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Katharine Kuh papers

Creator:
Kuh, Katharine  Search this
Names:
Albright-Knox Art Gallery  Search this
Art Institute of Chicago -- Faculty  Search this
Biennale di Venezia  Search this
Katharine Kuh Gallery (Chicago, Ill.)  Search this
Adams, Ansel, 1902-1984  Search this
Albers, Josef  Search this
Albright, Ivan, 1897-1983  Search this
Archipenko, Alexander, 1887-1964  Search this
Arensberg, Louise S. (Louise Stevenson), 1879-1953  Search this
Arensberg, Walter, 1878-1954  Search this
Arp, Jean, 1887-1966  Search this
Barnet, Will, 1911-  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Biddle, George, 1885-1973  Search this
Breuer, Marcel, 1902-  Search this
Calder, Alexander, 1898-1976  Search this
Campoli, Cosmo  Search this
Chagall, Marc, 1887-1985  Search this
Chavez Morado, José, 1909-2002  Search this
Chermayeff, Serge, 1900-  Search this
Cornell, Joseph  Search this
Cox, Richard  Search this
Davis, Stuart, 1892-1964  Search this
Day, Worden, 1916-1986  Search this
De Kooning, Willem, 1904-1997  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Dubuffet, Jean, 1901-  Search this
Duchamp, Marcel, 1887-1968  Search this
Elizabeth, Queen of Great Britain, II, 1926-  Search this
Ernst, Jimmy, 1920-1984  Search this
Falkenstein, Claire, 1908-1997  Search this
Feitelson, Lorser, 1898-1978  Search this
Friendly, Fred W.  Search this
Giacometti, Alberto, 1901-1966  Search this
Golub, Leon, 1922-2004  Search this
Goto, Joseph, 1920-  Search this
Grabe, Klaus  Search this
Graves, Robert, 1895-1985  Search this
Guggenheim, Peggy, 1898-1979  Search this
Guston, Philip, 1913-1980  Search this
Hare, David, 1917-  Search this
Hare, Denise Browne  Search this
Hayter, Stanley William, 1901-1988  Search this
Hirshhorn, Joseph  Search this
Hofmann, Hans, 1880-1966  Search this
Hélion, Jean, 1904-1987  Search this
Inverarity, Robert Bruce, 1909-1999  Search this
Johns, Jasper, 1930-  Search this
Johnson, Philip, 1906-2005  Search this
Johnson, Ray, 1927-  Search this
Kandinsky, Wassily, 1866-1944  Search this
Kepes, Gyorgy, 1906-2001  Search this
Kepes, Juliet  Search this
Klee, Paul, 1879-1940  Search this
Kline, Franz, 1910-1962  Search this
Knox, Seymour H., 1898-1990  Search this
Le Corbusier, 1887-1965  Search this
Lundeberg, Helen, 1908-1999  Search this
Lye, Len, 1901-1980  Search this
Léger, Fernand, 1881-1955  Search this
Mies van der Rohe, Ludwig, 1886-1969  Search this
Millier, Arthur, 1893-  Search this
Moholy-Nagy, László, 1895-1946  Search this
Motherwell, Robert  Search this
Mérida, Carlos, 1891-1984  Search this
Nutting, Muriel Leone Tyler, b. 1892  Search this
Nutting, Myron Chester, 1890-1972  Search this
O'Higgins, Pablo, 1904-  Search this
Orozco, José Clemente, 1883-1949  Search this
Ozbekhan, Hasan, 1921-2007  Search this
Perkins, Frances  Search this
Picasso, Pablo, 1881-1973  Search this
Putnam, Wallace, 1899-1989  Search this
Ray, Man, 1890-1976  Search this
Rich, Daniel Catton, 1904-1976  Search this
Rothko, Mark, 1903-1970  Search this
Sandberg, Carl  Search this
Seligmann, Kurt, 1900-1962  Search this
Shackelford, Shelby  Search this
Shahn, Ben, 1898-1969  Search this
Spaeth, Otto, d. 1966  Search this
Sterne, Hedda, 1916-  Search this
Stevenson, Adlai E. (Adlai Ewing), 1900-1965  Search this
Still, Clyfford, 1904-  Search this
Tanning, Dorothea, 1910-2012  Search this
Tobey, Mark  Search this
Winston, Harry Lewis  Search this
Woolf, Olga  Search this
Young, Victor  Search this
Photographer:
Pollack, Peter, 1909-1978  Search this
Extent:
12 Linear feet
Type:
Collection descriptions
Archival materials
Illustrated letters
Resumes
Travel diaries
Minutes
Calendars
Visitors' books
Photographs
Paintings
Awards
Drawings
Sound recordings
Collages
Scrapbooks
Lithographs
Prints
Wills
Watercolors
Poetry
Lecture notes
Lectures
Sales records
Date:
1875-1994
bulk 1930-1994
Summary:
The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. The collection documents Kuh's career as a pioneer modernist art historian and as the first woman curator of European Art and Sculpture at the Art Institute of Chicago. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.
Scope and Content Note:
The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.

Biographical material consists of copies of Kuh's birth certificate, resumés, passports, award certificates, honorary diplomas, and address books listing information about several prominent artists and colleagues.

Four linear feet of correspondence offers excellent documentation of Kuh's interest in art history, her travels, her career at the Art Institute of Chicago, her work as a corporate art advisor, and as an author. There are letters from her mother Olga Woolf, friends, and colleagues. There is extensive correspondence with various staff members of the Art Institute of Chicago, the First National Bank of Chicago, and The Saturday Review. Also of interest are letters from artists and collectors, several of whom became life-long friends including Walter and Louise Arensberg, Cosmo Campoli, Serge Chermayeff, Richard Cox, Worden Day, Claire Falkenstein, Fred Friendly, Leon Golub, Joseph Goto, David Hare, Denise Brown Hare, Jean Hélion, Ray Johnson, Gyorgy and Juliet Kepes, Len Lye, Wallace Putnam, Kurt Seligmann, Shelby Shackelford, Hedda Sterne, and Clyfford Still. Many letters are illustrated with original artwork in various media.

There are also scattered letters from various artists and other prominent individuals including Josef Albers, George Biddle, Marcel Breuer, Joseph Cornell, Stuart Davis, Edwin Dickinson, Joseph Hirshhorn, Daniel Catton Rich, and Dorothea Tanning.

Personal business records include a list of artwork, Olga Woolf's will, inventories of Kuh's personal art collection, miscellaneous contracts and deeds of gift, receipts for the sale of artwork, files concerning business-related travel, and miscellaneous receipts.

Artwork in the collection represents a wide range of artist friends and media, such as drawings, watercolors, paintings, collages, and prints. Included are works by various artists including lithographs by David Hare and a watercolor set, Technics and Creativity, designed and autographed by Jasper Johns for the Museum of Modern Art, 1970.

