Skip to main content Smithsonian Institution

Search Results

Collections Search Center
1,390,231 documents - page 1 of 500Result pages are truncated to 500.

"Hiawatha: the Indian Passion Play" performance photographs

Creator:
Moore, F. E. (Frank E.)  Search this
Names:
Cornplanter, Jesse J.  Search this
Extent:
98 Photographic prints
18 Copy negatives
Culture:
Seneca [Cattaraugus]  Search this
Type:
Collection descriptions
Archival materials
Photographic prints
Copy negatives
Place:
Cattaraugus (N.Y.)
Date:
1906
Summary:
This collection include souvenir photographs shot by producer Frank E. Moore of his 1906 outdoor stage production of "Hiawatha: The Indian Passion Play" based on Longfellow's epic poem The Song of Hiawatha. This production of Hiawatha was performed near the Cattaraugus Reservation, New York, and included Seneca [Cattaraugus] performers, possibly with Jesse Cornplanter in the role of Hiawatha.
Scope and Contents:
This collection includes 98 photographic prints from a souvenir book of a 1906 performance of "The Song of Hiawatha" produced by Frank E. Moore. The performance was held on the shore of Lake Chautauqua near the Cattaraugus Reservation. It is very likely that several of the performers photographed in this collection were also a part of the 1913 film production of Hiawatha, also produced by Frank E. Moore. This includes Jesse Cornplanter, in the role of Hiawatha, and his father Edward Cornplanter. The photographs show scenes from the theatrical production featuring characters such as Hiawatha, Minnehaha, Nokomis, and Pau-Puk-keewis. 18 copy negatives were later made from the photographic prints.
Prints: P04612-P04709; Copy Negatives: N35315-N35332
Arrangement:
Arranged by catalog number.
"Song of Hiawatha":
Henry Wadsworth Longfellow first published the epic poem, Song of Hiawatha, in 1855. By 1900, the poem had been translated into 20 different European languages as well as back into the Ojibwe language at the turn of the century ushering in a "Hiawatha Revival" that captured American Imaginations. In 1901, Louis Oliver Armstrong, an amateur ethnologist and land agent for the Canadian Pacific Railroad, wrote a new libretto from the Longfellow poem in English and Ojibwe which was first prepared with Garden River Anishinaabeg community members as actors. His performances, or "Pageants," became regular events which led to additional versions and tours around the United States. Not long after Armstrong discontinued his show in 1905, Frank E. Moore created his own version. Originally from Middletown, Ohio, Moore gathered a large cast of Native performers from various tribal communities including many actors from the Seneca Nation on the Cattaraugus Reservation. Moore continued the tradition of large outdoor pageant performances of "Hiawatha" which were performed along a body of water and featured Native actors performing traditional dances and wearing "Native" costumes alongside narration of Longfellow's poem.

In 1913 Frank E. Moore produced the stage version of Hiawatha into a film, hiring Jesse Cornplanter (Seneca) to play Hiawatha. Jesse Cornplanter had previously accompanied his father, Edward Cornplanter, acting and singing in the Hiawatha pageant on tour through the United States and Europe. "Hiawatha" was shot in upstate New York and northern Michigan by Moore and was the first feature film to use an all-Native cast, with reportedly 150 actors from the Cattaraugus Reservation. A twenty-eight-minute cut is housed in the American Film Institute's collection in the Library of Congress.

Sources:

McNally, Michael D. "The Indian Passion Play: Contesting the Real Indian in "Song of Hiawatha" Pageants, 1901-1965," American Quarterly Vol. 58, No. 1 (March 2006), pp. 105-136.

Evans, Katy Young. "The People's Pageant: The Stage as Native Space in Anishinaabe Dramatic Interpretations of "Hiawatha"," Melus Vol. 41, No. 2 (Summer 2016), pp. 124-146.
Related Materials:
Library of Congress, Lot 8218, "Scenes from theatrical production of Hiawatha, Lake Chautauqua, New York."
Provenance:
Gift of Reginald P. Bolton, 1918.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Theatrical productions  Search this
Citation:
Identification of specific item; Date (if known); "Hiawatha: the Indian Passion Play" performance photographs, image #, NMAI.AC.162; National Museum of the American Indian Archives Center, Smithsonian Institution.
Identifier:
NMAI.AC.162
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv40a276800-0d72-4e32-835e-10800737ef82
EDAN-URL:
ead_collection:sova-nmai-ac-162

