Skip to main content Smithsonian Institution

Search Results

Collections Search Center
141 documents - page 1 of 8

Henry Ernest Schnakenberg papers, 1905-1969

Creator:
Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this
Subject:
Angel, John  Search this
Bacon, Peggy  Search this
Barye, Antoine-Louis  Search this
Beal, Gifford  Search this
Bierstadt, Albert  Search this
Billings, Henry  Search this
Bishop, Isabel  Search this
Blume, Peter  Search this
Bouché, Louis  Search this
Brooks, Van Wyck  Search this
Buller, Audrey  Search this
Cadmus, Paul  Search this
Calder, Alexander  Search this
Catherwood, Frederick  Search this
Congdon, William  Search this
Day, Horace Talmage  Search this
Dows, Olin  Search this
Duchamp, Marcel  Search this
Etting, Emlen  Search this
Evergood, Philip  Search this
Faulkner, Barry  Search this
Fiene, Ernest  Search this
Goff, Lloyd Lozés  Search this
Guys, Constantin  Search this
Hardy, Thomas  Search this
Harnett, William Michael  Search this
Hartl, Léon  Search this
Homer, Winslow  Search this
Hoyt, Whitney Ford  Search this
Inness, George  Search this
Ivins, William Mills  Search this
Johnson, Eastman  Search this
Kirstein, Lincoln  Search this
Kroll, Leon  Search this
Kuniyoshi, Yasuo  Search this
Laning, Edward  Search this
Lasker, Joe  Search this
Leighton, Clare  Search this
Locke, Charles  Search this
Low, Sanford B. D. (Sanford Ballard Dole)  Search this
Lucioni, Luigi  Search this
Marsh, Reginald  Search this
Miller, Kenneth Hayes  Search this
Parsons, Betty  Search this
Robus, Hugo  Search this
Saint-Gaudens, Homer  Search this
Savery, Rockland  Search this
Schmidt, Katherine  Search this
Shahn, Ben  Search this
Sheeler, Charles  Search this
Speicher, Eugene Edward  Search this
Stamos, Theodoros  Search this
Tait, Arthur Fitzwilliam  Search this
Watkins, Franklin Chenault  Search this
Watson, Forbes  Search this
Watson, Nan  Search this
Weisgard, Leonard  Search this
Artists Equity Association  Search this
American Academy of Arts and Letters  Search this
Citation:
Henry Ernest Schnakenberg papers, 1905-1969. Archives of American Art, Smithsonian Institution.
Topic:
Art, Prehistoric  Search this
Painting, Modern -- 20th century  Search this
Etching  Search this
Theme:
Diaries  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9102
(DSI-AAA_SIRISBib)211296
AAA_collcode_schnh
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211296

Federal Art Project, Photographic Division collection

Creator:
Federal Art Project. Photographic Division  Search this
Names:
Federal Art Project (N.Y.)  Search this
Federal Art Project (Wash.)  Search this
Federal Art Project -- Photographs  Search this
Federal Art Project. Easel Division  Search this
Federal Art Project. Graphic Arts Division  Search this
Federal Art Project. Poster Division  Search this
Federal Music Project (U.S.) -- Photographs  Search this
Federal Theatre Project (U.S.) -- Photographs  Search this
Federal Writers' Project (U.S.) -- Photographs  Search this
Harlem Art Center  Search this
United States. Work Projects Administration  Search this
United States. Works Progress Administration  Search this
Abbott, Berenice, 1898-1991  Search this
Alston, Charles Henry, 1907-1977  Search this
Arenal, Luis  Search this
Barthé, Richmond, 1901-1989  Search this
Benson, John Howard, 1901-1956  Search this
Berger, Andrew  Search this
Blanch, Lucile, 1895-1981  Search this
Bloch, Lucienne, 1909-1999  Search this
Bolotowsky, Ilya, 1907-1981  Search this
Brann, Louise, 1906-  Search this
Burke, Selma, 1900-  Search this
Cahill, Holger, 1887-1960  Search this
Calapai, Letterio, 1902-1993  Search this
Chodorow, Eugene, 1910-2000  Search this
Criss, Francis, 1901-1973  Search this
Davis, Stuart, 1892-1964  Search this
De Rivera, José Ruiz, 1904-1985  Search this
Dehn, Adolf, 1895-1968  Search this
Dehn, Virginia E. (Virginia Engleman), 1922-2005  Search this
Ennis, George Pearse, d. 1936  Search this
Evergood, Philip, 1901-1973  Search this
Gershoy, Eugenie, 1901?-1983 or 6  Search this
Goodman, Bertram, 1904-1988  Search this
Gorky, Arshile, 1904-1948  Search this
Greenwood, Marion, 1909-1970  Search this
Guston, Philip, 1913-1980  Search this
Herman, Andrew  Search this
Hord, Donal, 1902-1966  Search this
Horn, Sol  Search this
Hovell, Joseph, 1897-  Search this
Karp, William, 1905-  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Laning, Edward, 1906-1981  Search this
Levi, Julian E. (Julian Edwin), 1900-1982  Search this
McMahon, Audrey, 1900?-1981  Search this
Olds, Elizabeth, 1896-1991  Search this
Refregier, Anton, 1905-  Search this
Robbins, David  Search this
Seltzer, Leo, 1916-  Search this
Shuster, Will  Search this
Zorach, William, 1887-1966  Search this
Extent:
12.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
circa 1920-1965
bulk 1935-1942
Summary:
The Federal Art Project, Photographic Division collection dates from circa 1920-1965, with the bulk of the records spanning the active years of the Federal Art Project (FAP), 1935-1942. The collection comprises 12.4 linear feet of mostly photographic prints and negatives that document primarily artwork produced by artists employed by the FAP. A smaller number of photographs also document other programs of the FAP, such as art classes and community centers, exhibitions by children and adults, artwork installed in public buildings, project divisions, and demonstrations of art processes by FAP artists.
Scope and Content Note:
The Federal Art Project (FAP), Photographic Division collection dates from circa 1920-1965, with the bulk of the records spanning the active years of the FAP: 1935-1942. The collection comprises 12.4 linear feet of photographic prints and negatives, including photos of FAP artists and the artwork created by them, and other activities of the FAP in communities throughout New York City and other states. Photographers include Andrew Herman, Sol Horn, David Robbins, Leo Seltzer, and others.

