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Lewitt, Sol

Collection Creator:
Tremaine, Emily Hall, 1908-1987  Search this
Container:
Box 3, Folder 63
Type:
Archival materials
Date:
1967-1978
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Emily Hall Tremaine papers, circa 1890-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Emily Hall Tremaine papers
Emily Hall Tremaine papers / Series 4: Artist Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9dbc2ecbb-41e5-476e-a3c5-720acde32bd2
EDAN-URL:
ead_component:sova-aaa-trememil-ref173

Lewitt, Sol

Collection Creator:
Printed Matter, Inc.  Search this
Container:
Box 2, Folder 41
Type:
Archival materials
Date:
1976-1986, undated
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
Printed Matter, Inc. records, 1970-1990. Archives of American Art, Smithsonian Institution.
See more items in:
Printed Matter, Inc. records
Printed Matter, Inc. records / Series 1: Artist Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90245c923-4ccb-430a-bd63-25f8219abf4b
EDAN-URL:
ead_component:sova-aaa-prinmati-ref712

LeWitt, Sol

Collection Creator:
Yankowitz, Nina  Search this
Container:
Box 1, Folder 18
Type:
Archival materials
Date:
1974-2007
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and born-digital records with no duplicate access copy requires advance notice.
Collection Rights:
The donor has retained all intellectual property rights, including copyright, that he or she may own.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Nina Yankowitz papers, circa 1950-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Nina Yankowitz papers
Nina Yankowitz papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw978481101-5079-4032-a635-a4fbefc6bd2a
EDAN-URL:
ead_component:sova-aaa-yanknina-ref26

Lewitt, Sol

Collection Creator:
Scanga, Italo, 1932-2001  Search this
Container:
Box 8, Folder 43
Type:
Archival materials
Date:
1968-1974
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Italo Scanga papers, circa 1930-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Italo Scanga papers
Italo Scanga papers / Series 3: Artist Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c44d83a1-8d1b-46b7-85e0-0fc45e4b7bda
EDAN-URL:
ead_component:sova-aaa-scanital-ref110

Lewitt, Sol

Collection Creator:
Vogel, Dorothy  Search this
Vogel, Herbert  Search this
Container:
Box 15, Folder 17-26
Type:
Archival materials
Date:
1970-2000
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy and Herbert Vogel papers, 1960s-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy and Herbert Vogel papers
Dorothy and Herbert Vogel papers / Series 2: Artists' Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw995a7b6d7-57b7-4551-a698-f59c1e6022df
EDAN-URL:
ead_component:sova-aaa-vogedoro-ref185

Lewitt, Sol

Collection Creator:
Vogel, Dorothy  Search this
Vogel, Herbert  Search this
Container:
Box 16, Folder 1-2
Type:
Archival materials
Date:
1999-2005
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy and Herbert Vogel papers, 1960s-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy and Herbert Vogel papers
Dorothy and Herbert Vogel papers / Series 2: Artists' Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98cd71ee0-a77f-403f-8695-fb1a2afd64f8
EDAN-URL:
ead_component:sova-aaa-vogedoro-ref186

Hollegha, Wolfgang - Lewitt, Sol

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 108, Folder 2
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 8: Inventory Records / 8.1: Artist Inventory Cards / Sold and/or Returned to Artist
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c5ddb612-7a5a-402c-8a20-883a05145543
EDAN-URL:
ead_component:sova-aaa-andremmg-ref3849

Artist Inventory Cards

Collection Creator:
André Emmerich Gallery  Search this
Type:
Archival materials
Date:
circa 1954-1998
Scope and Contents note:
Inventory cards track artwork entering and leaving the gallery. Each card lists a work's artist, title, date, media, and measurements. Most cards include a photograph of the artwork, and most cards further list the ultimate action taken regarding the work (sold, returned to artist or gallery, consigned, etc.), the list price or paid price, exhibition and catalog history, and the history of price quotes given for the work. The gallery used a number of abbreviations for the transactions on the inventory cards:

NFS - Not For Sale

RTA - Returned to Artist

o/c - On Consignment (from)

o/a - On Approval

OOG - Out of Gallery

O/L - On Loan (from)

TGF - Top Gallant Farm

There are no inventory cards tracking pre-Columbian art and artifacts in the collection. The cards represent works from both the New York gallery and Zurich gallery.

