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Oversized Japan Society material from Box 8, Folders 7-12

Collection Creator:
McCray, Porter A., 1908-2000  Search this
Container:
Oversize 12
Type:
Archival materials
Date:
circa 1970s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Porter A. McCray papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Porter A. McCray Papers, 1936-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Porter A. McCray papers
Porter A. McCray papers / Series 4: Professional Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-mccrport-ref291

Oversized Museum of Modern Art, International Council material from Box 10, Folders 8-11

Collection Creator:
McCray, Porter A., 1908-2000  Search this
Container:
Oversize 12
Type:
Archival materials
Date:
1956-1987
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Porter A. McCray papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Porter A. McCray Papers, 1936-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Porter A. McCray papers
Porter A. McCray papers / Series 4: Professional Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-mccrport-ref292

Oversized Flyers and Greeting Cards from Box 11, Folder 34

Collection Creator:
McCray, Porter A., 1908-2000  Search this
Container:
Oversize 14
Type:
Archival materials
Date:
1970s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Porter A. McCray papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Porter A. McCray Papers, 1936-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Porter A. McCray papers
Porter A. McCray papers / Series 5: Printed Materials
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-mccrport-ref294

Porter A. McCray papers

Creator:
McCray, Porter A., 1908-2000  Search this
Names:
Asia Society  Search this
Byrd Hoffman Foundation  Search this
Cathedral of St. John the Divine (New York, N.Y.)  Search this
Cunningham Dance Foundation  Search this
International Council of the Museum of Modern Art (New York, N.Y.)  Search this
Japan Society (New York, N.Y.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Society of Architectural Historians  Search this
UNESCO  Search this
United States. Foreign Service  Search this
Cutting, Brock  Search this
Humphrey, Hubert H. (Hubert Horatio), 1911-1978  Search this
Kazuko Oshima  Search this
Morley, Grace, 1900-1985  Search this
Paik, Nam June, 1932-2006  Search this
Richie, Donald, 1924-2013  Search this
Rockefeller, John D., 1906-  Search this
Sherfield, Roger Mellor Makins, Baron, 1904-1996  Search this
Thetong, Tenzin  Search this
Extent:
12.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Lectures
Interviews
Paintings
Transcripts
Date:
1936-1989
Summary:
The papers of New York City arts administrator Porter A. McCray measure 12.3 linear feet and date from 1936 to 1989. The papers include scattered biographical materials, correspondence, and writings and notes. The bulk of the collection consists of professional files documenting his advisory and consulting work for museums, institutions, organizations, and foundations. Also found within the collection are printed materials and photographs of McCray and artwork.
Scope and Contents:
The papers of New York City arts administrator Porter A. McCray measure 12.3 linear feet and date from 1936 to 1989. The papers include scattered biographical materials, correspondence, and writings and notes. The bulk of the collection consists of professional files documenting his advisory and consulting work for museums, institutions, organizations, and foundations. Also found within the collection are printed materials and photographs of McCray and artwork.

Scattered biographical materials include appointment books, curricula vitae, a transcript of an interview conducted by McCray with Dr. Grace Morley, and an unsigned painting.

Found within the general correspondence are letters that relate to his work as an arts advisor and consultant, but which appear to be more personal in nature. The bulk of correspondence related to specific projects is found within the professional files. Correspondents include Hubert Humphrey, Mrs. John Lockwood, Grace Morely, Kazuko Oshima, Donald Richie, John D. Rockefeller III, and Tenzin Thetong among others.

Writings and notes include lectures by McCray and writings by others including Brock Cutting, Lord Sherfield, and Nam June Paik. Also found are travel notes for McCray's travels throughout Asia, Europe, and the Middle East.

Professional files document McCray's work as an arts advisor and consultant for numerous museums, foundations, organizations, foundations, and special committees, as well as his membership in various arts committees and boards. Files document McCray's work for and/or membership in the Asia Society, Asian Cultural Program of Cultural Exchange, Byrd Hoffman Foundation, Cathedral Church of St. John the Divine, Cunningham Dance Foundation, Indo-United States committees, International Council of Museums, Japan Society, John D. Rockefeller 3rd Fund, Museum of Modern Art, Society of Architectural Historians, UNESCO, and the United States Foreign Service.

