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American Association of Museums, 48th Annual Meeting Program

Collection Creator:
Johnson, Ellen H.  Search this
Container:
Box 33, Folder 1
Type:
Archival materials
Date:
1953
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ellen Hulda Johnson papers, 1872-2018, bulk 1921-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Ellen Hulda Johnson papers
Ellen Hulda Johnson papers / Series 6: Professional and Curatorial Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-johnelle-ref743

College Art Association of America, Annual Meeting Programs

Collection Creator:
Johnson, Ellen H.  Search this
Container:
Box 33, Folder 2
Type:
Archival materials
Date:
1954-1971
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ellen Hulda Johnson papers, 1872-2018, bulk 1921-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Ellen Hulda Johnson papers
Ellen Hulda Johnson papers / Series 6: Professional and Curatorial Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-johnelle-ref744

Institutions

Collection Creator:
Stout, George L. (George Leslie)  Search this
Type:
Archival materials
Date:
1971-1978
Scope and Contents:
Found here are papers documenting Stout's affiliations with art and conservation organizations, councils, and advisory boards. All date after his retirement as the director of the Isabella Stewart Gardner Museum in 1970. Documents include meeting minutes, newsletters, photographs, and other assorted materials.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

The Stout diaries are currently closed for conservation.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
George Leslie Stout papers, 1855, 1897-1978. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stougeor, Subseries 4.2
See more items in:
George Leslie Stout papers
George Leslie Stout papers / Series 4: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-stougeor-ref274

SOUNDSCAPE 1

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Sound recordings
Podcast
MIME Type:
audio/mpeg
Uploaded:
Fri, 15 Jan 2010 15:00:00 EST
Topic:
Cultural property  Search this
See more episodes:
Smithsonian magazine's Museum Day September 25th 2010
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:podcasts_65a1c6f12a982d59edc68d472e5e1824

Minutes of meeting of Group of 8, 1919 Dec. 31

Creator:
Gussow, Bernard, 1881-1957  Search this
Gussow, Bernard, 1881-1957  Search this
Subject:
Bouché, Louis  Search this
Maurer, Alfred Henry  Search this
Stella, Joseph  Search this
Weber, Max  Search this
Zorach, William  Search this
Exposition d'artistes de l'école Américaine (1919 : Paris, France)  Search this
Topic:
Art, American -- Exhibitions  Search this
Art, Modern -- 20th century  Search this
Theme:
American Art and Artists in a Global Context  Search this
Record number:
(DSI-AAA_CollID)10580
(DSI-AAA_SIRISBib)214056
AAA_collcode_gussbern
Theme:
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214056

Music of the Black American Composer, Juneteenth: Richard Allen Hymnal of 1801

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 15, Folder 13
Type:
Archival materials
Date:
1986 June 7
Scope and Contents:
Lecture and song workshop held June 7, 1986 at the National Museum of American History, Smithsonian Institution. It examined the sacred music tradition of the African Methodist Church focusing on the 1801 Richard Allen hymnal. Richard Allen, hymn writer, publisher and pastor, was born a slave in Philadelphia in 1760. By the late 1700s, Allen, a devout Methodist, had resolved to build a Black Methodist Church that would address the needs of black people whose worship tradition grew out of camp meeting spiritual songs. In 1787, he led a group of free blacks out of the St. George Methodist Church to form their own organization, the Free African Protection Society. Their mission was to build a church with the freedom to develop their own religious practice and songs. In 1791, his congregation established the Mother Bethel African Methodist Episcopal Church, in central Philadelphia. Allen's hymnal entitled Collection of Spiritual Songs and Hymns from Various Authors by Richard Allen, African Minister, was the first of several he published. They contained worship songs in the black tradition in addition to those learned by blacks in white churches. The program organized by Dr. Bernice Johnson Reagon, director, Program in African American Culture (PAAC). Program number AC408.43.
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1188

Middle Passage: Memory, History, Metaphor

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 25, Folder 15
Type:
Archival materials
Date:
1999 February 3-6
Scope and Contents:
The eighteenth annual national conference in observance of African History Month was a symposium and community tribute held from Wednesday, February 3, through Saturday, February 6, 1999, in the Carmichael Auditorium, National Museum of American History, Smithsonian Institution. The Middle Passage conference was launched by the Program on African American Culture series "African Americans at the Millennium: From Middle Passage to Cyberspace". The conference saluted three pioneering educators: Dr. John Henrik Clarke, Dr. Adelaide M. Cromwell and Dr. Joseph E. Harris.

