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José de Creeft papers

Creator:
De Creeft, José, 1884-1982  Search this
Names:
Art Students League (New York, N.Y.) -- Faculty  Search this
Black Mountain College (Black Mountain, N.C.) -- Faculty  Search this
New School for Social Research (New York, N.Y.) -- Faculty  Search this
Norton Gallery and School of Art  Search this
Skowhegan School of Painting and Sculpture -- Faculty  Search this
Stone Mountain Memorial (Ga.)  Search this
Albers, Josef -- Photographs  Search this
Calder, Alexander, 1898-1976  Search this
Calder, Alexander, 1898-1976 -- Photographs  Search this
Campos, Jules  Search this
De Creeft, William  Search this
De Diego, Julio, 1900- -- Photographs  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Diederich, William Hunt, 1884-1953  Search this
Dodd, Lamar  Search this
Escuder, Joseph  Search this
Gropius, Walter, 1883-1969 -- Photographs  Search this
Gross, Chaim, 1904-1991 -- Photographs  Search this
Gómez Gil, Alfredo, 1936-  Search this
Lawrence, Gertrude -- Photographs  Search this
Lipchitz, Jacques, 1891-1973  Search this
Lipchitz, Jacques, 1891-1973 -- Photographs  Search this
Neumann, J. B. (Jsrael Ber) -- Photographs  Search this
Nivola, Costantino, 1911-1988  Search this
Rattner, Abraham -- Photographs  Search this
Roszak, Theodore, 1907-1981 -- Photographs  Search this
Soyer, Raphael, 1899-1987 -- Photographs  Search this
Sweeney, James Johnson, 1900-  Search this
Zorach, William, 1887-1966 -- Photographs  Search this
Extent:
28.1 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sound recordings
Video recordings
Diaries
Interviews
Scrapbooks
Sketches
Date:
1871-2004, bulk 1910s-1980s
bulk 1910-1990
Summary:
The papers of Spanish-born sculptor and educator José de Creeft measure 28.1 linear feet and date from 1871 to 2004 with the bulk of the material dating from the 1910s to the 1980s. Found are biographical materials, correspondence, fifty diaries, writings, subject files, personal business records, printed materials, twenty-seven photo albums and other photographs, scrapbooks, and scattered sketches.
Scope and Contents:
The papers of Spanish-born sculptor and educator José de Creeft measure 28.1 linear feet and date from 1871 to 2004 with the bulk of the material dating from the 1910s to the 1980s. Found are biographical materials, correspondence, fifty diaries, writings, subject files, personal business records, printed materials, twenty-seven photo albums and other photographs, scrapbooks, and scattered sketches.

Biographical materials include address books, awards, recorded interviews with and about de Creeft, membership materials, naturalization records, resumes, and travel documents.

Correspondence is primarily professional in nature and concerns exhibitions, de Creeft's involvement in arts organizations, and awards. There are also scattered personal letters from family and friends. Correspondents include Alexander Calder, Nina, Alice, Barbara and William de Creeft, Hunt Diederich, Joseph Escudar, and Gil Gomez, Jacques Lipchitz, Edwin Dickinson, James Johnson Sweeney, Costantino Nivola, Abraham Rattner, and Lamar Dodd, among others.

De Creeft's fifty diaries are nearly complete for the period dating from 1926 to 1981. Some are bound volumes and others are loose pages. The bulk of the diaries are in Spanish and many include sketches. Additional writings, called "escritos varios" by José de Creeft, are mostly in Spanish and consist of typed manuscripts and essays, including "Roosty Was My Friend, 1957, notebooks, an artist's statement, and writings by others, including drafts for The Sculpture of de Creeft by Jules Campos, and a video recording entitled José de Creeft by Bob Hanson. There is one sound recording of Lorrie Goulet reading poetry.

Subject files are varied and include files on de Creeft's teaching positions at the New School for Social Research, Black Mountain College, Skowhegan School of Painting and Sculpture, and the Art Students League. There are files for some of his sculpture projects, inlcuding Alice in Wonderland, Poet, and a proposed model for the Stone Mountain Confederate Memorial in Georgia, as well as compiled information about various art related topics of interest.

De Creeft's business records include appraisals, contracts, leases, price lists, and scattered receipts. Also found are art inventories in the form of three sets of index cards, some of which include photographs.

Printed materials include books, clippings, exhibition announcements and catalogs, exhibition labels, postcards, and posters.

There are loose photographs and twenty-seven photograph albums depicting de Creeft, his family, friends, and works of art. There are photos of Alexander Calder; de Creeft and Goulet with Raphael Soyer, posing with Soyer's portrait of them; Gertrude Lawrence; art juries, which also include images of Chaim Gross, Jacques Lipchitz, Theodore Roszak, and William Zorach; students, friends, and faculties of Black Mountain College, the Art Students League, Skowhegan School of Painting and Sculpture, and the Norton School of Art, which also includes images of Joseph Albers, Alexander Calder, Julio De Diego, Walter Gropius, J. B. Neumann, and Abraham Rattner.

