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Oral history interview with Josine Ianco-Starrels

Interviewee:
Ianco-Starrels, Josine  Search this
Interviewer:
Bowman, Ruth, 1923-  Search this
Creator:
Women in the Arts in Southern California Oral History Project  Search this
Names:
Long Beach Museum of Art  Search this
Los Angeles Municipal Art Gallery  Search this
Lytton Center of the Visual Arts  Search this
Women in the Arts in Southern California Oral History Project  Search this
Extent:
2 Sound cassettes (Sound recordings (ca. 3 hrs.))
93 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1989 June 15
Scope and Contents:
An interview of Josine Ianco-Starrels conducted 1989 June 15, by Ruth Gurin Bowman for the Archives of American Art, Women in the Arts in Southern California Oral History Project. Ianco-Starrels recounts her youth in Bucharest, Romania; WWII and her family's fleeing to Palestine; her father Marcel Ianco's affiliation with the Dadaists in Zurich; her first marriage that brought her to New York in 1950; studying at the Art Students League; her second marriage to Herbert Kline, a documentary filmmaker; her involvement with the Lytton Center of the Visual Arts and the beginning of her curatorial career; working at California State University, Los Angeles as gallery director; her teaching career; her interest in Los Angeles artists including Jack Zajack, Lorser Feitelson, Helen Lundeberg, Felix Landau, Joyce Treiman, Betty Saar, Joan Brown, and others; curating and programs at the Municipal Art Gallery at Barnsdall Park and later at the Long Beach Museum; her views on community and access to local galleries; and her relationship with artists and the art community.
Biographical / Historical:
osine Ianco-Starrels (1926-2019) was a curator and gallery administrator in Los Angeles, California. Born 1926 in Bucharest, Romania. Josine Ianco-Starrels was curator of the Lytton Center of the Visual Arts (1961-1969), Associate Professor, Art Gallery Division at California State University, Los Angeles (1969-1975), Director of the Los Angeles Municipal Art Gallery at Barnsdall Park (1975-1984), and Senior Curator at the Long Beach Art Museum (1987-1990). Ianco-Starrels died at the age of 92 at her home in Rogue City, Oregon.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview was provided by the Margery and Harry Kahn Philanthropic Fund of the Jewish Communal Fund of New York.
Topic:
Women museum curators -- California -- Interviews  Search this
Museum directors -- California -- Los Angeles -- Interviews  Search this
Museum curators -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.iancos89
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-iancos89
Online Media:

Los Angeles, California (see also: Barraza, Santa; Gamboa, Diane; García, Margaret; Los Streescapers; Martinez, Daniel; Valadez, John; Valdez, Patssi),

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 16, Folder 5
Type:
Archival materials
Date:
1983, 1986
Scope and Contents note:
(publication event announcement; catalog, Only L.A.: Contemporary Variations, 27 Los Angeles Artists, Los Angeles Municipal Art Gallery, Los Angeles, California, 1986; exhibition announcements; clippings)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref1020

Chicanarte, Los Angeles Municipal Art Gallery

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Extent:
(see also: Box 30; OV 32)
Container:
Box 6, Folder 16
Type:
Archival materials
Date:
1975
Scope and Contents note:
(exhibition announcement/performance schedule; article published by the Comité Chicanarte, not included in catalog; oversize exhibition poster; oversize catalog order form/poster; clippings)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref396

Ancient Roots/New Visions, Exhibition, Tucson Museum of Art, Los Angeles Municipal Art Gallery, and Museum of Contemporary Art, Chicago, Illinois

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 1, Folder 36
Type:
Archival materials
Date:
1977-1979
Scope and Contents note:
(catalogs; clippings; calendar of events; TYF's notes on 2 small slips of paper on history of and influences on Mexican American literature)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref63

Aquí y Allá, Exhibition, Los Angeles Municipal Art Gallery,

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Extent:
(calendar of events, exhibition announcement, catalog)
Container:
Box 1, Folder 40
Type:
Archival materials
Date:
1990
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref68