Participants included:

Ronald Bailey, Ph.D., chair of the Department of African-American Studies, Northeastern University

Michael L. Blakey, Ph.D., professor of anthropology and anatomy and curator of the W. Montague Cobb Human Skeletal Collection, Howard University

Kim D. Butler, Ph.D., assistant professor, Department of Africana Studies, Rutgers University

Adama J. Conteh, Ph.D., assistant professor of history, Hampton University

Collaborative Public Art Team; Houston Conwill,sculptor; Estella Conwill Majozo, poet; and Joseph DePace, architect

C. Daniel Dawson, photographer and filmmaker

Tom Feelings, renowned artist and illustrator of children's books

Haile Gerima, film producer, director, writer, and editor

Michael A. Gomez, Ph.D., professor of history, University of Georgia; and adjunct faculty, Spelman College

Leslie King Hammond, Ph.D., artist and illustrator and dean of graduate studies, Maryland Institute College of Art

Sylvia Hill, Ph.D, chair of the Department of Urban Affairs, University of the District of Columbia

James Oliver Horton, Ph.D., Benjamin Banneker Professor of American Studies and History, George Washington University

Noel Ignatiev, Ph.D., a visiting assistant professor of history, Bowdoin College

Joseph E. Inikori, Ph.D., a professor of history and associate director, Frederick Douglass Institute for African and African-American Studies, University of Rochester

Aisha Kahil, performing artist and master teacher in voice and dance and member of the a cappella ensemble Sweet Honey in the Rock

Gilberto Leal, a geologist, labor union and political party leader

Clarence Lusane, Ph.D., political scientist and author

Deborah L. Mack, Ph.D., director of public programs and exhibitions, National Underground Railroad Freedom Center in Cincinnati

Lorna McDaniel, Ph.D., historian and founding editor of New Directions: Readings in African Diaspora Music

Alice McGill, storyteller, author and educator

Diana Baird N'Diaye, Ph.D., a folklorist, anthropologist, and program curator, Smithsonian Institution's Center for Folklife Programs and Cultural Studies

Sylvia Ojukutu-Macauley, Ph.D., visiting assistant professor of history, Georgetown University

Colin A. Palmer, Ph.D., Distinguished Professor of History, New York Graduate School, City University

Carla L. Peterson, Ph.D., professor, Department of English and Comparative Literature, University of Maryland

Bernice Johnson Reagon, Ph.D., curator emerita, National Museum of American History (NMAH); and Distinguished Professor of History, American University

Fath Davis Ruffins, historian at the National Museum of American History

Llewellyn Smith, television producer and playwright

Elisée Soumonni, Ph.D., lecturer, department of history, Université Nationale du Bénin

John Thornton, Ph.D., professor of history, Millersville University

Eleanor W. Traylor, Ph.D., graduate professor of English and chair of the Department of English, Howard University

Sheila S. Walker, Ph.D., Annabel Irion Worsham Centennial Professor in Liberal Arts and director of the Center for African and African American Studies, University of Texas

Margaret Washington, Ph.D., history department, Cornell University

Jacquie Gales Webb, producer, Smithsonian Productions; and radio host

Olabiyi Yai, Ph.D., ambassador from Bénin

African Heritage Dancers and Drummers, a youth intervention program that provides rich portrayals of traditional West African dance, music, crafts, and folklore

Melvin Deal, founder and artistic director of the African Heritage Dancers and Drummers

Olufunmilayo Jomo, master teacher and performance artist of African dance and percussion

Kimberly A. Kelly, Ford Foundation Scholar, master's program, European decorative arts, Parsons/Cooper-Hewitt

Kono Youth Ensemble, founded in 1995 to awaken young people here and abroad to the power and beauty of traditional West African dance and drum

Djimo Kouyate, born in Dianna Senegal, is a diali, an oral historian and musician of Manding traditions

