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Fletcher Benton papers, 1934-2014

Creator:
Benton, Fletcher Chapman, 1931-  Search this
Subject:
Louchheim, Marlene  Search this
Lucie-Smith, Edward  Search this
Finn, David  Search this
Jones, Lillian E.  Search this
Bury, Pol  Search this
De Wilde, Dan  Search this
Wilke, Ulfert  Search this
Valentine, De Wain  Search this
Tooker, Dan  Search this
Sanders, Pieter  Search this
Rickey, George  Search this
Neubert, George W.  Search this
Marquand, Ed  Search this
Galerie Denino  Search this
André Emmerich Gallery  Search this
Type:
Interviews
Motion pictures (visual works)
Drawings
Video recordings
Transcripts
Sound recordings
Photographs
Christmas cards
Topic:
Artists' studios -- Photographs  Search this
Painters -- California -- San Francisco  Search this
Record number:
(DSI-AAA_CollID)13352
(DSI-AAA_SIRISBib)251862
AAA_collcode_bentflet
Theme:
Lives of American Artists
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_251862
Online Media:

Fletcher Benton papers

Creator:
Benton, Fletcher, 1931-  Search this
Names:
André Emmerich Gallery  Search this
Galerie Denino  Search this
Bury, Pol, 1922-2005  Search this
De Wilde, Dan  Search this
Finn, David  Search this
Jones, Lillian E.  Search this
Louchheim, Marlene  Search this
Lucie-Smith, Edward  Search this
Marquand, Ed  Search this
Neubert, George W.  Search this
Rickey, George  Search this
Sanders, Pieter  Search this
Tooker, Dan  Search this
Valentine, De Wain, 1936-  Search this
Wilke, Ulfert, 1907-1987  Search this
Extent:
8.7 Linear feet
1.47 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Motion pictures (visual works)
Drawings
Video recordings
Transcripts
Sound recordings
Photographs
Christmas cards
Date:
1934-2014
Summary:
The papers of sculptor and painter Fletcher Benton measure 8.2 linear feet and 1.47 GB and date from 1934 to 2014. They document his career as a sculptor with international presence through certificates, personal photographs, legal papers, correspondence, exhibition and commission documentation, clippings, exhibition-related printed materials, broadcast materials, publications about his work, an editioned kinetic Christmas card, and photographs, sound and video recordings, and motion picture film documenting his work and career.
Scope and Contents:
The papers of sculptor and painter Fletcher Benton measure 8.2 linear feet and 1.47 GB and date from 1934 to 2014. They document his career through personal photographs, legal papers, correspondence, exhibition and commission documentation, clippings, exhibition-related printed materials, broadcast materials, publications about his work, an editioned kinetic Christmas card, photographs, sound and video recordings motion picture film, some of which also appears in digitized form.

Biographical Materials include personal photographs, legal documents related to a court case with book designer Ed Marquand, biographical texts, interview transcripts, and a home video made by the artist. Correspondence is with other artists, friends, galleries, museums and other institutions, including George W. Neubert, André Emmerich Gallery, Pieter Sanders, Pol Bury, George Rickey, Ulfert Wilke, Marlene Louchheim, DeWain Valentine, Lillian E. Jones, and Edward Lucie-Smith. Interviews include sound recordings of interviews with Benton by academics and journalists, including Edward Lucie-Smith, Dan Tooker, and Dan De Wilde.

Exhibition and Commission Files consist of correspondence with galleries, museums and commission patrons; financial records; shipping and subcontracting documentation; motion picture film, video, and sound recordings related to exhibitions and installations; and planning and design materials. Series includes a significant amount of oversized drawings and plans for site-specific work. There is a large volume documentation from the Folded Circle-Arc commission by Stanley Consultants, Inc. in Muscatine, Iowa; the California/International Arts Foundation Traveling Sculpture Exhibition; Double Folded Circle Ring in Brussels and Double Circle Folded by Cedars Sinai Medical Center in Los Angeles.

