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East Hampton -- Judith and Gerson Leiber Gardens

Garden designer:
Leiber, Gerson August, 1921-  Search this
Owner:
Leiber, Gerson August, 1921-  Search this
Leiber, Judith  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Judith and Gerson Leiber Gardens (Springs, New York).
United States of America -- New York -- Suffolk -- Springs
Scope and Contents:
The garden file includes a cataloging worksheet, an articleine, and 4 35mm slides.
General:
The original land, purchased circa 1970, was less than two acres with a modest house was meant to be a vacation home. The flat rectangular lot had been used as a dump and took two years to clear; the task of creating order evolved into creating a formal parterre garden with brick walkways, extensive treillage and hedges, a potager, and rose gardens. Primarily French in design the formal garden was laid out on a central axis with asymmetrical radiating paths with a Greek herm placed at one end of the axis. Three more acres were acquired; yew hedges were planted since there were no walls, in addition to the clipped boxwood hedges of the parterres. The property features a woodland modeled on English parks, swimming pool, dovecote and other sculptures placed throughout the garden rooms
Persons associated with the garden include Gerson Leiber (owner and garden designer, 1970s - ); Judith Leiber (owner, 1970s - ).
See others in:
Ken Druse garden photography collection 1978-2005.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- New York -- Springs  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File NY518
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / New York
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb65b6e1f8e-603d-43df-9fdc-11a9f01645e7
EDAN-URL:
ead_component:sova-aag-gca-ref27133

East Hampton (Springs) -- Judith and Gerson Leiber Gardens

Owner:
Leiber, Gerson August, 1921-  Search this
Leiber, Judith  Search this
Garden designer:
Leiber, Gerson August, 1921-  Search this
Collection Creator:
Druse, Kenneth  Search this
Type:
Archival materials
Place:
Judith and Gerson Leiber Gardens (Springs, New York).
United States of America -- New York -- Suffolk -- Springs
Scope and Contents:
The garden file includes a worksheet, photocopied articles, and 51 images.
General:
The original land, purchased circa 1970, was less than two acres with a modest house was meant to be a vacation home. The flat rectangular lot had been used as a dump and took two years to clear; the task of creating order evolved into creating a formal parterre garden with brick walkways, extensive treillage and hedges, a potager, and rose gardens. Primarily French in design the formal garden was laid out on a central axis with asymmetrical radiating paths with a Greek herm placed at one end of the axis. Three more acres were acquired; yew hedges were planted since there were no walls, in addition to the clipped boxwood hedges of the parterres. The property features a woodland modeled on English parks, swimming pool, dovecote and other sculptures placed throughout the garden rooms
Persons associated with the garden include Gerson Leiber (owner and garden designer, 1970s - ); Judith Leiber (owner, 1970s - ).
See others in:
Garden Club of America Collection, ca. 1920-[ongoing].
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- New York -- Springs  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Ken Druse garden photography collection
Identifier:
AAG.DRU, File NY518
See more items in:
Ken Druse garden photography collection
Ken Druse garden photography collection / Series 1: Garden Images by Site / United States of America / New York
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6c3489063-da5a-4245-88af-3f5076d25c37
EDAN-URL:
ead_component:sova-aag-dru-ref1435