Amshatar Monroe, advocate of indigenous culture and spirituality and founder of Sacred Space

Pam Rogers, director of In Process…, Includes: Michelle Lanchester, Yasmeen Williams, Tammy Adair, Ayo Ngozi, Paula Pree, and Reverend Amitiyah Elayne Hyman

Sacred Space: Where Indigenous Paths Meet, a nonprofit organization committed to providing cultural and educational activities, council of elders: Baba Wande Abimbola, Nana Kwabena Brown, Mounain Eagle Woman (Mama Binta-Bisa Mati), Ione, Baba Kwame Ishangi, and Iya N'Ifa Efunyale (Mother) Taylor

Program number AC408.108.
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1315

Race and Rights: Brown v. Board of Education and the Problems of Segregation, Desegregation, and Resegregation in the United States

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 26, Folder 8
Type:
Archival materials
Date:
2004 February 20-21
Scope and Contents:
Program held February 20, to Saturday, February 21, 2004, in the Carmichael Auditorium, National Museum of American History, Smithsonian Institution. The program commemorated the 50th anniversary of Brown v. Board of Education and was presented in conjunction with the exhibition "Separate Is Not Equal: Brown v. Board of Education." The Program in African American Culture cosponsored event with the Howard University School of Law and the National Association for the Advancement of Colored People (NAACP) Legal Defense Fund, Incorporated. The National Association for the Advancement of Colored People (NAACP) presented Race and Rights on Friday. Program included panel discussions, performances, and a video screening.

The Program in African American Culture holds an annual national observance of African American history month in February. The 2004 conference commemorated the 50th anniversary of the Brown v. Board of Education decision of 1954. The Brown decision legally ended the practice of segregated education in the United States. The program highlighted the lawyers that worked on the case and its legacy. It was emphasized throughout the program that much work remained to be done in fulfilling the promise of Brown. Several scholars convened to present papers about the case. There was a video screening of The Road to Brown, which highlighted the life of Charles Hamilton Houston, a civil rights lawyer and key figure in the case. Howard University School of Law hosted a town hall meeting in which there was an intergenerational discussion about Brown and the problems that still exist in education today.

Participants included:

February 20 Program

H. Patrick Swygert, president, Howard University

Kurt L. Schmoke, dean, School of Law, Howard University

Theodore M. Shaw, associate director-counsel, National Association for the Advance ment of Colored People (NAACP); Legal Defense and Educational Fund, Incorporated

Lorraine Miller, president, District of Columbia Branch, National Association for the Advancement of Colored People (NAACP)

Vincent G. Harding, professor, religion and social transformation, Iliff School of Theology, Denver, Colorado

February 21 Program: Panel Discussions

Pete Daniel, curator of southern and rural history, National Museum of American History (NMAH); professor of history, University of Maryland

Raymond Gavins, professor of history, Duke University

Linda Sheryl Greene, associate vice chancellor for faculty and staff programs, and Evjue-Bascom professor, law, University of Wisconsin-Madison

Reginald F. Hildebrand, associate professor with a joint appointment in history and Afro-American studies

Genna Rae McNeil, professor of history, University of North Carolina, Chapel Hill

Dianne Pinderhughes, professor of political science and Afro-American studies, University of Illinois, Urbana-Champaign

J. Clay Smith, professor of law, Howard University

Ronald Walters, distinguished leadership scholar and director, African American Leadership Institute, University of Maryland, College Park

Linda Williams, associate professor of government and politics, University of Maryland, College Park

Frank Wu, professor of law, Howard University; and adjunct professor of law, Columbia University

February 21 Program: Town Hall Meeting

Moderator

Charles J. Ogletree Jr., Climenko professor of law and prominent legal theorist, Harvard University

Panelists

Carrie L. Billy, member of the Navajo nation, attorney from Arizona, and staff of the American Indian Higher Education Consortium (AIHEC)

Jaclyn A. Cole, president and co-founder, ROOTS

David Ari Collins, student, school of law, Howard University

Brumit B. De Laine, youngest child of the late Reverend Joseph Armstrong De Laine, who led the Briggs v. Elliot lawsuit from Clarendon County, South Carolina

