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Bob Stocksdale and Kay Sekimachi papers

Creator:
Stocksdale, Bob, 1913-2003  Search this
Names:
Central Utah Relocation Center  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Tanforan Assembly Center (San Bruno, Calif.)  Search this
War Relocation Authority  Search this
Anderson, Norman  Search this
Collingwood, Peter, 1922-2008  Search this
Larsen, Jack Lenor  Search this
Maloof, Alfreda Ward  Search this
Maloof, Sam  Search this
Merrill, Forrest L.  Search this
Okubo, Miné, 1912-2001  Search this
Shawcroft, Barbara  Search this
Stocksdale, Bob, 1913-2003  Search this
Stocksdale, Kay Sekimachi  Search this
Turner, Tran  Search this
Uchida, Yoshiko  Search this
Former owner:
Stocksdale, Kay Sekimachi  Search this
Extent:
19.5 Linear feet
0.125 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Sound recordings
Scrapbooks
Date:
circa 1900-2015
Summary:
The papers of woodturner Bob Stocksdale and fiber artist Kay Sekimachi measure 19.5 linear feet and 0.125 GB and date from circa 1900 to 2015. Found are biographical materials, correspondence, writings, professional files, exhibition files, project files, personal business records, printed and digital material, scrapbooks, photographic material, and artwork. Of note are records from Sekimachi's forced internment during World War II at Tanforan Assembly Center and Topaz War Relocation Center from 1942 to 1944.
Scope and Contents:
The papers of woodturner Bob Stocksdale and fiber artist Kay Sekimachi measure 19.5 linear feet and 0.125 GB and date from circa 1900 to 2015. Found are biographical materials, correspondence, writings, professional files, exhibition files, project files, personal business records, printed and digital material, scrapbooks, photographic material, and artwork. Of note are records from Sekimachi's forced internment during World War II at Tanforan Assembly Center and Topaz War Relocation Center from 1942 to 1944.

The bulk of biographical materials are from Kay Sekimachi with some originating from her time spent in forced internment at Topaz and Tanforan camps. These records include identification cards, War Relocation Authority printed materials, and school records. Also found are awards, resumes, and blank stationery. Some materials are from Stocksdale's 85th birthday and memorial service.

Letters and extensive greeting cards are from friends, family, and professional acquaintances. Correspondents include Norman Anderson, Peter Collingwood, Jack Lenor Larsen, Sam and Alfreda Maloof, Forrest L. Merrill, Miné Okubo, Barbara Shawcroft, and others.

Writings and notes are scattered and include two interviews with Kay Sekimachi, hanging instructions, and notes. Writings by others are by Jack Lenor Larsen, Tran Turner, and Yoshiko Uchida.

Sekimachi's and Stocksdale's professional activities are documented through files relating to their participation at conferences, awards ceremonies, and lectures. Also found are fiber samples, order forms for materials and equipment, and notes on techniques and design by Kay Sekimachi. Exhibition records include extensive documentation on Marriage in Form, In the Realm of Nature, and Loom and Lathe as well as files for various solo and group exhibitions for both Sekimachi and Stocksdale. Gallery and institution files include material on multiple or unnamed exhibitions. Exhibiton documentation may include correspondence, writings, proposals, printed material, financial and loan records, condition reports, and photographs. Project files contain material for proposed book projects, a retrospective, and portfolio, by and about Sekimachi and Stocksdale. Also found are three commissions files for works by Sekimachi. A proposed retrospective on the work of Bob Stocksdale by Kay Sekimachi includes a digital sound recording of recollections.

Personal business records include sales books, purchase records for works of art by others, appraisals, contracts, consignment receipts, and insurance records.

Published books, clippings, exhibition announcements and catalogs, magazines, and newsletters are found within printed materials. Of note is a publication by the San Francisco Chronicle entitled "This World" which features illustrations by Miné Okubo.

Four scrapbooks compiled by Kay Sekimachi date from 1937 to 1944. Most of the scrapbooks contain printed material from magazines and other sources with images such as children, valentines, food, birds, clothing, and may include scattered sketches and notes by Sekimachi. One scrapbook dates from the end of Sekimachi's internment at Topaz and relocation to Cincinnati, Ohio. This scrapbook includes sketches and printed materials concerning local and global events. Loose material found in this series was likely meant to be pasted into a new or the forth scrapbook. These materials include relocation information, Japanese-American publications, maps, clippings, sketches, and printed programs.

The bulk of photographic materials consist of slides of various vacation locations and homes and date from the 1960s to the 1980s. Also found are scattered portraits of Kay Sekimachi and Bob Stocksdale, as well as a photo of Miné Okubo with Roy Leeper and Cecil Thompson. Artworks are largely by Kay Sekimachi and include watercolor and pencil sketches as well as designs for fabrics and a weaving portfolio. Watercolor and pencil sketches are of Tanforan Assembly Center and date from circa 1942.
Arrangement:
The collection is arranged as 11 series.

