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Dorothy Gees Seckler collection of sound recordings relating to art and artists, 1962-1976

Creator:
Seckler, Dorothy Gees, 1910-1994  Search this
Subject:
Saint-Phalle, Niki de  Search this
Jones, John  Search this
Fuller, R. Buckminster (Richard Buckminster),  Search this
Cohen, Jean  Search this
Pearlstein, Philip  Search this
Margo, Boris  Search this
Wyeth, Andrew  Search this
Beck, Margit  Search this
Noguchi, Isamu  Search this
Newman, Barnett  Search this
Bellow, Saul  Search this
Segal, George  Search this
Asher, Elise  Search this
McLuhan, Marshall  Search this
Warhol, Andy  Search this
Drexler, Rosalyn  Search this
Cavallon, Giorgio  Search this
Refregier, Anton  Search this
Middleman, Raoul F.  Search this
Shahn, Ben  Search this
Tinguely, Jean  Search this
Hofmann, Hans  Search this
Cale, John  Search this
De Diego, Julio  Search this
Orlowsky, Lillian  Search this
Nico  Search this
Bultman, Fritz  Search this
Motherwell, Robert Burns  Search this
Flexner, James Thomas  Search this
Kahn, Wolf  Search this
Cunningham, Merce  Search this
Karolik, Maxim  Search this
Avery, Sally Michel  Search this
Katz, Alex  Search this
Greenwood, Marion  Search this
Ross, Alvin  Search this
Freed, William  Search this
Marcus, Marcia  Search this
Gorelick, Shirley  Search this
Rivers, Larry  Search this
Martin, Fletcher  Search this
Gelb, Jan  Search this
Frankenthaler, Helen  Search this
Ustinov, Peter  Search this
Rothschild, Judith  Search this
Whyte, William Hollingsworth  Search this
Velvet Underground (Musical group)  Search this
Type:
Sound recordings
Interviews
Topic:
Art in america  Search this
Optical art  Search this
Art historians  Search this
Record number:
(DSI-AAA_CollID)11534
(DSI-AAA_SIRISBib)215801
AAA_collcode_seckdoro
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215801
Online Media:

Gyorgy Kepes papers, 1909-2003, bulk 1935-1985

Creator:
Kepes, Gyorgy, 1906-2001  Search this
Subject:
Mead, Margaret  Search this
Chermayeff, Serge  Search this
Rickey, George  Search this
Arnheim, Rudolf  Search this
Entwhistle, Clive  Search this
Boghosian, Varujan  Search this
Moholy-Nagy, László  Search this
Eames, Ray Kaiser  Search this
Burgess, Lowry  Search this
Burnham, Jack  Search this
Blee, Michael  Search this
Thiel, Philip  Search this
Johnson, Philip  Search this
Hélion, Jean  Search this
Ts?ai, Wen-ying  Search this
Osborn, Robert Chesley  Search this
Tange, Kenzo  Search this
Tovish, Harold  Search this
Nusberg, Lev  Search this
Lynch, Kevin  Search this
Saarinen, Eero  Search this
Read, Herbert Edward  Search this
Gropius, Walter  Search this
Calder, Alexander  Search this
Kowalski, Piotry  Search this
Kepes, Juliet  Search this
Steinberg, Saul  Search this
Wolff, Robert Jay  Search this
Brazdys, Konslancija  Search this
Hayter, Stanley William  Search this
Eames, Charles  Search this
Fuller, R. Buckminster (Richard Buckminster),  Search this
Moholy-Nagy, Sibyl  Search this
Wurster, William Wilson  Search this
Sonfist, Alan  Search this
Richards, I. A. (Ivor Armstrong),  Search this
Zvilna, Jekabs  Search this
Takis, Vassilakis  Search this
Dreyfuss, Henry  Search this
Bertoia, Harry  Search this
McLuhan, Marshall  Search this
Piene, Otto  Search this
Tacha, Athena  Search this
Egawa, Kazuhiko  Search this
Center for Advanced Visual Studies  Search this
Illinois Institute of Technology  Search this
Massachusetts Institute of Technology  Search this
Saidenberg Gallery  Search this
Triennale di Milano  Search this
Type:
Sound recordings
Sketchbooks
Topic:
City planning  Search this
Artists' studios  Search this
Art  Search this
Times Square (New York, N.Y.)  Search this
Record number:
(DSI-AAA_CollID)7252
(DSI-AAA_SIRISBib)209402
AAA_collcode_kepegyor
Theme:
Sketches & Sketchbooks
Art Movements and Schools
Architecture & Design
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209402

Oral history interview with Peter Hutchinson, 1967 July 27

Interviewee:
Hutchinson, Peter A., 1930-  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Subject:
McLuhan, Marshall  Search this
Kuwayama, Tadaaki  Search this
Morris, Robert  Search this
Smithson, Robert  Search this
Judd, Donald C. (Donald Clarence)  Search this
LeWitt, Sol  Search this
Type:
Sound recordings
Interviews
Topic:
Sculptors  Search this
Humanism in art  Search this
Record number:
(DSI-AAA_CollID)13123
(DSI-AAA_SIRISBib)215661
AAA_collcode_hutchi67
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215661

Robert H. Luck papers, 1967

Creator:
Luck, Robert H., 1921-1993  Search this
Subject:
Parker, Harley  Search this
McLuhan, Marshall  Search this
Miller, Ralph R.  Search this
Record number:
(DSI-AAA_CollID)7922
(DSI-AAA_SIRISBib)210090
AAA_collcode_luckrobe
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210090