Seven mixed media scrapbooks document de Creeft's career from 1929 to 1982. Also found are scattered pen and pencil sketches and one sketchbook dating from the 1920s.
Arrangement:
The collection is arranged as 10 series:

Series 1: Biographical Material, 1914-1979 (Boxes 1, 27; 0.9 linear feet)

Series 2: Correspondence, 1910s-1980s (Boxes 1-6; 4.2 linear feet)

Series 3: Diaries, 1926-1981 (Boxes 6-11; 5.4 linear feet)

Series 4: Writings, 1871-1977 (Boxes 11-13, 28; 2.5 linear feet)

Series 5: Subject Files, 1924-1980 (Boxes 13-16, 27; 2.4 linear feet)

Series 6: Personal Business Records, 1909-1980s (Boxes 16-17, 27; 1.0 linear feet)

Series 7: Printed Material, 1921-1980s (Boxes 17-21, 27, 33; 4.7 linear feet)

Series 8: Photographs, 1900-2004 (Boxes 21-25, 29, 31; 5.1 linear feet)

Series 9: Scrapbooks, 1929-1982 (Box 26, 30, 32; 1.8 linear feet)

Series 10: Artwork, 1920s-1930s (Box 26; 2 folders)
Biographical / Historical:
José de Creeft (1908-1982) was a Spanish-born sculptor active in New York City, New York.

José de Creeft was born in Guadalajara, Spain and raised in Barcelona. In 1900, he apprenticed to sculptor Don Augustine Querol and studied drawing with Idalgo de Caviedas. De Creeft moved to Paris in 1905 and began formal art training at the Académie Julianand. He also took a studio in the Batteau Lavoir in Montmartre, where he interacted with Pablo Picasso, Juan Gris, Manolo, and Pablo Gargallo, all of whom also had studios there. During this period, de Creeft became friends with the artist Mateo Hernandez.

In 1915, de Creeft rejected the traditional technique of reproducing sculpture in stone from clay and plaster models and turned to direct carving in wood and stone. He was also one of the first sculptors who practiced assemblage and incorporated found objects into his work. His notable assemblage sculpture El Picador, a large figure on horseback, received worldwide press coverage and was exhibited at the Salon des Artistes Independents in 1926. Between 1919 and 1928, his work was exhibited in various Paris salons. In the late 1920s, he created 200 stone carvings for Roberto Ramonje's Forteleza (fortress) in Mallorca. It was around this time frame when de Creeft met Alexander Calder, who became his student in direct carving. De Creeft encouraged Calder to display his mechanical toys and Calder put his Circus together for the first time in de Creeft's studio.

De Creeft emigrated to the United States in 1929, right after marrying fellow sculptor Alice Robertson Carr. They divorced nine years later.

While in New York, de Creeft began sculpting with lead sheets beaten into three-dimensional forms and established a studio at 1 Washington Square. His first solo exhibition was at the Ferargil Galleries in New York City and included The Portrait of Cesar Vallejo in chased lead and The Silver Fox of found materials.

In 1932, de Creeft accepted a teaching position in sculpture at the New School for Social Research. He also taught courses at Black Mountain College, where he met his second wife, sculptor Lorrie Goulet, the Art Students League, Skowhegan School of Painting and Sculpture, and the Norton Gallery and School of Art. In 1946, de Creeft and Goulet purchased a hundred-acre farm in Hoosick Falls, NY where they established a studio and part-time residence.

Perhaps De Creeft's most well-known monumental scuplture is Alice in Wonderland in Central Park, New York City. The 12' x 16' bronze was dedicated during a public event in 1959 and gave de Creeft worldwide recognition. In 1995 a short film about the making of the sculpture was produced by J. D'Alba and narrated by Lorrie Goulet.

De Creeft was as founding member of the American Artist's Congress, the Sculptors Guild, and the Artist's Equity Association. De Creeft was represented by the Georgette Passedoit Gallery from 1936 to 1949. Later, he joined The Contemporaries (gallery) and exhibited there until 1966. Kennedy Galleries represented de Creeft from 1970 until his death in 1982.
Related Materials:
The Archives of American Art also holds an interview of José De Creeft conducted October 1-8, 1968 by Forrest Selvig and the papers of de Creeft's wife Lorrie Goulet.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reels D150 and 375-378). While most of the items were included in subsequent gifts, material not donated to the Archives remain with the lender and are not described in the collection container inventory.
Provenance:
The José de Creeft papers were first lent for microfilming by the artist in 1963 and 1972. Lorrie Goulet, José de Creeft's widow, donated most of this material along with additional items in 1985 and 2009.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Study and teaching  Search this
Educators -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Sculpture, Modern -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Sound recordings
Video recordings
Diaries
Interviews
Scrapbooks
Sketches
Citation:
José de Creeft papers, 1871-2004, bulk 1910s-1980s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.decrjose
See more items in:
José de Creeft papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-decrjose