Los Angeles Municipal Art Gallery

Collection Creator:
Andreson, Laura  Search this
Container:
Box 2, Folder 4
Type:
Archival materials
Date:
1982-1984
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
Laura Andreson Papers, 1932-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Laura Andreson papers
Laura Andreson papers / Series 3: Gallery Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-andrlaur-ref33

Los Angeles Municipal Art Gallery - Artist as Social Critic (1979)

Collection Creator:
Finkel, Bruria, 1932-  Search this
Container:
Box 7, Folder 35
Type:
Archival materials
Date:
1979
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings and born-digital records in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Bruria Finkel papers, 1953-2020. Archives of American Art, Smithsonian Institution.
See more items in:
Bruria Finkel papers
Bruria Finkel papers / Series 6: Exhibition Files / 6.1: Group and Solo Exhibitions
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-finkbrur-ref218

Printed Material Regarding White

Collection Creator:
White, Charles, 1918-1979  Search this
Type:
Archival materials
Date:
1933-1972
Scope and Contents:
Printed material provides a substantial overview of the range of work White produced over the course of his career, and his involvement with multiple art and educational institutions, community organizations, and the television, film, and music industries. This series houses announcements, invitations, catalogs for exhibitions and events in which White participated, including solo and group exhibitions; publicity about White in journals, magazines, newspapers, and press releases; copies of, or clippings from, publications for which White provided artwork and illustrations; and obituaries and other printed material documenting memorial events and tributes to White following his death.

The earliest announcement is for a 1936 Eberhard Faber art contest for high school students in which White won 4th prize in the black lead pencil division as a high school student at Englewood High School. Early exhibition catalogs of note include a 1933 Exhibition of Productions by Negro Artists at the Harmon Foundation, Exhibition of the Art of the American Negro (1851-1940) (1940) at the American Negro Exposition in Chicago, and Exhibition of Negro Artists of Chicago (1941) at Howard University, curated by Alonzo Aden.

A substantial portion of the news clippings about White, particularly the ones from the 1930s and 1940s, are photocopies.

Posters from exhibitions and events are for exhibitions at Forum Gallery (1970) and Pepperdine University (1978); a Tribute to Martin Luther King, Jr., event at Los Angeles Municipal Art Gallery (1976); a Robinson's store promotion by California Originals which featured artwork by White; a Pratt Graphics Center event; and an Artists' Benefit for Civil Liberties Association of Men and Women in the Arts Concerned About Vietnam.

Publications with illustrations by White include covers for magazines such as Ebony, feature articles for newspapers including the New York Times and the New York Times Book Review, and the National Negro Congress publication, Congress Vue (Congress View). Congress Vue also includes cartoons by colleagues and friends of White including Ernie Chrichlow, Ruth Jeff, Thelma Dale, Fredi Washington, and Elizabeth Catlett. These retain their original order and are accompanied by an explanatory note by Frances White. Also found are copies of the Marxist publication (New Masses, and The Worker, both of which featured illustrations by White.
Arrangement:
Series is arranged by record type and chronologically thereafter.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.whitchar, Subseries 7.1
See more items in:
Charles W. White papers
Charles W. White papers / Series 7: Printed Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-whitchar-ref790

24 From Los Angeles (1974), Los Angeles Municipal Art Gallery

Collection Creator:
Madsen, Loren, 1943-  Search this
Container:
Box 1, Folder 6
Type:
Archival materials
Date:
1974
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of electronic records with no duplicate access copies requires advance notice.
Collection Citation:
Loren Madsen papers, 1969-2019. Archives of American Art, Smithsonian Institution.
See more items in:
Loren Madsen papers
Loren Madsen papers / Series 1: Project and Exhibition Files / 1.1: Exhibition Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-madslore-ref14

24 From Los Angeles, Los Angeles Municipal Art Gallery (1974), Digital Photographs and Documents

Collection Creator:
Madsen, Loren, 1943-  Search this
Extent:
0.048 Gigabytes (Seven computer files)
Container:
Folder ER08
Type:
Archival materials
Gigabytes
Date:
2010, 2017
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of electronic records with no duplicate access copies requires advance notice.
Collection Citation:
Loren Madsen papers, 1969-2019. Archives of American Art, Smithsonian Institution.
See more items in:
Loren Madsen papers
Loren Madsen papers / Series 1: Project and Exhibition Files / 1.1: Exhibition Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-madslore-ref179

