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discussions, Stilson Sands (Mohegan), George Mitchell, commissioner of Indian Affairs in Maine

Creator:
Smithsonian Institution. Festival of American Folklife. Native American Program 1976 Washington, D.C.  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (7 inch reel, 1/4 inch tape)
sound-tape reel (analog, 7 in.)
Culture:
Indians of North America  Search this
Type:
Archival materials
Sound recordings
Place:
United States
Washington (D.C.)
Date:
1976 June 18
General note:
DPA number 77.301.08
Local Numbers:
FP-1976-7RR-0682
General:
77.301.08
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 18, 1976.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1976 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1976, Item FP-1976-7RR-0682
See more items in:
Smithsonian Folklife Festival records: 1976 Festival of American Folklife
Smithsonian Folklife Festival records: 1976 Festival of American Folklife / Series 6: Native Americans / 6.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk51cc5b8fa-7569-49dc-a9c9-5cb197619fba
EDAN-URL:
ead_component:sova-cfch-sff-1976-ref13660

Native Americans

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
The continuing traditions of the original inhabitants of this nation were presented in the Native Americans area by representatives of the more than 200 Native American communities throughout the United States. Working with the Smithsonian, they had examined their traditions and created the programs, speaking to their way of life today and their hopes for the future.

The Native Americans area was designed with Native traditions in mind. The entire area lay within a circle that represented the wholeness of life, emphasizing that, in Native philosophy, everything is interrelated. A corn field formed the outlying circle; corn, the contribution of Native Americans to the peoples of the world, is regarded as the gift of Mother Earth. With squash and beans sharing the field, the entire area was thus surrounded by the three staple foods of the Southwest, the "three sisters" of the Iroquois. The Learning Center, designed by architect Dennis Sun Rhodes, Arapaho, faces East, the direction of sunrise and of life, and visitors were intended to proceed inside sunwise, in a circle. In its design and in its presentations of music, crafts, dance, and discussion, the Native Americans area honored the first Americans.

Building upon six years of programming during preceding Festivals, the Bicentennial presentations presented a region-by-region overview of American Indian folklife:

June 16-20, Northeast (Six Nations, Iroquois, Mohawk, Seneca, Onandaga, Tuscarora, Algonkian, Passamaquoddy, Penobscot, Shinnecock, Hassanamisco, Nanticoke, Susquehanna, Wampanoag, Narragansett, Gay Head, Mohegan, Schaghticoke)

June 23-27, Great Lakes (Oneida, Ojibwa)

July 1-5, Southeast (Cherokee, Chickasaw, Choctaw, Creek, Seminole, Tuscarora, Muskogee, Tunica-Biloxi of Louisiana, Mattaponi, Houma Tribe of Louisiana, Alabama Creek, Lumbee)

July 7-11, Southern Plains (Comanche, Kiowa, Kiowa Apache, Omaha, Pawnee, Ponca, Southern Cheyenne)

July 14-18, Prairie (Sac and Fox)

July 21-25, Northern Plains (Northern Cheyenne)

July 28-August 1, Northwest Coast (Alaska Federation of Natives, Confederated Tribes of Siletz, Confederated Tribes of the Warm Springs Indian Reservation)

August 4-8, Southwest (San Juan Pueblo, Navaho, White Mountain Apache, Comanche)

August 11-15, Plateau (Confederated Tribes of the Umatilla Indian Reservation, Confederated Tribes and Bands of the Yakima Indian Nation, Ute, Klamath)

August 18-22, Basin (Northern Paiute, Southern Paiute, Washo, Western Shoshone, Walker River Paiute)

August 25-29, Northern California (Miwok, Wintun, Pomo, Yurok, Karok, Tolowa, Hupa, Klamath, Tchinook, Confederated Tribes of the Umatilla, Quileute)

September 2-6, Arctic (Alaska Federation of Natives)

Lucille Dawson served as program coordinator, assisted by Thomas Kavanagh. The multi-year program was shaped by the Native Americans Advisory Group, including Louis Bruce, Rayna Green, Dell Hymes, Clydia Nahwooksy, Alfonso Ortiz, and William Sturtevant.
Participants:
Northeast

