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Abstract [painting] / (photographed by Walter Rosenblum)

Artist:
Lindeberg, Linda 1915-1973  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
Schaeffer Gallery  Search this
Abstract  Search this
Image number:
ROS R0003435
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_132883

Artwork

Collection Creator:
Lindeberg, Linda, 1915-1973  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Date:
circa 1960
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Lindeberg papers, 1951-1973. Archives of American Art, Smithsonian Institution.
See more items in:
Linda Lindeberg papers
Linda Lindeberg papers / Series 1: Linda Lindeberg Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99c75deea-16ca-491e-b630-dc3aae3af4a9
EDAN-URL:
ead_component:sova-aaa-lindlind-ref7

Biographical Material

Collection Creator:
Lindeberg, Linda, 1915-1973  Search this
Container:
Box 1, Folder 2
Type:
Archival materials
Date:
1951-1973
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Lindeberg papers, 1951-1973. Archives of American Art, Smithsonian Institution.
See more items in:
Linda Lindeberg papers
Linda Lindeberg papers / Series 1: Linda Lindeberg Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d96cf6ba-dea5-4ca1-8d93-7014fb52b013
EDAN-URL:
ead_component:sova-aaa-lindlind-ref8

Correspondence

Collection Creator:
Lindeberg, Linda, 1915-1973  Search this
Container:
Box 1, Folder 3-4
Type:
Archival materials
Date:
1965-1973
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Lindeberg papers, 1951-1973. Archives of American Art, Smithsonian Institution.
See more items in:
Linda Lindeberg papers
Linda Lindeberg papers / Series 1: Linda Lindeberg Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97c98491c-33ba-4bd6-bbf1-f2c9e6ee3f4c
EDAN-URL:
ead_component:sova-aaa-lindlind-ref9

Giorgio Cavallon papers

Creator:
Cavallon, Giorgio, 1904-1989  Search this
Names:
Bolotowsky, Ilya, 1907-1981  Search this
Hawthorne, Charles Webster, 1872-1930  Search this
Holesch, Carlo  Search this
Lassaw, Ibram, 1913-2003  Search this
Lindeberg, Linda, 1915-1973  Search this
Pollock, Charles C.  Search this
Pollock, Sylvia Winter  Search this
Photographer:
Hofer, Evelyn  Search this
Extent:
1 Linear foot ((partially microfilmed on 3 reels))
Type:
Collection descriptions
Archival materials
Date:
1910-1982
Scope and Contents:
Biographical information; correspondence; photographs; exhibition catalogs and announcements; monograph; scrapbooks; sketchbook; clippings; three small palettes on linen.
REELS N68/60-N68/61: Biographical information; personal letters and postcards; business correspondence; a list of owners of Cavallon's paintings; exhibition catalogs and announcements; articles about Cavallon; several drawings with notes; a letter of explanation and drawing for an easel invented by Cavallon; photographs of his paintings and personal photos; and a scrapbook, containing mostly printed material. A portion of these papers were also filmed on Reel D359.
REEL D359: Postcards; a drawing of an easel that Cavallon invented with a letter of explanation; photographs of Cavallon including a tintype, 1920, and one taken by Evelyn Hofer, 1956, his family, and friends, including photographs of Ilya Bolotowsky, Carlo Holesch, Ibram Lassaw, Sylvia and Charles Pollock, and of Charles Hawthorne instructing an art class; magazine articles; and a scrapbook, containing clippings, photographs of art work, exhibition announcements and catalogs.
UNMICROFILMED: A sketchbook from Italy; letters and postcards received by Cavallon and his wife Linda Lindeberg; a notebook and notebooks; photographs of Cavallon and others; a photograph of Cavallon's work; exhibition catalogs and announcements; clippings; three scrapbooks; scattered writings; a drawing by Cavallon; and a small amount of Linda Lindeberg's (Cavallon's wife) papers and photographs.
Biographical / Historical:
Painter; New York, N.Y.; d. December 22, 1989.
Provenance:
Reels N68/60-N68/61 and D359 were lent in 1968 for microfilming; a portion on reel D359 was subsequently donated July 1969 by Giorgio Cavallon. Additional unmicrofilmed material was donated 1980-1982 by Cavallon.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Identifier:
AAA.cavagior
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a9ee23fb-4df9-482f-9c84-3df285e1f1ac
EDAN-URL:
ead_collection:sova-aaa-cavagior

