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Blanche Lazzell papers, 1893-1986, bulk 1901-1940

Creator:
Lazzell, Blanche, 1878-1956  Search this
Subject:
Gleizes, Albert  Search this
Henri, Robert  Search this
O'Connor, John  Search this
Pearson, Ralph M.  Search this
Dasburg, Andrew  Search this
Chaffee, Oliver Newberry  Search this
Type:
Sketches
Photographs
Visitors' books
Drawings
Diaries
Topic:
Artists' studios -- Photographs  Search this
Etchers  Search this
Art -- Study and teaching  Search this
Painting -- Massachusetts -- Provincetown  Search this
Printmakers  Search this
Etching -- Massachusetts -- Provincetown  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)7873
(DSI-AAA_SIRISBib)210040
AAA_collcode_lazzblan
Theme:
Diaries
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210040
Online Media:

Blanche Lazzell papers

Creator:
Lazzell, Blanche, 1878-1956  Search this
Names:
Chaffee, Oliver Newberry, 1881-1944  Search this
Dasburg, Andrew, 1887-1979  Search this
Gleizes, Albert, 1881-1953  Search this
Henri, Robert, 1865-1929  Search this
O'Connor, John  Search this
Pearson, Ralph M., 1883-1958  Search this
Extent:
4.6 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Photographs
Visitors' books
Drawings
Diaries
Date:
1893-1986
bulk 1901-1940
Summary:
The papers of printmaker, etcher, and painter Blanche Lazzell (1878-1956) measure 4.6 linear feet and date from 1893 to 1986, with the bulk of the material dating from 1901 to 1940. Found within the papers are biographical materials; correspondence with family, friends, and colleagues; writings; five diaries; scattered personal business records; printed material; artwork; photographs; and artifacts.
Scope and Contents:
The papers of printmaker, etcher, and painter Blanche Lazzell (1878-1956) measure 4.6 linear feet and date from 1893 to 1986, with the bulk of the material dating from 1901 to 1940. Found within the papers are biographical materials; correspondence with family, friends, and colleagues; writings; five diaries; scattered personal business records; printed material; artwork; photographs; and artifacts.

Biographical material includes school report cards, address books, obituaries, membership certificates, and travel documents from Blanche Lazzell's travels abroad in Europe.

Correspondence is with family, friends, and colleagues. Family correspondence is predominately with Lazzell's sisters, and a lesser amount with her brother Rufus and other relatives. Well over one-half of the correspondence is with friends and colleagues, including Arthur Lee Post and John O' Connor, and one or more letters from Oliver Chaffee, Andrew Dasburg, Robert Henri, and Ralph M. Pearson, among others.

Writings include notebooks, essays, and notes. Notebooks are primarily class notes, including one from Lazzells's studies in France during her second trip to Europe, and another maintained as a record of artwork. Also found are essays,including one about Provincetown; notes; biographical sketches; and lists of exhibitions and artwork. Five diaries document the late 1890s and Lazzell's trips to Europe in 1912-1913 and 1923-1924.

Scattered personal business records consist of 3 expense account ledgers and one sales ledger. Printed Material includes guest books, news clippings, exhibition catalogs, exhibition announcements, magazines, brochures, and newsletters. Artwork includes pencil drawings and sketches, mostly from studies with the artist Albert Gleizes in Paris. Photographic material consists of photographs, slides, and one lantern slide. The photographs are of Blanche Lazzell with artists and friends, her studio and the harbor in Provincetown, artwork, and travels in Italy.

Artifacts include 2 metal signs and 1 paint palette in a metal case.
Arrangement:
This collection is arranged as 9 series.

Series 1: Biographical Material, 1894-1970 (0.3 linear feet; Box 1)

Series 2: Correspondence, 1897-1965 (1.2 linear feet; Box 1-2)

Series 3: Writings, 1893-1969 (1.2 linear feet; Box 2-3)

Series 4: Diaries, 1896-1924 (0.1 linear feet; Box 3)

Series 5: Personal Business Records, 1894-1916 (0.1 linear feet; Box 3)

Series 6: Printed Material, 1899-1986 (1 linear feet; Box 3-4)

Series 7: Artwork, 1924-circa 1940 (0.1 linear feet; Box 4)

Series 8: Photographic Material, 1897-1956 (0.5 linear feet; Box 5-6)

Series 9: Artifacts, circa 1910-1956 (0.1 linear feet; Box 6)
Biographical / Historical:
Blanche Lazzell (1878-1956) was a printmaker, etcher, painter, and rug designer who worked primarily in Provincetown, Massachusetts and Morgantwon, West Virginia.