Six Nations, Iroquois

Mohawk

Mary Adams, basket maker

Mike Adams, basket maker

Sally Ann Adams, basket maker

Richard Hill, headdress maker

Stan Hill, bone carver

Tammy Hill, craft sales

Mary Longboat, cornhusk worker

Margaret Torrence, basket maker

Cam Wilson, silversmith

Mark Wilson, craft sales

Wanda Wilson, dancer

Oneida

Eula Chrisjohn, cornhusk worker

Irving Chrisjohn, cornhusk worker

Richard Chrisjohn, Sr., wood carver

Richard Chrisjohn, Jr., wood carver

Onondaga

Andrea Jimerson, dancer

Marty Jimerson, dancer

Huron Miller, project coordinator

James Skye, wood carver

Guy Williams, dancer

Ruby Williams, dancer

Tim Williams, dancer

Seneca

Helen Harris, dancer

Linda Harris, dancer

Philman Harris, drum and rattle maker

Steve Harris, dancer

Hazel Jimerson, dancer

Lester Jimerson, dancer

Mamie Jones, dancer

Paul Jones, dancer

Kevin Johnny John, dancer

Mike Johnny John, dancer

Vera Miller, beadworker

Rodney Pierce, dancer

Marlene Thomas, dancer

Hazel Thompson, gancer

Phillip Thompson, dancer

Natie Watt, basket maker

Ruth Watt, basket maker

Tuscarora

Louise Henry, beadworker

Oscar Moses, Lacrosse stick maker

Kevin Patterson, Lacrosse stick maker

Wes Patterson, Lacrosse stick maker

Edward Sayer, finger weaving

Wilmer Wilson, 1925-2002, craft sales manager

Algonkian

Chuck Comanda, canoe maker

Mary Comanda, canoe maker

William Comanda, canoe maker

Ojibwa

Audrey Pawis, quill worker

Discussants

Asenith D. Vogt, coordinator

Joseph A. Nicholas, discussant, Passamaquoddy

Andy Akins, discussant, Penobscot

Charles Jennings, discussant, Penobscot

Brian Miles, discussant, Pequot

Eva Smith, discussant, Shinnecock

Diane Bess, discussant, Shinnecock

Lois Wilcox, discussant, Hassanamisco

Kenneth Clark, discussant, Nanticoke

Kathy Clark, discussant, Nanticoke

Jody Hale, discussant, Susquehanna

Lydia Hale, discussant, Susquehanna

Edith Andrews, discussant, Wampanoag

Naomi Andrews, discussant, Wampanoag

Alberta Wilcox, discussant, Narragansett

Lloyd Wilcox, discussant, Narragansett

Helen Attaquin, discussant, Gay Head, Aquinnah Wampanoag

Mother Helen Attaquin, discussant, Gay Head, Aquinnah Wampanoag

Stilson Fands, discussant, Mohegan

Trudy Lamb, discussant, Schaghticoke

George Mitchell, Commissioner of Indian Affairs for the State of Maine

Southeast

Cherokee

Wanda Barr, dance leader

Mike Daniels, pottery

Cecil Hall, discussant

Don Mabray, discussant

Frank Mclemore, discussant

Eva Nordwell, discussant

Eunice Old Field, weaver

Knohovtee Scott, jewelry, silversmith

Ross Swimmer, discussant

Dick Spahr, head cook

Mary Lou Spahr, cook

Mrs. Ross Swimmer, discussant

Anicl Barr, dancer

Sheila Barr, dancer

Brenda Johnson, dancer

Jeanette Reese, dancer

Gina Pritchett, dancer

Michelle Ummtukee, dancer

Chickasaw

Aaron Christy, guide

Hazel Christy, dancer, beadwork

Overton James, discussant

Emma Mose, dancer

Buster Ned, dancer

Calvin Ned, dancer

Rhonda Ned, dancer

Wanda Ned, dancer, beadwork

Bienum Pickens, dancer, stickball, drummer

Adam Sampson, singer, dancer, stickball

Richard Sampson, dancer, stickball

Junior Thomas, dancer

Mary Wallace, dancer

Mrs. Overton James

Choctaw

Clelland Billy, stickball

Glendale Billy, food, cook

David Gardner, discussant

Lucinda Gibson, arts and crafts

Eula Goings, cook

Hugh Jefferson, stickball, discussant

Ray Jefferson, stickball

Louise Isscomer, beading

Myrtle Lowman, basket weaving

Sherrin Matlock, discussant

Mrs. David Gardner, discussant

Creek

Claude Cox, discussant

Paul Culley, 1925-, dancer

Wynena Evans, beadwork, singer

Brian Fife, dancer, discussant

Margaret Freeman, cook

Hepsey Gilroy, looming, dancer

Solomon McCombs, artist

Buddy Scott, silversmith, dancer

Genda Scott, basket weaving, dancer

Gene Timothy, discussant, food, Lacrosse

Mrs. Claude Cox, discussant

Seminole

Beulah Bemo, arts and crafts

Mallene Davis, singer, dancer; Miss Indian Oklahoma

Kelly Haney, artist, dancer, stickball

Samantha Hooper, education guide, dancer

Ida Little, food, shell shaker, dancer

Terry Little, cook

H. T. Miller, stomp dancer, stickball

Tom Palmer, stomp dancer, stickball

Ida Lee Redbird, shell shaker, dancer

Jennie Lee Rice, shell shaker, dancer

Ed Tanyan, discussant

Mrs. Ed Tonyan, discussant

Cherokee

William Crow, wood carver

Betty Crow, bead worker

Tuscarora

Ernest Carter, discussant

Benjamin Maynor, discussant

Muskogee

Angela Lyles, discussant

Ann Taylor Tate, discussant

Tunica-Biloxi of Louisiana

Rose Marie Gallardo, discussant

Mary Vercher, discussant

Mattaponi

Chief Curtis Custalow, discussant

Gertrude Custalow, discussant

Houma Tribe of Louisiana

Steve Cheramie, discussant

Randolph Francis, discussant

Alabama Creek

Connie S. Tullis, discussant

Buford L. Rolin, discussant

Lumbee

Donna Chavis

Sonya Allen

Southern Plains

Carla Allrunner, dancer

Richard Asenap, program coordinator

Joe Attocknie, 1911-1984, singer, flute player

Rosalie Attocknie, 1926-2011, artist

Bobbi Bradley, artist

Hawana Bradley, artist

Ronald Burless, artist

Ed Chappabitty, singer

Evelyn Chappabitty, singer

Florence Chasenah, beadworker

Gerald Chasenah, dancer

James Chasenah, singer

Kim Chasenah, dancer

Wallace Coffey, narrator, dancer

James Cox, narrator, tribal chairman

Marie Cox, craftsperson

Sam Devenney, historian, photographer

Jamie Franklin, dancer

Rita Franklin, dancer

Patty Hall

Carol Hall

Melvin Kerchee, singer, dancer

Melvin Kerchee, Jr., dancer

Nettie Kerchee, 1921-2003, dress maker, bead worker

Diane Motah, craftsperson

Lee Motah, historian, narrator

Haddan Nauni, singer

Rose Nauni, craftsperson

Leslie Niedo, bead worker

Frank Oberly, narrator

Mary Oberly, craftsperson

Sam "Doc" Peweardy, singer

Bill Poafpybitty, graphics, sculptor

Richard Ralph Poafpybitty, 1963-1996, actor

Sarah Pohosucut, historian

Henry Pratt, flute player, dancer, singer

Leonard Riddles, artist

Kenneth Saupitty, narrator

Gene Sovo, war dancer

Junior Sovo, war dancer

Margie Sovo, moccasin maker

Jerome Tahawah, singer

Edmond Tate, dancer

Joyce "Doc" Tate Nevaquaya, 1932-1996, flute player, dancer, artist

Jermone Tahawah, singer

May Tonips, beadworker, graphics, sculptor

Rick Tosee, dancer

George Wallace, singer

Juanita Wallace, singer

Eva Watchataker, beadworker

George "Woogee" Watchataker, dancer, flute player

Junior Weryackwe

Eva Weryackwe

Patricia Whitewolf, shawl maker

Sheryle Whitewolf, dancer

Elmer Winnerchy, 1917-1986, singer

Evelyn Winnerchy, 1917-1996, dancer

Prairie

Sac & Fox Tribe

Bill Grass

John Gakey

Shannon Franklin

Omer Jefferson, Jr.

Kate Walker

Winnie Gibson

Delphine Foreman

Sarah Riley

Sharon Byers

Bill Foreman

Jerry Nanaeto

Kimberly Nanaeto

Harriet Nanaeto

Barbara Hawkins

Kartherine Franklin

Ronnie Harris

Sandy Harris

R.J. Harris

Merle Boyd

Tammy Boyd

Pamela Boyd

Mabel Harris

George Harris

Leona Starr

Jimmy Starr

James L. Starr

Leota Black

Carl Butler

Cecil Littlehead

Clarissa Littlehead

Oma Patrick

Irene Harris

Georgianna LeClair

Teresa LeClair

Larry Blanchard

Linda Standing

Karen "Candy" Hunter

Henry O. Hunter

Douglas Franklin

Dino Riley

George Switch

Jessica Patterson

Muriel Patterson

Valerie Patterson

Carol Patterson

Frances Coker

Richard Mullake

Kay Kay Goodeagle

Mary Clark

Donald Marland

Mary Mack

Guy Wakalee

Huge Wakalee

Marilyn Thurman

Herschel Tiger

Jack Thorpe

Lee Bass, Jr.

Elmer Manatowa, Jr.