Sleepy John Estes and Yank Rachell film elements

Collection Photographer:
Schiedt, Duncan P., 1921-2014  Search this
Extent:
1 Film reel (color, silent, original reversal, 16mm, 320 feet)
1 Film reel (optical soundtrack (transferred from original magnetic track), 16mm, 320 feet)
1 Film reel (color, silent, trims/outtakes, 16mm, 100 feet)
Container:
Reel OF 1323.3a
Reel OF 1323.3b
Reel OF 1323.3c
Type:
Archival materials
Moving Images
Film reels
Date:
circa 1967
Scope and Contents:
Film and sound elements recording performances by blues singers Sleepy John Estes and Yank Rachell.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Reproduction restricted due to copyright or trademark. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Duncan Schiedt Jazz Collection, 1900-2012, Archives Center, National Museum of American History
See more items in:
Duncan P. Schiedt Photograph Collection
Duncan P. Schiedt Photograph Collection / Series 5: Audiovisual Materials
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8951f5363-f8a0-4428-9019-c7e3cd8d1217
EDAN-URL:
ead_component:sova-nmah-ac-1323-ref7851

Duncan P. Schiedt Photograph Collection

Photographer:
Schiedt, Duncan P., 1921-2014  Search this
Extent:
65 Cubic feet (124 boxes)
Type:
Collection descriptions
Archival materials
Date:
1900-2012, undated
Summary:
Duncan Schiedt (1921-2014) was a jazz scholar, writer, photographer, film maker, researcher and pianist. He authored four books relating to jazz history. Many of his photographs and articles were featured in magazines, periodicals and documentaries. Schiedt also collected the work of other photographers on the subject of jazz. The collection primarily consists of photographs created by or collected by Mr. Schiedt.
Scope and Contents:
The collection consists of Schiedt's own photographs of jazz performers, photographs of jazz performers taken by other photographers, research notes, films, and recordings of jazz.
Arrangement:
Collection is arranged into five series.

Series 1: Background Information and Research Materials, 1915-2012, undated

Series 2: Photographic Materials, 1900-2012, undated

Subseries 2.1: Historical Photographs and Negatives, 1915-2012

Subseries 2.2: Artist Files Photographs, 1900-2000, undated

Subseries 2.3: Subject Files Photographs, 1916-2002, undated

Subseries 2.4: Roscoe Allen Photographic Prints, undated

Subseries 2.5: Individual Instrumentalists Photographic Prints and Negatives, 1938-1990, undated

Subseries 2.6: John Minor Negatives, undated

Subseries 2.7: Indianapolis Theater Photographic Prints and Negatives, 1935-1956, undated

Subseries 2.8: Theater and Vaudeville Negatives, 1910-1948, undated

Subseries 2.9: Glass Plate Negatives and Copy Prints, undated

Subseries 2.10: Publicity and Festival Negatives, 1930-1962, undated

Series 3: Charles T (Ted) Grubb Papers, 1919-1999, undated

Series 4: Scrapbooks, 1901-1950, undated

Series 5: Audiovisual Materials, undated
Biographical / Historical:
For over sixty-five years, professional photographer Duncan Preston Schiedt combined his love of jazz with his love of photography. Born in 1921 in Atlantic City, New Jersey to Jacob and Kitty Schiedt, he later moved with his family to New York City. In the mid-1930s, he discovered the two loves of his life. Ironically, he first heard jazz or "swing music" as it was then known in a radio broadcast while attending a boys' school in England in 1936. Back in the States by 1938, he was enthralled when a friend showed him his basement darkroom and taught him how to develop film. He soon bought his own camera and began taking pictures in the Times Square movie palaces, nightclubs, and big band shows of New York. In World War II, he served as a cameraman in the Army Air Force, where he recorded atomic bomb tests in the western Pacific area, including Bikini Atoll.

In 1950, Schiedt married Betty Benjamin and moved to Hollywood where he worked at the Atomic Energy Commission's film laboratory for eight months. After returning to civilian life, he worked as a photographer in advertising in New York before moving in 1951 to Pittsboro, Indiana, where his parents had relocated. He had two children, Cameron and Leslie.

Thereafter, his interests in jazz and photography merged and became more than a hobby, as he transformed himself into one of the country's leading jazz historians and photographers. He traveled the country to photograph performers in movie houses, night clubs, big-band shows, jazz festivals, and other venues. Schiedt always shot in black and white, since to him that was the essence of jazz. As he wrote in the introduction to his book, Jazz in Black and White: The Photographs of Duncan Schiedt, "Jazz is a black and white music. Its range, from blinding brilliance to deepest shadings, seems to demand the drama that black and white can so easily provide. Consequently, when I take a photograph of a jazz subject, I see it in those terms."

