8 Prints (halftone (including one newspaper clipping))
124 Prints (circa, silver gelatin, albumen, and platinum)
50 Copy prints (circa)
3 copper printing plates
1 Color print
1 Print (wood engraving)
3 Copy negatives (glass)
Type:
Collection descriptions
Archival materials
Prints
Copy prints
Color prints
Copy negatives
Photographs
Date:
circa 1860s-1970
Scope and Contents note:
This collection is an artificial collection of photographs, copper plates, and a few notes, all of which depict or relate to anthropologists, many of which were associated with the Bureau of American Ethnology.
Included are portraits of Franz Boas, Q. M. Bond, Arno B. Cammerer, Frank Hamilton Cushing, Edwin Hamilton Davis, J. Woodbridge Davis, Frances Densmore, James Owen Dorsey, Philip Drucker, Jesse Walter Fewkes (including photographs of his home by Frances Densmore), Albert Samuel Gatschet, James A. Geary, De Lancey W. Gill, George Brown Goode, Horatio Hale, Henry Wetherbee Henshaw, John Napoleon Brinton Hewitt, John K. Hillers, William Henry Holmes, William Henry Jackson, Eugene Irving Knez, Alfred Louis Kroeber, Pere Albert Lacomb, Augustus Le Plongeon, James Mooney, Lewis Henry Morgan, Carl Oschsicanes, James Constantine Pilling, John Wesley Powell, Frau Signe Rink, Frank Harold Hanna Roberts, Jr., Charles C. Royce, Robert Lloyd Stephenson, James Stevenson, Matilda Coxe Stevenson, Julian Haynes Steward, Steward Struever, James Gilchrist Swan, John Reed Swanton, Edwin P. Upham, Wilcomb E. Washburn, and Gordon Randolph Willey. Groups depicted include the staff of the Bureau of American Ethnology, 1936; the De Soto Commission; officers of the American Association for the Advancement of Science, 1885; a 1920 expedition group to Hawikuk; staff of the Great Lakes Division, United States Geological Survey, in Salt Lake City, 1882; a group at Moundville, Alabama, 1932; the University of Nebraska archeological field party, 1920; the Pecos conference, 1927; John Wesley Powell with Wild Hank, Kentucky Mountain Bill, and Jesus Aloiso; and the United States Geological Survey staff, ca. 1894.
Among photographers represented are Vernon Orlando Bailey, Blackston Studios of New York, Dana of New York, Frances Densmore, Gene Garrett, C. W. Gilbert, De Lancey W. Gill, John K. Hillers, William H. Jackson, Kets Kemethy, Paul Koby, David McDonough, H. C. Phillips, Rice of Washington, D. C., and J. A. Shuck of El Reno, Oklahoma.
Local Call Number(s):
NAA Photo Lot 33
Location of Other Archival Materials:
Four photographs with negatives by Matilda Coxe Stevenson have been relocated to Photo Lot 23.
This collection includes photographs that have been removed from other collections in the National Anthropological Archives, including MS 4970, MS 4851, MS 4780, MS 4250, MS 4751, MS 4516, MS 4860, MS 4695, MS 4970, and MS 4558.
See others in:
Portraits of anthropologists, 1860s-1960s
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Copy prints of original photographs held by the American Philosophical Society, National Geographic Society, and National Archives cannot be copied. Copies may be obtained from these repositories.
Genre/Form:
Photographs
Citation:
Photo lot 33, Portraits of anthropologists, National Anthropological Archives, Smithsonian Institution
The papers of "outsider" artist and writer David Zeldis papers measure 0.6 linear feet and date from circa 1960-2020. The papers document the career of Zeldis through biographical materials, writings, correspondence and personal business records, press clippings, printed materials, and photographic materials, including prints, slides, transparencies, and digital photographs.
Biographical materials include resumes and biographies, as well as documentation of Zeldis's longstanding struggles with mental health, considered by the artist and most critics to be integral to his work. Writings include drafts of Zeldis's poetry and fiction writing, as well as rare print publications. Correspondence and personal business records document sales and consignments with galleries, relationships with publishers, and institutional exhibitions. Photographic material primarily documents Zeldis's works, along with with a few portraits.