Northern Plains

Northern Cheyenne

Harry Littlebird, Sr., gourd dance, hand game, arts & crafts, singer

Annie Joyce Littlebird, dancer, gourd dance, hand game, arts & crafts, cook

Richard Littlebird, dancer, gourd dance, hand game

Serena Littlebird, dancer, gourd dance, hand game, arts & crafts

Limona Littlebird, dancer, gourd dance, hand game, arts & crafts

Rose Ann Littlebird, dancer, gourd dance, hand game, arts & crafts

Ginger Littlebird, dancer, gourd dance, hand game, arts & crafts

Theresa Brady, dancer, gourd dance, arts & crafts, cook

Curtis Brady, dancer, gourd dance, hand game

Steve Brady, dancer, gourd dance, hand game

Eggonn Brady, dancer, gourd dance, hand game

Elsie Wick, hand game, arts & crafts, cook

Donna Wick, dancer, gourd dance, hand game, arts & crafts, cook

Christine Wick, gourd dance, hand game, arts & crafts

James Wick, gourd dance, hand game, arts & crafts

Dennis Wick, gourd dance, hand game, arts & crafts

Ernest King, gourd dance, hand game, arts & crafts, singer

Grover Wolfvoice, 1890-1978, hand game, arts & crafts

Dale Brady, gourd dance, hand game, arts & crafts

Joe Lonewolf, dancer, gourd dance, arts & crafts, singer

Crawford Lonewolf, dancer, gourd dance, hand game, singer

Charles Brady, gourd dance, hand game, arts & crafts, singer

Arnie Brady, dancer, gourd dance, hand game, arts & crafts, cook

Hilda Manley, dance, gourd dance, hand game, arts & crafts, cook

James Littlebird, gourd dance, hand game, arts & crafts, singer

Harriet Littlebird, dancer, gourd dance, hand game, arts & crafts, cook

Geofredo Littlebird, dancer, gourd dance, hand game, singer

Clinton Birdhat, dancer, hand game, singer

Marlene Belly Mule, dancer, gourd dance, arts & crafts, cook

Ruth Littlebird, dancer, gourd dance, hand game, arts & crafts, cook

Stacey Gwen Littlebird, gourd dance, hand game, arts & crafts

Rose Medicine Elk, hand game, arts & crafts, cook

John Medicine Elk, Sr., gourd dance, hand game, arts & crafts, singer

John Killsontop, Sr., gourd dance, hand game, arts & crafts, singer

Rose Killsontop, dancer, gourd dance, hand game, arts & crafts, cook

Mike Bearcamesout, gourd dance, hand game, arts & crafts, singer

Robert Bearchum, gourd dance, hand game, arts & crafts, singer

Robert Redwoman, hand game, arts -- & -- crafts, singer

Mary Redwoman, hand game, arts & crafts, cook

Elmer Fightingbear, dancer, hand game, arts & crafts, singer

Tommy Rockroads, dancer, hand game, arts & crafts, singer

Dave Glenmora, dancer, gourd dance, hand game, arts & crafts, singer

Wilson Brady, dancer, gourd dance, hand game, arts & crafts, singer

Tim Littleboy, dancer, hand game, arts & crafts

Webby Runsabove, dancer, hand game, arts & crafts, singer

Billy Runsabove, dancer, hand game, arts & crafts, singer

Fernando Littlebird, dancer, gourd dance, hand game, arts & crafts, singer

Steve Littlebird, gourd dance, hand game, arts & crafts, singer, coordinator

Northwest Coast

Les Houck

Merle Holmes

Charles Rick

Charles McKnight

Edmund Ben

Delores Pigsley

Archie Ben

Paul Jackson

Shirley Walker

Raymond Ben

Judy McKnight

Melvin McKnight

Bunni Houck

Jerry Running Foxe

Paulene Rick

Joe McKnight

Randy Rick

Boby Dumont

Victoria Ben

Dave Harley

Carlene Easter

Delbert Bell

Caroline Easter

Alaska Federation of Natives

Judy Brady

Herman Davis

Ruth Farquhar

Sharon Frank

Larry Garrity

Laura Eliz Joseph

Larry Judy

Alice Kitka

Marla Kitka

Donna Lang

Dorothy Lord

Tim McGraw

Lillian Nielsen

Mike Spoon

Martin Strand, Jr.

Martina Strand

Marlene Thomas

Cynthia Williams

Ethel Williams

Karin Williams

Janice Williams

Isabella Brady

Ethel Makinen

George Ramos

Marie Thiemeyer

Margy Johnson

Southwest

Amos Beatty

Jimmy Thompson

Charles Henry

Ron Quay

Wilkie Dazen

John Chissay

Mike Cooley

Pat Cooley

Bruce Cooley

Theresa Truesdell

Myrna Tessay

Wilfred Peaches

Manuelita Early

Jerry Lupe

Mike Truesdell

Bernice Endfield

Lula Machuse

Azlie Lupe

Pheobe Gooday

Nelson Lupe, Sr.

Shirleen Bullock

Beverly Machuse

June Marie Dale

Ophelia Peaches

Maria Endfield

Umatilla

Traditional Long House Group from Pendleton, Oregon

Edith K. McCloud, narrator, bead worker

Lillian E. Hoptowit, craftsperson, bead worker

Terry L. Hoptowit, dancer

Rosie McCloud, dancer

Eliza B. Nez, dancer

Joseph P. Tias, dancer

Bernadette B. Nez, dancer

Anthony G. Hoptowit Sr., crafts

Anna Marie Brown, buckskin worker

James Hoptowit, dancer

Donna B. Nikolaide, dancer, assist.

Willard D. Showay, singer

Arthur Williams, singer, crafts-beadwork

Lonnie R. Selam Sr., singer

William A. Johnson Sr., feather worker

Mrs. Arthur Williams, bead worker

Phillip Jackson, dancer, assist.

Eliza Bill, coordinator

Norma June Mosquito, dancer

Beksee Mosquito, singer, drummer

John Willard Hoptowit, dancer

Maisie McCloud, dancer

David Dean McKay, dancer

Babette Cowapoo, dancer

Ellen Taylor, dancer

Julie Taylor, dancer

Alberta Taylor, dancer

Ellen Johnson, bead worker

Cidric Bill, dancer

Anthony G. Hoptowit Jr., dancer

Emile Bill, dancer

Robert Bill, dancer

Sheila Bill, dancer

Sonny Gail McCloud, dancer

Angie McCloud, dancer

Raphael Bill, dancer, assist.

Veva E. Bill, storyteller

Sylvester Selam, dancer

Gabriel Selam, singer

Sandy Sampson, dancer, narrator, sign language

The Confederated Tribes and Bands of the Yakima Indian Nation of Toppenash, Washington will also be featured. Simon Sampson is the coordinator.

We will feature the Ute Reservation led by Gwen Mojado, the Inter-Tribal Council of Nevada led by Harold Wyatt, and the Klamath Tribe of Oregon led by Leonard Norris.