Printed Materials include news clippings related to Benton's career, as well as brochures, exhibition catalogs, posters and other printed materials related to exhibitions and commissions. Broadcast materials include television news footage, radio and television interviews, documentaries, and promotional materials made by galleries and other cultural institutions.

Photographic and Moving Image Materials include art-related images showing Benton in his studio and images of exhibitions, installations and inaugurations. Also found are still photographs and motion picture films of artworks, including paintings, sculptures, and kinetic drawings, and a series of photographs of sculptures taken by David Finn.

Artwork consists of an editioned art Christmas card created by Benton for Galeria Bonino in New York from 1969. An American Artist Moving Image Materials consist of 13 videocassettes (VHS) which document the production process of the documentaryFletcher Benton: An American Artist by Morgan Cavett. There is footage from interviews with Benton and with curator George W. Neubert, footage of San Francisco with comments from Benton about his time there, interviews with the artist's studio assistants, images of his studio in Dore street and a couple of almost finished rough versions of the documentary.
Arrangement:
This collection is arranged as nine series.

Series 1: Biographical Material (0.3 linear feet; boxes 1, 9)

Series 2: Correspondence (1 linear foot; boxes 1, 2, OV 10)

Series 3: Interviews (0.3 linear feet; box 2)

Series 4: Exhibition and Commission Files (2 linear feet, 0.50 GB; boxes 2-4, OV 11-13, RD 14, FC 15, ER01)

Series 5: Printed Materials (2.3 linear feet; boxes 4-6, OV 10)

Series 6: Broadcast Materials (1.1 linear foot; boxes 6-7)

Series 7: Photographic and Moving Image Materials (0.5 linear feet, 0.97 GB; boxes 7, 9, FC 16-17, ER02)

Series 8: Artwork (1 item; box 7)

Series 9: -- An American Artist -- Video Recordings (0.6 linear feet; boxes 7-8)
Biographical / Historical:
Fletcher Benton was born in Jackson, Ohio in 1931 to Fletcher and Nell Cavett Benton and was the oldest of three children. Benton graduated from Jackson High School in 1949. After serving in the Navy he graduated from Miami University (Oxford, Ohio) in 1956 and moved to San Francisco, where he started working as an instructor at the California College of Arts and Crafts in 1959. He was in San Francisco during the flourishing of the Beat generation, where he had a studio in the North beach area and exhibited at coffee house galleries.

After travelling around Europe in 1960, Benton moved to New York City where he tried to make his living through painting and teaching privately. During those years he was supported by Jackson's local arts patron and family friend, Lillian E. Jones. In 1960 he had his first solo exhibition at Gump's gallery in San Francisco, but his work was taken down after one day because it was considered obscene for including female nudes. He returned to San Francisco in late 1961.

In 1966 Fletcher started teaching at the San Francisco Art Institute and established himself as a primary figure of American kinetic art. In 1966, Peter Selz included his work in the exhibition Directions in Kinetic Sculpture at the University Art Gallery in Berkeley, CA. During the exhibition Benton met the artists Pol Bury and George Rickey with whom he became friends. The exhibition, along with an article "The Movement Movement" that appeared in Time magazine the same year, established Benton's reputation as a significant American Kinetic artist. He also started teaching at the California State University in San José in 1967 where he continued working until 1986.

By 1974 Benton abandoned kinetic art to continue exploring sculpture in three dimensions in a style that became known as "new constructivism." The artworks were conceived in the series Folded Circles and Folded Square Alphabets and were produced in bronze, aluminum and steel. It was also during the 1970s that he started doing large-scale commissions such as the 1977 IBM commission.

Between 1981 and 1984 Benton constructed his studio in Dore Street in the Market district of San Francisco where he continues to work today. During the 1980s Benton started his Balanced/Unbalanced series, which introduced the idea of gravity using geometric forms in different formats and sizes.

From 1984 he began to show more work in Europe, especially in Germany, where in 1993 he got a major commission to create a colossal public sculpture in Cologne entitled Steel Watercolor Triangle Ring. It was also in Germany where Benton encountered the work of Wassily Kandinsky and Kazimir Malevich, and he began work on his Construct Relief series in reponse, which he dedicated to Kandinsky. These geometric constructions are flat, canvas-like steel structures that combine features of painting and sculpture. As the series evolved, the work became more like painting, constructed to hang on the wall without a back piece, so they seem to be floating in the space.

