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Kenneth Hayes Miller papers, 1906-1951

Creator:
Miller, Kenneth Hayes, 1876-1952  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Subject:
Art Students League (New York, N.Y.)  Search this
Theme:
Art Materials, Techniques, and Studio Art Education  Search this
Record number:
(DSI-AAA_CollID)7918
(DSI-AAA_SIRISBib)210086
AAA_collcode_millkenn
Theme:
Art Materials, Techniques, and Studio Art Education
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210086

Rockwell Kent papers

Creator:
Kent, Rockwell, 1882-1971  Search this
Names:
American Artists' Congress  Search this
Artists League of America  Search this
Artists' Union (New York, N.Y.)  Search this
Citizens' Committee for Government Arts Projects  Search this
Farmers Union of the New York Milk Shed  Search this
Federal Art Project  Search this
Federal Writers' Project  Search this
International Workers Order  Search this
Macbeth Gallery  Search this
National Farmers' Union (U.S.)  Search this
National Maritime Union of America  Search this
United American Artists  Search this
United Office and Professional Workers of America  Search this
United Scenic Artists  Search this
Boyesen, Bayard  Search this
Chamberlain, J. E.  Search this
Chase, William Merritt, 1849-1916  Search this
Cleland, T. M. (Thomas Maitland), 1880-1964  Search this
Daniel, Charles, 1878-1971  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
DuBois, W.E.B. (William Edward Burghardt), 1868-1963  Search this
Fitzgerald, James, 1899-1971  Search this
Freuchen, Peter, 1886-1957  Search this
Gellert, Hugo, 1892-1985  Search this
Gottlieb, Harry, 1895-  Search this
Hartley, Marsden, 1877-1943  Search this
Hays, Lee, 1914-1981  Search this
Henri, Robert, 1865-1929  Search this
Jones, Dan Burne  Search this
Keller, Charles, 1914-2006  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Nearing, Helen  Search this
Nearing, Scott, 1883-1983  Search this
Pach, Walter, 1883-1958  Search this
Phillips, Duncan, 1886-1966  Search this
Rasmussen, Knud, 1879-1933  Search this
Reeves, Ruth, 1892-1966  Search this
Robeson, Paul, 1898-1976  Search this
Roosevelt, Franklin D. (Franklin Delano), 1882-1945  Search this
Ruggles, Carl, 1876-1971  Search this
Seeger, Pete, 1919-2014  Search this
Stefansson, Vilhjalmur, 1879-1962  Search this
Untermeyer, Louis, 1885-1977  Search this
Wildenstein, Felix, 1883-1952  Search this
Zigrosser, Carl, 1891-  Search this
Extent:
88 Linear feet
Type:
Collection descriptions
Archival materials
Poems
Sketches
Business records
Photographs
Drawings
Date:
circa 1840-1993
bulk 1935-1961
Summary:
The Rockwell Kent papers measure 88.0 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.
Scope and Content Note:
The Rockwell Kent papers measure 88 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.

Circumstances surrounding the acquisition of the papers are highlighted in an article by Garnett McCoy ("The Rockwell Kent Papers," in the Archives of American Art Journal, 12, no. 1 [January 1972]: 1-9), recommended reading for researchers interested in the collection. The collection is remarkably complete, for in the mid 1920s Kent began keeping carbon copies of all outgoing letters, eventually employing a secretary (who became his third wife and continued her office duties for the remainder of Kent's life).

Series 1: Alphabetical Files contain Kent's personal and professional correspondence, along with business records of the dairy farm and associated enterprises; also included are printed matter on a wide variety of topics and promotional literature relating to organizations and causes of interest to him. Voluminous correspondence with his three wives, five children, and other relatives, as well as with literally hundreds of friends, both lifelong and of brief duration, illuminates Kent's private life and contributes to understanding of his complex character. Among the many correspondents of note are: his art teachers William Merritt Chase, Robert Henri, and Kenneth Hayes Miller; fellow artists Tom Cleland, Arthur B. Davies, James Fitzgerald, Hugo Gellert, Harry Gottleib, Marsden Hartley, Charles Keller, and Ruth Reeves; collectors Duncan Phillips and Dan Burne Jones; critics J. E. Chamberlain and Walter Pach; and dealers Charles Daniel, Felix Wildenstein, and Macbeth Galleries. Kent corresponded with such diverse people as Arctic explorers Peter Freuchen, Knud Rasmussen, and Vilhjalmar Steffanson; composer Carl Ruggles and songwriters Lee Hays and Pete Seeger; civil rights pioneers Paul Robeson and Dr. W. E. B. Du Bois; writers Bayard Boyesen, Scott and Helen Nearing, and Louis Untermeyer; and art historian and print curator Carl Zigrosser.

Kent's interest and involvement in the labor movement are reflected in correspondence with officials and members of a wide variety and large number of unions and related organizations, among them: the Farmers' Educational and Cooperative Union of America, Farmers' Union of the New York Milk Shed, International Workers Order, National Maritime Union, and United Office and Professional Workers of America. Of special interest is his participation, often in leadership roles, in various attempts to organize artists. Files on the American Artists' Congress, Artists League of America, The Artists Union, United American Artists, and United Scenic Artists contain particularly valuable material on the movement.

A supporter of New Deal efforts to aid artists, Kent was actively interested in the various programs and often was critical of their limitations; he advocated continuing federal aid to artists after the Depression abated. The Kent papers include correspondence with the Federal Arts Project, Federal Fine Arts Project, Federal Writers Project, and the War Department, as well as correspondence with the Citizens' Committee for Government Art Projects and President Franklin D. Roosevelt on the subject.

Kent's professional correspondence documents exhibitions, sales, consignments, and reproduction of prints and paintings. He kept meticulous records of his advertising commissions and illustration work. Detailed correspondence with publishers and printers indicates Kent's involvement in the technical aspects of production and provides a good overview of the publishing industry during the mid-twentieth century.

Business records of Asgaard Farm include records of the dairy and transfer of ownership to its employees, tax and employee information, and documents concerning several related business ventures such as distributor ships for grain, feed, and farm implements.

Series 2: Writings consists of notes, drafts, and completed manuscripts by Rockwell Kent, mainly articles, statements, speeches, poems, introductions, and reviews. The Kent Collection given to Friendship House, Moscow, in 1960, was augmented later by a set of his publications and the illustrated manuscripts of many of his monographs. Also included are a small number of manuscripts by other authors.

Series 3: Artwork consists mainly of drawings and sketches by Kent; also included are works on paper by other artists, many of whom are unidentified, and by children.

Series 4: Printed Matter consists of clippings, exhibition catalogs and announcements, brochures, broadsides, programs, and newsletters. These include items by and about Kent and his family, as well as articles written and/or illustrated by him, and reviews of his books. There is also material on a variety of subjects and causes of interest to him. Additional printed matter is included among the alphabetical files, mainly as attachments to correspondence.

Series 5: Miscellaneous includes biographical material, legal documents, and memorabilia. Artifacts received with papers include textile samples, a silk scarf, dinnerware, ice bucket, and rubber stamp, all featuring designs by Rockwell Kent. Also with this series are a variety of documents including a phrenological analysis of an ancestor, lists of supplies for expeditions, a hand-drawn map of an unidentified place, and technical notes regarding art materials and techniques.