Northern California

Miwok Tribe

William Franklin, dancer, lecturer, hand game player

Cora Franklin, dancer, lecturer, hand game player

Margaret Villa, dancer, lecturer, jewelry maker

Theresa Coy, dancer, lecturer, hand game player

Carl Mathiesen, dancer, lecturer, hand game player

Inez Mathiesen, dancer, lecturer, hand game player

David Franklin, dancer, lecturer, hand game player

Ronnie Franklin, dancer, lecturer, hand game player

James Franklin, dancer, lecturer, hand game player

Norman Franklin, dancer, lecturer, hand game player

Robert Coy, dancer, lecturer, hand game player

Elaine Barber, dancer, lecturer, hand game player

Dorothy Stanley, food demonstration, lecturer

Dwight Zutchke, dancer, lecturer

Wintun Tribe

Mary Norton, food sales

Frances McDaniel, basket maker

Pomo Tribe

Elsie Allen, 1899-1990, basket maker, Ukiah, California

Yurok Tribe

Elaine Glairy, jewelry maker

Mary Birchfield, food sales

Ollie Foseide, 1921-, basket maker, Hoopa, California

Warren Abbott, food sales, dancer

Lareta James, dancer, singer

Dewey George, 1899-1985, boat maker, dance leader, McKinleyville, California

Rosie Silva, dancer, singer

Julius Aubrey, boat making assistant, dancer

Oscar Taylor, net maker, singer, dancer

Eileen Figueroa, basket maker, singer

Sam Jones, 1913-1996, stick game player

Mark Sundberg, stick game player, dancer, canoe assistant

Lisa Sundberg, dancer, jewelry maker

Joy Sundberg, Northern California coordinator, lecturer

Karok Tribe

Charlie Tom, singer, drummer, dancer

Jo Peters, 1923-, jewelry maker, basket maker, lecturer, Hoopa, California

Tammy Peters, dancer, jewelry maker

Laura George, guide, assistant

Lorna Dodge, lecturer, guide, assistant

Tolowa Tribe

Billy Richards, dancer

Mark Richards, dancer

Nicole Richards, dancer

Loren Bommelyn, 1956-, lead singer, Fort Dick, California

Fred Moorehead, lead singer

Betty Green, dance assistant

Kim Richards, dancer

Tanya Richards, dancer

Ronnie Richards, dancer

Marvin Richards, dancer

Denise Lopez, dancer, guide

Denise Richards, dancer, guide

Pam Mattz, dancer

Joan Richards, food sales

Darlene Richards, food sales

Lorene Richards, dancer

William Richards, food sales

Viola Richards, food sales

Bill Bommelyn, dancer

Walter Richards, singer

Lila Moorehead, sand bread maker, cook

Hupa Tribe

Merve George, band leader, dancer

Eleanor Abbott, language class leader

Andy Andrioli, lecturer, guitar player, dancer

Kim Yerton, dancer, learning center assistant

Janice Yerton, learning center assistant

Endora Saxson, dancer

Mike Waterman, drummer

Doug Duncan, lead guitar player

George Disdy, guitar player

Ann Taylor, assistant

Pat Andrioli, assistant

Paiute Tribe

Joseph Saulque, lecturer, historian

Film and Video Presentation

Vern Korbe

Carol Korbe

Dick O'Rourke

Lorraine O'Rourke

Brian Tripp

Dolly Tripp

Daniel O'Rourke

Klamath Tribe

Leonard Norris, Jr., Coordinator

Cecil L. Gallagher

Nick Kimbal

Charlie Bates

Rhonda Jimenez

LaNell L. Jackson

Rose Mary Tree Top

Jean Tina Bates

Bill L. Jackson

Anna Marie Jackson

Valgene Teeman

Marc McNair

Tchinook Tribe of Oregon

Karleen F. McKenzie

Confederated Tribes of the Umatilla

Leslie Minthorn, Coordinator

Quileute Tribe

Robert Bojorcas, 1943-, Coordinator, Eugene, Oregon
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1976 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1976, Series 6
See more items in:
Smithsonian Folklife Festival records: 1976 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5faad8354-a427-4717-95e3-f0b878e67f3a
EDAN-URL:
ead_component:sova-cfch-sff-1976-ref44

[Postcards-Mohegan]

Collection Creator:
Sturtevant, William C.  Search this
Container:
Box 187
Type:
Archival materials
Date:
undated
Collection Restrictions:
Files containing Sturtevant's students' grades have been restricted, as have his students' and colleagues' grant and fellowships applications. Restricted files were separated and placed at the end of their respective series in boxes 87, 264, 322, 389-394, 435-436, 448, 468, and 483. For preservation reasons, his computer files are also restricted. Seminole sound recordings are restricted. Access to the William C. Sturtevant Papers requires an apointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
William C. Sturtevant papers, National Anthropological Archives, Smithsonian Institution
See more items in:
William C. Sturtevant papers
William C. Sturtevant papers / Series 2: Research Files / 2.5: Depictions of Native Americans
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw309398a9e-a9f3-4568-86ba-04a1bd025737
EDAN-URL:
ead_component:sova-naa-2008-24-ref6282

Mohegan

Collection Creator:
Sturtevant, William C.  Search this
Container:
Box 198
Type:
Archival materials
Date:
undated
Collection Restrictions:
Files containing Sturtevant's students' grades have been restricted, as have his students' and colleagues' grant and fellowships applications. Restricted files were separated and placed at the end of their respective series in boxes 87, 264, 322, 389-394, 435-436, 448, 468, and 483. For preservation reasons, his computer files are also restricted. Seminole sound recordings are restricted. Access to the William C. Sturtevant Papers requires an apointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
William C. Sturtevant papers, National Anthropological Archives, Smithsonian Institution
See more items in:
William C. Sturtevant papers
William C. Sturtevant papers / Series 2: Research Files / 2.5: Depictions of Native Americans
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw36e4f4a62-0ea8-44e2-a5f0-0923323bfec4
EDAN-URL:
ead_component:sova-naa-2008-24-ref6545

Algonquian

Creator:
Harrington, John Peabody, 1884-1961  Search this
Michelson, Truman, 1879-1938  Search this
Hewitt, J. N. B. (John Napoleon Brinton), 1859-1937  Search this
Speck, Frank G. (Frank Gouldsmith), 1881-1950  Search this
Voegelin, C. F. (Charles Frederick), 1906-1986  Search this
Collection Creator:
Harrington, John Peabody, 1884-1961  Search this
Extent:
2 Boxes
Culture:
Cheyenne language  Search this
Fox  Search this
Menominee (Menomini)  Search this
Miami  Search this
Mohegan  Search this
Pequot  Search this
Montauk  Search this
Montagnais Innu  Search this
Nanticoke  Search this
Piscataway (Conoy)  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Potawatomi  Search this
Type:
Archival materials
Vocabulary
Date:
circa 1907-circa 1957
Scope and Contents:
This subseries of the Northeast/Southeast series contains John P. Harrington's Algonquian research. It consists primarily of material he collected; there is very little original data, most of which are undated. The topics covered are Cheyenne grammar, Fox linguistic notes, Menominee grammar, Miami-Peoria grammar, Mohegan-Pequot-Montauk vocabulary, Montagnais miscellaneous notes, Nanticoke-Conoy-Unalachtigo linguistic notes, Ojibwa linguistic notes, Potawatomi linguistic notes, and comparative and miscellaneous notes.

The Cheyenne material consist of two pages of grammatical excerpts from Rodolphe Petter's English-Cheyenne Dictionary (1915).

The Fox notes stem from conversations which Harrington had with Truman Michelson on the Fox syllabary and grammar. One note is dated September 24, 1924; others are undated. One page gives the etymology of the word Chicago and a Potawatomi equivalent. Phonetic material (former B.A.E. MS 6021 pt. and 6025pt.) is based on William Jones's "Algonquian (Fox)" (1911). A bibliography is included, mainly on Michelson's publications and manuscripts which he submitted to the B.A.E.

The Menominee files contain a phonetic key from Leonard Bloomfield's Menomini Texts (1928), a short report on a conversation with Michelson (former B.A.E. MS 6025pt. and 6030), and a brief description of Menominee tentshaking was excerpted from W. J. Hoffman's The Menomini Indians (1896).

Miami-Peoria vocabulary were copied from Albert Gatschet's B.A.E. manuscripts 3025 and 3026b. (Those entries marked 3026b are no longer listed as part of that B.A.E. manuscript.)

An 1890 copy of a 1798 Montauk vocabulary taken by John Lyon Gardiner was loaned to Harrington by Foster H. Saville. There are also a three-page typescript of this manuscript and several pages of a Mohegan-Pequot bibliography.

For Montagnais, there are three bibliographical notes. Two placenames came from J.N.B. Hewitt in November 1926.

Reading notes on Nanticoke, Conoy, and Unalachtigo were taken principally from Speck's The Nanticoke and Conoy Indians . .. (1927) and from Hodge's "Handbook" (1907). Some linguistic and ethnohistoric material is included and there is a brief bibliography.

Ojibwa forms the largest portion of this subseries. It includes notes from a joint interview conducted most likely in 1940 with C. F. Voegelin and his informant, Gregor McGregor, who was technically considered a speaker of Ottawa. There are also notes Harrington took of Voegelin's lecture at the University of Michigan on June 25, 1940 (former B.A.E. MS 6020pt.). There is a slight emphasis on placenames in an otherwise random vocabulary. From James Hammond Trumbull's Notes on Forty Algonkin Versions of the Lord's Prayer (1873), Harrington copied the Southern Chippeway version (pp. 74 -75) and penciled in a slightly different English translation. A final potpourri of undated notes includes a miscellaneous vocabulary from secondary sources and a few pages of grammatical material. The etymologies of several Ojibwa words are briefly developed. Frederic Baraga's A Dictionary of the Otchipwe Language is the most frequently cited source (former B.A.E. MS 6020pt. and 6025pt.).

The Potawatomi files contain material from Harrington's interview with Chief Simon Kahquados in Blackwell, Wisconsin (n.d.) with whom he recorded general ethnographic information, particularly regarding the loss of Potawatomi lands due to Indian Office policies and illegal acts of the Menominee. A brief vocabulary is included. Unrelated to this interview is a Potawatomi phoneme chart.