Notes and writings include annotated engagement calendars, travel journals for Germany, a guest book for the Kuh Memorial gathering, and many writings and notes by Kuh for lectures and articles concerning art history topics. Of interest are minutes/notes from meetings for art festivals, conferences, and the "Conversations with Artists Program (1961). Also found are writings by others about Kuh and other art history topics.

Six scrapbooks contain clippings that document the height of Kuh's career as a gallery director and museum curator. Scrapbook 6 contains clippings about Fernand Léger, the subject of a retrospective exhibition at the Art Institute of Chicago in 1953.

Additional printed material includes clippings about Kuh and her interests, a comprehensive collection of clippings of Kuh's articles for The Saturday Review, exhibition announcements and catalogs, calendars of events, programs, brochures, books including Poems by Kuh as a child, and reproductions of artwork. Of particular interest are the early and exhibition catalogs from the Katharine Kuh Gallery, and rare catalogs for artists including Jean Arp, Alexander Calder, Marc Chagall, Jean Dubuffet, Marcel Duchamp, Stanley William Hayter, Hans Hofmann, Wassily Kandinsky, Paul Klee, Franz Kline, Le Corbusier, Ludwig Mies van der Rohe, and Pablo Picasso.

Photographs provide important documentation of the life and career of Katharine Kuh and are of Kuh, family members, friends, colleagues, events, residences, and artwork. Several of the photographs of Kuh were taken by Will Barnet and Marcel Breuer and there is a notable pair of photo booth portraits of Kuh and a young Ansel Adams. There are also group photographs showing Angelica Archipenko with Kuh; designer Klaus Grabe; painters José Chavez Morado and Pablo O'Higgins in San Miguel, Mexico; Kuh at the Venice Biennale with friends and colleagues including Peggy Guggenheim, Frances Perkins, Daniel Catton Rich, and Harry Winston; and "The Pre-Depressionists" including Lorser Feitelson, Robert Inverarity, Helen Lundeberg, Arthur Millier, Myron Chester Nutting, and Muriel Tyler Nutting.

Photographs of exhibition installations and openings include views of the Katharine Kuh Gallery; Fernand Léger, Man Ray, and László Moholy-Nagy at the Art Institute of Chicago; and Philip Guston, Jimmy Ernst, Seymour H. Knox, Franz Kline, Robert Motherwell, and Mark Rothko at the Albright-Knox Art Gallery in Buffalo, New York. There are also photographs depicting three men posing as Léger's "Three Musicians" and the visit of Queen Elizabeth II to the Art Institute of Chicago. There is a photograph by Peter Pollack of an elk skull used as a model by Georgia O'Keeffe.

Additional photographs of friends and colleagues include Ivan Albright, Alfred Barr, Alexander Calder, Marc Chagall, Willem De Kooning, Edwin Dickinson, Marcel Duchamp, Claire Falkenstein, Alberto Giacometti, poet Robert Graves with Len Lye, Philip Johnson, Gyorgy and Juliet Kepes, Carlos Mérida, José Orozco, Hasan Ozbekhan, Pablo Picasso, Carl Sandberg, Ben Shahn, Otto Spaeth, Hedda Sterne, Adlai Stevenson, Clyfford Still, Mark Tobey, and composer Victor Young.

Photographs of artwork include totem poles in Alaska; work by various artists including Claire Falkenstein, Paul Klee, and Hedda Sterne; and work donated to the Guggenheim Museum.

Four audio recordings on cassette are of Katharine Kuh's lectures, including one about assembling corporate collections, and of Daniel Catton Rich reading his own poetry. There is also a recording of the Second Annual Dialogue between Broadcasters and Museum Educators.
Arrangement:
The collection is arranged as 9 series. Undated correspondence, artwork, and photographs of individual artists are arranged alphabetically. Otherwise, each series is arranged chronologically.

Missing Title

Series 1: Biographical Material, 1945-1992 (Box 1; 16 folders)

Series 2: Correspondence, 1908-1994 (Boxes 1-5, 13-14, OV 15; 4.0 linear feet)

Series 3: Personal Business Records, 1941-1989 (Box 5; 19 folders)

Series 4: Artwork, 1931-1986 (Boxes 5, 13-14, OVs 15-23; 1.7 linear feet)

Series 5: Notes and Writings, 1914-1994 (Boxes 5-7; 1.7 linear feet)

Series 6: Scrapbooks, 1935-1953 (Box 7; 8 folders)

Series 7: Printed Material, 1916-1992 (Boxes 7-10, 13, OV 22; 3.0 linear feet)

Series 8: Photographs, 1875-1993 (Boxes 10-13; 1.2 linear feet)

Series 9: Audio Recordings, 1977 (Box 12; 1 folder)
Biographical Note:
Katharine Kuh (1904-1994) worked primarily in the Chicago area as an modern art historian, dealer, critic, curator, writer, and consultant. She operated the Katharine Kuh Gallery from 1935-1943 and was the first woman curator of European and Art and Sculpture at the Art Institute of Chicago.

Katharine Kuh (née Woolf) was born on July 15, 1904 in St. Louis, Missouri, the youngest of the three daughters of Olga Weiner and Morris Woolf, a silk importer. In 1909, the family moved to Chicago, Illinois. While traveling with her family in Europe in 1914, Katharine contracted polio, causing her to spend the next decade in a body brace. During this time of restricted movement, she developed an interest in art history through the collecting of old master prints.

After her recovery, Katharine Woolf attended Vassar College where one of her professors, Alfred Barr, encouraged her to study modern art. She graduated from Vassar in 1925 and received a master's degree in art history from the University of Chicago in 1929. Later that year, she moved to New York to pursue a Ph.D. in Renaissance and medieval art at New York University.

In 1930, Katharine Woolf returned to Chicago and married businessman George Kuh and began to teach art history courses in the suburbs of Chicago. After divorcing George Kuh in 1935, she opened the Katharine Kuh Gallery, the first gallery devoted to avant-garde art in Chicago. It was also the first gallery to exhibit photography and typographical design as art forms, and featured the work of Ansel Adams, Josef Albers, Alexander Calder, Wassily Kandinsky, Fernand Léger, and Man Ray, among others. From 1938 to1940, Kuh was the Visiting Professor of Art at the University School of Fine Arts, San Miguel, Mexico.

After the Katharine Kuh Gallery closed in 1943, Kuh was hired by museum director Daniel Catton Rich to fill a position in public relations at the Art Institute of Chicago. During the following years, Kuh edited the museum's Quarterly publication, took charge of the museum's Gallery of Interpretive Art, and began a long term relationship with Rich. In 1946, Kuh was sent on a special mission for the U. S. Office of Indian Affairs to make a detailed study of Native American totemic carvings in Alaska.