Missing Title

Series 1: Biographical Material, circa 1920-2003 (1.5 linear feet; Box 1-2)

Series 2: Correspondence, 1943-2014 (7.6 linear feet; Box 2-10)

Series 3: Writings and Notes, 1960s-2008 (0.2 linear feet; Box 10)

Series 4: Professional Files, 1950s-2011 (1.1 linear feet; Box 10-11, 22)

Series 5: Exhibition Files, 1951-2015 (2.9 linear feet; Box 11-14, ER01; 0.125 GB)

Series 6: Project Files, circa 1900-2004 (0.3 linear feet; Box 14)

Series 7: Personal Business Records, 1970s-2010 (0.7 linear feet; Box 14-15)

Series 8: Printed Material, 1943-2011 (2.3 linear feet; Box 15-17, 22)

Series 9: Scrapbooks, 1937-1946 (0.9 linear feet; Box 17, 21)

Series 10: Photographic Material, circa 1950-2001 (0.9 linear feet; Box 18)

Series 11: Artwork, 1942-circa 1970 (1.1 linear feet; Box 18-20, 22-23)
Biographical / Historical:
Bob Stocksdale (1913-2003) was a woodturner active in California. He was known for bowls he formed from rare types of wood. Kay Sekimachi (1926- ) is a Japanese-American fiber artist and educator also active in California. She began her career in weaving on and off the loom and was part of the New Basketry movement.

Born in Indiana, Bob Stocksdale began his interest in carving by whittling with a pocket knife. Later, he created his own lathe with a washing machine motor and turned items such as baseball bats. During World War II, he was a conscientious objector and worked at various camps performing forestry work. It was in one of the camps that he turned his first bowl on a lathe.

After the war, Stocksdale settled in the Bay Area of California where he established his own woodturning shop in his basement. He concentrated on making bowls out of rare woods. His work has been recognized throughout the world and in 1998, he received the American Association of Woodturners Lifetime Achievement Award. In 2003, he received the James Renwick Alliance Masters of the Medium Award.

Kay Sekimachi was born in San Francisco, California in 1926. As a high school student, she was forcibly interned through Executive Order 9066 issued by President Franklin D. Roosevelt which incarcerated approximately 120,000 Japanese and Japanese-American citizens during World War II. Along with her mother and siblings, Kay lived at Tanforan Assembly Center and later moved to Topaz War Relocation Center in Utah. She continued her schooling at Topaz and after 1944, was resettled in Cincinnati, Ohio.

After graduating from high school, Kay Sekimachi enrolled at the California College of Arts and Crafts and the Haystack Mountain School of Crafts where she learned the craft of weaving under Trude Guermonprez and Jack Lenor Larsen. Her early works were tapestries and garments. She later used her weaving techniques as part of the New Basketry movement to create baskets and boxes out of fibers. Also an educator, Kay taught weaving at San Francisco Community College. She received the American Craft Council Gold Medal for Consummate Craftsmanship in 2002.

After the dissolution of his first marriage through which he had two children, son Kim and daughter Joy Stocksdale, Bob married Kay Sekimachi in 1972. The two had been acquainted for many years as they were both craft artists living in the Bay Area. Although they married later in life, Kay and Bob travelled the world and exhibited their art together in many exhibitions including Marriage in Form and Loom and Lathe.

Bob Stocksdale died in Oakland, California in 2003. Kay Sekimachi continues to exhibit her work and lives in Berkeley, California.
Related Materials:
Also found in the Archives of American Art are an oral history interview of Bob Stocksdale conducted February 16-March 21, 2001, by Signe Mayfield and an oral history interview of Kay Sekimachi [Stocksdale] conducted July 26-August 6, 2001, by Suzanne Baizerman. Both interviews were conducted in Berkeley, California, during the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Provenance:
The Bob Stocksdale and Kay Sekimachi papers were donated in 2003, 2004, and 2015 by Kay Sekimachi Stocksdale as part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of original audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Fiber artists -- California  Search this
Topic:
Textile design  Search this
Women artists  Search this
Fiberwork -- Technique  Search this
Asian American art  Search this
Asian American artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American fiber artists  Search this
Asian American educators  Search this
Japanese Americans -- Forced removal and internment, 1942-1945  Search this
Woodwork  Search this
Textile crafts  Search this
Genre/Form:
Interviews
Sound recordings
Scrapbooks
Citation:
Bob Stocksdale and Kay Sekimachi papers, circa 1900-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stockbob
See more items in:
Bob Stocksdale and Kay Sekimachi papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d7db1c3a-95bc-44e4-92d5-382fb539e654
EDAN-URL:
ead_collection:sova-aaa-stockbob
Online Media:

Bob Stocksdale and Kay Sekimachi papers, circa 1900-2015

Creator:
Stocksdale, Bob, 1913-2003  Search this
Stocksdale, Kay Sekimachi, 1926-  Search this
Subject:
Stocksdale, Bob  Search this
Collingwood, Peter  Search this
Anderson, Norman  Search this
Stocksdale, Kay Sekimachi  Search this
Turner, Tran  Search this
Larsen, Jack Lenor  Search this
Maloof, Alfreda Ward  Search this
Maloof, Sam  Search this
Okubo, Miné  Search this
Merrill, Forrest L.  Search this
Shawcroft, Barbara  Search this
Uchida, Yoshiko  Search this
Central Utah Relocation Center  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
War Relocation Authority  Search this
Tanforan Assembly Center (San Bruno, Calif.)  Search this
Type:
Interviews
Sound recordings
Scrapbooks
Citation:
Bob Stocksdale and Kay Sekimachi papers, circa 1900-2015. Archives of American Art, Smithsonian Institution.
Topic:
Textile design  Search this
Women artists  Search this
Fiberwork -- Technique  Search this
Asian American art  Search this
Asian American artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American fiber artists  Search this
Asian American educators  Search this
Japanese Americans -- Forced removal and internment, 1942-1945  Search this
Woodwork  Search this
Textile crafts  Search this
Theme:
Craft  Search this
Lives of American Artists  Search this
Asian American  Search this
Record number:
(DSI-AAA_CollID)11112
(DSI-AAA_SIRISBib)246683
AAA_collcode_stockbob
Theme:
Craft
Lives of American Artists
Asian American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_246683
Online Media:

Oral history interview with Ramona Solberg, 2001 March 23

Interviewee:
Solberg, Ramona L., 1921-2005  Search this
Interviewer:
Halper, Vicki  Search this
Subject:
Day, Russell  Search this
Hall, Laurie  Search this
Harrington, LaMar  Search this
Ho, Ron  Search this
Hu, Mary Lee  Search this
Larsen, Jack Lenor  Search this
Lipofsky, Marvin  Search this
Maloof, Frieda  Search this
Maloof, Sam  Search this
Marshall, John  Search this
Pence, Coralyn  Search this
Penington, Ruth  Search this
Slemmons, Kiff  Search this
Tompkins, Don  Search this
Woell, J. Fred  Search this
Worden, Nancy  Search this
Central Washington State College  Search this
Edison Vocational School  Search this
Bellevue Art Museum (Wash.)  Search this
American Craft Council  Search this
University of Washington  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Ramona Solberg, 2001 March 23. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Technique  Search this
Jewelers -- Washington (State) -- Seattle -- Interviews  Search this
Women artists  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)12835
(DSI-AAA_SIRISBib)226997
AAA_collcode_solber01
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_226997
Online Media:

Oral history interview with Sam Maloof, 2002 Jan. 10-11

Interviewee:
Maloof, Sam, 1916-2009  Search this
Interviewer:
MacNaughton, Mary Davis  Search this
Subject:
Sheets, Millard  Search this
Scripps College  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Sam Maloof, 2002 Jan. 10-11. Archives of American Art, Smithsonian Institution.
Topic:
Furniture making -- Study and teaching  Search this
Record number:
(DSI-AAA_CollID)12518
(DSI-AAA_SIRISBib)229622
AAA_collcode_maloof02
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_229622
Online Media:

Oral history interview with Edgar and Joyce Anderson, 2002 September 17-19

Interviewee:
Anderson, Edgar, 1922-  Search this
Interviewer:
Gold, Donna, 1953-  Search this
Subject:
Anderson, Joyce, 1925-  Search this
Campbell, David Robert  Search this
Cooke, Edward S.  Search this
Grotta, Lou  Search this
Grotta, Sandra  Search this
Larsen, Jack Lenor  Search this
Malarcher, Patricia  Search this
Maloof, Sam  Search this
McPhee, John  Search this
Meier, Richard  Search this
Milan, Emil  Search this
Smith, Paul J.  Search this
Stocksdale, Bob  Search this
Takaezu, Toshiko  Search this
Tibbs, Thomas S.  Search this
Webb, Aileen O.  Search this
Wegner, Hans J.  Search this
Wirkkala, Tapio  Search this
Wyman, William  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
American Craft Council  Search this
Chilton Professional Automotive (Firm)  Search this
American Crafts Council. Museum of Contemporary Crafts  Search this
United States. Agency for International Development  Search this
Type:
Sound recordings
Interviews
Place:
World Trade Center Site (New York, N.Y.)
Honduras -- description and travel
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Edgar and Joyce Anderson, 2002 September 17-19. Archives of American Art, Smithsonian Institution.
Topic:
Woodworkers -- New Jersey -- Interviews.  Search this
Decorative arts  Search this
September 11 Terrorist Attacks, 2001  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)13240
(DSI-AAA_SIRISBib)237696
AAA_collcode_anders02a
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_237696
Online Media:

Oral history interview with Joyce Anderson, 2002 September 18-19

Interviewee:
Anderson, Joyce, 1925-  Search this
Interviewer:
Gold, Donna, 1953-  Search this
Subject:
Anderson, Edgar  Search this
Esherick, Wharton  Search this
Maloof, Sam  Search this
Nakashima, George  Search this
Stickley, Gustav  Search this
Stocksdale, Bob  Search this
Tibbs, Thomas S.  Search this
Wiley, Hugh  Search this
Wright, Frank Lloyd  Search this
New York University  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Joyce Anderson, 2002 September 18-19. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women designers  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)12981
(DSI-AAA_SIRISBib)237708
AAA_collcode_andersj02
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_237708
Online Media:

Oral history interview with Ralph Bacerra, 2004 April 7-19

Interviewee:
Bacerra, Ralph C., 1938-2008  Search this
Interviewer:
Lloyd, Frank, 1951-  Search this
Subject:
Andreson, Laura  Search this
Kester, Bernard  Search this
Maloof, Sam  Search this
Hamada, Shōji  Search this
Heino, Otto  Search this
Heino, Vivika  Search this
Peterson, Susan  Search this
Rady, Elsa  Search this
Saxe, Adrian Anthony  Search this
Voulkos, Peter  Search this
Chouinard Art Institute (Los Angeles, Calif.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Ralph Bacerra, 2004 April 7-19. Archives of American Art, Smithsonian Institution.
Topic:
Ceramics -- Study and teaching  Search this
Decorative arts  Search this
Ceramics  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)12942
(DSI-AAA_SIRISBib)247258
AAA_collcode_bacerr04
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_247258
Online Media:

Oral history interview with Edgar and Joyce Anderson

Interviewee:
Anderson, Edgar, approximately 1922-  Search this
Anderson, Joyce, 1925-  Search this
Interviewer:
Gold, Donna, 1953-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
American Craft Council  Search this
American Crafts Council. Museum of Contemporary Crafts  Search this
Chilton Professional Automotive (Firm)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
United States. Agency for International Development  Search this
Campbell, David Robert, 1907-1963  Search this
Cooke, Edward S., 1954-  Search this
Grotta, Lou  Search this
Grotta, Sandra  Search this
Larsen, Jack Lenor  Search this
Malarcher, Patricia  Search this
Maloof, Sam  Search this
McPhee, John, 1931-  Search this
Meier, Richard, 1934-  Search this
Milan, Emil, 1922-1985  Search this
Smith, Paul J., 1931-  Search this
Stocksdale, Bob, 1913-2003  Search this
Takaezu, Toshiko  Search this
Tibbs, Thomas S., 1917-2002  Search this
Webb, Aileen O.  Search this
Wegner, Hans J., 1914-  Search this
Wirkkala, Tapio, 1915-1985  Search this
Wyman, William, 1922-1980  Search this
Extent:
143 Pages (Transcript)
34 Items (Sound recording: 34 sound files (5 hr., 56 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
World Trade Center Site (New York, N.Y.)
Honduras -- Description and Travel
Date:
2002 September 17-19
Scope and Contents:
An interview of Edgar and Joyce Anderson conducted 2002 September 17-19, by Donna Gold, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Morristown, New Jersey.
The interview begins in the home of their frequent patrons, Sandra and Lou Grotta, in Harding Township, New Jersey. The Grottas are not present. They discuss several of their pieces in situ, including tables, beds, a piano bench, the grandfather clock (carved in the shape of Edgar's arm wearing a wristwatch), and the Knight table. Many of these pieces are discussed in detail in terms of their design and construction. They also allude briefly to other pieces in the Grotta's collection by Toshiko Takaezu, Hans Wegner, Bill Wyman, Sam Maloof, and Bob Stocksdale. The Grotta's house, designed by architect Richard Meier, is also discussed. Edgar recalls that Meier designed the house to accommodate the collection. They also talk about the Grotta's participation in the American Craft Council, and the relationship among collectors. The interview continues at the artists' home Harding Township, New Jersey. They discuss several projects for other clients, and they reflect on the relationships that developed. These include: a gaming table for Doug Dayton of Monteath Lumber Company, a jewelry chest for Thelma Newman, collaboration with Newman on a book for Chilton Publishing Company (not published), and a figural chest for Mako Stewart, which is still in the artists' private collection. They reflect on their private and professional partnership and the balance of skills they shared. They recall that their early success was bolstered by a New York Times article by Betty Pepis. This publicity led to new clients, such as Reverend John Mason of the Episcopal Chapel at the University of Maine, who is discussed in detail along with his wife Elizabeth Mason. They explain their expertise in humidity and wood shrinkage, including their work as consultants for the Museum of Contemporary Crafts, before it became the American Craft Museum. There is lengthy discussion of the Andersons' own house, which they designed and built themselves over a period of years. Frank Lloyd Wright was an influence. They discuss other church commissions in general, speaking of the influence of their spirituality. St. Luke's Episcopal Church, Haworth, New Jersey, is discussed in some detail. Edgar briefly talks about a local World Trade Center memorial which he has been working on. They recall the importance of the support of the American Craft Museum, Aileen Osborne (Vanderbilt) Webb, and David Campbell. They discuss in depth their time in Honduras, under the sponsorship of the USAID program, teaching craft techniques to local inhabitants. Joyce describes this as a Kennedy era demonstration program. Other participants in the Honduras program included Dave Chapman, Roy Ginstrom, Bill Wyman, and Emil Milan. They also recall participating in a similar program in Antigua. They also recall Herb and Marje Noyes, Ruth Martin, Patricia Malarcher, John Geraci, Mike Langan, Bob and Rowena MacPhail, Sterling North, Zelda Strecker, Paul Smith, Tom Tibbs, Walker Weed, Lois Moran, Toshiko Takaezu, Tapio Wirkkala, Jack Lenor Larsen, Edward Cooke, Michael Stone, John McPhee, and Dot Blanchard.
Biographical / Historical:
Edgar Anderson (1922- ) and Joyce Anderson (1923- ) are woodworkers from Morristown, New Jersey.
General:
Originally recorded 5 sound discs. Reformatted in 2010 as 34 digital wav files. Duration is 5 hr., 56 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Woodworkers -- New Jersey -- Interviews.  Search this
Decorative arts  Search this
September 11 Terrorist Attacks, 2001  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.anders02a
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ae8bf067-31d4-4221-a0a6-7913411f8cdb
EDAN-URL:
ead_collection:sova-aaa-anders02a
Online Media:

Oral history interview with Ramona Solberg

Interviewee:
Solberg, Ramona  Search this
Interviewer:
Halper, Vicki  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
American Craft Council  Search this
Bellevue Art Museum (Wash.)  Search this
Central Washington State College -- Faculty  Search this
Edison Vocational School -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
University of Washington -- Students  Search this
Day, Russell  Search this
Hall, Laurie  Search this
Harrington, LaMar, 1917-2005  Search this
Ho, Ron  Search this
Hu, Mary Lee, 1943-  Search this
Larsen, Jack Lenor  Search this
Lipofsky, Marvin, 1938-2016  Search this
Maloof, Frieda  Search this
Maloof, Sam  Search this
Marshall, John, 1936-  Search this
Pence, Coralyn  Search this
Penington, Ruth, b. 1905  Search this
Slemmons, Kiff  Search this
Tompkins, Don  Search this
Woell, J. Fred, 1934-  Search this
Worden, Nancy  Search this
Extent:
35 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2001 March 23
Scope and Contents:
An interview of Ramona Solberg conducted 2001 March 23, by Vicki Halper, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Solberg's apartment, Seattle, Washington.
Solberg speaks of her family background and childhood in Seattle; her jewelry studies with Ruth Pennington at the University of Washington in Seattle and her use of found objects; her service in the Unites States Army; attending the Edison Vocational School on the GI Bill and pursuing a masters degree in jewelry at the University of Washington; studies with Coralyn Pence; her travels to Mexico and her fascination with pre-Columbian objects; enameling in Norway; collecting beads from around the world; her book, "Inventive Jewelry-Making" (New York: Van Nostrand Reinhold, 1972); leading tours for a Seattle-based group, "Friends of the Crafts," to the Middle East, Asia, Antarctica, and elsewhere for 16 or 17 years; teaching at Central Washington State College and creating her first bead and found object pieces there in 1956; her fondness for turquoise, lapis, and coral; inviting Don Tompkins to teach at Central Washington State College; Tompkins's "tongue-in-cheek" use of metals; her desire to make jewelry that can "shake, rattle, and roll"; teaching and workshops; her use of preliminary sketches; her soldering technique; fasteners; the weight of her jewelry; the "restraints of jewelry"; her lack of interest in making matched sets and bracelets and rings; the lack of social commentary in her work; her series of pieces inspired by the book, "Watership Down;" the influence of Fred Woell and his use of "American throw-aways"; her involvement with the Northwest region of the American Craft Council; her association with a group of jewelers in the Northwest including Ron Ho, Laurie Hall, Nancy Worden, and Kiff Slemmons; making beaded fibulas; curating exhibitions such as Ubiquitous Bead (1987) and Ubiquitous Bead II (1998) at the Bellevue Art Museum in Seattle; exhibitions at Facèré Jewelry Art Gallery in Seattle and the Henry Art Gallery at the University of Washington in Seattle; working in small spaces; getting into the exhibition Objects: USA "through the back door"; her status as an international artist; pricing her work; her pieces in museum collections; and her health. She recalls Russell Day, Jack Lenor Larsen, Sam and Frieda Maloof, John Marshall, Marvin Lipofsky, LaMar Harrington, Mary Lee Hu, and others.
Biographical / Historical:
Ramona Solberg (1921-2005) was a jeweler from Seattle, Washington. Vicki Halper is a curator at the Seattle Art Museum.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 5 digital wav files. Duration is 2 hr., 13 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Art -- Technique  Search this
Jewelers -- Washington (State) -- Seattle -- Interviews  Search this
Women artists  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.solber01
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b1828bbb-30f3-403c-9455-424d2bde6e1a
EDAN-URL:
ead_collection:sova-aaa-solber01
Online Media:

Oral history interview with Sam Maloof

Interviewee:
Maloof, Sam  Search this
Interviewer:
MacNaughton, Mary Davis  Search this
Names:
Scripps College -- Faculty  Search this
Sheets, Millard, 1907-1989  Search this
Extent:
4 Sound cassettes (Sound recording, master (210 min.), analog)
59 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Interviews
Sound recordings
Date:
2002 Jan. 10-11
Scope and Contents:
An interview of Sam Maloof conducted 2002 Jan. 10-12, by Mary MacNaughton, for the Archives of American Art, in Maloof's home/studio in Alta Loma, Calif.
Maloof describes his childhood in Chino, Calif., where he learned the craft of furniture making from his father, who had emigrated from Lebanon; his early training in graphic art; the influence of Millard Sheets (1907-1989), head of the art department at Scripps College; his first commissions in the late 1940s; his designs in the 1950s; his contacts with artists in Claremont; exhibitions at the Los Angeles County Fair; commissions with the firm Kneedler-Fauchere and his associations with other California furniture makers; and the artistic process.
Biographical / Historical:
Sam Maloof (1916-2009) was a furniture designer in Alto Loma, Calif.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 3 hrs., 8 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Use requires an appointment.
Occupation:
Furniture designers -- California  Search this
Topic:
Furniture making -- Study and teaching  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.maloof02
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d5cddeaa-92bc-4a12-9eb8-81467c850079
EDAN-URL:
ead_collection:sova-aaa-maloof02
Online Media:

Oral history interview with Ralph Bacerra

Interviewee:
Bacerra, Ralph, 1938-2008  Search this
Interviewer:
Lloyd, Frank, 1951-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Chouinard Art Institute (Los Angeles, Calif.) -- Faculty  Search this
Chouinard Art Institute (Los Angeles, Calif.) -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Andreson, Laura  Search this
Hamada, Shōji, 1894-1978  Search this
Heino, Otto, 1915-2009  Search this
Heino, Vivika, 1910-1995  Search this
Kester, Bernard  Search this
Maloof, Sam  Search this
Peterson, Susan, 1925-2009  Search this
Rady, Elsa, 1943-  Search this
Saxe, Adrian Anthony, 1943-  Search this
Voulkos, Peter, 1924-2002  Search this
Extent:
45 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 April 7-19
Scope and Contents:
An interview of Ralph Bacerra conducted 2004 April 7-19, by Frank Lloyd, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Los Angeles, California.
Bacerra speaks of his family background; his high school art teachers; attending Chouinard Art Institute and his friendship with his ceramics instructor Vivika Heino and her husband Otto; the interaction among ceramicists in Los Angeles around 1960; attending a workshop taught by Shoji Hamada; teaching at Chouinard Art Institute; building a studio; teaching a workshop at Arrowmont School of Arts and Crafts; traveling to Japan and Taiwan and the influence of Asian ceramics on his artwork. Bacerra also speaks of his daily work routine; the importance of glaze technology; changes in ceramic education and the market for ceramics in the last 50 years; exhibiting works at American Hand, Garth Clark Galleries, and Frank Lloyd Gallery; taking part in pivotal exhibitions including "Objects: USA"; attending National Council for the Education of Ceramic Arts conferences and the current sense of community among early ceramic artists; the importance of craft publications and critical writing; commissions completed throughout his career; attending museums for ideas and inspiration; teaching and the careers of his former students; and how reviews impact his work. Bacerra recalls Susan Peterson, Peter Voulkos, Bernard Kester, Laura Andreson, Sam Maloof, Elsa Rady, Adrian Saxe, and others.
Biographical / Historical:
Ralph Bacerra (1938-2008) was a ceramicist of Los Angeles, California. Frank Lloyd is a gallery owner from Santa Monica, California.
General:
Originally recorded 2 sound discs. Reformatted in 2010 as 9 digital wav files. Duration is 2 hr., 23 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Ceramics -- Study and teaching  Search this
Decorative arts  Search this
Ceramics  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.bacerr04
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw908754716-42c7-47f6-a9d3-823b3094b8ba
EDAN-URL:
ead_collection:sova-aaa-bacerr04
Online Media:

Oral history interview with Joyce Anderson

Interviewee:
Anderson, Joyce, 1925-  Search this
Interviewer:
Gold, Donna, 1953-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
New York University -- Students  Search this
Anderson, Edgar, approximately 1922-  Search this
Esherick, Wharton  Search this
Maloof, Sam  Search this
Nakashima, George, 1905-1990  Search this
Stickley, Gustav, 1858-1942  Search this
Stocksdale, Bob, 1913-2003  Search this
Tibbs, Thomas S., 1917-2002  Search this
Wiley, Hugh, 1884-1968  Search this
Wright, Frank Lloyd, 1867-1959  Search this
Extent:
50 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2002 September 18-19
Scope and Contents:
An interview of Joyce Anderson conducted 2002 September 18-19, by Donna Gold, in Morristown, New Jersey, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Anderson describes her training in economics at New York University, and her interrupted career in that field; her childhood, "a good bringing-up," and her family; dating Edgar Anderson in high school, and marrying him after World War II; and on the early years of their partnership and her own self-education as a woodworker; the design and construction of their home, the influence of Frank Lloyd Wright, and living briefly in Wright's Robie House in Chicago; Scandanavian furniture as an important early influence on their work, as well as the enduring influence of the local environment; the general spirit of the early period, infused with a sense of "breaking tradition"; the New Jersey Designer Craftsmen, and friends such as George Nakashima and Wharton Esherick; on her status as a woman in the movement, which was "never" problematic; projects executed for institutional clients, including furniture designed for public libraries, churches, and synagogues; private clients, and their relationships with clients; her design approach, which differs greatly from her husband's, as well as shared attitudes towards applied decoration and problem solving; her inclusion in the exhibition "Women Designers in the USA 1900-2000: Diversity and Difference," at the Bard Graduate Center for Studies; the difficulties of the spousal partnership, on her own health which was compromised by sawdust, and on the future of the house which is being donated to a preservation trust; large parties they hosted at the house, which included children in elaborate performances. She also recalls Tom Tibbs, Lou and Sandy Grotta, Sam Maloof, Hugh Wiley, Zelda Strecker, Emil Milan, Gustav Stickley, Bob Stocksdale, and others.
Biographical / Historical:
Joyce Anderson (1925- ) is a woodworker from Morristown, New Jersey.
General:
Originally recorded 3 sound discs. Reformatted in 2010 as 16 digital wav files. Duration is 2 hr., 50 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Furniture designers -- New Jersey  Search this
Woodworkers -- New Jersey  Search this
Topic:
Women artists  Search this
Women designers  Search this
Decorative arts  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.andersj02
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b27a02be-a331-48d0-9038-8af9b9350bbc
EDAN-URL:
ead_collection:sova-aaa-andersj02
Online Media:

Maloof, Sam

Collection Creator:
Bennett, Garry Knox, 1934-  Search this
Container:
Box 2, Folder 41
Type:
Archival materials
Date:
1978-2009
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Garry Knox Bennett papers, 1917-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Garry Knox Bennett papers
Garry Knox Bennett papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9aa9f9978-12ba-4ef2-a5ea-f7f11ca55178
EDAN-URL:
ead_component:sova-aaa-benngarr-ref124

Maloof, Sam

Collection Creator:
Fendrick Gallery  Search this
Container:
Box 28, Folder 19
Type:
Archival materials
Date:
1983, 1985
Collection Restrictions:
The collection is open for research. Use of unmicrofilmed material requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Fendrick Gallery records, 1952-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Fendrick Gallery records
Fendrick Gallery records / Series 1: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c6cd46c6-bd48-4b2e-9dbc-87f7d15e8252
EDAN-URL:
ead_component:sova-aaa-fendgall-ref296

Oral history interview with Tommy Simpson, 2004 May 6-July 2

Interviewee:
Simpson, Tommy, 1939-  Search this
Interviewer:
Cooke, Edward S., 1954-  Search this
Subject:
Castle, Wendell  Search this
Maloof, Sam  Search this
Maruyama, Wendy  Search this
McKie, Judy Kensley  Search this
Newman, Richard, (Artist)  Search this
Sepeshy, Zoltan  Search this
Smith, Paul J.  Search this
Zucca, Edward  Search this
Boston University. Program in Artisanry  Search this
Cranbrook Academy of Art  Search this
Museum of Arts and Design (New York, N.Y.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Northern Illinois University  Search this
University of Hartford  Search this
Type:
Interviews
Sound recordings
Place:
China -- description and travel
Europe -- description and travel
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Tommy Simpson, 2004 May 6-July 2. Archives of American Art, Smithsonian Institution.
Topic:
Decorative arts  Search this
Furniture making -- Study and teaching  Search this
Painting -- Study and teaching  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)11632
(DSI-AAA_SIRISBib)248743
AAA_collcode_simpso04
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_248743
Online Media:

Oral history interview with Tommy Simpson

Interviewee:
Simpson, Tommy  Search this
Interviewer:
Cooke, Edward S., 1954-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Boston University. Program in Artisanry -- Faculty  Search this
Cranbrook Academy of Art -- Students  Search this
Museum of Arts and Design (New York, N.Y.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Northern Illinois University -- Students  Search this
University of Hartford -- Faculty  Search this
Castle, Wendell, 1932-2018  Search this
Maloof, Sam  Search this
Maruyama, Wendy, 1952-  Search this
McKie, Judy Kensley, 1944-  Search this
Newman, Richard, (Artist)  Search this
Sepeshy, Zoltan, 1898-1974  Search this
Smith, Paul J., 1931-  Search this
Zucca, Edward  Search this
Extent:
6 Items (Sound recording: 6 sound files (3 hr., 54 min.), digital, wav)
89 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
China -- Description and Travel
Europe -- description and travel
Date:
2004 May 6-July 2
Scope and Contents:
An interview of Tommy Simpson conducted 2004 May 6-July 2, by Edward S. Cooke, Jr., for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Simpson speaks of growing up in rural Illinois; making things as a child; discovering his interest in art at Northern Illinois University; getting an MFA in painting at Cranbrook Academy of Art; using the wood shop at Cranbrook; exhibiting at various galleries in New York City and moving to Connecticut; showing work in the "Fantasy Furniture" exhibit at the Museum of Arts & Design; visiting Europe; the New York studio furniture market in the 1960s; writing the book, "Fantasy Furniture"; exhibiting in "Objects USA;" working as artist in residence at the Fairtree Gallery; teaching at the University of Hartford; his work ethic and productivity; living and working in Greenwich, Connecticut; the constraints of being classified as a furniture maker; teaching briefly at the Program In Artisanry and other schools; the increased public interest in fine woodworking in the 1980s; changes in the craft market; writing the book, "Two Looks to Home"; the influence of events on his work; his current interest in making whole interiors; working on commission; the current public interest in craft; expressing themes in his work; his working process in his studio; the future of fine woodworking; the difficulties of working with galleries; designing rugs; and visiting China. Simpson also recalls Zoltan Sepeshy, Wendell Castle, Paul Smith, Sam Maloof, Edward Zucca, Wendy Maruyama, Richard Newman, Judy McKie, and others.
Biographical / Historical:
Tommy Simpson (1939- ) is a furniture maker and sculptor from Washington Depot, Connecticut. Edward S. Cooke, Jr. is a professor from Newtonville, Massachusetts.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 6 digital wav files. Duration is 3 hr., 54 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Cabinetmakers  Search this
Sculptors -- Connecticut  Search this
Topic:
Decorative arts  Search this
Furniture making -- Study and teaching  Search this
Painting -- Study and teaching  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.simpso04
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95d21c644-be78-4a66-83ff-e67f648199b8
EDAN-URL:
ead_collection:sova-aaa-simpso04
Online Media:

Pedestal Table

Artist:
Sam Maloof, born Chino, CA 1916-died Rancho Cucamonga, CA 2009  Search this
Medium:
fiddleback maple
Dimensions:
21 3/4 x 23 5/8 in. (55.2 x 60.0 cm) diam.
Type:
Decorative Arts-Furniture
Crafts
Date:
1992
Credit Line:
Smithsonian American Art Museum, Gift of Sam and Alfreda Maloof
Object number:
1992.105
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Renwick Gallery
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7da600ab1-a70b-48c0-91a4-29c9971b8426
EDAN-URL:
edanmdm:saam_1992.105

Double Rocking Chair

Artist:
Sam Maloof, born Chino, CA 1916-died Rancho Cucamonga, CA 2009  Search this
Medium:
fiddleback maple and ebony
Dimensions:
42 5/8 x 42 x 44 1/2 in. (108.3 x 106.7 x 113.0 cm)
Type:
Decorative Arts-Furniture
Crafts
Date:
1992
Credit Line:
Smithsonian American Art Museum, Gift of the Hafif Family Foundation, the James Renwick Alliance and museum purchase made possible by the Smithsonian Institution Collections Acquisition Program
Copyright:
(c) 1992. Sam Maloof, F.A.C.C.
Object number:
1992.115
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Renwick Gallery
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7baceba18-0c7f-4a56-b19f-03ad9bd04a91
EDAN-URL:
edanmdm:saam_1992.115

Low-Back Side Chair

Artist:
Sam Maloof, born Chino, CA 1916-died Rancho Cucamonga, CA 2009  Search this
Medium:
ziricote and ebony
Dimensions:
29 3/4 x 22 3/4 x 22 1/8 in. (75.5 x 57.8 x 56.5 cm)
Type:
Decorative Arts-Furniture
Crafts
Date:
1995
Topic:
Object\furniture\chair  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Alfreda and Sam Maloof in honor of Michael W. Monroe, curator-in-charge, Renwick Gallery (1986-1995)
Copyright:
© 1995, Sam Maloof
Object number:
1995.29
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Renwick Gallery
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7f2cb0e86-e3fc-49e5-8bd3-9965d4b2c5f4
EDAN-URL:
edanmdm:saam_1995.29

Rocker

Artist:
Sam Maloof, born Chino, CA 1916-died Rancho Cucamonga, CA 2009  Search this
Medium:
walnut
Dimensions:
44 3/4 x 45 3/4 x 26 3/4 in. (113.7 x 116.2 x 67.9 cm)
Type:
Decorative Arts-Furniture
Crafts
Date:
1980
Credit Line:
Smithsonian American Art Museum, Gift of Roger and Frances Kennedy
Copyright:
© 1980, Sam Maloof
Object number:
1997.88
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Renwick Gallery
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7d852b0b5-151b-4269-aece-a70fc86c9b46
EDAN-URL:
edanmdm:saam_1997.88

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