The cards are arranged into ten overlapping groups established by the gallery representing transactions, such as sales and consignments, loans, returns, and other general art movement. Within each category, most of the cards are alphabetized by artist and thereafter by title, but occasionally an artist's work is divided into categories (for example by media) before being arranged alphabetically by title:

Returned to Artist

Sold (pre-1993)

Sold

Sold and/or Returned to Artist

Returned to Artist

Sold

Old Top Gallant Farm Sculptures

Emmerich Private Sold

Last Active Inventory and Sales

Additional Cards

See Appendix for a list of artists' names represented by the Artist Inventory Cards in Series 8.1.
Appendix: Artists' Names Represented in Artist Inventory Cards in Series 8.1.:
Aakre, Richard

Abbott, Berenice

Abercrombie, Douglas

Adams, Ansel

Adams, Robert

Africano, Nicholas

Albers, Josef

Alechinsky, Pierre

Altoon, John

Amerine, Wayne

Andre, Carl

Annesley, David

Appel, Karel

Arakawa

Arbus, Diane

Arman

Arp, Jean (Hans)

Ashbaugh, Dennis

Atget, Eugene

Atkins, Anna

Audubon, J.J.

Avery, Milton

Bacon, Francis

Bailey, William

Baldus, Edouard

Ball, Lillian

Balthus

Bannard, Walter Darby

Barlett, Jennifer

Barth, Frances

Barth, Wolf

Bartolini, Luciano

Basquiat, Jean-Michel

Baziotes, William

Beasley, Barth

Bireline, George

Bleckner, Ross

Blossfeldt, Karl

Bocklin, Arnold

Boisseu

Boisson, L.

Bolotowsky, Ilya

Bolus, Michael

Bonnard, Pierre

Bonnet, Phi

Bradley, Peter

Beasley, Bruce

Becher, Bernd and Hillar

Bellocq, E.J.

Benazzi, Raffael

Benton, Fletcher

Best, Mary Ellen

Beuys, Joseph

Bill, Max

Boepple, Willard

Bogart, Bram

Borofsky, John

Boxer, Stanley

Botero, Fernardo

Boudin, Eugene

Bourke-White, Margaret

Brach, Paul

Brancusi, Constantin

Braque, George

Brassaï

Breed, Charles

Brui

Brush, Daniel

Buchwald, Howard

Buckley, Stephen

Bucklow, Christopher

Bush, Jack

Butterfield, Deborah

Calder, Alexander

Callahan, Harry

Cascella, Andrea

Caracciolo, Roberto

Caro, Anthony

Cezanne, Paul

Chadwick, Lynn

Chagall, Marc

Chamberlain, John

Chase, Louisa

Chillida, Eduardo

Christensen, Dan

Christo

Clifford, Charles

Close, Chuck

Cohen, Elaine Lustig

Conlon, William

Contino, Leonard

Crile, Susan

cummings, e.e.

Dahl-Wolfe, Louise

David, Michael

Davis, Gerald

Davis, Lynn

Davis, Ronald

de Amaral, Olga

de Chirico, Giorgio

de Clercq, Louis

de Kooning, Willem

Degas, Edgar

Dehner, Edgar

Delaunay, Robert

Delaunay, Sonia

Dembiczak, J.G.

de Valdivia, Marco

di Suvero, Mark

Diebenkorn, Richard

Dill, Guy

Dill, Lesley

Diller, Burgoyne

Dine, Jim

Disderi

Dorazio, Piero

Downes, Rackstraw

Drapell, Joseph

Drentwett

Dubuffet, Jean

Duchamp, Marcel

Duck-Hyun, Cho

Dufy, Raoul

Du Maine, H.