Stephanie Chrisman photographs of artists, 1967-1979

Creator:
Chrisman, Stephaine  Search this
Subject:
Novros, David  Search this
Duran, Robert  Search this
Greenberg, Clement  Search this
Bellamy, Richard  Search this
Noland, Kenneth  Search this
Stein, Michael  Search this
Leslie, Alfred  Search this
Fuller, R. Buckminster (Richard Buckminster),  Search this
Christensen, Dan  Search this
Olitski, Jules  Search this
Marden, Brice  Search this
McLuhan, Marshall  Search this
Kingsley, Sidney  Search this
Topic:
Artists  Search this
Record number:
(DSI-AAA_CollID)15899
(DSI-AAA_SIRISBib)296334
AAA_collcode_durastep
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_296334

Dorothy Gees Seckler Collection of Sound Recordings Relating to Art and Artists

Creator:
Seckler, Dorothy Gees, 1910-1994  Search this
Names:
Art in America  Search this
Velvet Underground (Musical group)  Search this
Asher, Elise, 1914-  Search this
Avery, Sally  Search this
Beck, Margit, 1915-1997  Search this
Bellow, Saul  Search this
Bultman, Fritz, 1919-1985  Search this
Cale, John  Search this
Cavallon, Giorgio, 1904-1989  Search this
Cohen, Jean  Search this
Cunningham, Merce  Search this
De Diego, Julio, 1900-  Search this
Drexler, Rosalyn  Search this
Flexner, James Thomas, 1908-2003  Search this
Frankenthaler, Helen, 1928-2011  Search this
Freed, William, 1904-  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-  Search this
Gelb, Jan, 1906-1978  Search this
Gorelick, Shirley, 1924-2000  Search this
Greenwood, Marion, 1909-1970  Search this
Hofmann, Hans, 1880-1966  Search this
Jones, John  Search this
Kahn, Wolf, 1927-  Search this
Karolik, Maxim  Search this
Katz, Alex, 1927-  Search this
Marcus, Marcia, 1928-  Search this
Margo, Boris, 1902-1995  Search this
Martin, Fletcher, 1904-1979  Search this
McLuhan, Marshall, 1911-1980  Search this
Middleman, Raoul F., 1935-  Search this
Motherwell, Robert  Search this
Newman, Barnett, 1905-1970  Search this
Nico, 1938-1988  Search this
Noguchi, Isamu, 1904-1988  Search this
Orlowsky, Lillian, 1914-2004  Search this
Pearlstein, Philip, 1924-  Search this
Refregier, Anton, 1905-  Search this
Rivers, Larry, 1925-2002  Search this
Ross, Alvin, 1920-1975  Search this
Rothschild, Judith  Search this
Saint-Phalle, Niki de, 1930-  Search this
Segal, George, 1924-2000  Search this
Shahn, Ben, 1898-1969  Search this
Tinguely, Jean, 1925-  Search this
Ustinov, Peter  Search this
Warhol, Andy, 1928-  Search this
Whyte, William Hollingsworth  Search this
Wyeth, Andrew, 1917-2009  Search this
Extent:
1.6 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1962-1976
Summary:
The Dorothy Gees Seckler collection of sound recordings relating to art and artists measures 1.6 linear feet and dates from 1962 to 1976. Recordings include 17 interviews conducted by Seckler, one interview by John Jones, and 17 additional recordings of mostly contemporary art-related programs and interviews taped from radio and television broadcasts. Recordings are on 26 sound cassettes and 25 sound tape reels.
Scope and Contents:
The Dorothy Gees Seckler collection of sound recordings relating to art and artists measures 1.6 linear feet and dates from 1962 to 1976. Recordings include 20 interviews conducted by Seckler, one interview by John Jones, and 17 additional recordings of mostly contemporary art-related programs and interviews taped from radio and television broadcasts. Recordings are on 26 sound cassettes and 25 sound tape reels.

Interviews with Artists consist of 17 interviews by Dorothy Seckler with artists including Elise Asher, Fritz Bultman, Judith Rothschild, Giorgio Cavallon, Marcia Marcus, Jean Cohen, William Freed, Lillian Orlowsky, Shirley Gorelick, Hans Hofmann, Wolf Kahn, Raoul Middleman, Robert Motherwell, Helen Frankenthaler, Olin Orr, Larry Rivers, Alvin Ross, George Segal, Jean Tinguely, and Niki de Saint Phalle. Several interviews are with two subjects at once. Many of these interviews were conducted in Provincetown, Massachusetts, and are referenced in her introduction to the catalog for the exhibition Provincetown Painters, 1890's – 1970's held at the Everson Museum and the Provincetown Art Association in 1977, and several interviews were conducted as research for articles Seckler wrote and published in Art in America. Also found are group interviews on specific subjects, including an interview with Julio de Diego, Marion Greenwood, Fletcher Martin, and Anton Refregier on the Woodstock art colony, and with Sally Avery, Boris Margo, Jan Gelb, Margit Beck and others on Op Art. In September of 1966, Seckler recorded some of Andy Warhol's Exploding Plastic Inevitable in Provincetown, which includes a performance by Nico and the Velvet Underground, as well as an interview with one of the band's members, John Cale. A single interview conducted by John Jones of George Segal appears to have been copied by Seckler to prepare for her April 1966 interview of Segal.

Broadcast materials include sound recordings of television and radio broadcast programs taped off the air presumably by Seckler. Most programs are interviews, with subjects including Maxim Karolik, James Thomas Flexner, R. Buckminster Fuller, Merce Cunningham, Alex Katz, Phillip Pearlstein, Roslyn Drexler, Barnet Newman, Saul Bellow, Ben Shahn, Marshall McLuhan, Isamu Noguchi, Andrew Wyeth, and William H Whyte. Other recordings include documentary programs related to contemporary art, book reviews, and a comedy performance with actor Peter Ustinov.