Benton continues to live and work in San Francisco and is represented by multiple galleries in the United States and Germany.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Fletcher Benton conducted by Paul J. Karlstrom, 1989 May 2-4 is available on the Archives of American Art website.
Provenance:
Donated 2005-2006 and 2014 by Fletcher Benton. Benton's wife, Bobbie Benton, organized the material by subject matter and date.
Restrictions:
Use of original papers requires an appointment. Use of audiovisual material without a duplicate copy requires advanced notice.
Rights:
The Fletcher Benton papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Sculptors -- California -- San Francisco  Search this
Topic:
Artists' studios -- Photographs  Search this
Painters -- California -- San Francisco  Search this
Genre/Form:
Interviews
Motion pictures (visual works)
Drawings
Video recordings
Transcripts
Sound recordings
Photographs
Christmas cards
Citation:
Fletcher Benton papers, 1934-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bentflet
See more items in:
Fletcher Benton papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bentflet

Oral history interview with Judy Chicago, 2009 August 7-8

Interviewee:
Chicago, Judy, 1939-  Search this
Interviewer:
Richards, Judith Olch, 1947-  Search this
Subject:
Saint-Phalle, Niki de  Search this
Woodman, Donald  Search this
Taylor, Mary  Search this
Hopkins, Henry  Search this
Marisol  Search this
Copeland, John  Search this
Lucie-Smith, Edward  Search this
Schneemann, Carolee  Search this
Bullard, E. John(Edgar John)  Search this
Lemon, Jack  Search this
Rosenberg, Harold  Search this
Neel, Alice  Search this
Youdelman, Nancy  Search this
McFadden, David Revere  Search this
Bergen, Jeffrey  Search this
Semmel, Joan  Search this
Thompson, Viki D.  Search this
Dobbins, Norman  Search this
Dobbins, Ruth  Search this
Flack, Audrey  Search this
LaMonte, Karen  Search this
Lu, Jie  Search this
Rodee, Susannah  Search this
Pruitt, Tom  Search this
LewAllen, Arlene  Search this
Perkins, Flo  Search this
ACA Galleries  Search this
LewAllen Contemporary (Gallery)  Search this
Type:
Sound recordings
Interviews
Topic:
Women sculptors -- New Mexico -- Interviews  Search this
Feminism and art  Search this
Women painters -- New Mexico -- Interviews  Search this
Women photographers -- New Mexico -- Interviews  Search this
Art -- Technique  Search this
Glass artists -- New Mexico -- Interviews  Search this
Women printmakers -- New Mexico -- Interviews  Search this
Record number:
(DSI-AAA_CollID)15708
(DSI-AAA_SIRISBib)283567
AAA_collcode_chicag09
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_283567
Online Media:

Oral history interview with Judy Chicago

Interviewee:
Chicago, Judy, 1939-  Search this
Interviewer:
Richards, Judith Olch  Search this
Names:
ACA Galleries  Search this
LewAllen Contemporary (Gallery)  Search this
Bergen, Jeffrey, 1955-  Search this
Bullard, E. John(Edgar John), 1942-  Search this
Copeland, John  Search this
Dobbins, Norman  Search this
Dobbins, Ruth  Search this
Flack, Audrey  Search this
Hopkins, Henry, 1928-2009  Search this
LaMonte, Karen, 1967-  Search this
Lemon, Jack  Search this
LewAllen, Arlene  Search this
Lu, Jie, 1958-  Search this
Lucie-Smith, Edward  Search this
Marisol, 1930-  Search this
McFadden, David Revere  Search this
Neel, Alice, 1900-1984  Search this
Perkins, Flo  Search this
Pruitt, Tom  Search this
Rodee, Susannah  Search this
Rosenberg, Harold, 1906-1978  Search this
Saint-Phalle, Niki de, 1930-2002  Search this
Schneemann, Carolee, 1939-  Search this
Semmel, Joan, 1932-  Search this
Taylor, Mary, 1947-  Search this
Thompson, Viki D., 1947-  Search this
Woodman, Donald  Search this
Youdelman, Nancy, 1948-  Search this
Extent:
74 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 August 7-8
Scope and Contents:
An interview of Judy Chicago conducted 2009 August 7 and 8, by Judith Olch Richards, for the Archives of American Art, at Chicago's home and studio, in Belen, New Mexico.
Chicago speaks of her work since the late 1980s, having previously discussed her early life and works; printmaking projects with various print studios around the country; giving archived documents to important museums; creating a foundation with her husband Donald Woodman to protect the legacy of their art; the non-profit organization she started in 1978, Through the Flower; her studio practices and her most practiced techniques; keeping a regular schedule; her interest in collaborative projects such as The Dinner Party [1974-1979], the Birth Project [1980-1985], the Holocaust Project [1985-1993] and Resolutions: A Stitch in Time [1994-2000]; working with various textile and glass artists; feeling a kin with other female artists, like Nikki de Saint Phalle and Marisol Escobar; the responsibility she feels to share underrepresented information; her enjoyment of the process of making art and the hope that she creates art that is not bound by time; her relationships with galleries though the years including the ACA Galleries in New York and LewAllen Contemporary in Santa Fe; her intention in making art was not create proactive or controversial art; various teaching positions; her interest in combining text and images in works like Song of Songs [1997-1999]; her more current interest in glass; experimenting with the techniques of casting and etching to achieve her desired images; her want to change institutional policies that underrepresent women artists in museums and the absence of images of women by women artists. Chicago also recalls Henry Hopkins, Mary Ross Taylor, Susannah Rodee, John Bullard, Jack Lemon, Alice Neel, Edward Lucie-Smith, John Copeland, Harold Rosenberg, Carolee Schneemann, Jeffery Bergen, Audrey Flack, Joan Semmel, Nancy Youdelman, David McFadden, Viki Thomson Wylder, Tom Pruitt, Arlene LewAllen, Flo Perkins, Norman and Ruth Dobbins, Karen LaMonte, Lu Jie and others.
Biographical / Historical:
Interviewee Judy Chicago (1939- ) is a feminist artist and author who lives and works in Belen, New Mexico. Interviewer Judith Olch Richards (1947- ) is former executive director of iCI in New York, New York.
General:
Originally recorded on 4 compact discs. Reformatted in 2010 as 4 digital wav files. Duration is 3 hr., 40 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Women sculptors -- New Mexico -- Interviews  Search this
Feminism and art  Search this
Women painters -- New Mexico -- Interviews  Search this
Women photographers -- New Mexico -- Interviews  Search this
Art -- Technique  Search this
Glass artists -- New Mexico -- Interviews  Search this
Women printmakers -- New Mexico -- Interviews  Search this
Function:
Artists' studios -- New Mexico
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.chicag09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-chicag09

Work and struggle the painter as witness 1870-1914 Edward Lucie-Smith, Celestine Dars

Author:
Lucie-Smith, Edward http://id.loc.gov/vocabulary/relators/aut http://id.loc.gov/authorities/names/n79027218 http://viaf.org/viaf/108562491/  Search this
Dars, Celestine http://id.loc.gov/vocabulary/relators/aut http://id.loc.gov/authorities/names/n81037029 http://viaf.org/viaf/9845206/  Search this
Physical description:
243 pages illustrations (some color) 29 cm
Type:
Books
Date:
1977
Topic:
Narrative painting  Search this
Working class in art  Search this
Realism in art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_87168

Head of a Woman

Artist:
Pablo Picasso, Spanish, b. Málaga, 1881–1973  Search this
Medium:
Bronze
Dimensions:
21 3/8 X 7 1/2 X 14 1/8 IN. (54.1 X 19.0 X 35.9 CM.) WT. 25 LB. (11.5 KG.)
Type:
Sculpture
Date:
(1951)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.4049
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Spanish Modernism
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py223f03dac-18d0-4a66-aaab-e2ff7894ff35
EDAN-URL:
edanmdm:hmsg_66.4049

