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Carl Zigrosser papers, 1891-1971

Creator:
Zigrosser, Carl, 1891-1975  Search this
Subject:
Arms, John Taylor  Search this
Barr, Alfred H., Jr.  Search this
Boyd, E. (Elizabeth)  Search this
Burchfield, Charles Ephraim  Search this
Calder, Alexander  Search this
Carrington, Fitz Roy  Search this
Castellón, Federico  Search this
Colker, Ed  Search this
Cook, Howard Norton  Search this
Dehn, Adolf  Search this
Durieux, Caroline  Search this
Dwight, Mabel  Search this
Flannagan, John Bernard  Search this
Girard, André  Search this
Hayter, Stanley William  Search this
Hopper, Edward  Search this
Huntley, Victoria Hutson  Search this
Ingersoll, R. Sturgis (Robert Sturgis)  Search this
Kent, Rockwell  Search this
Keppel, Frederick  Search this
Kimball, Fiske  Search this
Kohn, Misch  Search this
Kuniyoshi, Yasuo  Search this
Lankes, Julius J.  Search this
Lasansky, Mauricio  Search this
Mauzey, Merritt  Search this
McNulty, Kneeland  Search this
Michener, James A. (James Albert)  Search this
Mitchell, Marian  Search this
Nalbandian, Karnig  Search this
Norman, Dorothy  Search this
O'Keeffe, Georgia  Search this
Pach, Walter  Search this
Rivera, Diego  Search this
Ronnebeck, Arnold  Search this
Rose, Ruth Starr  Search this
Rosenwald, Lessing J. (Lessing Julius)  Search this
Ruellan, Andrée  Search this
Schniewind, Carl Oscar  Search this
Seidenberg, Roderick  Search this
Spratling, William  Search this
Spruance, Benton  Search this
Sternberg, Harry  Search this
Stieglitz, Alfred  Search this
Teng, Kuei  Search this
Valentin, Curt  Search this
Warneke, Heinz (Heinrich)  Search this
Weston, Edward  Search this
Wickey, Harry  Search this
Wright, Frank Lloyd  Search this
Yunkers, Adja  Search this
Art in America  Search this
American Artists Group  Search this
Art Institute of Chicago  Search this
Independent Citizens Committee for the Arts, Sciences, and Professions  Search this
John Simon Guggenheim Memorial Foundation  Search this
Philadelphia Museum of Art  Search this
Print Club (Philadelphia, Pa.)  Search this
Print Council of America  Search this
Solomon R. Guggenheim Museum  Search this
Tamarind Lithography Workshop  Search this
Weyhe Gallery  Search this
Whitney Museum of American Art  Search this
Armory Show  Search this
Topic:
Modern school magazine  Search this
Art, American  Search this
Prints -- Societies, etc  Search this
Prints -- Collectors and collecting  Search this
Prints, American  Search this
Prints, European  Search this
Record number:
(DSI-AAA_CollID)10859
(DSI-AAA_SIRISBib)214612
AAA_collcode_zigrcarl
Theme:
Diaries
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214612

Orange Blossom Talcum Powder

Physical Description:
offset lithography (overall; wrapper production method/technique)
tin; cardboard (container material)
paper (container material)
ink (container material)
Measurements:
overall: 6 1/8 in x 2 1/2 in; 15.5575 cm x 6.35 cm
Object Name:
cosmetic
powder, scented
Place made:
United States: New York, Brooklyn
ID Number:
1982.0031.06
Accession number:
1982.0031
Catalog number:
1982.0031.06
See more items in:
Medicine and Science: Medicine
Health & Medicine
Beauty and Health
Beauty and Hygiene Products: Skin
Beauty and Hygiene Products: Fragrance
Exhibition:
Girlhood
Exhibition Location:
National Museum of American History
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a4-ddfb-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_667581

Prentiss Taylor papers

Creator:
Taylor, Prentiss, 1907-1991  Search this
Names:
American University (Washington, D.C.). Fine Arts Dept. -- Faculty  Search this
Golden Stair Press  Search this
Society of Washington Printmakers (Washington, D.C.)  Search this
Field, Rachel, 1894-1942  Search this
Hughes, Langston, 1902-1967  Search this
Hurston, Zora Neale  Search this
Kahlo, Frida  Search this
Landeck, Armin, 1905-  Search this
O'Neill, Eugene, 1888-1953  Search this
Pinckney, Josephine, 1895-1957  Search this
Rivera, Diego, 1886-1957  Search this
Robeson, Paul, 1898-1976  Search this
Robinson, Bill, 1878-1949  Search this
Stein, Gertrude, 1874-1946  Search this
Toklas, Alice B.  Search this
Van Doren, Mark, 1894-1972  Search this
Van Vechten, Carl, 1880-1964  Search this
Extent:
20.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Drawings
Writings
Sketchbooks
Prints
Sound recordings
Date:
1885-1991
Summary:
The collection measures 20.4 linear feet, dates from 1885 to 1991 (bulk dates 1908-1986) and documents the career of Harlem Renaissance lithographer, teacher, and painter Prentiss Taylor. The collection consists primarily of subject/correspondence files (circa 16 ft.), reflecting Prentiss' career as a lithographer and painter, his association with figures prominent in the Harlem Renaissance, notably Carl Van Vechten and Langston Hughes, his activities as president of the Society of Washington Printmakers and other art organizations, his work in art therapy treating mental illness, and his teaching position at American University. The subject files contain mostly correspondence, but many include photographs and printed material. Also included are biographical, financial, legal and printed material; several hundred photographs; notes and writings; sketchbooks, drawings and a few prints by Taylor; and scrapbooks dating from 1885-1956.
Scope and Content Note:
The collection measures 20.4 linear feet, dates from 1885 to 1991 (bulk dates 1908-1986) and documents the career of Harlem Renaissance lithographer, teacher, and painter Prentiss Taylor. The collection consists primarily of subject/correspondence files (circa 16 ft.), reflecting Prentiss' career as a lithographer and painter, his association with figures prominent in the Harlem Renaissance, notably Carl Van Vechten and Langston Hughes, his activities as president of the Society of Washington Printmakers and other art organizations, his work in art therapy treating mental illness, and his teaching position at American University. The subject files contain mostly correspondence, but many include photographs and printed material. Also included are biographical, financial, legal and printed material; several hundred photographs; notes and writings; sketchbooks, drawings and a few prints by Taylor; and scrapbooks dating from 1885-1956.

The Langston Hughes files contain photocopies of letters from Hughes, greeting cards, ten original photographs of Hughes, and an autographed card printed with Hughes' poem, The Negro Speaks of Rivers. In addition, there is a contract between Hughes and Taylor, witnessed by Carl Van Vechten, forming the Golden Stair Press, through which many of Hughes' poems were printed with illustrations by Taylor. A rare edition of their first publication, The Negro Mother, is found here. Also found in this file is a 1932 final copy of Scottsboro Limited, another collaborative effort between Taylor and Hughes that focused on a case where nine black youths were falsely accused of raping two white women. The collection contains extensive correspondence about Taylor's lithograph of the same title and the printing of the publication. Other rare Harlem Renaissance publications found within Taylor's papers include Golden Stair Broadsides, Opportunity Journal of Negro Life, The Rebel Poet, and Eight Who Lie in the Death House, several of which were also illustrated by Taylor.