Photographs include 12 color slides from October of 1967 that appear to have been shot in Provincetown, Mass. Subjects include Dorothy Seckler and two other unidentified women.
Arrangement:
This collection is arranged in 3 series.

Series 1: Interviews with Artists, 1962-1976 (1 linear foot; Box 1)

Series 2: Broadcast Materials, 1962-1972 (0.8 linear feet; Boxes 2-3)

Series 3: Photographs, 1967 (1 folder; Box 3)
Biographical / Historical:
Dorothy Gees Seckler was an art historian, critic, journalist, and artist active in New York City and Provincetown, Mass. Born Dorothy Elizabeth Gees in Baltimore, MD in 1910, she completed the program in Advertising Design at Maryland Institute College of Art in 1931 and was awarded a traveling scholarship upon graduation, which she used to study in Europe. She later received a masters degree from Columbia University in Art History and Art Education, and worked during World War II as head of an illustration unit in the Army's Judge Advocate General's office.

After the war, she worked at the Museum of Modern Art as an art historian in the education office until 1950, when she began writing for ARTnews magazine, reviewing New York gallery shows for its "Gallery Notes" section, and exploring painters' processes in the "Paints a Picture" series. She later served as contributing editor for Art in America from the late 1950s through the late 1960s, where her published work included features on Robert Rauschenberg and Louise Nevelson, as well as broad surveys of contemporary art such as "A Folklore of the Banal" (Winter 1962) and "Audience is His Medium" (February 1963). She taught at New York University and City College of New York, and wrote a long essay on the history of the Provincetown's art colony, published in Art in America in 1959, and later updated for the catalog for the 1977 exhibition Provincetown Painters, 1890's - 1970's. Between 1962 and 1968, she conducted thirty oral history interviews for the Archives of American Art and served as one of its manuscript collectors.

Throughout her career as a writer and critic, Seckler painted and worked in collage, and her work was shown in several Provincetown galleries, and in the Provincetown Art Center and Museum. She married Jerome Seckler in 1937 and they had one son. Seckler received the American Federation of Arts Award for outstanding writing in the field of American Art in 1952. She died in 1994.
Related Materials:
Other related materials in the Archives' collections include several additional interviews conducted by Seckler for its oral history program, a full recording and transcript of the August 28, 1963 symposium on pop art, for which brief sound notes are found in this collection, and a transcript of the John Jones interview with George Segal in the John Jones interviews with artists collection, 1965 Oct. 5-1965 Nov. 12.
Separated Materials:
In 2012, several duplicates of recordings Seckler made for the Archives of American Art's oral history program were removed from the collection including: Peter and Riva Dechar (1965 and 1967), David von Schlegell (1967), Joan Mitchell (1965), Theresa Schwartz (1965), Paul Burlin (1962), Ibram Lassaw (1964), Jack Tworkov (1962), Allan Kaprow (1968), Edwin Dickinson (1962), Nathan Halper (1963), Louise Nevelson (1964-1965), Karl Knaths (1962), and Stephen Greene (1968). Joan Mitchell's 1965 oral history interview remains with the Seckler collection because reel 2 of this recording also contains a discussion of optical art that belongs in the Seckler collection. The oral history interview has been digitized and is available through the Archives' oral history program.
Provenance:
The bulk of the collection, including the interviews with the Provincetown artists, was donated 1995 by Don Seckler, son of Dorothy Seckler. The source of acquisition for the Seckler interviews with the Woodstock artists is unknown.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Dorothy Gees Seckler collection of sound recordings relating to art and artists are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Optical art  Search this
Art historians -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Interviews
Citation:
Dorothy Gees Seckler collection of sound recordings relating to art and artists, 1962-1976. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.seckdoro
See more items in:
Dorothy Gees Seckler Collection of Sound Recordings Relating to Art and Artists
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-seckdoro