Series 6: Photographs includes photographs of Kent, his family and friends, travel, and art number that over one thousand. Also included here are several albums of family and travel photographs.
Arrangement:
The collection is arranged into six series. Series 1 is arranged alphabetically. The arrangement of the remaining series is explained in each series description. Note that sealed materials that became available in 2000 were microfilmed separately on reels 5740-5741, but have integrated into this finding aid.

Missing Title

Series 1: Alphabetical Files, circa 1900-1971, undated (Reels 5153-5249, 5256, 5740-5741)

Series 2: Writings, 1906-1978, undated (Reels 5249-5252, 5741)

Series 3: Art Work, 1910-1972, undated (Reels 5252, 5741)

Series 4: Printed Matter, 1905-1993, undated (Reels 5252-5254)

Series 5: Miscellaneous, 1859-1969, undated (Reels 5254, 5741)

Series 6: Photographs, circa 1840-1970, undated (Reels 5254-5255, 5741)
Biographical Note:
Rockwell Kent (1882-1971), an energetic and multitalented man, pursued many interests and careers during his very long and active life. At various times he was an architect, draftsman, carpenter, unskilled laborer, painter, illustrator, printmaker, commercial artist, designer, traveler/explorer, writer, professional lecturer, dairy farmer, and political activist.

While studying architecture at Columbia University, Kent enrolled in William Merritt Chase's summer school at Shinnecock Hills, Long Island. He then redirected his career ambitions toward painting and continued to study with Chase in New York. Kent spent a summer working and living with Abbott H. Thayer in Dublin, New Hampshire, and attended the New York School of Art, where Robert Henri and Kenneth Hayes Miller were his teachers.

Critically and financially, Kent was a successful artist. He was very well known for his illustration work--particularly limited editions of the classics, bookplates, and Christmas cards. He was a prolific printmaker, and his prints and paintings were acquired by many major museums and private collectors. During the post-World War II era, Kent's political sympathies resulted in the loss of commissions, and his adherence to artistic conservatism and outspoken opposition to modern art led to disfavor within art circles. After many years of declining reputation in this country and unsuccessful attempts to find a home for the Kent Collection, Kent gave his unsold paintings--the majority of his oeuvre--to the Soviet Union, where he continued to be immensely popular.

An avid traveler, Kent was especially fascinated by remote, Arctic lands and often stayed for extended periods of time to paint, write, and become acquainted with the local inhabitants. Between 1918 and 1935, he wrote and illustrated several popular books about his experiences in Alaska, Tierra del Fuego, and Greenland. In the 1930s and 1940s, Kent was much in demand as a lecturer, making several nationwide tours under the management of a professional lecture bureau; he spoke mainly about his travels, but among his standard lectures were some on "art for the people."

In 1927, Kent purchased Asgaard Farm at AuSable Forks, New York, in the Adirondacks, where he lived for the remainder of his life, operating a modern dairy farm on a modest scale for many years.

As a young man, Kent met Rufus Weeks, became committed to social justice, and joined the Socialist Party. Throughout his life, he supported left-wing causes and was a member or officer of many organizations promoting world peace and harmonious relations with the Soviet Union, civil rights, civil liberties, antifascism, and organized labor. Kent was frequently featured as a celebrity sponsor or speaker at fund-raising events for these causes. In 1948, he ran unsuccessfully as the American Labor Party's candidate for Congress. Kent's unpopular political views eventually led to the dissolution of his dairy business, resulted in a summons to appear before the House Un-American Activities Committee, and prompted the U.S. State Department to deny him a passport, an action that subsequently was overturned by the U.S. Supreme Court.

Kent wrote two autobiographies, This Is My Own (1940) and It's Me, O Lord (1955). In 1969, he was the subject of an oral history interview conducted by Paul Cummings for the Archives of American Art.

Missing Title

1882 -- born, Tarrytown, New York

1887 -- death of Rockwell Kent, Sr.

1894-1896 -- attended Cheshire Academy

1895 -- toured Europe with Aunt Jo

1896 -- attended Horace Mann School, New York City

1900-1902 -- studied architecture at Columbia University

1900-1902 -- attended William Merritt Chase's summer school, Shinnecock Hills, Long Island

1903 -- studied with William Merritt Chase, New York City

1904 -- first sale of a painting

1904 -- met Rufus Weeks and attended first Socialist meeting

1905 -- lived and worked with Abbott H. Thayer, Dublin, New Hampshire

1905 -- first painting trip to Monhegan Island, Maine

1907 -- first one-man show, Claussen Galleries, New York City

1908 -- marriage to Kathleen Whiting

1908 -- studied with Robert Henri

1908 -- joined Socialist Party

1909 -- birth of Rockwell, III

1910 -- ran Monhegan Summer School of Art

1910 -- first trip to Newfoundland

1910 -- helped to organize first Independent Exhibition

1911 -- birth of Kathleen

1912 -- moved to Winona, Minnesota

1913 -- birth of Clara

1914 -- settled in Newfoundland

1915 -- deported from Newfoundland

1915 -- birth of Barbara

1917 -- served as full-time organizer and administrator of Independent Exhibition

1918-1919 -- in Alaska with son Rocky

1919 -- purchased Egypt Farm, Arlington, Vermont

1919 -- incorporated self

1920 -- publication of Wilderness

1920 -- birth of Gordon

1922 -- traveled to Tierra del Fuego

1924 -- publication of Voyaging

1925 -- trip to France

1925 -- divorced from Kathleen

1926 -- marriage to Frances Lee

1926 -- traveled to Ireland

1927 -- purchased Asgaard Farm, AuSable, New York

1927 -- editor of Creative Art

1927 -- helped organize National Gallery of Contemporary Art, Washington, D.C.

1929 -- sailed to Greenland on Direction

1930 -- publication of N by E

1932-1933 -- returned to Greenland

1934-1935 -- final trip to Greenland

1935 -- publication of Salamina

1936 -- trip to Puerto Rico

1937 -- trip to Brazil

1937-1938 -- Post Office Department mural commission and controversy over Eskimo-language message interpreted as encouraging Puerto Rican independence

1939 -- divorced from Frances

1939 -- General Electric Co. mural commission for New York World's Fair

1940 -- publication of This Is My Own

1940 -- marriage to Shirley Johnstone (Sally)

1942 -- solo exhibition, Know and Defend America, at Wildenstein Galleries, New York City

1946 -- elected to Executive Committee of American Labor Party

1948 -- congressional candidate, American Labor Party

1948 -- transferred ownership of dairy to remaining employees after boycott resulting from support of Wallace for president

1949 -- attended World Congress for Peace, Paris

1950-1958 -- denied U.S. passport; lawsuit, appeals, and Supreme Court decision reinstating right to travel

1953 -- testified before House Un-American Activities Committee

1955 -- publication of It's Me, O Lord

1958 -- one-man show at Hermitage Museum, Leningrad

1959 -- publication of Of Men and Mountains

1960 -- gift of Kent Collection to Friendship House, Moscow

1960 -- exhibition at Pushkin Museum, Moscow

1963 -- publication of Greenland Journal

1966 -- elected to Academy of Arts of the USSR

1967 -- awarded Lenin Peace Prize, Moscow

1969 -- oral history interview, Archives of American Art

1969 -- home at Asgaard destroyed by fire; papers survived with some water and smoke damage

1969 -- first installment of Rockwell Kent Papers donated to Archives of American Art

1971 -- died, Plattsburgh, New York

1971 -- gift of additional Rockwell Kent Papers to Archives of American Art

1979 -- gift of textile samples to the Archives of American Art

1996 -- gift of additional Rockwell Kent Papers to Archives of American Art

2000 -- death of Sally [Shirley Johnstone] Kent Gorton

2000 -- previously sealed correspondence of wives Frances and Sally (Series 1) opened to researchers