Prentiss Taylor's long association with Langston Hughes and other figures of the Harlem Renaissance stemmed from his early friendship with Carl Van Vechten. Taylor's papers contain correspondence with Van Vechten, autographed copies of Van Vechten's booklets, and numerous photographs of notable Harlem Renaissance figures, many taken by Van Vechten, including Zora Neale Hurston, Bill "Bojangles" Robinson, Eugene O'Neill, Diego Rivera and Frida Kahlo, Paul Robeson, and many others. Also found are period photographs of Charleston, South Carolina and Harlem street scenes.

95 letters from Rachel Field, 75 letters from Langston Hughes, 3 letters from Armin Landeck, 46 letters from Josephine Pinckney, 1 letter from Gertrude Stein, 7 letters from Alice B. Toklas, 1 postcard from Mark Van Doren, and 25 letters from Carl Van Vechten are photocopies. Originals of the Hughes and Toklas letters are located at the Yale University Library. Location of the remaining original letters are unknown.

The Prentiss Taylor papers offer researchers insight into the rich cultural documentation of the Harlem Renaissance and the development of twentieth-century printmaking as an American fine art.
Arrangement:
The collection is arranged into ten series. The largest series housing Subject Files is arranged alphabetically, primarily by name of correspondent, maintaining Taylor's original arrangement. The remaining series are arranged in chronological order. Oversized material from various series has been housed in Box 21 (Sol) and OV 22 and is noted in the Series Description/Container Listing Section at the appropriate folder title with see also/see references.

Series 1: Biographical Material, 1918-1985, undated (Box 1; 6 folders)

Series 2: Miscellaneous Receipts, 1929-1986, undated (Box 1; 11 folders)

Series 3: Insurance Records, 1960-1976 (Box 1; 1 folder)

Series 4: Notes, 1921-1984, undated (Box 1; 18 folders)

Series 5: Writings, 1924-1971, undated (Box 1-2; 51 folders)

Series 6: Art Work, 1916-1975, undated (Box 2; 14 folders)

Series 7: Scrapbooks, 1885-1956 (Box 2, 21; 10 folders)

Series 8: Printed Material, 1914-1990, undated (Box 2-3, 21; 29 folders)

Series 9: Photographs, 1908-1984, undated (Box 3, 21; 0.7 linear feet)

Series 10: Subject Files, 1885-1991, undated (Box 3-21, OV 22; 18.0 linear feet)
Biographical Note:
Prentiss Taylor was born in 1907 at the Washington, D. C. residence of his maternal grandmother, his birth assisted by his grandmother's cook, affectionately known as Cookie Belle.

In the 1920s, Taylor studied painting with Charles W. Hawthorne in Provincetown, but turned to lithography in the late 1920s to early 1930s during his enrollment at the Art Students League in New York City. He received further training in that medium at the George C. Miller workshop in New York. During this period, he also designed costumes for the American-Oriental Revue. Taylor worked primarily in the printmaking medium for the rest of his life, experimenting with various techniques and compositions and ultimately achieving a status as one this country's great lithographers. Taylor depicted mostly realistic and narrative scenes of subjects and themes that reflected his personal interests in music, architecture, religion and social justice.

During his time in New York, Taylor developed close friendships with poet Langston Hughes and writer Carl Van Vechten. He collaborated with Hughes in the formation of the Golden Stair Press to produce publications reflecting the ideas of the Harlem Renaissance. Taylor created a number of prints and illustration for the press and its publications.

After returning to Washington, D.C., Taylor's work was included in exhibitions at the Corcoran Gallery, the Smithsonian Institution, the Baltimore Museum of Art and the Virginia Museum of Fine Arts in Richmond. He was represented by the Franz Bader Gallery in Washington, D.C., and by the Bethesda Art Gallery in Maryland. In 1942, Taylor was elected President of the Society of Washington Printmakers, a position he held for thirty-four years. He also worked as an art therapist for more than thirty years and taught oil painting at American University from 1955-1975.

Prentiss Taylor died October 7, 1991 in Washington, D.C.
Related Material:
Prentiss Taylor papers are also located at the Yale University Library.
Separated Material:
The Archives of American Art also holds material lent for microfilming (reel 1392) including three notebooks detailing Taylor's lithographs, a gift and sales notebook, a guestbook, exhibition announcements, and a brochure. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Prentiss Taylor lent the Archives of American Art material for microfilming in 1978. Papers were donated in 1978 and 1984 by Taylor, and in 1992 and 2004 by his companion, Roderick S. Quiroz, for the estate of Prentiss Taylor.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Prentiss Taylor papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art teachers -- Washington (D.C.)  Search this
Lithography -- 20th century -- Washington (D.C.)  Search this
Lithographers -- Washington (D.C.)  Search this
Painters -- Washington (D.C.)  Search this
Art therapy  Search this
Harlem Renaissance  Search this
Printmakers -- Washington (D.C.)  Search this
Genre/Form:
Photographs
Scrapbooks
Drawings
Writings
Sketchbooks
Prints
Sound recordings
Citation:
Prentiss Taylor papers, 1885-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.taylpren
See more items in:
Prentiss Taylor papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-taylpren
Online Media:

Louis Lozowick papers

Creator:
Lozowick, Louis, 1892-1973  Search this
Names:
American Artists' Congress  Search this
John Reed Club  Search this
Extent:
5.9 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Writings
Sketches
Date:
1898-1974
Summary:
The Louis Lozowick Papers measure 5.9 linear feet and are dated 1898-1974. Correspondence, writings, business records, printed material and photographs document Lozowick's career. Also included are biographical documents, sketches, and records relating to organizations that interested him.
Scope and Content Note:
The Louis Lozowick Papers measure 5.9 linear feet and are dated 1898-1974. Correspondence, writings, business records, printed material and photographs document Lozowick's career. Also included are biographical documents, sketches, and records relating to organizations that interested him.

Correspondence with colleagues, commercial clients, organizations, museums and galleries, family and friends, concerns business and personal affairs. A small number of letters are in Russian, Yiddish, German, and French. Writings include manuscripts, drafts, and notes for articles, books, reviews, and talks on art related subjects and other topics. Among Lozowick's notes are seven notebooks relating to published and unpublished writings.

Business records consist of an extensive alphabetical file recording sales and consignments, loans for exhibitions, and other financial transactions, accompanied by related printed material. Originally housed in loose leaf notebooks, these files are arranged by name of gallery, museum, organization, or event. In addition, there are a small number of loose receipts.