Printed materials include clippings and articles, a Drawing and Architecture exhibition catalog, and a book by Robert Wilson. Photographs include personal photographs and oversized photographs of sculptures by an unknown artist.
Arrangement:
This collection is arranged as 6 series.

Series 1: Biographical Materials, 1959-1982 (0.5 linear feet; Box 1)

Series 2: Correspondence, 1959-1986 (0.5 linear feet; Box 1)

Series 3: Writings and Notes, 1960-1983 (1.5 linear feet; Box 2-3)

Series 4: Professional Files, 1936-1987 (8.2 linear feet; Box 3-11, OVS 12-13)

Series 5: Printed Materials, 1965-1989 (0.5 linear feet; Box 11, OV 14)

Series 6: Photographs, 1945-1980s (0.2 linear feet; Box 11, OV 15)
Biographical / Historical:
Porter A. McCray (1908-2000) was an arts administrator working in New York City, New York.

Born in Clarksburg, West Virginia in 1908, McCray recieved a degree in English literature from the Virginia Military Institute in 1930, and a degree in architecture from Yale University in 1941. McCray traveled extensively throughout Europe, Asia, and the Middle East, developing relationships with individuals and organizations across the world.

In 1941, McCray worked as an exhibition specialist in the Office of the Coordinator of Inter-American Affairs and collaborated with the Museum of Modern Art on an American exhibition at the Guatemala National Fair. After serving as an ambulance driver in World War II, he was employed by the architectural firm of Harrison and Abramovitz where he worked on some preliminary designs of the present site of the United Nations.

While working for Harrison, McCray met Nelson Rockefeller, who was chairman of the board of the Museum of Modern Art (MOMA). In 1947, Rockefeller asked McCray to serve as the director of circulating exhibitions at MOMA and be responsible for the Museum's national and international traveling exhibition program. McCray accepted and remained at MOMA until 1961. The following year, he orchestrated the preparation of a MOMA exhibition of Mark Rothko's work in Paris in 1962. In 1963, McCray became the executive director of the JDR 3rd Fund, a non-profit started by John D. Rockefeller III to promote artistic and cultural exchanges between the United States and Asia. McCray also worked as a consultant for the Japan Society's visual arts programs, the Asian Cultural Council, for the dean of the Cathedral Church of St. John the Divine's visual and performing arts program, and for MOMA's International Program after retiring.

McCray died in 2000 in Hightstown, New Jersey.
Related Materials:
Also found at the Archives of American Art is an oral history interview of Porter A. McCray conducted by Paul Cummings from September 17 to October 4, 1977.
Provenance:
The collection was donated in 1994 by Porter McCray.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Rights:
The Porter A. McCray papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Arts boards  Search this
Cultural relations  Search this
Arts administrators -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Lectures
Interviews
Paintings
Transcripts
Citation:
Porter A. McCray Papers, 1936-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mccrport
See more items in:
Porter A. McCray papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mccrport
Online Media:

Oversized Photographs of Sculptures

Collection Creator:
McCray, Porter A., 1908-2000  Search this
Container:
Oversize 15
Type:
Archival materials
Date:
circa 1970s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Porter A. McCray papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Porter A. McCray Papers, 1936-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Porter A. McCray papers
Porter A. McCray papers / Series 6: Photographs
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-mccrport-ref289

Oversized Oida, Yoshi material from Box 11, Folder 4

Collection Creator:
McCray, Porter A., 1908-2000  Search this
Container:
Oversize 13
Type:
Archival materials
Date:
circa 1970s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Porter A. McCray papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Porter A. McCray Papers, 1936-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Porter A. McCray papers
Porter A. McCray papers / Series 4: Professional Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-mccrport-ref290

