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Carl Milles papers

Creator:
Milles, Carl, 1875-1955  Search this
Names:
Christ-Janer, Albert, 1910-1973  Search this
Schiwetz, Pete, 1909-  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1942-1970
Scope and Contents:
Twenty letters (1949-1955) include four from Albert Christ-Janer concerning financial matters and one from Milles' assistant Berthold Schiwetz. Photographs (1944-1954) show Milles at work (2 copyprints microfilmed on reel 1817, fr. 836-839), works of art by Milles and his wife Olga, and the Klockargardens Skola (1947). Other materials consist of clippings (1942-1970), five contracts (1948-1952), receipts (1955), and a program from a memorial service for Milles (1955).
Biographical / Historical:
Carl Milles was born in Lagga, Sweden, the son of Major Emil ("Mille") Andersson. He derived his name from the inversion of his father's nickname "Milles (Mille's) Carl". He was apprenticed to a cabinetmaker and studied for 3 years at the Technical School in Stockholm, during which time he befriended sculptor John Borjeson. Between 1897 and 1900, Milles studied at the Ecole des Beaux Arts. While in Paris, he met artist Olga Granner, whom he married in 1905. In 1902, Milles gained recognition in Sweden with his design for the Sten Sture monument. Milles also studied at the Cranbrook Academy of Art in Michigan and became a citizen of the United States in 1945.
Provenance:
The donor, LeRoy Dahlberg, was Carl Milles' attorney.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Educators  Search this
Sculptors  Search this
Topic:
Sculpture, American -- Michigan  Search this
Identifier:
AAA.millcarl
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-millcarl

J. Davidson Stephen papers

Creator:
Stephen, J. Davidson (James Davidson), 1900-  Search this
Names:
Cranbrook Academy of Art  Search this
Booth, Henry Scripps, 1897-1988  Search this
Milles, Carl, 1875-1955  Search this
Saarinen, Eliel, 1873-1950  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1942-1945
Scope and Contents:
Biographical material; correspondence, including almost daily letters to his wife while enrolled in the Cranbrook Academy of Art, 1944-1944; letters from Henry S. Booth, Carl Milles, and Eliel Saarinen; photographs of Stephen and others; financial records; and printed material including clippings, announcements and magzines containing articles written or contributed to by Stephen.
Biographical / Historical:
Architect.
Provenance:
Donated 1982 by Margaret W. Stephen, widow of J. Davidson Stephen.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Architects  Search this
Identifier:
AAA.stepj
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stepj

Oral history interview with Harvey K. Littleton

Interviewee:
Littleton, Harvey K.  Search this
Interviewer:
Byrd, Joan Falconer  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
American Craft Council  Search this
Ann Arbor Potters Guild  Search this
Black Mountain College (Black Mountain, N.C.)  Search this
Corning Glass Works  Search this
Cranbrook Academy of Art -- Students  Search this
Haystack Mountain School of Crafts  Search this
Midwest Designer-Craftsmen  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Handicrafts  Search this
Pilchuck School  Search this
Renwick Gallery  Search this
University of Michigan -- Students  Search this
Braden, Norah, 1901-  Search this
Brown, William J. (William Joseph), 1923-1992  Search this
Dreisbach, Fritz  Search this
Eames, Charles  Search this
Eisch, Erwin, 1927-  Search this
Fredericks, Marshall M., 1908-1998  Search this
Hamada, Shōji, 1894-1978  Search this
Marioni, Dante, 1964-  Search this
Milles, Carl, 1875-1955  Search this
Turner, Robert Chapman, 1913-2005  Search this
Voulkos, Peter, 1924-2002  Search this
Extent:
36 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2001 March 15
Scope and Contents:
An interview of Harvey K. Littleton conducted 2001 March 15, by Joan Falconer Byrd, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Littleton's home, Spruce Pine, N.C.
Littleton speaks of his family background including the work of his father [Jesse Talbot Littleton] at Corning Glassworks, and his early experiences with glass at Corning. He discusses his studies at the University of Michigan in physics and his switch to sculpture; his studies at Cranbrook Academy, in 1941, and his teachers Marshall Fredericks and Carl Milles; his studies on industrial design; becoming a potter; and working at Corning Glassworks, in the summers, inspecting hand-blown coffee pots and top-of-the-stove ware. He discusses his service in the 849th Signal Intelligence Unit in North Africa and Italy during WWII; studying with Norah Braden, at the Brighton School of Art, in England; the importance of, "A Potter's Book," by Bernard Leach; teaching pottery at night, in Ann Arbor, Michigan; the beginnings of the Ann Arbor Potters Guild; making his own potters' wheels; serving on the board of Penland School of Crafts; the development of "American" art and the impact of the GI Bill on the creation and expansion of art departments; the "master-slave apprentice system"; "the genius of Shoji Hamada"; the properties of porcelain; artist communities at Penland and Cranbrook; the influence of Bill Brown, director of the Penland School of Crafts; art education and the impact of the MFA; Black Mountain College, Pilchuck Glass School, and Haystack Mountain School of Crafts; problems with the European educational system; the importance of Erwin Eisch's work on his development; his relationship with galleries and museums, particularly the Museum of Modern Art, the Renwick Gallery of the Smithsonian American Art Museum, and American Craft Museum; and consignment laws. He also comments on the founding of the Midwest Designer Craftsmen; his involvement with the American Crafts Council (ACC) and the distinction between "the indigenous craftsman" and the "artist-craftsman"; American Crafts Council fairs; his printmaking; his techniques of sandblasting; teaching vitreography; and his plans for opening a print gallery. He recalls Charles Eames, Peter Voulkos, Shoji Hamada, Robert Turner, Dante Marioni, Fritz Dreisbach, and others.
Biographical / Historical:
Harvey K. Littleton (1922- ) is a glass artist, potter, sculptor, and printmaker from Wisconsin and Spruce Pine, N.C. Joan Falconer Byrd (1939-) ia a professor in the art department of Western Carolina University, Cullowhee, N.C.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 3 hrs., 10 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Glass artists -- North Carolina -- Interviews  Search this
Potters -- Interviews  Search this
Pottery -- Study and teaching -- United States.  Search this
Printmakers -- North Carolina -- Interviews  Search this
Prints -- Technique  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.little01
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-little01

Oral history interview with Marshall Fredericks

Interviewee:
Fredericks, Marshall M., 1908-1998  Search this
Interviewer:
Colby, Joy Hakanson  Search this
Names:
Milles, Carl, 1875-1955  Search this
Extent:
2 Sound cassettes (Sound recording)
68 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1981 Aug. 5
Scope and Contents:
An interview of Marshall Fredericks conducted 1981 Aug. 5, by Joy Colby, in Fredericks' studio, in Royal Oak, Mich.
Fredericks speaks of his childhood and family background; his education; how his interest in sculpture began; Carl Milles and others who influenced him; his interest in Scandinavia; his early career in sculpture; his important commissions, including the Cleveland War Memorial; his service in the military during World War II; his work in Norway; and his family. His wife Rosalind also contributes to the interview.
Biographical / Historical:
Marshall Fredericks (1908-1998) was a sculptor from Birmingham, Mich.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Sculptors -- Michigan -- Birmingham -- Interviews  Search this
Sculpture, American  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.freder81
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-freder81

Oral history interview with Zoltan Sepeshy

Interviewee:
Sepeshy, Zoltan, 1898-1974  Search this
Interviewer:
Barrie, Dennis  Search this
Names:
Cranbrook Academy of Art  Search this
Booth, George G. (George Gough), b. 1864  Search this
Milles, Carl, 1875-1955  Search this
Saarinen, Eliel, 1873-1950  Search this
Extent:
30 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1973 April 26
Scope and Contents:
An interview of Zoltan Sepeshy conducted 1973 April 26, by Dennis Barrie, for the Archives of American Art. Sepeshy speaks of his early years at Cranbrook Academy and describes the scene at Cranbrook in 1930, its staff, and nucleus of creative artists. He discusses the prevailing philosophy of freedom and independence for students at Cranbrook. He recalls George Booth, Eliel Saarinen, and Carl Milles.
Biographical / Historical:
Zoltan Sepeshy (1898-1974) was a painter.
General:
Originally recorded 1 sound tape reel. Reformatted in 2010 as 1 digital wav files. Duration is 1 hr., 18 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Painters -- Michigan -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.sepesh73
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sepesh73