Gyorgy Kepes papers

Creator:
Kepes, Gyorgy, 1906-2001  Search this
Names:
Center for Advanced Visual Studies  Search this
Illinois Institute of Technology  Search this
Saidenberg Gallery  Search this
Triennale di Milano (Milan, Italy)  Search this
Arnheim, Rudolf  Search this
Bertoia, Harry  Search this
Blee, Michael  Search this
Boghosian, Varujan  Search this
Brazdys, Konslancija  Search this
Burgess, Lowry, 1940-  Search this
Burnham, Jack, 1931-  Search this
Calder, Alexander, 1898-1976  Search this
Chermayeff, Serge, 1900-  Search this
Dreyfuss, Henry, 1904-1972  Search this
Eames, Charles  Search this
Eames, Ray  Search this
Egawa, Kazuhiko  Search this
Entwhistle, Clive  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-  Search this
Gropius, Walter, 1883-1969  Search this
Hayter, Stanley William, 1901-1988  Search this
Hélion, Jean, 1904-1987  Search this
Johnson, Philip, 1906-2005  Search this
Kepes, Juliet  Search this
Kowalski, Piotry  Search this
Lynch, Kevin, 1918-1984  Search this
McLuhan, Marshall, 1911-1980  Search this
Mead, Margaret, 1901-1978  Search this
Moholy-Nagy, László, 1895-1946  Search this
Moholy-Nagy, Sibyl, 1905-  Search this
Nusberg, Lev, 1937-  Search this
Osborn, Robert Chesley, 1904-1994  Search this
Piene, Otto, 1928-  Search this
Read, Herbert Edward, Sir, 1893-1968  Search this
Richards, I. A. (Ivor Armstrong), 1893-1979  Search this
Rickey, George  Search this
Saarinen, Eero, 1910-1961  Search this
Sonfist, Alan  Search this
Steinberg, Saul  Search this
Tacha, Athena, 1936-  Search this
Takis, Vassilakis  Search this
Tange, Kenzō, 1913-  Search this
Thiel, Philip  Search this
Tovish, Harold, 1921-2008  Search this
Tsʻai, Wen-ying, 1928-  Search this
Wolff, Robert Jay, 1905-  Search this
Wurster, William Wilson  Search this
Zvilna, Jēkabs, 1913-1997  Search this
Faculty:
Massachusetts Institute of Technology  Search this
Extent:
21.2 Linear feet
Type:
Collection descriptions
Archival materials
Caricatures
Designs
Photographs
Sketchbooks
Sketches
Sound recordings
Place:
Times Square (New York, N.Y.)
Date:
1909-2003
bulk 1935-1985
Summary:
The papers of Hungarian-born artist, art theorist, and educator, Gyorgy Kepes, measure 21.2 linear feet and date from 1909-2003, with the bulk of the material dating from the 1935-1985. The papers document Kepes's career as an artist and educator, and as founder of the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (M.I.T.), through biographical material, correspondence, writings by Kepes and others, project files, exhibition files, printed material, sketchbooks, artwork, sound recordings and motion picture films, and photographic material.
Scope and Contents:
The papers of Hungarian-born artist, art theorist, and educator, Gyorgy Kepes, measure 21.2 linear feet and date from 1909-2003, with the bulk of the material dating from the 1935-1985. The papers document Kepes's career as an artist and educator, and as founder of the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (M.I.T.), through biographical material, correspondence, writings by Kepes and others, project files, exhibition files, printed material, sketchbooks, artwork, sound recordings and motion picture films, and photographic material.

Correspondence provides a wide range of documentation on all aspects of Kepes's career including his collaborations and friendships with artists, architects, writers, scientists, and fellow educators including Rudolf Arnheim, Alexander Calder, Henry Dreyfuss, Charles and Ray Eames, Clive Entwhistle, R. Buckminster Fuller, Walter Gropius, S. W. Hayter, Jean Hélion, Laszlo and Sibyl Moholy-Nagy, Lev Nussberg, Robert Osborn, George Rickey, Saul Steinberg, Kenzo Tange, Robert Jay Wolff, and Jekabs Zvilna. Correspondence also documents the evolution of Kepes's vision for the Center for Advanced Visual Studies, which he established in 1967, and his subsequent leadership of CAVS at M.I.T. Records document his collaborations with students and fellows including Lowry Burgess, Jack Burnham, Piotry Kowalski, Margaret Mead, Otto Piene, Alan Sonfist, Athena Tacha, Vassilakis Takis, Philip Thiel, Harold Tovish, and Wen-Ying Tsai. Correspondents also include people who contributed to Kepes's Vision + Value series, including Michael Blee, Kazuhiko Egawa, Jean Hélion, and others. Correspondence includes three motion picture films, including what appears to be an early version of Powers of Ten by Charles and Ray Eames.

Writings include notes and manuscripts for articles and essays in which Kepes explored ideas evident in his books The New Landscape and Language of Vision, and submitted to publications such as Daedalus, Design, Domus, and Leonardo. Writings also include manuscripts for lectures, and draft manuscripts documenting Kepes's collaborative work with fellow M.I.T. professor Kevin Lynch on city planning, which culminated in Lynch's research project "The Perceptual Form of the City."

A small group of "Times Square Project" files documents Kepes's proposal for a lightscape in Times Square that was ultimately not realized.

Teaching files include sound recordings of circa five symposia and discussions held at M.I.T., the Illinois Institute of Technology, and elsewhere, some featuring Kepes and including Philip Johnson, Eero Saarinen and others.

Exhibition files include documentation of three exhibitions, including Light as a Creative Medium (1968) and a Kepes exhibition at Saidenberg Gallery (1968). They also record Kepes's involvement in designing the 1968 Triennale di Milano.

Printed material includes a substantial collection of announcements and catalogs for Kepes exhibitions, lectures, and other events, and includes catalogs and announcements for scattered exhibitions of his wife, artist and illustrator, Juliet Kepes. Clippings from newspapers and magazines include articles about Kepes, and contain some copies of published writings and designs by him. The series also includes sound recordings and motion picture films containing original material for a CBS television series "The 21st Century," probably as part of the episode "Art for Tomorrow," which appear to feature M.I.T. fellows Jack Burnham and Vassilakis Takis. Another motion picture film of an Italian documentary "Operazione Cometa" can also be found here.

Two sketchbooks contain pen and ink and painted sketches by Kepes. Artwork by Kepes includes original poster designs, caricatures, and many pencil, and pen and ink sketches and paintings on paper and board, including designs for stained glass. Artwork by others includes ink on mylar sketches by D. Judelson and Konstancija Brazdys, and a sketch by Harold Tovish. Also found are circa seventeen motion picture films and four sound recordings, the majority of which are untitled and by unidentified artists, but include films by M.I.T. fellows Otto Piene, Vassilakis Takis, Philip Thiel, Harold Tovish, Wen-Ying Tsai, and others.