Number 3, 1949: Tiger

Artist:
Jackson Pollock, American, b. Cody, Wyoming, 1912–1956  Search this
Medium:
Oil, enamel, metallic enamel, and cigarette fragment on canvas mounted on fiberboard
Dimensions:
62 x 37 1/4 in. (157.5 x 94.6 cm)
Type:
Painting
Date:
1949
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972
Accession Number:
72.235
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Abstract Expressionism (First Generation)
On View:
Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py23a0e72b1-1137-4d13-9ff4-b9e2ed8071e2
EDAN-URL:
edanmdm:hmsg_72.235

Limbour as a Crustacean

Artist:
Jean Dubuffet, French, b. Le Havre, 1901–1985  Search this
Medium:
Oil and sand on canvas
Dimensions:
45 3/4 × 35 in. (116.2 × 88.9 cm)
Type:
Painting
Date:
1946
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1972
Accession Number:
72.100
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Postwar European
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2be4fba0e-10de-48d0-a164-d36b87f7398d
EDAN-URL:
edanmdm:hmsg_72.100

Woman, Sag Harbor

Artist:
Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997  Search this
Medium:
Oil and charcoal on wood
Dimensions:
80 x 36 in. (203.1 x 91.2 cm)
Type:
Painting
Date:
1964
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.1209
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Abstract Expressionism (First Generation)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py253587c96-4222-4a61-8726-b6c69252f982
EDAN-URL:
edanmdm:hmsg_66.1209

Sermons: The Walls of Jericho

Artist:
Romare H. Bearden, American, b. Charlotte, North Carolina, 1912–1988  Search this
Medium:
Photomechanical reproductions, pencil, ink, and watercolor on paperboard
Dimensions:
11 7/8 x 9 3/8 in. (30 x 23.7 cm)
Type:
Collage
Date:
(1964)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.408
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
African-American Figuration
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2bb69c016-0688-45aa-accc-a4a0dcd7b030
EDAN-URL:
edanmdm:hmsg_66.408

Reclining Head (Study for "The First Cry")

Artist:
Constantin Brancusi, French, b. Hobitza, Romania, 1876–1957  Search this
Medium:
Gouache and pencil on paper
Dimensions:
15 x 21 1/4in. (38.1 x 54cm)
Type:
Painting
Date:
1915
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972
Accession Number:
72.42
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
European Modernism (Early 20th century)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py22dbbd1e9-f871-4bc2-9dcc-9ee9ff8096ca
EDAN-URL:
edanmdm:hmsg_72.42

Theater of the World (Teatro Del Mundo)

Artist:
Roberto Marquez, Mexican, b. Mexico City, 1959  Search this
Medium:
Oil on canvas
Dimensions:
60 X 78 1/8 in. (152.3 X 198.2 cm)
Type:
Painting
Date:
1988
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Stephane Janssen, 1995
Accession Number:
95.2
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py27225f875-9639-4842-aad6-0c7ae9941b85
EDAN-URL:
edanmdm:hmsg_95.2

Anthology of 20th Century English Poetry (part 3) [sound recording] : authors reading their own poetry

Commentator:
Dunning, Stephen  Search this
Cover designer:
Clyne, Ronald 1925-2006  Search this
Performer:
Blackburn, Thomas 1916-1977  Search this
Causley, Charles  Search this
Heath-Stubbs, John  Search this
Enright, D.J.  Search this
Amis, Kingsley  Search this
Larkin, Philip  Search this
Davie, Donald  Search this
Scannell, Vernon  Search this
Wain, John  Search this
Jennings, Elizabeth 1926-2001  Search this
Gunn, Thom  Search this
Porter, Peter  Search this
Hughes, Ted  Search this
MacBeth, George  Search this
Lucie-Smith, Edward  Search this
Physical description:
1 phonograph record : analog, 33 1/3 rpm ; 12 in
Culture:
British  Search this
Type:
Phonograph records
Collections
Place:
England
Date:
1967
20th century
Topic:
English poetry  Search this
Poetry  Search this
Oral interpretation of poetry  Search this
Local number:
Folkways 9879
Restrictions & Rights:
Restrictions on access
See more items in:
Folkways Records Collection 1948-1986
Data Source:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
edanmdm:siris_arc_233118