Marisa J. Demeo, regional counsel of the Mexican American Legal Defense and Educational Fund's (MALDEF) DC office

Wade Henderson, executive director, Leadership Conference on Civil Rights; and counsel, Leadership Conference on Civil Rights Education Fund

Henry H. Jones, professor, school of law, Howard University School

Alana Murray, educator-activist, Montgomery County Public Schools, Maryland

John W. Stokes, educational consultant and adjunct professor, Morgan State and Baltimore City Community College

Craig A. Thompson, associate, law offices, Peter Angelos, Baltimore, Maryland

Michael R. Wenger, program consultant, Joint Center for Political and Economic Studies

Lia Wright-Tesconi, senior, School Without Walls Senior High School, George Washington University, Washington, DC

The Howard University Chapel Choir, diversified musical aggregation that provides the Andrew Rankin Memorial Chapel with the finest of sacred music on a consistent basis

Program number AC408.122.
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1330

Museum of Afro American History African Meeting House

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 31, Folder 8
Type:
Archival materials
Date:
1988
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 3: Administrative Files
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1386

Tom Rose, Mass Meetings

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 61, Reel 2
Type:
Archival materials
Audio
Date:
1962
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 4: Interviews, Speaking Engagements and Performances
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1535

Closing song, mass meeting

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 61, Reel 3
Type:
Archival materials
Audio
Date:
1963-10-05-1963-10-07
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 4: Interviews, Speaking Engagements and Performances
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1540

Voices of the Civil Rights Movement, audio cassette, OTC 408.5.1

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 113, Cassette 15
Type:
Archival materials
Audio
Date:
1980-02-02
Scope and Contents:
Wednesday, January 30, 1980, Songleaders' Workshop. Session I: "Introductions Through Song"

Side A

Bernice Johnson Reagon, Director of the Program in African American Culture in Performing Arts at the Smithsonian Institution, welcomes conference attendees.

Julian Euell, Assistant Secretary for Public Service, Smithsonian Institution, gives welcome speech discussing the Office of Public Service's work with African American culture; the need to recapture the spirit of change present in the 1960s; and the need to use the feeling and energy of the 1960s to progress into the 1980s.

Bernice Johnson Reagon discusses the role of the Smithsonian in representing American cultures. Explains the conference is a result of the Civil Rights' Movement which addressed the potential of society.

Introduction of the songleaders. Each songleader introduces self with a song.

Bernice Johnson Reagon, Albany, Georgia, Albany College, National Association for the Advancement of Colored People (NAACP) sings "Shine On Me."

Cordell Reagon, Sit-in Movement; Freedom Rides, Student Non-Violent Coordinating Committee (SNCC) Nashville, Tennessee; Mississippi; Alabama; Southwest Georgia Project; Cairo, Illinois; Mississippi Summer Project '64; Danville, Virginia.

Side B

Cordell Reagon (continued) sings "If You Walk For Freedom."

Guy Carawan, Highlander Research Center; Nashville, Tennessee. Speaks about the Highlander Center and its role in developing folk music, especially in the Civil Rights' Movement, and traveling throughout the South in the 1960s.

Guy and Candie Carawan perform "They Go Wild Over Me." Willie Peacock, Student Non-Violent Coordinating Committee (SNCC); Mississippi. Speaks of his inspiration to make change. Sings "Come By Here."

Amanda Bowens Perdew, Student Non-Violent Coordinating Committee (SNCC); Americus, Georgia Movement; Americus Trio. Tells the story of her first mass meeting. Sings "I Ain't Scared A' Your Jail."

Charles Neblett, Student Non-Violent Coordinating Committee (SNCC); Cairo, Illinois; Freedom Singers I and II; Mississippi Summer Project '64.
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1721

Voices of the Civil Rights Movement, audio cassette, OTC 408.5.6

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 113, Cassette 25
Type:
Archival materials
Audio
Date:
undated
Scope and Contents:
Wednesday. January 30. 1980 Songleaders' Workshop. Session II: "Introductions Through Song II" 3:30 pm - 4:30 pm Side A

REV. KIRKPATRICK (cont.) Sings "Great Change (Since I Been Born)" "Frank Wills (Why Did You Run?)" or "The Ballad of Frank Wills" "No Cross, No Crown"

GUY CARAWAN introduces CHARLES FREENEY, SCLC; SNCC; Georgia; South Carolina.