Durandelle, Louis-Emille

Durrant, Jennifer

Dzubas, Friedel

Edgerton, Dr. Harold

Egger, Marc

Eggleston, William

Embry, Norris

Ellis, Stephen

Emmerich, Tobias

Ernst, Max

Evans, Walker

Fautrier, Jean

Feeley, Paul

Feist, Harold

Ferber, Herbert

Ferrara, Jackie

Fessler, Cristina

Fischl, Eric

Flavin, Dan

Fleming, Linda

Fontana, Corsin

Fontana, Lucio

Ford, Hermine

Fornier, Paul

Foster, John

Fournier, Paul

Francis, Sam

Francis, Sherron

Franck

Frank, Robert

Frankenthaler, Helen

Freud, Lucian

Friedberg, Richard

Freres, Henry

Friedlander, Lee

Fuger

Funakoshi, Katsura

Fuss, Adam

Galanin, Igor

Giacometti, Alberto

Gibbons, Arthur

Gilliam, Sam

Ginnever, Charles

Giordani, Patrice

Glarner, Fritz

Gliko, Carl

Gonzalez, Julio

Goodnough, Robert

Gorchov, Ron

Gordon, Harry

Gorky, Arshile

Gossweiler, Christoph

Gottlieb, Adolph

Graffin, Daniel

Graham, John

Graubner, Gotthard

Graves, Nancy

Green, June

Greenleaf, Ken

Griefen, John Adams

Grill

Gris, Juan

Groover, Jan

Guston, Philip

Gutman, John

Hacklin, Alan/Allan

Hagemeyer, Johan

Hall, Lee

Hantai, Simon

Haring, Keith

Harman, Maryann

Hartley, Marsden

Hartung, Hans

Hatcher, Brower

Held, Al

Hendler, Raymond

Hennessy, Richard

Hepworth, Barbara

Herdeg, Christian

Hide, Peter

Highstein, Jene

Hirschfeld

Hitch, Stewart

Hockney, David

Hodgkin, Howard

Hoenigsberg, Helga

Hofmann, Hans

Hollega, Wolfgang

Honegger, Gottfried

Hope, Polly

Hopper, Edward

Horne, Bernard Shea

Hosiasson, Philippe

Hoyland, John

Hoyningen-Heune, George

Hughto, Darryl

Hughto, Margie/Marjorie

Humphrey, Ralph

Hutchinson, Jay

Hutchinson, Jaqueth

Indiana, Robert

Isherwood, Jon

Jenkins, Paul

Jensen, Bill

Johns, Jasper

Johnson, Meredith

Jorn, Asger

Kandinsky, Wassily

Kelly, Ellsworth

Kertesz, Andre

Keskeny, George

Kiesler, Frederick

Kisling

Klee, Paul

Klein, Yves

Klett, Mark

Kline, Franz

Knoop, Guitou

Koekoek, B.C.

Krasner, Lee

Kupka, Frantisek

Kuwayama, Tadaaki

Lack, Stephen

Landfield, Ronnie

Lange, Dorothea

Langlois and Martens

La Noue, Terence

Laurens, Henri

Leger, Fernand

Le Gray, Gustave

Lehman, Wendy

LeRoy, Jeanette

Letellier, B.

Lettron, J.

Levee, John

Levinson, Moss

Levitt, Helen

Lewitt, Sol

Liberman, Alexander

Lichtenstein, Roy

Lindner, Richard

Lipschitz, Jacques

Lipski, Donald

Lipsky, Pat

Lissitsky, El

Lipsky, Pat

Lohse, Richard Paul

Long, Richard

Longobardi, Nino

Louis, Morris

Lüthi, Bernhard

Lüthi, Urs

Lutz

Lydis, Mariette

MacWhinnie, John

Maillol, Aristide

Mairwöger, Gottfried

Mapplethorpe, Robert

Marden, Brice

Maril, Herman

Marin, John

On Consignment from Peter Marks

Martin, Agnes

Martins, Maria

Marx, G.L.

Maryan

Masullo, Andrew

Mathieu, Georges

Matisse, Henri

Matta, Roberto

McDermott & McGough, Messrs.