Comparative material includes reading notes regarding the earliest appearances of certain Algonquian phonetic sounds. Harrington consulted primarily the works of Sir Isaac Pitman, Jean Claude Mathevet (Nipissing, Abnaki), and Silas Tertius Rand (Micmac). Additional peripheral bibliographical information is identified in the notes. The only date recorded is March 26, 1951. There are other scattered reading notes with Menominee, Cree, Fox, and Ojibwa phonetic comparisons, based mainly on Leonard Bloomfield's Menomini Texts (1938) and Plains Cree Texts (1934). One page of Arapaho terms was copied from Kroeber.

In the category of general linguistic and ethnographic notes (former B.A.E. ms. 6025pt.), information results from various conversations with fellow linguists: Truman Michelson and J.N.B. Hewitt on September 24, 1924; Hewitt in November 1924 and November 1926; Michelson in October 1930; and Michelson and Frank G. Speck in May 1934. Under the heading "The Southern Delawares," Harrington arranged random information on the Virginia Indians, touching briefly on history and ethnography. He included some Abnaki, Cree, and Cherokee linguistic terms, as well as a general bibliography. Vocabulary material in this series (former B.A.E. MS 6025pt.) consists of terms from various Algonquian languages, most probably taken from unidentified printed sources. One note gives "The Chief from Mass[achusetts]" as an informant. One group of terms is compared with Natick words and with a vocabulary recorded by Roger Williams.
Local Numbers:
Accession #1976-95
Restrictions:
No restrictions on access.
Rights:
Contact the repository for terms of use.
Topic:
Algonquian languages  Search this
Abenaki language  Search this
Cree language  Search this
Cherokee language  Search this
Cheyenne language  Search this
Fox language  Search this
Menominee language  Search this
Miami language (Ind. and Okla.)  Search this
Mohegan language  Search this
Montagnais language  Search this
Nanticoke language  Search this
Ojibwa language  Search this
Potawatomi language  Search this
Language and languages -- Documentation  Search this
Linguistics  Search this
Ethnology  Search this
Names, Geographical  Search this
Meskwaki; Sauk & Fox  Search this
Genre/Form:
Vocabulary
Collection Citation:
John Peabody Harrington papers, National Anthropological Archives, Smithsonian Institution
The preferred citation for the Harrington Papers will reference the actual location within the collection, i.e. Box 172, Alaska/Northwest Coast, Papers of John Peabody Harrington, National Anthropological Archives, Smithsonian Institution.

However, as the NAA understands the need to cite phrases or vocabulary on specific pages, a citation referencing the microfilmed papers is acceptable. Please note that the page numbering of the PDF version of the Harrington microfilm does not directly correlate to the analog microfilm frame numbers. If it is necessary to cite the microfilmed papers, please refer to the specific page number of the PDF version, as in: Papers of John Peabody Harrington, Microfilm: MF 7, R34 page 42.
Identifier:
NAA.1976-95, Subseries 6.1
See more items in:
John Peabody Harrington papers
John Peabody Harrington papers / Series 6: Native American History, Language, and Culture of the Northeast & Southeast
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw320d52ed8-2a4a-49a7-b5a3-67bbc9806544
EDAN-URL:
ead_component:sova-naa-1976-95-ref14792

Mohegan-Pequot-Montauk Vocabulary

Collection Creator:
Harrington, John Peabody, 1884-1961  Search this
Container:
Box 936
Type:
Archival materials
Scope and Contents note:
Microfilm Reel: 1
Subseries Restrictions:
No restrictions on access.
Subseries Rights:
Contact the repository for terms of use.
Collection Citation:
John Peabody Harrington papers, National Anthropological Archives, Smithsonian Institution
The preferred citation for the Harrington Papers will reference the actual location within the collection, i.e. Box 172, Alaska/Northwest Coast, Papers of John Peabody Harrington, National Anthropological Archives, Smithsonian Institution.

However, as the NAA understands the need to cite phrases or vocabulary on specific pages, a citation referencing the microfilmed papers is acceptable. Please note that the page numbering of the PDF version of the Harrington microfilm does not directly correlate to the analog microfilm frame numbers. If it is necessary to cite the microfilmed papers, please refer to the specific page number of the PDF version, as in: Papers of John Peabody Harrington, Microfilm: MF 7, R34 page 42.
See more items in:
John Peabody Harrington papers
John Peabody Harrington papers / Series 6: Native American History, Language, and Culture of the Northeast & Southeast / 6.1: Algonquian
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3542f74a1-0787-4de8-ac89-1d9c16ec3865
EDAN-URL:
ead_component:sova-naa-1976-95-ref14803

Mahican/Stockbridge

Creator:
Harrington, John Peabody, 1884-1961  Search this
Names:
Michelson, Truman, 1879-1938  Search this
Collection Creator:
Harrington, John Peabody, 1884-1961  Search this
Extent:
8 Boxes
Culture:
Mahican  Search this
Indians of North America -- Northeast  Search this
Type:
Archival materials
Field notes
Manuscripts
Vocabulary
Place:
Stockbridge-Munsee Reservation (Wis.)
Date:
1930-1952
Scope and Contents:
This subseries of the Northeast/Southeast series contains Harrington's Mahican/Stockbridge research. The materials consist of comparative vocabulary, comparative grammar, comparative linguistic notes, and writings.

The vocabulary is arranged according to numerous semantic categories designated by Harrington. The basic source is Truman Michelson's Stockbridge Manuscript 2734, information from which was reheard with Mahican speakers, and compared with secondary sources and with Abenaki material rewritten or removed from his own field notes. Harrington interfiled Menominee information secured later in Washington from Al Dodge. The "Persons" category is quite rich in biographical information. Webb Miller apparently identified for Harrington the subjects of some of his old photographs, although the prints were not found with the notes. There are two pages taken from an old family record listing the names Pye, Bennett, Moon, and Turkey, the dates ranging from 1845 to 1865. Harrington evidently began another (possibly later) semantic organization of the Michelson notes. Other secondary sources used as a basis for comparison are Brinton and Anthony (1888), James Trumbull's Natick Dictionary (1903), and Frederic Baraga's A Dictionary of the Otchipwe Language (1853).

A set of grammatical notes is also based on MS 2734 but it is not as well developed as the vocabulary material. Only a few notes deal with phonetics. There is more information on verbs and numerals than on any other morphological category.

The comparative linguistic notes are from Harrington's two 1949 interviews with Bernice Robinson Huntington and encompass vocabulary, grammar, ethnography, ethnohistory, and some miscellaneous information on Stockbridge persons, including something of her own background. One group is arranged alphabetically by main entry in Mahican, with Delaware, St. Francis Abenaki, Natick, Ojibwa, and Cree equivalences (if any) placed immediately following the related Mahican term. The unmarked main entries are apparently Huntington's original terms; those in ink marked Brinton and Anthony are from their 1888 dictionary; the pencil notes are St. Francis Abenaki obtained in the field and are identified by informant "codes" Am. (Alfred Miller), Den. (George Dennis); Watso (John Watso); (Oliver Obomsawin). The significance of the numbered divider pages was not documented. Another group designated "B2" probably refers to the fall rehearing with Bernice Huntington and is confined chiefly to St. Francis Abenaki and Menominee equivalences. Some new information from Huntington, especially changes in orthography, may have been interfiled. A third group contains Huntington's comments on Mathew S. Henry's Vocabulary. ... It represents an attempt to organize Henry's material according to a semantically arranged vocabulary and a brief grammar touching on phonetics and morphology. Harrington crossed out St. Francis Abnaki comparisons and, according to a field note, copied them for use elsewhere. He also incorporated some of Huntington's (B2) terms.