Porter A. McCray letter to Lee Krasner

Creator:
McCray, Porter A., 1908-2000  Search this
Krasner, Lee, 1908-1984  Search this
Subject:
Pollock, Jackson  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Type:
Correspondence
Date:
1957 Oct. 22
Record number:
(DSI-AAA)13803
See more items in:
Jackson Pollock and Lee Krasner papers, circa 1914-1984, bulk 1942-1984
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13803

Porter A. McCray papers, 1936-1989

Creator:
McCray, Porter A., 1908-2000  Search this
Subject:
Paik, Nam June  Search this
Richie, Donald  Search this
Sherfield, Roger Mellor Makins, Baron  Search this
Morley, Grace  Search this
Cutting, Brock  Search this
Thetong, Tenzin  Search this
Rockefeller, John D.  Search this
Kazuko Oshima  Search this
Humphrey, Hubert H. (Hubert Horatio)  Search this
Byrd Hoffman Foundation  Search this
Cunningham Dance Foundation  Search this
United States  Search this
Cathedral of St. John the Divine  Search this
International Council of the Museum of Modern Art  Search this
Society of Architectural Historians  Search this
Japan Society (New York, N.Y.)  Search this
Asia Society  Search this
Museum of Modern Art (New York, N.Y.)  Search this
UNESCO  Search this
Type:
Photographs
Lectures
Interviews
Paintings
Transcripts
Topic:
Arts boards  Search this
Cultural relations  Search this
Arts administrators -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)6445
(DSI-AAA_SIRISBib)215589
AAA_collcode_mccrport
Theme:
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215589
Online Media:

Catherine Viviano Gallery records

Creator:
Catherine Viviano Gallery  Search this
Names:
American Academy of Arts and Letters  Search this
American Federation of Arts  Search this
Art Club of Chicago  Search this
Art Institute of Chicago  Search this
Barnes Foundation  Search this
Brooklyn Museum  Search this
Carnegie Institute  Search this
City Art Museum of St. Louis  Search this
Colorado Springs Fine Arts Center  Search this
Dallas Museum of Fine Arts  Search this
Des Moines Art Center  Search this
Detroit Institute of Arts  Search this
Fogg Art Museum  Search this
Harvard University  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Los Angeles County Museum  Search this
Mary Washington College  Search this
Massachusetts Institute of Technology  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Museum of Fine Arts, Boston  Search this
Museum of Fine Arts, Houston  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Pennsylvania Academy of the Fine Arts  Search this
Philadelphia Art Alliance  Search this
Santa Barbara Museum of Art  Search this
University of Virginia  Search this
Wadsworth Atheneum  Search this
Walker Art Center  Search this
William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts  Search this
World House Galleries  Search this
Yale University. Art & Architecture Library  Search this
Afro, 1912-1976  Search this
Ashton, Dore  Search this
Baker, Richard Brown  Search this
Bareiss, Walter  Search this
Barker, Walter  Search this
Birolli, Renato, 1905?-1959  Search this
Bishop, Elizabeth, 1911-1979  Search this
Broderson, Robert M, 1920-  Search this
Callery, Mary, 1903-1977  Search this
Chaet, Bernard  Search this
Cox, Jan, 1919-1980  Search this
Dorazio, Piero, 1927-  Search this
Dorazio, Virginia Dortch  Search this
Dubuffet, Jean, 1901-  Search this
Dudensing, F. Valentine, 1892-1967  Search this
Eisendrath, William N., 1903-  Search this
Ernst, Dallas  Search this
Faison, S. Lane (Samson Lane), 1907-2006  Search this
Fleischman, Barbara  Search this
Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this
Genauer, Emily, 1910-2002  Search this
Giacometti, Alberto, 1901-1966  Search this
Glasco, Joseph, 1925-  Search this
Goodhue, Bertram Grosvenor, 1869-1924  Search this
Graves, Morris, 1910-  Search this
Guerrero, José, 1914-  Search this
Göpel, Barbara  Search this
Göpel, Erhard  Search this
Hirschhorn, Joseph  Search this
Lerner, Abe, 1908-  Search this
Ludgin, Earle, 1898-1981  Search this
Mabe, Manabu  Search this
Manrique, César, 1920-  Search this
McCray, Porter A., 1908-2000  Search this
Meltzer, Doris, 1908-1977  Search this
Menil, Dominique de  Search this
Miller, Stephen Robeson  Search this
Minguzzi, Luciano, 1911-  Search this
Miró, Joan, 1893-  Search this
Morlotti, Ennio, 1910-1992  Search this
Moyens, H. Marc  Search this
Myers, John Bernard  Search this
Ossorio, Alfonso, 1916-1990  Search this
Perlin, Bernard, 1918-  Search this
Price, Vincent, 1911-1993  Search this
Pulitzer, Joseph, 1913-1993  Search this
Rathbone, Perry Townsend, 1911-2000  Search this
Ribicoff, Belle Krasne, 1924-  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this
Rosenthal, Bernard M.  Search this
Sage, Kay  Search this
Seeger, Stanley J.  Search this
Shapiro, Meyer  Search this
Stout, George L. (George Leslie)  Search this
Tanning, Dorothea, 1910-2012  Search this
Valentin, Curt, 1902-1954  Search this
Van Veen, Stuyvesant  Search this
Viviano, Catherine, 1899-1992  Search this
Wakabayashi, Kazuo  Search this
Yunkers, Adja, 1900-1983  Search this
Extent:
11.6 Linear feet
Type:
Collection descriptions
Archival materials
Notes
Photographs
Date:
1930-1990
bulk 1949-1978
Summary:
The records of the Catherine Viviano Gallery measure 11.6 linear feet and date from 1930-1990, with the bulk of the materials dating from 1949-1978. Established in New York City in 1949, the gallery specialized in contemporary painting and sculpture primarily by American and European artists. The collection consists of artists' files; correspondence with artists, collectors, dealers, museum directors, curators, and publishers; business records; printed material; and photographs of artwork and artists. Also included are records relating to Catherine Viviano's activities as a private dealer and consultant after she closed the gallery in 1970.
Scope and Contents note:
The records of the Catherine Viviano Gallery measure 11.6 linear feet and date from 1930-1990, with the bulk of the materials dating from 1949-1978. Established in New York City in 1949, the gallery specialized in contemporary painting and sculpture primarily by American and European artists. The collection consists of artists' files; correspondence with artists, collectors, dealers, museum directors, curators, and publishers; business records; printed material; and photographs of artwork and artists. Also included are records relating to Catherine Viviano's activities as a private dealer and consultant after she closed the gallery in 1970.

Artists' files include biographical material; artists' statements; correspondence; sales and expense reports; lists and notes; guest lists; writings by others; receipts, invoices, and statements; printed material, including press releases, exhibition announcements, brochures, catalogues, clippings; and photographs of artwork and artists. Included are extensive files on Afro Basaldella, Renato Birolli, Robert Broderson, Anselmo Franesconi, Joseph Glasco, Manabu Mabe, César Manrique, Luciano Minguzzi, Ennio Morlotti, Bernard Perlin, Daniel Rice, and Bernard Rosenthal. There are also files on Jan Cox, Kay Sage, and Kazuo Wakabayashi.

Correspondence comprises the largest series in the collection and consists of general correspondence; correspondence with museums, galleries, and art-related institutions in the United States; and correspondence with museums, galleries, and art-related institutions abroad. Letters focus on routine business matters, e.g., appraisals and sales, acquisitions, and organizing exhibitions at the Catherine Viviano Gallery and other venues.