CHARLES FREENEY sings "One More Time (I'm Glad To Be In That Number)"

BOB ZELLNER, Huntington College, Alabama; Highlander Center.

Two minutes blank.

From RTC 408.5.3, BETTY MAE FIKES sings "Yes God Is Real "

SideB

BOB ZELLNER (cont.) Sings "Momma's Hungry Eyes" by Merle Haggard

Remarks by BERNICE JOHNSON REAGON, INTRODUCES JIBREEL A-A. K-A. KHAZAN (Ezell A. Blair, Jr.) And FRANKLIN McCAIN as evening speakers.

BERNICE JOHNSON REAGON leads "We'll Never Turn Back" Wednesday. January 30. 1980 Songleaders' Workshop. Session III: "Sit-ins. Marches. Jails. Mass Meetings" 8:00 pm - 8:30 pm

CORDELL HULL REAGON opens session with "You'd Better Leave Segregation Alone." Discusses sharing to create a space for expression and the aknowledgement and documentation of those in the Movement. Introduces FRANKLIN McCAIN - one of the first people to sit-in at the Greensboro, North Carolina Woolworth's.

FRANKLIN McCAIN briefly speaks and then excuses himself to give a television interview with local station Channel 7 News.

JIBREEL KHAZAN gives background on how the Movement came about, including the role of Black Colleges. Four minutes blank.

From RTC 408.5.4: second half of "The Lucky Ol' Sun" and the introduction of MARSHALL JONES
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1817

Voices of the Civil Rights Movement, audio cassette, OTC 408.5.7

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 113, Cassette 27
Type:
Archival materials
Audio
Date:
undated
Scope and Contents:
Wednesday, January 30, 1980 Songleaders' Workshop. Session III: "Sit-ins. Marches. Jails. Mass Meetings" 8:30 pm - 9:30 pm Side A JIBREEL KHAZAN (cont.) Discusses the planning of the Woolworth's sit-in on February 1, 1960. Speaks of RALPH JOHNS, JOSEPH McNEIL, and A&T College in Greensboro, SC. Sings "The Love of God"

SAM BLOCK, SNCC; Mississippi. Sings "Guide My Feet While I Run This Race"

WILLIE AND JAMES PEACOCK, HOLLIS WATKINS, EVESTER SIMPSON MORRIS, GUY CARAWAN, and REV. JAMES BEVEL called to stage to perform a song led by SAM BLOCK.

Last 15 minutes blank.

SideB

SAM BLOCK et al.(cont.) Sing "Freedom Train A Coming"

CORDELL HULL REAGON organizes SAM BLOCK, BETTY MAE FIKES, RUTHA MAE HARRIS, EMORY HARRIS, CLEO KENNEDY, and CARLTON REESE to lead " Soldiers of the Cross"

EMORY HARRIS sings "We'll Never Turn Back"

BERNICE JOHNSON REAGON speaks about BERTHA GOBER who wrote "We'll Never Turn Back" after REVEREND HERBERT LEE was killed in McComb, Mississippi.

BERNICE JOHNSON REAGON leads "Come and Go With Me To That Land"

Last 10 minutes blank.
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1819

Voices of the Civil Rights Movement, Wednesday, January 30, 1980 Songleaders' Workshop. Session III: "Sit-ins. Marches. Jails. Mass Meetings" 8:30 pm - 9:30 pm, audio cassette, RTC 408.5.7

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 113, Cassette 28
Type:
Archival materials
Audio
Date:
1980-01-30
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1820

Voices of the Civil Rights Movement, audio cassette, OTC 408.5.8

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 113, Cassette 29
Type:
Archival materials
Audio
Date:
undated
Scope and Contents:
Wednesday. January 30. 1980 Songleaders' Workshop. Session III: "Sit-ins. Marches. Jails. Mass Meetings" 9:30 pm - 10:30 pm Side A

"Come and Go With Me To That Land" (cont.) BETTY MAE FIKES leads "Up Over My Head"

CARLTON REESE leads "Traveling Shoes"

Sung by all: "I Want My Freedom" "Freedom's Coming and It Won't Be Long" sung to tune of "The Banana Boat Song"

"Michael Row the Boat Ashore" led by CHARLES NEBLETT and AMANDA PERDEW

Approximately five minutes blank.

