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Volume 22

Collection Creator:
Meigs, Montgomery C., 1816-1892  Search this
Collection Photographer:
Russell, Andrew J., 1829-1902  Search this
Container:
Box 11
Type:
Archival materials
Text
Date:
1885 February 25 to 1885 October 31
Scope and Contents:
Volume 22 is a bound scrapbook that features numbered pages and consists mostly of newspaper clippings and handwritten notes.

Articles prominently featured in Volume 22 concernthe Pension Building, the Statue of Liberty, and the issue of water supplies. There are illustrations of the Pension Building, including a detailed illustration and many accounts and illustrations relating to the construction of the Statue of Liberty. There are numerous articles related to water supply concerns, water pollution, and water prices. Meigs's interest in yachts includes illustrations of designs and dramatic boating scenes.

Some of the publications featured in Volume 22 includeThe Philadephia Inquirer, The Evening Star, The Daily Graphic, the The New-York Daily Tribune, and The Metal Worker.
Collection Restrictions:
The collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Montgomery C. Meigs Papers, Archives Center, National Museum of American History.
See more items in:
Montgomery C. Meigs Papers
Montgomery C. Meigs Papers / Series 1: Scrapbooks
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0984-ref70

Oral history interview with Richard Thomas, 1978 May 5-17

Interviewee:
Thomas, Richard C., 1917-1988  Search this
Interviewer:
Barrie, Dennis, 1947-  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Educators -- Michigan -- Bloomfield Hills -- Interviews  Search this
Metal-workers -- Michigan -- Bloomfield Hills -- Interviews  Search this
Decorative arts  Search this
Record number:
(DSI-AAA_CollID)12006
(DSI-AAA_SIRISBib)213158
AAA_collcode_thomas78
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213158

Oral history interview with Richard Thomas

Interviewee:
Thomas, Richard C., 1917-1988  Search this
Interviewer:
Barrie, Dennis  Search this
Extent:
48 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1978 May 5-17
Scope and Contents:
An interview of Richard Thomas conducted 1978 May 5-17, by Dennis Barrie, for the Archives of American Art.
Biographical / Historical:
Richard Thomas (1917-1988) is a metalsmith and educator from Cranbrook Academy, Bloomfield Hills, Michigan.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 3 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Art, American  Search this
Educators -- Michigan -- Bloomfield Hills -- Interviews  Search this
Metal-workers -- Michigan -- Bloomfield Hills -- Interviews  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.thomas78
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-thomas78

Fendrick Gallery records

Creator:
Fendrick Gallery  Search this
Names:
Barbara Fendrick Gallery  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Arneson, Robert, 1930-1992  Search this
Bailey, William, 1930-2020  Search this
Benes, Barton Lidic  Search this
Brush, Daniel  Search this
Castle, Wendell, 1932-  Search this
Cottingham, Robert, 1935-  Search this
Drake, James, 1946-  Search this
Dreyfuss, John, 1949-  Search this
Dusenbery, Walter, 1939-  Search this
Frankenthaler, Helen, 1928-2011  Search this
Gilliam, Sam, 1933-  Search this
Johns, Jasper, 1930-  Search this
KaskeyRaymond J., 1943-  Search this
Lalanne, Claude  Search this
Lalanne, François Xavier  Search this
Maria da Conceição  Search this
Paley, Albert  Search this
Raffael, Joseph, 1933-  Search this
Summer, Carol  Search this
Tenneson, Joyce, 1945-  Search this
Woodyard, William  Search this
Extent:
106.4 Linear feet
0.008 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Account books
Photographs
Date:
1952-2001
Summary:
The records of the Fendrick Gallery measure 106.4 linear feet and 0.008 GB and span the years 1952 to 2001. The bulk of the collection is comprised of artist's files that document the gallery's relations with and representation of over 300 contemporary artists and sculptors, including Robert Arneson, William Bailey, Daniel Brush, Wendell Castle, Robert Cottingham, James Drake, John Dreyfuss, Walter Dusenbury, Roger Essley, Helen Frankenthaler , Sam Gilliam, Jasper Johns, Raymond Kaskey, Claude and Francois Lalanne, Albert Paley, Joseph Raffael, Carol Summer, and numerous other artists. Also found are subject, exhibition, commission, administrative, and financial files, as well as files documenting the gallery's relationship with other museums and galleries.
Scope and Content Note:
The records of the Fendrick Gallery measure 106.4 linear feet and 0.008 GB and span the years 1952 to 2001. The bulk of the collection is comprised of artist's files that document the gallery's relationships with and representation of over 300 contemporary artists, including Robert Arneson, William Bailey, Daniel Brush, Wendell Castle, Robert Cottingham, James Drake, John Dreyfuss, Walter Dusenbury, Roger Essley, Helen Frankenthaler, Sam Gilliam, Jasper Johns, Raymond Kaskey, Claude and Francois Lalanne, Albert Paley, Joseph Raffael, Carol Summer, and numerous other artists. Also found are subject, exhibition, commission, administrative, and financial files, as well as files documenting the gallery's relationship with other museums and galleries.

Series 1, Artist's Files, measures almost 42 linear feet and dates from 1962-2001. Found here are files documenting the gallery's relationship with over 300 contemporary artists. Files typically contain correspondence, sales receipts, printed materials, exhibition catalogs and announcements, commission information, photographs, slides, and other materials.

Series 2, Albert Paley, 1970-2001, and undated, provides detailed documentation (14.5 linear feet) of the Fendrick gallery's representation of prominent American metal sculptor Albert Paley. The gallery represented Paley from the early 1980s through the early 1990s and devoted a great deal of its resources promoting Paley's work through exhibitions and commissioned sales. Correspondence between the Fendrick Galleries and Paley Studios is found in this series, along with publicity materials, commission proposals and sketches, exhibition materials, and audio-visual and photographic documentation of Paley's work. Researchers should also consult Series 3 for additional documentation of Paley's commissioned projects.

