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Marden, Brice

Collection Creator:
Tremaine, Emily Hall, 1908-1987  Search this
Container:
Box 4, Folder 11
Type:
Archival materials
Date:
1982-1983
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Emily Hall Tremaine papers, circa 1890-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Emily Hall Tremaine papers
Emily Hall Tremaine papers / Series 4: Artist Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cedc4dbd-a8e9-4c48-8676-487b26272a5c
EDAN-URL:
ead_component:sova-aaa-trememil-ref184

Marden, Brice

Collection Creator:
Burckhardt, Rudy, 1914-1999  Search this
Container:
Box 8, Folder 14
Type:
Archival materials
Date:
circa 1950-1975
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Collection Rights:
The donor has retained all intellectual property rights, including copyright, that she may own in the following material: photographs taken by Rudy Burckhardt.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Rudy Burckhardt papers, 1934-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Rudy Burckhardt papers
Rudy Burckhardt papers / Series 2: Photographic Materials
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91a1d9235-cf9d-4a00-83a7-bae4dc71b97e
EDAN-URL:
ead_component:sova-aaa-burcrudy-ref180

Marden, Brice

Collection Creator:
Vogel, Dorothy  Search this
Vogel, Herbert  Search this
Container:
Box 17, Folder 14-17
Type:
Archival materials
Date:
1974-2005
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy and Herbert Vogel papers, 1960s-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy and Herbert Vogel papers
Dorothy and Herbert Vogel papers / Series 2: Artists' Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95f5cd438-8a23-4654-b7c4-d6625b7a28ce
EDAN-URL:
ead_component:sova-aaa-vogedoro-ref198

Marden, Brice [color]

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 117, Folder 9
Type:
Archival materials
Date:
1973
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 4: Artists Files / 4.2: Photographs
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f78adf9d-be1c-48ce-b20f-a6d7160f017e
EDAN-URL:
ead_component:sova-aaa-leocast-ref12272

Marden, Brice, Conversation between Marden and Wen Fong

Collection Creator:
Rosenthal, Nan  Search this
Extent:
1 Videocassettes (VHS)
Container:
Box 20, Folder 8
Type:
Archival materials
Videocassettes (vhs)
Date:
1992
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Nan Rosenthal papers, circa 1940-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Nan Rosenthal papers
Nan Rosenthal papers / Series 3: Project and Research Files / 3.10: General Project and Research Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c13c0373-fde0-44aa-af74-c084948637cd
EDAN-URL:
ead_component:sova-aaa-rosenan-ref288

Marden, Brice, Lecture by Marden Moderated by Rosenthal

Collection Creator:
Rosenthal, Nan  Search this
Extent:
2 Sound cassettes
Container:
Box 20, Folder 8
Type:
Archival materials
Sound cassettes
Date:
1993
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Nan Rosenthal papers, circa 1940-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Nan Rosenthal papers
Nan Rosenthal papers / Series 3: Project and Research Files / 3.10: General Project and Research Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw941abccac-c993-4d09-8f90-7090bd71fa2f
EDAN-URL:
ead_component:sova-aaa-rosenan-ref289

Artist Inventory Cards

Collection Creator:
André Emmerich Gallery  Search this
Type:
Archival materials
Date:
circa 1954-1998
Scope and Contents note:
Inventory cards track artwork entering and leaving the gallery. Each card lists a work's artist, title, date, media, and measurements. Most cards include a photograph of the artwork, and most cards further list the ultimate action taken regarding the work (sold, returned to artist or gallery, consigned, etc.), the list price or paid price, exhibition and catalog history, and the history of price quotes given for the work. The gallery used a number of abbreviations for the transactions on the inventory cards:

NFS - Not For Sale

RTA - Returned to Artist

o/c - On Consignment (from)

o/a - On Approval

OOG - Out of Gallery

O/L - On Loan (from)

TGF - Top Gallant Farm

There are no inventory cards tracking pre-Columbian art and artifacts in the collection. The cards represent works from both the New York gallery and Zurich gallery.

