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Poster for Army at War at the Layton Art Gallery

Subject:
Milwaukee Art Center  Search this
Type:
Photographs
Date:
ca. 1944
Topic:
Exhibitions  Search this
World War, 1939-1945--Art and the war  Search this
Record number:
(DSI-AAA)10162
See more items in:
Forbes Watson papers, 1840-1967, bulk bulk 1900-1960
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_10162

Army at War exhibition announcement

Subject:
Milwaukee Art Center  Search this
Type:
Printed Materials
Date:
1944
Topic:
Exhibitions  Search this
World War, 1939-1945--Art and the war  Search this
Record number:
(DSI-AAA)9907
See more items in:
Forbes Watson papers, 1840-1967, bulk bulk 1900-1960
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9907

Questionnaire for participatory art show at the Milwaukee Art Center

Creator:
Smithson, Robert, 1938-1973  Search this
Subject:
Smithson, Robert  Search this
Milwaukee Art Center  Search this
Type:
Writings
Date:
1968
Record number:
(DSI-AAA)14476
See more items in:
Robert Smithson and Nancy Holt papers, 1905-1987, bulk bulk 1952-1987
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14476

Oral history interview with John L. Taylor, 1971 June 3

Interviewee:
Taylor, John Lloyd, 1935-  Search this
Interviewer:
Raikin, Laurin  Search this
Subject:
Milwaukee Art Center  Search this
Type:
Interviews
Topic:
Art, American  Search this
Museum directors -- Wisconsin -- Milwaukee -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12355
(DSI-AAA_SIRISBib)214243
AAA_collcode_taylor71
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214243

Lawrence and Barbara Fleischman papers, 1837-1984, bulk bulk 1935-1979

Creator:
Fleischman, Lawrence Arthur, 1925-1997  Search this
Fleischman, Barbara G.  Search this
Subject:
Sellers, Charles Coleman  Search this
Ryder, Albert Pinkham  Search this
Burchfield, Charles Ephraim  Search this
Rattner, Abraham  Search this
Richardson, Edgar Preston  Search this
Richardson, Constance  Search this
Pollack, Peter  Search this
Watkins, Franklin Chenault  Search this
Bailey, Grace  Search this
Arms, John Taylor  Search this
Allston, Washington  Search this
Evergood, Philip  Search this
Eakins, Thomas  Search this
Culver, Charles B. (Charles Beach)  Search this
Bohrod, Aaron  Search this
Bailey, Truman E.  Search this
Krentzin, Earl  Search this
Gentle, Esther  Search this
Fleischman, Barbara  Search this
Marin, John  Search this
University of Michigan  Search this
United States Information Agency  Search this
Whitney Museum of American Art  Search this
Archives of American Art  Search this
Kraushaar Galleries  Search this
American Federation of Arts  Search this
National Gallery of Art (U.S.)  Search this
Detroit Institute of Arts  Search this
Corcoran Gallery of Art  Search this
M. Knoedler & Co.  Search this
Kennedy Galleries  Search this
Henry Francis du Pont Winterthur Museum  Search this
Pennsylvania Academy of the Fine Arts  Search this
Philadelphia Museum of Art  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Midtown Galleries (New York, N.Y.)  Search this
Milwaukee Art Center  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Type:
Typescripts
Photographs
Topic:
Painting, American  Search this
Art patrons Michigan Detroit  Search this
Artists' studios -- Photographs  Search this
Philanthropists  Search this
Art -- Collectors and collecting -- United States  Search this
Painters -- United States  Search this
Record number:
(DSI-AAA_CollID)10245
(DSI-AAA_SIRISBib)213339
AAA_collcode_fleilawr
Theme:
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213339
Online Media:

Lawrence and Barbara Fleischman papers

Creator:
Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this
Names:
American Federation of Arts  Search this
Archives of American Art  Search this
Corcoran Gallery of Art  Search this
Detroit Institute of Arts  Search this
Henry Francis du Pont Winterthur Museum  Search this
Kennedy Galleries  Search this
Kraushaar Galleries  Search this
M. Knoedler & Co.  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Midtown Galleries (New York, N.Y.)  Search this
Milwaukee Art Center  Search this
Museum of Modern Art (New York, N.Y.)  Search this
National Gallery of Art (U.S.)  Search this
Pennsylvania Academy of the Fine Arts  Search this
Philadelphia Museum of Art  Search this
United States Information Agency  Search this
University of Michigan. Museum of Art  Search this
Whitney Museum of American Art  Search this
Allston, Washington, 1779-1843  Search this
Arms, John Taylor, 1887-1953  Search this
Bailey, Grace  Search this
Bailey, Truman E., 1902?-1959  Search this
Bohrod, Aaron  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Culver, Charles B. (Charles Beach), 1908-1967  Search this
Eakins, Thomas, 1844-1916  Search this
Evergood, Philip, 1901-1973  Search this
Fleischman, Barbara  Search this
Gentle, Esther, 1900-  Search this
Krentzin, Earl, 1929-  Search this
Marin, John, 1870-1953  Search this
Pollack, Peter, 1909-1978  Search this
Rattner, Abraham  Search this
Richardson, Constance, 1905-  Search this
Richardson, Edgar Preston, 1902-1985  Search this
Ryder, Albert Pinkham, 1847-1917  Search this
Sellers, Charles Coleman, 1903-  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Extent:
4.9 Linear feet
Type:
Collection descriptions
Archival materials
Typescripts
Photographs
Date:
1837-1984
bulk 1935-1979
Summary:
The papers of art collectors, art patrons, and philanthropists Lawrence and Barbara Fleischman measure 4.9 linear feet and date from 1837 to 1984, with the bulk of the materials dating from 1935-1979. The papers are comprised mostly of correspondence with artists, museums, and arts organizations. Also found are scattered biographical materials, artists' autograph letters purchased by the Fleischmans, exhibition files, notes and writings, printed material, and photographs.
Scope and Contents:
The papers of art collectors, art patrons, and philanthropists Lawrence and Barbara Fleischman measure 4.9 linear feet and date from 1837 to 1984, with the bulk of the materials dating from 1935-1979. The papers are comprised mostly of correspondence with artists, museums, and arts organizations. Also found are scattered biographical materials, artists' autograph letters purchased by the Fleischmans, exhibition files, notes and writings, printed material, and photographs.

One folder of biographical material includes a biographical account and a certificate of appreciation from the Common Council for the City of Detroit.

The bulk of the collection is comprised of correspondence documenting the Fleischman's art related activities and interests primarily during the 1950s and 1960s. Individual correspondents include Aaron Bohrod, Charles E. Burchfield, Charles B. Culver, Philip Evergood, Earl Krentzin, John Marin, Jr., Abraham Rattner and Esther Gentle, Peter Pollack, Edgar P. and Constance Richardson, Charles Coleman Sellers, and Franklin Watkins. One letter from Charles E. Burchfield includes four etching plates used to create the color print of Hot September Wind.

Arts organizations and galleries represented in the correspondence include the American Federation of Arts, the Archives of American Art, the Arts Commission of the City of Detroit, the Corcoran Gallery of Art, the Detroit Institute of Art, Kennedy Galleries, M. Knoedler and Co., Inc., Kraushaar Galleries, the Metropolitan Museum of Art, the Midtown Galleries, the Museum of Modern Art, the National Gallery of Art, the Pennsylvania Academy of the Fine Arts, the Philadelphia Museum of Art, the School of the Society of Arts and Crafts, the United States Information Agency, the Whitney Museum of American Art, and the Winterthur Museum.

Autograph letters purchased by the Fleischmans include letters written by artists Washington Allston (addressed to Thomas Sully), Albert Pinkham Ryder, and John Taylor Arms.

Exhibition files document the various exhibitions of art work from the Lawrence and Barbara Fleischman Collection at the University of Michigan Museum of Art; the Detroit Institute of Art; in Central and South America; in Greece, Israel and Russia; and at the Milwaukee Art Center. The files contain letters, notes, printed material, and photographs.

Three folders of notes and writings include "Introduction to Earl Krentzin Catalog" by Lawrence Fleischman and "Selection of Excerpts from the Soviet Press and Radio Attacking U. S. Culture" by unidentified authors.

Scattered printed material includes miscellaneous clippings and catalogs not connected with the Exhibition Files series. There is also a book John Marin: The Man and his Work by E. M. Benson that was autographed by Marin to the Fleischmans in 1953.