Photographs are of Kepes, Juliet Kepes, and other family members; students, colleagues, and friends, including R. Buckminster Fuller, Serge Chermayeff, Harry Bertoia, Varujan Boghosian, Alexander Calder, Marchall McLuhan, Margaret Mead, Herbert Read, I. A. Richards, Saul Steinberg, and William Wurster; and of Kepes in his studio. There are also photos of exhibition installations in which Kepes's work appeared or which he designed, and photos of his artwork and of images for publications which he wrote or edited. Photos by others include artwork by established artists and work by students, as well as photographs arranged by subjects such as cityscapes, forms found in nature, light patterns, mechanical devices, and photomicrographs. A collection of lantern slides with similar content to the photos of artwork and photos by subject is also found in this series and includes a lantern slide of Picasso creating a design with light.
Arrangement:
The collection is arranged as eleven series.

Series 1: Biographical Material, circa 1940-circa 1980 (0.25 linear feet; Boxes 1, 28)

Series 2: Correspondence, 1936-1984 (5.7 linear feet; Boxes 1-7, 28 OV 33, FCs 39-41)

Series 3: Interviews and Transcripts, 1954-1970 (4 folders; Box 7)

Series 4: Writings and Notes, 1948-circa 1980s (1.4 linear feet; Boxes 7-8, 28)

Series 5: Times Square Project Files, 1972-1974 (6 folders; Box 9)

Series 6: Teaching Files Sound Recordings, circa 1953-1972 (0.7 linear feet; Box 9)

Series 7: Exhibition Files, 1958-1973 (0.4 linear feet; Boxes 9-10)

Series 8: Printed Material, circa 1922-1989 (3.6 linear feet; Boxes 10-12, 28-29, OVs 35, 37, FCs 42-49)

Series 9: Sketchbooks, circa 1940s-circa 1970s (2 folders; Box 12)

Series 10: Artwork and Moving Images, circa 1924-2003 (2.5 linear feet; Boxes 12, 13, OVs 33-36, 38, FCs 50-62)

Series 11: Photographs, 1909-1988 (10.4 linear feet; Boxes 13-32)
Biographical / Historical:
Painter, designer, art theorist, and educator, Gyorgy Kepes (1906-2001), was born in Selyp, Hungary, and studied at the Royal Academy of Fine Arts, Budapest. He worked with Moholy-Nagy in Berlin and London before joining him at the New Bauhaus (later the Chicago Institute of Design) in 1937.

Kepes taught courses at the New Bauhaus from 1937 to 1945, and published Language of Vision in 1944, summarizing the educational ideas and methods he had developed during his time at the institute. In 1946 he accepted a teaching position at the Massachusetts Institute of Technology (M.I.T.) where he initiated a program in visual design.

In 1956 Kepes published The New Landscape in Art and Science, in which he presented images from nature that were newly accessible due to developments in science and technology, and explored his ideas for a common language between science and the visual arts.

In 1965, these ideas were apparent in Kepes's proposal of an expanded visual arts program at M.I.T., which would "build new as yet undetermined bridges between art and engineering and science," according to the minutes of an M.I.T. Art Committee meeting in March of that year. Kepes's vision dovetailed with M.I.T.'s vested interest in promoting the arts, and faculty and administrators were open to the argument that "The scientific-technical enterprise needs schooling by the artistic sensibilities." In 1967, they appointed Kepes Director of M.I.T.'s Center for Advanced Visual Studies (CAVS).

Kepes retired from the regular faculty at M.I.T. in 1967, to focus on his role as director of CAVS, where he worked to provide artists with opportunities for exploring new artistic forms on a civic scale through a working dialogue with scientists and engineers. Early fellows of the center included Maryanne Amacher, Joan Brigham, Lowry Burgess, Jack Burnham, Piotry Kowalski, Otto Piene, Vassilakis Takis, and Wen-Ying Tsai.

In 1965-1966 Kepes edited a six-volume series entitled Vision + Value, published by George Braziller, Inc. Each volume featured essays that centered around a core theme: The Education of Vision; Structure in Art and Science; The Nature and Art of Motion; Module, Symmetry, Proportion, Rhythm; Sign, Image, Symbol; and Man-Made Object. Contributions came from prominent artists, designers, architects, and scientists of the time including Rudolf Arnheim, Saul Bass, Marcel Breuer, John Cage, R. Buckminster Fuller, Johannes Itten, Marshall McLuhan, and Paul Rand.

Kepes experimented widely with photography, producing abstract images through the application of fluids and objects to photographic paper. He also took commercial work throughout his career, producing designs for all kinds of objects, including books and stained glass windows for churches. He returned to painting in the 1950s, and his development as a painter continued throughout his career at M.I.T., where he remained until his retirement in 1974, and beyond. His paintings, which were abstract and often incorporated organic shapes and hints of landscapes, can be found in museums such as the Brooklyn Museum of Art, the Corcoran Gallery of Art, and the Whitney Museum of American Art.

Kepes received many awards during his lifetime, including a Guggenheim Fellowship (1958); the Gold Star Award of the Philadelphia College of Art (1958); the National Association of Art Colleges Annual Award (1968); the California College of Art Award (1968); and the Fine Arts Medal from the American Institute of Architects (1968). In 1973 he was elected into the National Academy of Design as an associate member, and became a full academician in 1978. He was a member of the National Institute of Arts and Letters and Fellow of the American Academy of Arts and Sciences.
Related Materials:
Additional papers of Gyorgy Kepes can be found at Stanford University and the Massachusetts Institute of Technology Center for Advanced Visual Studies Special Collection.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel 1211) including ninety-eight letters to Kepes from colleagues, 1946-1974. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Gyorgy Kepes lent papers for microfilming in 1974 and donated material to the Archives of American Art in a series of gifts between 1974 and 1993.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Rights:
Authorization to publish, quote, or reproduce must be obtained from Juliet Kepes Stone or Imre Kepes.
Topic:
Art -- Philosophy  Search this
Artists' studios--Photographs  Search this
City planning  Search this
Educators--Massachusetts--Cambridge  Search this
Motion pictures (visual works)  Search this
Genre/Form:
Caricatures
Designs
Photographs
Sketchbooks
Sketches
Sound recordings
Citation:
Gyorgy Kepes papers, 1909-2003, bulk 1935-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kepegyor
See more items in:
Gyorgy Kepes papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kepegyor