Pete Schiwetz papers

Creator:
Schiwetz, Pete, 1909-  Search this
Names:
Metropolitan Museum of Art (New York, N.Y.)  Search this
Bearzi, Bruno  Search this
Christ-Janer, Albert, 1910-1973  Search this
Coe, Herring, 1907-  Search this
Hedmark, Anne  Search this
McVey, William Mozart, 1905-1995  Search this
Milles, Carl, 1875-1955  Search this
Milles, Olga Granner, 1874-1967  Search this
Rich, Frances  Search this
West, Clifford B.  Search this
Extent:
2 Linear feet ((on 3 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1939-1971
Scope and Contents:
Ca. 2,000 letters, including correspondence with family, bronze caster Bruno Bearzi, Carl and Olga Milles, curator Anne Hedmark (at Millesgarden in Stockholm), Clifford West, William McVey, Francis Rich, Herring Coe, Albert Christ-Janer, and others; business correspondence regarding his fountain at the Metropolitan Museum of Art, "Symbol of the Arts," and other projects; biographical sketch; catalogs; legal and financial papers; and miscellaneous printed materials.
Biographical / Historical:
Sculptor; Birmingham, Michigan. Was an assistant to Carl Milles. Nicknamed "Tex".
Other Title:
Microfilm title: Berthold Schiwetz papers
Provenance:
Donated 1973 by LeRoy Dahlberg, Schiwetz's attorney.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Sculpture, Modern -- 20th century -- History -- Michigan  Search this
Identifier:
AAA.schipete
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-schipete

Esther Hoyt Sawyer letters

Creator:
Sawyer, Esther Hoyt  Search this
Names:
Dickinson, Edwin Walter, 1891-1978  Search this
Milles, Carl, 1875-1955  Search this
Vasilieff, Nicholas  Search this
Extent:
1 Linear foot ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1916-1965
Scope and Contents:
Over 500 letters to Sawyer from Edwin Dickinson, Carl Milles, and Nicholas Vasilieff.
Biographical / Historical:
Painter, graphic artist; Buffalo, N.Y.
Provenance:
Donated 1966 by Esther Hoyt Sawyer.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Graphic artists  Search this
Painters  Search this
Topic:
Women artists -- New York (State) -- Buffalo  Search this
Graphic arts -- New York (State) -- Buffalo  Search this
Painting, Modern -- New York (State) -- Buffalo  Search this
Identifier:
AAA.sawyesth
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sawyesth

Lilian Swann Saarinen papers

Creator:
Saarinen, Lilian Swann, 1912-1995  Search this
Names:
Cambridge Art Center  Search this
Cranbrook Academy of Art -- Faculty  Search this
G Place Gallery (Washington, D.C.)  Search this
Knoll Associates, inc.  Search this
Massachusetts Institute of Technology -- Faculty  Search this
Midtown Galleries (New York, N.Y.)  Search this
Otava Publishing Company  Search this
Reynal & Hitchcock  Search this
Armitage, Merle, 1893-1975  Search this
Crosby, Caresse, 1892-  Search this
Eames, Charles  Search this
Eames, Ray  Search this
Koch, Carl  Search this
Kreis, Henry, 1899-1963  Search this
Milles, Carl, 1875-1955  Search this
Moholy-Nagy, László, 1895-1946  Search this
Moholy-Nagy, Sibyl, 1905-  Search this
Saarinen, Eero, 1910-1961  Search this
Saarinen, Eliel, 1873-1950  Search this
Saarinen, Loja  Search this
Venturi, Robert  Search this
Weese, Harry, 1915-1998  Search this
Extent:
9 Linear feet
Type:
Collection descriptions
Archival materials
Blueprints
Diaries
Illustrations
Sketches
Photographs
Scrapbooks
Date:
circa 1909-1977
Summary:
The papers of Cambridge sculptor and illustrator, Lilian Swann Saarinen, measure nine linear feet and date from circa 1909 to 1977. The collection documents Saarinen's career through correspondence with artists, architects, publishers, and gallery owners; writings and notes, including manuscripts and illustrations for children's books and publications; project and teaching files; financial records; artwork, including numerous project sketches; and photos of Saarinen and her artwork. Saarinen's personal life is also documented through diaries and correspondence with friends and family members, including Eero Saarinen, to whom she was married from 1939-1953.
Scope and Contents:
The papers of Cambridge sculptor and illustrator, Lilian Swann Saarinen, measure nine linear feet and date from circa 1909 to 1977. The collection documents Saarinen's career through correspondence with artists, architects, publishers, and gallery owners; writings and notes, including manuscripts and illustrations for children's books and publications; project and teaching files; financial records; artwork, including numerous project sketches; and photos of Saarinen and her artwork. Saarinen's personal life is also documented through diaries and correspondence with friends and family members, including Eero Saarinen, to whom she was married from 1939-1953.

Biographical material consists of resumes and biographical sketches, as well as a 1951 blueprint for the Eero Saarinen and Associates Office Building in Bloomfield Hills, Michigan.

Correspondence documents Saarinen's personal and professional life through letters to and from Eero Saarinen and other family members, including six letters from Loja Saarinen; correspondence with artists and architects, including Merle Armitage, Charles and Ray Eames, Carl Koch, Henry Kreis, Carl Milles, Laszlo and Sibyl Moholy-Nagy, Robert Venturi, and Harry Weese; and friends and colleagues at the Cranbrook Academy of Art and Knoll Associates. Also documented is Saarinen's business relationship with Midtown Galleries and Caresse Crosby, and publishers and publications including Child Life, Interiors, Otava Publishing Company, and Reynal & Hitchcock, Inc.

Writings and Notes document Saarinen's work on several children's publications, including Picture Book Zoo (1935) and Who Am I? (1946), through correspondence, notes, manuscript drafts, and extensive sketches. This series also includes Saarinen's ideas for other publications and incorporates some early writings and notes, as well as typescripts of her reminiscences about Eliel Saarinen, the Saarinen family, and the Cranbrook Academy of Art.

Diaries consist of bound diary volumes, loose-leaf journal entries, and heavily annotated engagement calendars, documenting Saarinen's personal life, artistic aspirations, and career development from the 1930s-1970s. This material provides a deeply personal view of the emotional landscape of Saarinen's life, her struggles to balance her identity as a working artist with the roles of wife, mother, and homemaker, and the complex, and often competing, relationships within the renowned architectural family into which she married.

Project files document Saarinen's work on book cover designs, federal and post office commissions in Bloomfield, Indiana, Carlisle, Kentucky, and Evanston, Illinois, reliefs for the Crow Island School in Winnetka, Illinois, and other important commissions including the Harbor National Bank Clock in Boston, Massachusetts, the KLM Airlines installation at JFK Airport, the Fountain of Noah sculpture at the Northland Center in Detroit, Michigan, and the interior of Toffenetti's restaurant in Chicago, Illinois. Also documented is her role in designs for the Gateway Arch in St. Louis, with Eero Saarinen.

Teaching files document Saarinen's "Language of Clay Course" which she taught at Cambridge Art Center and the Massachusetts Institute of Technology.

Financial records document exhibition and sales expenses for two exhibitions, including her show at G Place Gallery in 1944.

Printed material consists of clippings about Saarinen and her family, exhibition announcements and catalogs for herself and others, and reference files from the 1930s-1940s, primarily comprising clippings of animals.

Additional printed material documenting Saarinen's career can be found in one of two scrapbooks found in the collection. An additional scrapbook consists of clippings relating primarily to Saarinen's parents.

Artwork comprises extensive sketches, particularly animal and figure sketches, in graphite, crayon, ink, pastel, and watercolor. The sketches demonstrate in particular Saarinen's developing interest in and skill with animal portraiture from her childhood to the 1960s.

Photographs are primarily of artwork and Saarinen's 1944 exhibition at G Place Gallery. Also found are one negative of Saarinen, probably with Eero Saarinen, and a group photo including Lilian, Eero, and Eliel Saarinen with the model for the Detroit Civic Center, circa 1940s.
Arrangement:
The collection is arranged as 11 series.