Artist files comprise three-quarters of the collection and consist primarily of photographs of artwork, as well as scattered photos of artists at work, including: Charles Alston, Luis Arenal, Richmond Barthe, John Benson, Andrew Berger, Lucille Blanch, Lucienne Bloch, Ilya Bolotowsky, Luise Brann, Selma Burke, Letterio Calapai, Eugene Chodorow, Francis Criss, Stuart Davis, Adolf Dehn, Virginia Dehn, Jose de Rivera, George Pearse Ennis, Philip Evergood, Eugenie Gershoy, Bertram Goodman, Arshile Gorky, Marion Greenwood, Philip Guston, Donal Hord, Joseph Hovell, William Karp, Yasuo Kuniyoshi, Edward Laning, Julian Levi, Audrey McMahon, Elizabeth Olds, Anton Refregier, Will Shuster, William Zorach, and others.

The remainder of the collection consists of files documenting related activities and programs of the FAP, arranged by subject. The bulk of these files document the activities of the New York City FAP, including free art classes and art exhibitions for adults and children, exhibitions at the Harlem Art Center, and the work of FAP branches including the Easel Division, the Graphic Arts Division, and the Poster Division.

Other subjects documented include federal and community art centers in eleven states, most extensively Washington State; other WPA projects such as the Federal Theater Project, the Federal Music Project, and the Federal Writers' Project; buildings decorated with FAP artwork; art processes as demonstrated by FAP artists; special events; and people involved with the FAP, including director Holger Cahill.

One folder contains images that appear to have been taken by Berenice Abbott for the exhibition Changing New York (1935), for the Museum of the City of New York in collaboration with the WPA.
Arrangement:
The collection is arranged as 2 series:

Missing Title

Series 1: Artist Files, circa 1920-1965 (Boxes 1-24; 9.6 linear feet)

Series 2: Subject Files, 1934-1956 (Boxes 25-32; 2.8 linear feet)
Historical Note:
The Federal Art Project (FAP) was one of the Depression-era work-relief programs of the Federal Works Progress Administration (WPA). The program was founded in August 1935 to provide employment for artists and to implement visual arts programs in local communities across the country.

Together with the Federal Music Project, the Federal Theater Project, and the Federal Writers' Project, the FAP formed part of the WPA's Federal Project No. 1. The WPA became the Work Projects Administration in 1939 when it fell under the administrative hand of the newly created Federal Works Agency; concurrently the Federal Art Project was officially re-named the Federal Art Program.

Under the direction of Holger Cahill, the goals of the FAP fell into three main areas: production of artwork, art education through art classes and community centers, and art research through the Index of American Design. During the course of the program, artists created murals and other works of art for many non-Federal government buildings such as schools, hospitals, and libraries. Separate photographic divisions were set up in several states, most notably in New York City, to document the work of artists employed by the program, activities in art education such as classes for children and adults, community center outreach programs, and other "Federal 1" projects, including the Federal Theater and Music Projects. Employees of the photographic division were also involved in other assignments, such as creating exhibitions and photo murals.

The Federal Art Project ended in 1943.
Related Material:
Among the holdings of the Archives of American Art are related collections, including the Federal Art Project of the Work Projects Administration records, 1935-1948. Additional FAP records are held by the National Archives and Records Administration in Washington D.C.
Provenance:
The collection was anonymously donated to the Archives of American Art in the late 1950s.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Children's art  Search this
Photography  Search this
Art -- United States -- Exhibitions -- Photographs  Search this
Art -- United States -- Study and teaching -- Photographs  Search this
Art centers  Search this
Federal aid to the public welfare -- Photographs  Search this
Theater and state -- United States -- Photographs  Search this
Music and state -- United States -- Photographs  Search this
Federal aid to the arts -- Photographs  Search this
Art -- Technique  Search this
Artists -- United States -- Photographs  Search this
Art -- Exhibitions  Search this
Latino and Latin American artists  Search this
Art -- Study and teaching  Search this
African American artists  Search this
Function:
Programs (organizations)
Agencies
Genre/Form:
Photographs
Citation:
Federal Art Project, Photographic Division collection, circa 1920-1965, bulk 1935-1942. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fedeartp14
See more items in:
Federal Art Project, Photographic Division collection
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91f0216d7-ed8e-4482-8128-6def41dbe367
EDAN-URL:
ead_collection:sova-aaa-fedeartp14
Online Media:

Abraham Walkowitz

Artist:
Edward Laning, 26 Apr 1906 - 6 May 1981  Search this
Sitter:
Abraham Walkowitz, 28 Mar 1880 - Jan 1965  Search this
Medium:
Not recorded
Dimensions:
Not recorded
Type:
Painting
Date:
c. 1943-44
Topic:
Architecture\Building  Search this
Nature & Environment\Animal\Bird  Search this
Exterior\Street  Search this
Abraham Walkowitz: Visual Arts\Artist  Search this
Abraham Walkowitz: Male  Search this
Abraham Walkowitz: Visual Arts\Artist\Printmaker\Etcher  Search this
Abraham Walkowitz: Visual Arts\Artist\Painter  Search this
Portrait  Search this
Credit Line:
Owner: [UNLOCATED]
Object number:
UNL00359
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4842dc152-d60c-448b-8b7b-3a5cf55d85ed
EDAN-URL:
edanmdm:npg_UNL00359

Edward Laning Self-Portrait

Artist:
Edward Laning, 26 Apr 1906 - 6 May 1981  Search this
Sitter:
Edward Laning, 26 Apr 1906 - 6 May 1981  Search this
Medium:
Pencil on paper
Dimensions:
Image: 21.5 × 18 cm (8 7/16 × 7 1/16")
Sheet: 31.3 × 23.3 cm (12 5/16 × 9 3/16")
Type:
Drawing
Date:
c. 1940-50
Topic:
Self-portrait  Search this
Edward Laning: Male  Search this
Edward Laning: Visual Arts\Artist\Painter  Search this
Edward Laning: Visual Arts\Artist\Painter\Muralist  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of the Estate of Edward Laning
Object number:
NPG.84.190
Restrictions & Rights:
Usage conditions apply
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4f6fbed7b-2c39-4720-b102-9802f30cf400
EDAN-URL:
edanmdm:npg_NPG.84.190

Laning, Edward

Collection Creator:
Bowman, Ruth, 1923-  Search this
Extent:
1 Sound tape reel
Container:
Box 18, Folder 8
Type:
Archival materials
Sound tape reels
Date:
1972 March 13
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
Research material including correspondence, writings and notes, photographs, and printed material on Cezanne, Thomas Eakins, and Picasso: Authorization to publish, quote, or reproduce requires written permission from Ruth Bowman. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ruth Bowman papers, 1936-2006, bulk 1963-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Ruth Bowman papers
Ruth Bowman papers / Series 5: Interviews / WNYC "Views on Art" Radio Program
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw924e00228-86a6-42db-8a01-b50e3cd64910
EDAN-URL:
ead_component:sova-aaa-bowmruth2-ref1080

Laning, Edward (1972 March 13), Digital Audio Recording

Collection Creator:
Bowman, Ruth, 1923-  Search this
Extent:
0.298 Gigabytes (One computer file)
Container:
Folder ER41
Type:
Archival materials
Gigabytes
Date:
2018
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
Research material including correspondence, writings and notes, photographs, and printed material on Cezanne, Thomas Eakins, and Picasso: Authorization to publish, quote, or reproduce requires written permission from Ruth Bowman. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ruth Bowman papers, 1936-2006, bulk 1963-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Ruth Bowman papers
Ruth Bowman papers / Series 5: Interviews / WNYC "Views on Art" Radio Program
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9122e38a5-b796-4f5e-b49f-e7289b200b52
EDAN-URL:
ead_component:sova-aaa-bowmruth2-ref1931

Laning, Edward

Collection Creator:
Macbeth Gallery  Search this
Container:
Box 154, Folder 28
Type:
Archival materials
Date:
ca. 1910-ca. 1952
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.
See more items in:
Macbeth Gallery records
Macbeth Gallery records / Series 8: Photographs / 8.3: Photographs of Artwork and Records of Paintings Sold
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw929eb1aa1-f5e8-40b4-87d6-50a8c7e135e6
EDAN-URL:
ead_component:sova-aaa-macbgall-ref11923