Interview with Raoul Middleman and Unidentified Woman

Creator:
Middleman, Raoul, 1935-  Search this
Seckler, Dorothy Gees, 1910-1994  Search this
Subject:
McLuhan, Marshall  Search this
Warhol, Andy  Search this
Type:
Sound Recording
Place:
Provincetown, Mass.
Date:
circa 1967
Topic:
Pop art  Search this
Record number:
(DSI-AAA)13826
See more items in:
Dorothy Gees Seckler collection of sound recordings relating to art and artists, 1962-1976
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13826

Marshall McLuhan in a forum with unidentified others

Creator:
McLuhan, Marshall, 1911-  Search this
Type:
Sound Recording
Date:
1966 May 15
Record number:
(DSI-AAA)13832
See more items in:
Dorothy Gees Seckler collection of sound recordings relating to art and artists, 1962-1976
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13832

Preliminary dialogue: McLuhan - Parker

Creator:
McLuhan, Marshall, 1911-  Search this
Parker, Harley, 1915-1992  Search this
Type:
Sound Recording
Date:
not before 1966
Topic:
Museums  Search this
Record number:
(DSI-AAA)14801
See more items in:
Richard McLanathan papers, 1901-1995, bulk 1940s-1990s
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14801

Marshall McLuhan, Jacob Blumner, and Howard Somers Conant in a discussion at Fordham University

Creator:
McLuhan, Marshall, 1911-  Search this
Blumner, Jacob  Search this
Subject:
Conant, Howard Somers  Search this
Fordham University  Search this
Type:
Sound Recording
Date:
1967 October 25
Record number:
(DSI-AAA)15655
See more items in:
Howard Somers Conant papers, 1944-1987
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15655

Edmund Snow Carpenter papers

Creator:
Carpenter, Edmund, 1922-2011  Search this
Names:
De Menil, Adelaide  Search this
Flaherty, Robert Joseph, 1884-1951  Search this
Heye, George G. (George Gustav), 1874-1957  Search this
McLuhan, Marshall, 1911-1980  Search this
Schuster, Carl, 1904-1969  Search this
Extent:
26.25 Linear feet
Culture:
Arctic peoples  Search this
Iglulik Eskimos  Search this
Inuit  Search this
Inuit--Canada  Search this
Inuit--Greenland  Search this
Iroquois Indians  Search this
Type:
Collection descriptions
Archival materials
Place:
Canada
Greenland
New Guinea (Territory)
Papua New Guinea
Date:
circa 1938-2011
Summary:
Edmund Snow Carpenter (1922-2011) was an archaeologist and visual anthropologist who worked extensively with the indigenous peoples of the Canadian Arctic as well as Papua New Guinea. With his colleague and close collaborator Marshall McLuhan (1911-1980), he laid the groundwork for modern media theory. Carpenter is also known for his work as an ethnographic filmmaker and as a collector of Paleo-Eskimo art. The Papers of Edmund Carpenter, circa 1938-2011, document the research interests and projects undertaken by Carpenter in the fields of cultural anthropology, ethnographic filmmaking, media theory, archaeology, and indigenous art.
Scope and Contents:
The papers of Edmund Carpenter, 1940-2011, document the research interests and projects undertaken by Carpenter in the fields of cultural anthropology, ethnographic filmmaking, media theory, archaeology, and indigenous art. Specific research projects and interests documented are: his 1950s fieldwork among the Aivilik Inuit in the Canadian Arctic as well as his studies into Inuit concepts of space, time, and geography; his partnership and collaboration with media theorist Marshall McLuhan and his ethnographic studies of Papua New Guinean tribal communities; his early-career archaeological digs at Haudenosaunee (Iroquois) burial mounds in Sugar Run, Pennsylvania, as well as later archaeological interest in Arctic peoples, Siberia, and the Norwegian artifact dubbed the "Norse Penny"; his reflections on the disciplines of anthropology and media studies; his editing and completion of the work of art historian Carl Schuster at the Museum der Kulturen (Museum of Ethnology) in Basel, Switzerland; his editing of The Story of Comock the Eskimo, as told to Robert Flaherty; and his museum exhibitions compiled on the topics of surrealist and tribal art. The collection also documents Carpenter's correspondence with fellow scholars, ethnographers, filmmakers, and colleagues; his published writings; and elements of his personal life, such as obituaries and personal photographs.

Materials in this collection include artifact and burial records; correspondence; drawings and illustrations; essays; interviews and oral histories; inventories and catalogues; manuscripts and drafts, and fragments of drafts; maps; memoranda and meeting minutes; notes, notebooks, and data analysis; obituaries and memorials; photographic prints, slides, and negatives, including personal photographs and portraits; proposals and plans for museum exhibits; reports; resumes and bibliographies; reviews; and sound recordings on CD-Rs and audio cassettes. Additional materials include books and book chapters; journal copies and journal excerpts; magazine, newspaper, and article clippings and excerpts; museum and gallery catalogues, brochures, and guides; pamphlets; and reprints. A portion of the material collected here consist of consolidated research into specific topics, gathered from archival repositories, museums, correspondence, and published works. This material consists of research reprints and archival reference photocopies and photographic prints from various repositories.