In 1949, Kuh persuaded Mr. and Mrs. Walter Arensberg of Los Angeles to exhibit their collection of modern art, creating the first post-war exhibition of modern art in Chicago. She published her first book Art Has Many Faces in 1951, and in the following year, she began writing art criticism for The Saturday Review. In 1954, Kuh was appointed the first woman curator of European Art and Sculpture at the Art Institute. She assembled the American contribution for the Venice Biennale in 1956 and during these years, Kuh helped acquire many of the works of modern art currently in the museum's collection.

A year following Daniel Catton Rich's 1958 resignation from the Art Institute of Chicago, Kuh also resigned and pursued a career in New York as an art collection advisor, most notably for the First National Bank of Chicago. In 1959, Kuh was made art critic for The Saturday Review, and she continued to publish books, including The Artist's Voice in 1962, Break-Up: The Core of Modern Art in 1965, and The Open Eye: In Pursuit of Art in 1971.

Katharine Kuh died on January 10, 1994 in New York City.
Provenance:
The Katharine Kuh papers were donated in several installments from 1971 to 1989 by Katharine Kuh and in 1994 by her estate. Artwork was donated in 1995 by Kuh's former employer, the Art Institute of Chicago.
Restrictions:
Authorization to quote, publish or reproduce requires written permission until 2019. Contact the Archives of American Art Reference Services department for additional information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Authors -- Illinois -- Chicago  Search this
Art historians -- Illinois -- Chicago  Search this
Art dealers -- Illinois -- Chicago  Search this
Art critics -- Illinois -- Chicago  Search this
Curators -- Illinois -- Chicago  Search this
Art consultants -- Illinois -- Chicago  Search this
Topic:
Art, Abstract -- United States  Search this
Art, American  Search this
Art, Modern -- 20th century -- United States  Search this
Women art dealers  Search this
Women art historians  Search this
Women museum curators  Search this
Women authors  Search this
Women art critics  Search this
Function:
Art festivals
Genre/Form:
Illustrated letters
Resumes
Travel diaries
Minutes
Calendars
Visitors' books
Photographs
Paintings
Awards
Drawings
Sound recordings
Collages
Scrapbooks
Lithographs
Prints
Wills
Watercolors
Poetry
Lecture notes
Lectures
Sales records
Citation:
Katharine Kuh papers, 1875-1994, bulk 1930-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kuhkath
See more items in:
Katharine Kuh papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw987a0763e-de6c-4f9e-b143-4875b3a2244a
EDAN-URL:
ead_collection:sova-aaa-kuhkath
Online Media:

Oral history interview with Katharine Kuh

Topic:
Saturday review
Interviewee:
Kuh, Katharine  Search this
Interviewer:
Berman, Avis  Search this
Creator:
Mark Rothko and His Times Oral History Project  Search this
Names:
Art Institute of Chicago  Search this
Black Mountain College (Black Mountain, N.C.)  Search this
First National Bank of Chicago -- Art collections  Search this
Katharine Kuh Gallery (Chicago, Ill.)  Search this
Mark Rothko and His Times Oral History Project  Search this
Vassar College  Search this
Adams, Ansel, 1902-1984  Search this
Albers, Josef  Search this
Albright, Ivan, 1897-1983  Search this
Archipenko, Alexander, 1887-1964  Search this
Arensberg, Louise S. (Louise Stevenson), 1879-1953  Search this
Arensberg, Walter, 1878-1954  Search this
Avery, Milton, 1885-1965  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Berenson, Bernard, 1865-1959  Search this
Davis, Stuart, 1892-1964  Search this
De Kooning, Willem, 1904-1997  Search this
Duchamp, Marcel, 1887-1968  Search this
Ernst, Max, 1891-1976  Search this
Hofmann, Hans, 1880-1966  Search this
Kepes, Gyorgy, 1906-2001  Search this
Klee, Paul, 1879-1940  Search this
Léger, Fernand, 1881-1955  Search this
Mies van der Rohe, Ludwig, 1886-1969  Search this
Moholy-Nagy, László, 1895-1946  Search this
Mérida, Carlos, 1891-1984  Search this
Newman, Barnett, 1905-1970  Search this
Noguchi, Isamu, 1904-1988  Search this
Paepcke, Walter Paul, 1896-1960  Search this
Porter, Eliot, 1901-1990  Search this
Ray, Man, 1890-1976  Search this
Rich, Daniel Catton, 1904-1976  Search this
Rothko, Mark, 1903-1970  Search this
Smith, David, 1906-1965  Search this
Stamos, Theodoros, 1922-1997  Search this
Stieglitz, Alfred, 1864-1946  Search this
Still, Clyfford, 1904-1980  Search this
Tamayo, Rufino, 1899-  Search this
Tobey, Mark  Search this
Tworkov, Jack  Search this
Weston, Edward, 1886-1958  Search this
Extent:
313 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1982 Mar. 18-1983 Mar. 24
Scope and Contents:
An interview of Katharine Kuh conducted 1982 Mar. 18-1983 Mar. 24, by Avis Berman, for the Archives of American Art's Mark Rothko and His Times oral history project.
Kuh speaks of her invalid childhood in Chicago, the development of her interest in art, classes in art history at Vassar College, and her career as curator of modern art at the Art Institute of Chicago. She recalls in particular the "Sanity in Art" movement against modern art in Chicago. Kuh describes her relationship with Mark Rothko and Rothko's relationships with Mark Tobey, Clyfford Still, Kate Rothko, Theodoros Stamos, Milton Avery, Stanley Kunitz, and Hans Hofmann.
Kuh discusses her parents, the family silk business, travelling in Europe as a child, life in Chicago, the effects of polio and other illnesses on her interests, and her student years at Vassar College. She remembers visiting Bernard Berenson in Italy with her family and again with Daniel Catton Rich, with whom she worked very closely at the Art Institute of Chicago. She speaks of the Katharine Kuh Gallery, which she started in the mid-1930s and its place in the vanguard of the Chicago art scene.
Kuh remembers the effects of the stock market crash on her personal situation, her marriage to businessman George Kuh, distaste for life in the suburbs, and her divorce. She discusses the Katharine Kuh Gallery and the actions taken against her business by members of the reactionary "Sanity in Art" movement (including a very funny anecdote concerning Carlos Merida). She speaks of the classes in modern art that she taught at her gallery and of some of the artists she exhibited there, including the photographers Ansel Adams, Alfred Stieglitz, and Edward Weston.
Kuh remembers the McCarthy era and the political conservatism in Chicago, including her testimony on behalf of Bill Zimmerman, Acting Commissioner of Indian Affairs. She criticizes blockbuster exhibitions and the changes in the role of a museum curator. She reminisces about building the collection at the Art Institute of Chicago and the art education program she ran there, and recalls Stuart Davis, Laszlo Moholy-Nagy, Gyorgy Kepes, and Ivan Albright.
Kuh remembers Laszlo Moholy-Nagy, Ludwig Mies van der Rohe, and Marcel Duchamp, as well as the collectors Walter Paepcke and Walter and Louise Arensberg (whose collection she surveyed in their home for an exhibition at the Art Institute of Chicago).
Kuh focuses on her memories of Mark Rothko, recalling when they met, their friendship, his manner of working, his feelings about his work, and his worries towards the end of his life. She talks about Clyfford Still, Barnett Newman, and Mark Tobey. Some parts of this tape repeat what she said earlier.
Kuh continues discussing Rothko, particularly his Houston chapel murals and the retrospective exhibition at MOMA in 1961. She remembers visiting Rothko's studio and describes his working methods. She relates Rothko's views on other artists, including Milton Avery, Clyfford Still, Turner, Robert Motherwell, and Adolf Gottlieb; parts repeat things said before. Kuh also discusses Rothko's wife and daughter.
Kuh recounts building the collection at the Art Institute of Chicago and speaks of the museum staff, trustees, and donors. She remembers Alfred Barr at MOMA.
Kuh continues speaking about the Art Institute of Chicago, describing the circumstances of her resignation and subsequent move to New York. She talks of knowing Peggy Guggenheim, Max Ernst, and Fernand Leger.
Kuh describes her work as a consultant to college museums and her writings. She discusses the field of art criticism and her career as art editor at Saturday Review. She recalls Clyfford Still's retrospective exhibition at the Metropolitan Museum of Art and his death.
Kuh describes her work as a collector for the First National Bank of Chicago.
Kuh recounts more about her work at Saturday Review and her resignation. She goes into great detail about her travels in Alaska and British Columbia surveying Northwest Indian art for a government report. She speaks again about the McCarthy era.
Kuh speaks again about the Katharine Kuh Gallery and the artists she exhibited there, including Josef Albers (and his Black Mountain College), Alexander Archipenko, Stuart Davis, Paul Klee, Alexander Calder, and Man Ray.
Kuh continues her discussion of artists she exhibited at the Katharine Kuh Gallery, including Mark Tobey, Paul Klee, and Isamu Noguchi.
Kuh continues talking about artists she exhibited at the Katharine Kuh Gallery, including David Smith, Ansel Adams, Edward Weston, Eliot Porter, Rufino Tamayo, and Jack Tworkov.
Biographical / Historical:
Katharine Kuh (1904-1994) was an art consultant, curator, and critic from Chicago and New York City.
General:
Originally recorded on 16 sound cassettes. Reformatted in 2010 as 31 digital wav files. Duration is 21 hrs., 52 min.
Provenance:
This interview was conducted as part of the Archives of American Art's Mark Rothko and his Times oral history project, with funding provided by the Mark Rothko Foundation.
Others interviewed on the project (by various interviewers) include: Sonia Allen, Sally Avery, Ben-Zion, Bernard Braddon, Ernest Briggs, Rhys Caparn, Elaine de Kooning, Herbert Ferber, Esther Gottlieb, Juliette Hays, Sidney Janis, Buffie Johnson, Jacob Kainen, Louis Kaufman, Jack Kufeld, Stanley Kunitz, Joseph Liss, Dorothy Miller, Betty Parsons, Wallace Putnam, Rebecca Reis, Maurice Roth, Sidney Schectman, Aaron Siskind, Joseph Solman, Hedda Sterne, Jack Tworkov, Esteban Vicente and Ed Weinstein. Each has been cataloged separately.
Restrictions:
Transcript: Patrons must use microfilm copy.
Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from Avis Berman. Contact Reference Services for more information.
Occupation:
Art critics -- Illinois -- Chicago  Search this
Art critics -- New York (State) -- New York  Search this
Art museum curators -- New York (State) -- New York  Search this
Art museum curators -- Illinois -- Chicago  Search this
Topic:
Abstract expressionism  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.kuh82
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw941cbbacd-01e0-402c-828e-c3909d220c9b
EDAN-URL:
ead_collection:sova-aaa-kuh82
Online Media:

Oral history interview with Imogene "Tex" Gieling

Interviewee:
Gieling, Imogene, 1923-  Search this
Interviewer:
Lauria, Jo  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Moholy-Nagy, László, 1895-1946  Search this
Renk, Merry, 1921-2012  Search this
Extent:
4 Items (sound discs (3 hr., 49 min.), digital, 2 5/8 in.)
3 Items (3 sound files (1 hr., 43 min.))
79 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2008 November 21 and 2012 April 28
Scope and Contents:
An interview of Imogene "Tex" Gieling conducted 2008 November 21 and 2012 April 28, by Jo Lauria, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Gieling's home, in San Fransisco, California.
Biographical / Historical:
Imogene "Tex" Gieling (1923- ) is a metal artist who founded the metals department at the University of California, Berkeley and San Francisco State University. Gieling lives and works in San Francisco, California.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 8 digital wav files. Duration is 3 hr., 49 min.
Originally recorded as 3 digital sound files. Duration is 1 hr., 49 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Topic:
Metal-workers -- California -- Interviews  Search this
Jewelry making  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.gielin08
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95ecd487b-62e2-4e76-9943-3267c30730f2
EDAN-URL:
ead_collection:sova-aaa-gielin08
Online Media:

Oral history interview with Don Baum, 1986 January 31-May 13

Interviewee:
Baum, Don, 1922-2008  Search this
Interviewer:
Prince, Sue Ann  Search this
Subject:
Cornell, Joseph  Search this
Golub, Leon  Search this
Ito, Miyoko  Search this
Moholy-Nagy, László  Search this
Spears, Ethel  Search this
Leaf, June  Search this
Abercrombie, Gertrude  Search this
Roosevelt University  Search this
Illinois Arts Council  Search this
Type:
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Don Baum, 1986 January 31-May 13. Archives of American Art, Smithsonian Institution.
Topic:
Psychoanalysis and art  Search this
Art -- Study and teaching -- Illinois -- Chicago  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Sculptors -- Illinois -- Chicago -- Interviews  Search this
Assemblage (Art)  Search this
Record number:
(DSI-AAA_CollID)12033
(DSI-AAA_SIRISBib)214480
AAA_collcode_baum86
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214480
Online Media:

Oral History interview with Miyoko Ito, 1978 July 20

Interviewee:
Ito, Miyoko, 1918-1983  Search this
Interviewer:
Barrie, Dennis, 1947-  Search this
Subject:
Baum, Don  Search this
Berdich, Vera  Search this
Chapin, Francis  Search this
Cohen, George  Search this
Edmondson, Leonard  Search this
Haley, John  Search this
Hofmann, Hans  Search this
Johnston, Ynez  Search this
Kahn, Max  Search this
Lanyon, Ellen  Search this
Loran, Erle  Search this
Mitchell, Joan  Search this
Moholy-Nagy, László  Search this
Ryder, Worth  Search this
Venturi, Lionello  Search this
Art Institute of Chicago  Search this
Ox-Bow Summer School of Painting  Search this
Smith College  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral History interview with Miyoko Ito, 1978 July 20. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American painters  Search this
Japanese American art  Search this
Japanese American artists  Search this
Japanese American painting  Search this
Women artists  Search this
Women painters  Search this
Japanese Americans -- Forced removal and internment, 1942-1945  Search this
Theme:
Asian American  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)11656
(DSI-AAA_SIRISBib)216579
AAA_collcode_ito78
Theme:
Asian American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216579
Online Media:

Oral history interview with Don Baum

Interviewee:
Baum, Don, 1922-  Search this
Interviewer:
Prince, Sue Ann  Search this
Names:
Illinois Arts Council  Search this
Roosevelt University  Search this
Abercrombie, Gertrude, 1909-1977  Search this
Cornell, Joseph  Search this
Golub, Leon, 1922-2004  Search this
Ito, Miyoko, 1918-1983  Search this
Leaf, June, 1929-  Search this
Moholy-Nagy, László, 1895-1946  Search this
Spears, Ethel, 1903-1974  Search this
Extent:
2 Sound cassettes (Sound recording, analog)
108 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Interviews
Date:
1986 January 31-May 13
Scope and Contents:
An interview of Don Baum conducted 1986 January 31 and May 13, by Sue Ann Kendall, for the Archives of American Art, in Chicago, Illinois.
Baum speaks about his childhood in Michigan; interests during his college years at Michigan State; classes at the School of the Art Institute of Chicago; friendship with artists such as Miyoko Ito and Ethel Spears; the Institute of Design and Laszlo Moholy-Nagy; faculty and classes at the University of Chicago; jam sessions at Gertrude Abercrombie's home; teaching at Roosevelt University; the influence of travel; June Leaf; Leon Golub; psychoanalysis and its influence on his work; collage; The Hyde Park Art Center; objects with a magical aura; writing and writers; dolls; the relationship of self to art; outsider art; transformation; Joseph Cornell; the Hairy Who artists; collectors; the Museum of Contemporary Art; the Illinois Arts Council; Chicago art and artists; and travel in Indonesia.
Biographical / Historical:
Don Baum (1922-2008) was a sculptor, assemblage artist, curator, and educator from Chicago, Illinois.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 12 digital wav files. Duration is 5 hr., 23 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Patrons must use transcript.
Transcript available on the Archives of American Art website.
Topic:
Psychoanalysis and art  Search this
Art -- Study and teaching -- Illinois -- Chicago  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Sculptors -- Illinois -- Chicago -- Interviews  Search this
Assemblage (Art)  Search this
Function:
Art Schools -- Illinois -- Chicago
Genre/Form:
Interviews
Identifier:
AAA.baum86
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92ba7721e-824e-4e07-8e13-b3c15587ea48
EDAN-URL:
ead_collection:sova-aaa-baum86
Online Media:

Oral History interview with Miyoko Ito

Interviewee:
Ito, Miyoko, 1918-1983  Search this
Interviewer:
Barrie, Dennis  Search this
Names:
Art Institute of Chicago  Search this
Ox-Bow Summer School of Painting  Search this
Smith College  Search this
Baum, Don, 1922-  Search this
Berdich, Vera, 1915-2003  Search this
Chapin, Francis, 1899-1965  Search this
Cohen, George, 1913-1980  Search this
Edmondson, Leonard, 1916-  Search this
Haley, John, 1905-1991  Search this
Hofmann, Hans, 1880-1966  Search this
Johnston, Ynez, 1920-  Search this
Kahn, Max, 1903-2005  Search this
Lanyon, Ellen  Search this
Loran, Erle, 1905-1999  Search this
Mitchell, Joan, 1926-1992  Search this
Moholy-Nagy, László, 1895-1946  Search this
Ryder, Worth, 1884-1960  Search this
Venturi, Lionello, 1885-1961  Search this
Extent:
2 Items (Sound recording: 2 sound files, digital, wav file)
41 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1978 July 20
Scope and Contents:
An interview of Miyoko Ito conducted 1978 July 20, by Dennis Barrie, for the Archives of American Art.
Ito discusses her family background; being in Japan at an early age, attending school and learning calligraphy; returning to California in 1928; excelling in drawing and painting; attending Berkeley High School; studying watercolor at Berkeley School of Water Color; studying under Erle Loran, Worth Ryder, John Haley; the influence of Hans Hofmann; being in internment camp (Camp Rann); attending Smith College, Northampton to study painting under instructor George Cohen; attending the Art Institue of Chicago and meeting Francis Chapin and Joan Mitchell; being influenced by Bonnard; moving into lithography at Oxbow; studying under Max Kahn; doing printmaking and etching; and participating in the Momentum Shows. Ito mentions Ynez Johnston, Leonard Edmondson, Lionel Venturi, Ellen Lanyon, Don Baum, Laszlo Moholy-Nagy, and Vera Berdich.
Biographical / Historical:
Miyoko Ito (1918-1983) was a Japanese American painter based in Chicago, Illinois.
General:
Originally recorded on 1 tape reel (5 in.).
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Painters -- Chicago -- Illinois  Search this
Topic:
Art, American  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American painters  Search this
Japanese American art  Search this
Japanese American artists  Search this
Japanese American painting  Search this
Women artists  Search this
Women painters  Search this
Japanese Americans -- Forced removal and internment, 1942-1945  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.ito78
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fc74c5bf-beb0-466b-bc95-664a03740244
EDAN-URL:
ead_collection:sova-aaa-ito78
Online Media:

Hugo Weber papers

Creator:
Weber, Hugo, 1918-1971  Search this
Names:
Clair Fox Gallery  Search this
Howard Wise Gallery  Search this
Arp, Jean, 1887-1966  Search this
Cajori, Charles, 1921-2013  Search this
Callahan, Eleanor  Search this
Coleman, Ornette  Search this
Greenbaum, Jack  Search this
Hall, Robert D.  Search this
Held, Annet  Search this
Hervochon, Yves  Search this
Kerouac, Jack, 1922-1969  Search this
Mies van der Rohe, Ludwig, 1886-1969  Search this
Moholy-Nagy, László, 1895-1946  Search this
Siskind, Aaron  Search this
Ward, Cora Kelley, 1920-1989  Search this
Weber, Anne  Search this
Photographer:
Callahan, Harry M.  Search this
Crane, Barbara, 1928-  Search this
Siegel, Arthur S.  Search this
Woelffer, Dina, 1907-  Search this
Extent:
6.2 Linear feet ((partially microfilmed on 9 reels))
Type:
Collection descriptions
Archival materials
Date:
1932-1971
Scope and Contents:
Correspondence; photographs and photograph albums; diaries; writings; sketches and sketchbooks; biographical data; catalogs; material relating to the Artists Tenants Association; clippings; and miscellany.
REEL D388: Correspondence, 1945-1966; photographs; sketches; and clippings.
REELS N70-9-N70-10: 75 photographs by Weber and photographer Harry Callahan of Mies van der Rohe, taken from 1961-1964, with occasional photos of Weber, his studio, Laszlo Moholy-Nagy and other friends, including one of Moholy-Nagy by Arthur Siegel, 1946. Also included are 30 letters from Clair Fox Gallery, Howard Wise Gallery, Harry Callahan, Jack Kerouac and other friends; and 2 sketchbooks, 1962.
REEL 671: 9 photograph albums and ca. 200 photographs of Weber, friends, family (including his artist wife, Anne Weber), studios, and his works of art. Among them are one of Weber by Barbara Crane, ca. 1960, a contact sheet of photographs of Laszlo Moholy-Nagy, and many photographs by Harry Callahan, Aaron Siskind, Cora Ward, Robert D. Hall, Annet Held and Yves Hervochon, including photos of Charles Cajori and Jack Greenbaum by Cora Ward, and Ornette Coleman by Callahan.
REELS 841-845: Correspondence, 1932-1971; 3 diaries (written in German), 1941-1944, April 1942, and April to August 1964; poetry by Weber; writings on art, 1951-1968; writings on other artists; sketchbooks and drawings, 1945-1971; biographical material; material on the Artists Tenants Association; catalogs; clippings; and miscellany.
UNMICROFILMED: Three photos by Harry Callahan, including one each of Eleanor Callahan, Weber, and "Drawing in Space with a Flashlight"; and one of Jean (Hans) Arp by Dina Woelffer, 1957. One photo of Ludwig Mies Van der Rohe taken by Aaron Siskind, ca. 1950.
Biographical / Historical:
Painter; New York, N.Y.; b. 1918 in Basel, Switzerland; d. August 15, 1971.
Provenance:
Material on reel D388 and N70-9 (portion) lent for microfilming 1969 by Hugo Weber; and material on reel N70-9 (portion)-N70-10, 671 & 841-845 donated 1971 by Anne Weber, ex-wife of Hugo Weber.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Topic:
Painting, American  Search this
Artists' studios -- Photographs  Search this
Women photographers  Search this
Identifier:
AAA.webehugo
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw901289007-6c8e-4ad8-89e1-4e12c70f0361
EDAN-URL:
ead_collection:sova-aaa-webehugo

[Experimental films] [motion picture]

Creator:
Kofler, Anne  Search this
Names:
Moholy-Nagy, László, 1895-1946  Search this
Morris, Robert, 1931-2018  Search this
Rauschenberg, Robert, 1925-2008  Search this
Richter, Hans, 1888-1976  Search this
Vanderbeek, Stan  Search this
Extent:
1 Film reel (si., b&w, 8 mm.)
Type:
Collection descriptions
Archival materials
Film reels
Video recordings
Date:
undated
Scope and Contents:
Contents: "Rhythm 21," by Hans Richter (1921); and excerpts from "Lightplay Black White Grey," by Laszlo Moholy-Nagy (1932); "Site," by Robert Morris and Stan Vanderbeek (1964); and "Linoleum," by Robert Rauschenberg (1967).
Provenance:
The films were acquired by Anne Kofler while taking a film class at Pratt Institute ca. 1970. The reel was donated by Kofler's mother, Jane Kofler in 1991, and subsequently transferred to video by AAA.
Occupation:
Filmmakers  Search this
Topic:
Experimental films -- United States  Search this
Genre/Form:
Video recordings
Identifier:
AAA.koflanne
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b9289e93-c542-4c7c-95e5-ee4871b633a9
EDAN-URL:
ead_collection:sova-aaa-koflanne

Oral history interview with Harold Haydon

Interviewee:
Haydon, Harold  Search this
Interviewer:
Schulze, Franz, 1927-2019  Search this
Names:
Artists Equity Association  Search this
Artists' Union (Chicago, Ill.)  Search this
Midway Studios (Chicago, Ill.)  Search this
Moholy-Nagy, László, 1895-1946  Search this
Extent:
2 Sound cassettes (Sound recording)
102 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1988 Oct. 10
Scope and Contents:
An interview of Harold Haydon conducted 1988 Oct. 10, by Franz Schulze, for the Archives of American Art.
Haydon speaks of his education at the Art Institute of Chicago; the art scene and the gallery scene in Chicago in the 1920s and 1930s; some of the important art critics in Chicago during those years; the Artists Union; the WPA; artists he was acquainted with; art criticism; his own art work, especially murals; the post-World War II art scene; Artists Equity Association; Midway Studios, which he was director of; Haydon's exhibitions and writings; influences on him. He recalls Laszlo Moholy-Nagy.
Biographical / Historical:
Harold Haydon (1909-1994) was an art critic and painter from Chicago, Ill.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Art critics -- Illinois -- Chicago -- Interviews  Search this
Topic:
Art criticism -- Illinois -- Chicago  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.haydon88
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91be5a8f9-baca-4db8-a78a-da8ceb7defa0
EDAN-URL:
ead_collection:sova-aaa-haydon88
Online Media:

Galerie Chalette records

Creator:
Galerie Chalette  Search this
Names:
Arp, Jean, 1887-1966  Search this
Bill, Max, 1908-1994  Search this
Diller, Burgoyne, 1906-1965  Search this
Fangor, Wojciech, 1922-  Search this
Fuller, Sue, 1914-  Search this
Gonzalez, Roberta  Search this
González, Julio, 1876-1942  Search this
Lejwa, Arthur  Search this
Lejwa, Madeleine Chalette, 1914-1996  Search this
Moholy-Nagy, László, 1895-1946  Search this
Reimann, William  Search this
Rickey, George  Search this
Smith, Leon Polk, 1906-1996  Search this
Vasarely, Victor, 1906-1997  Search this
Weber, Max, 1881-1961  Search this
Extent:
24.15 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sound recordings
Lectures
Notebooks
Motion pictures (visual works)
Date:
1916-1999
bulk 1939-1994
Summary:
The records of the New York Galerie Chalette measure 24.15 linear feet and date from 1916-1999, with the bulk of the material dating from 1939-1994. The collection documents this contemporary art gallery's operations from its founding in 1954 through Madeleine Lejwa's later years as an independent dealer. Included are correspondence, artists' files, financial and legal records, printed materials, clippings, exhibition catalogs, audio and video recordings, and motion picture film; about half of the collection consists of photographs. Arthur Lejwa's profession as a biochemist prior to becoming a gallery owner is also documented in this collection. The collection also contains personal records of the Lejwas, including correspondence, legal papers, photographs, photo albums, and printed material.
Scope and Content Note:
The records of the New York Galerie Chalette measure 24.15 linear feet and date from 1916-1999, with the bulk of the material dating from 1939-1994. The collection documents this contemporary art gallery's operations from its founding in 1954 through Madeleine Lejwa's later years as an independent dealer. Included are correspondence, artists' files, financial and legal records, printed materials, clippings, exhibition catalogs, audio and video recordings, and motion picture film; about half of the collection consists of photographs. Arthur Lejwa's profession as a biochemist prior to becoming a gallery owner is also documented in this collection. The collection also contains personal records of the Lejwas, including correspondence, legal papers, photographs, photo albums, and printed material.