Allyn Cox papers

Creator:
Cox, Allyn, 1896-1982  Search this
Names:
American Battle Monuments Commission  Search this
Art Commission of the City of New York  Search this
Art Students League (New York, N.Y.)  Search this
Century Association (New York, N.Y.)  Search this
Cosmos Club (Washington, D.C.)  Search this
Dumbarton Oaks  Search this
George Washington Masonic National Memorial (Alexandria, Va.)  Search this
National Society of Mural Painters (New York, N.Y.)  Search this
Park Club of Kalamazoo  Search this
Smithsonian Institution  Search this
United States Capitol Historical Society  Search this
Bayley, John Barrington, 1914-1981  Search this
Bishop, Warner  Search this
Cassio, Fabrizio  Search this
Conrad, Arthur  Search this
Cox, Ethel  Search this
Cox, Kenyon, 1856-1919  Search this
Cox, Louise Howland King, 1865-1945  Search this
DeWitt, Roscoe, 1894-1975  Search this
Frost, Stuart  Search this
Harbeson, John F. (John Frederick), 1888-1986  Search this
Keally, Francis, 1889-1978  Search this
Keller, Deane, 1901-1992  Search this
Lamb, Adrian  Search this
Laning, Edward, 1906-1981  Search this
Lay, Charles Downing, 1877-1956  Search this
MacDonald, Pirie, 1867-1942  Search this
Schwengel, Fred, 1907-1993  Search this
Shutze, Philip Trammell  Search this
Young, Clifford, 1905-  Search this
Extent:
11 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Diaries
Sketchbooks
Sketches
Date:
1856-1982
Summary:
The papers of New York, N.Y., and Washington, D.C. painter and muralist Allyn Cox measure 11 linear feet and date from 1856-1982. The collection documents Cox's personal and professional life through biographical material, family and general correspondence, writings and notes, research material, printed material, sketchbooks and loose sketches, and photographs. Photographs are of Cox at work, the Cox family, including Kenyon and Louise Cox, Cox's friends and colleagues, events, and Cox's artwork.
Scope and Contents:
The papers of New York, N.Y., and Washington, D.C. painter and muralist Allyn Cox measure 11 linear feet and date from 1856-1982. The collection documents Cox's personal and professional life through biographical material, family and general correspondence, writings and notes, research material, printed material, sketchbooks and loose sketches, and photographs. Photographs are of Cox at work, the Cox family, including Kenyon and Louise Cox, Cox's friends and colleagues, events, and Cox's artwork.

Biographical material includes family birth, death, and marriage certificates, and passports for Cox and his wife Ethel, whom he married in 1927; professional membership cards, awards and certificates; records related to sales of furnishings from the Cox family home in Essex, Massachusetts; and an untranscribed interview of Cox by Tony Janak of NBC TV.

Cox's family correspondence is primarily with his mother, Louise Cox. Also found is correspondence with Cox's sister, Caroline Cox Lansing, and his brother Leonard Cox and Leonard's wife, Sylvia, and letters from Ethel Cox to her mother. Additional correspondence relating to the disposition of Kenyon Cox''s artwork and archives to various institutions, can also be found here.

General correspondence documents Cox's career and professional relationships with artists and architects, including John Barrington Bayley, Fabrizio Cassio, Arthur Conrad, Roscoe DeWitt, Stuart Frost, John Harbeson, Francis Keally, Adrian Lamb, Edward Laning, Charles Downing Lay, Deane Keller, Philip Trammell Shutze, and Cliff Young; art institutions and organizations including the Art Commission of the City of New York, the Art Students League, Dumbarton Oaks, the National Society of Mural Painters, and the Smithsonian Institution; federal, state and local government agencies including the American Battle Monuments Commission, the Architect of the Capitol, and the General Grant National Memorial; members of Congress including founder of the United States Capitol Historical Society, Representative Fred Schwengel; and private social clubs in which Cox was active, including the Century Association, the Cosmopolitan Club and the Cosmos Club. Correspondence documents Cox's most well known commissions including work for the George Washington Masonic National Memorial and the United States Capitol, as well as work for many private clients including banks and residences.

Also found are typescripts, manuscripts and notes for Cox's lectures, as well as Ethel Cox's diary from 1923-1936 and her diary excerpt from 1955. Ten folders of research files, consisting primarily of clippings, comprise Cox's source material. Additional printed material provides scattered documentation of Cox's career through announcements and catalogs, and magazine and newspaper articles written by him or about his work. Also found is one folder of clippings about Kenyon Cox.

Four sketchbooks and circa twenty-two loose animal, figure, architectural and landscape sketches comprise Cox's artwork, in addition to two 1943 sketches Cox entered into a War Department mural competition. Also found is an 1873 sketchbook of Kenyon Cox, with sketches of people and scenes in Ohio.

Photographs are of Cox from childhood to the 1980s; his family, including parents, siblings, and grandparents; friends including Philip Trammell Shutze and Warner Bishop; family residences; artist models; events; and artwork, including many of Cox's commissions. In addition to photographic prints, slides, and negatives, the series includes vintage formats such as an ambrotype, 8 tintypes, 2 cyanotypes, and a platinum print. Of particular note are circa 16 photos of Kenyon Cox, one taken by Pirie MacDonald and three of him teaching a class at the Art Students League, and a series of circa 1906 photos taken in a garden, of Louise and Kenyon Cox with their children and others. Also found are 10 glass plate negatives of artwork by Cox.
Arrangement:
The collection is arranged as 7 series. Glass plate negatives are housed separately and are closed to researchers.

Missing Title

Series 1: Biographical Material, 1916-1982 (0.33 linear feet; Boxes 1, 12)

Series 2: Correspondence, 1878-1982 (6.74 linear feet; Boxes 1-7, 12)

Series 3: Writings and Notes, 1919-1982 (0.58 linear feet; Boxes 7-8)

Series 4: Research Files, circa 1950s-circa 1970s (0.25 linear feet; Box 8)

Series 5: Printed Material, 1920s-1982 (0.5 linear feet; Boxes 8-9)

Series 6: Sketchbooks and Sketches, 1873-circa 1978 (0.25 linear feet; Box 9, OVs 13-14)

Series 7: Photographs, 1856-circa 1980 (2.25 linear feet; Boxes 9-12, OV 13)
Biographical / Historical:
New York, N.Y. and Washington, D.C. painter and muralist, Allyn Cox (1896-1982), was born in New York City to artists Kenyon and Louise Cox. Cox first trained as his father's assistant, serving as an apprentice to Kenyon Cox during the painting of the murals at the Wisconsin State Capitol, circa 1912. He attended the National Academy of Design from 1910-1915, and the Art Student's League with George Bridgman in 1915. In 1916 he was awarded the Prix de Rome and subsequently studied at the American Academy in Rome for 2 years before returning to New York City to begin a career in mural painting.