Sam Block from RTC 408.5. 7 SideB

"Michael Row the Boat Ashore" (cont.) "I Know (We'll Meet Again)" led by REV. JAMES BEVEL "Dog, Dog" led by REV. JAMES BEVEL "Keep Your Eyes On the Prize" "A Charge To Keep, I Have" led by CHARLES NEBLITT "Auction Block" led by JAMILA "Which Side Are You On?" "I've A Long Way To Go (To Be Like the Lord)" led by CLEO KENNEDY Four minutes blank.

"Traveling Shoes'' from RTC 408.5.8 Side A
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1821

Voices of the Civil Rights Movement, Wednesday. January 30. 1980 Songleaders' Workshop. Session III: "Sit-ins. Marches. Jails. Mass Meetings" 9:30 pm - 10:30 pm, audio cassette, RTC 408.5.8

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 113, Cassette 30
Type:
Archival materials
Audio
Date:
1980-01-30
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1822

Voices of the Civil Rights Movement, audio cassette, OTC 408.5.9

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 113, Cassette 31
Type:
Archival materials
Audio
Date:
undated
Scope and Contents:
Wednesday. January 30. 1980 Songleaders' Workshop. Session III: "Sit-ins. Marches. Jails. Mass Meetings" 10:30 pm - 11:00 pm Side A

"Which Side Are You On?" (cont.) "Auction Block" led by JAMILA "I've A Long Way To Go (To Be Like the Lord)" led by CLEO KENNEDY

CORDELL REAGON makes announcements on Thursday's lunch schedule.

BERNICE JOHNSON REAGON thanks attendees and closes the workshop for the night.

Last 34 minutes blank.

Thursday. January 31. 1980 Session I: "Groups and Ensembles" 9:00 am - 10:50 am

SideB

BERNICE JOHNSON REAGON gives welcome.

CORDELL REAGON, facilitator, discusses the Freedom Rides and CORE. JAMES FARMER, CORE founder; Chicago Sit-in Movement, 1940's; Freedom Rides. Sings "Woke Up With My Mind On Freedom" Discusses the first Freedom Rides and the use of songs in the Movement to create spirit and dispel fear. Sings "We'll See That Wall Come Down (If Two and Two and Fifty Make A Million)" "Freedom Is A Coming" Last 13 minutes blank.
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1823

Voices of the Civil Rights Movement, Wednesday. January 30. 1980 Songleaders' Workshop. Session III: "Sit-ins. Marches. Jails. Mass Meetings" 10:30 pm - 11:00 pm, audio cassette, RTC 408.5.9

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 113, Cassette 32
Type:
Archival materials
Audio
Date:
1980-01-30-1980-01-31
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1824

Voices of the Civil Rights Movement, audio cassette, OTC 408.5.10

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 113, Cassette 33
Type:
Archival materials
Audio
Date:
1984-03-02
Scope and Contents:
Thursday, January 31. 1980 Session I: "Groups and Ensembles" 10:50 am - 11:52 am

Side A

"Freedom Is A Coming" (cont.)

JAMILA (MARY ETHEL JONES) of the Montgomery Trio discusses the Knights and Daughter Table organization. Sings "Meeting Tonight" with GUY CARAWAN "I'm So Glad" "We Are Soldiers In the Army" "Let Us Break Bread Together" "Oh Freedom" (slow version)

Remarks by CORDELL REAGON including the role of white Civil Rights protestors.

REVEREND BEVEL speaks about the Nashville Quartet Two minutes blank.

From RTC 408.5.8 "Which Side Are You On?" " I've A Long Ways To Go To Be Like the Lord"

SideB

REVEREND JAMES BEVEL (cont.) Speaks about types of Black preachers including "hoopers" and "intellectuals." Sings "I Love Everybody" "I Need Your Warm Embrace" Last 12 minutes blank.
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1825

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