Lozowick retained printed matter, unpublished notes and writings, and miscellaneous items relating to organizations and groups of interest to him. The American Artists' Congress and the John Reed Club files are of particular interest; because he served as an officer in these organizations, his papers include copies of minutes, reports, and official correspondence.

Printed material includes exhibition catalogs, invitations and announcements. Material by Lozowick consists of articles, reviews, illustrations and reproductions. In addition, there are articles and miscellaneous items about Lozowick including announcements of his lectures, a course syllabus, and brochure about a tour of the U.S.S.R. led by him. Miscellaneous printed material includes research materials collected by Lozowick for his writing; illustrations of artists at work, in their studios, galleries, etc., and a 1922 broadside in French and Russian announcing a lecture.

Photographs include images of Lozowick and his family. Of particular interest is a photograph of Lozowick at a 1934 demonstration sponsored by the John Reed Club and Artists' Union. Photographs of works of art include works by Lozowick, as well as by American, European, and Russian artists; many of these, including lantern slides, may have been used to illustrate his lectures and writings. Among the miscellaneous subjects are Lozowick's studio, the Soviet Pavilion at the 1939 World's Fair, and an unidentified Soviet exhibition installation.

Also included are small number of biographical documents and sketches in pen and ink.
Arrangement:
The collection is arranged into 8 series. Glass plate negatives and lantern slides are housed separately and closed to researchers.

Series 1: Biographical Information, 1923-1973 (Box 1; 10 folders; Reel 5893)

Series 2: Correspondence, 1916-1974 (Boxes 1-2; 1.25 linear ft.; Reels 5893-5895)

Series 3: Writings and Notes, 1917-circa 1970 (Boxes 2-3; 1.5 linear ft.; Reels 5895-5897)

Series 4: Business Records, 1929-1973 (Box 3; 0.25 linear ft.; Reel 5897-5898)

Series 5: Organizations, 1930-1972 (Box 4; 0.4 linear ft.; Reel 5898)

Series 6: Printed Material, 1920-1974 (Boxes 4-5 and OV 7; 1.25 linear ft.; Reels 5898-5899)

Series 7: Sketches, n.d. (Box 5; 1 folder; Reel 5899)

Series 8: Photographs, 1898-1973 (Boxes 5-6, 8; 1.05 linear ft.; Reel 5899)
Biographical Note:
Louis Lozowick (1892-1973) is known for his lithographs of New York City, many in the Precisionist mode. As a very young boy in the Ukraine, Lozowick showed an aptitude for drawing. At age eleven, with an older brother, he moved from his rural hometown to Kiev, where he received training at the Kiev Art Institute. In 1906, Lozowick came to the United States, joining a brother in New Jersey. While in high school, and for several years afterwards, Lozowick studied at the National Academy of Design under Leon Kroll, George Willloughby Maynard, Ivan Olinsky, and Douglas Volk. He graduated from Ohio State University in 1918 with a degree in art.

After a year's stint in the medical corps of the U.S. Army, Lozowick headed to Paris in the fall of 1920, where he studied French at the Sorbonne. By early 1922, he had settled in Berlin and was enrolled at the Friedrick Wilhelms Universität. During this time, Lozowick began painting seriously, made his first lithographs, and established friendships with many Russian artists in Germany, including El Lissitsky; he also made a trip to Moscow, where he met a number of leading Russian artists. While living in Berlin, Lozowick had his first solo show at K. E. Twardy Book Shop in 1922, and a second at the Gallerie Alfred Heller in the following year.

Lozowick worked mainly as a graphic artist and supplemented his income with commercial work. In addition, he taught art history and lithography classes, lectured, and wrote about art. During the Depression he worked with the Public Works of Art Project, New York City, for a brief time in 1934. Between 1935 and 1940, he was employed by the Graphic Arts Division of the Works Progress Administration.

Lozowick taught art history at the Educational Alliance Art School, New York City, for a semester prior to going to Europe, and for extended periods afterwards. He was a lithography instructor at the John Reed Club School of Art and the American Artists School, and over the years taught a number of private pupils. In 1924, Lozowick delivered lectures on modern Russian art for the Société Anonyme, and lectured regularly on a variety of art topics to a many other groups. Eventually he was represented by a speakers' bureau that arranged several lecture tours.

Russian art, art and artists in the Soviet Union, and Jewish art were among the topics that particularly interested Lozowick. He wrote extensively on these subjects and others, publishing many articles and reviews. While living in Berlin, he wrote for Broom and contributed translations to that periodical. Two major manuscripts, a book about William Gropper and a memoir titled Survivor From a Dead Age, appeared posthumously. In addition, he was a founder of the New Masses, a contributing editor, and eventually its art editor.

One of the organizers of the John Reed Club in 1929 and a charter member, Lozowick became its Executive Secretary in 1931 and remained active throughout the club's five-year existence. In 1935, Lozowick participated in organizing the first American Artists' Congress, became the group's Executive Secretary, and for several years was an extremely active member of the New York chapter.

Throughout his long career, Louis Lozowick exhibited widely in local and national exhibitions. He won a number of awards and was invited to spend several summers in residence at the Yaddo artists' colony.
Provenance:
Gift of Louis and Adele Lozowick, 1966-1980. Various portions were microfilmed on reels D254-D254A, and 1333-1337. In 2004, all portions of the gift were merged, reprocessed, and remicrofilmed.
Restrictions:
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment. Glass plate negatives and lantern slides are housed separately.
Rights:
The Louis Lozowick Papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Lithographers -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Writings
Sketches
Citation:
Louis Lozowick Papers, 1898-1974. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lozoloui
See more items in:
Louis Lozowick papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lozoloui
Online Media:

Yasuo Kuniyoshi papers

Creator:
Kuniyoshi, Yasuo, 1889-1953  Search this
Extent:
14.3 Linear feet
2.84 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Scrapbooks
Date:
1906-2016
bulk 1920-1990
Summary:
The papers of artist Yasuo Kuniyoshi measure 14.3 linear feet and 2.84 gigabytes and date from 1906-2016, bulk 1920-1990. The collection documents his career as a painter, graphic artist, and photographer, as well as his involvement in political, social, and art organizations, especially during World War II. Included are biographical material; correspondence; writings and lectures by Kuniyoshi and others; organization records primarily on his participation in various associations and groups he was a member of; professional and gallery records regarding business dealings with American and Japanese galleries, museums, and dealers; exhibition files; printed material; four scrapbooks; artwork; photographs of Kuniyoshi and others in various locations and at events; and artwork records which mostly consist of photographs and provenance information. The collection also contains materials on Kuniyoshi's career and artwork obtained after his death by his widow Sara Mazo Kuniyoshi.
Scope and Content Note:
The papers of artist Yasuo Kuniyoshi measure 14.3 linear feet and 2.84 gigabytes and date from 1906-2013, bulk 1920-1990. The collection documents his career as a painter, graphic artist, and photographer, as well as his involvement in political, social, and art organizations, especially during World War II. Included are biographical material; correspondence; writings and lectures by Kuniyoshi and others; organization records primarily on his participation in various associations and groups he was a member of; professional and gallery records regarding business dealings with American and Japanese galleries, museums, and dealers; exhibition files; printed material; four scrapbooks; artwork; photographs of Kuniyoshi and others in various locations and at events; and artwork records which mostly consist of photographs and provenance information. The collection also contains materials on Kuniyoshi's career and artwork obtained after his death by his widow Sara Mazo Kuniyoshi.