Series 3, Commissioned Works and Projects, 1972-2000, and undated, documents the variety of commissions and special projects the gallery arranged and managed on behalf of its represented artists. Because privately commissioned work and government-sponsored public art projects represented a significant source of revenue for the Fendrick galleries, the gallery devoted a substantial amount of time and resources towards securing these projects. These files contain applications, proposals, sketches, correspondence, photographs and other material arranged by name of project.

Series 4, Exhibition Files, 1961, 1970-1996, and undated, houses files relating to exhibitions organized by Fendrick Gallery. Found here are exhibition announcements, invitations, and catalogs; specific named exhibition files; and files concerning special projects or exhibitions, often jointly curated with other galleries or institutions. The Fendrick gallery was also actively involved in various governmental programs, such as Art in the Embassies Program, and organized traveling exhibits or loaned artwork to them.

The gallery's relationships with other galleries, museums, institutions, and art organizations is documented in Series 5, Museums and Galleries Files, 1952-2000, and undated. Many of the files concern loans, exhibition venues, and joint exhibitions or projects.

Series 6, Subject Files, 1952, 1960-2001, and undated contain numerous files arranged by subject heading. Here, researchers will find information collected and maintained by the gallery on various art medium, artists of interest, exhibition catalogs from museums and other galleries, information about small and fine art presses. Of particular interest are several folders entitled "Fine Art Printers & Publishers." Barbara Fendrick's early years in the art business centered upon exhibiting, promoting, and selling prints produced by young, emerging American artists. The information found here documents her growing personal relationships with some of the most prominent artists and printmakers of this era.

Records documenting administrative, business, operating, and financial affairs are arranged in Series 7, Administrative and Financial Files, 1960-2001, and undated. Found here are records of both the Barbara Fendrick Gallery (New York) and the Fendrick Gallery (Washington, D.C.), as well as files that document Barbara Fendrick's role as art consultant, appraiser, lecturer, exhibition juror, and guest curator. Found are numerous inventory cards, insurance records, consignment files, general correspondence, lists, loan files, notebooks, real estate files, card files on artists and clients, and history files. Of particular interest are the Day Books/Dailies maintained by the New York gallery staff consisting of entries and notes regarding prospective clients and their interests. The Telephone Log Books contain details of telephone conversations with artists, clients, dealers, and other art professionals. Series 7 also houses the financial records of both galleries, including invoices, financial statements, expenses, accounts, and tax records.
Arrangement:
The Fendrick Gallery records were processed to the series, subseries, and folder level. The collection is arranged into seven series. Items within folders, for the most part, were not fully sorted or preserved. When possible, materials were generally arranged at least by year. Within Series 1, Artists' Files, each set of folders for a particular artist are only given span dates. Due to the amount and complexity of material compiled on the artist Albert Paley, his files are arranged into a separate series of their own.

Series 1: Artists Files, 1962-2001, undated (Box 1-42, OV 108-110; 41.5 linear ft.)

Series 2: Albert Paley, 1970-2001, undated (Box 42-54; Box 107, OV 111-113, 117-118, FC 119; 14.6 linear ft., ER01; 0.001 GB)

Series 3: Commissioned Works and Projects, 1972- 2000, undated (Box 54-57; 3.5 linear ft.)

Series 4: Exhibition Files, 1961, 1970-1996, undated (Box 58-63; 5.5 linear feet)

Series 5: Museums and Galleries Files, 1952-200, undated (Box 64-73; 9.25 linear feet)

Series 6: Subject Files, 1952, 1960-2001, undated (Box 73-88, OV 115-116, FC 120; 15.6 linear ft.)

Series 7: Administrative and Financial Files, undated (Box 88-106; OV, ER02-ER03; 0.008 GB)
Historical Note:
The Fendrick Gallery was established in 1960 as a "by appointment only" gallery out of Barbara Fendrick's Washington, D.C., area home. Initially the gallery promoted contemporary American and European prints by emerging artists and also commissioned print editions by nationally-known artists. During the mid 1960s, the Fendrick Gallery also coordinated and produced art exhibitions on a contract basis for the United States Information Agency. The gallery was responsible for organizing the first large American art exhibition at the Department of State and the Federal Reserve.

In May, 1970 the Fendrick Gallery moved into a three-story townhouse in Georgetown and began presenting regular exhibitions open to the public. The gallery offered many prominent American artists, such as Robert Arneson, Jim Dine, Helen Frankenthaler, Jasper Johns, Louise Nevelson, and Robert Rauschenberg their first solo shows in the nation's capital. The Fendrick Gallery also represented many nationally known sculptors, such as John Dreyfuss, Walter Dusenbery, Raymond Kaskey, and Albert Paley.

Over the years, Fendrick Gallery promoted many emerging artists who were breaking down the barriers between art and craft in the areas of clay, furniture, metal, and book arts. The gallery held the first major show of contemporary ceramics on the East Coast, with the 1976 exhibition, Clay USA. The gallery also received critical acclaim for its exhibitions in the area of "book arts" and held four shows featuring the works of prominent American and international book artists.

In 1987 and 1988, the gallery expanded and opened the Barbara Fendrick Gallery in the Soho section of New York City. The New York location operated as both a gallery space and storage area and was often referred to as "The Warehouse." Both the Fendrick Gallery and the Barbara Fendrick Gallery closed in the summer of 1991, but Barbara Fendrick continues to work as an art consultant, appraiser, exhibition juror, lecturer, and guest curator.
Provenance:
The records of the Fendrick Gallery were donated to the Archives of American Art by Barbara Fendrick in 1999, with an addition to the records in 2001.
Restrictions:
The collection is open for research. Use of unmicrofilmed material requires an appointment.
Rights:
The Fendrick Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters  Search this
Jewelers  Search this
Topic:
Art -- Washington (D.C.)  Search this
Furniture designers  Search this
Artists -- Washington (D.C.)  Search this
Art, Modern -- 20th century -- Washington (D.C.)  Search this
Sculptors  Search this
Artists' books  Search this
Art galleries, Commercial -- Washington (D.C.)  Search this
Printmakers  Search this
Metal-workers  Search this
Genre/Form:
Account books
Photographs
Citation:
Fendrick Gallery records, 1952-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fendgall
See more items in:
Fendrick Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-fendgall
Online Media:

