Tzuey ueng charn = The strumming of an elderly gentleman in a state of refined intoxication --Lanq taur sha = Waves washing the beach --Nan Junn Gong = Entering the palace -- The Poet rides on horseback through the night --Meihua san nonq = Plum blossoms --Duet from Sheau fanqniou = (The little shepherd) --Excerpt from Muudan tyng = (The lotus pavilion) --Excerpt from Bair sheh juann = (The white serpent) --Excerpt from Wuu jia po = (Lady precious stream) -- Excerpt from Yuanmen jaan tzyy = (Beheading a son) -- Excerpt from Tsao chyau guan = (Thatched bridge pass) -- Lamaist instrumental ensemble --Lamist chanting --Hymn by two nuns --Bampe = Lullaby --Raivo = Hair cutting ceremony --Song of a nam-ngum bargeman --Mengphoutomdok = Buzzing of bees --Laoh-tenh = Old dance --Thoum = Court of love --Tjroektjoek poenjah = A drunken woodpecker -- Excerpt from a Gamboeh --Paoa (primitive song) --Aue aue (modern dance) --Gagaku (Court music) : Dance of the great peace --Rokudan (Nos. 1,3 and 6) --Chidori-no-Kyoku = Song of the sea plovers --Rice-planting song (Western Ghats) --Harvesting processional song (Western Ghats) -- Toda song (Nilgiri Mountains) --Death wail (Cape Comorin) -- Afridi song (Khyber Pass) --Marathi Waver's song (Hyderabad) --Bhajan = Marathi villagers' prayer (Hyderabad) --Sundari Nann'indarilo (Telugu) (Carnatic devotional song) -- Paha.di. (Dhun) --Ka.n.kariyer ji. na Ma.ro (Hindi) --Ra.ga keda.ra -- Lame.nasse.ah arl Haggitit (Psalm 8) --Mo.ho.le.l ko.l Weh.o.l Joh.o.l = Hymn for Hasha'na Rabba --qAl na.ha.ro.t bob.al Hoseh.oh = Paraphrase of Psalm 137 --First Delphic hymn --Epitaph of Sekilos Arda Mandikian --Muezzin's call to prayer -- TaqsiÕom bayaÕotiÕo (Turkish) --Bedouin song from (El Fayum) -- Tahher Fouadaka Bil-RaÕohaÕot = His image --Ya naees el-Tarfe = Oh you with the dreaming eyes --Oomri Alayki = I spent my life (Moroccan) --Alhazo zabi = Could it be that your eyes? (Tunisian) --Fah el-banafseg = The narcissus flower is blooming (Algerian).
Local Numbers:
FW-ASCH-LP-3602
RCA Victor.6057
Publication, Distribution, Etc. (Imprint):
RCA Victor 1957
General:
The history of music in sound. Vol. 1: Ancient and Oriental music, edited by Egon Wellesz, New York, Oxford University Press, 1957" (41 p. : ill., music. ; 25 cm.); program notes by Egon Wellesz and Gerald Abraham, intended originally for use with 78 rpm. version, laid in container; corrected contents (p.7-9) applicable to 33 1/3 rpm. version inserted. RCA Victor: LM 6057 (J2RP 0625-J2RP-0628).
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art
National Portrait Gallery, Smithsonian Institution; gift from the Trustees of the Corcoran Gallery of Art (Gift of Mr. and Mrs. Pete Kayafas) The Corcoran Gallery of Art, one of the country’s first private museums, was established in 1869 to promote art and American genius. In 2014 the Works from the Corcoran Collection were distributed to institutions in Washington, D.C.
National Portrait Gallery, Smithsonian Institution; partial gift of Lynda Lanker and a museum purchase made possible with generous support from Robert E. Meyerhoff and Rheda Becker, Agnes Gund, Kate Kelly and George Schweitzer, Lyndon J. Barrois Sr. and Janine Sherman Barrois, and Mark and Cindy Aron
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marion Sanford and Cornelia Chapin papers, 1929-1988. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art. Funding for the preservation of the Cornelia Chapin Home Movies was provided by the National Film Preservation Foundation.