Series 1: Biographical Material, circa 1930s-1960s (3 folders; Box 1, OV 12)

Series 2: Correspondence, 1920-1974 (1.9 linear feet; Boxes 1-2, 8, OV 12)

Series 3: Writings and Notes, 1920s-1973 (1.3 linear feet, Boxes 2-3, 8, OVs 13-16)

Series 4: Diaries, 1930-1973 (1.4 linear feet, Boxes 3-5, 8)

Series 5: Project Files, 1931-1966 (1.7 linear feet, Boxes 5-6, 8, OVs 17-19)

Series 6: Teaching Files, 1966-1970 (3 folders, Box 6)

Series 7: Financial Records, 1940s-1970s (2 folders, Box 6)

Series 8: Printed Material, circa 1930s-1970s (0.2 linear feet, Box 6)

Series 9: Scrapbooks, circa 1909-1974 (2 folders; Boxes 6, 9)

Series 10: Artwork, circa 1920s-circa 1960s (1.7 linear feet, Boxes 6-7, 9-10, OVs 20-27)

Series 11: Photographs, circa 1940s, 1977 (0.5 linear feet, Boxes 7, 11, OV 27)
Biographical / Historical:
Cambridge artist and sculptor, Lilian Swann Saarinen (1912-1995), studied at the Art Students League with Alexander Archipenko in 1928, and later with Albert Stewart and Heninz Warneke from 1934-1936, before moving to Michigan where she studied with Carl Milles at the Cranbrook Academy of Art from 1936-1940. Saarinen was an accomplished skier and a member of the 1936 US Olympic ski team.

At Cranbrook, Swann met architect Eero Saarinen, whom she married in 1939. She subsequently worked with Saarinen's design group on a variety of projects, including the Westward Expansion Memorial, which later became known as the "Gateway Arch" in St. Louis. Lilian and Eero had a son, Eric, and a daughter, Susie, before divorcing in 1953.

Saarinen, who had developed an affinity for drawing animals in childhood, specialized in animal portraits in a variety of sculptural media. In 1939, she exhibited her sculpture Night, which depicted Bagheera the panther from Rudyard Kipling's Jungle Book, at the World's Fair. The sculpture was placed in the Boston Public Garden in 1986. In the 1930s and 1940s Saarinen was commissioned to work on a variety of architectural projects, including reliefs for post offices in Bloomfield, Indiana, Carlisle, Kentucky, and Evanston, Illinois, and the Crow Island School in Winnetka, Illinois. She also executed commissions for the Harbor National Bank in Boston, KLM (Royal Dutch Airlines) at JFK Airport, the Northland shopping Center in Detroit Michigan, and Toffenetti's Restaurant in Chicago.

Saarinen was a contributing author and illustrator for a variety of publications, including Child Life, Interiors and Portfolio: An Intercontinental Quarterly. In 1935 she illustrated Picture Book Zoo for the Bronx Zoo and in 1946 Reynal & Hitchcock, Inc. published Who Am I?, a children's book which Saarinen wrote and illustrated.

Saarinen taught ceramic sculpture to soldiers for the Red Cross Arts and Skills Unit rehabilitation program in 1945, served on the Visiting Committee to the Museum School at the Museum of Fine Arts, Boston, from 1959-1964, where she taught ceramics, and later taught a course entitled "The Language of Clay" at the Cambridge Art Center and the Massachusetts Institute of Technology. One of Saarinen's private students at Cambridge was her cousin, Edie Sedgwick.

Saarinen died in Cohasset, Massachusetts, in 1995 at the age of 83.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reels 1152 and 1192) including a scrapbook containing clippings, copies of letters and telegrams received, and reproductions of Saarinen's work. There is a copy of Saarinen's book, "Who Am I?", and three albums containing photographs of Saarinen, photographs and reproductions of her work, a list of exhibitions, quotes about her, and writings by her about sculpture. Lent material was returned to the lender and is not described in the collection container inventory.
Provenance:
Lilian Swann Saarinen donated the collection in 1975. She lent additional materials for microfilming in 1976.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Lilian Swann Saarinen papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws
Occupation:
Sculptors -- Massachusetts -- Cambridge  Search this
Topic:
Women artists -- Massachusetts  Search this
Art -- Study and teaching  Search this
Illustrated books, Children's  Search this
Gateway Arch (Saint Louis, Mo.)  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Illustrators -- Massachusetts  Search this
Art commissions  Search this
Art, Municipal  Search this
Genre/Form:
Blueprints
Diaries
Illustrations
Sketches
Photographs
Scrapbooks
Citation:
Lilian Swann Saarinen papers, circa 1909-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.saarlili
See more items in:
Lilian Swann Saarinen papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-saarlili
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James S. Plaut papers

Creator:
Plaut, James S. (James Sachs), 1912-1996  Search this
Names:
Expo 67 (Montréal, Québec)  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Institute of Modern Art (Boston, Mass.)  Search this
Museum of Fine Arts, Boston  Search this
World Crafts Council  Search this
Adenauer, Konrad, 1876-1967  Search this
Berman, Eugene, 1899-1972  Search this
Bernstein, Leonard, 1918-  Search this
Breuer, Marcel, 1902-  Search this
Eisenhower, Dwight D. (Dwight David), 1890-1969  Search this
Gandhi, Indira, 1917-1984  Search this
Gropius, Walter, 1883-1969  Search this
Kirstein, Lincoln, 1907-  Search this
Kokoschka, Oskar, 1886-  Search this
Milles, Carl, 1875-1955  Search this
Peirce, Waldo, 1884-1970  Search this
Ruckstull, F. W. (Fred Wellington), 1853-1942  Search this
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Wright, Frank Lloyd, 1867-1959  Search this
Extent:
1.4 Linear feet
2.2 Linear feet (Addition)
4 Volumes (Reels 581 and 5139: Scrapbooks)
Type:
Collection descriptions
Archival materials
Volumes
Interviews
Scrapbooks
Sketchbooks
Sound recordings
Place:
Israel
Date:
[ca. 1929]-1980
Scope and Contents:
Correspondence, business files, academic papers, photographs, clippings, sketchbook, sketches, and miscellaneous notes.
REEL 581: Selected items from 2 family scrapbooks, 1933-1943 and 1946-1956; including clippings, photographs, correspondence, invitations and awards. Most material pertains to Plaut's work as director of the ICA and advisor to the government of Israel. Also included are correspondence from Georges Rouault, Carl Milles, and Oskar Kokoschka; and 6 drawings by Waldo Peirce.
REEL 5139: Two family scrapbooks, 1956-1959 and 1960-1980, containing clippings, invitations, photographs and miscellaneous material from Plaut's work World's Fairs at Brussels, 1958, New York, 1964 and Japan, 1970. Also found are family snapshots of the Plaut's travels, their children and grandchildren and include 7 earlier photographs of Plaut and his parents, ca. 1906-1932, and one photograph of Eleanor Roosevelt, 1959.
UNMICROFILMED: Travel sketchbook of Rome; term papers, honors thesis, and sketches for an architectural history course; files relating to Plaut's positions at the Museum of Fine Arts, Boston, the ICA, the World Crafts Council, and other professional and personal concerns; correspondence, including letters from Eugene Berman, Carl Milles, Lincoln Kirstein, Paul Sachs and others; personal and work related photographs; lecture notes; slides from the World's Craft Fair Council, 1974; 2 untranscribed sound tape reels of an interview made by Plaut for Alfred Auerbach concerning the Brussels World's Fair 1958 and typed list of questions for the interview; and miscellaneous papers.
ADDITION: Resumes and obituaries; correspondence; the book, Waldo Peirce, by Margit Varga, 1941, with insertions of a caricature by Peirce, illustrated postcards, and a letter; photographs of Walter Gropius House, Lincoln, Mass. and 7 photographs of Plaut with Frank Lloyd Wright, Walter Gropius, Marcel Breuer, Konrad Adenauer, Indira Gandhi, Leonard Bernstein, and Dwight David Eisenhower; scrapbook and slides pertaining to Plaut's work for the World's Fair, Brussels, 1958; writings and publications; publications of the ICA and the WCC; the book, The Overcoat, by Nikoli Gogel, presented to Plaut upon retirement from the WCC; publications by others on art and design; and a file on James and Mary Plaut's personal art collection, ca. 1935-1990s.
Biographical / Historical:
Art administrator and museum director; Boston, Mass. Plaut was born to a wealthy family in Cincinnati, Ohio, graduated from HarvardCollege, and received an M.A. from Harvard University. His uncle was Paul Sachs, a connoisseur and influential museology professor at Harvard andsor. Plaut held curatorial positions at the Museum of Fine Arts, Boston, and became Director of Boston's Institute of Modern Art in 1939 (later the Institute of Contemporary Art or ICA) where he staged early exhibitions of contemporary design and European avant-garde paintings and sculpture until his resignation in 1956. Plaut was also involved in many international exhibitions and expositions, serving as Deputy U.S. Commissioner to the World's Fair in Brussels, 1958, and was Secretary General of the World Crafts Council, 1967-1976 and a consultant on industrial design in Israel.
Provenance:
Scrapbooks on reel 581 lent for microfilming by Plaut, 1973; his estate, via the executor Edward M. Condit, Jr., lent those on reel 5139 in 1996. Plaut donated the unmicrofilmed material in 1985 and 1992, and additional papers were received as a bequest in 1996 via the executor of his estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Arts administrators -- Massachusetts -- Boston  Search this
Museum directors -- Massachusetts -- Boston  Search this
Function:
Art museums -- Massachusetts -- Boston
Genre/Form:
Interviews
Scrapbooks
Sketchbooks
Sound recordings
Identifier:
AAA.plaujame
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-plaujame