McDonnell, Joseph Anthony

McLaughlin, John

McLean, John

Meadmore, Clement

Megert, Christian

Miller, Robert

Milton, Peter

Miró, Joan

Misrach, Richard

Mitchell, Joan

Model, Lisette

Moholy-Nagy, Laszlo

Monet, Claude

Moore, Henry

Morandi, Giorgio

Moses, Ed

Motherwell, Robert

Mulder, George

Muller-Brittnau, Willy

Murray, Elizabeth

Muybridge, Eadweard

Nadar, (Felix Tournachon)

Nadelman, Elie

Nakian, Reuben

Natkin, Robert

Nemont, G.

Neugass, Fritz

Nevelson, Louise

Newman, Arnold

Newman, Barnett

Nezhdanov, Alexander

Nicholson, Ben

Nickson, Graham

Nixon, Nicholas

Noel, Georges

Noguchi, Isamu

Noland, Kenneth

Nolde, Emil

Offord, J. Milton

Oldenburg, Claes

Olitski, Jules

Olmec

Ono, Yoko

Orr, Eric

O'Sullivan, Timothy

Otterness, Tom

Outerbridge, Paul

Paik, Nam June

Parodi, Filippo

Penn, Irving

Pepper, Beverly

Perless, Robert

Perlman, Joel

Pettet, William

Pfaff, Judy

Picabia, Francis

Picasso, Pablo

Pissarro, Camille

Pollock, Jackson

Pomodoro, Arnaldo

Poons, Lawrence

Porter, Fairfield

Porter, Katherine

Poulos, Basilios

Press, Naomi

Quaytman, Harvey

Quigley, Edward

Quisgard, Liz Whitney

Rainer, Arnulf

Raush, Mark

Rauschenberg, Robert

Ray, Man

Recanati, Dina

Reddinger

Reinhardt, Ad

Richter, Gerhard

Rickey, George

Ridenhour, William

Rivers, Larry

Robb, Charles

Robbins, Bruce

Robert, Louis

Rockburne, Dorothea

Rodin, Auguste

Rosan, Larry

Rosen, Felix

Rosenthal, Tony

Rosenquist, James

Rossi, Rosalie

Rothko, Mark

Row, David

Rozen, Feliz

Rutherford, Louis M.

Ryan, Anne

Ryan, Kevin

Ryman, Robert

Saba, Richard

de Saint Phalle, Niki

Saito, Kikuo

Salemme, Attilio

Samaras, Lucas

Sander, August

Sander, Ludwig

Sanders, John

Santomaso, Giuseppe

Schapiro, Miriam

Schlemmer, Oskar

Schlesinger, Mark

Schumacher, Emil

Scott, Robert

Scott, Tim

Scott, William

Seery, John

Segal, George

Seligmann, Kurt

Sellers, Daniel

Serra, Richard

Shapiro, Joel

Shields, Alan

Signac, Paul

Simpson, David

Sisley, Alfred

Slone, Sandi

Smith, David

Smith, Hassel

Smith, Kimber

Smith, Tony

Sohanievich, Oleg

Sommer, Frederick

Sommer, Giorgio

Southall, Derek

Spence, Andrew

Stamos, Theodoros

Stankiewicz, Richard

Steichen, Edward

Steiner, Michael

Stella, Frank

Stephan, Gary

Stettheimer, Florine

Stevens, Peter

Still, Clyfford

Stoltz, David

Stone, Sylvia

Strand, Paul

Sugarman, George

Sugimoto, Hiroshi

Sultan, Donald

Sutton, Carol

Sutton, Pat Lipsky

Tajiri, Shinkichi

Talbot, William Henry Fox

Tanger, Susanna

Tatafiore, Ernesto

Thiebaud, Wayne

Thorne, Joan

Tillyer, William

Torres-Garcia, Joaquin

Truitt, Anne

Twombly, Cy

Tworkov, Jack

Unger, Mary Ann

Upton, Ann

Wagner, Merrill

Van Dongen, Kees

Van Gogh Manuscript

Van Stalbent, Adrien

Van Velde, Bram

Vasarely, Victor

Venet, Bernar

Verna, Germaine

Vicente, Esteban

Vuillard, Edouard

Waid, Mary Joan

Walsh, James

Ward, Cora Kelly

Warhol, Andy

Warren, Catharine

Wells, Lynton

Watkins, Charlton E.