Jane Wade papers regarding Curt Valentin

Creator:
Wade, Jane, 1925-  Search this
Names:
Buchholz Gallery (New York, N.Y.)  Search this
Curt Valentin Gallery (New York, N.Y.)  Search this
Fine Arts Associates  Search this
Universität Hamburg  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Ben-Zion  Search this
Butler, Reg, 1913-1981  Search this
Calder, Alexander, 1898-1976  Search this
Cox, Jan, 1919-1980  Search this
Feininger, Lyonel, 1871-1956  Search this
Flannagan, John Bernard, 1895?-1942  Search this
Gerson, Otto  Search this
Hepworth, Barbara, Dame, 1903-1975  Search this
Kahnweiler, Daniel Henry, 1884-  Search this
Knaths, Karl, 1891-1971  Search this
Kolbe, Georg, 1877-1947  Search this
Lipchitz, Jacques, 1891-1973  Search this
Marcks, Gerhard  Search this
Marini, Marino, 1901-1980  Search this
Masson, André, 1896-1987  Search this
Moore, Henry, 1898-1986  Search this
Odets, Clifford, 1906-1963  Search this
Osborn, Robert Chesley, 1904-1994  Search this
Picasso, Pablo, 1881-1973  Search this
Pickens, Alton  Search this
Pickhardt, Carl E.  Search this
Piper, John, 1903-  Search this
Roesch, Kurt, 1905-  Search this
Smith, David, 1906-1965  Search this
Sutherland, Graham Vivian, 1903-  Search this
Valentin, Curt, 1902-1954  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Prints
Sketches
Date:
1903-1971
Summary:
The Jane Wade papers regarding art dealer and New York gallery owner Curt Valentin, measure 0.6 linear feet and date from 1903-1971. This small collection consists of papers donated by former Curt Valentin Gallery employee Jane Wade, which provide scattered documentation of Valentin's life and exhibitions at the Buchholz Gallery (renamed Curt Valentin Gallery in 1951) including biographical material, correspondence from artists Valentin represented, writings and notes, lists documenting clients, exhibitions held, and artwork by Picasso sold by the gallery, clippings of obituaries for Valentin, and a complete set of Buchholz Gallery exhibition catalogs from 1937-1948.
Scope and Contents:
The Jane Wade papers regarding art dealer and New York gallery owner Curt Valentin, measure 0.6 linear feet and date from 1903-1971. This small collection consists of papers donated by former Curt Valentin Gallery employee Jane Wade, which provide scattered documentation of Valentin's life and exhibitions at the Buchholz Gallery (renamed Curt Valentin Gallery in 1951) including biographical material, correspondence from artists Valentin represented, writings and notes, lists documenting clients, exhibitions held, and artwork by Picasso sold by the gallery, clippings of obituaries for Valentin, and a complete set of Buchholz Gallery exhibition catalogs from 1937-1948.

Valentin's biographical material is in German and includes his baptismal certificate, a report book from Hamburg University, a letter of recommendation from Commetersche Kunsthandlung, a 1937 permit authorizing Valentin to buy and sell the work of German artists outside Germany, and his 1950 passport.

Valentin's correspondence is primarily with artists and includes letters from Ben-Zion, Reg Butler, Alexander Calder, Jan Cox, Lyonel Feininger, John Flannagan, Barbara Hepworth, Karl Knaths, Gerhard Marcks, André Masson, Henry Moore, Clifford Odets, Carl Pickhardt, Alton Pickens, John Piper, Kurt Roesch, and Graham Sutherland. There are also photocopies of three letters in German from Georg Kolbe. Many of the letters are substantial and provide details about the artists and their work. Also found are a letter vouching for Valentin's loyalty to the United States from Alfred Barr, and two 1942 letters from France from art dealer Henry Kahnweiler, containing news of European artists including Picasso and André Masson.

Jane Wade's correspondence extends to her time working for Otto Gerson at Fine Arts Associates, and includes letters from some of the artists whose work was handled by Curt Valentin, including Alexander Calder, Lois Dailey, and Henry Moore. There are also thirteen letters and telegrams from David Smith, with some responses from Jane Wade and Otto Gerson, which document exhibitions and details of his artist-dealer relationship with Gerson and include sketches of his sculpture with information about prices. Also found in Wade's correspondence are letters from Gertrude Lennart and Marino Marini. Lennart describes the last days of Valentin's life as she accompanied him on a visit to Marini in Italy in August 1954.

There are three folders of condolence letters written upon Valentin's death, from artists, museum and gallery professionals, and other colleagues and friends.

Writings and notes include two appreciations of Valentin written after his death by André Masson and Henry Moore, and a sheet of notes written by John Flannagan with an accompanying note entitled "Some of Johns' thoughts...."

Printed material is comprised of news clippings of obituaries and reviews of a memorial exhibition for Valentin, in addition to a complete set of bound exhibition catalogs for Buchholz Gallery from 1937-1948. Also found is a bound collection of 1929 exhibition catalogs for Galerie Alfred Flechtheim.

Artwork includes a Christmas card from Valentin designed by an artist whose name is illegible; a print by Gerhard Marcks; and a colored pencil sketch of "127 Evil Eye II" on Curt Valentin letter head, with an address on the Rue de Seine written beside it.

Photographs include two of Valentin in his gallery and two of an unidentified woman, possibly Jane Wade, in the gallery; a folder of photographs of Valentin's apartment showing his art collection; a photo of a Robert Osborn cartoon about Valentin; and a photo of "Portrait of Curt Valentin" by Jacques Lipchitz.
Arrangement:
The collection is arranged as a single series.

Series 1: Jane Wade Papers Regarding Curt Valentin, 1903-1971 (0.6 linear feet; Boxes 1-2)
Biographical / Historical:
Born in Germany in 1902, modern art dealer Curt Valentin immigrated to the United States in 1937 where he opened the Buchholz Gallery on West Forty-sixth Street in New York city. After two years he moved the gallery to West Fifty-seventh Street and in 1951 it was renamed the Curt Valentin Gallery.