He processed all his own film in his own darkroom so that any picture bearing his name was totally his own work. His photographs have been exhibited in numerous galleries, including the Birmingham Civil Rights Museum, the Chicago Public Library, the Indianapolis Museum of Art, and the Pensacola Art Museum. While shooting, Schiedt also interviewed his subjects, and those interviews added to his ever-growing scholarship in the field. He was the author of three books, The Jazz State of Indiana, Twelve Lives in Jazz,and Jazz in Black and White: The Photographs of Duncan Schiedt, and co-author of Ain't Misbehavin': The Story of Fats Waller. His photographs and articles have been published in the leading jazz periodicals and magazines. Over the years, he also amassed a first-rate collection of historical photographs of jazz musicians. Both his historical photographs and his original work were featured extensively in Ken Burns' Public Broadcasting Station series "Jazz." Duncan Schiedt died on March 12, 2014.
Related Materials:
Materials in the Archives Center

Leonard Gaskin Papers, NMAH.AC.0900
Provenance:
Donated to the Archives Center in 2014 by Duncan Schiedt's daughter and son, Leslie Michel and Cameron Schiedt.
Restrictions:
Collection is open for research.
Rights:
Reproduction restricted due to copyright or trademark. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz  Search this
Musicians  Search this
Music  Search this
Citation:
Duncan Schiedt Jazz Collection, 1900-2012, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1323
See more items in:
Duncan P. Schiedt Photograph Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep81f29a1f3-28db-4274-babb-fe5a9ee71064
EDAN-URL:
ead_collection:sova-nmah-ac-1323
Online Media:

Audiovisual Materials

Collection Photographer:
Schiedt, Duncan P., 1921-2014  Search this
Type:
Archival materials
Date:
circa 1944-1967
Scope and Contents:
This series is comprised of two compilation reels of jazz and blues performances and three reels of original elements of a film recording performances by Sleepy John Estes and Yank Rachell.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Reproduction restricted due to copyright or trademark. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Duncan Schiedt Jazz Collection, 1900-2012, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1323, Series 5
See more items in:
Duncan P. Schiedt Photograph Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8dd8e1e16-e438-4332-8158-cb163736dcbd
EDAN-URL:
ead_component:sova-nmah-ac-1323-ref334

Soundies

Collection Photographer:
Schiedt, Duncan P., 1921-2014  Search this
Extent:
1 Film reel (black and white, composite optical soundtrack, compilation reel, 16mm, 1150 feet)
Container:
Reel OF 1323.1
Type:
Archival materials
Moving Images
Film reels
Date:
circa 1944-1948
Scope and Contents:
Compilation reel of various musical performances. The following list is transcribed from a note attached to the original film cannister:

Gene Krupa Orchestra - Let Me Off Uptown (O'Day, Eldrige)

Fats Waller - Ain't Misbehavin'

Louis Armstrong - When It's Sleepy Time Down South

Hoagy Carmichael - Stardust, Lazybones (with Dorothy Dandridge)

Wingy Mannone - When the Saints Go Marching In

Fats Waller - Honey Suckle Rose

Rio Rita Orchestra (actually led by actress Donna Drake) with vocalist Alan Ladd - Look at You

Cootie Williams Orchestra (band short) - five musical segments including blues number by "Cleanhead" Eddie Vinson, Douglas Bros. dancers, Laura Watson vocal, Lindy Hoppers in finale
Collection Restrictions:
Collection is open for research.
Collection Rights:
Reproduction restricted due to copyright or trademark. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Duncan Schiedt Jazz Collection, 1900-2012, Archives Center, National Museum of American History
See more items in:
Duncan P. Schiedt Photograph Collection
Duncan P. Schiedt Photograph Collection / Series 5: Audiovisual Materials
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep808d75e13-c5bb-4130-a262-9e4512ad22f4
EDAN-URL:
ead_component:sova-nmah-ac-1323-ref7849

Jazz Performance Compilation

Collection Photographer:
Schiedt, Duncan P., 1921-2014  Search this
Extent:
1 Film reel (black and white, composite optical soundtrack, compilation reel, 16mm, 1250 feet)
Container:
Reel OF 1323.2
Type:
Archival materials
Moving Images
Film reels
Date:
circa 1944-1947
Scope and Contents:
Compilation reel of jazz performances. The first four segments begin with title cards that read "U.M. + M. TV Corporation presents." The last segment has no titles but appears to be an excerpt from the 1945 film Tonight and Every Night.