This subseries also contains a draft and notes relating to his unpublished manuscript, "Seven Mahican Texts Recorded by Truman Michelson". Harrington excerpted the texts verbatim from the Michelson MS 2734, including Michelson's interlinear Mahican translations and free English versions. The draft contains a short vocabulary culled from the texts which Harrington arranged semantically. He provided some Mahican historical background and explained certain orthographic changes made to update Michelson's spelling and to facilitate pronunciation. An eighth text in English only was given to Michelson by Sterling Peters. There is informative bibliographical material both in the body of the draft and in the separate section devoted to this category.
Biographical / Historical:
The first evidence of John P. Harrington's interest in studying the Mahican language surfaced in January 1930 correspondence. (At this time, he used the names Mahican and Mohegan interchangeably.) In September 1930 he tried to interest Bernard Hoffmann of Santa Barbara, California, to fund a Wisconsin field trip in a search for Stockbridge vocabulary, legends, songs, placenames, tribenames, history, etc. He hoped to find native speakers who could rehear terms from early manuscripts and publications.

Between 1930 and 1949, Harrington secured copies of or made reading notes from some of these manuscripts, most of which are clearly identified in the field notes. The most exhaustively reheard and reorganized body of material consists of terms and text copied from the Stockbridge linguistic notes and texts recorded by Truman Michelson in 1914 (B.A.E. MS 2734). Harrington's notes and correspondence reveal a diligent search for those informants of Michelson who might still be living in the Stockbridge, Wisconsin, area in the hope that they would be willing to work with him.

In 1949, Harrington arrived at the Stockbridge Reservation on April 16 and remained there until April 23. Mr. Arvid E. Miller drove him around the area and introduced him to numerous other Millers, most of whom supplied linguistic and ethnohistoric information. His first introduction to Bernice Metoxen Robinson Huntington (sometimes erroneously spelled Robertson) took place at this time. In 1914, at the age of about thirty-seven, she had been one of Michelson's informants. She had also worked with Frank T. Siebert,Jr., in 1935 and 1936. She was a black adopted by the Mahicans with whom she lived from earliest childhood; she learned Menominee in school. Harrington's first meeting with her was unsuccessful, the second more cordial and fruitful, and about the last week of October 1949, on a subsequent trip to Wisconsin, he was able to hear and rehear with her a substantial amount of Mahican linguistics. He found another excellent informant in Webb Miller. Most of the notes are of a comparative nature, particularly comparisons with the two Abenaki dialects and with Delaware. This fell into place rather easily as Harrington was in various cities of Maine, in Quebec, and in Albany, N.Y., between April 24 and October 24 taking notes from St. Francis and Penobscot Abenaki speakers. He extracted Delaware terms from Daniel G. Brinton and Albert S. Anthony's A Lenape-English Dictionary (1888), and from the unpublished manuscript of Mathew S. Henry, Vocabulary of Words in Various Indian Dialects of the United States (ca. 1861). In November and December while traveling between New York and Washington for other reasons, he carried most of these notes with him and began the work of sorting and rearranging, which continued on and off in Washington at least until 1952. Other equivalent terms are in Menominee and were supplied by interviews in Washington with Al Dodge, an employee of the Interior Department. Ojibwa and Pequot terms are mainly from secondary sources.
Local Numbers:
Accession #1976-95
Restrictions:
No restrictions on access.
Rights:
Contact the repository for terms of use.
Topic:
Mahican language  Search this
Menominee language  Search this
Ojibwa language  Search this
Mohegan language  Search this
Massachuset language  Search this
Delaware language  Search this
Abenaki language  Search this
Cree language  Search this
Language and languages -- Documentation  Search this
Linguistics  Search this
Phonetics  Search this
Genre/Form:
Field notes
Manuscripts
Vocabulary
Collection Citation:
John Peabody Harrington papers, National Anthropological Archives, Smithsonian Institution
The preferred citation for the Harrington Papers will reference the actual location within the collection, i.e. Box 172, Alaska/Northwest Coast, Papers of John Peabody Harrington, National Anthropological Archives, Smithsonian Institution.

However, as the NAA understands the need to cite phrases or vocabulary on specific pages, a citation referencing the microfilmed papers is acceptable. Please note that the page numbering of the PDF version of the Harrington microfilm does not directly correlate to the analog microfilm frame numbers. If it is necessary to cite the microfilmed papers, please refer to the specific page number of the PDF version, as in: Papers of John Peabody Harrington, Microfilm: MF 7, R34 page 42.
Identifier:
NAA.1976-95, Subseries 6.5
See more items in:
John Peabody Harrington papers
John Peabody Harrington papers / Series 6: Native American History, Language, and Culture of the Northeast & Southeast
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3dab14dc9-d14e-4ac2-b02d-2bed09dbe1a7
EDAN-URL:
ead_component:sova-naa-1976-95-ref14955
Online Media:

Poster for A Series of Events Endangered: Art and Performance by Men of Color

Designed by:
Seitu Jones  Search this
Subject of:
Marlon Riggs, American, 1957 - 1994  Search this
Medium:
ink on paper (fiber product)
Dimensions:
H x W: 16 1/2 × 12 3/4 in. (41.9 × 32.4 cm)
Type:
posters
Place used:
Minneapolis, Hennepin County, Minnesota, United States, North and Central America
Date:
1990
Topic:
African American  Search this
Gender  Search this
Identity  Search this
LGBTQ  Search this
Men  Search this
Sexuality  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Jack Vincent in memory of Marlon Riggs
Object number:
2014.169.4
Restrictions & Rights:
Unknown - Restrictions Possible
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera-Advertisements
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd544e177d2-d46b-4bbe-ac4c-40969c449c55
EDAN-URL:
edanmdm:nmaahc_2014.169.4
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Poster for A Series of Events Endangered: Art and Performance by Men of Color digital asset number 1
Online Media:

Native tribes and dialects of Connecticut: A Mohegan-Pequot diary

Author:
Speck, Frank G.  Search this
Object Type:
Smithsonian staff publication
Year:
1928
Citation:
Speck, Frank G. 1928. "Native tribes and dialects of Connecticut: A Mohegan-Pequot diary." In Forty-third annual report of the Bureau of American Ethnology, 1925-1926. 199–287. Bureau of American Ethnology.
Identifier:
90224
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_90224

Biographical Information and Resumes

Collection Creator:
Tam, Reuben  Search this
Container:
Box 1, Folder 7
Type:
Archival materials
Date:
1944-1987
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reuben Tam papers, 1931-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Reuben Tam papers
Reuben Tam papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ae8a3da0-9a2a-4916-80a1-d60b4bcde5de
EDAN-URL:
ead_component:sova-aaa-tamreub-ref21
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  • View Biographical Information and Resumes digital asset number 1

Correspondence between Reuben and Geraldine Tam

Collection Creator:
Tam, Reuben  Search this
Container:
Box 1, Folder 26
Type:
Archival materials
Date:
circa 1954-1971
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reuben Tam papers, 1931-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Reuben Tam papers
Reuben Tam papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9215bed02-55a1-4071-bfa4-c8f8e63a1554
EDAN-URL:
ead_component:sova-aaa-tamreub-ref39
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Correspondence between Reuben and Geraldine Tam digital asset number 1
  • View Correspondence between Reuben and Geraldine Tam digital asset number 2

Festival Recordings: Music Stage: Brent Michael Davids; Akwesasne Singers; Cherokee Baptist Choir

Creator:
Smithsonian Institution. Festival of American Folklife. American Indian Program 1992 Washington, D.C.  Search this
Taylor, Lori Elaine (recorder)  Search this
Sell, Karen (recorder)  Search this
Performer:
Davids, Brent Michael, 1959-  Search this
Dreadfulwater, J.B., 1932-2002  Search this
Akwesasne Singers  Search this
Cherokee Baptist Choir  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Indians of North America  Search this
Americans  Search this
Mohegan Indians  Search this
Mohawk Indians  Search this
Iroquois Indians  Search this
Cherokee  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Arizona
Tempe (Ariz.)
Mohawk Nation at Akwesasne
Oklahoma
Tahlequah (Okla.)
Date:
1992 June 25
Track Information:
101 Mohican Flautist/Composer / Brent Michael Davids. Flute.