Jack Tworkov papers

Creator:
Tworkov, Jack  Search this
Names:
Egan Gallery  Search this
Leo Castelli Gallery  Search this
Nancy Hoffman Gallery  Search this
Poindexter Gallery  Search this
Stable Gallery (New York, N.Y.)  Search this
Zabriskie Gallery  Search this
Ashbury, John  Search this
Ashton, Dore  Search this
Bartlett, Jennifer, 1941-  Search this
Blinken, Donald M., 1925-  Search this
Calfee, William H. (William Howard), 1909-1995  Search this
Cavallon, Giorgio, 1904-1989  Search this
Cézanne, Paul, 1839-1906  Search this
Demarco, Ricky  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Forge, Andrew  Search this
Hartigan, Grace  Search this
Herzbrun, Helene  Search this
Katz, Paul  Search this
Knaths, Karl, 1891-1971  Search this
Lindeberg, Linda, 1915-1973  Search this
Matter, Herbert, 1907-1984  Search this
Newman, Arnold, 1918-2006  Search this
Newman, Michael  Search this
Osborn, Robert Chesley, 1904-1994  Search this
Ponsold, Renate  Search this
Praeger, David A.  Search this
Rothko, Mark, 1903-1970  Search this
Summerford, Joe  Search this
Thorne, Joan, 1943-  Search this
Westenberger, Theo  Search this
Wheeler, Dennis  Search this
Wise, Howard  Search this
Yunkers, Adja, 1900-1983  Search this
Extent:
9.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketchbooks
Video recordings
Interviews
Motion pictures (visual works)
Sound recordings
Sketches
Diaries
Date:
1926-1993
Summary:
The Jack Tworkov papers measure 9.7 linear feet and are dated 1926-1993. Tworkov's work as a painter and influential teacher, as well as his personal life, are documented by extensive journals and substantive correspondence that record his ideas about art and teaching, and illuminate his relationships with friends, colleagues, and students. Many sketchbooks, writings, interviews, photographs, and moving images are also included.
Scope and Content Note:
The Jack Tworkov papers measure 9.7 linear feet and are dated 1926-1993, with the bulk from the period 1931-1982. Tworkov's work as a painter and influential teacher, as well as his personal life, are documented by extensive journals and substantive correspondence that record his ideas about art and teaching, and illuminate his relationships with friends, colleagues, and students. Many sketchbooks, writings, interviews, photographs, and moving images are also included.

Biographical material includes Tworkov's citizenship certificate, awards, diplomas, a copy of Jack Tworkov: Video Portrait, produced by Electronic Arts Intermix, and a motion picture film, USA Artists: Jack Tworkov, produced by National Education Television.

Correspondence consists largely of incoming letters. It is both professional and personal in nature and often combines both spheres. Correspondents include artists Jennifer Bartlett, William H. Calfee, Giorgio Cavallon and Linda Lindeberg, Grace Hartigan, Helene Herzbrun (also named Helene McKinsey), Karl Knaths, Joe Summerford, Joan Thorne, and Adja Yunkers; cartoonist Robert C. Osborn; collectors Donald M. Blinken and David A. Praeger (who was also Tworkov's lawyer); illustrator Roger Dovoisin; critics Dore Ashton and Andrew Forge; critic and poet John Ashbury; galleries that represented Tworkov: Egan Gallery, Leo Castelli, Nancy Hoffman Gallery, Poindexter Gallery, Stable Gallery and Zabriskie Gallery; and many museums, arts organizations, colleges and universities.