Biographical / Historical:
David Zeldis (1952- ) is a self-taught, outsider artist based in New York, N.Y.
Provenance:
Donated in 2023 by Yona Zeldis McDonough, David's sister, on behalf of David.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing born-digital records in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Self-taught artists -- New York (State) -- New York Search this
Copy prints of original photographs held by the American Philosophical Society, National Geographic Society, and National Archives cannot be copied. Copies may be obtained from these repositories.
Genre/Form:
Photographs
Collection Citation:
Photo lot 33, Portraits of anthropologists, National Anthropological Archives, Smithsonian Institution
Copy prints of original photographs held by the American Philosophical Society, National Geographic Society, and National Archives cannot be copied. Copies may be obtained from these repositories.
Genre/Form:
Photographs
Collection Citation:
Photo lot 33, Portraits of anthropologists, National Anthropological Archives, Smithsonian Institution
Copy prints of original photographs held by the American Philosophical Society, National Geographic Society, and National Archives cannot be copied. Copies may be obtained from these repositories.
Genre/Form:
Photographs
Collection Citation:
Photo lot 33, Portraits of anthropologists, National Anthropological Archives, Smithsonian Institution
Copy prints of original photographs held by the American Philosophical Society, National Geographic Society, and National Archives cannot be copied. Copies may be obtained from these repositories.
Genre/Form:
Photographs
Collection Citation:
Photo lot 33, Portraits of anthropologists, National Anthropological Archives, Smithsonian Institution
Copy prints of original photographs held by the American Philosophical Society, National Geographic Society, and National Archives cannot be copied. Copies may be obtained from these repositories.
Genre/Form:
Photographs
Collection Citation:
Photo lot 33, Portraits of anthropologists, National Anthropological Archives, Smithsonian Institution
Copy prints of original photographs held by the American Philosophical Society, National Geographic Society, and National Archives cannot be copied. Copies may be obtained from these repositories.
Genre/Form:
Photographs
Collection Citation:
Photo lot 33, Portraits of anthropologists, National Anthropological Archives, Smithsonian Institution
Copy prints of original photographs held by the American Philosophical Society, National Geographic Society, and National Archives cannot be copied. Copies may be obtained from these repositories.
Genre/Form:
Photographs
Collection Citation:
Photo lot 33, Portraits of anthropologists, National Anthropological Archives, Smithsonian Institution
Copy prints of original photographs held by the American Philosophical Society, National Geographic Society, and National Archives cannot be copied. Copies may be obtained from these repositories.
Genre/Form:
Photographs
Collection Citation:
Photo lot 33, Portraits of anthropologists, National Anthropological Archives, Smithsonian Institution
Copy prints of original photographs held by the American Philosophical Society, National Geographic Society, and National Archives cannot be copied. Copies may be obtained from these repositories.
Genre/Form:
Photographs
Collection Citation:
Photo lot 33, Portraits of anthropologists, National Anthropological Archives, Smithsonian Institution
Copy prints of original photographs held by the American Philosophical Society, National Geographic Society, and National Archives cannot be copied. Copies may be obtained from these repositories.
Genre/Form:
Photographs
Collection Citation:
Photo lot 33, Portraits of anthropologists, National Anthropological Archives, Smithsonian Institution
Copy prints of original photographs held by the American Philosophical Society, National Geographic Society, and National Archives cannot be copied. Copies may be obtained from these repositories.
Genre/Form:
Photographs
Collection Citation:
Photo lot 33, Portraits of anthropologists, National Anthropological Archives, Smithsonian Institution
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacob Lawrence and Gwendolyn Knight papers, 1816, 1914-2008, bulk 1973-2001. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the 2007 processing and digitization of this collection was provided by the Terra Foundation for American Art. Funding for the 2018 processing of this collection was provided by the Henry Luce Foundation.