Nettie Blanche Lazzell was born in Maidsville, West Virginia, in 1878, the daughter of Mary Prudence Pope and Cornelius Carhart Lazzell. At some point during her childhood, Lazzell became partially deaf. When Lazzell was fifteen, she enrolled in the West Virginia Conference Seminary, now West Virginia Wesleyan College and graduated in 1898.

In 1899, Lazzell continued her studies at the South Carolina Co-educational Institute and graduated that same year. She later matriculated into the West Virginia University (1901-1905) where she took drawing and art history classes with William J. Leonard and earned a degree in fine arts. After graduation, Lazzell periodically studied at the university until 1909. Lazzell moved to New York City in 1907 and enrolled in the Art Students League of New York in 1908 where she studied under William Merritt Chase.

Lazzell travelled to Europe during the summer of 1912. After visiting several cities, Lazzell went to Paris and stayed beyond the tour to attend classes at the Académie Julian and the Académie Moderne where she studied with painter Charles Guérin. Lazzell returned to the United States in the fall of 1913 and stayed in West Virginia with her sister Bessie. She held a solo exhibition of her sketches and paintings in 1914. Lazzell moved to the thriving art colony at Provincetown, Massachusetts in 1915. There, she studied with Charles Webster Hawthorne, who founded the Cape Cod School of Art, and Oliver Chaffee, who taught her the technique for white-line woodcuts. Lazzell quickly adopted and excelled at making white-line woodblock prints, joined the Provincetown Printers, an art collective, and regularly exhibited with them.

n 1918, Lazzell converted an "old fish house" overlooking the Provincetown harbor into her studio and summer home. She planted a lush garden that became a tourist attraction where she often hosted teas and taught classes on painting and woodblock printing. The studio became her primary summer residence, though she often returned to Morgantown, West Virginia. Lazzell also visited other artist colonies during this time, including one in Woodstock, New York where she studied with Andrew Dasburg.

In 1919 Lazzell was featured in an exhibition at Touchstone Gallery in New York City. Later that year, the Provincetown Printers were featured at the Detroit Institute of Arts exhibition "Wood Block Prints in Color by American Artists". That show included Lazzell's depiction of the Monongahela River in Morgantown.

From 1923 to 1924, Lazzell travelled again to Europe and studied with Fernand Legér, André Lhote, and Albert Gleizes in Paris. Lazzell studied Cubism and took a class with Gleizes and her work became more abstract. When she returned to Provincetown, she had her studio rebuilt so it was more comfortable during the winter. She continued to teach art at her studio and participate in exhibitions.

In addition to her woodblock prints, Lazzell also worked with batik, rug design, and hand-painted china. She was a member of numerous arts organizations such as the Société Anonyme, New York Society of Women Artists, Provincetown Art Association, the Sail Loft Club (a Provincetown women's art club), and the Society of Independent Artists. In 1934, Lazzell received a Federal Art Project grant through the Works Progress Administration and created a mural titled Justice for the Morgantown courthouse.

Lazzell died in Morgantown, West Virginia in 1956.
Separated Materials:
The papers were originally loaned for microfilming on reels 2988-2991 and most of them, but not all, were included in a later donation. The papers not included in the later donation are only available on microfilm.
Portions of the microfilmed material were retained by the donor.
Provenance:
The Blanche Lazzell papers were anonymously donated to the Archives of American Art in 1987, including most of the materials that had been earlier loaned for microfilming in 1983.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Blanche Lazzell papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters  Search this
Topic:
Artists' studios -- Photographs  Search this
Etchers  Search this
Art -- Study and teaching  Search this
Painting -- Massachusetts -- Provincetown  Search this
Printmakers  Search this
Etching -- Massachusetts -- Provincetown  Search this
Women artists  Search this
Genre/Form:
Sketches
Photographs
Visitors' books
Drawings
Diaries
Citation:
Blanche Lazzell papers, 1893-1986, bulk 1901-1940. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lazzblan
See more items in:
Blanche Lazzell papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lazzblan
Online Media:

Vaclav Vytlacil papers

Creator:
Vytlacil, Vaclav, 1892-1984  Search this
Names:
Albers, Josef  Search this
Day, Worden, 1916-1986  Search this
Feigl, Hugo  Search this
Haley, John, 1905-1991  Search this
Jensen, Alfred, 1903-1981  Search this
Larsen, Susan C.  Search this
Lazzell, Blanche, 1878-1956 -- Photographs  Search this
Manoir, Irving K. (Irving Kraut), 1891-1982  Search this
Matter, Mercedes  Search this
Rivera, Diego, 1886-1957 -- Photographs  Search this
Ryder, Worth, 1884-1960  Search this
Thurn, Ernest  Search this
Vytlacil, Elizabeth Foster, 1899-  Search this
Wessels, Glenn A. (Glenn Anthony), 1895-  Search this
Zalmar  Search this
Extent:
5.2 Linear feet
Type:
Collection descriptions
Archival materials
Writings
Interviews
Scrapbooks
Photographs
Drawings
Sound recordings
Woodcuts
Motion pictures (visual works)
Prints
Etchings
Date:
1885-1990
Summary:
The papers of abstract painter and art instructor Vaclav Vytlacil date from 1885-1990 and measure 5.2 linear feet. Found within the papers are scattered biographical materials, correspondence primarily discussing art school-related matters and the exhibition and sale of Vytlacil's work, scattered business and financial records, and notes and writings including lecture notes. The papers also contain audio recordings of interviews of Vytlacil and his associates, artwork by Vytlacil and others, four scrapbooks, printed material including clippings and exhibition catalogs, and photographs of Vytlacil, his colleagues, and his artwork.
Scope and Content Note:
The papers of abstract painter and art instructor Vaclav Vytlacil date from 1885-1990 and measure 5.2 linear feet. Found within the papers are scattered biographical materials, correspondence, scattered business and financial records, and notes and writings including lecture notes. The papers also contain audio recordings of interviews of Vytlacil and his associates, artwork by Vytlacil and others, four scrapbooks, printed material including clippings and exhibition catalogs, and photographs of Vytlacil, his colleagues, and his artwork.

Scattered biographical materials include documents relating to family history and biographical accounts for Vytlacil. Correspondence consists of letters exchanged between Vytlacil and his wife and colleagues including Josef Albers, Worden Day, Hugo Feigl, John Haley, Alfred Jensen, Irving Manoir, Mercedes Matter, Worth Ryder, Ernest Thurn, and Glenn Wessels.

Scattered business and financial records consist of teaching contracts and scattered financial records. Notes and writings include lecture notes, notebooks concerning teaching, minutes of meetings, essays, and writings by others. Three untranscribed sound recordings on cassette contain an interview of Vytlacil by Susan Larsen and interviews of Vytlacil's students and associates.

Artwork consists of drawings and prints by Vytlacil and others, etchings by Betty Vytlacil, and a color woodcut by Zalmar. Four scrapbooks contain printed materials and artwork by students compiled as a get-well gift to Vytlacil. Additional printed materials include numerous clippings, exhibition catalogs, and art school catalogs. Photographs in the collection are of Vytlacil, family members, his artwork, and his colleagues including Blanche Lazzell and Irving Manoir with Diego Rivera. One small motion picture film reel, 8mm, shows views of Manhattan and a family outing.
Arrangement:
The collection is arranged as 10 series:

Series 1: Biographical Material, 1885, 1933-1981 (Box 1; 3 folders)

Series 2: Correspondence, 1911-1985 (Boxes 1-2, 7; 2.0 linear feet)

Series 3: Business Records, 1912-1982 (Box 3; 11 folders)

Series 4: Notes and Writings, 1928-1978 (Boxes 3, 7; 0.9 linear feet)

Series 5: Interviews (Sound Recordings), 1974, 1984 (Box 4; 2 folders)

Series 6: Artwork, 1921-1952 (Boxes 4, 7; 5 folders)

Series 7: Scrapbooks, 1927-1979 (Boxes 4, 7; 4 folders)

Series 8: Printed Material, 1912-1990 (Boxes 4-5, 7; 1.3 linear feet)

Series 9: Photographs, 1906-1976 (Boxes 6-7; 27 folders)

Series 10: Motion Picture Film, circa 1938-1968 (Box FC 8; 1 film reel)
Biographical Note:
Vaclav Vytlacil (1892-1984) was an abstract painter and art instructor who worked primarily in the New York city area. He was also one of the co-founders of the American Abstract Artists group.