Items worthy of special mention in this collection include: annotated draft chapters from Marshall McLuhan's seminal work on media theory, Understanding Media: The Extensions of Man (Series 2); a 1957 letter from e. e. cummings to Carpenter, written in verse (Series 3); an undated thank-you note addressed to "Sadie" from Helen Keller (Series 3); and a transcript of an interview of Carpenter by his former student, Harald Prins (Series 2).

Audiovisual material in this collection is currently undergoing processing.
Arrangement:
The collection is organized into the following 7 series:

Series 1. Fieldwork and drafts, 1940-2011 (bulk 1940-1959)

Series 2. Research and project files, 1940-2011

Series 3. Correspondence, circa 1938-2011

Series 4. Publications and lectures, circa 1942-circa 2006

Series 5. Personal, 1942-2011

Series 6. Film and visual material (in-process)

Series 7. Writings by others, 1960-2009, undated
Biographical Note:
Edmund Snow Carpenter (1922-2011) was an archaeologist and visual anthropologist who worked extensively with the indigenous peoples of the Canadian Arctic and Papua New Guinea. With his colleague and close collaborator Marshall McLuhan (1911-1980), he laid the groundwork for modern media theory. Carpenter is also known for his work as an ethnographic filmmaker and as a collector of Paleo-Eskimo art.

Born in 1922 in Rochester, New York, Edmund (nicknamed "Ted") Carpenter served in the U.S. Marine Corps during World War II before receiving his Ph.D. from the University of Pennsylvania in 1950 under Frank Speck for work on Iroquoian prehistoric archaeology. Carpenter began teaching at the University of Toronto in 1948 while simultaneously working as a programmer for the Canadian Broadcasting Corporation (CBC). In the 1950s, he undertook fieldwork in the Canadian Arctic among the Aivilik (an Inuit Igloolik subgroup). This fieldwork resulted in several publications in the field of cultural anthropology, including Time/Space Concepts of the Aivilik (1955), Anerca (1959), and Eskimo (1959, republished as Eskimo Realities in 1973).

Also in the 1950s, Carpenter began a working relationship with media theorist Marshall McLuhan. Together, they received a Ford Foundation grant (1953-1955) for an interdisciplinary media research project into the impact of mass communications and mass media on culture change. Carpenter and McLuhan's partnership resulted in the Seminar on Culture and Communication (1953-1959) and the journal series Explorations. In 1957, Carpenter was the founding chair in the interdisciplinary program "Anthropology and Art" at San Fernando Valley State College (now California State University, Northridge). There, he collaborated with Bess Lomax Hawes and other colleagues in the production of several ethnographic films, including Georgia Sea Island Singers about Gullah (or Geechee) songs and dances. During this period, Carpenter worked with McLuhan on the latter's seminal book Understanding Media: The Extensions of Man (1964). The article published as "Fashion is Language" in Harper's Bazaar under McLuhan's name (1968) was actually written by Carpenter. It was later published in book form under Carpenter's name, with the title They Became What They Beheld (1970).

In 1969, Carpenter took a research professorship at the University of Papua and New Guinea sponsored by the government of Australia. Alongside photographer Adelaide De Menil (whom he would later marry), he applied many of the ideas about media literacy and culture change to indigenous communities of Papua New Guinea. These activities led to developments in the field of media ecology, as well as the publication of Carpenter's best-known work, Oh, What a Blow the Phantom Gave Me! (1976).

Carpenter taught intermittently at various universities throughout his career, including Fordham University, the University of California-Santa Cruz, Adelphi University, Harvard University's Center for Visual Anthropology, the New School for Social Research, and New York University. He spent eight years associated with the Museum of Ethnology in Basel, Switzerland (1973-1981), editing art historian Carl Schuster's research.

In addition to his teaching and research, Carpenter, with his wife Adelaide De Menil, collected tribal art, eventually amassing the largest private collection of Paleo-Eskimo art in the United States. In the 1990s and early 2000s, Carpenter curated various exhibitions on art and visual culture, including the Menil Collection's Witness to a Surrealist Vision and the Musée du Quai Branly's Upside Down (later reconstructed at the Menil Collection). In later years, Carpenter resumed his archaeological interest in Arctic peoples, researching and collaborating on the Zhokhov Island Mesolithic site in the Russian Arctic with Russian scientists from the Institute for the History of Material Culture and archaeologists from the Smithsonian Institution's National Museum of Natural History.

Carpenter died on July 1, 2011 at his home in New York.

Sources consulted:

"Edmund Snow Carpenter." https://edmundsnowcarpenter.com/about

Grimes, William. "Edmund Carpenter, Archaeologist and Anthropologist, Dies at 88." The New York Times. 2011 July 7. https://www.nytimes.com

Prins, Harald E. L. and John Bishop. "Edmund Carpenter: Explorations in Media and Anthropology." Visual Anthropology Review 17:2 (Fall-Winter 2001-2002): 110-140.