Marc Maiorana on Albert Paley and Wayne Higby—Connections: Renwick Gallery

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2016-06-29T19:06:07.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_4a1mNh9haNI

Samuel Yellin Collection

Creator:
Yellin, Samuel, 1885-1940  Search this
Author:
Davis, Myra Tolmach  Search this
Photographer:
Hofmeister, Richard  Search this
Collector:
Community Life, Div. of, NMAH, SI  Search this
Names:
Samuel Yellin Metalworkers  Search this
Ahlborn, Richard E., 1933-2015  Search this
Yellin, Harvey  Search this
Extent:
2 Motion picture films
0.33 Cubic feet (2 boxes)
acetate,,16mm.,,Films:,Silver gelatin on,silent.
Photoprints:,fibre-base paper,,8" x 10".,Silver gelatin on
Type:
Collection descriptions
Archival materials
Motion picture films
Theses
Photographs
Articles
Motion pictures (visual works)
Place:
Pennsylvania
Singing Tower (Mountain Lake, Fla.)
Date:
circa 1971-1975
circa 1928 -1930
Summary:
Samuel Yellin was an American master blacksmith. In 1910, he built the Arch Street Metalworker's studio.
Scope and Contents:
The collection is divided into three series: (1) Motion pictures; (2) Documents; and (3) Photographs. There are two 16mm silent black-and-white films, one showing Yellin working; a master's thesis on Yellin and an article about him, both by Myra Tolmach Davis; and 86 photographs of Yellin's studio, factory, and home.

The films are: (1) "The Making of Wrought Iron", produced by the Metropolitan Museum of Art, shows an artist sketching a grille and Yellin shaping a grille for a chair. (2) "The Florida Film" shows examples of Yellin's first work as used in the Singing Tower, Mountain Lake, Florida. Both are distributed by Southern Illinois University at Carbondale.

The documents are two items by Myra Tolmach Davis: "Sketches in Iron: Samuel Yellin," a copy of a typescript addressed to George Washington University (Washington, D.C.), for Master of Museology degree, June 6, 1971. 67 pp. The article, "Samuel Yellin's Sketches in Iron," published in Historic Preservation, vol. 23, no. 4 (Oct. Dec.), 1971, pp. 4 13, is virtually identical to the text of her thesis. The photographs (Series 3) are 86 prints from 35mm negatives by Richard Hofmeister, Office of Printing and Photographic Services, Smithsonian Institution, April 1, 1975, with an itemized checklist, "The Samuel Yellin Metal Working Building & Collection, Philadelphia..." These photographs show Smithsonian curator Richard Ahlborn during his visit to the Yellin shop on April 1, 1975, and the exterior of the building, library, factory, study, and collection rooms. The original 35mm negatives by Richard Hofmeister, who accompanied Ahlborn on this research trip, are in the Office of Imaging, Printing and Photographic Services (OIPP) negative library, nos. 75 4495 to 75 4499.

The photographs were made by Richard Hofmeister on a visit with curator Richard Ahlborn to the Samuel Yellin Metalworkers factory, Philadelphia, 1 April 1975. The master's thesis and article by Davis relate to an exhibition of Yellin's work at the Dimock Gallery, George Washington University.
Arrangement:
Collection divided into three series.

Series 1, Motion Picture Films,

Series 2, Documents,

Series 3, Photoprints
Biographical / Historical:
Yellin, born in Poland, began learning ironwork at seven. He migrated to America in 1906 and taught at the Pennsylvania Museum and the school of Industrial Art. In 1910, he built the Arch Street Metalworker's studio, which eventually employed more than 200 craftsmen. Yellin was also an avid collector of fine examples of ironwork.
Provenance:
The collection was donated Harvey Z. Yellin in 1975.
Restrictions:
reference copies do not exist. Special arrangements must be made with the Archives Center to view the motion picture films.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees regarding intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Metal-workers  Search this
Art metal-work  Search this
Wrought-iron  Search this
Metal-work  Search this
Ironwork  Search this
Emigration and immigration  Search this
Artisans  Search this
Genre/Form:
Theses
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1950-2000
Articles -- 20th century
Motion pictures (visual works)
Citation:
Samuel Yellin Collection,1928-1975, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0254
See more items in:
Samuel Yellin Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0254

Working Americans

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Date:
June 30-July 8, 1973
Introduction:
The 1973 Festival saw the inauguration of a new theme presentation entitled "Working Americans". The presentation of working peoples' skills, crafts, and lore began in 1971 and continued in 1972 when the Union Workers programs featured ten member unions of the AFL-CIO. Working Americans differed from these earlier efforts in numerous ways, most substantially in the consideration of how working people serve human needs and how their skills and expressions have shaped a major national festival to celebrate the nation's 200th birthday.

Working Americans in 1973 featured "Workers Who Build Our Shelter", to be followed in future years by exploration of those workers who provide our food and other needs. Nine unions of the building and construction trades demonstrated their skills, complemented by a full musical program that presented various traditions enjoyed by urban and rural working people, from labor songs to urban blues and a Cajun band. On July 7 and 8, a gospel stage was dedicated to presentations of diverse traditions of African American sacred music. Narrative workshops on the Working Americans stage focused attention on the oral traditions of each of the building trades, as well as on the customs and practices that spanned several trades.