Born in New York City of Czech parentage, Vytlacil moved at an early age with his family to Chicago. Beginning in 1906 he studied at the Art Institute of Chicago under Antonin Sterba for approximately 3 years. In 1912 he graduated as William Vytlacil from Crane Technical and English High School. After receiving a scholarship in 1913, Vytlacil returned to New York to study at the Art Students League with John C. Johansen for three years. From 1917 to 1921 Vytlacil was employed as an instructor at the Minneapolis School of Art.

Beginning in 1921 Vytlacil traveled to Paris, Prague, and Munich, deciding to remain in the latter city indefinitely. He enrolled as a student at the Royal Academy of Art in Munich with fellow American art students Worth Ryder and Ernest Thurn. Vytlacil first studied under Karl Kaspar and, a year later, he and Ernest Thurn enrolled at the Hans Hofmann School in Munich. Vytlacil studied with Hofmann sporadically over the next seven years.

On August 18, 1927, Vytlacil married Elizabeth Foster of St. Paul, Minnesota at the Palazzo Vecchio in Florence, Italy. In the following year, he accepted an invitation to teach at the Art Students League and became an invited lecturer at the University of California at Berkeley during the summer terms of 1928 to 1929. Vytlacil urged Hans Hofmann, with his assistance, to come to the United States to teach at the Art Students League during the 1931-1932 term. Also during the early 1930s, Vytlacil and his wife spent summers in Positano, Italy, and winters in Paris.

In 1935 the Vytlacils returned permanently from Europe to live at 8 West 13th Street in New York City, where they stayed for three years. Vytlacil resumed teaching at the Art Students League, spending the summer sessions teaching at the California College of Arts and Crafts. In the following year he accepted an invitation to teach at the Florence Cane School at Rockefeller Center and continued teaching during the summer session at the California College of Arts and Crafts. It was also during 1936 that Vytlacil co-founded the American Abstract Artists with thirteen other artists.

While continuing to teach at the Art Students League and at the Florence Cane School, Vytlacil began conducting art classes at the Dalton School, where he taught until 1941. In 1938, he moved from New York City to South Mountain Road in New City. Two years later, Vytlacil established his residence and studio in Sparkill, New York, and in 1941, he acquired property in Martha's Vineyard which provided a place to work during the summers.

In 1942, Vytlacil left the Art Students League to become Chairman of the Art Department of Queens College in Flushing, New York. He held this position until 1945, when he accepted an invitation to teach at Black Mountain College. From 1946 to 1951, he returned as instructor at the Art Students League and began selling his artwork through the Feigl Gallery in New York. He also taught at the Minneapolis School of Art in 1947, and at Columbia University in 1950.

From 1952 to 1954, Vytlacil traveled to Colorado to paint and teach at the summer sessions of the Colorado Springs Fine Arts Center. After a summer spent on Monhegan Island, Maine, Vytlacil and his wife spent 1955 in Europe. Upon his return in 1956, he became a guest instructor at the Art Institute of Chicago and, in the following year, he taught a summer session at Boston College.

During the winter months of 1960 and 1961, Vytlacil lived in Oaxaca, Mexico. In 1964, he was a guest instructor at the University of Georgia in Athens, Georgia.

Vytlacil was a member of the Art Students League of New York, the American Abstract Artists, the Federation of American Painters and Sculptors, and the Audubon Artists.

Vaclav Vytlacil died at his home in Sparkill, New York on January 5, 1984.
Related Material:
Also found in the Archives of American Art are oral history interviews with Vaclav Vytlacil, March 2, 1966 and January 10, 1974, and 19 items microfilmed on reel 2016 relating to a 1975 Montclair Art Museum exhibition organized by Worden Day.
Separated Material:
The Archives of American Art also holds material lent for microfilming (D295) including correspondence, lecture notes, general notes, clippings, notebooks concerning paintings, photographs of paintings, photographs titled "Vineyard Boats," and two of Mrs. Vytacil's Paris journals. Two dozen of these letters were later donated. All other lent materials remain with the lender and are not described in the collection container inventory.
Provenance:
Vaclav Vytlacil lent the Archives of American Art materials for microfilming in 1966. Vaclav Vytlacil's daughter, Anne Vytlacil, donated the Vaclav Vytlacil papers in several installments from 1989 to 1993.
Restrictions:
Use of the original papers requires an appointment.
Rights:
The Vaclav Vytlacil papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art teachers -- New York (State) -- New York  Search this
Art -- Study and teaching  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Writings
Interviews
Scrapbooks
Photographs
Drawings
Sound recordings
Woodcuts
Motion pictures (visual works)
Prints
Etchings
Citation:
Vaclav Vytlacil papers, 1885-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.vytlvacl
See more items in:
Vaclav Vytlacil papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-vytlvacl