Interviews with Tworkov include one with Ricky Demarco videotaped in 1979 and two conducted on video by Twokov's daughter Helen in 1975. The remaining interviews are sound recordings, one conducted by Grace Alexander for the show Artists in New York in 1967, one conducted by Michael Newman in 1980, and the remainder by unidentified interviewers. None have transcripts.

All writings are by Tworkov and include poems, an artist's statement, and documentation for two children's books by Tworkov illustrated by Roger Duvoisin. Two additional notebooks contain miscellaneous notes, teaching notes, and some specific to identified courses. Lectures exist as untranscribed sound recordings.

Tworkov's journals (33 volumes) span a period of 35 years, from 1947 until 1982, with the final entry dated a few weeks before his death. They record his reflections on painting, his challenges as a painter, aesthetics, the role of the artist in society, Jewish identity, painters he admired (especially Cézanne and Edwin Dickinson), politics, and teaching. They also recount everyday life: the comings and goings of friends and family members, social engagements, professional activities, illness, and travel.

The lone subject file concerns Mark Rothko and includes a photograph of Rothko and the guest list for the dedication of the Rothko Chapel in Houston.

Artwork consists of a small number of sketches by Tworkov in pencil and ink. Tworkov's sketchbooks (28 volumes) contain sketches and some finished drawings. Most are in pencil, but scattered throughout are a few pencil sketches embellished with colored marker or pastel, and a small number in ink.

Photographs are of people, places and events. Most photographs are of Tworkov alone and with others including Giogio Cavallon, though most friends and students are unidentified. Of note are views of Tworkov producing a series of prints at Tamarind Institute. Also found is an informal portrait of Wally Tworkov. Events recorded include the jurying of "Exhibition Momentum" in Chicago, 1956. Among the places shown are Tworkov's studios at Black Mountain College and in Provincetown. When known, photographers are noted; among them are Paul Katz, Herbert Matter, Arnold Newman, Renate Ponsold, Theo Westenberger, Dennis Wheeler, and Howard Wise.

A separate series of audiovisual recordings was established for those recordings that could not be readily identified to be arranged in other series. They consist of three videocassettes (2 VHS and 1 miniDV).
Arrangement:
The collection is arranged as 11 series:

Missing Title

Series 1: Biographical Material, 1933-1981 (Boxes 1, 9, 11, FC 13; 0.7 linear ft.)

Series 2: Correspondence, 1926-1993 (Boxes 1-5; 3.8 linear ft.)

Series 3: Interviews, 1978-1982 (Boxes 5, 9-10; 1 linear ft.)

Series 4: Writings, Notes, and Lectures, 1955-1982 (Boxes 5, 9; 0.5 linear ft.)

Series 5: Journals, 1947-1982 (Boxes 5-7; 2.0 linear ft.)

Series 6: Subject File, 1961-1977 (Box 7; 1 folder)

Series 7: Printed Material, 1952-1981 (Box 7, OV 12; 0.1 linear ft.)

Series 8: Artwork, circa 1950s-1960s (Box 7: 3 folders)

Series 9: Sketchbooks, circa 1950s-1960s (Boxes 7-8, 11; 1.0 linear ft.)

Series 10: Photographic Materials, 1941-1981 (Boxes 8-9; 0.5 linear ft.)

Series 11: Audiovisual Recordings, 1961-1975 (Box 9; 0.1 linear ft.)
Biographical Note:
New York School painter Jack Tworkov (1900-1982), best known for his Abstract Expressionist paintings and as a highly regarded teacher, lived and worked in New York City and Provincetown, MA.

At age 13, Tworkov (born Yakov Tworkovsky) emigrated from Poland with his mother and sister to join his father already in the United States. In America, they chose to use the name of distant relatives, the Bernsteins, who were their sponsors. Eventually, Jack and his sister, Janice, reclaimed and shortened their name to Tworkov; later, she adopted the name of their hometown in Poland and became the painter Janice Biala.