The Working Americans Program Coordinator was Shirley Askew, assisted by Denis Lachman. Major sponsors included the AFL-CIO, its Building and Construction Trades Department, and the U.S. Department of Labor.
Participants:
Bricklayers, Masons, and Plasterers International Union

Thomas Murphy, President

Exhibit Chairman: Edward Royston

Ronald Bennett

James Chellemi

Michael Crowley

Ray Fischer

Thomas Fonte

Charles Poss

and other craftsmen

Operative Plasterers' and Cement Masons' International Association of the U.S. and Canada

Joseph T. Power, President

Exhibit Chairman: Gilbert Wolfe

Charles Breen

Harry W. Furr

Rufus Jones

Benson Marble

Archie Neal

Carl O. Peterson

B. Lynn Romesberg

Joseph Vittone

Gilbert Wolfe

United Brotherhood of Carpenters and Joiners of America

William Sidell, President

Exhibit Chairmen: Charles L. Allen, James E. Tinkcom

Carpenters

Mill-cabinet makers

Millwrights

Apprentices

International Union of Operating Engineers

Hunter P. Wharton, President

Exhibit Chairmen: Delbert Allen, J. C. Turner

Charles Davidson

Charles Monroe

Ernest Motta

Donald Nolan

Charles Stover

and other craftsmen

International Union of Wood, Wire, and Metal Lathers

Kenneth M. Edwards, General President

Exhibit Chairman: G. C. Carter

J. V. Briguglio

Anthony Byrd

Robert Chatman

Frank Eastman

Tom Evans

Rick L. Talglador

Laborers' International Union of North America

Peter Fosco, President

Exhibit Chairmen:

Ben Bostic (Laborers' Joint Training Fund of Washington, D.C. and Vicinity)

Jack Wilkinson

Participants: Laborers District Council

International Brotherhood of Electrical Workers

Charles H. Pillard, President

Exhibit Chairman: Thomas B. Noone

Clinton L. Bearor

Edmund Berry

Harry W. Creamer

William J. Creamer

Robert Crosby

Joseph Dollarton

Jack R. Donahue

Lawrence C. Hogan

Ralph H. Kemp

Richard L. Martin

Daniel J. McQuaid, Jr.

Frederick M. Noone

Thomas B. Noone

Francis J. O'Neill

Paul Parker

Wade H. Sheriff

Walter E. Shoemaker, Jr.

Paul J. Webb

Robert Wines

Sheet Metal Workers International Association

Edward J. Carlough, President

Exhibit Chairmen: James A. Bettis, Bernie McMonigle,

William I. Stewart

Raymond F. Cook

Thomas E. Fitzgerald

Herb Griffith

Francis Hines

Mark Rosenbaum

Frank Santora

William I. Stewart

United Association of Journeymen and Apprentices of the Plumbing and Pipe Fitting Industry of the U.S. and Canada

Martin J. Ward, President

Exhibit Chairmen: Joseph Corcoran, George Bliss, Samuel Armstrong, Frank Blanch, Marion E. Moore, James Sullivan

Alexander B. Bell

Denvert Boney

Zigmund Charney

Timothy Christian

Mike Richards

Bernard Thornberg

Department of Labor

Peter J. Brennan, Secretary

Log Cabin Exhibit:

Claude and Billy Phillips, Berryville, Arkansas

Tipi painting:

Kevin Red Star, Crow Agency, Montana

Tipi maker:

Tom Heavy Runner, Browning, Montana

American Federation of Musicians

Hal C. Davis, President

in cooperation with

The Music Performance Trust Funds

Kenneth E. Raine, Trustee

and

Department of Labor

(Funding performances on the Working Americans, Gospel and Memorial stages)

Working Americans' Concerts and Workshops

Discussion leaders:

Jimmy Dawkins, 1936-2013

Archie Green

Walter E. Kennedy, III

John R. McKenzie

Ralph Metcalfe, Jr.

Performers:

Coates Singers, gospel group, Washington, D.C.

Cosmopolitan Singers, gospel group, Washington, D.C.

Jimmy Dawkins (1936-2013) Band with Carey Bell (1936-2007), Big Mojo Elem (1928-1997), Clifton James (1936-2006), Willie James Lyons (1938-1980), blues band, Chicago, Illinois

Lefty Dizz (1937-1993) Band with Bill Warren, Bob Simmons, blues band, Chicago, Illinois

Dr. Thomas A. Dorsey, 1899-1993, gospel songwriter, Chicago, Illinois

Eastern High School Gospel Choir, gospel choir, Washington, D.C.

John Edmonds Gospel Truth, gospel group, Bowling Green, Kentucky

John Estes, 1899-1977, with Hammie Nixon, 1908-1984, Memphis bluesman, Brownsville, Tennessee

Ed Gerald Sounds, gospel group, Washington, D.C.

Gospel Music Workshop of America, gospel group, Washington, D.C.

Institutional Church of God in Christ, gospel choir, New York, New York

Cousin Joe, 1907-1989, blues pianist New Orleans, Louisiana

National Gospel Symposium Ensemble, gospel choir, Washington, D.C.

New York Community Choir, gospel choir, New York, New York

Utah Phillips, 1935-2008, labor singer, Saratoga Springs, New York

Austin Pitre, 1918-1981, Cajun band, Eunice, Louisiana

Sara Jordan Powell, 1938-, gospel singer, Houston, Texas

Jim Ringer, 1936-1992, with Mary McCaslin, 1946-, & Jay Unger, 1946-, folk & country singer, Fresno, California

Houston Stackhouse, 1910-1980, Memphis bluesman, Memphis, Tennessee

Myrna Summers (1949-) & Singers, gospel group, Washington, D.C.

James Williams with Lefty Dizz Band, blues band, Chicago, Illinois
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1973 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1973, Series 5
See more items in:
Smithsonian Folklife Festival records: 1973 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1973-ref37

Sheet Metal Workers International Association

Series Creator:
Scurlock, Addison N., 1883-1964  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Custom Craft  Search this
Container:
Box 72, Folder 24
Type:
Archival materials
Date:
1978
Series Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Series Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Series 2: Color Photographs
Scurlock Studio Records, Series 2: Color Photographs / 2.1: Clients
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s02-ref779