Blanche Lazzell's Provincetown studio

Photographer:
Lazzell, Blanche, 1878-1956  Search this
Type:
Photographs
Date:
1939
Record number:
(DSI-AAA)15509
See more items in:
Blanche Lazzell papers, 1893-1986, bulk 1901-1940
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15509
Online Media:

Blanche Lazzell diary

Creator:
Lazzell, Blanche, 1878-1956  Search this
Type:
Writings
Place:
Morgantown, W.Va.
Ramsey, South Carolina
Date:
1899-1900
Record number:
(DSI-AAA)16741
See more items in:
Blanche Lazzell papers, 1893-1986, bulk 1901-1940
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16741

Notebooks

Collection Creator:
Lazzell, Blanche, 1878-1956  Search this
Type:
Archival materials
Date:
1893-1937
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Blanche Lazzell papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Blanche Lazzell papers, 1893-1986, bulk 1901-1940. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lazzblan, Subseries 3.1
See more items in:
Blanche Lazzell papers
Blanche Lazzell papers / Series 3: Writings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lazzblan-ref104

Untitled School Notebook

Collection Creator:
Lazzell, Blanche, 1878-1956  Search this
Container:
Box 2, Folder 21
Type:
Archival materials
Date:
1893
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Blanche Lazzell papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Blanche Lazzell papers, 1893-1986, bulk 1901-1940. Archives of American Art, Smithsonian Institution.
See more items in:
Blanche Lazzell papers
Blanche Lazzell papers / Series 3: Writings / 3.1: Notebooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lazzblan-ref107

West Virginia Conference Seminary Notebook

Collection Creator:
Lazzell, Blanche, 1878-1956  Search this
Container:
Box 2, Folder 22
Type:
Archival materials
Date:
1896
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Blanche Lazzell papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Blanche Lazzell papers, 1893-1986, bulk 1901-1940. Archives of American Art, Smithsonian Institution.
See more items in:
Blanche Lazzell papers
Blanche Lazzell papers / Series 3: Writings / 3.1: Notebooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lazzblan-ref108

West Virginia Conference Seminary Notebook

Collection Creator:
Lazzell, Blanche, 1878-1956  Search this
Container:
Box 2, Folder 23
Type:
Archival materials
Date:
1898
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Blanche Lazzell papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Blanche Lazzell papers, 1893-1986, bulk 1901-1940. Archives of American Art, Smithsonian Institution.
See more items in:
Blanche Lazzell papers
Blanche Lazzell papers / Series 3: Writings / 3.1: Notebooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lazzblan-ref109

West Virginia Conference Seminary Notebook

Collection Creator:
Lazzell, Blanche, 1878-1956  Search this
Container:
Box 2, Folder 24
Type:
Archival materials
Date:
1898
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Blanche Lazzell papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Blanche Lazzell papers, 1893-1986, bulk 1901-1940. Archives of American Art, Smithsonian Institution.
See more items in:
Blanche Lazzell papers
Blanche Lazzell papers / Series 3: Writings / 3.1: Notebooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lazzblan-ref110

West Virginia University Notebooks

Collection Creator:
Lazzell, Blanche, 1878-1956  Search this
Container:
Box 2
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Blanche Lazzell papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Blanche Lazzell papers, 1893-1986, bulk 1901-1940. Archives of American Art, Smithsonian Institution.
See more items in:
Blanche Lazzell papers
Blanche Lazzell papers / Series 3: Writings / 3.1: Notebooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lazzblan-ref111

17th Century Literature Notebook

Collection Creator:
Lazzell, Blanche, 1878-1956  Search this
Container:
Box 2, Folder 25
Type:
Archival materials
Date:
1901-1911
Scope and Contents:
Mostly class notes, but also includes a few pages at the end of the notebook on sales of handpainted "china pins" in 1911.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Blanche Lazzell papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Blanche Lazzell papers, 1893-1986, bulk 1901-1940. Archives of American Art, Smithsonian Institution.
See more items in:
Blanche Lazzell papers
Blanche Lazzell papers / Series 3: Writings / 3.1: Notebooks / West Virginia University Notebooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lazzblan-ref113