2001 -- gift of additional Rockwell Kent papers to the Archives of American Art from the Estate of Sally Kent [Shirley Johnstone] Gorton
Provenance:
In 1969, Rockwell Kent donated his papers to the Archives of American Art; textile samples were received in 1979, and his widow gave additional papers in 1971 and 1996. Letters to Rockwell Kent from wives Frances and Sally, sealed during Sally Kent Gorton's lifetime, became available for research after her death in 2000, and further material was donated to the Archives of American Art in 2001 by the Estate of Sally Kent [Shirley Johnstone] Gorton.
Restrictions:
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State)  Search this
Topic:
Designers -- New York (State)  Search this
Mural painting and decoration  Search this
Politics and culture  Search this
Authors -- New York  Search this
Art, Modern -- 20th century -- United States -- Political aspects  Search this
Dairy farms  Search this
Federal aid to the arts  Search this
Illustrators -- New York (State)  Search this
Illustration of books  Search this
Works of art  Search this
Art and war  Search this
Commercial art  Search this
World War, 1939-1945 -- Art and the war  Search this
Function:
Labor unions
Genre/Form:
Poems
Sketches
Business records
Photographs
Drawings
Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kentrock
See more items in:
Rockwell Kent papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97edd9940-eb61-4562-9583-def2da778b6a
EDAN-URL:
ead_collection:sova-aaa-kentrock
Online Media:

Oral history interview with Lloyd Goodrich

Creator:
Goodrich, Lloyd, 1897-1987  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington), 1920-  Search this
Names:
Art Students League (New York, N.Y.) -- Students  Search this
National Academy of Design (U.S.)  Search this
Public Works of Art Project  Search this
Whitney Museum of American Art  Search this
Eakins, Thomas, 1844-1916  Search this
Field, Hamilton Easter  Search this
Force, Juliana, 1876-1948  Search this
Marsh, Reginald, 1898-1954  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Stieglitz, Alfred, 1864-1946  Search this
Watson, Forbes, 1880-1960  Search this
Extent:
225 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Date:
1962 June 13-1963 March 25
Scope and Contents:
An interview of Lloyd Goodrich conducted 1962 June 13-1963 March 25, by Harlan Phillips, for the Archives of American Art. Goodrich speaks of his youth in Nutley, New Jersey; his family background; his father's influence; his friendship with Reginald Marsh; studying at the Art Students League under Kenneth Hayes Miller; attending the National Academy of Design; his interest in music and poetry; deciding upon a career in art; working as a writer, editor, and critic for "The Arts"; his travels for "The Arts"; critics he knew; his book on Thomas Eakins; his work with the Public Works of Art Project; political problems with government support of the arts in the 1930s through the 1950s; working as a curator at the Whitney Museum of American Art; the problem of forgeries; the Whitney's relationship with other museums; and politics at the Whitney. He recalls Juliana Force, Forbes Watson, Alfred Stieglitz and Hamilton Easter Field.
Biographical / Historical:
Lloyd Goodrich (1897-1987) was a museum director and art historian living in New York, New York.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
This transcript is open for research. No audio exists. Contact Reference Services for more information.
Occupation:
Art historians -- New York (State) -- New York -- Interviews  Search this
Topic:
Art and state  Search this
Art -- Forgeries  Search this
Museum directors -- New York (State) -- New York -- Interviews  Search this
Function:
Art museums -- New York (State) -- New York
Genre/Form:
Interviews
Identifier:
AAA.goodri62
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9eb332c1e-f482-4b6c-8f48-05fdcdbac176
EDAN-URL:
ead_collection:sova-aaa-goodri62
Online Media:

Henry Ernest Schnakenberg papers

Creator:
Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this
Names:
American Academy of Arts and Letters  Search this
Artists Equity Association  Search this
Angel, John, 1881-1960  Search this
Bacon, Peggy, 1895-1987  Search this
Barye, Antoine-Louis, 1796-1875  Search this
Beal, Gifford, 1879-1956  Search this
Bierstadt, Albert, 1830-1902  Search this
Billings, Henry, 1901-  Search this
Bishop, Isabel, 1902-1988  Search this
Blume, Peter, 1906-1992  Search this
Bouché, Louis, 1896-1969  Search this
Brooks, Van Wyck, 1886-1963  Search this
Buller, Audrey, 1902-  Search this
Cadmus, Paul, 1904-1999  Search this
Calder, Alexander, 1898-1976  Search this
Catherwood, Frederick, 1799-1854  Search this
Congdon, William, 1912-1998  Search this
Day, Horace Talmage, 1909-1984  Search this
Dows, Olin, 1904-1981  Search this
Duchamp, Marcel, 1887-1968  Search this
Etting, Emlen, 1905-1993  Search this
Evergood, Philip, 1901-1973  Search this
Faulkner, Barry, 1881-1966  Search this
Fiene, Ernest, 1894-  Search this
Goff, Lloyd Lozés, 1919-  Search this
Guys, Constantin, 1805-1892  Search this
Hardy, Thomas, 1921-  Search this
Harnett, William Michael, 1848-1892  Search this
Hartl, Léon, 1889-  Search this
Homer, Winslow, 1836-1910  Search this
Hoyt, Whitney Ford, 1910-1980  Search this
Inness, George, 1825-1894  Search this
Ivins, William Mills, 1881-1961  Search this
Johnson, Eastman, 1824-1906  Search this
Kirstein, Lincoln, 1907-  Search this
Kroll, Leon, 1884-1974  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Laning, Edward, 1906-1981  Search this
Lasker, Joe  Search this
Leighton, Clare, 1899-  Search this
Locke, Charles, 1899-  Search this
Low, Sanford B. D. (Sanford Ballard Dole), 1905-1964  Search this
Lucioni, Luigi, 1900-1988  Search this
Marsh, Reginald, 1898-1954  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Parsons, Betty  Search this
Robus, Hugo, 1885-1964  Search this
Saint-Gaudens, Homer, b. 1880  Search this
Savery, Rockland  Search this
Schmidt, Katherine, 1898-1978  Search this
Shahn, Ben, 1898-1969  Search this
Sheeler, Charles, 1883-1965  Search this
Speicher, Eugene Edward, 1883-1962  Search this
Stamos, Theodoros, 1922-1997  Search this
Tait, Arthur Fitzwilliam, 1819-1905  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Watson, Forbes, 1880-1960  Search this
Watson, Nan, 1876-1966  Search this
Weisgard, Leonard, 1916-  Search this
Extent:
5.1 Linear feet ((partially microfilmed on 6 reels))
Type:
Collection descriptions
Archival materials
Date:
1905-1969
Scope and Contents:
Photographs, correspondence, appointment books, etchings, a scrapbook, printed materials, writings, and posters.
REEL D113: Primarily letters received from artists, 1940s-50s; background material for Ft.Lee and Amsterdam (N.Y.) murals; and miscellaneous printed material and photographs.
Correspondents include John Angel, Artists Equity, Peggy Bacon, Gifford Beal, Henry Billings, Isabel Bishop, Peter Blume, Louis Bouche, Van Wyck Brooks, Audrey Buller, Paul Cadmus, Alexander Calder, William Congdon, Horace T. Day, Olin Dows, Marcel Duchamp, Emlen P. Etting, Philip Evergood, Barry Faulkner, Ernest Fiene, Leon Hartl, Whitney F. Hoyt, William M. Ivins, Jr., Lincoln E. Kirstein, Leon Kroll, Yasuo Kuniyoshi, Edward Laning, Joseph L. Lasker, Clare Leighton, Charles W. Locke, Sanford B.D. Low, Luigi Lucioni, Reginald Marsh, Kenneth H. Miller, Nat'l Institute of Arts and Letters, Betty Parsons, Hugo Robus, Homer Saint-Gaudens, Katherine Schmidt, Ben Shahn, Charles Sheeler, Eugene Speicher, Theodoros Stamos, Franklin C. Watkins, Forbes and Nan Watson, and Leonard Weisgard.
REEL 847: Photographs, including 67 of Schnakenberg and friends, 1 of a portrait of him by Lloyd Goff, 95 of his oil paintings, 33 of his watercolors, 25 of his works in unidentified media, 29 of works by other artists, and 46 of pre-Columbian art from Central and South America. Among artists whose works are included are Antoine Louis Barye, Albert Bierstadt, Frederick Catherwood, Constantin Guys, Thomas Hardy, William Harnett, Winslow Homer, George Inness, Eastman Johnson, Yasuo Kuniyoshi, Reginald Marsh, Rockland Savery, Theodoros Stamos, and Arthur Fitzwilliam Tait.
REELS 850-853: Biographical information; personal and business correspondence; 17 diaries, mainly about Schnakenberg's travels, 1905-1960; appointment calendars, 1963-1969; 70 etchings by Schnakenberg; a scrapbook containing clippings, catalogs, and other printed material; a book published by G. Alan Chidsey on Schnakenberg; clippings, catalogs, and announcements; papers relating to gifts and acquisitions of works of art; receipts for Schnakenberg paintings from C.W. Kraushaar Galleries; a 650-page typescript for a book "The Background of Painting" by Schnakenberg; and drafts of speeches.
UNMICROFILMED: Six World War I posters designed by Schnakenberg; Christmas cards from artists and other friends; printed material; and a photograph of Lloyd Goff, inscribed to Schnakenberg, in front of one of his paintings, 1939.
Biographical / Historical:
Painter, etcher; Newton, Conn.
Provenance:
Material donated 1963-1971 by Schnakenberg and, after his death, by his estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Etchers -- Connecticut -- Newton  Search this
Painters -- Connecticut -- Newton  Search this
Topic:
Art, Prehistoric  Search this
Painting, Modern -- 20th century  Search this
Etching  Search this
Identifier:
AAA.schnh
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9324de55d-c4b7-4bbe-9ff3-d60db8786f14
EDAN-URL:
ead_collection:sova-aaa-schnh

