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Artists' Fellowship records

Creator:
Artists' Fellowship  Search this
Names:
Artists' Aid Society  Search this
Artists' Mutual Aid Society  Search this
Helpful Society  Search this
Barse, George R., 1861-1938  Search this
Bittinger, Charles, 1879-1970  Search this
Blackmore, A. E. (Arthur E), 1854-1921  Search this
Bloodgood, Robert Fanshawe, 1848-1930  Search this
Brown, John George, 1831-1913  Search this
Church, Frederick S. (Frederick Stuart), 1842-1924  Search this
De Luce, Percival, 1847-1914  Search this
Drake, W. H.  Search this
Ebert, Charles H., 1873-1959  Search this
Emens, Homer F.  Search this
Faxon, William Bailey, 1849-1941  Search this
Fitler, William Crothers, b. 1857  Search this
Freedlander, Arthur R., d. 1940  Search this
Guy, J. C.  Search this
Guy, Seymour J., 1824-1910  Search this
Harper, William St. John, 1851-1910  Search this
Hirschberg, Carl, 1854-1923  Search this
Howe, William Henry, 1846-1929  Search this
Jones, Francis Coates, 1857-1932  Search this
Kinsella, James, 1857-1923  Search this
Kleiser, Lorentz, 1879-1963  Search this
Lauber, Joseph, b. 1855  Search this
Lee, Homer, 1855-1923  Search this
Lippincott, William H. (William Henry), 1849-1920  Search this
Low, Will Hicok, 1853-1932  Search this
Maynard, George W. (George Willoughby), 1843-1923  Search this
Mielatz, Charles Frederick William, 1860-  Search this
Nicoll, James Craig, 1846-1918  Search this
O'Sullivan, John F.  Search this
Olinsky, Ivan G. (Ivan Gregorewitch), 1878-1962  Search this
Phelps, W. P. (William Preston), 1848-1923  Search this
Post, William Merritt, 1856-1935  Search this
Richardson, Frederick, 1862-1937  Search this
Shurtleff, Roswell Morse, 1838-1915  Search this
Smedley, W. T. (William Thomas), 1858-1920  Search this
Turner, Charles Yardley, 1850-1918  Search this
Volk, Douglas , 1856-1935  Search this
Whiting, Giles, 1873-1937  Search this
Extent:
5 Linear feet ((partially microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Date:
1872-1980
Scope and Contents:
UNMICROFILMED: Correspondence, membership files, minutes, historian's records, financial material, subject files, and miscellany.
REEL 2029: 41 group photographs of artists' outings. Appearing in one or more photos are: George R. Barse, Charles Bittinger, A.E. Blackmore, Robert F. Bloodgood, J.G. Brown, Frederick S. Church, Percival De Luce, William H. Drake, Charles H. Ebert, Homer F. Emens, L. Farragut, William B. Faxon, William C. Fitler, Arthur R. Freedlander, J.C. Guy, Seymour J. Guy, William St. John Harper, Carl Hirschberg, William H. Howe, Francis C. Jones, James Kinsella, L. Kleiser, Homer Lee, Joseph Lauber, William H. Lippincott, Will H. Low, George W. Maynard, Charles F. W. Mielatz, B. Mitchell, James C. Nicoll, Ivan G. Olinsky, John F. O'Sullivan, W. P. Phelps, William M. Post, Frederick Richardson, Roswell M. Shurtleff, William T. Smedley, Charles Y. Turner, Douglas Volk, and Giles Whiting.
Biographical / Historical:
Artists' Fellowship's purpose is to assist artists and their families in case of sickness, bereavement or distress. It grew out of the Helpful Society, founded 1868, and housed in the Tenth Street Studio Building. It became the Artists' Mutual Aid Society, whose name was changed in 1889 to the Artists' Aid Society. In 1925 the Society was incorporated as Artists' Fellowhip, Inc.
Provenance:
Donated 1980 by Artists' Fellowship, via Michael Engel II, President. The original negatives and album of vintage prints on reel 2029 were found in the offices of the National Academy of Design, where the Fellowship at one time maintained offices.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Rights:
Identities of recipients of awards: Authorization to quote or reproduce for purposes of publication requires written permission from Artists' Fellowship, Inc. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Societies, etc. -- New York (State) -- New York  Search this
Art -- Scholarships, fellowships, etc  Search this
Identifier:
AAA.artifell
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-artifell