Wegman, William

Wessel, Henry

Wesselman, Tom

Westfall, Stephen

Wiegmann, Jenny

Willette, Adolph

Williams, Neil

Williams, Roger

Willis, Thornton

Wilmarth, Christopher

Winogrand, Garry

Witkin, Isaac

Witkin, Joel-Peter

Woelfli, Adolf

Wofford, Philip

Wolfe, James

Wols, Alfred Otto Wolfgang

Wonner, Paul

Woodman, Betty

Woolf, Paul

Wotruba, Fritz

Yokoi, Teruko

Youngerman, Jack

Yunkers, Adja

Zerbe, Karl

Zimmerman, Daniel

Zox, Larry
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.andremmg, Subseries 8.1
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 8: Inventory Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9de192fb0-9bff-4766-807c-db3d89d0d932
EDAN-URL:
ead_component:sova-aaa-andremmg-ref3791

Lucy R. Lippard papers

Creator:
Lippard, Lucy R.  Search this
Names:
Addison Gallery of American Art  Search this
Alliance for Cultural Democracy  Search this
Art Workers Coalition  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Political Art Documentation/Distribution (Organization)  Search this
Printed Matter, Inc.  Search this
Studio International (Firm)  Search this
University of Colorado -- Faculty  Search this
Women's Caucus for Art  Search this
Andre, Carl, 1935-  Search this
Chicago, Judy, 1939-  Search this
Darboven, Hanne  Search this
Edelson, Mary Beth  Search this
Hammond, Harmony  Search this
Henes, Donna  Search this
Johnson, Ray, 1927-  Search this
Judd, Donald, 1928-  Search this
LeWitt, Sol, 1928-2007  Search this
Pearson, Henry, 1914-2006  Search this
Stevens, May  Search this
Extent:
70.5 Linear feet
0.454 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Interviews
Photographs
Date:
1930s-2010
bulk 1960-1990
Summary:
The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 70.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

There is a 17.0 linear foot unprocessed addition to this collection donated in 2015 and 2021 that incudes research files (press clippings, notes, correspondence, ephemera) related to the publications 'Lure of the Local' and 'Undermining' are a significant portion. In addition there are approximetley 50 notebooks ranging from 1965-1996, containing notes and daily tasks. Printed material and ephemera includes promotional materials for talks and public engagements, as well as press clippings of reviews and other news items featuring Lippard. Another significant portion of the addition is labeled "miscellaneous professional correspondence."Materials date from circa 1965-2010.
Scope and Contents:
The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 70.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

A small amount of biographical material comprises resumes and an address book.

Correspondence files document all aspects of Lippard's professional life including her relationships with artists such as Carl Andre, Judy Chicago, Hanne Darboven, Ray Johnson, Sol LeWitt, and Henry Pearson; feminist artists including Mary Beth Edelson, Harmony Hammond, Donna Henes, and May Stevens; political and art-related activist groups such as Alliance for Cultural Democracy, Art Workers Coalition, Political Art Documentation/Distribution, Printed Matter, and Women's Caucus for Art; galleries and museums including Addison Gallery of American Art and the Museum of Modern Art, and publishers including Art International and Art Forum. The series also traces the development of Lippard's involvement in activist causes including censorship and the rights of artists, Central America and the impact of U.S. policy on the region, and equality and reproductive rights for women, as well as her interest in conceptual and minimalist art. The series includes scattered artwork and photographs of artists.

Writings are primarily by Lippard and include correspondence, manuscript drafts, extensive notes, and publication records for some of her best-known books such as The Graphic Work of Philip Evergood (1966), Six Years: The Dematerialization of the Art Object (1973), Eva Hesse (1976), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990), as well as essays for publications such as Art Forum and Studio International and contributions to exhibition catalogs. Also found are edited transcripts from conferences, symposia and interviews conducted by and of Lippard, some audio recordings of interviews and symposia, including an interview with Donald Judd, and notes and typescripts for lectures and speeches.

A small number of files document Lippard's teaching work during the 1970s and 1980s, primarily at the University of Colorado, Boulder where she taught several courses and seminars.

Exhibition files document Lippard's involvement with exhibitions she helped to organize or curate such as A Different War: Vietnam in Art (1989-1991) 557,087 and 955,000 (1969, 1970), 2,972, 453 (1971) c.7,500 (1973-1974) and those for which she wrote catalog contributions.