As a high school student in New York City, Tworkov attended drawing classes. After graduating from Columbia University, where he had been an English major and considered becoming a writer, Tworkov instead turned to art. He studied with Ivan Olinsky at the National Academy of Design between 1923 and 1925, and from 1925 to 1926 attended painting classes taught by Guy Péne Du Bois and Boardman Robinson at the Art Students League. During his college years, Tworkov began visiting museums and became a great admirer of Cézanne. Tworkov's early paintings - still life, landscapes, and portraits - showed the influence of European modernism and Cézanne.

Tworkov spent his first summer in Provincetown while still a student and subsequently returned to study with Ross Moffet. In Provincetown he met and was greatly influenced by Karl Knaths and developed a lifelong friendship with Edwin Dickinson. By 1929, Tworkov was painting there year round. Over the years, Tworkov and his family continued to return for long stretches, and in 1958 he purchased a house in Provincetown.

During the Great Depression, Tworkov participated in the Treasury Department's Public Works of Art Project until 1934, and then moved to the easel division of the WPA Federal Art Project. He felt uncomfortable with the growing ideological and political influences on art and found it depressing to paint for the WPA rather than for himself, so he left the WPA in 1941. Tworkov, who had studied mechanical drawing while in high school, spent most of the War years employed as a tool designer and draftsman at an engineering firm with government contracts.

By the 1940s, Tworkov was painting in the Abstract Expressionist style. Between 1948 and 1953, he leased a studio on Fourth Avenue that adjoined that of his friend Willem de Kooning. During this time, they mutually influenced each other as they developed into mature Abstract Expressionists. At Yale in the 1960s, Tworkov became close friends with fellow student Josef Albers. Alber's influence on Tworkov resulted in a turn to geometric compositions of small, systematic, and repetitive strokes defined by a grid. He experimented with diagonal compositions, and later geometric work that featured large areas of color and soft texture.

Tworkov's first teaching experience was during 1930-1931 when he served as a part-time painting instructor at the Ethical Culture Fieldston School. His teaching career began in earnest when he joined the faculties of Queens College, 1948-1955, and Pratt Institute, 1955-1958. During the summers he taught at various schools, most notably Black Mountain College's 1952 summer session. Tworkov was a visiting artist at the Yale University School of Art and Architecture, 1961-1963, and became chairman of its Art Department from 1963 until his retirement in 1969. In retirement he lived in Provincetown and was a visiting artist for both short and extended periods at various universities and art schools.

An avid reader of literature and poetry, Tworkov also wrote poems and essays. He published essays in It Is, Art Digest, and Art In America; his most notable piece, "The Wandering Soutine," appeared in Art News, November 1950. Tworkov also kept a journal for 35 years (1947-1982) that recorded his thoughts on a wide range of subjects concerning professional, personal, and philosophical issues, as well as details of everyday life.

Tworkov was among the founders of the Artists' Club or The Club in 1949, and for a decade actively participated in the stimulating discussions for which the group was known. In 1968 he helped to establish the Fine Arts Work Center in Provincetown. Its residency program enabled younger artists and writers to advance their careers and kept Provincetown's historic artists' colony active year round.

He was the recipient of the William A. Clark Award and Corcoran Gold Medal from the Corcoran Gallery of Art, 1963; Skowhegan School of Art's Painter of the Year Award, 1974; and Distinguished Teaching of Art Award from College Art Association, 1976. Tworkov was appointed to serve on the Massachusetts Art Commission, 1970-1971, and in 1981 was named a Fellow of The Cleveland Museum of Art and of the Rhode Island School of Design.

Following his second divorce in 1935, Rachel (Wally) Wolodarsky became Tworkov's third wife and their marriage endured. They had two daughters. Hermine Ford (b. 1939) is an artist married to fellow painter Robert Moskowitz. Helen Tworkov (b. 1943) is the founder of Tricycle: The Buddhist Review and the author of a book about yoga.