A list of the contents was attached to the original film cannister and has been transcribed as follows:

Duke Ellington Orchestra - Symphony in Black

Duke Ellington Orchestra - Bundle of Blues (Rockin' in Rhythm - Stormy Weather - Bugle Call Rag)

Hoagy Carmichael with Jack Teagarden Orchestra and vocalist Meredith Blake (Two SLeepy People - That's Right, I'm Wrong - Washboard Blues - Lazybones - Small Fry - Rockin' Chair - Stardust)

Prof. Lamberti (incl. Rita Hayworth) vaude act
Collection Restrictions:
Collection is open for research.
Collection Rights:
Reproduction restricted due to copyright or trademark. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Duncan Schiedt Jazz Collection, 1900-2012, Archives Center, National Museum of American History
See more items in:
Duncan P. Schiedt Photograph Collection
Duncan P. Schiedt Photograph Collection / Series 5: Audiovisual Materials
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep85fcf28cd-11ac-4ebf-b15f-6b2e855ea7e9
EDAN-URL:
ead_component:sova-nmah-ac-1323-ref7850

The Garden Club of America collection

Creator:
Garden Club of America  Search this
Names:
New York Flower Show  Search this
Extent:
37,000 Slides (35mm slides)
33 Linear feet ((garden files))
3,000 Lantern slides
37,000 Slides (35mm slides)
33 Linear feet ((garden files))
3,000 Lantern slides
Type:
Collection descriptions
Archival materials
Slides
Lantern slides
Plans (drawings)
Brochures
Articles
Correspondence
Clippings
Slides (photographs)
Date:
circa 1920-present
Summary:
This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland.

A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.
Biographical/Historical note:
The Garden Club of America was established in 1913 in Philadelphia, Pennsylvania, when the Garden Club of Philadelphia and eleven other garden clubs met to create a national garden club. Its purpose is to foster the knowledge and love of gardening and to restore and protect the quality of the environment through educational programs and gardening and conservation efforts. The GCA was incorporated in Delaware in 1923, with its headquarters established in New York City. Today, local clubs are organized under twelve regional zones. The GCA continues its tradition of hosting flower shows and publishing material related to gardening in the United States.

The GCA's glass lantern slides were used by The GCA for presentations and lectures about notable gardens throughout the United States dating back to colonial times. An effort was made in the late 1980s, in preparation of the 75th anniversary of the Garden Club of America's founding, to collect the disbursed slides. These slides were to eventually form the Slide Library of Notable American Parks and Gardens. The informational value of this collection is extensive since a number of images of the more than 4,500 gardens represented show garden designs that have changed over time or no longer exist. While the majority of images document a range of designed upper and upper-middle class gardens throughout the U.S., the scope of the collection is expanding as volunteers photograph and document contemporary gardens including community and vernacular gardens.

The gardens illustrate the design work of dozens of landscape architects including Marian Coffin, Beatrix Farrand, Lawrence Halprin, Hare & Hare, Umberto Innocenti, Gertrude Jekyll, Jens Jensen, Warren Manning, the Olmsted Brothers, Charles Platt, Ellen Biddle Shipman, and Fletcher Steele. Because of their proximity to the gardens, works of notable architects and sculptors may also be featured in the images.
Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- France  Search this
Gardens -- Italy  Search this
Gardens -- Japan  Search this
Gardens -- Mexico  Search this
Flower shows  Search this
Gardening -- United States -- societies, etc  Search this
Gardens -- England  Search this
Landscape architecture  Search this
Gardens -- United States  Search this
Gardens -- Spain  Search this
Gardens -- Scotland  Search this
Genre/Form:
Plans (drawings)
Brochures
Articles
Correspondence
Clippings
Lantern slides
Slides (photographs)
Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA
See more items in:
The Garden Club of America collection
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb617385372-1028-4cb7-b07d-04fea2e51c47
EDAN-URL:
ead_collection:sova-aag-gca
Online Media:

Stratigraphy and Preliminary Biostratigraphy of the Flagstaff Rim Area, Natrona County, Wyoming

Author:
Emry, Robert J.  Search this
Object Type:
Smithsonian staff publication
Year:
1973
Citation:
Emry, Robert J. 1973. Stratigraphy and Preliminary Biostratigraphy of the Flagstaff Rim Area, Natrona County, Wyoming. Washington, D.C.: Smithsonian Institution. In Smithsonian Contributions to Paleobiology, 18. https://doi.org/10.5479/si.00810266.18.1.
Identifier:
113444
DOI:
https://doi.org/10.5479/si.00810266.18.1
ISBN:
0081-0266
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_113444

XXV.—On the classification of the Brachyura, and on the homologies of the antennary joints in Decapod Crustacea