Cox completed numerous murals and decorative paintings for private residences, businesses, churches, and public buildings. Some of his most famous commissions included murals for the Royal Arch Room and Memorial Hall of the George Washington Masonic National Memorial in Alexandria, Virginia; the Law School at the University of Virginia, Charlottesville; and the William A. Clark Memorial Library at the University of California, Los Angeles; panels for the National City Bank, the Continental Bank, and the Guaranty Trust Company in New York; and glass mosaics and inlaid stone maps for the United States Military Cemetery in Hamm, Luxembourg.

Cox is best known for his work in the United States Capitol, beginning in 1952 when he undertook a congressional commission to restore and complete the murals in in the Capitol rotunda begun by Constantino Brumidi and Filipo Costaggini in 1878. Over the course of the next two decades Cox, now residing in Washington, D.C., restored the Frieze of American History and the Apotheosis of Washington in the Rotunda, and designed murals for three first-floor corridors in the Capitol's House wing, now known as the Cox Corridors. Assisted by Cliff Young, Cox completed painting for two of these corridors before his death. In 1958 Cox also painted a portrait of Henry Clay for the Senate Reception Room and in 1975 completed a mural depicting the 1969 moon landing in the Brumidi Corridor.

Cox taught at the Art Students League in 1940 and 1941, and was active in professional organizations throughout his career. He served as President of the American Artists Professional League and the National Society of Mural Painters, and Vice President of both the Fine Arts Federation and the New York Architectural League. He was a member of the board of the New York Municipal Art Society and served on the the New York City Art Commission.

Cox retired in March 1982 at the age of 86 and died the following September.
Related Materials:
Also found in the Archives of American Art are the Allyn Cox papers relating to U.S. Capitol murals, 1970-1974, donated by the Committee on House Administration, via Cindy Szady in 1981. Papers include a resume; a cost estimate by Cox for designing and executing mural decorations in the U.S. Capitol, 1970; a letter, 1974, from the Office of the Architect of the Capitol to the Capitol Historical Society enclosing photocopies of printed material pertinent to the unveiling and dedication of the Capitol rotunda frieze in 1954; miscellaneous printed material, 1971-1974; and 15 photographs of the murals in the Capitol.
Provenance:
The bulk of the Allyn Cox papers was donated in 1977 and 1983 by the Estate of Allyn Cox, Stephen M. Pulsifer, Exectuor, including material that had been loaned for microfiliming in 1969. Two mural sketches were donated by the Essex County Greenbelt Association in 1984.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Glass plate negatives are housed separately and are not served to researchers. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Washington (D.C.)  Search this
Topic:
Painters -- New York (State) -- New York  Search this
Muralists -- Washington (D.C.)  Search this
Muralists -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Diaries
Sketchbooks
Sketches
Citation:
Allyn Cox papers, 1856-1982. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.coxally
See more items in:
Allyn Cox papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90c9efb57-6d34-4007-ad8a-8ce4b40537fd
EDAN-URL:
ead_collection:sova-aaa-coxally
Online Media:

George Tooker papers

Creator:
Tooker, George, 1920-2011  Search this
Names:
Bachinski, Walter  Search this
Bishop, Isabel, 1902-1988  Search this
Cadmus, Paul, 1904-1999  Search this
Christopher, William R, 1924-1973  Search this
Dix, Otto, 1891-1969  Search this
French, Jared, 1905-1988  Search this
French, Margaret  Search this
Ginzburg, Ralph  Search this
Gonzalez, Xavier, 1898-1993  Search this
Isaacson, Robert  Search this
Kirstein, Fidelma  Search this
Kirstein, Lincoln, 1907-  Search this
Laning, Edward, 1906-1981  Search this
Lynes, George Platt, 1907-1955  Search this
Nordness, Lee  Search this
Perlin, Bernard, 1918-  Search this
Peterson, Joan, 1933-  Search this
Stamos, Theodoros, 1922-1997  Search this
Wescott, Glenway, 1901-  Search this
Wheeler, Monroe, 1899-  Search this
Extent:
5.1 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Drawings
Scrapbooks
Date:
circa 1851-2010
Summary:
The papers of painter George Tooker measure 5.1 linear feet and date from circa 1851 to 2010. The papers document Tooker's personal and professional life through biographical material, correspondence, project files, gallery files, exhibition files, printed material, artwork and one sketchbook, and numerous photographs, including some taken by noted photographer George Platt Lynes.
Scope and Contents:
The papers of painter George Tooker measure 5.1 linear feet and date from circa 1851 to 2010. The papers document Tooker's personal and professional life through biographical material, correspondence, project files, gallery files, exhibition files, printed material, artwork and one sketchbook, and numerous photographs, including some taken by noted photographer George Platt Lynes.