Printed material includes a collection of articles written by Lippard and a small amount of material concerning events, such as speaking engagements, in which Lippard was involved. Other printed material reflects Lippard's wide range of artistic, political and activist interests and documents exhibitions and performances and the activities of art-related and political groups. Material includes many exhibition catalogs, announcements, invitations, printed posters, news clippings, journal articles, brochures, pamphlets and other publications.

Artwork includes sixteen items by unidentified artists, including two by children. Photographs consist primarily of photographs of works of art in addition to a small number of photos of exhibition installations.

There is a 17.0 linear foot unprocessed addition to this collection donated in 2015 and 2021 that incudes research files (press clippings, notes, correspondence, ephemera) related to the publications 'Lure of the Local' and 'Undermining' are a significant portion. In addition there are approximetley 50 notebooks ranging from 1965-1996, containing notes and daily tasks. Printed material and ephemera includes promotional materials for talks and public engagements, as well as press clippings of reviews and other news items featuring Lippard. Another significant portion of the addition is labeled "miscellaneous professional correspondence."Materials date from circa 1965-2010.
Arrangement:
The collection is arranged as nine series:

Missing Title

Series 1: Biographical Material, circa 1960s-circa 1980s (Box 1; 2 folders)

Series 2: Correspondence, 1950s-2006 (Boxes 1-28, 51, OVs 54-63; 28.8 linear feet)

Series 3: Writings, 1930s-1990s (Boxes 28-41, 51-52, OVs 64-66; 13.24 linear feet, ER01; 0.454 GB)

Series 4: Teaching Files, 1966-1993 (Boxes 41, 52; 0.76 linear feet)

Series 5: Exhibitions, 1960s-1990s (Boxes 42-45, 52, OVs 67-68; 4.2 linear feet)

Series 6: Printed Material, 1940s-2007 (Boxes 45-49, 52, OVs 69-77; 5.3 linear feet)

Series 7: Artwork and Ephemera, circa 1960s-circa 1990s (Boxes 50, 53; 4 folders)

Series 8: Photographs, 1950s-circa 1990s (Boxes 50, 53, OV 71; 1.0 linear foot)

Series 9: Unprocessed Addition, circa 1965-2010, (Boxes 78-94; 17.0 linear feet)
Biographical / Historical:
New York and New Mexico writer and art critic, Lucy R. Lippard, is the curator of numerous exhibitions and the author of over twenty-four books and other writings that trace the emergence of minimalist and conceptual art and document Lippard's commitment to feminism and political activism.

Born in New York City in 1937, Lippard earned a B.A. from Smith College in 1958 and an M.A. in 1962 from New York University's Institute of Fine Arts. In the 1960s she began writing art criticism for the journals Art International and Artforum. In 1966 she curated the landmark exhibition Eccentric Abstraction at the Fischbach Gallery in New York City. Lippard then curated the first of four defining conceptual art exhibitions that became known as her "numbers" shows, each titled after the populations of the cities in which they took place, with catalogs in the form of a set of 10 x 15 cm index cards. Opening at the Seattle Art Museum in 1969, 557,087 was followed by 955,000 in Vancouver, Canada, a few months later. 2,972,453 was held at the Centro de Arte y Comunicacíon in Buenos Aires in 1971 and c.7500 opened in Valencia, California, in 1973-1974 before traveling to several other venues in the United States and Europe.

Lippard's first book, The Graphic Work of Philip Evergood was published in 1966, followed by Pop Art the same year, and a collection of her early essays, Changing, in 1971. Six Years: The Dematerialization of the Art Object (1973) and From the Center: Feminist Essays on Women's Art (1976) documented the emergence of conceptual art and the early years of feminist art respectively. In 1976 Lippard published her seminal book on the life and work of Eva Hesse.