Biographical material consists of a wide range of records such as an address book, resumes, biographical summaries, vital records, citizenship applications, identification documents, travel records, and documentation regarding Kuniyoshi's death. There is some limited biographical material on the artist's widow, Sara Mazo Kuniyoshi, plus interviews with her talking about Kuniyoshi.

Correspondence is divided into correspondence with Yasuo Kuniyoshi and the correspondence with his second wife, Sara Mazo Kuniyoshi. The Yasuo Kuniyoshi correspondence discusses various topics including exhibits and his status as a Japanese American during World War II. The bulk of the series consists of correspondence with Sara after Yasuo's death and usually relates to exhibitions of his work, and reproduction requests for the inclusion of his work in publications. Of note is her correspondence with Alexander Brook, Ritsuko Ozawa, Tom Wolf, and the Yasuo Kuniyoshi Museum in Japan.

Writings and lectures include Kuniyoshi's writings and speeches about other artists, art and the art profession, lithography, and World War II. Also found are statements on his own work and extensive notes for his autobiography. There are two sound recordings of lectures by Kuniyoshi at art schools as well as writings by others, including Sara Mazo Kuniyoshi, about Yasuo Kuniyoshi.

Organization records document Kuniyoshi's involvement in social, political, and art organizations, including the East West Association and the Artists Equity Association. These records include correspondence, speeches, printed material and notes.

Gallery and professional records include material on Kuniyoshi's career and the sales of his work at galleries. Found herein are correspondence, printed material and notes. There are files on projects and commissions, transcripts of the radio broadcast "Japan Against Japan," appraisals of artwork, authentications of artwork, art inventories of his work at various galleries as well as private collections, and records of his participation in the Woodstock Art Conference. Also noteworthy are the records of Sara Mazo Kuniyoshi's dealings with the Downtown Gallery and Zabriskie Galleries.

Exhibition files include a few files on exhibitions while Yasuo Kuniyoshi was alive, but most of the series consists of files created by Sara Mazo Kuniyoshi about exhibitions of Kuniyoshi's works after his death in 1953. Files may include exhibition checklists and planning documents, loan agreements, correspondence, photographs of the exhibition, and press materials.

Printed material consists of books, newspaper, and magazine clippings about Kuniyoshi and about World War II. There are numerous exhibition catalogs and announcements and some magazines, posters, brochures, and bulletins.

There are four scrapbooks of printed material related to Kuniyoshi and his artwork. The scrapbooks contain press clippings, exhibition announcements, checklists, and a few catalogs.

Artwork consists of etchings, numerous sketches and drawings in graphite and ink, sketches painted onto clear acetate which Kuniyoshi used for catalogs, two zinc lithographic plates and their corresponding prints, and a sketchbook. Drawings that Yasuo Kuniyoshi created for the Office of War Information during World War II are in this series. There is one folder of pencil sketches by unidentified artists.

Photographic material are mostly photographs of Kuniyoshi in his studio, at various events and parties, teaching at Mills College and with his wife Sara Mazo Kuniyoshi. Also found are photographs of artists, including Francis Criss, Julian Levi, Doris and Russell Lee, and others, taken by Yasuo Kuniyoshi. Especially noteworthy, are photographs of the Artists Equity Testimonial Dinner held in honor of Kuniyoshi's 1948 retrospective at the Whitney Museum of American Art. There are some slides and snapshots of Sara Mazo Kuniyoshi's travels abroad and a the house in Woodstock she shared with Yasuo, along with other locations.

Artwork photograph records were created by Sara Mazo Kuniyoshi to document works of art created by her husband. Files mostly include photographs of artwork with annotations regarding title, date, sale, and provenance. Some files also include correspondence, notes by Sara Kuniyoshi, exhibition history, and published reproductions. There are also miscellaneous photographs and slides of artwork which mostly consist of duplicates of artwork that can be found in the rest of the series.
Arrangement:
This collection is arranged as 11 series.

Series 1: Biographical Material, 1906-1998 (Box 1, ER01; 0.3 linear feet)

Series 2: Correspondence, 1931-2007 (Boxes 1-2; 1.2 linear feet)

Series 3: Writings and Lectures, 1939-2003 (Box 2; 0.5 linear feet)

Series 4: Organization Records, 1939-2003 (Box 3; 0.4 linear feet)

Series 5: Gallery and Professional Records, circa 1924-2009 (Boxes 3-5, OV 19; 2.1 linear feet)

Series 6: Exhibition Files, 1948-2004 (Boxes 5-6, OVs 19-20; 1.1 linear feet)

Series 7: Printed Material, 1921-2013 (Boxes 6-8, 14, OV 20 ; 2.1 linear feet)

Series 8: Scrapbooks, 1919-1978 (Boxes 8, 13, 15; 0.6 linear feet)

Series 9: Artwork, 1925-1991 (Boxes 8, 14, 16, OV 21-23; 0.8 linear feet)

Series 10: Photographic Material, circa 1920-2005 (Boxes 8-9, 16-17; 1.4 linear feet)

Series 11: Artwork Photograph Records, circa 1920s-2016 (Boxes 9-12, 17-18, OV 22; 3.8 linear feet)
Biographical Note:
Yasuo Kuniyoshi (1889-1953) was a Japanese-American painter, printmaker and photographer in New York, N.Y.

Kuniyoshi was born in Okayama, Japan. In 1906 he came to the United States and a year later began studying at the Los Angeles School of Art and Design. In 1910 he moved to New York and took courses at the National Academy of Design, the Independent School of Art, and the Art Students League, where he studied with Kenneth Hayes Miller. He was married to fellow artist Katherine Schmidt from 1919 to 1932. After traveling throughout Europe, they moved to the Woodstock, New York, in 1927 and took part in the Woodstock Art Colony. Kuniyoshi studied and later taught at the Art Students League summer school there.

By 1930 Kuniyoshi had established himself as an internationally known painter and graphic artist. In 1935, he received a Guggenheim fellowship and married Sara Mazo. In New York City he taught at the Art Students League, the New School for Social Research, and served as the first president of the Artists Equity Association from 1947 to 1950. Kuniyoshi was active in social organizations, especially Japanese American organizations, such as the Japanese American Committee for Democracy. Although Kuniyoshi was barred from becoming a citizen due to American immgration laws at the time, he viewed himself as American and took an active role in the war effort during World War II, even working with the U.S. Office of War Information department to design posters.