General correspondence includes letters between Catherine Viviano and artists and their family members. Among the correspondents are: Mary Callery, Bernard Chaet, Piero and Virginia Dorazio, Jean Dubuffet, Dallas Ernst, Karl Fortress, Alberto Giacometti, Henry Sage Goodwin, Morris Graves, José Guerrero, Earle Ludgin, Joan Miro, Alfonso Ossorio, Dorothea Tanning, Stuyvesant Van Veen, Adja Yunkers and his wife, Dore Ashton, among others. Also found is Viviano's correspondence with clients, many of whom were prominent collectors, e.g., Richard Brown Baker, Carl and Joan Fisher, Lawrence and Barbara Fleischman, Joseph Hirschhorn, Marc Moyens, Vincent Price, Joseph Pulitzer, Jr., Nelson Rockefeller, Stanley Seeger, and Frederick and Dorothy Zimmerman. Of interest, are letters from Elizabeth Bishop inquiring about the purchase of a work of art from the gallery. Included are letters from art historians, museum directors, curators, representatives at other art-related institutions, and publishers including Walter Bareiss, Walter Barker, Dominque De Menil, Valentine Dudensing, William Eisendrath, S. Lane Faison, Emily Genauer, Bertram Goodhue, Erhard and Barbara Göpel, James Laughlin, Porter McCray, Abram Lerner, Doris Meltzer, Stephen Robson Miller, John Bernard Myers, Perry Rathbone, Belle Krasne Ribicoff, Meyer Shapiro, George Stout, and Curt Valentin.

Correspondence with museums, galleries, and art-related institutions in the United States contains letters between Viviano and museum directors, curators, dealers, artists, and collectors pertaining to loans, shipping and delivery of artwork, appraisals and sales, and acquisitions. Files include substantive correspondence with the American Academy of Arts and Letters, American Federation of the Arts, Art Institute of Chicago, Arts Club of Chicago, the Barnes Foundation, Bristol Art Museum, Brooklyn Museum, Bundy Art Gallery, Carnegie Institute, City Art Museum of St. Louis, Cleveland Museum of Art, Colorado Springs Fine Arts Center, Dallas Museum of Fine Arts, Denver Art Museum, Des Moines Art Center, Detroit Institute of Arts, Fogg Art Museum, Harvard University, Hirshhorn Museum and Sculpture Garden, Institute of Contemporary Art, Los Angeles County Art Museum, Massachusetts Institute of Technology, Metropolitan Museum of Art, Museum of Fine Arts, Boston, Museum of Fine Arts of Houston, Museum of Modern Art, Pennsylvania Academy of the Fine Arts, Philadelphia Art Alliance, Santa Barbara Museum of Art, University of Nebraska Art Galleries, University of Virginia, Mary Washington College, Wadsworth Atheneum, Walker Art Center, William Rockhill Nelson Gallery of Art, Atkins Museum of the Fine Arts, World House Gallery, and Yale University Art Library.

Correspondence with museums, galleries, and art-related institutions abroad primarily concerns the lending of artwork for exhibitions, acquisition and sales; also included are letters requesting biographical information on artists. Letters between Catherine Viviano and representatives of Max Beckmann Gesellschaft Archiv and Galerie Gunther Franke contain provenance-related information on Beckmann's work.

Business records document the routine business operations of the gallery. Printed material includes an incomplete run of Catherine Viviano Gallery exhibition catalogues; invitations and announcements from other galleries and institutions; and miscellaneous printed material.

Photographs include three images of miscellaneous artwork used for art reference.
Arrangement note:
Records are generally arranged by material type and in chronological order thereafter. Artists' files and correspondence files are arranged in alphabetical order and materials within the folders are arranged chronologically

The collection is arranged as 5 series:

Series 1: Artists' Files, 1945-1986 (Boxes 1-3; 3.5 linear feet)

Series 2: Correspondence, 1939-1985 (Boxes 3-6; 5.5 linear feet)

Series 3: Business Records, 1949-1972 (Boxes 10-11; 1.0 linear feet)

Series 4: Printed Material, 1930-1990 (Boxes 11-13; 1.6 linear feet)