Photographs include portrait photographs of Lawrence Fleischman, photographs of Lawrence and Barbara Fleischman with colleagues, of art work from the Fleischman Collection, of Truman and Grace Bailey in their studio, and a copy photograph of Thomas Eakins as a boy.
Arrangement:
The collection is arranged as 7 series:

Series 1: Biographical Material, 1958 (Box 1; 1 folder)

Series 2: Correspondence, 1949-1984 (Boxes 1-4, 7; 3.8 linear feet)

Series 3: Autograph Letters, 1837-1942 (Box 4; 4 folders)

Series 4: Exhibition Files, 1953-1960 (Boxes 4-5, 7; 0.5 linear feet)

Series 5: Notes and Writings, 1957-1962 (Box 5; 3 folders)

Series 6: Printed Material, 1935-1969 (Box 5-6; 6 folders)

Series 7: Photographs, 1953-1965 (Box 6; 13 folders)
Biographical / Historical:
Lawrence Fleischman (1925-1997) of New York City was an American art collector, patron, philanthropist, and benefactor. He and his wife, Barbara Greenberg Fleischman, assembled an impressive collection of art and artifacts that they shared with the public as part of their philanthropic activities aimed at fostering a wider appreciation of the arts around the world.

Lawrence Fleischman was born on February 14, 1925 in Detroit, Michigan, the son of Stella and Arthur Fleischman, the owner of a large carpet business. He attended the Western Military Academy in Alton, Illinois, and studied engineering at Purdue University. In 1942, he interrupted his studies to volunteer for service in the U.S. Army during World War II. While serving in France, he met a doctor who further fostered Fleischman's ever growing interest in American art. Following the war, he graduated with a degree in physics from the University of Detroit. Fleischman met Barbara Greenberg in Detroit and they were married in 1948.

Beginning in the late 1940s, Fleischman established a fledgling television station, developed holdings in real estate, and began purchasing art work. Initially the Fleischmans collected undervalued 20th century American art and were friends with several artists, including John Marin, Charles Burchfield, Stuart Davis, and Ben Shahn. They also expanded the scope of their collection to include 19th century American works.

During the 1950s, Lawrence Fleischman realized how there were few American art historians and college departments, as well as a lack of primary source material. Fleischman worked with Edgar P. Richardson, then director of the Detroit Institute of Art, to raise funds and they founded the Archives of American Art at the Detroit Institute of Art in 1954. The Archives of American Art was, and still is, dedicated to the collection, preservation, and study of primary source records that document the history of the visual arts in the United States. Lawrence A. Fleischman is a founding Trustee of the AAA and served as the Chairman of the Board from 1958 to 1966. His wife, Barbara joined the Board of Trustees in 1997 and served as Chair from 2003 to 2007. She is a Trustee Emerita.

Lawrence Fleischman's business and philanthropic interests included the Arthur Fleischman Carpet Company, the Lee Plaza Hotel-Motel in Detroit, Art Adventurers, the Art School of the Society of Arts and Crafts in Detroit, the Friends of the Whitney Museum of American Art in New York, the Cultural Committee of the United States Information Agency, and the Art Commission of Detroit, which governed the Detroit Institute of Art. He also served as an officer of the Board for many of the arts-related organizations.

In 1996, the Fleischmans moved their family from Detroit to New York City, where Lawrence Fleischman became a partner in the Kennedy Galleries.

The Fleischmans philanthropic activities include generous support of the Metropolitan Museum of Art, the Detroit Institute of Art, the Cleveland Museum, the British Museum, the Vatican Museum, and lifelong support of the Archives of American Art.

Lawrence Fleischman died on January 31, 1997 in London, England. Barbara Fleischman lives in New York City and continues to be an active supporter of the visual arts.
Related Materials:
Among the Archives holdings are two oral history interviews with Lawrence A. Fleischman. The first was conducted by Paul Cummings in 1970 and the second conducted by Gail Stavitsky in 1994 . Both interviews have transcripts available.
Separated Materials:
The Archives of Art also holds microfilm of material lent for microfilming, the majority of which was later donated, except for five letters on reel D197. These include one postcard from Constance Richardson, 1956; one letter from Constance Richardson, 1957; one letter from Franklin Watkins, 1955; one letter from Lawrence Fleischman to Wilbur H. Hunter, 1960; and one letter from Richard D. Tucker, 1960. This material remains with lender and is not described in the collection container inventory.
Provenance:
The Lawrence and Barbara Fleischman papers were donated in several accretions by Lawrence and Barbara Fleischman from 1954 to 2007. Letters were also loaned for microfilming in 1965, but nearly all of them were subsequently donated.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Lawrence and Barbara Fleischman papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painting, American  Search this
Art patrons Michigan Detroit  Search this
Artists' studios -- Photographs  Search this
Philanthropists  Search this
Art -- Collectors and collecting -- United States  Search this
Painters -- United States  Search this
Genre/Form:
Typescripts
Photographs
Citation:
Lawrence and Barbara Fleischman Papers, 1837-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fleilawr
See more items in:
Lawrence and Barbara Fleischman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-fleilawr
Online Media:

Oral history interview with John L. Taylor

Creator:
Taylor, John Lloyd  Search this
Interviewer:
Raikin, Laurin  Search this
Schwartz, Barry N.  Search this
Names:
Milwaukee Art Center  Search this
Extent:
24 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Date:
1971 June 3
Scope and Contents:
Interview of John L. Taylor conducted by Barry Schwartz and Laurin Raikin for the Archives of American Art "Art World in Turmoil" oral history project.
Biographical / Historical:
John L. Taylor (1935- ) is an art critic and museum director in Milwaukee, Wisconsin. Taylor was the director of exhibitions, Milwaukee Art Center.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Art, American  Search this
Museum directors -- Wisconsin -- Milwaukee -- Interviews  Search this
Function:
Art museums -- Wisconsin -- Milwaukee
Genre/Form:
Interviews
Identifier:
AAA.taylor71
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-taylor71

Edward H. Dwight Papers

Creator:
Dwight, Edward H., 1919-1981  Search this
Names:
American Museum of Natural History  Search this
Cincinnati Historical Society  Search this
Louisiana State Museum  Search this
Mohammed Center for Restricted Communications  Search this
National Audubon Society  Search this
R. Havell & Son  Search this
Peale family  Search this
Audubon, John James, 1785-1851  Search this
Audubon, Maria R. (Maria Rebecca), 1843-1925  Search this
Audubon, Victor Gifford, 1809-1860  Search this
Bachman, John  Search this
Bakewell, Benjamin  Search this
Bell, John G.  Search this
Coffin, Annie R.  Search this
Corwine, Aaron H.  Search this
Duncanson, Robert S., 1821-1872  Search this
Fries, Waldemar H., 1889-  Search this
Gifford, George Edmund  Search this
Held, John, 1947-  Search this
Laning, Paul F.  Search this
Lichtner, Ruth  Search this
Lichtner, Schomer, 1905-2006  Search this
Martin, Maria  Search this
McDermott, John Francis, 1902-  Search this
Peale, Charles Willson, 1741-1827  Search this
Peale, James, 1749-1831  Search this
Peale, James, 1789-1876  Search this
Peale, Raphaelle, 1774-1825  Search this
Peale, Rembrandt, 1778-1860  Search this
Tyler, Morris F.  Search this
Extent:
18.6 Linear feet
Type:
Collection descriptions
Archival materials
Business records
Typescripts
Photographs
Scrapbooks
Sketches
Date:
1821-2001
bulk 1950-1979
Summary:
The papers of Cincinnati art historian, museum director, and Audubon and Peale scholar, Edward H. Dwight (1919-1981), measure 18.6 linear feet and date from 1821-2001, with the bulk of the material dating from 1950-1979. Dwight's papers include biographical material, writings by Dwight, and research files on John James Audubon, Raphaelle Peale, and others, documenting Dwight's extensive contribution to the study of American painting, particularly naturalist, portrait, and still-life painting.
Scope and Contents:
The papers of Cincinnati art historian, museum director, and Audubon and Peale scholar, Edward H. Dwight (1919-1981), measure 18.6 linear feet and date from 1821-2001, with the bulk of the material dating from 1950-1979. Dwight's papers include biographical material, writings by Dwight, and research files on John James Audubon, Raphaelle Peale, and others, documenting Dwight's extensive contribution to the study of American painting, particularly naturalist, portrait, and still life painting.

Dwight's biographical material includes two address books, a calendar, a small amount of personal correspondence including letters and postcards from Schomer and Ruth Lichtner, and printed material documenting his work as a museum curator and director.

Writings and notes include correspondence about Dwight's writings, drafts and typescripts of articles on Audubon and other artists, and lecture notes.