Tworkov remained physically and intellectually active after a diagnosis of bone cancer around 1980, and continued to paint until shortly before his death in Provincetown on September 4, 1982.
Related Material:
Among the holdings of the Archives of American Art are two oral history interviews with Jack Tworkov, one conducted by Dorothy Seckler, Aug. 17, 1962, and another by Gerald Silk, May 22, 1981. There is also a small collection of three letters written by Jack Tworkov to friend Troy-Jjohn Bramberger.
Separated Material:
The Archives of American Art also holds material lent for microfilming (reel N70-38 and 62) including writings by Tworkov, notebooks, notes for teaching and talks, notes on art and miscellaneous subjects, poems, artist's statements, biographical data, the transcript of a 1970 interview with Tworkov conducted by Phyllis Tuchman, and a few letters and drafts of letters, 1950-1963. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Jack Tworkov lent the Archives of American Art papers for microfilming in 1970-1971. Jack Tworkov's daughters, Hermine Ford and Helen Tworkov, donated the rest of the collection in 2009, which included some of the material from the original loan.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
Reels N70-38 and 62: Authorization to publish, quote, or reproduce requires written permission from Helen Tworkov or Hermine Ford. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Massachusetts  Search this
Topic:
Painting -- New York (State)  Search this
Painters -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Genre/Form:
Photographs
Sketchbooks
Video recordings
Interviews
Motion pictures (visual works)
Sound recordings
Sketches
Diaries
Citation:
Jack Tworkov papers, 1926-1993. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tworjack2
See more items in:
Jack Tworkov papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9345f5838-057f-4572-8063-0df7b8d00ad0
EDAN-URL:
ead_collection:sova-aaa-tworjack2
Online Media:

Linda Lindeberg Papers

Collection Creator:
Lindeberg, Linda, 1915-1973  Search this
Extent:
0.3 Linear feet (Box 1, OV 2)
Type:
Archival materials
Date:
1951-1973
Scope and Contents:
Artworks include ink sketches and hand-drawn mockups of exhibition catalogs with pencil sketches. Biographical material includes a resume, a eulogy for Lindberg given by Stanley Moss, reproductions of works of art, and scattered notes. Correspondence is with galleries and institutions including Marlborough-Gerson Gallery, Inc., Museum of Modern Art, and University of California, Berkeley. Correspondence also includes notes and letters from friends signed with first names only. Personal business records include loan and sales records and receipts. Photographs depict Lindberg, Giorgio Cavallon, Franz Kline, and Lindberg's studio, exhibitions, and works of art.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Lindeberg papers, 1951-1973. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lindlind, Series 1
See more items in:
Linda Lindeberg papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99d36367a-bf60-4bf2-950d-ec9c9a8dd737
EDAN-URL:
ead_component:sova-aaa-lindlind-ref6

Linda Lindeberg papers

Creator:
Lindeberg, Linda, 1915-1973  Search this
Names:
Cavallon, Giorgio, 1904-1989  Search this
Extent:
0.3 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1951-1973
Summary:
The scattered papers of painter Linda Lindeberg measure 0.3 linear feet and date from 1951 to 1973. Found are artworks, biographical material, correspondence, personal business records, and photographs.
Scope and Contents:
The scattered papers of painter Linda Lindeberg measure 0.3 linear feet and date from 1951 to 1973. Found are artworks, biographical material, correspondence, personal business records, and photographs.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Linda Lindeberg (1915-1973) was an abstract expressionist painter in New York City, New York. She studied at the Hoffman School in New York under Hans Hofmann and was married to fellow painter Giorgio Cavallon. Often, her work featured female nudes.
Separated Materials:
Material loaned for microfilming on reel N68-61 in 1968, including clippings, notes, exhibition catalogs, and photographs, were returned to Linda Lindeberg after microfilming and are not described in the collection container inventory.
Provenance:
The collection was donated to the Archives of American Art in 1973 by Giorgio Cavallon.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Citation:
Linda Lindeberg papers, 1951-1973. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lindlind
See more items in:
Linda Lindeberg papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c484a035-ffcc-4767-bb5f-73d917ac2035
EDAN-URL:
ead_collection:sova-aaa-lindlind