Terrain Gallery records

Creator:
Terrain Gallery  Search this
Names:
American Federation of Arts  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Abeles, Sigmund, 1934-  Search this
Ashton, Dore  Search this
Bragar, Philip F., 1925-  Search this
Campbell, Lawrence  Search this
Hess, Thomas B.  Search this
Jacobs, Harold, 1932-  Search this
Koppelman, Chaim, 1920-2009  Search this
Koppelman, Chaim, 1920-2009 -- Photographs  Search this
Koppelman, Dorothy  Search this
Koppelman, Dorothy -- Photographs  Search this
Kramer, Hilton  Search this
Leiber, Gerson August, 1921-  Search this
Longo, Vincent, 1923-  Search this
Milton, Peter, 1930-  Search this
Nordness, Lee  Search this
Reinhardt, Ad, 1913-1967 -- Photographs  Search this
Rush, Andrew  Search this
Siegel, Eli, 1902-  Search this
Stamos, Theodoros, 1922-1997  Search this
Ward, Lynd, 1905-1985  Search this
Wilson, Carrie  Search this
Interviewer:
Bourdon, David  Search this
Extent:
5.3 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Scrapbooks
Photographs
Transcripts
Date:
circa 1950s-2005
bulk 1955-1985
Summary:
The records of the Terrain Gallery measure 5.3 linear feet and date from circa 1950s-2005, bulk 1955-1985. The bulk of the records consists of exhibition files that document over one hundred and forty exhibitions as well as the gallery's relationship with artists. The collection includes founding documents, correspondence, artists' files, writings and an interview, financial records, scrapbooks, and photographs.
Scope and Content Note:
The records of the Terrain Gallery measure 5.3 linear feet and date from circa 1950s-2005, bulk 1955-1985. The bulk of the records consists of exhibition files that document over one hundred and forty exhibitions as well as the gallery's relationship with artists. The collection includes founding documents, correspondence, artists' files, writings and an interview, financial records, scrapbooks, and photographs.

Founding documents include statements of purpose, notes outlining plans for establishing a gallery, letters, and lists of expenses. Included are several versions of the gallery's manifesto "For the Union of Aesthetics and Ethics," drafted by founding members Martha Baird, Louis Dienes, Nat Herz, Chaim and Dorothy Koppelman, Sheldon Kranz, Barbara Lekberg, Nancy Starrels, and others.

Correspondence consists of letters between Dorothy Koppelman and artists, museums, and arts organizations. Subjects discussed are the scheduling of exhibitions and the gallery's lending of artwork to cultural institutions. Included are Dorothy's letters to art critics, including Dore Ashton, Thomas Hess, and Hilton Kramer seeking press coverage for the gallery's exhibitions. Among the additional frequent correspondents are Sigmund Abeles, American Federation of Arts, Philip Bragar, Lawrence Campbell, Museum of Modern Art (New York), Peter Milton, Lee Nordness, Andrew Rush, and Lynd Ward. Also found are scattered letters from Chaim Koppelman, Eli Siegel, and Theodoros Stamos.

Artists' files document approximately seventy artists and include curriculum vitae, letters, and scattered materials, e.g., exhibition brochures and invitations. Exhibition files provide an overview of the gallery's dealings with artists, museums, and the press, with the bulk of the material dating from 1955-1985. Materials include biographical information, correspondence, sales of artwork, printed material, photographs of exhibition installations and artwork.

Writings and an interview contain annotated typescripts and handwritten drafts on Aesthetic Realism by Chaim and Dorothy Koppelman and others. Included are several draft versions of David Bourdon's interview with Chaim and Dorothy Koppelman. The Koppelmans discuss the influence of Aesthetic Realism in their personal and professional lives as well as the critical response by the press and others to Aesthetic Realism's place in art history.

Financial and legal records consist of ledgers, financial reports, sales and loans, and consignment receipts, with the majority of the records dating from 1955-1983; scattered legal materials document the incorporation of the Terrain Gallery with the Aesthetic Realism Foundation.

Five scrapbooks contain a variety of exhibition materials: letters, statements about the gallery, lists, announcements, and printed material. Two of the five scrapbooks chronicle the gallery's early exhibitions from 1955 through 1960. The other scrapbooks document three exhibitions held at the Terrain Gallery.

Photographs are of Chaim and Dorothy Koppelman, Harold Jacobs, Gerson Leiber, Vincent Longo, Ad Reinhardt, and others. There are a few photographs of artwork by Michael Ponce de Leon and Edith Schloss.
Arrangement:
The collection is arranged as 8 series:

Missing Title

Series 1: Founding Documents, 1953-1966 (Box 1; 0.1 linear feet)

Series 2: Correspondence, circa 1950s-1981 (Box 1; 0.2 linear feet)

Series 3: Artists' Files, circa 1950s-2001 (Box 1; 0.2 linear feet)

Series 4: Exhibition Files, circa 1950s-2005 (Boxes 1-4, 6; 3.2 linear feet)

Series 5: Writings and Interview, 1955-1974 (Boxes 4-5; 0.2 linear feet)