Biographical material consists of membership and travel documents, writings on and by Tooker on his circle, an address book, resume, and papers regarding Tooker's education. Also included are biographical material related to Tooker's partner William Christopher who passed in 1973. A 1978 interview with Vermont Public radio on two sound reels is also featured.

Correspondence is with friends, colleagues, and organizations. Correspondents include Isabel Bishop, Paul Cadmus, Walter Bachinski, William Christopher, Otto Dix, Jared and Margaret French, Ralph Ginzburg, Xavier Gonzalez, Robert Isaacson, Edward Laning, Lincoln Kirstein, Lee Nordness, Bernard Perlin, Joan Peterson, Theodore Stamos, Bridget Tichenor, and others. Also included are family correspondence and correspondence regarding the Estate of William Christopher.

Project files document Tooker's commissions including the set and costume design for Gian-Carlo Menotti's opera The Saint of Bleecker Street and Tooker's participation in the selection of candidates for the Vestris Prize for Choreography. Files contain correspondence, business documents, printed ephemera, sketches, photographs, three volumes of vocal scores, and textile samples.

Gallery records include business correspondence and consignments with various key galleries in Tooker's career spanning the 1960s to the end of his career including D.C. Moore Gallery, Marisa Del Re Gallery, and Durlacher Bros..

Exhibition records include documents regarding the organization of several select exhibitions in Tooker's career incuding an early retrospective at the Fine Arts Museums of San Francisco (1974) and a later traveling retrospective from 2008-2009.

Printed material consists of invitations, press releases, news clippings and exhibition catalogs documenting the careers of both George Tooker and William Christopher.

Artwork includes numerous sketchbooks, loose drawings, and sketches from Tooker's studies at the Art Students' League in the mid 1940s, in addition to an early ex-libris print created by Tooker in his youth. Also included is a sketchbook by William Christopher, as well as a study for the work The Subway, in the collection of the Whitney Museum of American Art.

Photographic materials depict Tooker's family life as well as his early artistic collaborations depicted in a number of black and white photographs taken by George Platt Lynes and PaJaMa in the mid to late 1940s. A majority of the photographs depict artists and friends, among them: George Tooker and his companion William Christopher, Paul Cadmus, Jared and Margaret French, Lincoln and Fidelma Kirstein, Glenway Wescott, Monroe Wheeler, and Bridget Tichenor. Other photographs are of Tooker building his home, gardening, and working in his studio in Hartland, Vermont. Also included are installation views from the exhibition Painting in the United States (1949) at the Carnegie Institute in Pennsylvania. There are also a fair amount of photographs, transparencies, slides and negatives documenting artwork from both the studios of George Tooker and his late partner William Christopher.
Arrangement:
The collection is arranged as 8 series.

Missing Title

Series 1: Biographical Material, circa 1920-2005 (0.7 linear feet; Boxes 1, 5)

Series 2: Correspondence, circa 1932-2010 (1.2 linear feet; Boxes 1-2, Oversize 7)

Series 3: Project Files, circa 1935-1968 (0.3 linear feet; Boxes 2-3, 6)

Series 4: Gallery Records, circa 1960-2009 (0.3 linear feet; Box 3)

Series 5: Exhibition Files, circa 1967-2009 (0.3 linear feet; Boxes 1, 3)

Series 6: Printed Material, circa 1851-2010 (0.5 linear feet; Boxes 3, 5)

Series 7: Artwork and Sketchbook, circa 1932-2009 (0.7 linear feet; Boxes 3, 5, 8)

Series 8: Photographs, circa 1900-2010 (1.1 linear feet; Boxes 4-5, 8)
Biographical / Historical:
George Tooker (1920-2011) was a painter based in Hartland, Vermont and New York, New York. Tooker was born in Brooklyn, New York on August 5, 1920 to George Clair Tooker and Angela Montejo Roura. He graduated from preparatory school at Phillips Academy, Andover in 1938 and received a Bachelor of Arts in English from Harvard University in 1942. Tooker studied drawing and painting under Reginald Marsh, Kenneth Hayes Miller, and Harry Sternberg at the Art Students' League from circa 1944 to 1945.

Tooker became acquainted with American painter Paul Cadmus while studying at the Art Students' League. Cadmus introduced Tooker to a circle of artists and writers living and working in New York and Europe in the mid to late 1940s that included George Platt Lynes, Jared and Margaret French, Monroe Wheeler, Glenway Westcott, and Lincoln and Fidelma Kirstein. He lived and worked with his partner and fellow artist William Christopher in New York City and later Hartland, VT.

In 1953, Tooker was commissioned by writer and philanthropist Lincoln Kirstein to design the sets and costumes for The Saint of Bleecker Street, an opera by Gian-Carlo Menotti. In 1966, the Wasemquia Charitable Trust sponsored the Vestris Prize for Choreography in cooperation with the Boston Ballet Company and Tooker was invited by trustee Henry H. Crapo to participate on the Committee of Judges for the Vestris Prize. In 1968, NASA commissioned Tooker to produce drawings and one painting documenting the development of spacecraft at the Goddard Space Flight Center located in Greenbelt, Maryland.