Oral history interview with Marianna Pineda

Interviewee:
Pineda, Marianna, 1925-1996  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Cranbrook Academy of Art  Search this
Milles, Carl, 1875-1955  Search this
Extent:
1 Item (tape reel (2 hr., 7 min.))
51 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1977 May 26-June 14
Scope and Contents:
Interview of Marianna Pineda, conducted by Robert Brown for the Archives of American Art, Smithsonian Institution, in Brookline, Massachusetts, on June 14 and May 26, 1977.
Pineda speaks of her childhood in Chicago; travels to Europe with her mother; early encounters with sculpture and architecture at the Chicago World's Fair; studying at the Otis Art Institute, Cranbrook, and Columbia University; meeting and marrying her husband Harold Tovish; living and working in Paris, Minneapolis, and Italy; how having children affected her work; teaching at Newton College and Boston University; showing at the Swetzoff Gallery in Boston; sculpting in wood, plaster, wax, and bronze; work with the Boston Visual Artists' Union; and various of her works, including the Oracle series, the Bed series, An Effigy for the Young Lovers, Sleepwalker, and The Dance of Sleep or Death. Pineda also recalls Carl Milles, Ossip Zadkine, William Zorach, David Smith, Simon Moselsio, Oronzio Maldarelli, and others.
Biographical / Historical:
Marianna Pineda (1925-1996) was a sculptor from Boston, Mass. Married to sculptor Harold Tovish.
General:
Originally recorded on 1 tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 7 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Sculptors -- Massachusetts -- Boston -- Interviews  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.pineda77
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-pineda77

Carl and Olga Milles papers

Creator:
Milles, Carl, 1875-1955  Search this
Milles, Olga Granner, 1874-1967  Search this
Names:
Milles, Ruth Anna Maria, 1873-1941  Search this
Mussolini, Benito, 1883-1945  Search this
Extent:
0.4 Linear feet ((on a partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1933-1951
Scope and Contents:
Letters received by Olga Milles, primarily from her family, the Granners, in Graz, Steiermark, Austria (1933-1951). Other correspondents include Kurt Messner (from prisoner of war camp), his father Adolf Messner (1944-1946), Carl Milles (1944-1951), his sister Ruth Milles (1940), and Signe Rutenskold (1944-1946). Three letters were written to Carl by Olga (1939). Other materials consist of a one-page essay on "Youth" by Frank Crane and 3 photographs, of Benito Mussolini (1936), relatives (1950), and a work of art.
Biographical / Historical:
Carl Milles was a sculptor. His wife, Olga, was also an artist. Milles was born in Lagga, Sweden, the son of Major Emil ("Mille") Andersson. He derived his name from the inversion of his father's nickname "Milles (Mille's) Carl". He was apprenticed to a cabinetmaker and studied for 3 years at the Technical School in Stockholm, during which time he befriended sculptor John Borjeson. Between 1897 and 1900, Milles studied at the Ecole des Beaux Arts. While in Paris, he met artist Olga Granner, whom he married in 1905. In 1902, Milles gained recognition in Sweden with his design for the Sten Sture monument. Milles also studied at the Cranbrook Academy of Art in Michigan and became a citizen of the United States in 1945.
Provenance:
The donor, Margueritte E. Kimball, was charged with clearing out and photographing the Milles' house and studio at Cranbrook in the early 1950s.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Educators  Search this
Sculptors  Search this
Identifier:
AAA.millecar
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-millecar

[Carl Milles] / O. H. Lindstead, photographer

Photographer:
Lindstead, O. H.  Search this
Names:
Milles, Carl, 1875-1955 -- Photographs  Search this
Extent:
1 Photographic print (b&w, 46 x 41 cm.)
Type:
Collection descriptions
Archival materials
Photographic prints
Date:
1934
Scope and Contents:
Portrait photograph of Milles by O.H. Lindstead. Shows Milles in his studio with his sculpture. The photograph is autographed by Milles to art critic Florence Davies.
Biographical / Historical:
Milles was a sculptor and teacher; Bloomfield Hills, Mich. He was born in Lagga, Sweden, and became an American citizen in 1945. Milles designed sculpture for monuments, memorials and fountains. He taught at the Cranbrook Academy and the Royal Academy of Arts, Stockholm.
Provenance:
Donated by O.H. Lindstead, 1964.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Artists' studios -- Michigan -- Bloomfield Hills -- Photographs  Search this
Sculptors -- Photographs  Search this
Identifier:
AAA.lindoh
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lindoh

Israel and Idee Levitan papers

Creator:
Levitan, Israel, 1912-1982  Search this
Levitan, Idee  Search this
Names:
Armitage, Merle, 1893-1975  Search this
Aronson, James.  Search this
De Kooning, Elaine  Search this
Dearstyne, Howard.  Search this
Dreier, Katherine Sophie, 1877-1952  Search this
Helm, Lillian  Search this
Kline, Svea  Search this
Koff, Noah  Search this
Milles, Carl, 1875-1955  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
[ca.1946-1982]
Scope and Contents:
Correspondence, a photograph, and printed material documenting Israel and Idee Levitan's involvement in the New York art community after WWII. Correspondence includes letters from Elaine de Kooning, Katherine Dreier, Noah Koff, Merle Armitage, Howard Dearstyne, James Aronson, and others and one letter from the Levitans to Howard Dearstyne. The photographs are of Carl Milles, Svea Kline, and Lillian Helm. Among the printed material are exhibition announcements, including one for a faculty exhibition at the Parsons School of Design featuring Elaine de Kooning in 1976 and various newspaper clippings, including an obituary for Amedee Ozenfant.
Biographical / Historical:
Sculptors, New York, N.Y.
Provenance:
Donated 2007 by Mark Borghi, gallery owner and art dealer, Mark Borghi Fine Arts. Borghi purchased the papers from the Levitan estate in 2006.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Identifier:
AAA.leviisra2
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-leviisra2

Frances Kent Lamont papers

Creator:
Lamont, Frances Kent, 1899-1975  Search this
Names:
Milles, Carl, 1875-1955  Search this
Robinson, Boardman, 1876-1952  Search this
Twain, Mark, 1835-1910  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1909-1970
Scope and Contents:
2 letters from Carl Milles; 5 letters from Boardman Robinson; photograph with Mark Twain in Bermuda, ca.1909; awards; one notebook; signed and unsigned sketches; photographs of work; clippings and catalogs.
Biographical / Historical:
Sculptor; studied as a pupil of Solon Borglum and Mahonri Young. Examples of her art are her war memorials, such as one she created for the wars of America in New Canaan, Conn. and also one for the Spanish-American war in New Rochelle, N.Y. She exhibited internationally as well as locally, including shows at the Salon des Tuileries, Paris, 1937-1939, the Whitney, New York, 1941-1951. She was a member of the National Sculpture Society.
Provenance:
Donor is the artist's sister.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Designers  Search this
Sculptors  Search this
Topic:
Sculpture  Search this
Women sculptors -- United States  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.lamofran
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lamofran

Florence Knoll Bassett papers

Creator:
Knoll, Florence, 1917-  Search this
Names:
Cranbrook Academy of Art  Search this
Cranbrook Kingswood School (Bloomfield Hills, Mich.)  Search this
Hans G. Knoll Furniture Company  Search this
Knoll Associates, inc.  Search this
Knoll International, inc.  Search this
Cheek, Leslie, 1908-  Search this
Eames, Charles  Search this
Gandhi, Indira, 1917-1984  Search this
Graham, Katharine, 1917-  Search this
Helm, John  Search this
Johnson, Philip, 1906-2005  Search this
Knoll, Walter C.  Search this
Miller, R. Craig  Search this
Milles, Carl, 1875-1955  Search this
Raseman, Rachel de Wolfe  Search this
Reagan, Nancy, 1923-  Search this
Saarinen, Eero, 1910-1961  Search this
Saarinen, Eliel, 1873-1950  Search this
Slavin, Maeve  Search this
Extent:
2 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Drawings
Photographs
Sketchbooks
Date:
1932-2000
Summary:
The papers of architect and designer Florence Knoll Bassett, measure approximately 2 linear feet dating from 1932 to 2000. Through correspondence, sketches, drawings, designs, subject files, photographs, and printed material, the collection selectively documents Knoll Bassett's education, her work with Knoll Associates from the 1940s until her resignation in 1965, and projects undertaken since her retirement. It is an important source of information on the development of interior architecture and design from the 1940s to the 1970s.
Scope and Content Note:
The papers of architect, and interior designer and planner Florence Knoll Bassett, measure approximately 2 linear feet dating from 1932 to 2000. The collection selectively documents Knoll Bassett's education and her career at Knoll Associates, Inc. from the 1940s until her resignation in 1965, in addition to personal design projects and other activities after leaving the company. It is an important source of information on the development of interior architecture and design from the 1940s to the 1970s, chronicling the Knoll mission to synthesize space, furniture, and design by creating interiors based on practical use, comfort, and aesthetics.