The cards are arranged into ten overlapping groups established by the gallery representing transactions, such as sales and consignments, loans, returns, and other general art movement. Within each category, most of the cards are alphabetized by artist and thereafter by title, but occasionally an artist's work is divided into categories (for example by media) before being arranged alphabetically by title:

Returned to Artist

Sold (pre-1993)

Sold

Sold and/or Returned to Artist

Returned to Artist

Sold

Old Top Gallant Farm Sculptures

Emmerich Private Sold

Last Active Inventory and Sales

Additional Cards

See Appendix for a list of artists' names represented by the Artist Inventory Cards in Series 8.1.
Appendix: Artists' Names Represented in Artist Inventory Cards in Series 8.1.:
Aakre, Richard

Abbott, Berenice

Abercrombie, Douglas

Adams, Ansel

Adams, Robert

Africano, Nicholas

Albers, Josef

Alechinsky, Pierre

Altoon, John

Amerine, Wayne

Andre, Carl

Annesley, David

Appel, Karel

Arakawa

Arbus, Diane

Arman

Arp, Jean (Hans)

Ashbaugh, Dennis

Atget, Eugene

Atkins, Anna

Audubon, J.J.

Avery, Milton

Bacon, Francis

Bailey, William

Baldus, Edouard

Ball, Lillian

Balthus

Bannard, Walter Darby

Barlett, Jennifer

Barth, Frances

Barth, Wolf

Bartolini, Luciano

Basquiat, Jean-Michel

Baziotes, William

Beasley, Barth

Bireline, George

Bleckner, Ross

Blossfeldt, Karl

Bocklin, Arnold

Boisseu

Boisson, L.

Bolotowsky, Ilya

Bolus, Michael

Bonnard, Pierre

Bonnet, Phi

Bradley, Peter

Beasley, Bruce

Becher, Bernd and Hillar

Bellocq, E.J.

Benazzi, Raffael

Benton, Fletcher

Best, Mary Ellen

Beuys, Joseph

Bill, Max

Boepple, Willard

Bogart, Bram

Borofsky, John

Boxer, Stanley

Botero, Fernardo

Boudin, Eugene

Bourke-White, Margaret

Brach, Paul

Brancusi, Constantin

Braque, George

Brassaï

Breed, Charles

Brui

Brush, Daniel

Buchwald, Howard

Buckley, Stephen

Bucklow, Christopher

Bush, Jack

Butterfield, Deborah

Calder, Alexander

Callahan, Harry

Cascella, Andrea

Caracciolo, Roberto

Caro, Anthony

Cezanne, Paul

Chadwick, Lynn

Chagall, Marc

Chamberlain, John

Chase, Louisa

Chillida, Eduardo

Christensen, Dan

Christo

Clifford, Charles

Close, Chuck

Cohen, Elaine Lustig

Conlon, William

Contino, Leonard

Crile, Susan

cummings, e.e.

Dahl-Wolfe, Louise

David, Michael

Davis, Gerald

Davis, Lynn

Davis, Ronald

de Amaral, Olga

de Chirico, Giorgio

de Clercq, Louis

de Kooning, Willem

Degas, Edgar

Dehner, Edgar

Delaunay, Robert

Delaunay, Sonia

Dembiczak, J.G.

de Valdivia, Marco

di Suvero, Mark

Diebenkorn, Richard

Dill, Guy

Dill, Lesley

Diller, Burgoyne

Dine, Jim

Disderi

Dorazio, Piero

Downes, Rackstraw

Drapell, Joseph

Drentwett

Dubuffet, Jean

Duchamp, Marcel

Duck-Hyun, Cho

Dufy, Raoul

Du Maine, H.

