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Massachusetts College of Art Publications

Collection Creator:
Berger, David, 1920-1966  Search this
Extent:
2 Folders
Container:
Box 3, Folder 19-20
Type:
Archival materials
Date:
1943
1948
1961-1967
Scope and Contents note:
Oversized items housed in box 5, folder 8
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
David Berger papers, circa 1939-1986. Archives of American Art, Smithsonian Institution.
See more items in:
David Berger papers
David Berger papers / Series 5: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fea800d7-4367-4a5d-9f88-a3ba281e8e8a
EDAN-URL:
ead_component:sova-aaa-bergdavi-ref84

Massachusetts College of Art

Collection Creator:
Daley, William, 1925-2002  Search this
Container:
Box 8, Folder 2
Type:
Archival materials
Date:
1991, 1998
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
William P. Daley papers, 1905-2004 (bulk 1951-2001). Archives of American Art, Smithsonian Institution.
See more items in:
William P. Daley papers
William P. Daley papers / Series 5: Workshops, Seminars, and Lectures
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e5cc11a4-45bc-4e64-bd96-e96ecf3e7970
EDAN-URL:
ead_component:sova-aaa-dalewill-ref410

Massachusetts College of Art

Collection Creator:
Thayer, Polly, 1904-2006  Search this
Container:
Box 4, Folder 32
Type:
Archival materials
Date:
2000
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Polly Thayer (Starr) papers, 1846-2008, bulk 1921-2008. Archives of American Art, Smithsonian Institution.
See more items in:
Polly Thayer (Starr) papers
Polly Thayer (Starr) papers / Series 3: Correspondence / 3.2: Galleries, Museums, and Venues
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ceb02de0-0481-4911-b55d-593d169ce2a0
EDAN-URL:
ead_component:sova-aaa-thaypoll-ref228

Massachusetts College of Art bulletin

Collection Creator:
Burnett, Calvin, 1921-2007  Search this
Container:
Box 6, Folder 1
Type:
Archival materials
Date:
1972
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Calvin Burnett or his heirs. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Calvin Burnett papers, 1920-1979, bulk 1960s-1970s. Archives of American Art, Smithsonian Institution.
See more items in:
Calvin Burnett papers
Calvin Burnett papers / Series 6: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a20af319-609d-4939-a2b2-38906a8261b7
EDAN-URL:
ead_component:sova-aaa-burncalv-ref116

Massachusetts College of Art, Digital Documents

Collection Creator:
Hallam, Beverly, 1923-2013  Search this
Extent:
0.024 Gigabytes (19 computer files)
Container:
Folder ER10
Type:
Archival materials
Gigabytes
Date:
1996-2001
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Beverly Hallam Papers, 1899-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Beverly Hallam papers
Beverly Hallam papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99b4dce1c-0d6a-4036-9248-f2445d293473
EDAN-URL:
ead_component:sova-aaa-hallbeve-ref365

Massachusetts College of Art/John Baker

Collection Creator:
Gross, Chaim, 1904-1991  Search this
Container:
Box 5, Folder 42
Type:
Archival materials
Date:
1978-1982
Collection Restrictions:
Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Chaim Gross papers, 1920-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Chaim Gross papers
Chaim Gross papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw991ed9e93-62ce-4147-a98f-870b92aeb550
EDAN-URL:
ead_component:sova-aaa-groschai-ref343

Awards, Massachusetts College of Art Outstanding Achievement Award

Collection Creator:
Daley, William, 1925-2002  Search this
Container:
Box 1, Folder 6
Type:
Archival materials
Date:
1980
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
William P. Daley papers, 1905-2004 (bulk 1951-2001). Archives of American Art, Smithsonian Institution.
See more items in:
William P. Daley papers
William P. Daley papers / Series 1: Biographical Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95ce3f40c-ce32-4769-a5ce-40a152d509cf
EDAN-URL:
ead_component:sova-aaa-dalewill-ref19