Between 1977 and 1978 Lippard lived on a farm in Devon, England, and worked on a novel, The First Stone, about the role of politics in the lives of three generations of women. During her walks across the English countryside she became interested in landscape art and conceived of her book Overlay: Contemporary Art and the Art of Prehistory which was subsequently published in 1983. Other books include Get the Message?: A Decade Of Art For Social Change (1984), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990). Lippard has also written regular columns on art and politics for the Village Voice, In These Times and Z Magazine, and has been a contributing editor of Art in America.

Lippard was radicalized during a trip to Argentina in 1968 when she was invited to be a juror at the Museo Nacional de Bellas Artes in Buenos Aires. On her return to the United States she became heavily involved in anti-war activities and the Art Workers Coalition. She is a co-founder of several feminist and artist organizations including the feminist collective Heresies, which produced Heresies: A Feminist Journal on Art and Politics from 1977-1992, Ad Hoc Women Artists, Alliance for Cultural Democracy, Artists Call Against U.S. Intervention in Central America, Women's Action Coalition, and Women's Art Registry. In 1976 she was a founder of Printed Matter, a New York nonprofit dedicated to producing artists' publications. She also worked closely with Franklin Furnace, an artist-run space devoted to the promotion of artists' books, installation art, and video and performance art, and served on the organization's International Committee.

Lippard has been a visiting professor at the School of Visual Arts, the University of Colorado, Boulder, and the University of Queensland, Australia, and was Eminent Artist in Residence at the University of Wyoming Department of Art in 2015. She has received honorary doctorates in fine arts from Maine College of Art, the Massachusetts College of Art, Moore College of Art, San Francisco Art Institute, and others, and awards including a Guggenheim Fellowship, two National Endowment for the Arts grants in criticism, the Smith College Medal, the ArtTable Award for Distinguished Service to the Visual Arts, and the Bard College Center for Curatorial Studies Award for Excellence.

Lippard has lived in New Mexico since 1992 and works as a freelance writer and speaker.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Lucy Lippard conducted in 2011 March 15, by Sue Heinemann, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, funded by a grant from the A G Foundation.
Provenance:
Lucy R. Lippard donated her papers in several increments between 1972-1995, 2006, 2015 and 2021.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Curators -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Art critics -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Artists -- Political activity  Search this
Art criticism  Search this
Feminism and art  Search this
Women authors  Search this
Women art critics  Search this
Art, Modern -- 20th century  Search this
Conceptual art  Search this
Minimal art  Search this
Women museum curators  Search this
Women educators  Search this
Genre/Form:
Sound recordings
Interviews
Photographs
Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipplucy
See more items in:
Lucy R. Lippard papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9101c6a69-dde9-42ed-94cc-d03650c249ed
EDAN-URL:
ead_collection:sova-aaa-lipplucy
Online Media:

Oversized LeWitt, Sol housed with Box 12, Folders 12, 14 and 16

Collection Creator:
Lippard, Lucy R.  Search this
Container:
Box OV 61
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
See more items in:
Lucy R. Lippard papers
Lucy R. Lippard papers / Series 2: Correspondence / 2.1: Correspondence by Name
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9897dc746-1ab8-43db-ad17-f2c081882913
EDAN-URL:
ead_component:sova-aaa-lipplucy-ref3470

LeWitt, Sol

Collection Creator:
Lippard, Lucy R.  Search this
Container:
Box 12, Folder 8-9
Type:
Archival materials
Date:
circa 1960s-circa 1990s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
See more items in:
Lucy R. Lippard papers
Lucy R. Lippard papers / Series 2: Correspondence / 2.1: Correspondence by Name
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f9ba3dd8-3370-4cd9-87a6-ce74b1a1f4eb
EDAN-URL:
ead_component:sova-aaa-lipplucy-ref1691

LeWitt, Sol

Collection Creator:
Lippard, Lucy R.  Search this
Container:
Box 12, Folder 10
Type:
Archival materials
Date:
1966-1969
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
See more items in:
Lucy R. Lippard papers
Lucy R. Lippard papers / Series 2: Correspondence / 2.1: Correspondence by Name
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94a41cb15-7e29-4243-85bf-ddb2adb97b70
EDAN-URL:
ead_component:sova-aaa-lipplucy-ref1692