The collection documents the growth of Knoll's international reputation for its modern furnishings and interiors and the impact of a business philosophy that encompassed design excellence, technological innovation, and mass production. The material includes a chronology of Knoll Bassett's career; a portfolio of sketches, drawings and designs; photographs of Knoll Bassett and others; subject files containing sketches and photographic material; letters from friends, colleagues, clients and others; awards received by Knoll Bassett throughout her career; and printed material.

Much of the material is annotated with historical and biographical notes written by Knoll Bassett which provide invaluable contextual information for the materials found therein. The notes are dated 1999 in the Container Listing, under the assumption that they were written by Florence Knoll Bassett as she was arranging her archival papers.
Arrangement:
Before donating her papers to the Archives of American Art, Knoll Bassett organized the material in portfolios and color-coded files and designed four containers for them. Because the method of arrangement in itself provides insight into Knoll Bassett's style and creativity the collection has been minimally processed with the addition of acid-free materials for preservation reasons and the transcription of labels which may, over time, become detached. The original order of the collection has been retained throughout.

The collection was organized into what Bassett termed "storage units," the first container being divided into three units and the collection as a whole being divided into six units. Knoll Bassett supplied a detailed inventory of the contents of each container and the subjects represented in each porfolio or folder. Subject headings from this inventory have been used in the Series Description/Container Listing. Knoll Bassett also supplied a vita summarizing her career and copies of this, and her original container inventory are enclosed with the collection and can be consulted at AAA's research center in Washington D.C.

The collection is arranged as seven series. These series represent the categories into which Knoll Bassett organized the material, with the exception that Letters and Awards are presented as two series in the finding aid. Most of the items in Series 1 to 4 are presented as portfolios in spiral-bound notebooks and the remainder of the collection is organized in folders.

Series 1: Biographical Material, 1932-1999 (Box 1; 1 portfolio)

Series 2: Selected Publications, 1946-1990, 1999 (Box 1; 1 portfolio)

Series 3: Drawings, Sketches, and Designs, 1932-1984, 1999 (Boxes 1-2; 2 portfolios)

Series 4: Photographs and Printed Material, 1956-1997, 1999 (Box 2; 1 portfolio)

Series 5: Subject Files, circa 1930s-1999 (Box 3; 1.0 linear ft.)

Series 6: Letters, circa 1930s-2000 (Box 4; 7 folders)

Series 7: Awards, 1954-1999 (Box 4; 6 folders)
Biographical Note:
Florence Knoll Bassett was born Florence Schust in 1917 and was affectionately known as Shu by her colleagues and friends. She was orphaned at age 12 and then cared for by Emile Tessin, a friend of the family whom her mother had appointed as Florence's legal guardian in the event of her death. When arrangements were being made for Florence to attend boarding school she was given the opportunity to make the selection. Kingswood School in Bloomfield Hills, Michigan, held a strong aesthetic appeal for her and she "made an immediate decision that it was the right place for me," beginning her architectural studies under the school's art director, Rachel de Wolfe Raseman.

At Kingswood Knoll Bassett met the Saarinen family, studying under Eliel Saarinen and developing her interest in texture and color through her friendship with Loja Saarinen who supervised the school's weaving studio. Following Florence's graduation from Kingswood in 1934, Eliel Saarinen encouraged her to spend some time at Cranbrook Academy of Art before attending an accredited architecture school. She spent the next two years at Cranbrook working closely with advanced students and artists such as the Saarinens and Carl Milles, and gaining experience in all aspects of design.

Knoll Bassett then studied for two years at the Architectural Association in London, spending summers with the Saarinens in Europe. She completed her formal training at the Illinois Institute of Technology where she studied under Mies van der Rohe, whom she credits with having "a profound effect on my design approach and the clarification of design."

After graduation Knoll Bassett worked for architecture firms in Boston and New York where she met Hans Knoll who was then in the process of establishing a furniture business. In 1943 she began working for him in her spare time as an interior space planner and designer. In 1946 the two were married and formed Knoll Associates, Inc.

As director of the Knoll Planning Unit, Knoll Bassett established herself as one of the most important and influential interior planners and designers of the second half of the twentieth century. Believing that intelligent design "strikes at the root of living requirements and changing habits," she established the practice of working closely with the corporate sector to determine the needs of the people who would actually use the spaces that her company designed. Her connections with leading contemporary architects and designers, and the company's commitment to crediting designers by name and paying them royalties, laid the foundations for the strong working relationships upon which the commercial success of Knoll Associates was built. Drawing on a pool of top architects and designers, many of whom were personal friends, Knoll Bassett directed the company's Bauhaus approach, incorporating design excellence, technological innovation, and mass production in a seamless package of "total design."

While Knoll Bassett oversaw the creative process of the Planning Unit's operations in its entirety, she was also directly responsible for many of the individual elements used in the Unit's projects. During the war years, she worked with her designers to overcome the scarcity of materials, establishing Knoll Textiles in response to the dearth of available fabrics and textile colors, and developing the company's hallmark style of spare clean lines and vibrant colors in a functional, comfortable, and aesthetically appealing space. Finding that much of the "fill-in" furniture, primarily cabinetry, that she envisaged in many of her plans was not available, Knoll Bassett designed the pieces herself. She used the Knoll showrooms as "experimental laboratories" to convince clients to use modern ideas and materials, showcasing and putting into production the classic designs of people such as Eero Saarinen, Mies van der Rohe, Jens Risom, Harry Bertoia, Isamu Noguchi, and Marcel Breuer.

After the war Knoll Associates expanded to Europe through a series of government contracts which resulted ultimately in the formation of Knoll International. When Hans Knoll died suddenly in an automobile accident in 1955 Florence became president of the company. She married Harry Hood Bassett in 1958 and began to divide her time between New York and Florida. In 1959 she sold her interest in Knoll Associates to Art Metal and retired as President of the company the following year, while continuing to work as a consultant and serving as Design Director. In 1961 she became the first woman to be awarded the Gold Medal for Industrial Design by the American Institute of Architects, one of many awards received over the course of her career. In 1965 she resigned from Knoll Associates entirely after completing the interior design for the CBS headquarters in New York.

Following her retirement Knoll Bassett devoted more time to private commissions and other interests such as her campaign against billboards in Miami in the mid 1980s. She spent summers in Vermont and winters in Florida with her husband, until his death in 1991. In July 2001, Metropolis magazine published a rare interview with Knoll Bassett in which she reflects upon the life she so skillfully documented in the extraordinary gift of her archival papers to the Archives of American Art.
Provenance:
The collection was donated to the Archives of American Art by Florence Knoll Bassett in 2000.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Florence Knoll Bassett papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Interior decoration firms  Search this
Interior decorators  Search this
Furniture designers  Search this
Architects  Search this
Women architects  Search this
Interior decoration  Search this
Design, Industrial  Search this
Women designers  Search this
Designers  Search this
Genre/Form:
Sketches
Drawings
Photographs
Sketchbooks
Citation:
Florence Knoll Bassett papers, 1932-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.knolflor
See more items in:
Florence Knoll Bassett papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-knolflor
Online Media:

George A. and Abbie Kamperman papers

Creator:
Kamperman, George A. (George Abel), 1880-1961  Search this
Kamperman, Abbie, 1884-1972  Search this
Names:
Blanch, Arnold, 1896-1968  Search this
Culver, Charles B. (Charles Beach), 1908-1967  Search this
De Soto, Hugo  Search this
Fiene, Ernest, 1894-  Search this
Gaugler, William  Search this
Hofer, Carl, 1878-1955  Search this
Jungwirth, Leonard D., 1903-1964  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Mast, Gerald, 1908-1971  Search this
Milles, Carl, 1875-1955  Search this
Palazzola, Guy, 1919-1978  Search this
Papsdorf, Frederick, 1887-1978  Search this
Pittman, Hobson Lafayette, 1899 or 1900-1972  Search this
Richardson, Edgar Preston, 1902-1985  Search this
Sarkis, 1909-1977  Search this
Ulreich, Eduard Buk, 1889-  Search this
Ulreich, Nura Woodson  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1930-1972
Scope and Contents:
Correspondence with artists, printed material including catalogs, obituaries and resolutions honoring George A. Kamperman, biographical sketches, and 3 photographs of George A. Kamperman. Artists include: William Gaugler, Carl Milles, Hugo de Soto, Arnold Blanch, Charles Culver, Ernest Fiene, Gerald Mast, Yasuo Kuniyoshi, Frederick Papsdorf, Nura and Edward Buk Ulreich, Carl Hofer, Leonard Jungwirth, Hobson Pittman, Guy Palazzola, Franklin Watkins and Sarkis Sarkisian. Also included are letters from Pierre Matisse, Edgar P. Richardson, William Bostick, Gordon Washburn and Clyde Burroughs,
Biographical / Historical:
Art collectors; Detroit, Michigan.
Provenance:
Lent for filming March 1973, subsequently given March 1975, by Johanna Kanenen, foster daughter of the Kampermans.
Occupation:
Artists -- United States  Search this
Topic:
Art -- Collectors and collecting  Search this
Identifier:
AAA.kampgeor
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kampgeor

Albert Kahn papers

Creator:
Kahn, Albert, 1869-1942  Search this
Names:
Bacon, Henry, 1839-1912  Search this
Barlow, Myron, 1873-1937  Search this
Kahlo, Frida  Search this
Kahn, Ernestine Krolik  Search this
Mason, George D.  Search this
Milles, Carl, 1875-1955  Search this
Rivera, Diego, 1886-1957  Search this
Stoughton, Arthur A.  Search this
Toscanini, Arturo, 1867-1957  Search this
Trowbridge, Alexander Buell, 1868-1950  Search this
Extent:
7.02 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Watercolors
Scrapbooks
Renderings
Lithographs
Photographs
Motion pictures (visual works)
Notebooks
Drawings
Sound recordings
Awards
Sketchbooks
Etchings
Notes
Typescripts
Lectures
Date:
1875-1970
Summary:
The papers of architect Albert Kahn date from 1875-1970, bulk 1875-1945, and measure 7.02 linear feet. Found within the papers is biographical material, correspondence, personal business records, nine sketchbooks, art work, notes and writings, two scrapbooks, printed material, photographs and photograph albums, artifacts, and motion picture film.
Scope and Content Note:
The papers of architect Albert Kahn date from 1875-1970, bulk 1875-1945, and measure 7.02 linear feet. Found within the papers are biographical material, correspondence, personal business records, nine sketchbooks, art work, notes and writings, two scrapbooks, printed material, photographs and photograph albums, artifacts, a sound recording and motion picture film.

Biographical material includes a biographical account, marriage certificate, architect's licenses, calling cards for the Kahns, passports, identification cards, letters of introduction, award certificates and medals, membership cards and certificates, a sound recording concerning Albert Kahn's life, and an address book.

Correspondence consists of letters between Albert Kahn, family members, and colleagues including Myron Barlow, George D. Mason, Carl Milles and Arthur A. Stoughton. There is one letter each from Henry Bacon and Alexander Trowbridge, and condolence letters to Kahn's widow.

Personal business records include records of stocks and income, lists of expenses and receipts for construction, property records, price lists for paintings by others, and miscellaneous receipts.

Art work includes nine sketchbooks and drawings by Albert Kahn, a paper silhouette portrait of Kahn, and drawings, watercolors, etchings, lithographs, and a sketchbook of Cornwall by others.

Notes and writings include Ernestine Kahn's diary, notebooks, guest registers and records concerning Albert Kahn's funeral, and typescripts of speeches and lectures.

Two scrapbooks contain clippings, small drawings, photographs of architecture, and letters of tribute.

Printed material includes clippings, exhibition catalogs for others, programs, booklets, books, reproductions of art work, travel brochures, picture postcards, and miscellaneous printed material.

Photographs are of Albert Kahn, members of his family, and colleagues including Myron Barlow, Frida Kahlo, Diego Rivera, Arturo Toscanini, residences, and travel scenes. Moving images include five reels of 16mm motion picture film of the Kahn family at the farm and at various family gatherings.

Artifacts primarily consist of the tools used by Albert Kahn during his career including t-squares and portable tripod supports for drawing boards used on construction sites.
Arrangement:
The collection is arranged as 9 series. Glass plate negative housed separately and closed to researchers.

Series 1: Biographical Material, 1896-1945 (Box 1, 6, OV 10; 19 folders)

Series 2: Correspondence, 1891-1970 (Box 1-3, 6; 3.3 linear feet)

Series 3: Personal Business Records, 1891-1943 (Box 3; 7 folders)

Series 4: Art Work, 1890-1936 (Box 3, 6, OV 11-12; 20 folders)

Series 5: Notes and Writings, 1899-1943 (Box 3-4; 29 folders)

Series 6: Scrapbooks, 1890-1942 (Box 7; 0.3 linear feet)

Series 7: Printed Material, 1897-1968 (Box 4-6, OV 10; 0.8 linear feet)

Series 8: Photographs and Moving Images, 1875-1944 (Box 5-6, 8, FC 13-17, MGP 2; 1.5 linear feet)

Series 9: Artifacts, circa 1942 (Box 5, 9; 0.4 linear feet)
Biographical Note:
Albert Kahn (1869-1942) of Detroit, Michigan, was an architect, primarily known for designing industrial buildings with the pioneering use of reinforced concrete that allowed large unobstructed interiors.

Albert Kahn was born on March 21, 1869 in Rhaunen, Rhineland-Palatinate, Germany, the oldest son of rabbi Joseph Kahn and Rosalie Cohn Kahn. The family immigrated to the United States in 1881 and settled in Detroit, Michigan.

Albert Kahn worked as an office boy in an architect's office and studied drawing in Sunday classes conducted by sculptor Julius Melchers. Melchers found Kahn a position in the architectural offices of Mason and Rice where he worked for several years. In 1890, Kahn won a scholarship to travel in Europe to study architecture and in 1895 he opened his own architectural office, Albert Kahn Associates, hiring his younger brothers, Louis, Moritz, and Felix. In the following year, Kahn married Ernestine Krolik.

In 1903, Kahn was awarded his first two important commissions: to design the University of Michigan's engineering building and the Palm Apartments in Detroit, built with the early use of reinforced concrete. In the following year, he built the first reinforced concrete factory for the Packard Motor Company. Because of the industrial growth in Detroit at that time, Kahn was in demand to design various automobile factories including the General Motors Building, textile, business machine, and chemical plants. He became an authority on concrete construction and by the beginning of the First World War, his firm provided construction for the military aviation section of the Army.

Kahn later moved from using concrete to steel and glass. In 1927, his company finished a large building for the Fisher Brothers of Detroit for which he was awarded a medal by the Architectural League of New York for the year's outstanding contribution to architecture. In the following year his firm was given full charge of the entire heavy industrial building program of Russia's first five-year plan, and they constructed an estimated two billion dollars worth of factories in Russia.

During World War II, Kahn's firm was constantly busy constructing naval air bases, airplane engine plants, tank arsenals including the Detroit Arsenal Tank Plant, and other government defense projects. In June 1942 Kahn was given the honorary degree of Doctor of Fine Arts by Syracuse University.