Awards, Massachusetts College of Art Distinguished Alumnus 1994

Collection Creator:
Daley, William, 1925-2002  Search this
Container:
Box 1, Folder 15
Type:
Archival materials
Date:
1993-1994
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
William P. Daley papers, 1905-2004 (bulk 1951-2001). Archives of American Art, Smithsonian Institution.
See more items in:
William P. Daley papers
William P. Daley papers / Series 1: Biographical Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw911c4e2e5-6a74-4616-b687-9469b12f5722
EDAN-URL:
ead_component:sova-aaa-dalewill-ref27

Notebook, (Perspective, Color, Design, Art Education), Massachusetts College of Art

Collection Creator:
Hallam, Beverly, 1923-2013  Search this
Container:
Box 7, Folder 32
Type:
Archival materials
Date:
1943
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Beverly Hallam Papers, 1899-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Beverly Hallam papers
Beverly Hallam papers / Series 4: Writings / 4.3: Beverly Hallam Student Work
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f8dda7a4-543e-4aed-9d3a-c9975fa1f26d
EDAN-URL:
ead_component:sova-aaa-hallbeve-ref196

William Daley at the Massachusetts College of Art (1982)

Collection Creator:
Daley, William, 1925-2002  Search this
Container:
Box 3, Folder 65-66
Type:
Archival materials
Date:
1982
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
William P. Daley papers, 1905-2004 (bulk 1951-2001). Archives of American Art, Smithsonian Institution.
See more items in:
William P. Daley papers
William P. Daley papers / Series 3: Exhibition Files / 3.1: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cf1ad5ce-fd7b-49a3-aeed-28bab0db4dc2
EDAN-URL:
ead_component:sova-aaa-dalewill-ref136

Exhibition, President's Gallery and Commencement Speech, Massachusetts College of Art (May-Aug. 200)

Collection Creator:
Hallam, Beverly, 1923-2013  Search this
Container:
Box 6, Folder 16
Type:
Archival materials
Date:
2000
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Beverly Hallam Papers, 1899-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Beverly Hallam papers
Beverly Hallam papers / Series 3: Personal Business Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw911f65d46-5562-4c57-b32e-8042af97f882
EDAN-URL:
ead_component:sova-aaa-hallbeve-ref117

Paper, Development and management of an audiovisual center at the Massachusetts College of Art

Collection Creator:
Burnett, Calvin, 1921-2007  Search this
Container:
Box 2, Folder 8
Type:
Archival materials
Date:
1967
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Calvin Burnett or his heirs. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Calvin Burnett papers, 1920-1979, bulk 1960s-1970s. Archives of American Art, Smithsonian Institution.
See more items in:
Calvin Burnett papers
Calvin Burnett papers / Series 3: Writings / 3.2: Other Writings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9190ed41d-9fec-40b5-ad6d-f04d4798a002
EDAN-URL:
ead_component:sova-aaa-burncalv-ref40

Teaching Material

Collection Creator:
Hallam, Beverly, 1923-2013  Search this
Extent:
0.7 Linear feet (Box 11)
Type:
Archival materials
Date:
circa 1944-1962
Scope and Contents:
Teaching materials date back to Hallam's earliest lessons delivered while obtaining her bachelor's degree of education Massachusetts College of Art, and include her work at Lassell Junior College and her tenure teaching at Massachusetts College of Art.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Beverly Hallam Papers, 1899-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hallbeve, Series 6
See more items in:
Beverly Hallam papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93b35dc18-8dfd-4985-8d9f-377bfef55a95
EDAN-URL:
ead_component:sova-aaa-hallbeve-ref6

Printed Material

Collection Creator:
Berger, David, 1920-1966  Search this
Extent:
1.1 Linear feet (Box 2-3, 5)
Type:
Archival materials
Date:
1943-1975
Scope and Contents note:
Printed material consists of magazines, newsletters, and news clippings documenting David Berger's career, as well as catalogs and announcements for exhibitions of works by Berger and other artists. Also found are newsletters, handbooks, programs, and other publications from Massachusetts College of Art and Cranbrook Academy of Art. One children's book includes illustrations by David Berger.
Arrangement note:
Material is arranged by type. Items are arranged in rough chronological order within each folder.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
David Berger papers, circa 1939-1986. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bergdavi, Series 5
See more items in:
David Berger papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92d1ad273-cb3b-44c0-b8ac-814059471bb0
EDAN-URL:
ead_component:sova-aaa-bergdavi-ref76