Manuscript and Research Material

Creator:
Bishop, Carl Whiting, 1881-1942  Search this
Names:
Bishop, Carl Whiting, 1881-1942  Search this
Tung, Kuang-zung.  Search this
Warner, Langdon (1881-1955)  Search this
Wenley, A. G. (Archibald Gibson), 1898-1962  Search this
Collection Creator:
Bishop, Carl Whiting, 1881-1942  Search this
Type:
Archival materials
Photographic prints
Manuscripts
Place:
China
Date:
1915-1933
Scope and Contents:
This series contains Bishop's unpublished typed manuscript entitled Archaeological Research in China 1923-1934—Washington, D.C.: Freer Gallery of Art, [n.d.] 2v. : some ill.; 27cm., a field report that chronicled the two Gallery-sponsored expeditions; various drafts and research notes in Box 2, which are organized according to their original order from their envelopes and notecards based on subject.
The papers concern Bishop's Gallery-sponsored travels to China, 1923 to 1927 and from 1929-1934, while acting as Associate Curator at the Freer Gallery of Art. The collection includes a large collection of still prints and maps.The earliest still photographic prints in the Bishop Papers date from his employ at the University of Pennsylvania Museum, where he conducted archaeological reconnaissance from 1915 to 1918 in China, Korea, and Japan. All subsequent images were created or collected by Bishop and his assistant Kwang-zung Tung during the Freer Gallery-sponsored expeditions of 1923-1934. This selection of digitized prints showcase prints which are not reflected in the Bishop manuscript or the photograph books. These selected images include place views of various excavations that featured prominently in the Bishop manuscript as well as the writings of A.G. Wenley and Dr Li Chi, who accompanied Bishop during his archaeological excavations in China. These include place views of Shansi, Shensi, Hsi-yin-Ts'un, Yu Ho Chen, Yun Kang and Peitaiho. In addition, images from Bishop's photographs of Mongolia, Manchuria and Nanjing, which are focused less on the excavation activities and depict more of the social and physical landscape of the areas Bishop visited, were chosen to reflect the comprehensive nature of Bishop's still print collection.
This series contains Bishop's unpublished typed manuscript entitled Archaeological Research in China 1923-1934. it is a field report that chronicled the two Freer Sackler Gallery sponsored expeditions. There are various drafts and research notes in box two.
Carl Whiting Bishop, Series 1: Manuscript and Research Material
Biographical / Historical:
Carl Whiting Bishop was an Associate Curator and Associate in Archaeology at the Freer Gallery of Art from 1922 to 1942.
Local Numbers:
FSA A.02 1
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the Freer Gallery of Art and Arthur M. Sackler Gallery's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Topic:
Archaeology  Search this
Archaeological expeditions  Search this
Genre/Form:
Photographic prints
Manuscripts
Collection Citation:
The Carl Whiting Bishop Collection. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C.
Identifier:
FSA.A.02, Series 1
See more items in:
Carl Whiting Bishop Collection
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_component:sova-fsa-a-02-ref11
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Manuscript and Research Material digital asset number 1

Appendices I-III, Bibliography

Creator:
Bishop, Carl Whiting, 1881-1942  Search this
Names:
Bishop, Carl Whiting, 1881-1942  Search this
Tung, Kuang-zung.  Search this
Warner, Langdon (1881-1955)  Search this
Wenley, A. G. (Archibald Gibson), 1898-1962  Search this
Collection Creator:
Bishop, Carl Whiting, 1881-1942  Search this
Container:
Box 1, Folder 12
Type:
Archival materials
Manuscripts
Place:
China
Date:
1923-1934
Scope and Contents:
This unpublished manuscript constituted a field report that chronicled Bishop's Gallery-sponsored expeditions in northern and central China during the period 1923 to 1934. The reader is provided with a record of the day-to-day operations completed, of obstacles and opposition encountered, and the results obtained from their work. Key diplomatic and scientific representatives from the West and China are recorded who aided and contributed to the investigations. Moreover, there are descriptions of the academic, social and political climate in China during a period of civil war and economic strife. Against this background, Bishop also discussed their efforts in view of the history of China, with commentary on the country's geography, topography, climate, flora and fauna, mineral products, and ancient customs and legends.The manuscript consists of an introduction, 19 numbered chapters, 3 appendices and a series of plates and figures related to his text.
Archaeological Research in China (Appendices)
Biographical / Historical:
Carl Whiting Bishop was an Associate Curator and Associate in Archaeology at the Freer Gallery of Art from 1922 to 1942.
Local Numbers:
FSA A.02 1.01.02
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the Freer Gallery of Art and Arthur M. Sackler Gallery's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Topic:
Archaeology  Search this
Archaeological expeditions  Search this
Genre/Form:
Manuscripts
Collection Citation:
The Carl Whiting Bishop Collection. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C.
Identifier:
FSA.A.02, File FSA A.02 1.01.02
See more items in:
Carl Whiting Bishop Collection
Carl Whiting Bishop Collection / Series 1: Manuscript and Research Material / 1.1: Manuscript
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_component:sova-fsa-a-02-ref23
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Appendices I-III, Bibliography digital asset number 1

Pa Sori Barrie making women hair pieces called kubala, Bafodea Town, Sierra Leone

Photographer:
Ottenberg, Simon  Search this
Collection Photographer:
Ottenberg, Simon  Search this
Collection Collector:
Ottenberg, Simon  Search this
Extent:
1 Slide (col.)
Culture:
Limba (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Sierra Leone
Date:
1978-1980
Scope and Contents:
This photograph was taken by Dr. Simon Ottenberg while conducting field research in northern Sierra Leone within Bafodea Town, the capital of Wara Wara Bafodea Chiefdom, while on an Art Historical and Anthropological Field Research from October of 1978 through July of 1980.
Original title reads, "At Bafodea Town. Pa Sori Barrie making two kubala for me. These are women's hair pieces, not used much anymore at Bafodea. He makes it out of aluminum, generally called casia. He is a metal worker." [Ottenberg field research notes, Limba Slides and Photographs, October 1978-July 1980].
Local Numbers:
1173/1978-1980
General:
Title source: Dr. Simon Ottenberg, Professor Emeritus of Anthropology, University of Washington, Seattle, WA.
Other Archival Materials:
Simon Ottenberg Papers are located at the National Anthropological Archives, National Museum of Natural History, Smithsonian Institution.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Photographs by Pa Huff, Hamaidu Mansaray, and Labelle Prussin are restricted. In these cases, the photographer's permission is required for access and publication of images.
Topic:
Jewelry  Search this
Artists  Search this
Genre/Form:
Color slides
Identifier:
EEPA.2005-001, Item EEPA 2005-0001-1152
See more items in:
Simon Ottenberg photographs of Limba and Afikpo Peoples
Simon Ottenberg photographs of Limba and Afikpo Peoples / Series 1: Limba Peoples, Sierra Leone and Guinea / 1.1: Field Research, Year One / Bafodea Town, Sierra Leone / Bafodea Town, Sierra Leone
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-2005-001-ref3016