Durandelle, Louis-Emille

Durrant, Jennifer

Dzubas, Friedel

Edgerton, Dr. Harold

Egger, Marc

Eggleston, William

Embry, Norris

Ellis, Stephen

Emmerich, Tobias

Ernst, Max

Evans, Walker

Fautrier, Jean

Feeley, Paul

Feist, Harold

Ferber, Herbert

Ferrara, Jackie

Fessler, Cristina

Fischl, Eric

Flavin, Dan

Fleming, Linda

Fontana, Corsin

Fontana, Lucio

Ford, Hermine

Fornier, Paul

Foster, John

Fournier, Paul

Francis, Sam

Francis, Sherron

Franck

Frank, Robert

Frankenthaler, Helen

Freud, Lucian

Friedberg, Richard

Freres, Henry

Friedlander, Lee

Fuger

Funakoshi, Katsura

Fuss, Adam

Galanin, Igor

Giacometti, Alberto

Gibbons, Arthur

Gilliam, Sam

Ginnever, Charles

Giordani, Patrice

Glarner, Fritz

Gliko, Carl

Gonzalez, Julio

Goodnough, Robert

Gorchov, Ron

Gordon, Harry

Gorky, Arshile

Gossweiler, Christoph

Gottlieb, Adolph

Graffin, Daniel

Graham, John

Graubner, Gotthard

Graves, Nancy

Green, June

Greenleaf, Ken

Griefen, John Adams

Grill

Gris, Juan

Groover, Jan

Guston, Philip

Gutman, John

Hacklin, Alan/Allan

Hagemeyer, Johan

Hall, Lee

Hantai, Simon

Haring, Keith

Harman, Maryann

Hartley, Marsden

Hartung, Hans

Hatcher, Brower

Held, Al

Hendler, Raymond

Hennessy, Richard

Hepworth, Barbara

Herdeg, Christian

Hide, Peter

Highstein, Jene

Hirschfeld

Hitch, Stewart

Hockney, David

Hodgkin, Howard

Hoenigsberg, Helga

Hofmann, Hans

Hollega, Wolfgang

Honegger, Gottfried

Hope, Polly

Hopper, Edward

Horne, Bernard Shea

Hosiasson, Philippe

Hoyland, John

Hoyningen-Heune, George

Hughto, Darryl

Hughto, Margie/Marjorie

Humphrey, Ralph

Hutchinson, Jay

Hutchinson, Jaqueth

Indiana, Robert

Isherwood, Jon

Jenkins, Paul

Jensen, Bill

Johns, Jasper

Johnson, Meredith

Jorn, Asger

Kandinsky, Wassily

Kelly, Ellsworth

Kertesz, Andre

Keskeny, George

Kiesler, Frederick

Kisling

Klee, Paul

Klein, Yves

Klett, Mark

Kline, Franz

Knoop, Guitou

Koekoek, B.C.

Krasner, Lee

Kupka, Frantisek

Kuwayama, Tadaaki

Lack, Stephen

Landfield, Ronnie

Lange, Dorothea

Langlois and Martens

La Noue, Terence

Laurens, Henri

Leger, Fernand

Le Gray, Gustave

Lehman, Wendy

LeRoy, Jeanette

Letellier, B.

Lettron, J.

Levee, John

Levinson, Moss

Levitt, Helen

Lewitt, Sol

Liberman, Alexander

Lichtenstein, Roy

Lindner, Richard

Lipschitz, Jacques

Lipski, Donald

Lipsky, Pat

Lissitsky, El

Lipsky, Pat

Lohse, Richard Paul

Long, Richard

Longobardi, Nino

Louis, Morris

Lüthi, Bernhard

Lüthi, Urs

Lutz

Lydis, Mariette

MacWhinnie, John

Maillol, Aristide

Mairwöger, Gottfried

Mapplethorpe, Robert

Marden, Brice

Maril, Herman

Marin, John

On Consignment from Peter Marks

Martin, Agnes

Martins, Maria

Marx, G.L.