17th Century Literature Notebook

Collection Creator:
Lazzell, Blanche, 1878-1956  Search this
Container:
Box 2, Folder 26
Type:
Archival materials
Date:
1901
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Blanche Lazzell papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Blanche Lazzell papers, 1893-1986, bulk 1901-1940. Archives of American Art, Smithsonian Institution.
See more items in:
Blanche Lazzell papers
Blanche Lazzell papers / Series 3: Writings / 3.1: Notebooks / West Virginia University Notebooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lazzblan-ref114

Chapel 47 Notebook

Collection Creator:
Lazzell, Blanche, 1878-1956  Search this
Container:
Box 2, Folder 27
Type:
Archival materials
Date:
1901
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Blanche Lazzell papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Blanche Lazzell papers, 1893-1986, bulk 1901-1940. Archives of American Art, Smithsonian Institution.
See more items in:
Blanche Lazzell papers
Blanche Lazzell papers / Series 3: Writings / 3.1: Notebooks / West Virginia University Notebooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lazzblan-ref115

Botany Notebook

Collection Creator:
Lazzell, Blanche, 1878-1956  Search this
Container:
Box 2, Folder 28
Type:
Archival materials
Date:
1902
Scope and Contents:
Includes a few drawings of budding branches.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Blanche Lazzell papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Blanche Lazzell papers, 1893-1986, bulk 1901-1940. Archives of American Art, Smithsonian Institution.
See more items in:
Blanche Lazzell papers
Blanche Lazzell papers / Series 3: Writings / 3.1: Notebooks / West Virginia University Notebooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lazzblan-ref117

Chapel 49 Notebook

Collection Creator:
Lazzell, Blanche, 1878-1956  Search this
Container:
Box 2, Folder 29
Type:
Archival materials
Date:
1902
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Blanche Lazzell papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Blanche Lazzell papers, 1893-1986, bulk 1901-1940. Archives of American Art, Smithsonian Institution.
See more items in:
Blanche Lazzell papers
Blanche Lazzell papers / Series 3: Writings / 3.1: Notebooks / West Virginia University Notebooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lazzblan-ref118

Chapel 51 Notebook

Collection Creator:
Lazzell, Blanche, 1878-1956  Search this
Container:
Box 2, Folder 30
Type:
Archival materials
Date:
1902
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Blanche Lazzell papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Blanche Lazzell papers, 1893-1986, bulk 1901-1940. Archives of American Art, Smithsonian Institution.
See more items in:
Blanche Lazzell papers
Blanche Lazzell papers / Series 3: Writings / 3.1: Notebooks / West Virginia University Notebooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lazzblan-ref119

Literature: The Elizabethan Period Notebook

Collection Creator:
Lazzell, Blanche, 1878-1956  Search this
Container:
Box 2, Folder 31
Type:
Archival materials
Date:
1902
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Blanche Lazzell papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Blanche Lazzell papers, 1893-1986, bulk 1901-1940. Archives of American Art, Smithsonian Institution.
See more items in:
Blanche Lazzell papers
Blanche Lazzell papers / Series 3: Writings / 3.1: Notebooks / West Virginia University Notebooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lazzblan-ref120

Literature: The Classic Period Notebook

Collection Creator:
Lazzell, Blanche, 1878-1956  Search this
Container:
Box 2, Folder 32
Type:
Archival materials
Date:
1902
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Blanche Lazzell papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Blanche Lazzell papers, 1893-1986, bulk 1901-1940. Archives of American Art, Smithsonian Institution.
See more items in:
Blanche Lazzell papers
Blanche Lazzell papers / Series 3: Writings / 3.1: Notebooks / West Virginia University Notebooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lazzblan-ref121

Literature 15 Notebook

Collection Creator:
Lazzell, Blanche, 1878-1956  Search this
Container:
Box 2, Folder 33
Type:
Archival materials
Date:
1902-1903
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Blanche Lazzell papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Blanche Lazzell papers, 1893-1986, bulk 1901-1940. Archives of American Art, Smithsonian Institution.
See more items in:
Blanche Lazzell papers
Blanche Lazzell papers / Series 3: Writings / 3.1: Notebooks / West Virginia University Notebooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lazzblan-ref122

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