Oral history interview with Isabel Bishop

Interviewee:
Bishop, Isabel, 1902-1988  Search this
Interviewer:
Chappell, Warren, 1904-  Search this
Moore, Henrietta  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Marsh, Reginald, 1898-1954  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Extent:
20 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1959 April 15
Scope and Contents:
An interview of Isabel Bishop conducted on 1959 April 15, by Warren Chappell and Henrietta Moore, for the Archives of American Art.
Bishop speaks of her painting, "Subway Scene"; the Art Students League; study abroad; contemporary art; problems with drawing Union Square; and the drawings of James Thurber. She recalls Kenneth Hayes Miller and Reginald Marsh.
Biographical / Historical:
Isabel Bishop (1902-1988) was a painter in New York, New York.
General:
Originally recorded 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 1 hr., 4 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Book illustrators -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.bishop59april
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cd041dba-ec93-4d1c-9fd9-d8ce03517083
EDAN-URL:
ead_collection:sova-aaa-bishop59april
Online Media:

Oral history interview with Alexander Brook

Interviewee:
Brook, Alexander, 1898-1980  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Penguin Club (New York, N.Y.)  Search this
Whitney Studio Club  Search this
Bacon, Peggy, 1895-1987  Search this
Calder, Alexander, 1898-1976  Search this
Fisher, William Murrell  Search this
Force, Juliana, 1876-1948  Search this
Goodrich, Lloyd, 1897-1987  Search this
Hopper, Edward, 1882-1967  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Nakian, Reuben, 1897-1986  Search this
Romanowsky, Dimitri  Search this
Extent:
91 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1977 July 7-8
Scope and Contents:
An interview of Alexander Brook conducted 1977 July 7-8, by Paul Cummings, for the Archives of American Art. Brook speaks of his childhood and family; his early interest in painting; studying at the Art Students League with Dmitri Romanowsky and Kenneth Hayes Miller; women at the Art Students League; his first wife, Peggy Bacon; his travels in Europe; the Penguin Club; the Whitney Studio Club; working as a "talent scout" for Juliana Reiser Force; sharing a studio with Alexander Calder and Reuben Nakian; art sales in the 1930s; women as subjects; his portraits of Katharine Hepburn; and his painting technique. He recalls William Murrell Fisher, Lloyd Goodrich, Edward Hopper, Yasuo Kuniyoshi, and others.
Biographical / Historical:
Alexander Brook (1898-1980) was a painter from Sag Harbor, New York.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 4 digital wav files. Duration is 4 hr., 11 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Painting, Modern -- 20th century  Search this
Painters -- New York (State) -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.brook77
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw913ef31b3-d328-4bf2-bb60-0f0c1d61520d
EDAN-URL:
ead_collection:sova-aaa-brook77
Online Media:

Oral history interview with Isabel Bishop

Interviewee:
Bishop, Isabel, 1902-1988  Search this
Interviewer:
Morse, John D., 1906-  Search this
Names:
Miller, Kenneth Hayes, 1876-1952  Search this
Extent:
19 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1959 May 29
Scope and Contents:
An interview of Isabel Bishop conducted by John D. Morse on 1959 May 29 for the Archives of American Art.
Bishop speaks of her painting materials and methods including the preparation of canvases, types and qualities of paint, permanence, underpainting, varnishes, and subject matter. Bishop also describes the methods of Kenneth Hayes Miller.
Biographical / Historical:
Isabel Bishop (1902-1988) was a painter in New York, New York.
General:
Originally recorded 1 sound tape reel. Reformatted in 2010 as 1 digital wav files. Duration is 46 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Book illustrators -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.bishop59may
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bcb1f3f2-a31b-4117-a4b8-b8f17ecf2f6c
EDAN-URL:
ead_collection:sova-aaa-bishop59may
Online Media:

Oral history interview with Peggy Bacon

Interviewee:
Bacon, Peggy, 1895-1987  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Bellows, George, 1882-1925  Search this
Brook, Alexander, 1898-1980  Search this
Dasburg, Andrew, 1887-1979  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Hawthorne, Charles Webster, 1872-1930  Search this
Lie, Jonas, 1880-1940  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Extent:
2 Sound tape reels (Sound recording, analog, 5 in.)
39 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1973 May 8
Scope and Contents:
Interview of Peggy Bacon conducted 1973 May 8, by Paul Cummings, for the Archives of American Art, in Cape Porpoise, Maine. Bacon speaks of her family and educational background; summer art classes in Provincetown, Massachusetts and Woodstock, New York; the Art Students League; the Provincetown Players; working in black and white; her drawings, drypoints, etchings, and caricatures; her illustrated books including, "Off With Their Heards"; cats as subjects; and her husband Alexander Brook. She recalls George Bellows, Andrew Dasburg, Edith Gregor Halpert, Charles Webster Hawthorne, Jonas Lie, Kenneth Hayes Miller, and others.
Biographical / Historical:
Peggy Bacon (1895-1987) was a printmaker from Cape Porpoise, Maine.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 3 digital wav files. Duration is 3 hr., 9 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Printmakers -- New York (State) -- Woodstock  Search this
Illustrators -- New York (State) -- Woodstock  Search this
Caricaturists -- New York (State) -- Woodstock  Search this
Authors -- New York (State) -- Woodstock  Search this
Topic:
Women artists  Search this
Women authors  Search this
Women printmakers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.bacon73
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92e25c184-dfa9-43ef-b2b6-00ad02457bcc
EDAN-URL:
ead_collection:sova-aaa-bacon73
Online Media:

Oral history interview with Katherine Schmidt

Interviewee:
Schmidt, Katherine, 1898-1978  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Bacon, Peggy, 1895-1987  Search this
Bellows, George, 1882-1925  Search this
Burroughs, Bryson, 1869-1934  Search this
Goodrich, Lloyd, 1897-1987  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Lachaise, Gaston, 1882-1935  Search this
Marsh, Reginald, 1898-1954  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Pascin, Jules, 1885-1930  Search this
Sloan, John, 1871-1951  Search this
Extent:
60 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1969 December 8-15
Scope and Contents:
An interview of Katherine Schmidt conducted 1969 December 8 and December 15, by Paul Cummings, for the Archives of American Art, at the artist's home, in New York, N.Y.
Biographical / Historical:
Katherine Schmidt (1898-1978) was a still life painter from New York, N.Y.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 4 digital wav files. Duration is 4 hr., 13 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Still-life painters -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.schmid69
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94c389562-f885-4a3a-a555-901d94b5949e
EDAN-URL:
ead_collection:sova-aaa-schmid69
Online Media:

Oral history interview with Molly Luce

Interviewee:
Luce, Molly, 1896-1986  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Art Students League (New York, N.Y.) -- Students  Search this
Wheaton College (Ill.) -- Students  Search this
Bacon, Peggy, 1895-1987  Search this
Bishop, Isabel, 1902-1988  Search this
Brook, Alexander, 1898-1980  Search this
Burroughs, Alan  Search this
Forbes, Edward Waldo, 1873-1969  Search this
Goodrich, Lloyd, 1897-1987  Search this
Hopper, Jo N. (Josephine Nivison), 1883-1968  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Schmidt, Katherine, 1898-1978  Search this
Extent:
44 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1981 Mar. 10-June 18
Scope and Contents:
An interview of Molly Luce conducted 1981 Mar.10-1981 June 18, by Robert F. Brown, for the Archives of American Art.
Luce speaks of her childhood; her early interested in drawing and botany; her two years of study at Wheaton College; her training at Art Students League; her acquaintances from the League including Anne Rector, Katherine Schmidt, Kenneth Hayes Miller; her travels in Europe with her first husband, Alan Burroughs; her residences in Minneapolis, Boston, and finally Little Compton; and observations on a range of her own paintings. She recalls Lloyd Goodrich, Dennis Miller, Kenneth Hayes Miller, Peggy Bacon, Isabel Bishop, Dorothy Varian, Alexander Brook, Edward Forbes, and many others.
Biographical / Historical:
Molly Luce (1896-1986) was a painter in Little Compton, R.I.
General:
Originally recorded on 2 tape reels. Reformatted in 2010 as 3 digital wav files. Duration is 2 hrs., 27 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Painters -- Interviews  Search this
Topic:
Women artists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.luce81
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9eebef8c5-9c80-4bd2-89ae-c1ce6364b46f
EDAN-URL:
ead_collection:sova-aaa-luce81
Online Media:

Oral history interview with Isabel Bishop

Interviewee:
Bishop, Isabel, 1902-1988  Search this
Interviewer:
Nadelman, Cynthia  Search this
Names:
Gruskin, Alan D. (Alan Daniel), 1904-1970  Search this
Marsh, Reginald, 1898-1954  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Pène Du Bois, Guy, 1884-1958  Search this
Soyer, Raphael, 1899-1987  Search this
Sweeney, James Johnson, 1900-  Search this
Extent:
130 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1987 November 12-December 11
Scope and Contents:
An interview of Isabel Bishop conducted 1987 November 12-December 11, by Cynthia Nadelman, for the Archives of American Art.
Bishop discusses her family background; moving to New York; her studio in Union Square; "Reality" magazine; and her figurative sculpture and portraiture. She recalls Reginald Marsh, Kenneth Hayes Miller, Raphael Soyer, Alan Gruskin, Guy Pène du Bois, James Johnson Sweeney, and others.
Biographical / Historical:
Isabel Bishop (1902-1988) was a painter from New York, New York.
General:
Originally recorded 4 sound cassettes. Reformatted in 2010 as 8 digital wav files. Duration is 5 hr., 56 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Book illustrators -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.bishop87
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c8ba9e8a-7f9f-4913-9e57-8f07fe0b192a
EDAN-URL:
ead_collection:sova-aaa-bishop87
Online Media:

Landscape with Figures, (painting)

Painter:
Miller, Kenneth Hayes 1876-1952  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
Metropolitan Museum of Art 5th Avenue at 82nd Street New York New York 10028 Accession Number: 27.180
Date:
1914
Topic:
Landscape  Search this
Figure group  Search this
Control number:
IAP 36120551
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_42325

Oral history interview with Arnold Blanch

Interviewee:
Blanch, Arnold, 1896-1968  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Names:
American Artists' Congress  Search this
Bellows, George, 1882-1925  Search this
Force, Juliana, 1876-1948  Search this
Gorky, Arshile, 1904-1948  Search this
Hague, Raoul, 1905-1993  Search this
Henri, Robert, 1865-1929  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Orozco, José Clemente, 1883-1949  Search this
Rivera, Diego, 1886-1957  Search this
Robinson, Boardman, 1876-1952  Search this
Siqueiros, David Alfaro  Search this
Sloan, John, 1871-1951  Search this
Extent:
37 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1963 June 13-August 3
Scope and Contents:
An interview of Arnold Blanch conducted by Dorothy Seckler (31 pages) on 1963 June 13 for the Archives of American Art, and a lecture by Blanch recorded by Seckler (6 pages), August 1, 1963.
In the interview, Blanch speaks of his childhood in Minnesota; his hostility toward formal education; his art education; moving to New York; the influence of Cezanne and Renoir on his work; the Woodstock art circle; travels in Paris; his association with New York galleries; his involvement with WPA projects; the American Artists Congress; the American art scene in the 1930s; his opinions of government aid to the arts; changes in his style; and his opinions on the contemporary art scene. He recalls Boardman Robinson, Juliana Force, George Bellows, Robert Henri, John Sloan, Kenneth Hayes Miller, Arshile Gorky, Diego Rivera, Jose Clemente Orozco, David Siqueiros, and Raoul Hague. The lecture,"Art Tradition," was delivered by Blanch to the Woodstock Art Association, Woodstock, New York, August 1, 1963.
Biographical / Historical:
Arnold Blanch (1896-1968) was a mural painter in Woodstock, New York.
General:
Originally recorded 5 sound tape reels. Reformatted in 2010 as 5 digital wav files. Duration is 3 hr., 12 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Art, American  Search this
Muralists -- New York -- Woodstock -- Interviews  Search this
Painters -- New York (State) -- Woodstock -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.blanch63
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90ce9ffe3-ba4d-4131-b160-99f0588088aa
EDAN-URL:
ead_collection:sova-aaa-blanch63
Online Media:

Oral history interview with George Biddle

Interviewee:
Biddle, George, 1885-1973  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington), 1920-  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Public Works of Art Project  Search this
Bacon, Peggy, 1895-1987  Search this
Benton, Thomas Hart, 1889-1975  Search this
Billings, Henry, 1901-  Search this
Bruce, Edward, 1879-1943  Search this
Cahill, Holger, 1887-1960  Search this
Demuth, Charles, 1883-1935  Search this
Evergood, Philip, 1901-1973  Search this
Grosz, George, 1893-1959  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Hartley, Marsden, 1877-1943  Search this
Marsh, Reginald, 1898-1954  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Orozco, José Clemente, 1883-1949  Search this
Rivera, Diego, 1886-1957  Search this
Robinson, Boardman, 1876-1952  Search this
Siqueiros, David Alfaro  Search this
Sterne, Maurice, 1878-1957  Search this
Stieglitz, Alfred, 1864-1946  Search this
Tamayo, Rufino, 1899-  Search this
Weber, Max, 1881-1961  Search this
Zorach, William, 1887-1966  Search this
Extent:
261 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1963
Scope and Contents:
An interview of George Biddle conducted in 1963, by Harlan Phillips, for the Archives of American Art.
Biddle speaks of his background in Philadelphia; his Harvard education in preparation for a law career; literary acquaintances; travel; the beginning of his art career; his preoccupation with portraiture; his tragic and pleasant works; the importance of mood; his drawing techniques; drawing from nature; color experimentation; Stieglitz's circle; the susceptibility of artists to change during the 1930s; his involvement with the Public Works of Art Project; government censorship of his murals; his involvement with artists overseas during World War II; and his aesthetic philosophy. He recalls Max Weber, Maurice Sterne, George Grosz, William Zorach, Kenneth Hayes Miller, Peggy Bacon, Marsden Hartley, Charles Demuth, Edith Halpert, Boardman Robinson, Reginald Marsh, Thomas Hart Benton, Henry Billings, Ned Bruce, Holger Cahill, Philip Evergood, Diego Rivera, Jose Clemente Orozco, David Siqueiros, and Rufino Tamayo.
Biographical / Historical:
George Biddle (1885-1973) was a painter and sculptor, in Croton-on-Hudson, New York.
General:
Originally recorded 3 sound tape reels. Reformatted in 2010 as 9 digital wav files. Duration is 13 hr., 56 min.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Topic:
Art -- Censorship  Search this
Federal aid to the arts  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Sculptors -- New York (State) -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.biddle63
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bb4fdb2d-29ab-4c56-bcef-655c27a0afb8
EDAN-URL:
ead_collection:sova-aaa-biddle63
Online Media:

Harry Wickey papers

Creator:
Wickey, Harry  Search this
Society of American Etchers  Search this
Names:
Arms, John Taylor, 1887-1953  Search this
Curry, John Steuart, 1897-1946  Search this
Dehn, Adolf, 1895-1968  Search this
Grosz, George, 1893-1959  Search this
Kent, Rockwell, 1882-1971  Search this
Marsh, Reginald, 1898-1954  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Myers, Jerome, 1867-1940  Search this
Pach, Walter, 1883-1958  Search this
Robinson, Boardman, 1876-1952  Search this
Sloan, John, 1871-1951  Search this
Sternberg, Harry, 1904-2001  Search this
Street, Frank, 1893-1944  Search this
Extent:
0.2 Linear feet (ca. 237 items (on 2 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1918-1973
Scope and Contents:
Letters, printed material, photographs, writings, and two etchings.
REEL 3683: Letters, annotated by Wickey, from John Taylor Arms, John Steuart Curry, Adolph Dehn, Rockwell Kent, Reginald Marsh, Kenneth Hayes Miller, Walter Pach, the Society of American Etchers, and other art organizations discussing art theory, exhibitions, and personal matters; 3 exhibition catalogs, ca. 1931-1973; a notice of a Guggenheim Fellowship award; and two landscape etchings by Wickey.
REEL 1079: A typescript of Wickey's autobiography, THUS FAR, (published by the American Artists Group, 1941); letters from Wickey to Ethel and Virginia Myers about Jerome Myers, and to Mr. and Mrs. Frank Street sent from France during World War I; letters from Syracuse University about the Wickey Collection, and from George Grosz; a list of letters given to Syracuse University; and photographs of Wickey and Grosz.
Biographical / Historical:
Etcher, lithographer, teacher; Cornwall Landing, New York.
Related Materials:
Harry Wickey papers also at Syracuse University.
Provenance:
Material on reel 1079 donated by Mrs. May Wickey, wife of Harry Wickey, 1976. Material on reel 3683 lent for microfilming by Ralph Sandler, the son of Wickey's friend and patron Marc Sandler, 1986.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Etchers -- New York (State)  Search this
Lithographers -- New York (State)  Search this
Topic:
Landscape prints -- 20th century  Search this
Prints -- 20th century -- New York (State)  Search this
Identifier:
AAA.wickharr
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f9ff777b-b300-4110-8399-9a26f55526f8
EDAN-URL:
ead_collection:sova-aaa-wickharr

Lincoln Rothschild papers

Creator:
Rothschild, Lincoln, 1902-  Search this
Names:
Federal Art Project (New York, N.Y.)  Search this
Index of American Design  Search this
Archer, Edmund, 1904-  Search this
Cahill, Holger, 1887-1960  Search this
Coffey, Katherine, d. 1972  Search this
Davis, Charles H. (Charles Harold), 1856-1933  Search this
Greenbaum, Dorothea S.  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Mangravite, Peppino, 1896-  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Piccoli, Girolamo, 1900-1970  Search this
Schmidt, Katherine, 1898-1978  Search this
Starr, Theodore  Search this
Von Groschwitz, Gustave, 1906-1991  Search this
Winchester, Alice  Search this
Woodhouse, Betty Burroughs, 1899-1988  Search this
Extent:
1.8 Linear feet ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Interviews
Sketchbooks
Date:
1920-1982
Scope and Contents:
Biographical material, interviews, printed materials, writings, correspondence, art work, and photographs.
REEL 290: Eleven scripts for radio programs on the Index of American Design, broadcast in New York throughout 1940. Interviewees include: Rothschild, Holger Cahill, director of the WPA-FAP; Edith Halpert, director of American Folk Art Gallery; Katherine Coffey, curator of Newark Museum; Alice Winchester, editor of "Antiques"; and Theodore Starr.
REEL NDA 15: Press releases; pamphlet on permanent art programs; Index of American Design papers; a report concerning government art programs; memorandum to Gustave Von Groschwitz outlining a plan for new subject matter for FAP artists; and "Report to the Sculptors of the Federal Art Project" by Girolamo Piccoli.[Report to the sculptors...under microfilm title Girolamo Piccoli]
UNMICROFILMED: Writings on art and on the Index of American Design; radio scripts for the series "The American Artists" sponsored by Artists Equity, 1953; clippings, 1936-1982; a nearly complete set of his newsletter, THE PRAGMATIST IN ART, 1964-1978; material on Kenneth Hayes Miller; resumes, school transcripts and memorabilia; photographs of Rothschild and of his sculpture; correspondence concerning THE PRAGMATIST IN ART (1964-1978), The Index of American Design (1968-1973), his research on Miller (1964-1977) and other publications, his work for Artists Equity, and other matters; a sketchbook; and a drawing. Among the correspondents are Samuel Kramer, editor of "The Shipyard Worker," Peppino Mangravite, Katherine Schmidt Shubert, Betty Burroughs Woodhouse, and critics Rudolf Arnheim, John Canaday and Donald Kuspit.
Biographical / Historical:
Lincoln Rothschild (1902-1983) was a cculptor and writer in New York, N.Y. Rothschild was the director of the New York Unit of the Index of American Design, 1937-1940. He taught at Columbia University and Adelphi College, 1946-1950 and was the National Executive Director for Artists' Equity Association, 1951-57. He was the author of SCULPTURE THROUGH THE AGES (1942) TO KEEP ART ALIVE-KENNETH HAYES MILLER, AMERICAN PAINTER 1876-1956 (1974), FORMS AND THEIR MEANINGS IN WESTERN ART (1976) and numerous articles.
Other Title:
Girolamo Piccoli [microfilm title]
Provenance:
Material on reel NDA15 donated by Rothschild, 1964; remainder donated 1987 by his widow, Elisabeth Rothschild.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Sculptors  Search this
Topic:
New Deal, 1933-1939 -- New York (State) -- New York  Search this
United States -- Economic conditions -- 1918-1945 -- New York (State) -- New York  Search this
Art and state -- New York (State) -- New York  Search this
Federal aid to the arts -- New York (State) -- New York  Search this
Federal aid to public welfare -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Sketchbooks
Identifier:
AAA.rothlinc
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93083a3ad-b862-4911-81b8-f11dad81fab3
EDAN-URL:
ead_collection:sova-aaa-rothlinc