Maryan

Masullo, Andrew

Mathieu, Georges

Matisse, Henri

Matta, Roberto

McDermott & McGough, Messrs.

McDonnell, Joseph Anthony

McLaughlin, John

McLean, John

Meadmore, Clement

Megert, Christian

Miller, Robert

Milton, Peter

Miró, Joan

Misrach, Richard

Mitchell, Joan

Model, Lisette

Moholy-Nagy, Laszlo

Monet, Claude

Moore, Henry

Morandi, Giorgio

Moses, Ed

Motherwell, Robert

Mulder, George

Muller-Brittnau, Willy

Murray, Elizabeth

Muybridge, Eadweard

Nadar, (Felix Tournachon)

Nadelman, Elie

Nakian, Reuben

Natkin, Robert

Nemont, G.

Neugass, Fritz

Nevelson, Louise

Newman, Arnold

Newman, Barnett

Nezhdanov, Alexander

Nicholson, Ben

Nickson, Graham

Nixon, Nicholas

Noel, Georges

Noguchi, Isamu

Noland, Kenneth

Nolde, Emil

Offord, J. Milton

Oldenburg, Claes

Olitski, Jules

Olmec

Ono, Yoko

Orr, Eric

O'Sullivan, Timothy

Otterness, Tom

Outerbridge, Paul

Paik, Nam June

Parodi, Filippo

Penn, Irving

Pepper, Beverly

Perless, Robert

Perlman, Joel

Pettet, William

Pfaff, Judy

Picabia, Francis

Picasso, Pablo

Pissarro, Camille

Pollock, Jackson

Pomodoro, Arnaldo

Poons, Lawrence

Porter, Fairfield

Porter, Katherine

Poulos, Basilios

Press, Naomi

Quaytman, Harvey

Quigley, Edward

Quisgard, Liz Whitney

Rainer, Arnulf

Raush, Mark

Rauschenberg, Robert

Ray, Man

Recanati, Dina

Reddinger

Reinhardt, Ad

Richter, Gerhard

Rickey, George

Ridenhour, William

Rivers, Larry

Robb, Charles

Robbins, Bruce

Robert, Louis

Rockburne, Dorothea

Rodin, Auguste

Rosan, Larry

Rosen, Felix

Rosenthal, Tony

Rosenquist, James

Rossi, Rosalie

Rothko, Mark

Row, David

Rozen, Feliz

Rutherford, Louis M.