LeWitt, Sol

Collection Creator:
Lippard, Lucy R.  Search this
Container:
Box 12, Folder 11
Type:
Archival materials
Date:
1970-1971
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
See more items in:
Lucy R. Lippard papers
Lucy R. Lippard papers / Series 2: Correspondence / 2.1: Correspondence by Name
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d37440dc-b9cf-4283-aeda-5cce31b3d96a
EDAN-URL:
ead_component:sova-aaa-lipplucy-ref1693

LeWitt, Sol

Collection Creator:
Lippard, Lucy R.  Search this
Container:
Box 12, Folder 12
Type:
Archival materials
Date:
1972-1973
Scope and Contents:
Oversized material housed in OV 61
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
See more items in:
Lucy R. Lippard papers
Lucy R. Lippard papers / Series 2: Correspondence / 2.1: Correspondence by Name
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw910115a23-017e-498e-ab5f-b10ee2bb7269
EDAN-URL:
ead_component:sova-aaa-lipplucy-ref1694

LeWitt, Sol

Collection Creator:
Lippard, Lucy R.  Search this
Container:
Box 12, Folder 13
Type:
Archival materials
Date:
1974-1975
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
See more items in:
Lucy R. Lippard papers
Lucy R. Lippard papers / Series 2: Correspondence / 2.1: Correspondence by Name
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw936635ce4-400e-43bd-a362-79f477d45392
EDAN-URL:
ead_component:sova-aaa-lipplucy-ref1695

LeWitt, Sol

Collection Creator:
Lippard, Lucy R.  Search this
Container:
Box 12, Folder 14
Type:
Archival materials
Date:
1976-1978
Scope and Contents:
Oversized material housed in OV 61
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
See more items in:
Lucy R. Lippard papers
Lucy R. Lippard papers / Series 2: Correspondence / 2.1: Correspondence by Name
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b397a993-1e8d-4820-9dbc-591892d44f71
EDAN-URL:
ead_component:sova-aaa-lipplucy-ref1696

LeWitt, Sol

Collection Creator:
Lippard, Lucy R.  Search this
Container:
Box 12, Folder 15
Type:
Archival materials
Date:
1979-1983
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
See more items in:
Lucy R. Lippard papers
Lucy R. Lippard papers / Series 2: Correspondence / 2.1: Correspondence by Name
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94c8fa934-bf7e-405e-acea-458697422144
EDAN-URL:
ead_component:sova-aaa-lipplucy-ref1697

LeWitt, Sol

Collection Creator:
Lippard, Lucy R.  Search this
Container:
Box 12, Folder 16
Type:
Archival materials
Date:
1984-1988
Scope and Contents:
Oversized material housed in OV 61
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
See more items in:
Lucy R. Lippard papers
Lucy R. Lippard papers / Series 2: Correspondence / 2.1: Correspondence by Name
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bd456eb0-ef06-4838-b607-37c2429491be
EDAN-URL:
ead_component:sova-aaa-lipplucy-ref1698

LeWitt, Sol

Collection Creator:
Lippard, Lucy R.  Search this
Container:
Box 12, Folder 17
Type:
Archival materials
Date:
1990-1991
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
See more items in:
Lucy R. Lippard papers
Lucy R. Lippard papers / Series 2: Correspondence / 2.1: Correspondence by Name
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ce83d14d-6b11-4862-9bd8-12c29ffe816e
EDAN-URL:
ead_component:sova-aaa-lipplucy-ref1699

LeWitt, Sol

Collection Creator:
Rosa Esman Gallery  Search this
Container:
Box 5, Folder 5-6
Type:
Archival materials
Date:
1973-1992
Collection Restrictions:
Two folders comprised of Rosa Esman Gallery legal files, 1989-1991, in Box 15 are access restricted. Contact Reference Services for more information. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Rosa Esman Gallery and Tanglewood Press Inc records, circa 1922-1998. Archives of American Art, Smithsonian Institution.
See more items in:
Rosa Esman Gallery and Tanglewood Press Inc. records
Rosa Esman Gallery and Tanglewood Press Inc. records / Series 2: Artist Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93958b4bf-31a7-4183-bd17-56ac53de1ea2
EDAN-URL:
ead_component:sova-aaa-rosaesmg-ref87

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