Pa Sori Barrie making women hair pieces called kubala, Bafodea Town, Sierra Leone

Photographer:
Ottenberg, Simon  Search this
Collection Photographer:
Ottenberg, Simon  Search this
Collection Collector:
Ottenberg, Simon  Search this
Extent:
1 Slide (col.)
Culture:
Limba (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Sierra Leone
Date:
1978-1980
Scope and Contents:
This photograph was taken by Dr. Simon Ottenberg while conducting field research in northern Sierra Leone within Bafodea Town, the capital of Wara Wara Bafodea Chiefdom, while on an Art Historical and Anthropological Field Research from October of 1978 through July of 1980.
Original title reads, "At Bafodea Town. Pa Sori Barrie making two kubala for me. These are women's hair pieces, not used much anymore at Bafodea. He makes it out of aluminum, generally called casia. He is a metal worker. Pa Sori Barrie working in his shed." [Ottenberg field research notes, Limba Slides and Photographs, October 1978-July 1980].
Local Numbers:
1174/1978-1980
General:
Title source: Dr. Simon Ottenberg, Professor Emeritus of Anthropology, University of Washington, Seattle, WA.
Other Archival Materials:
Simon Ottenberg Papers are located at the National Anthropological Archives, National Museum of Natural History, Smithsonian Institution.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Photographs by Pa Huff, Hamaidu Mansaray, and Labelle Prussin are restricted. In these cases, the photographer's permission is required for access and publication of images.
Topic:
Jewelry  Search this
Artists  Search this
Genre/Form:
Color slides
Identifier:
EEPA.2005-001, Item EEPA 2005-0001-1153
See more items in:
Simon Ottenberg photographs of Limba and Afikpo Peoples
Simon Ottenberg photographs of Limba and Afikpo Peoples / Series 1: Limba Peoples, Sierra Leone and Guinea / 1.1: Field Research, Year One / Bafodea Town, Sierra Leone / Bafodea Town, Sierra Leone
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-2005-001-ref3017

Pa Sori Barrie making women hair pieces called kubala, Bafodea Town, Sierra Leone

Photographer:
Ottenberg, Simon  Search this
Collection Photographer:
Ottenberg, Simon  Search this
Collection Collector:
Ottenberg, Simon  Search this
Extent:
1 Slide (col.)
Culture:
Limba (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Sierra Leone
Date:
1978-1980
Scope and Contents:
This photograph was taken by Dr. Simon Ottenberg while conducting field research in northern Sierra Leone within Bafodea Town, the capital of Wara Wara Bafodea Chiefdom, while on an Art Historical and Anthropological Field Research from October of 1978 through July of 1980.
Original title reads, "At Bafodea Town. Pa Sori Barrie making two kubala for me. These are women's hair pieces, not used much anymore at Bafodea. He makes it out of aluminum, generally called casia. He is a metal worker. Heating metal in a pan." [Ottenberg field research notes, Limba Slides and Photographs, October 1978-July 1980].
Local Numbers:
1175/1978-1980
General:
Title source: Dr. Simon Ottenberg, Professor Emeritus of Anthropology, University of Washington, Seattle, WA.
Other Archival Materials:
Simon Ottenberg Papers are located at the National Anthropological Archives, National Museum of Natural History, Smithsonian Institution.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Photographs by Pa Huff, Hamaidu Mansaray, and Labelle Prussin are restricted. In these cases, the photographer's permission is required for access and publication of images.
Topic:
Jewelry  Search this
Artists  Search this
Genre/Form:
Color slides
Identifier:
EEPA.2005-001, Item EEPA 2005-0001-1154
See more items in:
Simon Ottenberg photographs of Limba and Afikpo Peoples
Simon Ottenberg photographs of Limba and Afikpo Peoples / Series 1: Limba Peoples, Sierra Leone and Guinea / 1.1: Field Research, Year One / Bafodea Town, Sierra Leone / Bafodea Town, Sierra Leone
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-2005-001-ref3018

Pa Sori Barrie making women hair pieces called kubala, Bafodea Town, Sierra Leone

Photographer:
Ottenberg, Simon  Search this
Collection Photographer:
Ottenberg, Simon  Search this
Collection Collector:
Ottenberg, Simon  Search this
Extent:
1 Slide (col.)
Culture:
Limba (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Sierra Leone
Date:
1978-1980
Scope and Contents:
This photograph was taken by Dr. Simon Ottenberg while conducting field research in northern Sierra Leone within Bafodea Town, the capital of Wara Wara Bafodea Chiefdom, while on an Art Historical and Anthropological Field Research from October of 1978 through July of 1980.
Original title reads, "At Bafodea Town. Pa Sori Barrie making two kubala for me. These are women's hair pieces, not used much anymore at Bafodea. He makes it out of aluminum, generally called casia. He is a metal worker. Working on the kubala." [Ottenberg field research notes, Limba Slides and Photographs, October 1978-July 1980].
Local Numbers:
1176/1978-1980
General:
Title source: Dr. Simon Ottenberg, Professor Emeritus of Anthropology, University of Washington, Seattle, WA.
Other Archival Materials:
Simon Ottenberg Papers are located at the National Anthropological Archives, National Museum of Natural History, Smithsonian Institution.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Photographs by Pa Huff, Hamaidu Mansaray, and Labelle Prussin are restricted. In these cases, the photographer's permission is required for access and publication of images.
Topic:
Jewelry  Search this
Artists  Search this
Genre/Form:
Color slides
Identifier:
EEPA.2005-001, Item EEPA 2005-0001-1155
See more items in:
Simon Ottenberg photographs of Limba and Afikpo Peoples
Simon Ottenberg photographs of Limba and Afikpo Peoples / Series 1: Limba Peoples, Sierra Leone and Guinea / 1.1: Field Research, Year One / Bafodea Town, Sierra Leone / Bafodea Town, Sierra Leone
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-2005-001-ref3019