Series 6: Financial and Legal Records, 1955-1984 (Box 5; 0.8 linear feet)

Series 7: Scrapbooks, 1955-2000 (Boxes 5, 6; 0.5 linear feet)

Series 8: Photographs, 1957-circa 1980s (Box 5; 0.1 linear feet)
Historical Note:
The Terrain Gallery is an art gallery in New York, N.Y., established in 1955 by Dorothy Koppelman (1920-) and informed by the guiding philosophy of Eli Siegel's Aesthetic Realism. The Terrain has as its motto as stated by Siegel, "In reality opposites are one; art shows this" and also gave rise to the Aesthetic Realism Foundation, a not-for-profit educational foundation."

In 1954, Dorothy Koppelman (1920-) and her husband artist Chaim Koppelman (1920-2009) formed a partnership with colleagues—artists, writers, photographers—to establish the Terrain Gallery. The gallery's first home was at 20 West 16th Street in New York City, and then moved to 39 Grove Street, New York, N.Y. from 1963- 1973; in 1973, the gallery moved to its present address at 141 Greene Street. Simultaneously, the Terrain Gallery gave rise to the Aesthetic Realism Foundation, a not-for-profit educational foundation. Terrain Gallery continues to give exhibitions and presentations based on Eli Siegel's statement: "All beauty is a making one of opposites, and the making one of opposites is what we are going after in ourselves."

The Terrain has featured paintings, sculptures, watercolors, and graphics, as well as photographic exhibitions, which have shown the work of both younger and established artists. Representative art photographers have included Ralph Hattersley, David Bernstein, Louis Dienes, Nat Herz, Lou Bernstein, Andre Kertesz, Steve Poleskie, Len Bernstein, and Harvey Spears. Every exhibition has included comment by artists and critics about how opposites are one in the technique and form of the works of art on view. Chaim Koppelman, for many years, headed the gallery's Print Division; printmakers such as Will Barnet, Leonard Baskin, Robert Conover, Edmond Casarella, Vincent Longo, and Nicholas Krushenick were frequent exhibitors. Though the Terrain does not maintain a stable of artists, the gallery has represented many well-known artists, including Richard Anuszkiewicz, Robert Blackburn, Lois Dodd, William King, Chaim and Dorothy Koppelman, Roy Lichtenstein, Harold Krisel, Larry Rivers, Clare Romano, and Arnold Schmidt.

Beginning in 1955 with a series of talks by the Seurat Art Club, the gallery has held lectures, seminars, and dramatic presentations that are open to artists, scholars, and the general public. As part of its educational outreach, the Terrain Gallery publishes catalogs, broadsides, announcements, and monographs. Eli Siegel's seminal fifteen questions, "Is Beauty the Making One of Opposites?" was published in Terrain Gallery's opening announcement, February 26, 1955, and subsequently reprinted in The Journal of Aesthetics and Art Criticism, and elsewhere.

Bennett Schiff, art critic for a major New York newspaper, wrote in June, 1957, "There probably hasn't been a gallery before this like the Terrain, which devotes itself to the integration of art with all of living according to an esthetic principle which is part of an entire, encompassing philosophic theory…Aesthetic Realism: 'The art of liking oneself through seeing the world, art, and oneself as the aesthetic oneness of opposites'…the theory developed by Eli Siegel….It is a building, positive vision."

In 1972, the Terrain Gallery appointed Carrie Wilson to serve as co-director with Dorothy Koppelman. The following year, the Terrain became part of the Aesthetic Realism Foundation which includes in its curriculum courses in the visual arts. The Terrain Gallery continues to hold exhibitions and presentations based on the principles of Aesthetic Realism. Chaim Koppelman died in 2009 in New York City. Dorothy Koppelman (1920-) is a consultant on the faculty of the Aesthetic Realism Foundation, and serves as one of the gallery's coordinators with Carrie Wilson, Marcia Rackow, Nancy Huntting, Dale Laurin, Donita Ellison, and Dan McClung.
Related Materials:
Also found in the Archives of American Art is the Chaim and Dorothy Koppelman papers, circa 1930s-2006, bulk 1942-2005.
Provenance:
The Terrain Gallery records were donated by Chaim and Dorothy Koppelman in 2006.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Philosophy  Search this
Aesthetic Realism  Search this
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Interviews
Scrapbooks
Photographs
Transcripts
Citation:
The Terrain Gallery records, circa 1950s-2005, bulk 1955-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.terrgall
See more items in:
Terrain Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ea26786e-ec4d-4715-abc2-09afc04077da
EDAN-URL:
ead_collection:sova-aaa-terrgall
Online Media:

James Mullen Christmas card collection

Creator:
Mullen, James M. (James Martin), 1935-  Search this
Names:
Blank, Tamara Kernozek  Search this
Brownell, Marilyn  Search this
Burmeister, Alyce  Search this
Callahan, Nancy  Search this
Case, Andrew  Search this
Downie, Janice  Search this
Downing, Elaine  Search this
Gloeckler, Raymond  Search this
Goodhill, Yvonne  Search this
Hathaway, James  Search this
Higgins, jane  Search this
Hnizdovsky, Jacques, 1915-  Search this
Holmes, David  Search this
Hubschmidt, William  Search this
Johnson, Roxanne  Search this
Kaufman, Glen  Search this
Larsen, Alan  Search this
Leiber, Gerson August, 1921-  Search this
Mahlke, Ernest  Search this
Marchese, Jeanne  Search this
Martin, Minnie S.  Search this
Mazarak, John  Search this
Mitchell, Bill  Search this
Mullen, Megan  Search this
North, Bruce  Search this
O'Connell, George  Search this
Parish, Jean  Search this
Pum, Robert  Search this
Romano, Clare  Search this
Ross, John, 1921-  Search this
Seawell, Tom, 1936-  Search this
Sheedy, Jill  Search this
Sheesley, Timothy  Search this
Shobaken, Bruce  Search this
Siegfried, Alice  Search this
Singer, Arnold, 1920-2005  Search this
Waddington, Margot  Search this
Wasserman, Burton  Search this
White, H. Donald  Search this
Wilcox, Ron  Search this
Woodruff, Hale, 1900-1980  Search this
Zimmerman, George  Search this
Zoller, Edwin W., 1900-1967  Search this
Zoretich, George Stephen, 1918-1995  Search this
van Vliet, Clair  Search this
vu-Cong, An-Khang  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
[ca.1955]- 2021
Scope and Contents:
The James Mullen Christmas card collection includes 80 original Christmas cards and accompanying prints created by artists, consisting of etchings, drawings, silkscreen images, watercolors and collages. Nineteen of the cards were created by Mullen and sent to his colleagues. Also included are studies by Mullen and original accompanying zinc plate and linoleum blocks used to make his cards. Artists represented include Tamara Kernozek Blank, Marilyn Brownell, Alyce Burmeister, Nancy Callahan, Andrew Case, John DePol, Janice Dowine, Elaine Downing, Frank Gilroy, Ray Gloeckler, Yvonne Goodhill, James Hathaway, Jane Higgins, Jacques Hnizdovsky, David Holmes, William Hubschmidt, Roxanne Johnson, Glen Kaufman, Alan Larsen, Gerson Leiber, An-Khang-vu-Cong, Ernest Mahlke, Jeanne Marchese Minnie S. Martin, John Mazarak, Bill Mitchell, James Mullen, Megan Mullen, Bruce North, George O'Connell, Jean Paris, Robert Pum, Clare Romano Ross, John Ross, Thomas Seawell, Jill Sheedy, Timothy Sheesley, Bruce Shobaken, Alice Siegfried, Arnold Singer, Scott Sorrentino, Clair van Vliet, H. Donald White, Ron Wilcox, Hale Woodruff, George Zimmerman, Edwin Zoller and George Zoretich.Material date from circa 1955-2021.
Biographical / Historical:
James Mullen (1935- ) is a professor of art and Dean of Humanities and Fine Arts, Emeritus, New York College, Oneonta, New York.
Provenance:
Donated 2003, 2004 and 2021 by James Mullen.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Greeting cards  Search this
Identifier:
AAA.mulljame
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw996ec791d-0b16-4d8d-9b78-6a373df56a8e
EDAN-URL:
ead_collection:sova-aaa-mulljame

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