Ryan, Anne

Ryan, Kevin

Ryman, Robert

Saba, Richard

de Saint Phalle, Niki

Saito, Kikuo

Salemme, Attilio

Samaras, Lucas

Sander, August

Sander, Ludwig

Sanders, John

Santomaso, Giuseppe

Schapiro, Miriam

Schlemmer, Oskar

Schlesinger, Mark

Schumacher, Emil

Scott, Robert

Scott, Tim

Scott, William

Seery, John

Segal, George

Seligmann, Kurt

Sellers, Daniel

Serra, Richard

Shapiro, Joel

Shields, Alan

Signac, Paul

Simpson, David

Sisley, Alfred

Slone, Sandi

Smith, David

Smith, Hassel

Smith, Kimber

Smith, Tony

Sohanievich, Oleg

Sommer, Frederick

Sommer, Giorgio

Southall, Derek

Spence, Andrew

Stamos, Theodoros

Stankiewicz, Richard

Steichen, Edward

Steiner, Michael

Stella, Frank

Stephan, Gary

Stettheimer, Florine

Stevens, Peter

Still, Clyfford

Stoltz, David

Stone, Sylvia

Strand, Paul

Sugarman, George

Sugimoto, Hiroshi

Sultan, Donald

Sutton, Carol

Sutton, Pat Lipsky

Tajiri, Shinkichi

Talbot, William Henry Fox

Tanger, Susanna

Tatafiore, Ernesto

Thiebaud, Wayne

Thorne, Joan

Tillyer, William

Torres-Garcia, Joaquin

Truitt, Anne

Twombly, Cy

Tworkov, Jack

Unger, Mary Ann

Upton, Ann

Wagner, Merrill

Van Dongen, Kees

Van Gogh Manuscript

Van Stalbent, Adrien

Van Velde, Bram

Vasarely, Victor

Venet, Bernar

Verna, Germaine

Vicente, Esteban

Vuillard, Edouard

Waid, Mary Joan

Walsh, James

Ward, Cora Kelly

Warhol, Andy

Warren, Catharine

Wells, Lynton

Watkins, Charlton E.

Wegman, William

Wessel, Henry

Wesselman, Tom

Westfall, Stephen

Wiegmann, Jenny

Willette, Adolph

Williams, Neil

Williams, Roger

Willis, Thornton

Wilmarth, Christopher

Winogrand, Garry

Witkin, Isaac

Witkin, Joel-Peter

Woelfli, Adolf

Wofford, Philip

Wolfe, James

Wols, Alfred Otto Wolfgang

Wonner, Paul

Woodman, Betty

Woolf, Paul

Wotruba, Fritz

Yokoi, Teruko

Youngerman, Jack

Yunkers, Adja

Zerbe, Karl

Zimmerman, Daniel

Zox, Larry
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.andremmg, Subseries 8.1
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 8: Inventory Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9de192fb0-9bff-4766-807c-db3d89d0d932
EDAN-URL:
ead_component:sova-aaa-andremmg-ref3791

Marden, Brice

Collection Creator:
Ashton, Dore  Search this
Container:
Box 32, Folder 10
Type:
Archival materials
Date:
circa 1965-1975
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dore Ashton papers, 1849, circa 1928-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Dore Ashton papers
Dore Ashton papers / Series 8: Addition to the Dore Ashton Papers / 8.4: Writing Project and Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9347d3832-af69-4e87-9ebb-0566afdf2d79
EDAN-URL:
ead_component:sova-aaa-ashtdore-ref1463

Oral history interview with Brice Marden

Interviewee:
Marden, Brice, 1938-  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Boston University -- Students  Search this
Andre, Carl, 1935-  Search this
Chaet, Bernard  Search this
Geldzahler, Henry  Search this
Katz, Alex, 1927-  Search this
Kay, Reed  Search this
Kertess, Klaus  Search this
Pollack, Reginald  Search this
Rauschenberg, Robert, 1925-2008  Search this
Schueler, Jon, 1916-  Search this
Vicente, Esteban, 1903-2001  Search this
Extent:
90 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1972 Oct. 3
Scope and Contents:
Interview of Brice Marden conducted 1972 Oct. 3, by Paul Cummings, for the Archives of American Art. Marden speaks of his early family life and schools in Briarcliff, N.Y.; the development of his interest in art; his art and theater activities at Florida State Southern College; Boston University and the Boston art scene in the 1950s.
He comments on the impact of a summer in California on his painting style, living in Paris and New York, and changes in his work, including rectangles, one-color panels, paintings over silk-screen proofs, oil and wax. Marden also speaks of his first one-man exhibition, working as Robert Rauschenberg's assistant, his exhibit in Paris, teaching at the School of Visual Arts, his drawings, lithographs and grid drawings, his use of color, paintings as statements and influences on his work. He recalls Henry Geldzahler, Reed Kay, Bernard Chaet, Jon Schueler, Reginald Pollack, Alex Katz, Esteban Vicente, Carl Andre and Klaus Kertess.
Biographical / Historical:
Brice Marden (1938) is a painter from New York, N.Y.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 3 digital wav files. Duration is 2 hrs., 47 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- New York (State)  Search this
Topic:
Pop art  Search this
Postmodernism  Search this
Painters -- New York (State) -- Interviews  Search this
Painting -- Technique  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.marden72
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw932fb8a8c-2adf-4cde-921c-6dea3770c6bf
EDAN-URL:
ead_collection:sova-aaa-marden72
Online Media:

Oral history interview with Brice Marden, 1972 Oct. 3

Interviewee:
Marden, Brice, 1938-  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Andre, Carl  Search this
Chaet, Bernard  Search this
Geldzahler, Henry  Search this
Katz, Alex  Search this
Kay, Reed  Search this
Kertess, Klaus  Search this
Pollack, Reginald  Search this
Rauschenberg, Robert  Search this
Schueler, Jon  Search this
Vicente, Esteban  Search this
Boston University  Search this
Type:
Sound recordings
Interviews
Topic:
Pop art  Search this
Postmodernism  Search this
Painters -- New York (State) -- Interviews  Search this
Painting -- Technique  Search this
Record number:
(DSI-AAA_CollID)11908
(DSI-AAA_SIRISBib)211975
AAA_collcode_marden72
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211975

Oral history interview with Robert Mangold, 2017 November 16

Interviewee:
Mangold, Robert, 1937-  Search this
Interviewer:
Lyon, Christopher, 1949-  Search this
Subject:
Albers, Josef  Search this
Chaet, Bernard  Search this
Hesse, Eva  Search this
Katz, Alex  Search this
LeWitt, Sol  Search this
Lippard, Lucy R.  Search this
Marden, Brice  Search this
Nice, Don  Search this
Welliver, Neil  Search this
Wyman, Robert  Search this
Cleveland Institute of Art  Search this
Mnuchin Gallery  Search this
Pace Gallery  Search this
Society for Visual Anthropology (U.S.)  Search this
Yale/Norfolk Summer School of Art  Search this
Type:
Interviews
Sound recordings
Place:
Italy -- description and travel
New York (N.Y.) -- Description and travel
Topic:
Abstract expressionism  Search this
Art -- Technique  Search this
Minimal art  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Pop art  Search this
Record number:
(DSI-AAA_CollID)17524
(DSI-AAA_SIRISBib)391130
AAA_collcode_mangol17
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_391130
Online Media:

Stephanie Chrisman photographs of artists, 1967-1979

Creator:
Chrisman, Stephaine  Search this
Subject:
Bellamy, Richard  Search this
Christensen, Dan  Search this
Duran, Robert  Search this
Fuller, R. Buckminster (Richard Buckminster)  Search this
Greenberg, Clement  Search this
Kingsley, Sidney  Search this
Leslie, Alfred  Search this
Marden, Brice  Search this
McLuhan, Marshall  Search this
Noland, Kenneth  Search this
Novros, David  Search this
Olitski, Jules  Search this
Stein, Michael  Search this
Topic:
Artists -- Photographs  Search this
Women artists  Search this
Women photographers  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)15899
(DSI-AAA_SIRISBib)296334
AAA_collcode_durastep
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_296334

Cold Mountain 2

Artist:
Brice Marden, American, b. Bronxville, New York, 1938  Search this
Medium:
Oil on linen
Dimensions:
108 1/8 X 144 1/4 IN. (274.5 X 366.4 CM.)
Type:
Painting
Date:
1989-1991
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Holenia Purchase Fund, in memory of Joseph H. Hirshhorn, 1992
Accession Number:
92.22
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Contemporary American Abstraction
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py23b70aa22-c640-422f-b519-99357960dd34
EDAN-URL:
edanmdm:hmsg_92.22

Untitled (Five Threes)

Artist:
Brice Marden, American, b. Bronxville, New York, 1938  Search this
Medium:
Color aquatint on paper
Dimensions:
SHEET: 33 X 39 7/8 IN. (83.7 X 101.3 CM.) IMAGE: 21 1/8 X 29 7/8 IN. (53.5 X 75.7 CM.)
Type:
Print/portfolio
Date:
1976-1977
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 1993
Accession Number:
93.9.1
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Contemporary American Abstraction
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py27fa87c00-4361-4c6a-9a08-7ec34c766733
EDAN-URL:
edanmdm:hmsg_93.9.1