Author:
Stimpson, William  Search this
Object Type:
Smithsonian staff publication
Year:
1863
Citation:
Stimpson, William. 1863. "XXV.—On the classification of the Brachyura, and on the homologies of the antennary joints in Decapod Crustacea." Annals and Magazine of Natural History, 11, (64) 233–237.
Identifier:
117949
ISSN:
0022-2933
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_117949

Japanese Art

Author:
Yonemura, Ann  Search this
Object Type:
Smithsonian staff publication
Year:
2006
Citation:
Yonemura, Ann. 2006. "Japanese Art." Arts of Asia, 36, (1) 97–101.
Identifier:
117982
ISSN:
0004-4083
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_117982

A Destructive Cricket in Louisiana

Author:
Riley, Charles V.  Search this
Object Type:
Smithsonian staff publication
Year:
1888
Citation:
Riley, Charles V. 1888. "A Destructive Cricket in Louisiana." Insect Life, 1 87, 88.
Identifier:
120281
ISSN:
InsectLife
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_120281

The Parsnip Web-worm (Depressaria heracliana DeG.)

Author:
Riley, Charles V.  Search this
Object Type:
Smithsonian staff publication
Year:
1888
Citation:
Riley, Charles V. 1888. "The Parsnip Web-worm (Depressaria heracliana DeG.)." Insect Life, 1 94–98, fig. 13.
Identifier:
120282
ISSN:
InsectLife
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_120282

Owyheeite

Author:
Shannon, Earl V.  Search this
Object Type:
Smithsonian staff publication
Year:
1921
Citation:
Shannon, Earl V. 1921. "Owyheeite." American Mineralogist, 6, (4) 82, 83.
Identifier:
120584
ISSN:
0003-004X
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_120584

The identity of 'collbranite' with ludwigite

Author:
Shannon, Earl V.  Search this
Object Type:
Smithsonian staff publication
Year:
1921
Citation:
Shannon, Earl V. 1921. "The identity of "collbranite" with ludwigite." American Mineralogist, 6, (5) 86–88.
Identifier:
120585
ISSN:
0003-004X
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_120585

The old cobalt mine in Chatham, Conn

Author:
Shannon, Earl V.  Search this
Object Type:
Smithsonian staff publication
Year:
1921
Citation:
Shannon, Earl V. 1921. "The old cobalt mine in Chatham, Conn." American Mineralogist, 6, (5) 88–90.
Identifier:
120586
ISSN:
0003-004X
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_120586

Review of 'An annotated checklist of the birds of Malaya,' C. A. Gibson-Hill

Author:
Deignan, H. G.  Search this
Object Type:
Smithsonian staff publication
Year:
1950
Citation:
Deignan, H. G. 1950. "Review of "An annotated checklist of the birds of Malaya," C. A. Gibson-Hill." The Auk, 67 524.
Identifier:
121783
ISSN:
0004-8038
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_121783

Studies of South American plants, XIII

Author:
Smith, A. C.  Search this
Object Type:
Smithsonian staff publication
Year:
1953
Citation:
Smith, A. C. 1953. "Studies of South American plants, XIII." Journal of the Washington Academy of Sciences, 43 203–212.
Identifier:
121938
ISSN:
0043-0439
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_121938

The range of the short-tailed mountain chickadee (Penthestes gambell abbreviatus Grinnell)

Author:
Oberholser, Harry C.  Search this
Object Type:
Smithsonian staff publication
Year:
1919
Citation:
Oberholser, Harry C. 1919. "The range of the short-tailed mountain chickadee (Penthestes gambell abbreviatus Grinnell)." The Auk, 36, (3) 424.
Identifier:
124650
ISSN:
0004-8038
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_124650

The status of Larus hyperboreus barrovianus Ridgway

Author:
Oberholser, Harry C.  Search this
Object Type:
Smithsonian staff publication
Year:
1919
Citation:
Oberholser, Harry C. 1919. "The status of Larus hyperboreus barrovianus Ridgway." Proceedings of the Biological Society of Washington, 32 173–175.
Identifier:
124651
ISSN:
0006-324X
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_124651

Notes on the races of Quiscalus quiscalus (Linnaeus)

Author:
Oberholser, Harry C.  Search this
Object Type:
Smithsonian staff publication
Year:
1919
Citation:
Oberholser, Harry C. 1919. "Notes on the races of Quiscalus quiscalus (Linnaeus)." The Auk, 36, (4) 549–555.
Identifier:
124652
ISSN:
0004-8038
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_124652

Modify Your Search







or


Narrow By