Among the artists represented in the artists' files are Jean Arp, Max Bill, Burgoyne Diller, Wojciech Fangor, Sue Fuller, Julio Gonzalez, Roberta Gonzalez, Lazlo Moholy-Nagy, William Reimann, George Rickey, Leon Polk Smith, Victor Varsarely, Max Weber, and various Dada artists. Many artists are represented in the large collection of photographs as is the Lejwa's personal collection. Included in the business records are invoices, receipts for works sold, yearly sales and purchase ledgers, checks for artwork purchases, and index card files recording sales. Legal records include files related to litigation, primarily Lebenstein v. Lejwa. The collection includes film reels and audio recordings of lectures, broadcasts, and exhibits from the 1960s-1990s. It also includes two film reels from a French television program about Jean Arp.

Among the personal records are biographical information, correspondence, legal records mostly related to the settlement of Arthur Lejwa's estate, a significant quantity of snapshots, negatives and slides, and newspaper clippings chronicling Arthur Lejwa's work as a biochemist and the Robert Gould Research Foundation. Arthur Lejwa's scientific career is also represented in biographical information, publications, research notebooks, and photographs. Much of the personal correspondence is from 1939-1951 and is written in Polish, Yiddish and German. The Lejwa's philanthropic donations, especially in Israel, are documented in correspondence, papers, and photographs. Many of the photographs and photo albums record Madeleine Lejwa's travels in the 1970s-1990s.
Arrangement:
The collection is arranged as 8 series. The series are generally arranged alphabetically by type of material or subject, and chronologically thereafter.

Missing Title

Series 1: Correspondence, 1920-1995 (Boxes 1-2; 1.4 linear foot)

Series 2: Artists' Files, 1916-1996 (Boxes 2-6, 25; 4.3 linear feet)

Series 3: General Business Files, 1950-1994 (Boxes 6-8; 2.3 linear feet)

Series 4: Printed Materials, 1931-1996 (Boxes 9-10, 25; 1.2 linear feet)

Series 5: Photographs, circa 1920s-1994 (Boxes 10-16, 24-25; 7 linear feet)

Series 6: Legal Records, 1938, 1959-1988 (Box 17; 0.8 linear feet)

Series 7: Personal Papers of Arthur and Madeleine Chalette Lejwa, 1925-1999 (Boxes 17-21, 25; 3.7 linear feet)

Series 8: Motion Picture Film, Audio, and Video Recordings, circa 1950s-1995 (Boxes 21-23, FC 29-42; 4.3 linear feet)
Historical Note:
Art dealers and collectors Madeleine Chalette (1915-1996) and Arthur Lejwa (1895-1972) opened the Galerie Chalette in New York on 45 West 57th Street in February, 1954. The gallery originally specialized in contemporary French graphics and later shifted its focus to contemporary twentieth century European and American art, particularly the work of Jean Arp. Over the years, Galerie Chalette relocated twice. In 1957, the gallery moved to 1100 Madison Avenue and then to 9 East 88th Street in 1964.

Madeleine Chalette was born in 1915 in Paris and grew up in Poland. In 1940, after Madeleine's efforts to secure the release of her father, Leon Chalette, from Sachsenhausen concentration camp near Berlin were successful, father and daughter traveled by boat to Shanghai. They stayed in Shanghai throughout World War II, arriving in the United States in 1946. Arthur Lejwa, a Polish-born biochemist, immigrated to the United States in 1939 and taught at Long Island University. In 1947, Madeleine and Arthur Lejwa were married in Cincinnati, Ohio, where Arthur was the Director of the Robert Gould Institute for Nutritional Research.

The gallery was very active in the 1950s and 1960s, as evidenced by the numerous exhibitions. Many of the exhibitions in the 1950s were thematic. Exhibitions in the 1960s were mostly organized around the work of a particular artist, such as Wojciech Fangor and Leon Polk Smith. In 1972, the Metropolitan Museum of Art showcased Jean Arp's work from the Lejwa's collection and a few works lent by Arp's widow, Marguerite Arp. The exhibition was expanded and traveled as "Arp 1877-1966," first exhibited at the Solomon R. Guggenheim Museum and then shown in seven museums in the United States and six in Australia.

In the early 1970s, the Lejwas began supporting institutions in Jerusalem, including donating a 17th century Polish menorah to The Israel Museum and five sculptures to be displayed in public spaces: "The Threshold of Jerusalem" by Jean Arp, "The Loop" by Robert Engman, George Rickey's "Two Lines Oblique," "The Skedion Ekton" by Stephanie Scuris, and "Four Cubes Cut in Identical Halves" by Max Bill.

Following Arthur's death on October 27, 1972, Madeleine continued as an independent dealer and consultant and renamed the business Chalette International. In the 1980s, Madeleine Lejwa continued her philanthropic endeavors in Jerusalem, donating to a scholarship fund for Arab students. She was also a strong supporter of New York University's archeological site Aphrodisias, in southwestern Turkey. In the 1970s and 1980s, Lejwa traveled widely including Israel, Jordan, Egypt, Italy, Turkey, Japan, and China. Madeleine passed away at age 81 on June 9, 1996.
Related Material:
Addition papers related to Leon Chalette and Madeleine Chalette are located at Leo Baeck Institute, New York, N.Y.
Separated Material:
Papers related to Leon Chalette's imprisonment in Sachsenhausen concentration camp were transferred to the Leo Baeck Institute, New York, N.Y. in 2010.
Provenance:
The records were donated by Robert Warshaw, executor of the Madeleine Chalette Lejwa estate in two accessions in 1997 and 2005.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Biochemistry  Search this
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Photographs
Sound recordings
Lectures
Notebooks
Motion pictures (visual works)
Citation:
Galerie Chalette records, 1916-1996, bulk 1939-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.galechal
See more items in:
Galerie Chalette records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b597c84e-8c86-44a4-a9e7-ecb2bc419f14
EDAN-URL:
ead_collection:sova-aaa-galechal
Online Media:

Moholy-Nagy, Laszlo

Collection Creator:
Bulliet, C. J. (Clarence Joseph), 1883-1952  Search this
Container:
Box 17, Folder 74
Type:
Archival materials
Date:
1937
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
The C. J. Bulliet papers, circa 1888-1959. Archives of American Art, Smithsonian Institution.
See more items in:
C. J. (Clarence Joseph) Bulliet papers
C. J. (Clarence Joseph) Bulliet papers / Series 4: Artist Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw941870375-0bf1-48a2-8f91-ea6f7d3b7923
EDAN-URL:
ead_component:sova-aaa-bullclar-ref2188

[Experimental films] [motion picture], undated

Creator:
Kofler, Anne  Search this
Subject:
Moholy-Nagy, László  Search this
Morris, Robert  Search this
Rauschenberg, Robert  Search this
Richter, Hans  Search this
Vanderbeek, Stan  Search this
Type:
Video recordings
Citation:
[Experimental films] [motion picture], undated. Archives of American Art, Smithsonian Institution.
Topic:
Experimental films -- United States  Search this
Theme:
Audio - Visual  Search this
Record number:
(DSI-AAA_CollID)10820
(DSI-AAA_SIRISBib)214560
AAA_collcode_koflanne
Theme:
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214560

1923 Bauhaus Ausstellung Weimar (1923 Bauhaus Exhibition Weimar)

Designer:
László Moholy-Nagy, American, b. Hungary, 1895–1946  Search this
Publisher:
Bauhaus, German, 1919–1933  Search this
Medium:
lithograph
Dimensions:
H x W: 15.2 × 10.8 cm (6 in. × 4 1/4 in.)
Type:
graphic design
Exhibitions
Postcard
Object Name:
Postcard
Date:
1923
Credit Line:
Collection of Merrill C. Berman
Accession Number:
15.2019.10
Restrictions & Rights:
Usage conditions apply
Copyright Notice:
© 2019 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Exhibitions Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq430f58286-508b-4f24-a95a-79b17fd05d47
EDAN-URL:
edanmdm:chndm_15.2019.10
Online Media:

Bauhaus Bücher (Bauhaus Books]

Designer:
László Moholy-Nagy, American, b. Hungary, 1895–1946  Search this
Publisher:
Bauhaus, German, 1919–1933  Search this
Medium:
letterpress
Dimensions:
H x W: 35.9 × 46 cm (14 1/8 × 18 1/8 in.)
Type:
graphic design
Exhibitions
Prospectus
Object Name:
Prospectus
Date:
1924
Credit Line:
Collection of Merrill C. Berman
Accession Number:
15.2019.11
Restrictions & Rights:
Usage conditions apply
Copyright Notice:
© 2019 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Exhibitions Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4ddeb01b3-9e50-4a02-bdd3-3dc2fd553af5
EDAN-URL:
edanmdm:chndm_15.2019.11
Online Media:

Bauhaus Bücher (Bauhaus Books) 14

Designer:
László Moholy-Nagy, American, b. Hungary, 1895–1946  Search this
Publisher:
Bauhaus, German, 1919–1933  Search this
Medium:
letterpress
Dimensions:
H x W: 13.5 × 21 cm (5 5/16 × 8 1/4 in.)
Type:
graphic design
Exhibitions
Catalog
Object Name:
Catalog
Date:
1928
Credit Line:
Collection of Merrill C. Berman
Accession Number:
15.2019.31
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Exhibitions Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq46d623105-57b5-4e17-bb52-842f9cfbf687
EDAN-URL:
edanmdm:chndm_15.2019.31
Online Media:

Ausstellung Walter Gropius: Zeichnungen, Fotos, Modelle (Walter Gropius Exhibition: Drawings, Photos, Models)

Designer:
László Moholy-Nagy, American, b. Hungary, 1895–1946  Search this
Publisher:
Schinkelsaal des Architektenhauses  Search this
Medium:
lithograph
Dimensions:
H x W: 14.9 × 21.1 cm (5 7/8 × 8 5/16 in.)
Type:
graphic design
Exhibitions
Catalog
Object Name:
Catalog
Date:
1930
Credit Line:
Collection of Merrill C. Berman
Accession Number:
15.2019.32
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Exhibitions Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq42b8bdd7c-0882-4473-9ef7-5d9d48b2c166
EDAN-URL:
edanmdm:chndm_15.2019.32
Online Media:

Abstraction

Artist:
Laszlo Moholy-Nagy, American, b. Bácsborsod, Hungary, 1895–1946  Search this
Medium:
Pencil and watercolor on paper
Dimensions:
frame: 36 5/16 × 29 3/8 in. (92.2 × 74.6 cm)
Type:
Drawing
Date:
(c. 1940)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.3584
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py23cfe8bc7-8c36-4951-b8a2-089a89563c60
EDAN-URL:
edanmdm:hmsg_66.3584

Constructivist Composition

Artist:
Laszlo Moholy-Nagy, American, b. Bácsborsod, Hungary, 1895–1946  Search this
Medium:
Watercolor and pencil on paper
Dimensions:
17 1/8 x 13 7/8 in. (43.4 x 35.2 cm)
Type:
Painting
Date:
1923
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981
Accession Number:
86.3271
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py288d3796f-ac78-4e41-b14d-1c198088dd3c
EDAN-URL:
edanmdm:hmsg_86.3271

Self Portrait

Artist:
László Moholy-Nagy, 20 Jul 1895 - 24 Nov 1946  Search this
Sitter:
László Moholy-Nagy, 20 Jul 1895 - 24 Nov 1946  Search this
Medium:
Pen and brush and black ink, on ivory wove paper, laid down on white laminate board
Dimensions:
33.9 x 20.9 cm (13 3/8 x 8 1/4" ), Accurate
Type:
Drawing
Date:
c. 1920
Topic:
Equipment\Drafting & Writing Implements\Writing implement\Pen  Search this
Artist's effects\Brush  Search this
Self-portrait  Search this
László Moholy-Nagy: Male  Search this
László Moholy-Nagy: Visual Arts\Artist\Sculptor  Search this
László Moholy-Nagy: Literature\Writer  Search this
László Moholy-Nagy: Visual Arts\Artist\Painter  Search this
László Moholy-Nagy: Visual Arts\Artist\Photographer  Search this
László Moholy-Nagy: Education and Scholarship\Educator\Teacher  Search this
Portrait  Search this
Credit Line:
Owner: Art Institute of Chicago
Object number:
1968.166 AIC
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4ac3cce25-4a3c-4f5a-84a9-706b9f05d055
EDAN-URL:
edanmdm:npg_1968.166_AIC

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