Alfonso Ossorio : works from the foundation : a selling exhibition, 1 May - 9 June 2017 / Sotheby's Gallery

Title:
Works from the foundation
Artist, interviewee:
Ossorio, Alfonso 1916-1990  Search this
Writer of added commentary:
Lucie-Smith, Edward  Search this
Interviewer:
Selvig, Forrest  Search this
Contributor:
Archives of American Art  Search this
Sponsoring body:
Sotheby's (Firm)  Search this
Subject:
Ossorio, Alfonso 1916-1990  Search this
Ossorio, Alfonso 1916-1990  Search this
Physical description:
116 pages : illustrations (some color) ; 30 cm
Type:
Books
Exhibitions
Interviews
Exhibition catalogs
Date:
2017
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1081806

Masterpieces of time : an exhibition of long-case clocks and fine furniture by Wendell Castle : the Taft Museum, September 12-October 27, 1985 / catalogue essay by Edward Lucie-Smith

Author:
Castle, Wendell 1932-  Search this
Lucie-Smith, Edward  Search this
Taft Museum  Search this
Subject:
Castle, Wendell 1932-  Search this
Physical description:
21 unnumbered pages : color illustrations ; 23 cm
Type:
Exhibitions
Exhibition catalogs
History
Place:
United States
Date:
1985
[1985]
20th century
Topic:
Longcase clocks  Search this
Furniture--History  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1075822

Gargallo / [textos, Rafael Ordóñez Fernández, J. F. Yvars, Edward Lucie-Smith]

Author:
Gargallo, Pablo 1881-1934  Search this
Ordóñez Fernández, Rafael  Search this
Yvars, J. F  Search this
Lucie-Smith, Edward  Search this
Subject:
Gargallo, Pablo 1881-1934  Search this
Pedrera (Barcelona, Spain)  Search this
Physical description:
299 p. : ill. (some col.) ; 28 cm
Type:
Books
Exhibitions
Date:
2006
Call number:
NB813.G3 A4 2006
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_808449

Elias Rivera / Edward Lucie-Smith ; foreword by Gene Hackman

Author:
Lucie-Smith, Edward  Search this
Rivera, Elias 1937-  Search this
Subject:
Rivera, Elias 1937- Themes, motives  Search this
Physical description:
xiii, 244 p. : ill. (chiefly col.) ; 37 cm
Type:
Books
Date:
2006
C2006
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_825023

Robert W. Firestone : feelings / essay by Edward Lucie-Smith

Title:
Feelings
Author:
Firestone, Robert  Search this
Lucie-Smith, Edward  Search this
Walter Wickiser Gallery  Search this
Subject:
Firestone, Robert  Search this
Physical description:
32 p. : col. ill., port. ; 29 cm
Type:
Exhibitions
Date:
2006
C2006
Topic:
Digital art  Search this
Digital painting  Search this
Call number:
ND237.F4338 A4 2006
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_828670

Norito Udagawa : roughness & refinement : August 26-September 26, 2006

Title:
Roughness & refinement
Author:
Udagawa, Norito  Search this
Lucie-Smith, Edward  Search this
Walter Wickiser Gallery  Search this
Subject:
Udagawa, Norito  Search this
Physical description:
32 p. : col. ill., port. ; 24 x 29 cm
Type:
Exhibitions
Date:
2006
C2006
20th century
Topic:
Painting, Japanese  Search this
Call number:
ND1059.U33 A4 2006
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_831811

Julio Larraz : new work : November 24 - December 30, 2006

Author:
Larraz, Julio  Search this
Lucie-Smith, Edward  Search this
Marlborough Gallery  Search this
Subject:
Larraz, Julio  Search this
Physical description:
32 p. : col. ill. ; 30 cm
Type:
Books
Exhibitions
Date:
2006
C2004
Call number:
ND237.L278 A4 2006
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_831861

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