The bulk of the collection comprises Dwight's research material on Audubon and includes correspondence related to his research with scholars, collectors, publications, museums, and libraries, including: the American Museum of Natural History, the Audubon Society, the Cincinnati Historical Society, the Louisiana State Museum, Annie R. coffin, Waldemar H. Fries, John Francis McDermott, and the collections of G. Edmund Gifford, Jr., Paul F. Laning, and Morris Tyler.

Copies of Audubon's correspondence, including letters from Audubon's father-in-law, Benjamin Bakewell, son Victor G. Audubon, and grandchildren, form a substantial portion of Dwight's research files. Notes and card files reflecting Dwight's research by categories such as life event, activity, geographical area, and subject of study, further illuminate his research and provide cross references to the Audubon letters and other material.

Data compiled and supplemented with reproductions of Audubon's artwork forms another substantial portion of Dwight's research, and provides detailed information about individual Audubon works and works attributed to him.

Dwight's subject files on Audubon house collated research on individuals, subjects, and events that intersected with Audubon's life and work, as well as Audubon research from other sources and scholars. They include copies of documents, such as the journal of Audubon collaborator John G Bell, and a scrapbook of granddaughter, Maria Audubon; documents relating to Audubon collaborators such as John Bachman and Maria Martin; material related to collections of Audubon's work; and information concerning editions of his prints, such as the Havell Edition, engraved and hand-colored by the firm of Robert Havell Sr. and Jr. in the 1830s.

Printed material used by Dwight in his research includes original American newspapers, from states including New England, New York, and Pennsylvania, dating from 1821 to the 1870s, which include articles on Audubon, as well as later magazines, journals, catalogs, and news clippings on Audubon. A small number of photographs, slide transparencies, and negatives of Audubon's artwork can be found at the end of the series.

Dwight's research material on Raphaelle Peale, Charles Willson Peale, Rembrandt Peale, James Peale, and other Peale family members, includes correspondence requesting and responding to requests for information; material collated by subject on Peale collectors, family history, miniatures, portraits, silhouettes, still lifes, and other subjects; and photographs of artwork.

Other research files document Dwight's interest in other artists such as Aaron H. Corwine, Robert S. Duncanson, and artists from the Cincinnati area in general. They include catalogs of data compiled on individual works of art, subject files, notes and index card files, printed material, and photographs of artwork. Of special note are eleven issues of John Held, Jr.'s, mail art correspondence sent to Dwight by the Mohammed Center for Restricted Communications.
Arrangement:
This collection is arranged as five series.

Series 1: Biographical Material, 1944-1980 (8 folders; Box 1, OV 20)

Series 2: Writings and Notes, 1954-circa 1979 (0.9 linear feet; Box 1)

Series 3: Audubon Research Material, 1821-circa 1979 (13 linear feet; Boxes 1-14, OVs 20-23)

Series 4: Peale Research Material, circa 1930-2001 (1.9 linear feet; Boxes 14-16)

Series 5: Other Research, 1881-1980 (2.7 linear feet; Boxes 16-19)
Biographical / Historical:
Cincinnati art historian and museum director, Edward H. Dwight (1919-1981), conducted extensive research on American painting, in particular the works of John James Audubon, Charles Willson Peale, and Raphaelle Peale. He was also credited with rediscovering the Cincinnati artist, Aaron H. Corwine.

Dwight attended Yale and Cornell Universities, and studied art at the Cincinnati Art Academy and the School of Fine Arts of Washington University, St. Louis. From 1946 he held posts, including curator of American Art, at the Cincinnati Art Museum, until becoming director of the Milwaukee Art Center in 1955. In 1962 he left Milwaukee to direct the Munson-Williams-Proctor Art Institute Museum of Art, where he remained until the end of his career. He was the author of numerous articles for publications including Antiques, Audubon, Art in America, The Art Gallery, The Art Quarterly, and Canadian Art, and lectured widely on contemporary art, Spanish painting, and American painting.

In 1955 Dwight published the article "Aaron Houghton Corwine: Cincinnati Artist" in Antiques magazine. With this, and the exhibition, Rediscoveries in American Painting (1955), which he launched at the Cincinnati Art Museum, Dwight revived interest in this all but forgotten painter.