Session 7 - Symposium: Nation Building: Post Craft

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2012-11-09T22:42:36.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_i9jnE0wdvrg

Martha Lincoln Gallery - Massachusetts College of Art

Collection Creator:
Gray, Cleve  Search this
Container:
Box 3, Folder 27
Type:
Archival materials
Date:
1970-1996
Scope and Contents note:
Martha Lincoln Gallery

Massachusetts College of Art
Collection Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordigs with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Cleve Gray papers, 1933-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Cleve Gray papers
Cleve Gray papers / Series 2: Alphabetical Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b7e210ff-a8a4-48d9-b95a-1ee4964c9113
EDAN-URL:
ead_component:sova-aaa-grayclev-ref180

Lucy R. Lippard papers

Creator:
Lippard, Lucy R.  Search this
Names:
Addison Gallery of American Art  Search this
Alliance for Cultural Democracy  Search this
Art Workers Coalition  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Political Art Documentation/Distribution (Organization)  Search this
Printed Matter, Inc.  Search this
Studio International (Firm)  Search this
University of Colorado -- Faculty  Search this
Women's Caucus for Art  Search this
Andre, Carl, 1935-  Search this
Chicago, Judy, 1939-  Search this
Darboven, Hanne  Search this
Edelson, Mary Beth  Search this
Hammond, Harmony  Search this
Henes, Donna  Search this
Johnson, Ray, 1927-  Search this
Judd, Donald, 1928-  Search this
LeWitt, Sol, 1928-2007  Search this
Pearson, Henry, 1914-2006  Search this
Stevens, May  Search this
Extent:
70.5 Linear feet
0.454 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Interviews
Photographs
Date:
1930s-2010
bulk 1960-1990
Summary:
The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 70.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

There is a 17.0 linear foot unprocessed addition to this collection donated in 2015 and 2021 that incudes research files (press clippings, notes, correspondence, ephemera) related to the publications 'Lure of the Local' and 'Undermining' are a significant portion. In addition there are approximetley 50 notebooks ranging from 1965-1996, containing notes and daily tasks. Printed material and ephemera includes promotional materials for talks and public engagements, as well as press clippings of reviews and other news items featuring Lippard. Another significant portion of the addition is labeled "miscellaneous professional correspondence."Materials date from circa 1965-2010.
Scope and Contents:
The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 70.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

A small amount of biographical material comprises resumes and an address book.

Correspondence files document all aspects of Lippard's professional life including her relationships with artists such as Carl Andre, Judy Chicago, Hanne Darboven, Ray Johnson, Sol LeWitt, and Henry Pearson; feminist artists including Mary Beth Edelson, Harmony Hammond, Donna Henes, and May Stevens; political and art-related activist groups such as Alliance for Cultural Democracy, Art Workers Coalition, Political Art Documentation/Distribution, Printed Matter, and Women's Caucus for Art; galleries and museums including Addison Gallery of American Art and the Museum of Modern Art, and publishers including Art International and Art Forum. The series also traces the development of Lippard's involvement in activist causes including censorship and the rights of artists, Central America and the impact of U.S. policy on the region, and equality and reproductive rights for women, as well as her interest in conceptual and minimalist art. The series includes scattered artwork and photographs of artists.

Writings are primarily by Lippard and include correspondence, manuscript drafts, extensive notes, and publication records for some of her best-known books such as The Graphic Work of Philip Evergood (1966), Six Years: The Dematerialization of the Art Object (1973), Eva Hesse (1976), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990), as well as essays for publications such as Art Forum and Studio International and contributions to exhibition catalogs. Also found are edited transcripts from conferences, symposia and interviews conducted by and of Lippard, some audio recordings of interviews and symposia, including an interview with Donald Judd, and notes and typescripts for lectures and speeches.

A small number of files document Lippard's teaching work during the 1970s and 1980s, primarily at the University of Colorado, Boulder where she taught several courses and seminars.

Exhibition files document Lippard's involvement with exhibitions she helped to organize or curate such as A Different War: Vietnam in Art (1989-1991) 557,087 and 955,000 (1969, 1970), 2,972, 453 (1971) c.7,500 (1973-1974) and those for which she wrote catalog contributions.