102 Mohawk Musical Traditions / Akwesasne Singers. Water-drum,Rattle (Musical instrument).

103 Cherokee Indian Baptist Choir / Cherokee Baptist Choir, J.B. Dreadfulwater.
Local Numbers:
FP-1992-CT-0004
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 25, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
American Indian  Search this
Contemporary music  Search this
Gospel music  Search this
Spirituals (Songs)  Search this
Flute  Search this
Water-drum  Search this
Rattle (Musical instrument)  Search this
Christianity  Search this
Religion  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992, Item FP-1992-CT-0004
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Smithsonian Folklife Festival records: 1992 Festival of American Folklife / Series 2: The Changing Soundscape in Indian Country / 2.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5fe115e25-86a6-44f6-84da-bb877b7417bb
EDAN-URL:
ead_component:sova-cfch-sff-1992-ref794

Festival Recordings: Music Stage: Fiddle Styles- Houle, Stevens, Johnson; Brent Michael Davids

Creator:
Smithsonian Institution. Festival of American Folklife. American Indian Program 1992 Washington, D.C.  Search this
Davis, Mariel Smith (recorder)  Search this
Spitz-Edson, Leslie (recorder)  Search this
Performer:
Des Jarlais, Lionel, 1955-  Search this
Houle, Lawrence, 1938-  Search this
Johnson, Brian  Search this
Martell, Todd, 1968-  Search this
Stevens, Bill, 1933-  Search this
Williams, Francis, 1934-  Search this
Davids, Brent Michael, 1959-  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Canadians  Search this
Indians of North America  Search this
Americans  Search this
Ojibwa Indians  Search this
Michif Indians  Search this
Athapascan Indians  Search this
Mohegan Indians  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Manitoba
Canada
Winnipeg (Man.)
North Dakota
Belcourt (N.D.)
Alaska
Fairbanks (Alaska)
Arizona
Tempe (Ariz.)
Date:
1992 June 26
Track Information:
101 Fiddle Styles: Manitoba Ojibway / Lionel Des Jarlais, Lawrence Houle. Fiddle.

101 Fiddle Styles: Mitchif Turtle Mountain / Brian Johnson, Todd Martell. Fiddle.

101 Fiddle Styles: Athabaskan Yukon / Bill Stevens, Francis Williams. Fiddle.

102 Mohican Flautist/Composer / Brent Michael Davids. Flute.
Local Numbers:
FP-1992-CT-0009
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 26, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
American Indian  Search this
Fiddle tunes  Search this
Contemporary music  Search this
Violin  Search this
Flute  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992, Item FP-1992-CT-0009
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Smithsonian Folklife Festival records: 1992 Festival of American Folklife / Series 2: The Changing Soundscape in Indian Country / 2.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk512aa24e7-b52e-4fac-93dc-68897da58e96
EDAN-URL:
ead_component:sova-cfch-sff-1992-ref799

Festival Recordings: Music Stage: Brent Michael Davids; Akwesasne Signers; Murray Porter

Creator:
Smithsonian Institution. Festival of American Folklife. American Indian Program 1992 Washington, D.C.  Search this
Spitz-Edson, Leslie (recorder)  Search this
Taylor, Lori Elaine (recorder)  Search this
Performer:
Davids, Brent Michael, 1959-  Search this
Porter, Murray, 1960-  Search this
Akwesasne Singers  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Indians of North America  Search this
Americans  Search this
Canadians  Search this
Mohegan Indians  Search this
Mohawk Indians  Search this
Iroquois Indians  Search this
Oneida Indians  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Arizona
Tempe (Ariz.)
Mohawk Nation at Akwesasne
Canada
Ontario
Date:
1992 June 26
Track Information:
101 Mohican Flautist/Composer / Brent Michael Davids. Flute.

102 Mohawk Musical Traditions / Akwesasne Singers. Water-drum,Rattle (Musical instrument).

103 Oneida Keyboardist / Murray Porter. Piano.
Local Numbers:
FP-1992-CT-0010
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 26, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
American Indian  Search this
Contemporary music  Search this
Singer-Songwriters  Search this
Flute  Search this
Water-drum  Search this
Rattle (Musical instrument)  Search this
Piano  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992, Item FP-1992-CT-0010
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Smithsonian Folklife Festival records: 1992 Festival of American Folklife / Series 2: The Changing Soundscape in Indian Country / 2.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk52ef51bdd-30bd-4d5d-a044-a2a975ab734d
EDAN-URL:
ead_component:sova-cfch-sff-1992-ref800

Festival Recordings: Music Stage: Francis Williams; Brent Michael Davids; Murray Porter

Creator:
Smithsonian Institution. Festival of American Folklife. American Indian Program 1992 Washington, D.C.  Search this
Miller, Mark K., 1953- (recorder)  Search this
Mitchell, John N. (recorder)  Search this
Performer:
Williams, Francis, 1934-  Search this
Davids, Brent Michael, 1959-  Search this
Porter, Murray, 1960-  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Indians of North America  Search this
Americans  Search this
Canadians  Search this
Athapascan Indians  Search this
Mohegan Indians  Search this
Oneida Indians  Search this
Iroquois Indians  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Alaska
Fairbanks (Alaska)
Arizona
Tempe (Ariz.)
Canada
Ontario
Date:
1992 June 27
Track Information:
101 Athabaskan Guitarist / Francis Williams. Guitar.

102 Mohican Flautist/Composer / Brent Michael Davids. Flute.

103 Oneida Keyboardist / Murray Porter. Piano.
Local Numbers:
FP-1992-CT-0014
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 27, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
American Indian  Search this
Contemporary music  Search this
Singer-Songwriters  Search this
Guitar  Search this
Flute  Search this
Piano  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992, Item FP-1992-CT-0014
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Smithsonian Folklife Festival records: 1992 Festival of American Folklife / Series 2: The Changing Soundscape in Indian Country / 2.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk59980ab53-0a76-4e55-9f8d-191b488d370a
EDAN-URL:
ead_component:sova-cfch-sff-1992-ref804

Festival Recordings: American Indian Music Stage: Dance Party: Los Reyes de Albuquerque; Cherokee Baptist Choir: Brent Michael Davids

Creator:
Smithsonian Institution. Festival of American Folklife. American Indian Program 1992 Washington, D.C.  Search this
McNair, John (recorder)  Search this
Davis, Mariel Smith (recorder)  Search this
Recorder:
Bergeson, Kevin (recorder)  Search this
Performer:
Dreadfulwater, J.B., 1932-2002  Search this
Davids, Brent Michael, 1959-  Search this
Reyes Albuquerque (Musical group)  Search this
Cherokee Baptist Choir  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Americans  Search this
Indians of North America  Search this
Hispanic Americans  Search this
Cherokee  Search this
Mohegan Indians  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
New Mexico
Albuquerque (N.M.)
Oklahoma
Tahlequah (Okla.)
Arizona
Tempe (Ariz.)
Date:
1992 June 28
Track Information:
101 Dance Party / Reyes Albuquerque (Musical group). Trumpet,Violin,Vihuela.

