ Harry Cox.
207 The farmers Curst Wife (Child No. 278)./ Thomas Moran.
208 The Jolly Beggar (Child No. 279) / Jeannie Robertson.
209 The Auld Beggarman / Maggie Chambers.
210 The Keach in the Creel (Child No. 281)/ Michael Gallagher.
211 The Golden Vanity (Child No. 286)/ Bill Cameron.
212 The trooper Lad / Jimmy MacBeath.
Local Numbers:
FW-ASCH-LP-2954
Caedmon.1146
Publication, Distribution, Etc. (Imprint):
New York Caedmon 1961
General:
Works selected from: English and Scottish popular ballads / edited by Francis James Child. Program notes with song text inserted in containers.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Paddy west --The Liverpool packet --The green banks of Yarrow --Our gallant ship --The alehouse --Rosemary Lane -- Ratcliffe highway --The lowlands of Holland --The Quaker -- Kishmul's galley --The whale-fishery --The grey silkie -- Warlike seaman --The boat that first brought me over -- The handsome cabin boy --The unst boat song --The smacksman --Sweet Willie --The campanero --Andrew Ross -- The bold princess royal --The boatie rows --Our ship is ready --Nancy from Yarmouth.
Track Information:
101 Paddy West / Timothy Walsh.
102 Liverpool Packet,The / Bill Barber.
103 The Green Banks of Yarrow / Mrs. Maguire.
104 Our Gallant Ship / William Howell.
105 The Alehouse / Elizabeth Cronin.
106 Rosemary LanePaddy West / Bruce Laurenson.
107 Ratcliffe Highway / Jim Baldry.
108 The Lowlands of Holland / Paddy Tunney.
109 The Quaker / Dorchester Mummers.
110 Kishmul's Galley / Flora MacNeil.
111 The Whale-Fishery / Philip Hamon.
112 The Grey Silkie (Child No. 113)/ John Sinclair.
201 Warlike Seamen / Bob Copper, Ron Copper.
202 The Boat that First Brought Me Over / Thomas Moran.
203 The Handsome Cabin Boy / Jeannie Robertson.
204 The Unst Boat Song / John Stickle.
205 The Smacksman / Sam Larner.
206 Sweet Willie / Lal Smith.
207 The Campanero / Bill Cameron.
209 The Bold Princess Royal / Ned Adams.
210 The Boatie Rows / Jessie Murray.
211 Our Ship is Ready / Robert Cinnamond.
212 Nancy From Yartmouth / Fred Ling.
208 Andrew Ross / Ethel Findlater, John Findlater.
Local Numbers:
FW-ASCH-LP-2955
Caedmon.1162
Publication, Distribution, Etc. (Imprint):
New York Caedmon 1961
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
General:
Notes on container; historical and critical notes with texts, 1 vol. inserted. Performer(s): Folksongs; edited by Peter Kennedy and Alan Lomax.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
List, bonny laddie --Swansea Barracks --The dying soldier -- Willie O'Reilly --The banks of the Nile --The bonnet o' blue -- The recruiting song --William Taylor --Johnny Harte -- The soldier and the sailor --Bold General Wolfe --Muddley Barracks --Handsome Polly-O --The deadly wars --McCaffery --Drink Old England dry --Prince Charlie Stuart -- My son Tim --Napoleon Bonyparte --The bonny bunch of roses o --Napoleon's dream --The forfar soldier.
Track Information:
101 List, Bonnie Laddie / John Strachan.
102 Swansea Barracks / Phil Tanner.
103 The Dying Soldier / Mary Doran.
104 Willie O Reiley / Robert Cinnamond.
105 The Banks of the Nile / Sidney Richards.
106 The Bonnet O' Blue / Jean Matthew.
107 Recruiting Song / William Rew.
108 William Taylor / Harold Covill.
109 Johnny Harte / Mrs. Maguire.
110 The Soldier and the Sailor / Arthur Lennox.
111 Bold General Wolfe / Bob Scarce.
201 Muddley Barracks / Jumbo Brightwell.
202 Handsome Polly O / Thomas Moran.
203 The Deadly Wars / Jeannie Robertson.
204 McCaffery / Peter Reilly.
205 Drink Old England Dry / Haxey Hood.
206 Prince Charlie Stuart / Brigid Tunney.
207 My Son Tim / Timothy Walsh.
208 Napolean Buon-ie-Parte / Robert Cinnamond.
209 Bonny Bunch of Roses O. The / Louise Holmes.
210 Napolean's Dream / Sam Larner.
211 The For far Soldier / Jimmy MacBeath.
Local Numbers:
FW-ASCH-LP-2957
Caedmon.1164
Publication, Distribution, Etc. (Imprint):
New York Caedmon 1961
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
General:
"A collection of songs about the British army ... recorded in the field from traditional singers in England, Scotland and Ireland."--Container. "Collected by Peter Kennedy ... [et al.]."--Container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
The Happy Familie, Brian O Linn, The Ewie Wi' The Crookit Horn, Wim Wam Waddles, When I Was A Little Boy, The Muckin' O' Geordie's Byre, The Frog And The Mouse, Old King Cole, Fear A 'Phige, The Parson And The Clerk, The Barley Mow, Cambourne Hill, Old Mother Shipton, Three Men Went A-Huntin', A-Rub-A-Dub-Dub, Was You Ever See, The Herring Song, Rothsay-O, The Farmyard Song, The Ram Of Derby, Tom Pearce, The Green Grass Grew All 'Round.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Carnegie Institute, Museum of Art records, 1883-1962, bulk 1885-1940. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Brown Foundation. Funding for the digitization of this collection was provided by the Terra Foundation for American Art.
Correspondence of the Century Magazine and its predecessors, Scribner's Monthly, and St. Nicholas Magazine. Also included is material related to the Century War Series.
Among the correspondents are: Cecilia Beaux, James C. Beckwith, Samuel G. W. Benjamin, William M. Chase, William A. Coffin, Timothy Cole (98 letters), Charles C. Coleman, Royal Cortissoz, Kenyon Cox, Reginald C. Coxe, Christopher P. Cranch, Henry H. Cross, Frederick S. Dellenbaugh, Thomas W. Dewing, Alexander W. Drake, Wyatt Eaton, George W. Edwards, Frank E. Elwell, Gaston Fay, Harry Fenn, Mary H. Foote, William L. Fraser, Charles L. Freer, Daniel C. French, Frank French, Isabella S. Gardner, Jay Hambidge, Charles H. Hart, Arthur Hoeber, George Inness, Jr., August F. Jaccaci, Arthur I. Keller, Edward W. Kemble, Knoedler M. & Company, Christopher G. La Farge, John La Farge, Charles R. Lamb, Florence N. Levy, Frank J. Mather, Leila Mechlin, Gari Melchers, Francis D. Millet, Thomas Moran, Edward L. Morse, Hobart Nichols, Elizabeth Nourse, Thornton Oakley, Violet Oakley, Maxfield Parrish, William O. Partridge, Elizabeth R. Pennell (83 letters & 55p. handwritten article), Joseph Pennell, Henry R. Poore, Eva A. Remington, Henry Reuterdahl, Boardman Robinson, Henry Sandham, DeCost Smith, Jessie W. Smith, Albert E. Sterner, Alfred Stieglitz, William J. Stillman (ca. 95 letters), Lorado Taft, Henry O. Tanner, Abbott H. Thayer, Gerald H. Thayer, Dwight W. Tryon, John C. Van Dyke, Douglas Volk, Irving R. Wiles, and others.
Biographical / Historical:
A quarterly publication on the arts and current affairs.
Other Title:
Century Company collection (NYPL microfilm title)
Provenance:
Microfilmed 1956 by the Archives of American Art with other art-related papers in the Manuscript Division of the New York Public Library. Included in the microfilming project were selected papers of the Art Division and the Prints Division.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Richard York Gallery records, circa 1865-2005, bulk 1981-2004. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care Fund
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Richard York Gallery records, circa 1865-2005, bulk 1981-2004. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care Fund
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Richard York Gallery records, circa 1865-2005, bulk 1981-2004. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care Fund
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Richard York Gallery records, circa 1865-2005, bulk 1981-2004. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care Fund
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Richard York Gallery records, circa 1865-2005, bulk 1981-2004. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care Fund
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Richard York Gallery records, circa 1865-2005, bulk 1981-2004. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care Fund