Printed material includes a collection of articles written by Lippard and a small amount of material concerning events, such as speaking engagements, in which Lippard was involved. Other printed material reflects Lippard's wide range of artistic, political and activist interests and documents exhibitions and performances and the activities of art-related and political groups. Material includes many exhibition catalogs, announcements, invitations, printed posters, news clippings, journal articles, brochures, pamphlets and other publications.

Artwork includes sixteen items by unidentified artists, including two by children. Photographs consist primarily of photographs of works of art in addition to a small number of photos of exhibition installations.

There is a 17.0 linear foot unprocessed addition to this collection donated in 2015 and 2021 that incudes research files (press clippings, notes, correspondence, ephemera) related to the publications 'Lure of the Local' and 'Undermining' are a significant portion. In addition there are approximetley 50 notebooks ranging from 1965-1996, containing notes and daily tasks. Printed material and ephemera includes promotional materials for talks and public engagements, as well as press clippings of reviews and other news items featuring Lippard. Another significant portion of the addition is labeled "miscellaneous professional correspondence."Materials date from circa 1965-2010.
Arrangement:
The collection is arranged as nine series:

Missing Title

Series 1: Biographical Material, circa 1960s-circa 1980s (Box 1; 2 folders)

Series 2: Correspondence, 1950s-2006 (Boxes 1-28, 51, OVs 54-63; 28.8 linear feet)

Series 3: Writings, 1930s-1990s (Boxes 28-41, 51-52, OVs 64-66; 13.24 linear feet, ER01; 0.454 GB)

Series 4: Teaching Files, 1966-1993 (Boxes 41, 52; 0.76 linear feet)

Series 5: Exhibitions, 1960s-1990s (Boxes 42-45, 52, OVs 67-68; 4.2 linear feet)

Series 6: Printed Material, 1940s-2007 (Boxes 45-49, 52, OVs 69-77; 5.3 linear feet)

Series 7: Artwork and Ephemera, circa 1960s-circa 1990s (Boxes 50, 53; 4 folders)

Series 8: Photographs, 1950s-circa 1990s (Boxes 50, 53, OV 71; 1.0 linear foot)

Series 9: Unprocessed Addition, circa 1965-2010, (Boxes 78-94; 17.0 linear feet)
Biographical / Historical:
New York and New Mexico writer and art critic, Lucy R. Lippard, is the curator of numerous exhibitions and the author of over twenty-four books and other writings that trace the emergence of minimalist and conceptual art and document Lippard's commitment to feminism and political activism.

Born in New York City in 1937, Lippard earned a B.A. from Smith College in 1958 and an M.A. in 1962 from New York University's Institute of Fine Arts. In the 1960s she began writing art criticism for the journals Art International and Artforum. In 1966 she curated the landmark exhibition Eccentric Abstraction at the Fischbach Gallery in New York City. Lippard then curated the first of four defining conceptual art exhibitions that became known as her "numbers" shows, each titled after the populations of the cities in which they took place, with catalogs in the form of a set of 10 x 15 cm index cards. Opening at the Seattle Art Museum in 1969, 557,087 was followed by 955,000 in Vancouver, Canada, a few months later. 2,972,453 was held at the Centro de Arte y Comunicacíon in Buenos Aires in 1971 and c.7500 opened in Valencia, California, in 1973-1974 before traveling to several other venues in the United States and Europe.

Lippard's first book, The Graphic Work of Philip Evergood was published in 1966, followed by Pop Art the same year, and a collection of her early essays, Changing, in 1971. Six Years: The Dematerialization of the Art Object (1973) and From the Center: Feminist Essays on Women's Art (1976) documented the emergence of conceptual art and the early years of feminist art respectively. In 1976 Lippard published her seminal book on the life and work of Eva Hesse.

Between 1977 and 1978 Lippard lived on a farm in Devon, England, and worked on a novel, The First Stone, about the role of politics in the lives of three generations of women. During her walks across the English countryside she became interested in landscape art and conceived of her book Overlay: Contemporary Art and the Art of Prehistory which was subsequently published in 1983. Other books include Get the Message?: A Decade Of Art For Social Change (1984), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990). Lippard has also written regular columns on art and politics for the Village Voice, In These Times and Z Magazine, and has been a contributing editor of Art in America.

