Robinson, Franklin A., Jr., 1959- (actor) Search this
Container:
Box 39, Folder 11
Type:
Archival materials
Date:
1950
Collection Restrictions:
Collection is open for research but negatives and audiovisuial materials are stored off-site and special arrangements must be made to work with it. Some papers of living persons are restricted. Access to restricted portions may be arranged by request to the donor. Gloves required for unprotected photographs. Viewing film portions of the collection and listening to LP recording requires special appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
The Archives Center does not own exclusive rights to these materials. Copyright for all materials is retained by the donor, Franklin A. Robinson, Jr.; permission for commercial use and/or publication may be requested from the donor through the Archives Center. Military Records for Franklin A. Robinson (b. 1932) and correspondence from Richard I. Damalouji (1961-2014) are restricted; written permission is needed to research these files. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
The Robinson and Via Family Papers, Archives Center, National Museum of American History
Sponsor:
Preservation of the 8mm films in this collection was made possible, in part, by a grant from the National Film Preservation Fund.
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Henry Ossawa Tanner papers, 1860s-1978 (bulk 1890-1937). Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sidney C. Woodward papers, 1823-1963, bulk 1915-1932. Archives of American Art, Smithsonian Institution.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sidney C. Woodward papers, 1823-1963, bulk 1915-1932. Archives of American Art, Smithsonian Institution.
United Kingdom -- England -- East Sussex -- Withyham
Scope and Contents:
The folder includes worksheets and an essay.
General:
Buckhurst Park, the home on Buckhurst Estate, dates from 1603 and was visited during the Garden Club of America's 1929 tour to England. An addition to the estate was made by the British architect Sir Edwin Lutyens in the early twentieth century. Lutyens designed the gardens with the help of Gertrude Jekyll who assisted with plantings. The Buckhurst Estate served as inspiration for author A. A. Milne in the creation of Winnie the Pooh and the Hundred Acre Wood.
In 1902-1903, Lutyens and Jekyll created a terraced garden consisting of three levels for then-lessors Robert Henry Benson and Evelyn Benson. The top level contained a sunken lily pond. Lutyens also built two stone pergolas on the lowest level of the terrace. Revisiting the historic plantings for this garden, the current owner replanted the terrace in 2011 with lavender, salvia, alchemilla, gorse, digitalis, and various roses.
A complete copy of the GCA tour itinerary was printed in the Bulletin of the Garden Club of America (Fourth Series, No. 5), September 1929, pp. 6-25.
Persons associated with the garden include Robert Henry Benson and Evelyn Benson (former owners, 1920s), Sir Edward Lutyens (architect, 1902-1903) and Gertrude Jekyll (garden designer, 1902-1903).
Related Materials:
Buckhurst Park related holdings consist of 1 folder (4 lantern slides)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- England -- East Sussex -- Withyham Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
American Society of Landscape Architects Search this
Type:
Archival materials
Place:
Orchards (Godalming, Surrey, England)
United Kingdom -- England -- Surrey -- Godalming
Scope and Contents:
The folder includes worksheets, a photocopied book excerpt, and additional information about the house and garden.
General:
Orchards was the country home of Sir William Chance, 2nd Baronet, and his wife, Lady Julia Chance. Designed and built between 1897 and 1902 by Sir Edwin Lutyens, with gardens by Gertrude Jekyll, it was their first collaboration on an entirely new house and garden and an important milestone for both. Not coincidentally, Jekyll lived just down the road from Orchards at Munstead Wood (also the work of Lutyens), and it was her house that inspired Lady Chance to engage this team for her own home. Orchards' formal gardens were located on the east side of the house and included the so-called "Dutch" garden, an extensive kitchen garden (in reality an expansive flower garden showing Jekyll's horticultural artistry to its best advantage), a vegetable garden (at some distance from the house), and a shrub garden adjacent to the south terrace. There was also a croquet lawn and a loggia terrace that provided not only comfortable seating but an overview of the "Dutch" garden. Several of Thomas Sears's 1906 photographs of Orchards were published in The American Architect in 1909.
Persons associated with the garden include Gertrude Jekyll (garden designer, 1897-1902); Sir Edwin Lutyens (architect, 1897-1902); Sir William Chance (former owner, 1897-1935); and Lady Julia Chance (former owner, 1897-1949).
Related Materials:
Orchards related holdings consist of 1 folder (18 glass negatives; 3 lantern slides)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- England -- Surrey -- Godalming Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.
United States of America -- Massachusetts -- Plymouth County -- Mattapoisett
Date:
circa 1912-1950
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Massachusetts -- Mattapoisett Search this
The administration of the United States National Museum required curators to submit regular reports on the activities of the departments, divisions, and sections. Prior
to about 1900 these reports were often made monthly and semiannually as well as annually. The reports were traditionally submitted to the Director of the National Museum to
be used in preparing the published Annual Report of the United States National Museum. The individual reports, however, were not reproduced in their entirety in the published
Annual Report and generally contain more information than is to be found in the published version.
Reports were stored by the Office of Correspondence and Reports (later known as the Office of Correspondence and Documents), and then by the Office of the Registrar.
Includes reports submitted to the Director of the United States National Museum by curators and administrators.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