Linda Farris Gallery records

Creator:
Linda Farris Gallery  Search this
Farris, Linda  Search this
Names:
Barry, Lynda, 1956-  Search this
Bruskin, Grisha, 1945-  Search this
Clough, Charles, 1951-  Search this
Landfield, Ronnie, 1947-  Search this
Luce, Charles, 1947-  Search this
Lucero, Michael, 1953-  Search this
Markovitz, Sherry  Search this
Nevelson, Louise, 1899-1988  Search this
Noah, Barbara  Search this
Pepper, Beverly  Search this
Extent:
13.4 Linear feet (13 Boxes, 1 sol, 1 ov folder)
Type:
Collection descriptions
Archival materials
Interviews
Scrapbooks
Lectures
Photographs
Sound recordings
Visitors' books
Date:
1969-1995
Summary:
The records of Seattle's avant-garde Linda Farris Gallery measure 13.4 linear feet and date from 1969-1995. The bulk of the records consist of artists' and exhibition files. Also found are gallery business correspondence, administrative files, event files, reference files, records of sales, scattered legal files, the personal papers of gallery owner Linda Farris, and printed materials.
Scope and Contents:
The records of Seattle's avant-garde Linda Farris Gallery measure 13.4 linear feet and date from 1969-1995. The bulk of the records consist of artists' and exhibition files. Also found are gallery business correspondence, administrative files, event files, reference files, records of sales, scattered legal files, the personal papers of gallery owner Linda Farris, and printed materials. Business correspondence is with galleries, dealers, publishers, museums, and other businesses. Administrative files are varied and include advertising and promotion materials, exhibition schedules, mailing lists, guest books, a scrapbook, and gallery history.

Artists' files are found for many contemporary American artists that interested Linda Farris or were represented by the gallery. The contents of each file vary but many include photographs and slides, writings, correspondence, and printed materials. Files for Lynda Barry, Grisha Brusking, Charles Clough, Ronnie Landfield, Charles Luce, Michael Lucerno, Sherry Markovitz, Louise Nevelson, Barbara Noah, and Beverly Pepper are particularly rich. Exhibition files are for Linda Farris Gallery exhibitions and include printed materials, correspondence, loan and consignment agreements, and photographs.

Event files cover anniversary celebrations, lectures, panel discussions, and receptions. There are 17 sound cassette recordings of "Art Now" lectures and "Focus" panel discussions. Scattered reference files contain collected materials on subjects of interest to the gallery. There are scattered financial, sales, and legal files. Sales records cover 1970-1979.

Linda Farris' personal papers contain printed materials about her and the gallery and other materials concerning her professional and curatorial work outside of the gallery. There is also a transcript of an oral history with Farris and a news interview.

Printed materials include published books and magazines, clippings and exhibition catalogs and announcements.

Photographs are scattered throughout adminstrative files, exhibition files, event files, and Linda Farris' personal papers.
Arrangement:
The collection is arranged as 8 series.

Series 1: Correspondence, 1975-1991, undated (Box 1; .7 linear feet)

Series 2: Administrative files, 1970-1995, undated (Box 1-2, 14; 1 linear feet)

Series 3: Artists and Exhibition files, 1969-1995, undated (Box 2-9, 15; 6.6 linear feet)

Series 4: Events files, 1971-1990, undated (Box 9, 14; 0.6 linear feet)

Series 5: Reference files, 1969-1994, undated (Box 9-10; 0.6 linear feet)

Series 6: Financial, Sales and Legal files, 1970-1995 (Box 10; 0.4 linear feet)

Series 7: Linda Farris Papers, 1972-1995 (Box 10-11; .9 linear feet)

Series 8: Printed Materials, 1970-1995 (Box 11-14; 2 linear feet)
Biographical / Historical:
The Linda Farris Gallery was Seattle's leading venue for contemporary art during its twenty-five years of operation.