Correspondence, Harrington - Moser

Creator:
McEvoy, Ambrose, 1878-1927  Search this
Healy, G. P. A. (George Peter Alexander), 1813-1894  Search this
Johnson, Eastman, 1824-1906  Search this
Maynard, George W. (George Willoughby), 1843-1923  Search this
Moser, James Henry, 1854-1913  Search this
Names:
Mercer, Edward  Search this
Washington, George Corbin, 1789-1854  Search this
Collection Creator:
Brumbaugh, Thomas B. (Thomas Brendle), 1921-  Search this
Extent:
9 Items (Letters, written in ink, ball point, graphite)
Type:
Archival materials
Correspondence
Date:
1848-1924
Scope and Contents:
This folder is an amalgamation of letters written and recieved by prominent figures in 19th and 20th century American art. Included in the folder are letters from George P. Healy, Eastman Johnson, George W. Maynard, Ambrose McEvoy, and James Henry Moser.
Arrangement:
Organized alphabetically by author.
Biographical / Historical:
Healy was an American academic painter during the 19th century who painted mostly portraits, including a rather well-known one of Abraham Lincoln seated, which hangs in the National Portrait Gallery in Washington, D.C. He studied in Paris, and worked in Paris, Rome, and Boston. Healy was prolific, painting as many as 50 portraits in a single year, including a series of American presidents, and group pictures depicting congressmen and other famous political figures. The picture depicts Senator Daniel Webster's (MA) reply in Senate to Senator Robert Hayne (SC) in 1830. They debated the issue of states' rights and nullification, and Webster defended a strong national government, famously declaring, "The motto should not be 'Liberty first, and Union afterwards,' but 'Liberty and Union, now and forever, one and inseparable!'"
Hon. George C. Washington was born in Virginia in 1789 and died in Georgetown, D.C. in 1854. He attended Phillips Academy in Andover, Massachusetts, served in the Maryland legislature, and served several terms representing Montgomery County in Congress.
Eastman Johnson was an American painter who co-founded the Metropolitan Museum of Art. Johnson painted many influential Americans of his day, and his style was influenced by the Dutch masters, earning him the title of "The American Rembrandt."He was born in Maine in 1824, but moved to Washington, D.C., where he completed many of his portraits. Johnson lived among Native American tribes and opened a studio in New York.
George Willoughby Maynard was an American painter who started his career by completing murals in Boston's Trinity Church. He later did many murals in the Library of Congress.
Ambrose McEvoy painted figures, landscapes, and portraits in the late 19th and early 20th centuries. He was a founder-member of the National Portrait Society in England, and painted a number of portraits of soldiers and sailors, which are now in the Imperial War Museum.
Edward StanleyMercer was an English artist who studied at the Slade School of Art, along with time in Holland, Spain, and Italy. He exhibited at the Royal Academy, and was a member of both the Royal Society of Portrait Painters and the Royal Institute of Oil Painters.
In the letter, Ambrose McEvoy mentions that he has "written to Harold Speed," who was an English painter of oil and watercolor landscapes and portraits. Speed (1872-1957) studied art at the Royal Academy Schools and was elected a member of the Royal Society of Portrait Painters. Speed exhibited at the Royal Academy.
James Henry Moser was born in Ontario, Canada, who worked as an illustrator and landscape painter in oil and watercolor. In Washington, D.C., he was awarded the first Corcoran Prize by the Washington Watercolor Club. He was an art critic for the Washington Times, Post, and Herald, and did freelance illustrations for Harper's, among other publications. Mrs. Benjamin Harrison, the First Lady, purchased one of Moser's pieces, "A Sunny Morning at Salisbury Beach," to hang in the White House living room. He died in 1913 after having suffered a stroke earlier that year.
Local Numbers:
FSA A2009.06 5
Other Archival Materials:
Thomas B. Brumbaugh research material on Abbott Handerson Thayer and other artists, 1876-1994 (bulk 1960s-1994); Also located at Archives of American Art, Smithsonian Institution.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, American  Search this
Genre/Form:
Correspondence -- 19th century
Correspondence -- 20th century
Identifier:
FSA.A2009.06, Series FSA A2009.06 5
See more items in:
The Brumbaugh Collection of Artist Letters
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_component:sova-fsa-a2009-06-ref3
Online Media:

George W. (George Willoughby) Maynard, New York, N.Y. letter to Charles Henry Hart, Philadelphia, Pa.

Creator:
Maynard, George W. (George Willoughby), 1843-1923  Search this
Hart, Charles Henry, 1847-1918  Search this
Type:
Correspondence
Date:
1892 April 18
Record number:
(DSI-AAA)6939
See more items in:
Charles Henry Hart autograph collection, 1731-1918
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_6939

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