Valentin's first job was with Alfred Flechtheim, the leading dealer in modern art in Berlin at that time. In 1934 he began working with Karl Buchholz in Hamburg, selling modern art classified as degenerate by the Nazi government from the rear of Buchholz's bookstore. In 1937 Valentin was granted a permit from the Reichskammer der bildenden Kunste in Berlin to purchase and sell German artwork outside of Germany. He left Germany that same year with a number of pictures and came to the United States.

Valentin was a widely respected dealer who specialized in modern paintings, sculpture, and prints, and handled the work of major artists including Alexander Calder, John Flannagan, Gerhard Marcks, Marino Marini, and Henry Moore.

Valentin died suddenly of a heart attack at the age of 52, while visiting Mario Marini in Italy in 1954.

Jane Wade was employed as Valentin's assistant and continued to help run the Curt Valentin Gallery after his death, until it closed in 1955. She then worked for Otto Gerson at Fine Arts Associates, where she helped to handle the works of some of the artists previously represented by Valentin.
Related Materials:
The bulk of Curt Valentin's papers are held by the Museum of Modern Art Archives.
Provenance:
The Jane Wade papers were donated by Jane Wade in 1976. The catalogs of exhibitions organized by Curt Valentin were donated in 1977 by Jane Wade. In 2018 the two collections were merged and named the Jane Wade papers regarding Curt Valentin.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Gallery owners -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
Topic:
Art, Modern -- 20th century  Search this
Genre/Form:
Photographs
Prints
Sketches
Citation:
Jane Wade papers regarding Curt Valentin, 1903-1971. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.wadejane
See more items in:
Jane Wade papers regarding Curt Valentin
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wadejane
Online Media:

Otto and Ilse Gerson papers

Creator:
Gerson, Otto  Search this
Gerson, Ilse, 1901-1980  Search this
Names:
Fine Arts Associates  Search this
Galerie Dina Vierny  Search this
Marlborough-Gerson Gallery  Search this
Otto Gerson Gallery (New York, N.Y.)  Search this
Lipchitz, Jacques, 1891-1973  Search this
Marcks, Gerhard  Search this
Smith, David, 1906-1965  Search this
Turner, J. M. W. (Joseph Mallord William), 1775-1851  Search this
Valentin, Curt, 1902-1954  Search this
Wotruba, Fritz, 1907-1975  Search this
Extent:
3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1933-1980
Summary:
The papers of New York art dealers and gallery owners Otto and Ilse Gerson measure 3 linear feet and date from 1933 to 1980. This collection includes biographical materials, correspondence, exhibition files, artists' files, collectors' files, business records, inventory and stock records, printed materials, and photographs.
Scope and Contents:
The papers of New York art dealers and gallery owners Otto and Ilse Gerson measure 3 linear feet and date from 1933 to 1980. This collection includes biographical materials, correspondence, exhibition files, artists' files, collectors' files, business records, inventory and stock records, printed materials, and photographs.

Biographical material consists of Otto and Ilse Gerson's naturalization certificates and Ilse Gerson's will.

Correspondence includes a mixture of personal and professional letters. There are a few scattered letters between Otto and Ilse Gerson as well as correspondence with clients, museums, dealers, and artists. Notable correspondents include art dealer Curt Valentin and the artist Gerhard Marcks. There is also correspondence with the Dina Vierny Gallery in Paris, France.

There is a small number of files on the Joseph Mallord William Turner exhibition at Gerson Gallery in 1960 which include correspondence, loan forms, and printed material.

Artists' files contain correspondence, estimates, inventories, sales records, and printed material for art work by five different artists such as Jacques Lipchitz, David Smith, and Fritz Wotruba.

Collectors' files include correspondence, invoices, photographs, and other material related to purchases by various art collectors.

Business records consist of purchase and sales records, audit reports, balance sheets, certificates of authenticity, a sales ledger, and legal documents regarding the business conducted by Fine Arts Associates and Otto Gerson Gallery, and legal agreements and contracts related to the Marlborough-Gerson Gallery merger.

Inventory and stock records include assorted art inventories, a stock book, and stock cards for artists.

Printed material includes a few Gerson Gallery exhibition catalogs and clippings of exhibition reviews.

Photographs consists of a few snapshots of Otto and Ilse Gerson and images of gallery installations.
Arrangement:
The collection is arranged as 9 series.

Series 1: Biographical Material, 1933-1973 (0.1 linear feet; Box 1)

Series 2: Correspondence, 1937-1980 (0.5 linear feet; Box 1)

Series 3: Turner Exhibition Files, 1960-1961 (0.1 linear feet; Box 1)

Series 4: Artists' Files, 1950-1966 (0.3 linear feet; Boxes 1-2)

Series 5: Collectors' Files, 1956-1966 (0.3 linear feet; Box 2)

Series 6: Business Records, circa 1945-1964 (0.3 linear feet; Box 2)

Series 7: Inventory and Stock Records, 1946-1965 (1.3 linear feet; Boxes 2-3)

Series 8: Printed Material, 1951-1962 (0.1 linear feet; Box 3)

Series 9: Photographs, circa 1945-circa 1960 (2 folders; Box 3)
Biographical / Historical:
Otto Gerson was born in Germany and immigrated to the United States, where he met and married Ilse Goehler in 1939. They both became U.S. citizens and together they rose to prominence as art dealers in New York City, circa 1940-1962, bringing works by noted post-war European (and some American) artists to the American market.