102 Cherokee Indian Baptist Choir / Cherokee Baptist Choir, J.B. Dreadfulwater.

103 Mohican Flautist/Composer / Brent Michael Davids. Flute.
Local Numbers:
FP-1992-CT-0017
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 28, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
American Indian  Search this
Gospel music  Search this
Spirituals (Songs)  Search this
Contemporary music  Search this
Trumpet  Search this
Violin  Search this
Vihuela  Search this
Flute  Search this
Christianity  Search this
Religion  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992, Item FP-1992-CT-0017
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Smithsonian Folklife Festival records: 1992 Festival of American Folklife / Series 2: The Changing Soundscape in Indian Country / 2.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5fbe60e07-d7e9-43cd-9135-49f723aa07e0
EDAN-URL:
ead_component:sova-cfch-sff-1992-ref807

Festival Recordings: Music Stage: Murray Porter; Brent Michael Davids

Creator:
Smithsonian Institution. Festival of American Folklife. American Indian Program 1992 Washington, D.C.  Search this
Miller, Mark K., 1953- (recorder)  Search this
Van Buren, Tom (recorder)  Search this
Performer:
Porter, Murray, 1960-  Search this
Davids, Brent Michael, 1959-  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Canadians  Search this
Indians of North America  Search this
Americans  Search this
Oneida Indians  Search this
Iroquois Indians  Search this
Mohegan Indians  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Canada
Ontario
Arizona
Tempe (Ariz.)
Date:
1992 June 29
Track Information:
101 Oneida Keyboardist / Murray Porter. Piano.

102 Mohican Flautist/Composer / Brent Michael Davids. Flute.
Local Numbers:
FP-1992-CT-0022
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 29, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
American Indian  Search this
Singer-Songwriters  Search this
Contemporary music  Search this
Piano  Search this
Flute  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992, Item FP-1992-CT-0022
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Smithsonian Folklife Festival records: 1992 Festival of American Folklife / Series 2: The Changing Soundscape in Indian Country / 2.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk53a07d41e-ff10-4510-bd78-0ceb43c9ea54
EDAN-URL:
ead_component:sova-cfch-sff-1992-ref812

Festival Recordings: Music Stage: Fiddle Styles- Bill Stevens; Akwesasne Singers; Knifewing Segura; Brent Michael Davids

Creator:
Smithsonian Institution. Festival of American Folklife. American Indian Program 1992 Washington, D.C.  Search this
Recorder:
Bergeson, Kevin (recorder)  Search this
Performer:
Stevens, Bill, 1933-  Search this
Williams, Francis, 1934-  Search this
Segura, Knifewing, 1957-  Search this
Davids, Brent Michael, 1959-  Search this
Akwesasne Singers  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Indians of North America  Search this
Americans  Search this
Athapascan Indians  Search this
Mohawk Indians  Search this
Iroquois Indians  Search this
Zuni  Search this
Mohegan Indians  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Alaska
Fairbanks (Alaska)
Mohawk Nation at Akwesasne
New Mexico
Arizona
Tempe (Ariz.)
Date:
1992 July 2
Track Information:
101 Fiddle Styles: Athabaskan Yukon / Bill Stevens, Francis Williams. Fiddle.

102 Mohawk Musical Traditions / Akwesasne Singers. Water-drum,Rattle (Musical instrument).

103 Zuni Guitarist / Knifewing Segura. Guitar.

104 Mohican Flautist/Composer / Brent Michael Davids. Flute.
Local Numbers:
FP-1992-CT-0029
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 2, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
American Indian  Search this
Fiddle tunes  Search this
Singer-Songwriters  Search this
Country music  Search this
Contemporary music  Search this
Violin  Search this
Water-drum  Search this
Rattle (Musical instrument)  Search this
Guitar  Search this
Flute  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992, Item FP-1992-CT-0029
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Smithsonian Folklife Festival records: 1992 Festival of American Folklife / Series 2: The Changing Soundscape in Indian Country / 2.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5c3244e29-6ec7-4960-873c-71afb3bd647d
EDAN-URL:
ead_component:sova-cfch-sff-1992-ref819

Festival Recordings: Music Stage: Brent Michael Davids; Hermanos Martinez; Sharon Burch; Jake Coin; Brian Johnson

Creator:
Smithsonian Institution. Festival of American Folklife. American Indian Program 1992 Washington, D.C.  Search this
Place, Janet L. (recorder)  Search this
Recorder:
Bergeson, Kevin (recorder)  Search this
Performer:
Davids, Brent Michael, 1959-  Search this
Burch, Sharon  Search this
Coin, Jacob, 1959-  Search this
Johnson, Brian  Search this
Hermanos Martínez  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Indians of North America  Search this
Americans  Search this
Nicaraguans  Search this
Mohegan Indians  Search this
Navajo Indians  Search this
Apache Indians  Search this
Hopi  Search this
Michif Indians  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Arizona
Tempe (Ariz.)
Nicaragua.
California
North Dakota
Belcourt (N.D.)
Date:
1992 July 3
Track Information:
101 Mohican Flautist/Composer / Brent Michael Davids. Flute.

102 Nicaraguan Marimba Group / Hermanos Martínez. Guitar,Guitarrilla,Marimba.

103 Song Workshop / Sharon Burch. Guitar.

103 Song Workshop / Jacob Coin. Guitar.

103 Song Workshop / Brian Johnson. Guitar.
Local Numbers:
FP-1992-CT-0035
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 3, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
American Indian  Search this
Contemporary music  Search this
Marimba  Search this
Singer-Songwriters  Search this
Flute  Search this
Guitar  Search this
Guitarrilla  Search this
Nicaragua -- Songs and music  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992, Item FP-1992-CT-0035
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Smithsonian Folklife Festival records: 1992 Festival of American Folklife / Series 2: The Changing Soundscape in Indian Country / 2.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk50441f8db-9202-4073-b7a6-f7f9f90c62d3
EDAN-URL:
ead_component:sova-cfch-sff-1992-ref825

Festival Recordings: Music Stage: Sharon Burch; Jake Coin; Brent Michael Davids; Alex Gomez Band

Creator:
Smithsonian Institution. Festival of American Folklife. American Indian Program 1992 Washington, D.C.  Search this
McNair, John (recorder)  Search this
Greer, Diane (recorder)  Search this
Performer:
Burch, Sharon  Search this
Coin, Jacob, 1959-  Search this
Davids, Brent Michael, 1959-  Search this
Gomez, Alex  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Indians of North America  Search this
Americans  Search this
Navajo Indians  Search this
Apache Indians  Search this
Hopi  Search this
Mohegan Indians  Search this
Tohono O'Odham Indians  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
California
Arizona
Santa Rosa (Calif.)
Tempe (Ariz.)
Tucson (Ariz.)
Date:
1992 July 4
Track Information:
101 Navajo Guitarist/Singer / Sharon Burch. Guitar.

102 Hopi Guitarist/Singer / Jacob Coin. Guitar.

103 Mohican Flautist/Composer / Brent Michael Davids. Flute.

104 Tohono O'odham Waila Music / Alex Gomez. Guitar,Accordion,Saxophone.
Local Numbers:
FP-1992-CT-0041
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 4, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
American Indian  Search this
Singer-Songwriters  Search this
Contemporary music  Search this
Chicken scratch music  Search this
Guitar  Search this
Flute  Search this
Accordion  Search this
Saxophone  Search this
Tohono O'Odham Indians  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992, Item FP-1992-CT-0041
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Smithsonian Folklife Festival records: 1992 Festival of American Folklife / Series 2: The Changing Soundscape in Indian Country / 2.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5e1e6b1ba-c661-4e76-b87a-e4d4bdd9a647
EDAN-URL:
ead_component:sova-cfch-sff-1992-ref831

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