Pa Sori Barrie making women hair pieces called kubala, Bafodea Town, Sierra Leone

Photographer:
Ottenberg, Simon  Search this
Collection Photographer:
Ottenberg, Simon  Search this
Collection Collector:
Ottenberg, Simon  Search this
Extent:
1 Slide (col.)
Culture:
Limba (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Sierra Leone
Date:
1978-1980
Scope and Contents:
This photograph was taken by Dr. Simon Ottenberg while conducting field research in northern Sierra Leone within Bafodea Town, the capital of Wara Wara Bafodea Chiefdom, while on an Art Historical and Anthropological Field Research from October of 1978 through July of 1980.
Original title reads, "At Bafodea Town. Pa Sori Barrie making two kubala for me. These are women's hair pieces, not used much anymore at Bafodea. He makes it out of aluminum, generally called casia. He is a metal worker. Working on the kubala." [Ottenberg field research notes, Limba Slides and Photographs, October 1978-July 1980].
Local Numbers:
1177/1978-1980
General:
Title source: Dr. Simon Ottenberg, Professor Emeritus of Anthropology, University of Washington, Seattle, WA.
Other Archival Materials:
Simon Ottenberg Papers are located at the National Anthropological Archives, National Museum of Natural History, Smithsonian Institution.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Photographs by Pa Huff, Hamaidu Mansaray, and Labelle Prussin are restricted. In these cases, the photographer's permission is required for access and publication of images.
Topic:
Jewelry  Search this
Artists  Search this
Genre/Form:
Color slides
Identifier:
EEPA.2005-001, Item EEPA 2005-0001-1156
See more items in:
Simon Ottenberg photographs of Limba and Afikpo Peoples
Simon Ottenberg photographs of Limba and Afikpo Peoples / Series 1: Limba Peoples, Sierra Leone and Guinea / 1.1: Field Research, Year One / Bafodea Town, Sierra Leone / Bafodea Town, Sierra Leone
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-2005-001-ref3020

Pa Sori Barrie making women hair pieces called kubala, Bafodea Town, Sierra Leone

Photographer:
Ottenberg, Simon  Search this
Collection Photographer:
Ottenberg, Simon  Search this
Collection Collector:
Ottenberg, Simon  Search this
Extent:
1 Slide (col.)
Culture:
Limba (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Sierra Leone
Date:
1978-1980
Scope and Contents:
This photograph was taken by Dr. Simon Ottenberg while conducting field research in northern Sierra Leone within Bafodea Town, the capital of Wara Wara Bafodea Chiefdom, while on an Art Historical and Anthropological Field Research from October of 1978 through July of 1980.
Original title reads, "At Bafodea Town. Pa Sori Barrie making two kubala for me. These are women's hair pieces, not used much anymore at Bafodea. He makes it out of aluminum, generally called casia. He is a metal worker. Working on the kubala." [Ottenberg field research notes, Limba Slides and Photographs, October 1978-July 1980].
Local Numbers:
1178/1978-1980
General:
Title source: Dr. Simon Ottenberg, Professor Emeritus of Anthropology, University of Washington, Seattle, WA.
Other Archival Materials:
Simon Ottenberg Papers are located at the National Anthropological Archives, National Museum of Natural History, Smithsonian Institution.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Photographs by Pa Huff, Hamaidu Mansaray, and Labelle Prussin are restricted. In these cases, the photographer's permission is required for access and publication of images.
Topic:
Jewelry  Search this
Artists  Search this
Genre/Form:
Color slides
Identifier:
EEPA.2005-001, Item EEPA 2005-0001-1157
See more items in:
Simon Ottenberg photographs of Limba and Afikpo Peoples
Simon Ottenberg photographs of Limba and Afikpo Peoples / Series 1: Limba Peoples, Sierra Leone and Guinea / 1.1: Field Research, Year One / Bafodea Town, Sierra Leone / Bafodea Town, Sierra Leone
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-2005-001-ref3021

Pa Sori Barrie making women hair pieces called kubala, Bafodea Town, Sierra Leone

Photographer:
Ottenberg, Simon  Search this
Collection Photographer:
Ottenberg, Simon  Search this
Collection Collector:
Ottenberg, Simon  Search this
Extent:
1 Slide (col.)
Culture:
Limba (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Sierra Leone
Date:
1978-1980
Scope and Contents:
This photograph was taken by Dr. Simon Ottenberg while conducting field research in northern Sierra Leone within Bafodea Town, the capital of Wara Wara Bafodea Chiefdom, while on an Art Historical and Anthropological Field Research from October of 1978 through July of 1980.
Original title reads, "At Bafodea Town. Pa Sori Barrie making two kubala for me. These are women's hair pieces, not used much anymore at Bafodea. He makes it out of aluminum, generally called casia. He is a metal worker. Working on the kubala." [Ottenberg field research notes, Limba Slides and Photographs, October 1978-July 1980].
Local Numbers:
1179/1978-1980
General:
Title source: Dr. Simon Ottenberg, Professor Emeritus of Anthropology, University of Washington, Seattle, WA.
Other Archival Materials:
Simon Ottenberg Papers are located at the National Anthropological Archives, National Museum of Natural History, Smithsonian Institution.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Photographs by Pa Huff, Hamaidu Mansaray, and Labelle Prussin are restricted. In these cases, the photographer's permission is required for access and publication of images.
Topic:
Jewelry  Search this
Artists  Search this
Genre/Form:
Color slides
Identifier:
EEPA.2005-001, Item EEPA 2005-0001-1158
See more items in:
Simon Ottenberg photographs of Limba and Afikpo Peoples
Simon Ottenberg photographs of Limba and Afikpo Peoples / Series 1: Limba Peoples, Sierra Leone and Guinea / 1.1: Field Research, Year One / Bafodea Town, Sierra Leone / Bafodea Town, Sierra Leone
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-2005-001-ref3022