The Gersons also owned and operated galleries in New York, including Fine Arts Associates and Gerson Gallery. The Gerson Gallery was located at 41 East 57th Street in New York City and later merged with another gallery to form the Marlborough-Gerson Gallery around 1963, shortly after Otto Gerson's death.
Provenance:
The Otto and Ilse Gerson papers were donated to the Archives of American Art in 1984 by Indian Head Bank North on behalf of Otto and Ilse Gerson.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Gallery owners -- New York (State) -- New York  Search this
Topic:
Art -- Collectors and collecting  Search this
Art, Modern -- 20th century  Search this
Genre/Form:
Photographs
Citation:
Otto and Ilse Gerson papers, 1933-1980. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gersotto
See more items in:
Otto and Ilse Gerson papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gersotto
Online Media:

Eva Lee Gallery records

Creator:
Eva Lee Gallery  Search this
Names:
Korvettes  Search this
New Art Circle (New York, N.Y.)  Search this
Albers, Josef  Search this
Benn, Ben, 1884-  Search this
Benton, Thomas Hart, 1889-1975  Search this
Calder, Alexander, 1898-1976  Search this
Christo, 1935-  Search this
Corinth, Lovis, 1858-1925  Search this
Cornell, Joseph  Search this
Dalí, Salvador, 1904-  Search this
Feininger, Lyonel, 1871-1956  Search this
Grosz, George, 1893-1959  Search this
Hartley, Marsden, 1877-1943  Search this
Hopkins, John  Search this
Indiana, Robert, 1928-  Search this
Lee, Eva  Search this
Lieberman, Harry, 1880-1983  Search this
Lipchitz, Jacques, 1891-1973  Search this
Loewe, Frederick  Search this
Magritte, René, 1898-1967  Search this
Marin, John, 1870-1953  Search this
Mommer, Paul  Search this
Nesbitt, Lowell, 1933-1993  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Odets, Clifford, 1906-1963  Search this
Ritchie, Andrew Carnduff  Search this
Shahn, Ben, 1898-1969  Search this
Simpson, Merton D. (Merton Daniel), 1928-  Search this
Valentin, Curt, 1902-1954  Search this
Vasarely, Victor, 1906-1997  Search this
Weber, Max, 1881-1961  Search this
Extent:
4 Linear feet
Type:
Collection descriptions
Archival materials
Watercolor drawings
Photographs
Date:
1921-1973
Summary:
The scattered records of the New York contemporary American art Eva Lee Gallery measure 4.0 linear feet and date from 1921-1973. Artist files contain provenance notes, photographs of artwork, records of sales and consignments, exhibition catalogs from other galleries, and reference information on numerous contemporary artists, many represented by the gallery. There are also scattered letters and artwork from artists, scattered sales records of J.B. Neuman's New Art Circle Gallery, and a photocopy of an auction catalog for Korvettes Art Galleries in Douglastan, New York. A significant amount of information is found within the collection about Alexander Calder, Lovis Corinth, Salvadore Dali, Lyonel Feininger, George Grosz, Robert Indiana, Harry Lieberman, Rene Magritte, John Marin, Lowell Nesbitt, Ben Shahn, Victor Vasarely, and Max Weber.
Scope and Content Note:
The scattered records of the New York contemporary American art Eva Lee Gallery measure 4.0 linear feet and date from 1921-1973. Artist files contain provenance notes, photographs of artwork, records of sales and consignments, exhibition catalogs from other galleries, and reference information on numerous contemporary artists, many represented by the gallery. There are also scattered letters and artwork from artists, scattered sales records of J.B. Neumann's New Art Circle Gallery, and a photocopy of an auction catalog for Korvettes Art Galleries in Douglastan, New York.

The records are comprised of artists' files arranged into four categories established by the gallery: general artists' files; notebooks of artists' files; financial artists' files; and consignment and sales artists' files. General artists' files contain background and reference information on numerous contemporary artists, performers, and art-related organizations. More information exists for Alexander Calder and Harry Lieberman than the other names represented in the general files. Lee also arranged provenance notes and photographs of artwork into notebooks, presumably including many of the artists represented by the gallery. There is a significant amount of material in the notebooks on Alexander Calder, Robert Indiana, Lowell Nesbitt, Ben Shahn, Victor Vasarely, and Max Weber.

Financial artists' files contain correspondence with artists and patrons concerning the sale of artwork by both the Eva Lee Gallery and J. B. Neumann of the New Art Circle Gallery, scattered artwork, printed material, photographs of artists, and checks signed by Neumann and endorsed by miscellaneous artists. Eva Lee worked on the estate of J. B. Neumann and collected and interspersed his files with her own. These files include letters from Josef Albers, Thomas Hart Benton, Alexander Calder, Christo, Joseph Cornell, Robert Indiana, and a postcard of Calder's studio from Ben Shahn. There are also watercolor sketches by Clifford Odets, an exhibition catalog autographed by Ben Shahn, and photographs of Marsden Hartley, Jacques Lipchitz, composer Frederick Loewe, Paul Mommer, Mert Simpson, and Curt Valentin with Andrew Ritchie.

Eva Lee Gallery artists' consignment and sales files primarily contain photographs of artwork and notes concerning sales of specific artwork by the Eva Lee Gallery. Also found in these sales files are scattered letters, receipts, and printed material. There is a significant amount of material for Ben Benn, Alexander Calder, Lovis Corinth, Salvadore Dali, Lyonel Feininger, George Grosz, Marsden Hartley, John Hopkins, Rene Magritte, and John Marin. It is assumed that Eva Lee separated the two latter sets of artists' files containing sales records.