Dwight wrote many scholarly articles on Audubon's life and work throughout his career, in addition to writing catalogs for, and curating, exhibitions of Audubon's work. In 1960 he was awarded a $7,500 fellowship from the Ford foundation to pursue a reevaluation of Audubon, and to reexamine some long-held assumptions and exagerrations about Audubon's life and personality. He focused primarily on the artist-naturalist's original drawings and paintings, especially portraits and pictures of birds, animal life, and insects. Dwight was awarded an additional fellowship by the National Endowment for the Arts in 1973, to continue his research on Audubon.

Dwight's scholarly interest also extended to Raphaelle Peale and the Peale family of artists. In the 1960s and 1970s he wrote and published several articles about Raphaelle Peale, his father, Charles Willson Peale, and his brothers, Rembrandt and James. Dwight was working on a book about the family, and a catalog raisonné of Raphaelle Peale, when he died.

Dwight was an accomplished photographer and his work was included in at least eight exhibitions from 1951 to 1972, including two one-man exhibitions at Louisiana State University (1952), and Weyhe Gallery (1972).
Provenance:
The Audubon materials were donated to the Archives of American Art by Dwight's widow, Ruth R. White, in 1982-1983. The Peale material was donated in 2002 by the Barra Foundation, Inc., which had received them from Ruth R. Dwight as they relate to the Foundation's mission to support scholarship in cultural history in the Philadelphia area. In 1983, the Barra Foundation loaned the documents to Dr. William H. Gerdts, an art historian, who was to continue Dwight's work on a catalog raisonné of Raphaelle Peale. Dr. Gerdts made limited use of the materials and the Barra Foundation then transferred them to the Archives of American Art in 2002.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information
Rights:
The Edward H. Dwight papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Museum curators -- Ohio -- Cincinnati  Search this
Artists -- Ohio -- Cincinnati  Search this
Art historians -- Ohio -- Cincinnati  Search this
Painters  Search this
Museum directors -- Ohio -- Cincinnati  Search this
Topic:
Still-life painting  Search this
Mail art  Search this
Art, American  Search this
Painting, American  Search this
Portrait painting  Search this
Genre/Form:
Business records
Typescripts
Photographs
Scrapbooks
Sketches
Citation:
Edward H. Dwight papers, 1821-2001, bulk 1950-1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dwigedwa
See more items in:
Edward H. Dwight Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dwigedwa
Online Media:

The Gertrude Farrington diaries

Creator:
Farrington, Gertrude  Search this
Extent:
0.1 Cubic feet (3 diaries)
Type:
Collection descriptions
Archival materials
Diaries
Date:
1977-1992
Content Description:
This collection contains three 5-year diaries kept by Ridgefield Garden Club member Gertrude Farrington from 1978 to 1992.
Topic:
Gardens -- Connecticut  Search this
Women gardeners  Search this
Genre/Form:
Diaries
Identifier:
AAG.GCA.FAR
See more items in:
The Gertrude Farrington diaries
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_collection:sova-aag-gca-far
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View The Gertrude Farrington diaries digital asset number 1
  • View The Gertrude Farrington diaries digital asset number 2
Online Media:

Forms and Light (Mother and Child)

Artist:
Ossip Zadkine, French, b. Smolensk, Russia, 1890–1967  Search this
Medium:
Marble
Dimensions:
23 5/8 x 16 1/2 x 8in. (60 x 41.9 x 20.3cm) base: 2 1/2 x 18 x 9in. (6.4 x 45.7 x 22.9cm)
Type:
Sculpture
Date:
1918
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.5638
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py27e83cf0f-fdee-4e7f-a39a-f366f2174741
EDAN-URL:
edanmdm:hmsg_66.5638

Black Lily (Spiral Construction)

Artist:
Antoine Pevsner, French, b. Orel, Russia, 1886–1962  Search this
Medium:
Bronze
Dimensions:
20 3/4 x 16 1/2 x 15 7/8 in. (52.6 x 41.7 x 40.3 cm)
Type:
Sculpture
Date:
1943
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.4011
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2538223c9-73ce-4a19-b559-533011365aa2
EDAN-URL:
edanmdm:hmsg_66.4011

Head of Sorrow

Artist:
Auguste Rodin, French, b. Paris, 1840–1917  Search this
Medium:
Bronze
Dimensions:
9 1/4 X 8 3/4 X 10 5/8 IN. (23.3 X 22.2 X 26.9 CM.)
Type:
Sculpture
Date:
(1882; enlarged 1889-1904/cast 1954)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.4329
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py287ee4e4b-c0b7-4e56-9713-678587e829bd
EDAN-URL:
edanmdm:hmsg_66.4329