Albert Kahn died on December 8, 1942 in Detroit, Michigan.
Provenance:
The Albert Kahn papers were donated by Kahn's children, Mrs. Lydia Winston Malbin, Mrs. Rosalie Butzel, and Dr. Edgar A. Kahn, in 1974.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Albert Kahn papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Architecture, American  Search this
Architects -- Michigan -- Detroit  Search this
Genre/Form:
Diaries
Watercolors
Scrapbooks
Renderings
Lithographs
Photographs
Motion pictures (visual works)
Notebooks
Drawings
Sound recordings
Awards
Sketchbooks
Etchings
Notes
Typescripts
Lectures
Citation:
Albert Kahn papers, 1875-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kahnalbp
See more items in:
Albert Kahn papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kahnalbp
Online Media:

Ellen Hulda Johnson papers

Creator:
Johnson, Ellen H.  Search this
Names:
Allen Memorial Art Museum  Search this
American-Scandinavian Foundation  Search this
College Art Association (U.S.)  Search this
Oberlin College -- Faculty  Search this
Archipenko, Alexander, 1887-1964  Search this
Cézanne, Paul, 1839-1906  Search this
Dine, Jim, 1935-  Search this
Hesse, Eva, 1936-1970  Search this
Kensett, John Frederick, 1816-1872  Search this
Milles, Carl, 1875-1955  Search this
Oldenburg, Claes, 1929-  Search this
Picasso, Pablo, 1881-1973  Search this
Saunders, David  Search this
Stieglitz, Alfred, 1864-1946  Search this
Tacha, Athena, 1936-  Search this
Tworkov, Jack  Search this
Venturi, Robert  Search this
Wilke, Wendell  Search this
Extent:
60.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Place:
Ossabaw Island (Ga.)
Date:
1872-1994
bulk 1921-1992
Summary:
The papers of art historian, art critic, author, librarian and educator Ellen Hulda Johnson measure 60.3 linear feet and date from 1872-1994, with the bulk of the material dating from 1921-1992. The papers include biographical materials; personal and family files; personal, professional, and business correspondence; extensive research and writing files; teaching files; subject files; professional and curatorial files; and artists' files. Johnson's papers reflect the full range of her career, interests, and close relationships with many artists. There is a 5.0 linear foot addition to this collection donated in 2019. Included are biographical material; correspondence; teaching and lecture files; financial and legal records; photographs of artists, events, and travels; sketchbooks; and video cassette tapes of events.
Scope and Contents:
The papers of art historian, art critic, author, librarian and educator Ellen Hulda Johnson measure 55.3 linear feet and date from 1872-1994, with the bulk of the material dating from 1921-1992. The papers include biographical materials; personal and family files; personal, professional, and business correspondence; extensive research and writing files; teaching files; subject files; professional and curatorial files; and artists' files. Johnson's papers reflect the full range of her career, interests, and close relationships with many artists.

Personal papers consist of biographical materials and personal and family files, including "memorabilia" files compiled by Johnson. Correspondence is a mix of personal, business, and professional correspondence. Significant correspondents include David Saunders (who painted a portrait of Johnson), Claes Oldenburg, Jack Tworkov, Robert Venturi, the American Scandinavian Foundation. A folder of correspondence compiled for the Archives includes letters from Alfred Stieglitz, Wendell Wilkie, Carl Milles, Jim Dine, and Alexander Archipenko.

Extensive and comprehensive writing and research project files include articles, lectures, presentations, manuscripts, notes and notebooks, including her class notebooks from courses she attended in Paris in 1935, and additional notes and notebooks on a wide variety of subjects. The numerous articles, lectures, papers, and drafts were written primarily by Johnson for the College Art Association, the Allen Memorial Art Museum bulletin, and numerous additional publications and presentations; but there are also writings by others included in the research files. Major writing projects and related research files cover Scandinavian art, the Ossabaw Island artist's colony, Cezanne, Eva Hesse, John Frederick Kensett, Claes Oldenburg, Picasso, David Saunders, Athena Tacha, Pop Art, and many other topics. Johnson's research files, manuscripts, correspondence, and photographs for major exhibitions, including one on Eva Hesse (1982) and for her published books including American Artists on Art from 1940-1980 (1982), Claes Oldenburg (1971), Fragments Recalled at 80: The Art Memoirs of Ellen H. Johnson (1993), and Modern Art and Object (1976) are arranged with the writing project files. Johnson's bibliographic index cards are found here as well.

The collection contains extensive teaching files for courses taught by Johnson at Oberlin and as a visiting professor at other institutions; professional and curatorial files reflecting her curatorial career at Allen Memorial Art Museum, as a consultant, jury member, and continuing education courses she later attended, including the Baldwin Lecture Series; and 18 linear feet of artist's files assembled by Johnson.

There is a 5.0 linear foot addition to this collection donated in 2019. Included are biographical material; correspondence; teaching and lecture files; financial and legal records; photographs of artists, events, and travels; sketchbooks; and video cassette tapes of events.
Arrangement:
The Ellen Hulda Johnson papers are arranged into eight series:

Series 1: Personal Papers, 1910-1994 (2 linear feet; Boxes 1-2, 56)

Series 2: Correspondence, 1937-1992 (4.5 linear feet; Boxes 3-7)

Series 3: Writing and Research Projects, 1872, 1932-1994 (13.5 linear feet; Boxes 7-20, 56)

Series 4: Subject Files, 1930-1993 (5 linear feet; Boxes 21-25)

Series 5: Teaching Files, 1928-1989 (6 linear feet; Boxes 26-31)

Series 6: Professional and Curatorial Files, 1936-1991 (6 linear feet; Boxes 32-37, 56)

Series 7: Artists Files, 1935-1992 (18.3 linear feet; Boxes 37-55)

Series 8: Unprocessed Addition, circa 1930-1990 (5 linear feet; Boxes 57-61)
Biographical / Historical:
Ellen Hulda Johnson (1910-1992) was an art historian, critic, and professor who worked and taught at Oberlin College in Ohio for most of her career.

Ellen Hulda Johnson was born in 1910 in Warren, Pennsylvania. She received her Bachelor's and Master's degrees in art history at Oberlin in 1933 and 1935. She worked briefly at the Toledo Museum of Art before returning to Oberlin as the art librarian. In 1940 she started Oberlin's art rental program, the first of its kind in the country. She was appointed to the faculty in 1948 and taught nineteenth and twentieth century art, American art from colonial times to the present, contemporary art, and Scandinavian art. She was a member of the Allen Memorial Art Museum's acquisition committee and appointed honorary curator of modern art in 1973. She remained at Oberlin her entire career, retiring from teaching in 1977.

Johnson was a scholar of Cézanne, Claes Oldenburg, Eva Hesse, Pablo Picasso, Edvard Munch, John F. Kensett and other modern masters, as well as Scandinavian art. In 1962 she wrote the first important article on Claes Oldenburg and, in 1970, assisted curator Athena Tacha commission his first permanent large sculpture (3-Way Plug) for the grounds of the Allen Memorial Art Museum. She was the first to show the black-striped paintings that established Frank Stella's reputation. Her efforts in promoting acquisitions of young contemporary artists helped make the Allen Memorial Art Museum a leading institution in contemporary art. Her Oberlin lectures on modern art became so popular that they had to be held in the college's largest auditorium and influenced generations of students, many of whom went on to signficant positions in the field. A new wing of the museum designed by Robert Venturi opened in 1977 and was named in honor of Johnson.

Johnson was the author of numerous articles, books, and exhibition catalogs including Cezanne (Penquin, 1967); Claes Oldenburg (Penquin, 1971); American Artists on Art from 1940-1980 (Harper and Row, 1982); and Modern Art and the Object (Thames and Hudson, 1976).

In 1968, Johnson purchased the Frank Lloyd Wright-designed Weltzheimer house in Oberlin, and spent a considerable part of her time and money restoring the building where she lived the rest of her life. She bequethed the house and her significant art collection to Oberlin upon her death in 1992.
Separated Materials:
Shortly after aquisition, the Archives transferred Ellen Hulda Johnson's vertical file (16 linear feet) of clippings, press releases, and exhibition announcements to the library of the Smithsonian American Art Museum and National Portrait Gallery.
Provenance:
The Ellen Hulda Johnson papers were donated in 1994, 1998, and 2019 by the estate of Ellen Hulda Johnson via exectutor Athena Tacha.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Ellen Hulda Johnson papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Educators -- Ohio -- Oberlin  Search this
Librarians -- Ohio  Search this
Authors -- Ohio  Search this
Art historians -- Ohio -- Oberlin  Search this
Art critics -- Ohio  Search this
Topic:
Pop art  Search this
Art, Modern -- 20th century -- Study and teaching  Search this
Art, Scandinavian  Search this
Art, Modern -- 19th century -- Study and teaching  Search this
Artist colonies -- Georgia  Search this
Art -- Study and teaching  Search this
Genre/Form:
Photographs
Citation:
Ellen Hulda Johnson papers, 1872-1994, bulk 1921-1992. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.johnelle
See more items in:
Ellen Hulda Johnson papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-johnelle
Online Media:

Thomas Hess papers

Creator:
Hess, Thomas B.  Search this
Names:
Mark Rothko Foundation  Search this
Bess, Forrest, 1911-1977  Search this
Campbell, Lawrence  Search this
De Kooning, Elaine  Search this
De Kooning, Willem, 1904-  Search this
Frankenthaler, Helen, 1928-2011  Search this
Gottlieb, Adolph, 1903-1974  Search this
Guston, Philip, 1913-1980  Search this
Kline, Franz, 1910-1962  Search this
Milles, Carl, 1875-1955  Search this
Newman, Barnett, 1905-1970  Search this
Noguchi, Isamu, 1904-1988  Search this
Reinhardt, Ad, 1913-1967  Search this
Rivers, Larry, 1925-2002  Search this
Rosenberg, Harold, 1906-1978  Search this
Rothko, Mark, 1903-1970  Search this
Schapiro, Meyer, 1904-  Search this
Schuyler, James  Search this
Smith, David, 1906-1965  Search this
Still, Clyfford, 1904-1980  Search this
Extent:
10 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Drawings
Greeting cards
Illustrated letters
Paintings
Cartoons (humorous images)
Photographs
Collages
Date:
1939-1978
Summary:
The papers of New York editor and art critic Thomas Hess measure 10.0 linear feet and date from 1939 to 1978. The collection includes biographical materials, correspondence, extensive writings and notes, artists and subject files that also include recorded conversations with artists and others, printed materials, photographic materials, and artwork.
Scope and Contents:
The papers of New York editor and art critic Thomas Hess measure 10.0 linear feet and date from 1939 to 1978. The collection includes biographical materials, correspondence, extensive writings and notes, artists and subject files that also include recorded conversations with artists and others, printed materials, photographic materials, and artwork.

Biographical material includes a certificate, architectural plans, investment information, invoices, publisher and loan agreements, will for Paul Stamm, and resumes. Correspondence is with members of Hess' family including his wife and children, Philip Guston, Meyer Schapiro, David Smith, James Schuyler, Forrest Bess, Elaine de Kooning, Barnett Newman, Larry Rivers, Clyfford Still, Ad Reinhardt, and others.

Writings and notes consist of manuscripts and drafts by Hess for Art News, Le Monde, Vogue, New York magazine, and other publications; Hess' senior essay and class notes; notes on Ingres, Italian artists, and travels abroad; notebooks on art and literature; and scattered writings by others.

Artists and subject files contain primarily photographs of artwork, artists, and colleaguesare mostly photographs of artwork, artists, and colleagues. Some of the files also contain printed materials, writings, notes, and other documentation. The file on Willem de Kooning includes a sound recording of a conversation between Hess, de Kooning, and Harold Rosenberg. There are also significant files on Elaine de Kooning, Helen Frankenthaler, Adolph Gottlieb, Franz Kline, Carl Milles, Barnett Newman, Isamu Noguchi, Ad Reinhardt, Mark Rothko and the Mark Rothko Foundation Inc.

Printed materials include brochures and flyers, clippings, magazines and newspapers, press releases, travel memorabilia, and a printed scarf. Photographs are of of Hess, his wife Audrey, other family members, works of art, travel, Larry Rivers and Ad Reinhardt, and other artists and colleagues. Artwork includes drawings, paintings, collages, cartoons, and holiday cards made by Hess and his children, along with artwork by others including Audrey and Lawrence Campbell, Ad Reinhardt, and unidentified artists.
Arrangement:
The collection is arranged as 7 series.

Series 1: Biographical Materials, 1945-1977 (0.3 linear feet; Box 1, OV 15)

Series 2: Correspondence, circa 1945-1978 (1.0 linear feet; Box 1-2, OV 11)

Series 3: Writings and Notes, circa 1940-1978 (2.5 linear feet; Box 2-5, OV 12)

Series 4: Artists and Subject Files, circa 1946-1978 (4.5 linear feet; Box 5-9, OVs 13, 15-16)

Series 5: Printed Materials, 1943-1978 (0.5 linear feet; Box 9, OV 11)

Series 6: Photographic Materials, 1949-circa 1960s (0.8 linear feet; Box 9-10, OV14)

Series 7: Artwork, 1939-1978 (0.4 linear feet; Box 10, OV 11)
Biographical / Historical:
Thomas Hess (1920-1978) was an editor and art critic who worked in New York City. Hess wrote for Art News magazine for most of his career, serving as editorial associate, executive editor, and as managing editor from 1965-1972. .

Hess was born in Rye, New York to Gabriel Lorie Hess, a lawyer, and Helen Baer. He attended school in the United States and Switzerland. He continued his education at Yale University majoring in French art and literature. After graduating, Hess worked for a short period at the Museum of Modern Art under Alfred H. Barr and Dorothy Miller before entering World War II as a pilot. During this time, he married Audrey Hess with whom he eventually had three children, William, Philip, and Anne Helen.

After the war, Hess began working at Art News as an editorial assistant before becoming the magazine's managing editor from 1965 until 1972. Hess also worked as a correspondent for Le Monde and as an art critic for New York magazine.

Hess was a proponent of abstract expressionists, particularly Barnett Newman and Willem de Kooning with whom he was close friends. He wrote several books including Abstract Painting: Background and American Phase (1951), Willem de Kooning (1959), Barnett Newman (1969), and The Art Comics and Satires of Ad Reinhardt (1975).

Hess became the consultative chairman for the Metropolitan Museum of Art's Department of 20th-Century Art a few months before his death from a heart attack in 1978 at the age of 58.
Separated Materials:
Materials on legacy microfilm reel 5028 related to Barnett Newman are photocopies. The originals are located at the Barnett New Foundation in New York City.
Provenance:
The Thomas Hess papers were donated in multiple increments from 1985 to 1987 by Hess' children, Anne Helen, William, and Philip Hess, except for a file on Barnett Newman donated by Newman's widow, who presumably had borrowed it from Hess. In 2014, additional correspondence, writings, photographs, printed material, and cartoons, including some by Ad Reinhardt, were donated by Elizabeth Wolff, Hess' sister.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Rights:
The Thomas Hess papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Artists -- Italy  Search this
Topic:
Art critics -- New York (State) -- New York  Search this
Editors -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Drawings
Greeting cards
Illustrated letters
Paintings
Cartoons (humorous images)
Photographs
Collages
Citation:
Thomas Hess papers, 1939-1978. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hessthom
See more items in:
Thomas Hess papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hessthom
Online Media:

Oral history interview with Duane Hanson

Interviewee:
Hanson, Duane  Search this
Interviewer:
Kirwin, Liza  Search this
Names:
OK Harris Works of Art (Gallery : New York, N.Y.)  Search this
Carter, Dudley  Search this
De Andrea, John, 1941-  Search this
Grygo, George  Search this
Hauser, Alonzo, 1909-1988  Search this
Karp, Ivan C., 1926-2012  Search this
Kienholz, Edward, 1927-  Search this
McVey, William Mozart, 1905-1995  Search this
Milles, Carl, 1875-1955  Search this
Rood, John, 1902-1974  Search this
Extent:
3 Items (Sound recording, sound cassettes)
39 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1989 August 23-24
Scope and Contents:
An interview of Duane Hanson conducted 1989 August 23-24, by Liza Kirwin, for the Archives of American Art.
Hanson speaks of his years growing up in rural Minnesota; his Swedish ancestry; the influence of his wives and family on his art; his teaching career spanning sixteen to twenty years; his experiences at Cranbook; discussions of his place in the art world as a Realist, Hyperrealist, or New Realist; influence of contemporary sculptors of the time on his work; the importance of American art being able to break into the Russian art scene; his process and the pitfalls and advantages of different types of materials, including bronze and polyester resin; the schedule he follows when working and how the pace of his schedule and deadlines affect his art; whether the materials he employs contributed to his cancer; the discussion of his disease, subsequent treatment, and how it impacted his art; the change in focus from his earlier pieces centered around war or social upheaval to his newer, satirical work such as "Jogger" or "Sunbather with Black Bikini," which featured more athletic or trendy characterizations of people; his thought process in choosing what to sculpt; discussions of his exhibition at the Whitney Museum and various galleries in the United States, Germany, Japan, New Zealand, and Australia, among others; and his ecological concerns. Duane Hanson also recalls Andy Warhol, John DeAndrea, Carl Milles, John Rood, Julius Schmidt, William McVey, Rodin, Robert Rauschenberg, Roy Lichtenstein, Claes Oldenburg, and others.
Biographical / Historical:
Duane Hanson (1925-1996) was a sculptor from Davie, Florida. Hanson was best known for his life-size figures, often dressed in real clothes.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview provided by the Lannan Foundation.
Occupation:
Artists' models  Search this
Artists' models  Search this
Topic:
Figure sculpture  Search this
Sculpture -- Technique  Search this
Pop art  Search this
Sculptors -- Florida -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hanson89
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hanson89

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