Pa Sori Barrie making women hair pieces called kubala, Bafodea Town, Sierra Leone

Photographer:
Ottenberg, Simon  Search this
Collection Photographer:
Ottenberg, Simon  Search this
Collection Collector:
Ottenberg, Simon  Search this
Extent:
1 Slide (col.)
Culture:
Limba (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Sierra Leone
Date:
1978-1980
Scope and Contents:
This photograph was taken by Dr. Simon Ottenberg while conducting field research in northern Sierra Leone within Bafodea Town, the capital of Wara Wara Bafodea Chiefdom, while on an Art Historical and Anthropological Field Research from October of 1978 through July of 1980.
Original title reads, "At Bafodea Town. Pa Sori Barrie making two kubala for me. These are women's hair pieces, not used much anymore at Bafodea. He makes it out of aluminum, generally called casia. He is a metal worker. Working on the kubala." [Ottenberg field research notes, Limba Slides and Photographs, October 1978-July 1980].
Local Numbers:
1180/1978-1980
General:
Title source: Dr. Simon Ottenberg, Professor Emeritus of Anthropology, University of Washington, Seattle, WA.
Other Archival Materials:
Simon Ottenberg Papers are located at the National Anthropological Archives, National Museum of Natural History, Smithsonian Institution.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Photographs by Pa Huff, Hamaidu Mansaray, and Labelle Prussin are restricted. In these cases, the photographer's permission is required for access and publication of images.
Topic:
Jewelry  Search this
Artists  Search this
Genre/Form:
Color slides
Identifier:
EEPA.2005-001, Item EEPA 2005-0001-1159
See more items in:
Simon Ottenberg photographs of Limba and Afikpo Peoples
Simon Ottenberg photographs of Limba and Afikpo Peoples / Series 1: Limba Peoples, Sierra Leone and Guinea / 1.1: Field Research, Year One / Bafodea Town, Sierra Leone / Bafodea Town, Sierra Leone
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-2005-001-ref3023

Pa Sori Barrie making women hair pieces called kubala, Bafodea Town, Sierra Leone

Photographer:
Ottenberg, Simon  Search this
Collection Photographer:
Ottenberg, Simon  Search this
Collection Collector:
Ottenberg, Simon  Search this
Extent:
1 Slide (col.)
Culture:
Limba (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Sierra Leone
Date:
1978-1980
Scope and Contents:
This photograph was taken by Dr. Simon Ottenberg while conducting field research in northern Sierra Leone within Bafodea Town, the capital of Wara Wara Bafodea Chiefdom, while on an Art Historical and Anthropological Field Research from October of 1978 through July of 1980.
Original title reads, "At Bafodea Town. Pa Sori Barrie making two kubala for me. These are women's hair pieces, not used much anymore at Bafodea. He makes it out of aluminum, generally called casia. He is a metal worker. Working on the kubala." [Ottenberg field research notes, Limba Slides and Photographs, October 1978-July 1980].
Local Numbers:
1181/1978-1980
General:
Title source: Dr. Simon Ottenberg, Professor Emeritus of Anthropology, University of Washington, Seattle, WA.
Other Archival Materials:
Simon Ottenberg Papers are located at the National Anthropological Archives, National Museum of Natural History, Smithsonian Institution.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Photographs by Pa Huff, Hamaidu Mansaray, and Labelle Prussin are restricted. In these cases, the photographer's permission is required for access and publication of images.
Topic:
Jewelry  Search this
Artists  Search this
Genre/Form:
Color slides
Identifier:
EEPA.2005-001, Item EEPA 2005-0001-1160
See more items in:
Simon Ottenberg photographs of Limba and Afikpo Peoples
Simon Ottenberg photographs of Limba and Afikpo Peoples / Series 1: Limba Peoples, Sierra Leone and Guinea / 1.1: Field Research, Year One / Bafodea Town, Sierra Leone / Bafodea Town, Sierra Leone
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-2005-001-ref3024

Pa Sori Barrie making women hair pieces called kubala, Bafodea Town, Sierra Leone

Photographer:
Ottenberg, Simon  Search this
Collection Photographer:
Ottenberg, Simon  Search this
Collection Collector:
Ottenberg, Simon  Search this
Extent:
1 Slide (col.)
Culture:
Limba (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Sierra Leone
Date:
1978-1980
Scope and Contents:
This photograph was taken by Dr. Simon Ottenberg while conducting field research in northern Sierra Leone within Bafodea Town, the capital of Wara Wara Bafodea Chiefdom, while on an Art Historical and Anthropological Field Research from October of 1978 through July of 1980.
Original title reads, "At Bafodea Town. Pa Sori Barrie making two kubala for me. These are women's hair pieces, not used much anymore at Bafodea. He makes it out of aluminum, generally called casia. He is a metal worker. Working on the kubala." [Ottenberg field research notes, Limba Slides and Photographs, October 1978-July 1980].
Local Numbers:
1182/1978-1980
General:
Title source: Dr. Simon Ottenberg, Professor Emeritus of Anthropology, University of Washington, Seattle, WA.
Other Archival Materials:
Simon Ottenberg Papers are located at the National Anthropological Archives, National Museum of Natural History, Smithsonian Institution.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Photographs by Pa Huff, Hamaidu Mansaray, and Labelle Prussin are restricted. In these cases, the photographer's permission is required for access and publication of images.
Topic:
Jewelry  Search this
Artists  Search this
Genre/Form:
Color slides
Identifier:
EEPA.2005-001, Item EEPA 2005-0001-1161
See more items in:
Simon Ottenberg photographs of Limba and Afikpo Peoples
Simon Ottenberg photographs of Limba and Afikpo Peoples / Series 1: Limba Peoples, Sierra Leone and Guinea / 1.1: Field Research, Year One / Bafodea Town, Sierra Leone / Bafodea Town, Sierra Leone
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-2005-001-ref3025

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