Five Threes

Artist:
Brice Marden, American, b. Bronxville, New York, 1938  Search this
Medium:
Color aquatint and etching on paper in a cloth-covered portfolio
Dimensions:
SEE INDIVIDUAL RECORDS
Type:
Print/portfolio
Date:
1976-1977
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 1993
Accession Number:
93.9.1-5
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Contemporary American Abstraction
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2cca81355-52a1-469a-8fd4-104aaafdb8e8
EDAN-URL:
edanmdm:hmsg_93.9.1-5

Untitled (Five Threes)

Artist:
Brice Marden, American, b. Bronxville, New York, 1938  Search this
Medium:
Color aquatint on paper
Dimensions:
SHEET: 33 X 39 7/8 IN. (83.7 X 101.3 CM.) IMAGE: 21 X 29 7/8 IN. (53.3 X 75.7 CM.)
Type:
Print/portfolio
Date:
1976-1977
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 1993
Accession Number:
93.9.2
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Contemporary American Abstraction
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2c379e234-ab5d-449a-971e-e526ea10a33e
EDAN-URL:
edanmdm:hmsg_93.9.2

Untitled (Five Threes)

Artist:
Brice Marden, American, b. Bronxville, New York, 1938  Search this
Medium:
Color aquatint and etching on paper
Dimensions:
SHEET: 33 X 39 7/8 IN. (83.7 X 101.3 CM.) IMAGE: 21 X 29 7/8 IN. (53.3 X 75.8 CM.)
Type:
Print/portfolio
Date:
1976-1977
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 1993
Accession Number:
93.9.3
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Contemporary American Abstraction
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py234a0bae7-fb0b-4fd2-a353-b91f7b14f044
EDAN-URL:
edanmdm:hmsg_93.9.3

Untitled (Five Threes)

Artist:
Brice Marden, American, b. Bronxville, New York, 1938  Search this
Medium:
Color aquatint and etching on paper
Dimensions:
SHEET: 33 X 39 7/8 IN. (83.7 X 101.3 CM.) IMAGE: 21 1/8 X 29 7/8 IN. (53.5 X 75.8 CM.)
Type:
Print/portfolio
Date:
1976-1977
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 1993
Accession Number:
93.9.4
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Contemporary American Abstraction
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2a38236a4-4275-4f8f-bb8b-6352670882f5
EDAN-URL:
edanmdm:hmsg_93.9.4

Untitled (Five Threes)

Artist:
Brice Marden, American, b. Bronxville, New York, 1938  Search this
Medium:
Color aquatint and etching on paper
Dimensions:
SHEET: 33 X 39 7/8 IN. (83.7 X 101.3 CM.) IMAGE: 20 7/8 X 29 7/8 IN. (53.0 X 75.8 CM.)
Type:
Print/portfolio
Date:
1976-1977
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 1993
Accession Number:
93.9.5
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Contemporary American Abstraction
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py26fd05609-d477-42cc-97b7-73362bfce6c8
EDAN-URL:
edanmdm:hmsg_93.9.5

Brice Marden

Artist:
Ron Cooper, 24 Jul 1943  Search this
Sitter:
Brice Marden, born 15 Oct 1938  Search this
Medium:
Bronze, steel base
Type:
Sculpture
Date:
1987
Topic:
Brice Marden: Visual Arts\Artist  Search this
Brice Marden: Male  Search this
Brice Marden: Visual Arts\Art Instructor  Search this
Portrait  Search this
Credit Line:
Owner: Ron Cooper
Object number:
NM030006
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4d1f79a6b-b46a-4e58-9233-8124dc55efaa
EDAN-URL:
edanmdm:npg_NM030006

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