Series 5: Photographs (1948-1954), undated (Box 14; 1 folder)
Biographical/Historical note:
Catherine Viviano (1889-1992) opened her gallery in 1949 on 42 East 57th Street in New York City. Specializing in contemporary American paintings and sculpture, the gallery featured younger American and European artists, e.g., Robert Broderson, Carlyle Brown, Jan Cox, Joseph Glasco, Peter Lanyon, Manabu Mabe, César Manrique, Bernard Perlin, Joseph Rollo, Bernard Rosenthal, and Kay Sage, among others. The gallery was also notable for introducing the work of Italian artists, who had been cut off from the American art scene during World War II, including Afro Basaldella and his brother Mirko Basaldella, Renato Birolli, Leonardo Cremonini, and Luciano Minguzzi.

Born in Italy in 1899 and raised in Chicago, Catherine Viviano came to New York in the early 1930's to work at the Pierre Matisse Gallery, where she remained for sixteen years before founding the Catherine Viviano Gallery.

In 1970, Catherine Viviano closed the gallery, though she continued to work from her home as an art dealer and consultant. She died of a stroke at the age of ninety-two in 1992.
Related Archival Materials note:
Among the other resources relating to Catherine Viviano Gallery in the Archives of American Art are the Kay Sage papers, 1925-circa 1985, bulk 1950-1965.
Provenance:
The Catherine Viviano Gallery records were donated in 2003 on behalf of Margaret Viviano, Catherine Viviano's sister, by her grandnephew, Peter C. Salerno, who had Power of Attorney for Margaret Viviano.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Catherine Viviano Gallery records records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art dealers  Search this
Sculpture  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Painting  Search this
Art -- Collectors and collecting  Search this
Genre/Form:
Notes
Photographs
Citation:
Catherine Viviano Gallery records, 1930-1990, bulk 1949-1978. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cathvivi
See more items in:
Catherine Viviano Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cathvivi
Online Media:

Oral history interview with Grace Morley, 1982 Feb. 6-Mar. 24

Interviewee:
Morley, Grace, 1900-1985  Search this
Interviewer:
McCray, Porter A., 1908-2000  Search this
Subject:
Cincinnati Art Museum  Search this
National Museum of India  Search this
San Francisco Art Dealers Association  Search this
San Francisco Museum of Art  Search this
UNESCO  Search this
Type:
Sound recordings
Interviews
Topic:
Museum directors -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12774
(DSI-AAA_SIRISBib)212030
AAA_collcode_morley82
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212030
Online Media:

Oral history interview with Porter A. McCray, 1977 Sept. 17-Oct. 4

Interviewee:
McCray, Porter A., 1908-2000  Search this
Interviewer:
Cummings, Paul, 1933-  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Record number:
(DSI-AAA_CollID)12974
(DSI-AAA_SIRISBib)212875
AAA_collcode_mccray77
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212875

Oral history interview with Grace Morley

Interviewee:
Morley, Grace, 1900-1985  Search this
Interviewer:
McCray, Porter A., 1908-2000  Search this
Names:
Cincinnati Art Museum  Search this
National Museum of India  Search this
San Francisco Art Dealers Association  Search this
San Francisco Museum of Art  Search this
UNESCO  Search this
Extent:
31 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1982 Feb. 6-Mar. 24
Scope and Contents:
An interview of Grace McCann Morley conducted 1982 Feb. 6-1982 Mar. 24, by Porter McCray, for the Archives of American Art.
Morley speaks of her career in museums, beginning with the Cincinnati Art Museum as a curator; becoming the director of the San Francisco Museum of Art; the San Francisco Museum of Art's history and efforts to show contemporary art; the San Francisco Art Association and its support of artists; her involvement in the Golden Gate International Exhibition in 1939; her involvement with Unesco as a consultant on the efforts to recover artworks confiscated by the Germans during World War II; and going to India to help establish their National Museum.
Biographical / Historical:
Grace Morley (1900-1985) was a museum director in both California and India. Morley was the director of the San Francisco Museum of Art in 1934-1958 and was involved in the establishment of the National Museum of India in New Delhi.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 3 hrs., 9 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Museum directors -- Interviews  Search this
Function:
Museums -- India -- NewDelhi
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.morley82
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-morley82