Linda Lindeberg papers, 1951-1973

Creator:
Lindeberg, Linda, 1915-1973  Search this
Subject:
Cavallon, Giorgio  Search this
Citation:
Linda Lindeberg papers, 1951-1973. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women painters  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9144
(DSI-AAA_SIRISBib)211338
AAA_collcode_lindlind
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211338

Personal Business Records

Collection Creator:
Lindeberg, Linda, 1915-1973  Search this
Container:
Box 1, Folder 5
Type:
Archival materials
Date:
1953-1972
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Lindeberg papers, 1951-1973. Archives of American Art, Smithsonian Institution.
See more items in:
Linda Lindeberg papers
Linda Lindeberg papers / Series 1: Linda Lindeberg Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94860d08a-fe0f-4e6b-9396-cee7d8a7aafb
EDAN-URL:
ead_component:sova-aaa-lindlind-ref10

Photographs of artwork

Photographer:
Katz, Michael  Search this
Names:
Ault, Lee  Search this
Boltt, Robert  Search this
Lindeberg, Linda, 1915-1973  Search this
Marcus, Marcia, 1928-  Search this
Smith, David, 1906-1965  Search this
Extent:
400 Items (photographic negatives)
154 Items (photographic prints)
Type:
Collection descriptions
Archival materials
Date:
1960-1969
Scope and Contents:
Black and white photographs by Michael Katz of works by Linda Lindeberg, Marcia Marcus, David Smith, and others. Also works from the collections of Lee Ault, Robert Boltt, Tishman, and photography done for the Museum of Modern Art and several commercial galleries.
Biographical / Historical:
Michael Katz is a photographer from New York, N.Y. Specialized in art photography.
Provenance:
Donated 1995 by Michael Katz.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Photographers -- New York (State) -- New York  Search this
Topic:
Art, American -- Photographs  Search this
Identifier:
AAA.katzmich
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cac3ae74-1233-43d3-9745-e97e641b3a55
EDAN-URL:
ead_collection:sova-aaa-katzmich

Photographs, Works of Art

Collection Creator:
Lindeberg, Linda, 1915-1973  Search this
Container:
Box 1, Folder 7
Type:
Archival materials
Date:
1968-1970
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Lindeberg papers, 1951-1973. Archives of American Art, Smithsonian Institution.
See more items in:
Linda Lindeberg papers
Linda Lindeberg papers / Series 1: Linda Lindeberg Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw997454642-275c-4d9e-8332-65fcd35f0991
EDAN-URL:
ead_component:sova-aaa-lindlind-ref13

Photographs, of Linda Lindeberg and Others

Collection Creator:
Lindeberg, Linda, 1915-1973  Search this
Container:
Box 1, Folder 6
Type:
Archival materials
Date:
circa 1960-circa 1970
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Lindeberg papers, 1951-1973. Archives of American Art, Smithsonian Institution.
See more items in:
Linda Lindeberg papers
Linda Lindeberg papers / Series 1: Linda Lindeberg Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d7cc3e39-170f-414b-89b2-abb615447698
EDAN-URL:
ead_component:sova-aaa-lindlind-ref11

Photographs, of Linda Lindeberg and Others, Oversized

Collection Creator:
Lindeberg, Linda, 1915-1973  Search this
Container:
Oversize 2
Type:
Archival materials
Date:
circa 1960
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Lindeberg papers, 1951-1973. Archives of American Art, Smithsonian Institution.
See more items in:
Linda Lindeberg papers
Linda Lindeberg papers / Series 1: Linda Lindeberg Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93b5dfc20-f380-4ea9-b1e2-8772c50c2c81
EDAN-URL:
ead_component:sova-aaa-lindlind-ref12

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