Linda Farris opened Gallery East in Bellevue in 1970, and a year later moved to Pioneer Square in Seattle, changing the name to Linda Farris Gallery in 1973. The gallery continued to present contemporary art there until closing in December 1995. Art dealer Linda Farris began representing a group of promising artists, all graduates of the University of Washington. Greg Kucera of the Greg Kucera Gallery noted in an article for the Seattle Weekly, "Their work could be loosely seen as a movement, complete with aesthetic interrelationships, convenient marriages, an unintelligible manifesto in the form of Dennis Evans' quirky pronouncements…" From the same article he states, "Her avant-garde gallery changed forever the nature of being an art dealer in Seattle." It was among the three or four most influential galleries in the Pacific Northwest.

The gallery held exhibitions of many nationally known contemporary artists, including Sam Francis, Louise Nevelson, and Robert Rauschenberg, as well as Northwest artists Jeffrey Bishop, Dennis Evans, Sherry Markovitz, Nancy Mee, Norie Sato, and Patti Warashina. The latter group started with the gallery and remained loyal at the time of its closing in 1995.

Art dealer, collector and free-lance curator Linda B. Farris (1944-2005), a native of San Francisco and a graduate of the University of California, Berkeley (1966), was an active participant in and style setter for the Seattle art world for the twenty-five years she was in business. As a member of the art community she actively supported the Henry Art Gallery at the University of Washington, Pilchuck Glass School, and Seattle Art Museum's Contemporary Art Council, and served on the boards of directors of Henry Art Gallery and Factory Visual Arts. Farris curated "Eight Seattle Artists" in 1981 for the Los Angeles Institute of Contemporary Art and "Self Portraits" in 1983 for the Los Angeles Municipal Art Gallery. She also led the movement to keep Henry Moore's "Vertebrae" from leaving Seattle, and instituted a series of talks, panel discussions, performances, and tours in her gallery, and in and around Seattle.

This note draws heavily on the Archives of American Art's West Coast Regional Collector Paul Karlstrom's collection description written upon acquisition of the papers.
Related Materials:
An oral history interview with Linda Farris conducted in 1975 by Sally Swenson, is located in the University of Washington University Libraries Digital Collections.
Provenance:
The Linda Farris Gallery records were donated to the Archives of American Art by owner Linda Farris in 1995 at the time she closed the gallery.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Avant-garde (Aesthetics)  Search this
Art -- Washington (State) -- Exhibitions  Search this
Art, Modern -- 20th century -- Washington (State) -- Seattle  Search this
Artists -- Northwestern States  Search this
Transcripts  Search this
Function:
Art galleries, Commercial -- Washington (State)
Genre/Form:
Interviews
Scrapbooks
Lectures
Photographs
Sound recordings
Visitors' books
Citation:
Linda Farris Gallery records, 1969-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lindfarr
See more items in:
Linda Farris Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lindfarr

Josine Ianco-Starrels papers, 1930-2017

Creator:
Ianco-Starrels, Josine, 1926-2019  Search this
Ianco-Starrels, Josine, 1926-2019  Search this
Subject:
Kline, Herbert  Search this
Los Angeles Municipal Art Gallery  Search this
Theme:
Art Market  Search this
Record number:
(DSI-AAA_CollID)6309
(DSI-AAA_SIRISBib)223509
AAA_collcode_iancjosi
Theme:
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_223509

Chicanarte: statewide exposicion of Chicano art

Subject:
Chicano Arts Council  Search this
Los Angeles Municipal Art Gallery  Search this
University of California, Los Angeles, Chicano Studies Center  Search this
Type:
Printed Materials
Date:
1975 Sept. 14
Topic:
Art galleries, Commercial  Search this
Exhibitions  Search this
Hispanic American art  Search this
Record number:
(DSI-AAA)7740
See more items in:
Tomás Ybarra-Frausto research material, 1965-2004
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_7740
Online Media:

Oral history interview with Josine Ianco-Starrels, 1989 June 15

Interviewee:
Ianco-Starrels, Josine, 1926-2019  Search this
Ianco-Starrels, Josine, 1926-2019  Search this
Interviewer:
Bowman, Ruth, 1923-  Search this
Subject:
Long Beach Museum of Art  Search this
Los Angeles Municipal Art Gallery  Search this
Lytton Center of the Visual Arts  Search this
Women in the Arts in Southern California Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Women museum curators -- California -- Interviews  Search this
Museum directors -- California -- Los Angeles -- Interviews  Search this
Museum curators -- California -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12700
(DSI-AAA_SIRISBib)211918
AAA_collcode_iancos89
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211918

Untitled

Artist:
Peter Krasnow, born Zawill, Russia 1887-died Los Angeles, CA 1979  Search this
Medium:
wood on wood and plywood base
Dimensions:
43 1/8 x 20 x 14 1/4 in. (109.4 x 50.9 x 36.3 cm.)
Type:
Sculpture
Date:
ca. 1930s
Topic:
Abstract  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the artist
Object number:
1979.111.8
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
On View:
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor, 50A
Smithsonian American Art Museum, Luce Foundation Center
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7e0e94367-df4b-4100-afd7-c5e22cfa9aaf
EDAN-URL:
edanmdm:saam_1979.111.8

Study for "New York Interpreted: The Bridge"

Artist:
Joseph Stella, American, b. Muro Lucano, Italy, 1877–1946  Search this
Medium:
Watercolor and pencil on paper
Dimensions:
24 × 18 in. (61 × 45.7 cm)
Type:
Drawing
Date:
1917 or 1917-1922
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Federal Bureau of Investigation, 1985
Accession Number:
85.22
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Early American Modernism
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py272d1e647-656d-403d-a3d4-e81310bd67d0
EDAN-URL:
edanmdm:hmsg_85.22

Absinthe Drinker

Artist:
Lorser Feitelson, American, b. Savannah, Georgia, 1898–1978  Search this
Medium:
Oil and charcoal on paperboard
Dimensions:
19 7/16 × 14 1/4 in. (49.4 × 35.8 cm)
Type:
Painting
Date:
1917
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981
Accession Number:
86.1817
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
American Western Transcendental
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py254efa69d-97e5-458f-8204-e3decd30c6a2
EDAN-URL:
edanmdm:hmsg_86.1817

Seated Figure/verso: Reclining and Standing Nudes

Artist:
Lorser Feitelson, American, b. Savannah, Georgia, 1898–1978  Search this
Medium:
Oil on paperboard
Dimensions:
24 1/4 × 20 3/16 in. (61.5× 51.3 cm) [irreg.]
Type:
Painting
Date:
(1919-1920)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981
Accession Number:
86.1818.A-B
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
American Western Transcendental
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py26c4223c2-19eb-4890-9630-1774b9410b55
EDAN-URL:
edanmdm:hmsg_86.1818.A-B

Los Angeles Municipal Art Gallery

Collection Creator:
Almaraz, Carlos  Search this
Flores, Elsa  Search this
Container:
Box 3, Folder 41
Type:
Archival materials
Date:
1990-1995
Collection Restrictions:
The collection is access restricted, except for Box 8; written permission is required. Contact Reference Services for more information. Box 8, containing six journals and sketchbooks (volumes 79-84) and slides are not restricted.

Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
Six journals and sketchbooks (volumes 79-84): Authorization to publish, quote, or reproduce requires written permission from Elsa Flores. Microfilm Reels 4578-4587: Authorization to publish, quote, or reproduce requires written permission from Elsa Flores. Contact Reference Services for more information
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Carlos Almaraz and Elsa Flores papers, 1946-1996. Archives of American Art, Smithsonian Institution.
See more items in:
Carlos Almaraz and Elsa Flores papers
Carlos Almaraz and Elsa Flores papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-almacarl-ref116

Los Angeles Municipal Art Gallery

Collection Creator:
Heritage Gallery  Search this
Container:
Box 9, Folder 8
Type:
Archival materials
Date:
1975-1977
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Heritage Gallery records, 1944-2000, bulk 1960-1998. Archives of American Art, Smithsonian Institution.
See more items in:
Heritage Gallery records
Heritage Gallery records / Series 1: Artists' Files / White, Charles
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-herigall-ref185

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