Crouching Woman (Small Version)

Artist:
Auguste Rodin, French, b. Paris, 1840–1917  Search this
Medium:
Bronze
Dimensions:
12 1/4 x 11 1/8 x 7 7/8 in. (31.1 x 28.2 x 19.7 cm)
Type:
Sculpture
Date:
(1880-1882/cast by 1953)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.4331
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Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py27175d5ed-f357-4871-83d4-ef161084ccfb
EDAN-URL:
edanmdm:hmsg_66.4331

The Light That Won't Fail I

Artist:
James Rosenquist, American, b. Grand Forks, North Dakota, 1933–2017  Search this
Medium:
Oil on canvas
Dimensions:
71 3/4 x 96 1/4 in. (182.1 x 244.3 cm)
Type:
Painting
Date:
1961
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.4402
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Hirshhorn Museum and Sculpture Garden Collection
School:
Pop Art (American)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py298df286a-ee35-4337-8938-dd3363fe14ac
EDAN-URL:
edanmdm:hmsg_66.4402

Seated Nude: Olga

Artist:
Henri Matisse, French, b. Le Cateau-Cambrésis, 1869–1954  Search this
Medium:
Bronze
Dimensions:
16 3/4 x 9 3/4 x 13 1/8in., 37lb. (42.5 x 24.8 x 33.3cm, 16.8kg)
Type:
Sculpture
Date:
(1910, cast c. 1947-1955)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.3455
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Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2974e4f87-8b09-4658-90a4-ad04e4e008c2
EDAN-URL:
edanmdm:hmsg_66.3455

Dancer Moving Forward, Arms Raised

Artist:
Edgar Degas, French, b. Paris, 1834–1917  Search this
Medium:
Bronze
Dimensions:
13 3/4 x 6 7/8 x 6 in. (35 x 17.5 x 15.1 cm)
Type:
Sculpture
Date:
(c. 1882-1898)/(cast c. 1919-1931)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.1291
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Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2ec71358f-5be5-40b6-ac96-29668ba0b5f1
EDAN-URL:
edanmdm:hmsg_66.1291

Dancer: Arabesque on Right Leg, Left Arm in Line

Artist:
Edgar Degas, French, b. Paris, 1834–1917  Search this
Medium:
Bronze
Dimensions:
12 x 16 7/8 x 3 3/4 in. (30.5 x 42.7 x 9.5 cm)
Type:
Sculpture
Date:
(c. 1877-1885)/(cast c. 1919-1931)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.1296
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2425fdf58-be7e-4812-b6fc-1abfcc767c5f
EDAN-URL:
edanmdm:hmsg_66.1296

Dancer At Rest, Hands On Hips, Right Leg Forward

Artist:
Edgar Degas, French, b. Paris, 1834–1917  Search this
Medium:
Bronze
Dimensions:
17 3/8 X 9 7/8 X 7 3/4 IN. (44.1 X 24.9 X 19.5 CM.) INCL. BASE H: 5/8 IN. (1.5 CM.)
Type:
Sculpture
Date:
(c. 1881-1890)/(cast 1919-1925)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.1297
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py29d943072-0de5-4e7a-a828-bba19569bb46
EDAN-URL:
edanmdm:hmsg_66.1297

Alu with Claws

Artist:
Jean Arp, French, b. Strasbourg, Alsace, 1886-1966  Search this
Medium:
Bronze
Dimensions:
22 1/4 X 14 1/2 X 12 1/8 IN. (56.4 X 36.6 X 30.8 cm)
Type:
Sculpture
Date:
(1942)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.104
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Dada/Fluxus
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py21482ccca-b3fe-4f6f-b3b8-9d147829104e
EDAN-URL:
edanmdm:hmsg_66.104

Milwaukee Art Center, Milwaukee, Wis.

Collection Creator:
Fendrick Gallery  Search this
Container:
Box 72, Folder 16
Type:
Archival materials
Date:
1976-1978, 1982-1989, undated
Collection Restrictions:
The collection is open for research. Use of unmicrofilmed material requires an appointment.
Collection Rights:
The Fendrick Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Fendrick Gallery records, 1952-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Fendrick Gallery records
Fendrick Gallery records / Series 5: Museums and Galleries Files / 5.1: Domestic Museums and Galleries / Wisconsin
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-fendgall-ref1058

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