Selections from the Philadelphia Museum of Art's Archives of American Art collection

Creator:
Philadelphia Museum of Art  Search this
Names:
Milch Galleries  Search this
Abbe, Robert  Search this
Arms, John Taylor, 1887-1953  Search this
Bartlett, Paul, 1881-1965  Search this
Beal, Gifford, 1879-1956  Search this
Beaux, Cecilia, 1855-1942  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Cadmus, Paul, 1904-1999  Search this
Chagall, Marc, 1887-1985  Search this
Cortissoz, Royal, 1869-1948  Search this
Cox, Kenyon, 1856-1919  Search this
Curran, Charles C. (Charles Courtney), 1861-1942  Search this
De Creeft, José, 1884-1982  Search this
Dehn, Adolf, 1895-1968  Search this
Dewing, Thomas Wilmer, 1851-1938  Search this
Eakins, Susan Macdowell  Search this
Eakins, Thomas, 1844-1916  Search this
Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this
Evergood, Philip, 1901-1973  Search this
Force, Juliana, 1876-1948  Search this
Graham, John, 1887-1961  Search this
Haskell, Ernest, 1876-1925  Search this
Hassam, Childe, 1859-1935  Search this
Ingersoll, R. Sturgis (Robert Sturgis), b. 1891  Search this
Lipchitz, Jacques, 1891-1973  Search this
Marsh, Reginald, 1898-1954  Search this
McCarter, Henry, 1866-1942  Search this
Mechlin, Leila, 1874-1949  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Mullikin, Mary Augusta, 1874-1964  Search this
Pennell, Joseph, 1857-1926  Search this
Roberts, George B., Mrs  Search this
Sartain, William, 1843-1924  Search this
Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this
Sloan, John, 1871-1951  Search this
Valentin, Curt, 1902-1954  Search this
Walker, Hudson D. (Hudson Dean), 1907-1976  Search this
Zigrosser, Carl, 1891-  Search this
Extent:
4 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Place:
China -- Description and Travel
Date:
1866-1968
Scope and Contents:
Correspondence, printed material, writings, and other personal papers collected by Carl Zigrosser and Leila Mechlin and later added to by others, all relating to American art.
REELS P10-P11 and P14: Letters to Leila Mechlin, Henry Schnakenberg and Hudson Walker. Correspondents include Robert Abbe, John Taylor Arms, Cecelia Beaux, Paul Bartlett, Gifford Beal, Paul Cadmus, Charles Curran, Royal Cortissoz, Kenyon Cox, Philip Evergood, John David Graham, Reginald Marsh, Joseph Pennell, John Sloan and many others. Some letters include printed material and photographs. Mechlin material includes writings, photographs and letters from Mary Augusta Mullikin describing her life and travels in China, 1933. Also included are letters from Adolph Dehn and Jose de Creeft to Juliana Force; from Ernest Haskell and Kenneth Hayes Miller to Carl Zigrosser; miscellaneous letters from Marc Chagall, Thomas Wilmer Dewing, Louis Eilshemius and Childe Hassam; an autobiography of William Sartain; and material on Thomas Eakins, including letters, a list of expenses, 1867, and motion study material,including writings, sketches and photographs taken with a camera invented by Eakins.
REEL 4547: Charles Burchfield letters; Susan and Thomas Eakins material; Jacques Lipchitz correspondence; Henry McCarter letters; and Carl Zigrosser correspondence. The Burchfield letters consist of 41 items, 1929-1947, from Burchfield regarding exhibitions, sales, and his paintings. The Eakins material includes letters from Susan Eakins to the Milch Galleries, 1933-1935, regarding the sale of Thomas Eakins' work, receipts from the Milch Galleries, Thomas' expense book, ca. 1866, for daily living in Paris and Switzerland and an autographed account of expenses while at school in Paris, April 12, 1867, a photograph of Susan Eakins by Carl van Vechten, a photograph of Eakins, and 71 engraved portraits from the collection of Thomas Eakins.
The Lipchitz correspondence is with R. Sturgis Ingersoll regarding Lipchitz's commission for the sculpture "Prometheus." Also included are 8 letters from Curt Valentin to Ingersoll regarding Lipchitz. The McCarter material includes 66 letters, 1933-1942, some containing sketches, from McCarter to Mrs. George B. Roberts regarding paintings, frames, exhibitions, and offering painting advice. The Zigrosser correspondence is regarding the purchase of prints from the regional projects of the WPA for the Philadelphia Museum of Art, and later included in the exhibition "Between Two Wars" at the Whitney Museum of American Art. Included are invoices and inventories of the prints from the various offices.
Provenance:
Material on reels P10-P11 and P14 lent for microfilming, 1954, by the Philadelphia Museum of Art. Additional material on reel 4547 was microfilmed in 1991 as part of AAA's Philadelphia Arts Documentation Project. The idea for the archives originated with Carl Zigrosser, who donated material, solicited it from others (mainly Henry Schnakenberg, Leila Mechlin and Hudson Walker), or pulled it from the files of the Philadelphia Museum of Art. The Museum continues to add to the collection. It is not connected to the Archives of American Art at the Smithsonian Institution.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Rights:
Authorization to publish, quote or reproduce requires written permission from Philadelphia Museum of Art Archives. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Artists -- United States  Search this
Topic:
Art, American  Search this
Artists' writings  Search this
Motion study -- Photographs  Search this
Identifier:
AAA.philmuss
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a2730a20-b93d-4840-8872-6bd20fe24b55
EDAN-URL:
ead_collection:sova-aaa-philmuss