Chronology

1922 September 2 -- Born in Rochester, New York

circa 1940-1941 -- Archaeological field work, Sugar Run mounds, Pennsylvania

1942-1946 -- Served in the United States Marine Corps

1948-1957 -- Anthropology Department, University of Toronto

circa 1950 -- Began work for the Canadian Broadcasting Corporation (CBC)

1950 -- Ph.D. University of Pennsylvania (Anthropology)

1950s -- Fieldwork among the Aivilik Inuit

1953-1959 -- Ran the Seminar on Culture and Communication with Marshall McLuhan

1957-1967 -- "Anthropology and Art" program at San Fernando Valley State College (California State University, Northridge)

1967-1968 -- Schwitzer Chair, Fordham University (with Marshall McLuhan)

1968-1969 -- Carnegie Chair in Anthropology, University of California, Santa Cruz

1969-1970 -- Research Professor, University of Papua and New Guinea

1973-1981 -- Associated with the Museum of Ethnology in Basel, Switzerland for Carl Schuster papers project

circa 1989-2005 -- Collaboration regarding Zhokov Island archaeological site

2011 July 1 -- Died in East Hampton, New York
Separated Materials:
Film and video recordings are retained by the Human Studies Film Archives (HSFA) as the Edmund Carpenter-Adelaide de Menil Collection (HSFA 2004-04). Once processing is complete, they will be described in the following finding aid in Series 6.
Provenance:
The Edmund Snow Carpenter papers were donated to the National Anthropological Archives in 2017 by Adelaide de Menil on behalf of the Rock Foundation.
Restrictions:
The Edmund Snow Carpenter papers are open for research.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.

Digital media in the collection is restricted for preservation reasons.

Access to the Edmund Snow Carpenter papers requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Archaeology  Search this
Cartography  Search this
Ethnographic films  Search this
Indigenous art  Search this
Inuit art  Search this
Menil Collection (Houston, Tex.)  Search this
Museum exhibits  Search this
Paleo-Eskimos  Search this
Visual anthropology  Search this
Citation:
Edmund Snow Carpenter papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.2017-27
See more items in:
Edmund Snow Carpenter papers
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-2017-27

McLuhan, Marshall - Laws of the Media

Collection Creator:
Kranzberg, Melvin, Dr., 1917-1995  Search this
Container:
Box 149, Folder 19
Type:
Archival materials
Collection Restrictions:
Collection is open for research. Collection stored off-site. Contact repository for details.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Melvin Kranzberg Papers, 1934-1988, Archives Center, National Museum of American History.
See more items in:
Melvin Kranzberg Papers
Melvin Kranzberg Papers / Series 2: Correspondence
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0266-ref2330

McLuhan, Marshall

Collection Creator:
Carpenter, Edmund, 1922-2011  Search this
Extent:
13 Folders
Container:
Box 31
Type:
Archival materials
Date:
1960-1974
undated
Collection Restrictions:
The Edmund Snow Carpenter papers are open for research.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.

Digital media in the collection is restricted for preservation reasons.

Access to the Edmund Snow Carpenter papers requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Edmund Snow Carpenter papers, National Anthropological Archives, Smithsonian Institution
See more items in:
Edmund Snow Carpenter papers
Edmund Snow Carpenter papers / Series 3: Correspondence / 3.2: Correspondence by name
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-2017-27-ref218

McLuhan, Marshall

Collection Creator:
Carpenter, Edmund, 1922-2011  Search this
Extent:
2 Folders
Container:
Box 10
Type:
Archival materials
Date:
undated
Scope and Contents:
ESC.04.09, ESC.04.12
Series Restrictions:
Use of archival sound recordings with no duplicate access copy requires advance notice.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Edmund Snow Carpenter papers, National Anthropological Archives, Smithsonian Institution
See more items in:
Edmund Snow Carpenter papers
Edmund Snow Carpenter papers / Series 2: Research and project files / 2.3: Memoir
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-2017-27-ref273

McLuhan, Marshall

Collection Creator:
Seitz, William Chapin  Search this
Container:
Box 11, Folder 17
Type:
Archival materials
Date:
1960s-1970s
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The William Chapin Seitz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
William Chapin Seitz papers, circa 1930-1995. Archives of American Art, Smithsonian Institution.
See more items in:
William Chapin Seitz papers
William Chapin Seitz papers / Series 4: Research and Writing Files / 4.2: People and Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-seitwill-ref345

Explorations : studies in culture and communication / edited by Edmund Carpenter and Marshal McLuhan

Author:
Carpenter, Edmund 1922-2011  Search this
McLuhan, Marshall 1911-1980  Search this
Physical description:
8 volumes : illustrations ; 23 cm
Type:
Periodicals
Date:
2016
Topic:
Culture  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1098530

The Medium is the Massage with Marshall McLuhan [sound recording]

Artist:
McLuhan, Marshall 1911-1980  Search this
Producer:
Simon, John  Search this
Physical description:
1 phonograph record : analog, 33 1/3 rpm ; 12 in
Culture:
Americans  Search this
Type:
Musical sound recordings
Place:
United States
Topic:
Spoken word  Search this
Documentary  Search this
Local number:
Columbia 2701
Restrictions & Rights:
Restrictions on access. rrr
Data Source:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
edanmdm:siris_arc_358558

The mechanical bride : folklore of industrial man / by Marshall McLuhan

Author:
McLuhan, Marshall 1911-1980  Search this
Physical description:
xiii, 157 p. : ill. ; 28 cm
Type:
Books
Place:
United States
Date:
2002
Topic:
Social psychology  Search this
Advertising--Psychological aspects  Search this
Consumers  Search this
Call number:
HM291 .M35 2002
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_700717

Through the vanishing point; space in poetry and painting [by] Marshall McLuhan and Harley Parker

Author:
McLuhan, Marshall 1911-1980  Search this
Parker, Harley  Search this
Physical description:
xxiv, 267 p. illus. 22 cm
Type:
Books
Date:
1968
[1968]
Topic:
Space (Art)  Search this
Arts  Search this
Call number:
NX650.S8 M32
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_644909

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