The Whitney Museum of American Art held a retrospective for Kuniyoshi in 1948, making him the first living artist to be honored in such a fashion at the museum. Yasuo Kuniyoshi died of cancer in 1953 and was survived by his second wife Sara Mazo Kuniyoshi who preserved the legacy of his work.
Related Materials:
Also found at the Archives of American Art are the Yasuo Kuniyoshi photographs of artwork, a 1948 letter from Kuniyoshi to E. P. Richardson, and checklists of Yasuo Kuniyoshi prints.
Provenance:
The collection was donated in installments, from 1969 to 1995, by Sara Mazo Kuniyoshi, Yasuo Kuniyoshi's widow. Additional papers were donated in 2014 and 2018 by Stephen Diamond, Sara Mazo Kuniyoshi's nephew.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The zinc lithographic plates and corresponding prints are for study purposes only. No reproduction or publication allowed.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, Modern -- 20th century  Search this
Asian American artists  Search this
Political clubs  Search this
World War, 1939-1945 -- Japanese Americans  Search this
Photographers -- New York (State) -- New York  Search this
Japanese American art  Search this
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Scrapbooks
Citation:
Yasuo Kuniyoshi papers, 1906-2016, bulk 1920-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kuniyasu
See more items in:
Yasuo Kuniyoshi papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kuniyasu
Online Media:

Northward ho!, or, Baffled, not beaten words by Commander Cheyne ; music by Odoardi [i.e. Odoardo] Barri

Title:
Then rally round our flag unfurl'd
British ensign folded lies!
Northward! oh!!
Baffled not beaten
Author:
Barri, Odoardo 1844-1920 http://id.loc.gov/vocabulary/relators/cmp http://id.loc.gov/authorities/names/no2007124560 http://viaf.org/viaf/71181706  Search this
Cheyne, John P. 1826-1902 http://id.loc.gov/vocabulary/relators/lyr  Search this
Concanen, Alfred http://id.loc.gov/vocabulary/relators/ill http://id.loc.gov/authorities/names/n89146837 http://viaf.org/viaf/96323061  Search this
Bella C. Landauer Collection of Aeronautical Sheet Music (Smithsonian Institution. Libraries) DSI  Search this
Stannard & Son http://id.loc.gov/vocabulary/relators/ltg http://id.loc.gov/authorities/names/n89146835 http://viaf.org/viaf/264961784  Search this
Physical description:
1 score (7 pages) 36 cm
Type:
Songs and music
Advertisements
Sheet music covers
Sheet music
Place:
England
Arctic regions
Arctic Regions
Date:
1879
To 1901
1870-1880
Topic:
Ballooning  Search this
Popular music  Search this
Songs with piano  Search this
Balloons (Aircraft)  Search this
Coal  Search this
Discoveries in geography  Search this
Dogs  Search this
Ice floes  Search this
Men  Search this
Mountains  Search this
Night  Search this
Ships  Search this
Signal flags  Search this
Snow  Search this
Stars  Search this
Telescopes  Search this
Discovery and exploration  Search this
British  Search this
Call number:
M1 .B4
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_982077

Harold and May Tabak Rosenberg papers

Creator:
Rosenberg, Harold, 1906-1978  Search this
Names:
Tamarind Lithography Workshop  Search this
Rosenberg, May Tabek, 1910-1993  Search this
Wayne, June, 1918-2011  Search this
Extent:
4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
circa 1880-1985
bulk 1940s-1970s
Summary:
The papers of New York author, art critic, and teacher Harold Rosenberg, and writer May Tabak Rosenberg, measure 4.0 linear feet and date from circa 1880-1985, with the bulk of the collection dating from the 1940s to the late 1970s. Records primarily document May Rosenberg's writing career and, to a lesser degree, her husband's career, through address books and calendars, letters, writings and notes, scattered business records, printed material, and photographs. Harold Rosenberg is documented most fully in the photographs, which include individual and family portraits, photographs of the Rosenbergs with family and friends, including artists and writers, and photographs taken in Springs, New York, where the Rosenbergs were part of the summer art colony in East Hampton.
Scope and Contents:
The papers of New York author, art critic, and teacher Harold Rosenberg, and writer May Tabak Rosenberg, measure 4.0 linear feet and date from circa 1880-1985, with the bulk of the collection dating from the 1940s to the late 1970s. Records primarily document May Rosenberg's writing career and, to a lesser degree, her husband's career, through address books and calendars, letters, writings and notes, scattered business records, printed material, and photographs. Harold Rosenberg is documented most fully in the photographs, which include individual and family portraits, photographs of the Rosenbergs with family and friends, including artists and writers, and photographs taken in Springs, New York, where the Rosenbergs were part of the summer art colony in East Hampton.

The papers include biographical material consisting of address books, and letters written primarily to May Tabak Rosenberg regarding writing submitted to publishing companies including Russell & Volkening, Inc., MacMillan Publishing Company, and Mc-Graw Hill Book Company. Letters also document Rosenberg's friendship with June Wayne and her involvement, through Wayne, in the Tamarind Lithography Workshop.

Writings and notes consist primarily of manuscript drafts, notes, and published copies of work by May Rosenberg, including articles for Craft Horizons, a 1960 novel But Not For Love, her 1959 children's book A Fish Is Not A Pet, and many other stories, fragments and literary sketches of ideas. The collection also includes a small number of writings by Harold Rosenberg, including seven notebooks and two published articles.

Personal business records are scattered and routine but include a few invoices and records of royalties for both May and Harold Rosenberg, and a will, handwritten by May Rosenberg.

Printed material includes one article each on Harold and May Rosenberg, news clippings on feminism presumably collected by May Rosenberg, and a map of East Hampton which shows the location of the house purchased by the Rosenbergs in Springs, New York, in 1944.

Photographs include multiple portraits of Harold, May, and Patia Rosenberg which date from circa 1930s to the 1980s, many of which were taken by Maurice Berezov. There are also photographs of the Rosenbergs with family and friends including Jackson Pollock and Lee Krasner at their home in Springs, and artists Perle Fine, Francoise Gilot, Barnett Newman, Elaine and Willem de Kooning, Milton Resnick, and others. There are photos of May Rosenberg and June Wayne in June Wayne's studio, and photos of Louise Nevelson working on lithography at the Tamarind Lithography Workshop in 1968.
Arrangement:
The collection is arranged as six series.