Tooker's paintings are found in numerous art museums and galleries including the Whitney Museum of Art, Metropolitan Museum of Art, Museum of Modern Art, DC Moore Gallery, Robert Isaacson Gallery, and the Venice Biennale. In 1968, Tooker's paintings were featured in the art magazine, Avant-Garde.
Related Materials:
Available in the Archives of American Art is an oral history interview with George Tooker conducted in 1966 by Grace G. Alexander for radio station WNYC, New York City.

Materials related to the George Tooker papers can be found the William Christopher papers at the Archives of American Art.
Provenance:
George Tooker donated his papers to the Archives of American Art in 1973. A subsequent addition was donated in 2018 by Aaron Watkins, the executor to George Tooker's estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Vermont  Search this
Printmakers -- Vermont  Search this
Genre/Form:
Sketchbooks
Drawings
Scrapbooks
Citation:
George Tooker papers, circa 1851-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tookgeor
See more items in:
George Tooker papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw979ef9bde-924c-4b3e-95a6-59ac6e873bbb
EDAN-URL:
ead_collection:sova-aaa-tookgeor

Allyn Cox papers, 1856-1982

Creator:
Cox, Allyn, 1896-1982  Search this
Subject:
Bishop, Warner  Search this
Bayley, John Barrington  Search this
Conrad, Arthur  Search this
Cassio, Fabrizio  Search this
Cox, Louise Howland King  Search this
Cox, Kenyon  Search this
Frost, Stuart  Search this
DeWitt, Roscoe  Search this
Shutze, Philip Trammell  Search this
Schwengel, Fred  Search this
Lay, Charles Downing  Search this
Laning, Edward  Search this
Harbeson, John F. (John Frederick)  Search this
Keller, Deane  Search this
Keally, Francis  Search this
Lamb, Adrian  Search this
Young, Clifford  Search this
MacDonald, Pirie  Search this
Cox, Ethel  Search this
National Society of Mural Painters (New York, N.Y.)  Search this
Park Club of Kalamazoo  Search this
Smithsonian Institution  Search this
United States Capitol Historical Society  Search this
American Battle Monuments Commission  Search this
Art Students League (New York, N.Y.)  Search this
Art Commission of the City of New York  Search this
Century Association (New York, N.Y.)  Search this
Cosmos Club (Washington, D.C.)  Search this
Dumbarton Oaks  Search this
George Washington Masonic National Memorial (Alexandria, Va.)  Search this
Type:
Interviews
Diaries
Sketchbooks
Sketches
Citation:
Allyn Cox papers, 1856-1982. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- New York (State) -- New York  Search this
Muralists -- Washington (D.C.)  Search this
Muralists -- New York (State) -- New York  Search this
Theme:
Diaries  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9398
(DSI-AAA_SIRISBib)211595
AAA_collcode_coxally
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211595
Online Media:

Laning, Edward

Collection Creator:
Cox, Allyn, 1896-1982  Search this
Container:
Box 4, Folder 48
Type:
Archival materials
Date:
circa 1970s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Glass plate negatives are housed separately and are not served to researchers. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Allyn Cox papers, 1856-1982. Archives of American Art, Smithsonian Institution.
See more items in:
Allyn Cox papers
Allyn Cox papers / Series 2: Correspondence / 2.2: General Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9dbf5b02c-7b39-4fc8-bbc4-301f1580e832
EDAN-URL:
ead_component:sova-aaa-coxally-ref30

Edward Laning

Artist:
Edward Laning, 26 Apr 1906 - 6 May 1981  Search this
Sitter:
Edward Laning, 26 Apr 1906 - 6 May 1981  Search this
Medium:
Oil on canvas
Dimensions:
61.3cm x 50.8cm (24 1/8" x 20"), Accurate
Type:
Painting
Date:
1942
Topic:
Interior  Search this
Costume\Headgear\Hat\Cap  Search this
Self-portrait  Search this
Costume\Dress Accessory\Tie\Necktie  Search this
Edward Laning: Male  Search this
Edward Laning: Visual Arts\Artist\Painter  Search this
Edward Laning: Visual Arts\Artist\Painter\Muralist  Search this
Portrait  Search this
Credit Line:
Owner: National Academy of Design
Object number:
1573-P-1137
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm496375004-3847-41bb-a000-e4ee30f5eb33
EDAN-URL:
edanmdm:npg_1573-P-1137

Jackie Gleason

Artist:
Edward Laning, 26 Apr 1906 - 6 May 1981  Search this
Sitter:
Jackie Gleason, 26 Feb 1916 - 24 Jun 1987  Search this
Medium:
Pencil on paper
Dimensions:
Image: 16.5 x 13.4 cm (6 1/2 x 5 1/4")
Sheet: 31.2 x 23.5 cm (12 5/16 x 9 1/4")
Type:
Drawing
Date:
c. 1955
Topic:
Jackie Gleason: Male  Search this
Jackie Gleason: Performing Arts\Performer\Comedian  Search this
Jackie Gleason: Performing Arts\Performer\Actor\Television  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of the Estate of Edward Laning
Object number:
NPG.84.189
Restrictions & Rights:
Usage conditions apply
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4fa03b3a3-0f5c-4399-ab07-c336ee00406a
EDAN-URL:
edanmdm:npg_NPG.84.189