Oral history interview with Porter A. McCray

Interviewee:
McCray, Porter A., 1908-2000  Search this
Interviewer:
Cummings, Paul  Search this
Extent:
146 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1977 Sept. 17-Oct. 4
Scope and Contents:
An interview of Porter A. McCray conducted 1977 Sept. 17-Oct. 4, by Paul Cummings, for the Archives of American Art.
Biographical / Historical:
Porter A. McCray (1908-2000) is an artist from New York, N.Y.
General:
Originally recorded on 4 sound tape reels. Reformatted in 2010 as 11 digital wav files. Duration is 8 hrs., 10 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art, American  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.mccray77
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mccray77

Correspondence

Collection Creator:
McCray, Porter A., 1908-2000  Search this
Extent:
0.5 Linear feet (Box 2)
Type:
Archival materials
Date:
1959-1986
Scope and Contents:
McCray's general correspondence files relate to numerous consulting and committee projects, and professional memberships. There are letters from Mrs. John Lockwood, Grace Morley, Kazuko Oshima, Hubert Humphrey, Donald Richie, and Tenzin Thetong, a representative of the Dalai Lama. A file for contributors to the Porter McCray fund contains letters to McCray from Helen Franc about monetary contributions made to McCray by an unofficial Porter McCray fan club. The bulk of McCray's correspondence is found in his consulting project files.
Arrangement:
Correspondence is arranged alphabetically.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Porter A. McCray papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Porter A. McCray Papers, 1936-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mccrport, Series 2
See more items in:
Porter A. McCray papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-mccrport-ref10

The Arts of Asia Foundation, Regarding Gift to McCray

Collection Creator:
McCray, Porter A., 1908-2000  Search this
Container:
Box 1, Folder 16
Type:
Archival materials
Date:
1984
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Porter A. McCray papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Porter A. McCray Papers, 1936-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Porter A. McCray papers
Porter A. McCray papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-mccrport-ref30

Germany

Collection Creator:
McCray, Porter A., 1908-2000  Search this
Container:
Box 2, Folder 33
Type:
Archival materials
Date:
1971
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Porter A. McCray papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Porter A. McCray Papers, 1936-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Porter A. McCray papers
Porter A. McCray papers / Series 3: Writings and Notes / Trip Notes
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-mccrport-ref100

Hamburg

Collection Creator:
McCray, Porter A., 1908-2000  Search this
Container:
Box 2, Folder 34
Type:
Archival materials
Date:
1974
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Porter A. McCray papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Porter A. McCray Papers, 1936-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Porter A. McCray papers
Porter A. McCray papers / Series 3: Writings and Notes / Trip Notes
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-mccrport-ref101

Hong Kong

Collection Creator:
McCray, Porter A., 1908-2000  Search this
Container:
Box 2, Folder 35
Type:
Archival materials
Date:
1970
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Porter A. McCray papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Porter A. McCray Papers, 1936-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Porter A. McCray papers
Porter A. McCray papers / Series 3: Writings and Notes / Trip Notes
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-mccrport-ref102

Hong Kong

Collection Creator:
McCray, Porter A., 1908-2000  Search this
Container:
Box 2, Folder 36
Type:
Archival materials
Date:
1972-1973
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Porter A. McCray papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Porter A. McCray Papers, 1936-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Porter A. McCray papers
Porter A. McCray papers / Series 3: Writings and Notes / Trip Notes
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-mccrport-ref103

Honolulu

Collection Creator:
McCray, Porter A., 1908-2000  Search this
Container:
Box 2, Folder 37
Type:
Archival materials
Date:
1972
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Porter A. McCray papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Porter A. McCray Papers, 1936-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Porter A. McCray papers
Porter A. McCray papers / Series 3: Writings and Notes / Trip Notes
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-mccrport-ref104

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