Series 1: Biographical Material, circa 1930s-circa 1980s (0.4 linear feet; Box 1)

Series 2: Letters, 1936-1985 (0.4 linear feet; Box 1)

Series 3: Writings and Notes, circa 1940s-1984 (1.6 linear feet; Boxes 1-3)

Series 4: Personal Business Records, circa 1950-1984 (0.25 linear feet; Box 3)

Series 5: Printed Material, 1918-1982 (0.35 linear feet; Box 3)

Series 6: Photographs, circa 1880s-circa 1981 (1 linear foot; Box 4)
Biographical / Historical:
Author, critic, and teacher, Harold Rosenberg (1906-1978), was one of the leading New York art intellectuals, and one of the most influential art critics of his generation. Author May Tabak Rosenberg (1910-1993) wrote books, articles, and short stories about artists, writers, and musicians.

May Tabak Rosenberg was born in Manhattan and educated at the University of Chicago. She married Harold Rosenberg in 1932, and the couple had a daughter, Patia, in 1943. In 1944, the Rosenbergs became the first people associated with the New York art scene to purchase property in the East Hampton area of Long Island which grew to become a summer art colony in the years after World War II. Friends Lee Krasner and Jackson Pollock bought a house close by to the Rosenberg's Neck Path summer home in Springs, New York, in 1945. May Tabak Rosenberg chose to discontinue her writing after her daughter was born, but she returned to writing short stories and novels in the 1950s. The Long Island artist community provided rich source material for her writing, and her 1960 novel, But Not For Love, is thought to include surrogates for Jackson Pollock, Peggy Guggenheim, and Willem and Elaine de Kooning, among others.

May Tabak Rosenberg wrote several articles for the Tamarind Lithography Workshop established by June Wayne in 1960. She was invited to cover Louise Nevelson's fellowship there in 1968.

During the 1950s Harold Rosenberg was influential in bringing attention to the work of the New York Abstract Expressionists including Pollock, Willem de Kooning, Barnett Newman, and Arshile Gorky. He was credited with coining the term "Action Painting" to describe their work, stating that what they created was "not a picture but an event." Rosenberg was an art critic for the New Yorker from 1966 until his death, commenting on the contemporary art scene. His later criticism revealed his distaste for Pop Art and other art movements of the time.

Harold Rosenberg wrote many books including The Anxious Object: Art Today and Its Audience (1964), Artworks and Packages (1969), The De-Definition of Art: Action to Pop and Earthworks (1972), Discovering the Present: Three Decades in Art, Culture, and Politics (1973), and De Kooning (1974). In addition to authoring books and articles, Rosenberg lectured at the School for Social Research from 1953 to 1954, and taught at the University of Chicago from 1966 until his death in 1978.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Harold Rosenberg, conducted by Paul Cummings in 1970-1973.

The Getty Research Institute is the primary repository of Harold Rosenberg's papers.
Provenance:
The collection was donated in 1999 via the Ridgway Public Library in Ridgway, Colorado. The collection had come to the library from one of its trustees, an acquaintance of the Rosenbergs.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
The Harold and May Tabak Rosenberg papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study and scholarship. The collection is subject to all copyright laws.
Topic:
Abstract expressionism -- New York (State) -- New York  Search this
Art critics -- New York (State) -- New York  Search this
Authors  Search this
Genre/Form:
Photographs
Citation:
Harold and May Tabak Rosenberg papers, circa 1880-1985, bulk 1940s-1970s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.roseharo
See more items in:
Harold and May Tabak Rosenberg papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-roseharo
Online Media:

Photographs

Collection Creator:
Rosenberg, Harold, 1906-1978  Search this
Extent:
1 Linear foot (Box 4)
Type:
Archival materials
Date:
circa 1880s-circa 1981
Scope and Contents:
Photographs include portraits of Harold, May, and Patia Rosenberg, passport and photo booth photos of Harold Rosenberg, and photos of the Rosenbergs with family and friends at events including parties and exhibition openings. Many of the portraits of Harold and May Rosenberg were taken by Maurice Berezov. There is also a portrait of him by Lee Hall.

Photos of artists include nine snapshots which appear to have been taken at Jackson Pollock and Lee Krasner's home, and possibly the Rosenberg's home, in Springs, New York. There are two snapshots of Pollock, including one with Patia Rosenberg and his dog, and one snapshot that appears to picture Lee Krasner with another child. Other artists pictured in the photos include Perle Fine, Willem and Elaine de Kooning, and Barnett Newman. There is a 1981 photo of May Rosenberg with Milton Resnick, a photo of June Wayne with Jonas Salk and Francoise Gilot, and photos of Harold Rosenberg receiving an honorary degree from Southampton College in 1976 with Betty Parsons.

Also found are three folders of photos and contact sheets taken during Louise Nevelson's fellowship at the Tamarind Lithography Workshop in 1968, showing Nevelson with others working on lithography, and photos of May Rosenberg's visit to June Wayne's studio in 1972 during filming by KCET TV.

There are also thirteen photos of Rosenberg family members, and possibly family friends, dating from circa 1880, which include multiple vintage studio portraits.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Rights:
The Harold and May Tabak Rosenberg papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Harold and May Tabak Rosenberg papers, circa 1880-1985, bulk 1940s-1970s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.roseharo, Series 6
See more items in:
Harold and May Tabak Rosenberg papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-roseharo-ref73

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Hauke, Cesar M. de (Cesar Mange)  Search this
Glaenzer, Eugene  Search this
Haardt, Georges  Search this
Seligman, Germain  Search this
Seligmann, Arnold  Search this
Parker, Theresa D.  Search this
Waegen, Rolf Hans  Search this
Trevor, Clyfford  Search this
Seligmann, René  Search this
Seligmann, Jacques  Search this
De Hauke & Co., Inc.  Search this
Jacques Seligmann & Co  Search this
Eugene Glaenzer & Co.  Search this
Germain Seligmann & Co.  Search this
Gersel  Search this
Type:
Gallery records
Topic:
Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this
Schiff, Mortimer L. -- Art collections  Search this
Arenberg, duc d' -- Art collections  Search this
Liechtenstein, House of -- Art collections  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
World War, 1939-1945 -- Art and the war  Search this
Art dealers -- France -- Paris  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Art, Renaissance  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, European  Search this
Art galleries, Commercial -- France -- Paris  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
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  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 4
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 5
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 6
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 7
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 8
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 9
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 10
Online Media:

Red Jacket

Alternate Title:
Sagoyewatha
Artist:
Edward Corbould, 1815 - 1905  Search this
Copy after:
Henry Inman, 28 Oct 1801 - 17 Jan 1846  Search this
Charles Bird King, 26 Sep 1785 - 18 Mar 1862  Search this
Lithographer:
Hullmandel Lithography Company  Search this
Publisher:
Frederick W. Greenough, active c. 1838  Search this
Publication:
Thomas L. McKenney and James Hall's History of the Indian Tribes of North America, 3 vols., Philadelphia, 1837 - 1844  Search this
Sitter:
Red Jacket, c. 1758 - 20 Jan 1830  Search this
Medium:
Hand-colored lithograph on paper
Dimensions:
Image: 50.2 x 35cm (19 3/4 x 13 3/4")
Type:
Print
Date:
1838
Topic:
Symbols & Motifs\Medal\Peace medal  Search this
Print  Search this
Red Jacket: Male  Search this
Red Jacket: Native American\Orator  Search this
Red Jacket: Native American\Leader\Chief  Search this
Red Jacket: Native American\Treaty negotiator  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Betty A. and Lloyd G. Schermer
Object number:
NPG.99.167.2
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4e13b80b9-5a6c-4f19-82b9-29592596b383
EDAN-URL:
edanmdm:npg_NPG.99.167.2