Also found in the collection is a photocopy of the Korvettes Art Galleries auction catalog, which lists artwork sold at a 1970 auction liquidating the holdings of the Douglaston, New York gallery.
Arrangement:
The collection is arranged as 5 series:

Series 1: General Artist Files, 1923-1972 (Boxes 1-2; 1.3 linear feet)

Series 2: Notebooks of Artist Files, 1929-1973 (Boxes 2-3; 1.4 linear feet)

Series 3: Financial Artist Files, 1921-1970 (Boxes 3-4; 0.6 linear feet)

Series 4: Eva Lee Gallery Consignment and Sales Artist Files, 1960-1972 (Box 4; 0.7 linear feet)

Series 5: Photocopy of Korvettes Art Galleries Auction Catalog, 1970 (Box 4; 1 folder)
Historical Note:
Eva Lee was born circa 1924. She fled from Nazi Germany to the United States, becoming an art dealer and the owner of the Eva Lee Gallery, Inc. Located in Great Neck, New York, the Eva Lee Gallery specialized in modern art and handled the work of many prominent artists including Alexander Calder, Lyonel Feininger, George Grosz, Marsden Hartley, Jacob Lawrence, Ben Shahn, and Max Weber. The gallery was in operation through the first half of 1973.

Eva Lee died suddenly on November 4, 1973 in Terre Haute, Indiana, while undergoing unspecified medical treatment.
Provenance:
The Eva Lee Gallery records were donated in 1973 by Eva Lee through Eloise Spaeth, and in 1978 by Neal Richmond of the Paul Klapper Library, Queens College, Flushing, New York, who had been asked to disperse Lee's gallery records following her sudden death in 1973. A photocopy of the Korvettes Art Galleries Auction Catalog was donated by Eva Lee in 1970.

Lee's records also contained financial files belonging to art dealer J. B. Neumann and his New Art Circle Gallery, whose estate she had worked on in 1966.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Works of art  Search this
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Watercolor drawings
Photographs
Citation:
Eva Lee Gallery records, 1921-1973. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.evalee
See more items in:
Eva Lee Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-evalee
Online Media:

Pierre Matisse Gallery records

Creator:
Pierre Matisse Gallery (New York, N.Y.)  Search this
Names:
Artigas, Francisco, 1916-  Search this
Balthus, 1908-  Search this
Berman, Eugene, 1899-1972  Search this
Biederman, Charles Joseph, 1906-2004  Search this
Blatas, Arbit  Search this
Bonnard, Pierre, 1867-1947  Search this
Borès, Francisco, 1898-1972  Search this
Brancusi, Constantin, 1876-1957  Search this
Braque, Georges, 1882-1963  Search this
Breton, André, 1896-1966  Search this
Butler, Reg, 1913-1981  Search this
Calder, Alexander, 1898-1976  Search this
Calliyannis, Manolis, 1926-  Search this
Canogar, Rafael, 1935-  Search this
Chagall, Marc, 1887-1985  Search this
Cézanne, Paul, 1839-1906  Search this
Dalí, Salvador, 1904-  Search this
De Chirico, Giorgio, 1888-  Search this
Degas, Edgar, 1834-1917  Search this
Derain, André, 1880-1954  Search this
Despiau, Charles, 1874-1946  Search this
Dos Passos, John, 1896-1970  Search this
Dubuffet, Jean, 1901-1985  Search this
Duchamp, Marcel, 1887-1968  Search this
Dufy, Raoul, 1877-1953  Search this
Dunoyer de Segonzac, André, 1884-1974  Search this
Ernst, Max, 1891-1976  Search this
Etrog, Sorel, 1933-  Search this
Faucher, Serge  Search this
Fellini, Federico  Search this
Ferren, John, 1905-1970  Search this
Francis, Sam, 1923-1994  Search this
Giacometti, Alberto, 1901-1966  Search this
Gleizes, Albert, 1881-1953  Search this
Gogh, Vincent van, 1853-1890  Search this
Gris, Juan, 1887-1927  Search this
Gromaire, Marcel, 1892-1971  Search this
Hantaï, Simon  Search this
Hélion, Jean, 1904-1987  Search this
Katz, Mané, 1894-1962  Search this
Kisling, Moïse, 1891-1953  Search this
Knapp, Stefan, 1921-  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Lam, Wifredo  Search this
Laurencin, Marie, 1883-1956  Search this
Lipchitz, Jacques, 1891-1973  Search this
Lurçat, Jean, 1892-1966  Search this
Lynes, George Platt, 1907-1955  Search this
Léger, Fernand, 1881-1955  Search this
MacIver, Loren, 1909-1998  Search this
Maillol, Aristide, 1861-1944  Search this
Mason, Raymond, 1922-  Search this
Masson, André, 1896-1987  Search this
Matisse, Henri, 1869-1954  Search this
Matisse, Pierre, 1900-1989  Search this
Matta, 1912-2002  Search this
Matter, Herbert, 1907-1984  Search this
Menkes, Sigmund, 1896-1986  Search this
Millares, Manolo, 1926-1972  Search this
Miró, Joan, 1893-  Search this
Modigliani, Amedeo, 1884-1920  Search this
Mondrian, Piet, 1872-1944  Search this
Nelson, Paul, 1895-  Search this
Ozenfant, Amédée, 1886-1966  Search this
Pascin, Jules, 1885-1930  Search this
Picasso, Pablo, 1881-1973  Search this
Quintanilla, Luis, 1900-1980  Search this
Rattner, Abraham  Search this
Renoir, Auguste, 1841-1919  Search this
Riopelle, Jean Paul  Search this
Rivera, Manuel, 1927-  Search this
Roszak, Theodore, 1907-1981  Search this
Rouan, François, 1943-  Search this
Ruckstull, F. W. (Fred Wellington), 1853-1942  Search this
Sage, Kay  Search this
Saura, Antonio, 1930-  Search this
Seligmann, Kurt, 1900-1962  Search this
Seurat, Georges, 1859-1891  Search this
Siqueiros, David Alfaro  Search this
Soutine, Chaim, 1893-1943  Search this
Tamayo, Rufino, 1899-  Search this
Tanguy, Yves, 1900-1955  Search this
Tchelitchew, Pavel, 1898-1957  Search this
Utrillo, Maurice, 1883-1955  Search this
Viallat, Claude, 1936-  Search this
Zadkine, Ossip  Search this
Zao, Wou-ki, 1920-2013  Search this
Extent:
300 Items (Reel NPM1: (on partial microfilm reel))
1.25 Linear feet (Unmicrofilmed)
Type:
Collection descriptions
Archival materials
Date:
1925-1989
Scope and Contents:
REEL NPM1: Catalogs of Pierre Matisse Gallery exhibitions, 1931-1945; photographs of exhibitions interspersed among the catalogs; and a scrapbook containing clippings and reviews of shows at the gallery.
Artists represented among the catalogs, photographs, or scrapbook include Balthus, Eugene Berman, Charles Biederman, Arbit Blatas, Pierre Bonnard, Francisco Bores, Constantin Brancusi, Georges Braque, André Breton, Alexander Calder, Paul Cézanne, Marc Chagall, Salvador Dalí, Giorgio De Chirico,Edgar Degas, André Derain, Charles Despiau, John Dos Passos, Marcel Duchamp, Raoul Dufy, André de Segonzac Dunoyer, Max Ernst, John Ferren, Alberto Giacometti, Albert Gleizes, Vincent van Gogh, Juan Gris, Marcel Gromaire, Jean Hélion, Mane Katz, Moise Kisling, Roger de La Fresnaye, Wifredo Lam, Marie Laurencin, Fernand Léger, Jacques Lipchitz, Jean Lurçat, George Platt Lynes, Loren MacIver, Aristide Maillol, André Masson, Henri Matisse, Roberto Sebastián Matta Echaurren, Herbert Matter, Sigmund Menkes, Joan Miró, Amedeo Modigliani, Piet Mondrian, Paul Nelson, Amédée Ozenfant, Jules Pascin, Pablo Picasso, Luis Quintanilla, Abraham Rattner, Auguste Renoir, Georges Rouault, Kay Sage, Kurt Seligmann, Georges Seurat, David Alfaro Siqueiros, Chaim Soutine, Rufino Tamayo, Yves Tanguy, Pavel Tchelitchew, Maurice Utrillo, and Ossip Zadkine.
UNMICROFILMED: Catalogs of Pierre Matisse Gallery exhibitions of the work of: Francisco Artigas, Balthus, Reg Butler, Manolis Calliyannis, Rafael Canogar, Marc Chagall, Jean Dubuffet, Sorel Etrog, Serge Faucher, Federico Fellini, Sam Francis, Alberto Giacometti, Simon Hantaï, Stefan Knapp, Wilfredo Lam, Loren MacIver, Raymond Mason, Manolo Millares, Joan Miró, Jean-Paul Riopelle, Manuel Rivera, François Rouan, Georges Rouault, Theodore Roszak, Antonio Saura, Yves Tanguy, Claude Viallat, Wou-Ki Zao, and the Dogon and Tellem peoples of Africa.
Biographical / Historical:
Art gallery; New York, N.Y. Founded 1931 by Pierre Matisse, son of Henri Matisse; operated until his death in 1989, handling mainly 20th century European art.
Related Materials:
Pierre Matisse Gallery records also located at Pierpont Morgan Library, New York, N.Y.
Provenance:
Records on reel NPM1 were lent for microfilming 1967 by the Pierre Matisse Gallery. The unmicrofilmed catalogs were donated in 1996. The Gallery donated its records to the Pierpont Morgan Library in New York in 1997.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Topic:
Art, Modern -- 20th century -- United States  Search this
Function:
Art galleries, Commercial -- New York (State)
Identifier:
AAA.piermati
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-piermati

R. Sturgis Ingersoll selected correspondence with Jacques Lipchitz, 1959-1962

Creator:
Ingersoll, R. Sturgis (Robert Sturgis), 1891-  Search this
Lipchitz, Jacques, 1891-1973  Search this
Ingersoll, R. Sturgis (Robert Sturgis), 1891-  Search this
Theme:
Art Market  Search this
Record number:
(DSI-AAA_CollID)10765
(DSI-AAA_SIRISBib)214385
AAA_collcode_ingersjl
Theme:
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214385

Robert W. White draft of a letter to Jacques Lipchitz

Creator:
White, Robert W. (Robert Winthrop), 1921-2002  Search this
Lipchitz, Jacques, 1891-1973  Search this
White, Robert W. (Robert Winthrop), 1921-2002  Search this
Type:
Correspondence
Date:
1959 Nov. 3
Record number:
(DSI-AAA)14488
See more items in:
Robert W. White papers, 1889-2003, bulk 1915-2003
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14488
Online Media:

Interview with Jacques Lipchitz

Creator:
Lipchitz, Jacques, 1891-1973  Search this
O'Doherty, Brian, 1928-  Search this
Lipchitz, Jacques, 1891-1973  Search this
Subject:
Museum of Fine Arts, Boston  Search this
Type:
Sound Recording
Date:
circa 1962
Record number:
(DSI-AAA)16126
See more items in:
Interviews of artists by Brian O'Doherty, [ca. 1962]
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16126

Demonstration tape for Exxon

Creator:
Lipchitz, Jacques, 1891-1973  Search this
Bassett, Bruce W., 1925-2009  Search this
Lipchitz, Jacques, 1891-1973  Search this
Type:
Videorecording
Date:
1979
Record number:
(DSI-AAA)12694
See more items in:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz, circa 1910-2001, bulk 1941-2001
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12694

Jacques Lipchitz interactive project reel D

Creator:
Lipchitz, Jacques, 1891-1973  Search this
Bassett, Bruce W., 1925-2009  Search this
Lipchitz, Jacques, 1891-1973  Search this
Type:
Videorecording
Date:
1979
Record number:
(DSI-AAA)12695
See more items in:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz, circa 1910-2001, bulk 1941-2001
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12695

Jacques Lipchitz interactive program discs I and II

Creator:
Lipchitz, Jacques, 1891-1973  Search this
Bassett, Bruce W., 1925-2009  Search this
Lipchitz, Jacques, 1891-1973  Search this
Type:
Videorecording
Date:
198-
Record number:
(DSI-AAA)12696
See more items in:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz, circa 1910-2001, bulk 1941-2001
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12696

Jacques Lipchitz documentary. Sound reel 79

Creator:
Lipchitz, Jacques, 1891-1973  Search this
Bassett, Bruce W., 1925-2009  Search this
Lipchitz, Jacques, 1891-1973  Search this
Type:
Sound Recording
Date:
1971 September
Record number:
(DSI-AAA)12697
See more items in:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz, circa 1910-2001, bulk 1941-2001
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12697

Jacques Lipchitz documentary. Sound reel 107

Creator:
Lipchitz, Jacques, 1891-1973  Search this
Bassett, Bruce W., 1925-2009  Search this
Lipchitz, Jacques, 1891-1973  Search this
Type:
Sound Recording
Date:
1971 September
Record number:
(DSI-AAA)12698
See more items in:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz, circa 1910-2001, bulk 1941-2001
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12698

Jacques Lipchitz interview. Reel 1

Creator:
Lipchitz, Jacques, 1891-1973  Search this
Stott, Deborah A.  Search this
Lipchitz, Jacques, 1891-1973  Search this
Type:
Sound Recording
Date:
1968 July 23
Record number:
(DSI-AAA)12699
See more items in:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz, circa 1910-2001, bulk 1941-2001
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12699

Jacques Lipchitz interview. Reel 3

Creator:
Lipchitz, Jacques, 1891-1973  Search this
Stott, Deborah A.  Search this
Lipchitz, Jacques, 1891-1973  Search this
Type:
Sound Recording
Date:
1968 August 2
Record number:
(DSI-AAA)12700
See more items in:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz, circa 1910-2001, bulk 1941-2001
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12700

Jacques Lipchitz interview. Reel 9

Creator:
Lipchitz, Jacques, 1891-1973  Search this
Stott, Deborah A.  Search this
Lipchitz, Jacques, 1891-1973  Search this
Type:
Sound Recording
Date:
1968 August 12
Record number:
(DSI-AAA)12701
See more items in:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz, circa 1910-2001, bulk 1941-2001
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12701

Jacques Lipchitz interview. Reel 11

Creator:
Lipchitz, Jacques, 1891-1973  Search this
Stott, Deborah A.  Search this
Lipchitz, Jacques, 1891-1973  Search this
Type:
Sound Recording
Date:
1968 August 14
Record number:
(DSI-AAA)12702
See more items in:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz, circa 1910-2001, bulk 1941-2001
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12702

Jacques Lipchitz interview. Reel 14

Creator:
Lipchitz, Jacques, 1891-1973  Search this
Stott, Deborah A.  Search this
Lipchitz, Jacques, 1891-1973  Search this
Type:
Sound Recording
Date:
1968 August 21
Record number:
(DSI-AAA)12703
See more items in:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz, circa 1910-2001, bulk 1941-2001
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12703

Jacques Lipchitz interview. Reel 41

Creator:
Lipchitz, Jacques, 1891-1973  Search this
Stott, Deborah A.  Search this
Lipchitz, Jacques, 1891-1973  Search this
Type:
Sound Recording
Date:
1968 October 4
Record number:
(DSI-AAA)12704
See more items in:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz, circa 1910-2001, bulk 1941-2001
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12704

Jacques Lipchitz interview. Reel 46

Creator:
Lipchitz, Jacques, 1891-1973  Search this
Stott, Deborah A.  Search this
Lipchitz, Jacques, 1891-1973  Search this
Type:
Sound Recording
Date:
1968 October 10
Record number:
(DSI-AAA)12705
See more items in:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz, circa 1910-2001, bulk 1941-2001
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12705

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