Albert Pels papers

Creator:
Pels, Albert  Search this
Names:
Federal Art Project (U.S.)  Search this
United States. Dept. of the Treasury. Section of Fine Arts  Search this
United States. Dept. of the Treasury. Section of Painting and Sculpture  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Palmer, William, 1906-1987  Search this
Extent:
0.7 Linear feet ((600 items))
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
[ca. 1931-1946]
Scope and Contents:
A resume; personal and business correspondence; financial receipts; correspondence with the Treasury Department regarding murals painted by Pels in Wilmington, De. and Normal, Ill. for the Section of Fine Arts during the Depression; ca. 450 sketches of street scenes, figures, and mural studies for government murals; signatures and notes from Kenneth Hayes Miller and William Palmer; photographs of Pels and his work; clippings; exhibition catalogs; and a scrapbook containing clippings, announcements, and letters.
Biographical / Historical:
Painter, art school administrator; Cincinnati, Ohio and New York, N.Y. Born May 7, 1910; died 1998. Painted murals for the Section of Fine Arts under the Department of the Treasury government work-relief art projects.
Provenance:
Donated 1979 by Albert Pels.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Educators  Search this
Painters  Search this
Topic:
Public art  Search this
Mural painting and decoration -- Delaware -- Wilmington  Search this
Mural painting and decoration -- Illinois -- Normal  Search this
Art and state  Search this
Federal aid to the arts  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.pelsalbe
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d8aabaf8-b470-4367-b42e-21ec138c9802
EDAN-URL:
ead_collection:sova-aaa-pelsalbe

Kenneth Hayes Miller papers

Creator:
Miller, Kenneth Hayes, 1876-1952  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Extent:
1 Linear foot ((on 3 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1906-1951
Scope and Contents:
Correspondence, notes, photographs, typescripts of lectures, and exhibition catalogs.
REELS N583-N583A: Correspondence with Sherwood Anderson, Theodore Dreiser, Garet Garrett, Marsden Hartley, Albert Pinkham Ryder, and others; and letters from Miller to his first wife, Irma Ferry Miller; Miller's mother, Annie Elizabeth Kelley Miller; and his cousin, Rhoda Dunn; personal photographs; exhibition catalogs; lecture notes; speeches; and reminiscences of Miller's classes at the Art Students League by some of his students.
REEL 379: Correspondence and typescripts from lectures collected by Helen Miller and Elizabeth Stone Dickson for an unpublished book on Miller's teaching methods at the Art Students League, 1945-1947. Included are letters to John Taylor Arms, Garet Garett, Yasuo Kuniyoshi, Louis Lozowick, and Forbes Watson, and a copy of a letter from Marsden Martley to Miller; and a typescript of an address, "The Third Dimension in Painting." Exhibition catalogs and clippings are also included.
Biographical / Historical:
Painter, instructor and etcher; New York, N.Y. Born Oneida, New York. Taught at William Merritt Chase's New York School of Art, 1900-1910, and Art Students League, 1912-1936.
Provenance:
Material on reels N583-N583A was lent for microfilming by Miller's daughter, Louise Miller Smith, 1967. Portions of the material were later received from Edward Laning, 1972. Laning, who took over from Miller at the Art Students League, presumably received these papers from Elizabeth Dixon and Helen Miller, who had compiled them in preparation for a book on Miller's teaching methods (never published).
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Educators -- New York (State) -- New York  Search this
Etchers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Identifier:
AAA.millkenn
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bdfda524-65f1-4efe-b57c-789657d7bab3
EDAN-URL:
ead_collection:sova-aaa-millkenn

Ralph and Bena Frank Mayer papers

Creator:
Mayer, Ralph, 1895-1979  Search this
Names:
Biddle, George, 1885-1973  Search this
Bishop, Isabel, 1902-1988  Search this
Brook, Alexander, 1898-1980  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Florsheim, Richard A., 1916-1979  Search this
Hammer, Victor Karl, 1882-  Search this
Hirsch, Stefan, 1899-1964  Search this
Hurd, Peter, 1904-1984  Search this
MacKendrick, Lilian  Search this
Mayer, Bena Frank, 1898-1991  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Pach, Walter, 1883-1958  Search this
Rattner, Abraham  Search this
Sloan, John, 1871-1951  Search this
Smith, David, 1906-1965  Search this
Extent:
4.5 Linear feet ((partially microfilmed on 3 reels))
Type:
Collection descriptions
Archival materials
Date:
[ca. 1920]-1964
Scope and Contents:
Correspondence, writings, photographs, art work, subject files, scrapbooks, and printed material.
REELS D211-D213: Ralph Mayer's correspondence is with artists, conservators, museum directors, publishers, art organizations, and others. Notebooks contain data on 19th century canvas makers and dealers of artists' materials. Also included are correspondence and a ledger regarding restoration and conservation of paintings, 1929-1963; files on Columbia University, the National Academy of Design, the Newark Museum, The New York State Department of Commerce, the Whitney Museum of Art, subway murals, and other subjects; and correspondence with the U.S. Department of Commerce regarding standards for paints and pigments. Photographs are of Ralph Mayer's paintings. Correspondents include: George Biddle, Isabel Bishop, Alexander Brook, Charles Burchfield, Richard A. Florsheim, Victor Hammer, Stefan Hirsch, Peter Hurd, Lilian MacKendrick, Kenneth H. Miller, Walter Pach, Abraham Rattner, John Sloan, and David Smith.
Bena Frank Mayer's papers consist of biographical material, clippings, correspondence, exhibition catalogs and announcements, and photographs of her paintings. Two scrapbooks contain printed material, letters, and photographs regarding the Mayers' careers.
UNMICROFILMED: Correspondence includes Ralph Mayer's, 1930-1964, mainly concerning the use of artists' materials, Bena Frank correspondence, 1910-1977, and letters concerning Mayer's book, The Painter's Craft, 1948. Among his correspondents are Josef Albers, Thomas Hart Benton, Isabel Bishop, Georgia O'Keeffe, Walter Pach, Paul Sample, John Sloan, and Frederic Taubes. Subject files are on the Artists' Laboratory, the Art Students League, Gustav Berger, Huntington Hartford, the MacDowell Colony, the National Academy of Design, Diego Rivera murals, subway murals, and other subjects. Writings consist of papers on commercial standards of paint, a typescript of The Painter's Craft, and lecture notes from classes Mayer taught at the Art Students League and Columbia University.
Art work consists of sketchbooks and sketches. Photographs are of the Mayers, their studios, family, friends, and paintings. Printed material includes exhibition catalogs and announcements, brochures, clippings, and posters. There are also six scrapbooks, ca. 1930-1940, containing clippings, photographs, letters received, and printed material.
Biographical / Historical:
Ralph Mayer: conservator, restorer, painter. Died 1979. Bena Frank Mayer: painter. They lived in New York. Ralph Mayer was educated as a chemical engineer, and spent several years working in the manufacture of paints and varnishes. He also studied painting at the Art Students League. His work in conservation and artists' materials led him to found the Artists Technical Research Institute in 1959. Author of The Artists Handbook of Materials and Techniques (1940) and The Painter's Craft (1948), and numerous articles. Taught at Columbia University.
Provenance:
Material on reels D211-D213 was lent for microfilming in 1965 by Ralph Mayer. Portions were subsequently donated along with unmicrofilmed material, 1972-1979, by Ralph and Bena Frank Mayer.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art restorers  Search this
Conservators  Search this
Restorers  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Artists' materials  Search this
Art -- Conservation and restoration  Search this
Art -- Technique  Search this
Identifier:
AAA.mayeralp
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9dd9999e2-6a80-4d08-9531-d0f9c0ecb497
EDAN-URL:
ead_collection:sova-aaa-mayeralp

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