Ca-ta-he-cas-sa - Black Hoof

Artist:
Unidentified Artist  Search this
Lithographer:
J. T. Bowen Lithography Company, active 1834 - 1844?  Search this
Publisher:
Frederick W. Greenough, active c. 1838  Search this
Sitter:
Catahecassa, c. 1740 - 1831  Search this
Medium:
Hand-colored lithograph on paper
Dimensions:
Image: 50.6 x 36cm (19 15/16 x 14 3/16")
Type:
Print
Date:
1838
Topic:
Print  Search this
Costume\Headgear\Turban  Search this
Catahecassa: Male  Search this
Catahecassa: Native American\Orator  Search this
Catahecassa: Native American\Leader\Chief  Search this
Catahecassa: Native American\Treaty negotiator  Search this
Catahecassa: Politics and Government\Government Official\Indian agent  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Betty A. and Lloyd G. Schermer
Object number:
NPG.99.167.27
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4f26caf4c-2bfa-42f3-8730-937b913a1551
EDAN-URL:
edanmdm:npg_NPG.99.167.27

Ong Pa Tong Ga

Lithographer:
J. T. Bowen Lithography Company, active 1834 - 1844?  Search this
Copy after:
Henry Inman, 28 Oct 1801 - 17 Jan 1846  Search this
Charles Bird King, 26 Sep 1785 - 18 Mar 1862  Search this
Publisher:
Frederick W. Greenough, active c. 1838  Search this
Sitter:
Om-pah-tón-ga, c. 1767 - 1846  Search this
Medium:
Hand-colored lithograph on paper
Dimensions:
Image: 50.6 x 36cm (19 15/16 x 14 3/16")
Type:
Print
Date:
1838
Topic:
Symbols & Motifs\Medal\Peace medal  Search this
Print  Search this
Costume\Robe  Search this
Costume\Dress Accessory\Fur trim  Search this
Om-pah-tón-ga: Male  Search this
Om-pah-tón-ga: Native American\Orator  Search this
Om-pah-tón-ga: Native American\Leader\Chief  Search this
Om-pah-tón-ga: Native American\Treaty negotiator  Search this
Om-pah-tón-ga: Society and Social Change\Reformer\Activist\Peace activist  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Betty A. and Lloyd G. Schermer
Object number:
NPG.99.167.32
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4c3bda582-4f23-4b52-a769-61ad7072c1d1
EDAN-URL:
edanmdm:npg_NPG.99.167.32

Major Ridge

Lithographer:
J. T. Bowen Lithography Company, active 1834 - 1844?  Search this
Copy after:
Charles Bird King, 26 Sep 1785 - 18 Mar 1862  Search this
Publisher:
Frederick W. Greenough, active c. 1838  Search this
Sitter:
Major Ridge, c. 1770 - 20 Jun 1839  Search this
Medium:
Hand-colored lithograph on paper
Dimensions:
Image: 50.6 x 36cm (19 15/16 x 14 3/16")
Type:
Print
Date:
c. 1837
Topic:
Print  Search this
Costume\Dress Accessory\Tie\Bowtie  Search this
Major Ridge: Male  Search this
Major Ridge: Native American\Treaty negotiator  Search this
Major Ridge: Native American\Leader  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Betty A. and Lloyd G. Schermer
Object number:
NPG.99.167.43
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm433db0bd4-56bf-42d6-9653-5d1e64e91af2
EDAN-URL:
edanmdm:npg_NPG.99.167.43

Me-na-wa - A Creek Warrior

Attribution:
Alfred M. Hoffy, active 1835 - 1864  Search this
Copy after:
Charles Bird King, 26 Sep 1785 - 18 Mar 1862  Search this
Lithographer:
J. T. Bowen Lithography Company, active 1834 - 1844?  Search this
Publisher:
Edward C. Biddle, active early 19th Century  Search this
Publication:
Thomas L. McKenney and James Hall's History of the Indian Tribes of North America, 3 vols., Philadelphia, 1837 - 1844  Search this
Sitter:
Menawa, c. 1765 - 1865  Search this
Medium:
Hand-colored lithograph on paper
Dimensions:
Sheet: 50.6 x 36 cm (19 15/16 x 14 3/16")
Book: 51.5 x 37.5 x 5.4 cm (20 1/4 x 14 3/4 x 2 1/8")
Type:
Print
Date:
1837
Topic:
Costume\Headgear\Hat  Search this
Baggage & Luggage\Bag\Purse  Search this
Book  Search this
Menawa: Male  Search this
Menawa: Native American\Warrior  Search this
Menawa: Native American\Leader\Chief  Search this
Menawa: Native American\Treaty negotiator  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Betty A. and Lloyd G. Schermer
Object number:
NPG.99.168.19
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm48efc2fd8-ca4a-4cb4-8c5b-3d9b652d7f4e
EDAN-URL:
edanmdm:npg_NPG.99.168.19

Thayendanegea - The Great Captain of the Six Nations

Artist:
R. T.  Search this
Copy after:
Ezra Ames, 1768 - 1836  Search this
Lithographer:
J. T. Bowen Lithography Company, active 1834 - 1844?  Search this
Publisher:
Frederick W. Greenough, active c. 1838  Search this
Daniel Rice and James G. Clark  Search this
Publication:
Thomas L. McKenney and James Hall's History of the Indian Tribes of North America, 3 vols., Philadelphia, 1837 - 1844  Search this
Sitter:
Thayendanegea, Mar 1743 - 24 Nov 1807  Search this
Medium:
Hand-colored lithograph on paper
Dimensions:
Sheet: 50.6 x 36 cm (19 15/16 x 14 3/16")
Book: 51.5 x 37.5 x 5.4 cm (20 1/4 x 14 3/4 x 2 1/8")
Type:
Print
Date:
1838
Topic:
Costume\Jewelry\Necklace  Search this
Costume\Jewelry\Earring  Search this
Book  Search this
Costume\Dress Accessory\Tie\Necktie  Search this
Thayendanegea: Male  Search this
Thayendanegea: Native American\Leader\Chief  Search this
Thayendanegea: Native American\Indian interpreter  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Betty A. and Lloyd G. Schermer
Object number:
NPG.99.168.23
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4e2fb8fd8-74a4-47da-949f-dcb22b5c995e
EDAN-URL:
edanmdm:npg_NPG.99.168.23