T. R. in Panama

Artist:
Edward Laning, born Petersburg, IL 1906-died New York City 1981  Search this
Sitter:
Theodore Roosevelt  Search this
Medium:
oil on fiberboard
Dimensions:
33 x 40 in. (83.8 x 101.5 cm.)
Type:
Painting
Date:
1939
Topic:
Figure group\male  Search this
Occupation\industry\construction  Search this
Architecture\vehicle\train  Search this
Portrait male  Search this
Architecture\machine\steam shovel  Search this
History\United States\Panama Canal  Search this
Object\other\flag  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Mrs. Mary Fife Laning
Object number:
1984.148
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk75e83903d-93e0-41c0-bd8b-e3f9bf456a25
EDAN-URL:
edanmdm:saam_1984.148

Williamsburg Bridge River Scene

Artist:
Edward Laning, born Petersburg, IL 1906-died New York City 1981  Search this
Medium:
gouache, pen and ink, and carbon pencil on paper
Dimensions:
sheet: 12 x 20 5/8 in. (30.4 x 52.3 cm)
Type:
Drawing
Date:
ca. 1956
Topic:
Cityscape\New York\New York  Search this
Travel\water\boat  Search this
Waterscape\river\East River  Search this
Architecture\bridge\Williamsburg Bridge  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Mary Fife Laning
Object number:
1984.88.1
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7453b524b-8459-4109-875b-3c81ebeb2583
EDAN-URL:
edanmdm:saam_1984.88.1

Study for Curb Market

Artist:
Edward Laning, born Petersburg, IL 1906-died New York City 1981  Search this
Medium:
pencil heightened with white on paperboard
Dimensions:
sheet: 13 1/8 x 14 1/8 in. (33.2 x 35.9 cm)
Type:
Drawing
Date:
ca. 1935-1937
Topic:
Figure group\male  Search this
Study  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Mary Fife Laning
Object number:
1984.88.2
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7debb80dc-abba-4843-a221-61249356755a
EDAN-URL:
edanmdm:saam_1984.88.2

Study for T. R. in Panama

Artist:
Edward Laning, born Petersburg, IL 1906-died New York City 1981  Search this
Sitter:
Theodore Roosevelt  Search this
Medium:
pen and ink, sanguine ink wash and pencil on paper heightened with white mounted on paperboard
Dimensions:
sheet: 6 x 9 in. (15.3 x 23.0 cm)
Type:
Drawing
Date:
1939
Topic:
Figure group  Search this
Study  Search this
Landscape\Panama  Search this
Occupation\industry\railroad  Search this
Architecture\machine\steam shovel  Search this
Portrait male\full length  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Mary Fife Laning
Object number:
1984.88.3
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7005bd179-c1f9-42d4-b386-89dbe2099146
EDAN-URL:
edanmdm:saam_1984.88.3

Study for T. R. in Panama

Artist:
Edward Laning, born Petersburg, IL 1906-died New York City 1981  Search this
Sitter:
Theodore Roosevelt  Search this
Medium:
pencil on paper
Dimensions:
sheet: 6 x 9 in. (15.3 x 23.0 cm)
Type:
Drawing
Date:
1939
Topic:
Figure group  Search this
Study  Search this
Landscape\Panama  Search this
Occupation\industry\railroad  Search this
Portrait male\full length  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Mary Fife Laning
Object number:
1984.88.4
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk72befc442-329d-4748-bde5-f06e3ca14dca
EDAN-URL:
edanmdm:saam_1984.88.4

Study for T. R. in Panama

Artist:
Edward Laning, born Petersburg, IL 1906-died New York City 1981  Search this
Sitter:
Theodore Roosevelt  Search this
Medium:
pen and ink and ink wash on paper
Dimensions:
sheet: 11 7/8 x 14 3/8 in. (30.3 x 36.5 cm)
Type:
Drawing
Date:
1939
Topic:
Figure group  Search this
Study  Search this
Landscape\Panama  Search this
Occupation\industry\railroad  Search this
Architecture\machine\steam shovel  Search this
Portrait male\full length  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Mary Fife Laning
Object number:
1984.88.5
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7e99e15d3-3750-45e9-ae67-bdb5a1a998e9
EDAN-URL:
edanmdm:saam_1984.88.5

The Long Hunters Discover Daniel Boone (mural study, Bowling Greene, Kentucky Post Office)

Artist:
Edward Laning, born Petersburg, IL 1906-died New York City 1981  Search this
Sitter:
Daniel Boone  Search this
Medium:
pencil, pen and ink, carbon pencil, sanguine ink wash, and Chinese white...
Dimensions:
sheet: 15 3/8 x 14 3/4 in. (38.9 x 37.5 cm) irregular
Type:
Drawing
Date:
ca. 1941
Topic:
Figure group  Search this
History\United States\westward expansion  Search this
State of being\other\sleep  Search this
Study\mural study  Search this
Landscape\Kentucky\Bowling Green  Search this
Portrait male  Search this
New Deal\Treasury Section of Painting and Sculpture\Kentucky  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Mrs. Mary Fife Laning
Object number:
1984.88.6
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7998c3632-cbd5-4d61-8e29-8489f4b4a2c3
EDAN-URL:
edanmdm:saam_1984.88.6

Modify Your Search







or


Narrow By