Lippard was radicalized during a trip to Argentina in 1968 when she was invited to be a juror at the Museo Nacional de Bellas Artes in Buenos Aires. On her return to the United States she became heavily involved in anti-war activities and the Art Workers Coalition. She is a co-founder of several feminist and artist organizations including the feminist collective Heresies, which produced Heresies: A Feminist Journal on Art and Politics from 1977-1992, Ad Hoc Women Artists, Alliance for Cultural Democracy, Artists Call Against U.S. Intervention in Central America, Women's Action Coalition, and Women's Art Registry. In 1976 she was a founder of Printed Matter, a New York nonprofit dedicated to producing artists' publications. She also worked closely with Franklin Furnace, an artist-run space devoted to the promotion of artists' books, installation art, and video and performance art, and served on the organization's International Committee.

Lippard has been a visiting professor at the School of Visual Arts, the University of Colorado, Boulder, and the University of Queensland, Australia, and was Eminent Artist in Residence at the University of Wyoming Department of Art in 2015. She has received honorary doctorates in fine arts from Maine College of Art, the Massachusetts College of Art, Moore College of Art, San Francisco Art Institute, and others, and awards including a Guggenheim Fellowship, two National Endowment for the Arts grants in criticism, the Smith College Medal, the ArtTable Award for Distinguished Service to the Visual Arts, and the Bard College Center for Curatorial Studies Award for Excellence.

Lippard has lived in New Mexico since 1992 and works as a freelance writer and speaker.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Lucy Lippard conducted in 2011 March 15, by Sue Heinemann, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, funded by a grant from the A G Foundation.
Provenance:
Lucy R. Lippard donated her papers in several increments between 1972-1995, 2006, 2015 and 2021.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Curators -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Art critics -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Artists -- Political activity  Search this
Art criticism  Search this
Feminism and art  Search this
Women authors  Search this
Women art critics  Search this
Art, Modern -- 20th century  Search this
Conceptual art  Search this
Minimal art  Search this
Women museum curators  Search this
Women educators  Search this
Genre/Form:
Sound recordings
Interviews
Photographs
Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipplucy
See more items in:
Lucy R. Lippard papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9101c6a69-dde9-42ed-94cc-d03650c249ed
EDAN-URL:
ead_collection:sova-aaa-lipplucy
Online Media:

Diana Korzenik papers relating to Rudolf Arnheim, circa 1964-1983

Creator:
Korzenik, Diana, 1941-  Search this
Subject:
Arnheim, Rudolf  Search this
Type:
Video recordings
Sound recordings
Citation:
Diana Korzenik papers relating to Rudolf Arnheim, circa 1964-1983. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Study and teaching  Search this
Women art historians  Search this
Women educators  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)15835
(DSI-AAA_SIRISBib)292349
AAA_collcode_korzdian
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_292349

Beverly Hallam papers, 1899-2013

Creator:
Hallam, Beverly Linney, 1923-  Search this
Subject:
Smart, Mary  Search this
Sarton, May  Search this
Ogunquit Art Association (Ogunquit, Me.)  Search this
Type:
Sketchbooks
Motion picture film
Interviews
Video recordings
Sound recordings
Citation:
Beverly Hallam papers, 1899-2013. Archives of American Art, Smithsonian Institution.
Topic:
Acrylic painting  Search this
Airbrush art  Search this
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Women photographers  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9002
(DSI-AAA_SIRISBib)211191
AAA_collcode_hallbeve
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211191
Online Media:

Oral history interview with Arcangelo Cascieri, 1972 November 21-1974 January 24

Interviewee:
Cascieri, Arcangelo, 1902-1997  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Gropius, Walter  Search this
Boston Architectural Center  Search this
Massachusetts College of Art  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Arcangelo Cascieri, 1972 November 21-1974 January 24. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Philosophy  Search this
Church decoration and ornament  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Sculptors -- Massachusetts -- Boston -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11850
(DSI-AAA_SIRISBib)213369
AAA_collcode_cascie72
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213369
Online Media:

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