Paddy-Carr - Creek Interpreter

Artist:
Alfred M. Hoffy, active 1835 - 1864  Search this
Copy after:
Charles Bird King, 26 Sep 1785 - 18 Mar 1862  Search this
Lithographer:
J. T. Bowen Lithography Company, active 1834 - 1844?  Search this
Publisher:
Frederick W. Greenough, active c. 1838  Search this
Publication:
Thomas L. McKenney and James Hall's History of the Indian Tribes of North America, 3 vols., Philadelphia, 1837 - 1844  Search this
Sitter:
Paddy-Carr, 1806/7 - ?  Search this
Medium:
Hand-colored lithograph on paper
Dimensions:
Sheet: 50.6 x 36 cm (19 15/16 x 14 3/16")
Book: 51.5 x 37.5 x 5.4 cm (20 1/4 x 14 3/4 x 2 1/8")
Type:
Print
Date:
1838
Topic:
Book  Search this
Paddy-Carr: Male  Search this
Paddy-Carr: Native American\Indian interpreter  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Betty A. and Lloyd G. Schermer
Object number:
NPG.99.168.5
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm433f13717-dfd3-4f16-8765-ebb78c749cac
EDAN-URL:
edanmdm:npg_NPG.99.168.5

Ong-pa-ton-ga

Attribution:
Albert Newsam, 20 May 1809 - 20 Nov 1864  Search this
Copy after:
Charles Bird King, 26 Sep 1785 - 18 Mar 1862  Search this
Lithographer:
Lehman & Duval Lithography Company, active 1835 - 1837  Search this
Publisher:
Edward C. Biddle, active early 19th Century  Search this
Publication:
Thomas L. McKenney and James Hall's History of the Indian Tribes of North America, 3 vols., Philadelphia, 1837 - 1844  Search this
Sitter:
Om-pah-tón-ga, c. 1767 - 1846  Search this
Medium:
Hand-colored lithograph on paper
Dimensions:
Image: 31.5cm x 23.8cm (12 3/8" x 9 3/8")
Sheet: 50cm x 36.7cm (19 11/16" x 14 7/16")
Type:
Print
Place:
United States\Pennsylvania\Philadelphia\Philadelphia
Date:
1836
Topic:
Symbols & Motifs\Medal\Peace medal  Search this
Costume\Outerwear\Cloak  Search this
Costume\Outerwear\Coat\Fur  Search this
Om-pah-tón-ga: Male  Search this
Om-pah-tón-ga: Native American\Orator  Search this
Om-pah-tón-ga: Native American\Leader\Chief  Search this
Om-pah-tón-ga: Native American\Treaty negotiator  Search this
Om-pah-tón-ga: Society and Social Change\Reformer\Activist\Peace activist  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.94.104
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4a40144e4-1674-4e58-8e8d-274b4f0c011b
EDAN-URL:
edanmdm:npg_NPG.94.104

Red Jacket

Alternate Title:
Sagoyewatha
Artist:
Albert Newsam, 20 May 1809 - 20 Nov 1864  Search this
Copy after:
Charles Bird King, 26 Sep 1785 - 18 Mar 1862  Search this
Lithographer:
Lehman & Duval Lithography Company, active 1835 - 1837  Search this
Publisher:
Edward C. Biddle, active early 19th Century  Search this
Publication:
Thomas L. McKenney and James Hall's History of the Indian Tribes of North America, 3 vols., Philadelphia, 1837 - 1844  Search this
Sitter:
Red Jacket, c. 1758 - 20 Jan 1830  Search this
Medium:
Hand-colored lithograph on paper
Dimensions:
Sheet: 48.7 x 35.3cm (19 3/16 x 13 7/8")
Mat: 71.1 × 55.9cm (28 × 22")
Type:
Print
Place:
United States\Pennsylvania\Philadelphia\Philadelphia
Date:
1834
Topic:
Symbols & Motifs\Medal\Peace medal  Search this
Red Jacket: Male  Search this
Red Jacket: Native American\Orator  Search this
Red Jacket: Native American\Leader\Chief  Search this
Red Jacket: Native American\Treaty negotiator  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.94.108
Restrictions & Rights:
Usage conditions apply
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4070b01c4-f654-4c90-b6aa-235aa22c3ec0
EDAN-URL:
edanmdm:npg_NPG.94.108

Catahecassa

Attribution:
Albert Newsam, 20 May 1809 - 20 Nov 1864  Search this
Copy after:
Charles Bird King, 26 Sep 1785 - 18 Mar 1862  Search this
Lithographer:
Lehman & Duval Lithography Company, active 1835 - 1837  Search this
Publisher:
Edward C. Biddle, active early 19th Century  Search this
Publication:
Thomas L. McKenney and James Hall's History of the Indian Tribes of North America, 3 vols., Philadelphia, 1837 - 1844  Search this
Sitter:
Catahecassa, c. 1740 - 1831  Search this
Medium:
Hand-colored lithograph on paper
Dimensions:
Image: 31.5cm x 22.9cm (12 3/8" x 9")
Sheet: 50.8cm x 36.2cm (20" x 14 1/4")
Type:
Print
Place:
United States\Pennsylvania\Philadelphia\Philadelphia
Date:
1837
Topic:
Catahecassa: Male  Search this
Catahecassa: Native American\Orator  Search this
Catahecassa: Native American\Leader\Chief  Search this
Catahecassa: Native American\Treaty negotiator  Search this
Catahecassa: Politics and Government\Government Official\Indian agent  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.94.102
Restrictions & Rights:
Usage conditions apply
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm462fcfd63-715b-4c6a-9ae0-701cdf93306d
EDAN-URL:
edanmdm:npg_NPG.94.102

Thayendanegea

Artist:
R. T.  Search this
Copy after:
Charles Bird King, 26 Sep 1785 - 18 Mar 1862  Search this
Lithographer:
J. T. Bowen Lithography Company, active 1834 - 1844?  Search this
Publisher:
Frederick W. Greenough, active c. 1838  Search this
Publication:
Thomas L. McKenney and James Hall's History of the Indian Tribes of North America, 3 vols., Philadelphia, 1837 - 1844  Search this
Sitter:
Thayendanegea, Mar 1743 - 24 Nov 1807  Search this
Medium:
Hand-colored lithograph on paper
Dimensions:
Image: 30.4cm x 23.3cm (11 15/16" x 9 3/16")
Sheet: 50.6cm x 36cm (19 15/16" x 14 3/16")
Type:
Print
Place:
United States\Pennsylvania\Philadelphia\Philadelphia
Date:
1838
Topic:
Costume\Jewelry\Necklace  Search this
Costume\Dress Accessory\Sash  Search this
Thayendanegea: Male  Search this
Thayendanegea: Native American\Leader\Chief  Search this
Thayendanegea: Native American\Indian interpreter  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.94.109
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm41f7f855d-ccef-40a4-a25c-16e047abb393
EDAN-URL:
edanmdm:npg_NPG.94.109

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