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L.A. Louver Gallery

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 8, Folder 1
Type:
Archival materials
Date:
1995-1997
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 1: General Correspondence Files / 1.1: Galleries/Museums/Clients
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-andremmg-ref495

Kate Steinitz Retrospective (1976), L.A. Louver Gallery

Collection Creator:
Steinitz, Kate Traumann, 1889-1975  Search this
Container:
Box 3, Folder 14-15
Type:
Archival materials
Date:
1976-1984
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kate Steinitz papers, circa 1910-2002. Archives of American Art, Smithsonian Institution.
See more items in:
Kate Steinitz papers
Kate Steinitz papers / Series 5: Exhibition Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-steikate-ref204

Oral history interview with Peter Goulds

Interviewee:
Goulds, Peter  Search this
Interviewer:
Morgan, Susan Ford  Search this
Names:
L.A. Louver Gallery  Search this
Extent:
5 Items (Sound recording, master: 5 sound files (3 hr., 39 min.), digital, wav file)
56 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2008 Mar.24-July 28
Scope and Contents:
An interview of Peter Goulds conducted 2008 Mar. 24 and July 28, by Susan Ford Morgan, for the Archives of American Art at L.A. Louver Gallery, in Venice, Calif.
Goulds discusses growing up in Islington, London U.K. and the influence of his family; his work as a youth in the London theater world and interest in jazz; his time studying at the Walthamstow School of Art, the Coventry School of Art and the Manchester School of Art; his interest in typographic art and introduction to structuralism; his interest in the fields of communication design, experimental video and film; his time teaching an introductory art and design class at UCLA; his wife Liz and the opening of his gallery L. A. Louver in Venice, California, as well as the origin of the gallery's name. Goulds also describes the growth of his gallery in Venice and subsequent expansions and renovations; the Louver Gallery in New York City and its closing in 1993; the many challenges of running a gallery in Venice in the '70s; his opinions about art fairs and the current state of the art business as contrasted with when he began along with the gallery's "Rogue Wave" program for new artists. Goulds also recalls David Hockney, Mitsuru Kataoka, Morris Zaslavsky, Jake Zeitlin, Kate Steinitz, and Lili Lakich along with Ron Kitaj, Ken Price, Mark di Suvero, Ed and Nancy Kienholz, Kimberly Davis, Chris Pate, Fred Fisher, and Sean Kelly among others.
Biographical / Historical:
Peter Goulds (1948- ) is the founding director of Louver Gallery and L.A. Louver Gallery in Venice, Calif. Susan Ford Morgan is a writer in Los Angeles, Calif.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire audio recording is restricted. Contact Reference Services for more information.
Topic:
Gallery directors -- California -- Los Angeles -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.goulds08
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-goulds08
Online Media:

L.A. Louver Gallery

Collection Creator:
Almaraz, Carlos  Search this
Flores, Elsa  Search this
Container:
Box 3, Folder 28
Type:
Archival materials
Date:
1983
Collection Restrictions:
The collection is access restricted, except for Box 8; written permission is required. Contact Reference Services for more information. Box 8, containing six journals and sketchbooks (volumes 79-84) and slides are not restricted.

Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
Six journals and sketchbooks (volumes 79-84): Authorization to publish, quote, or reproduce requires written permission from Elsa Flores. Microfilm Reels 4578-4587: Authorization to publish, quote, or reproduce requires written permission from Elsa Flores. Contact Reference Services for more information
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Carlos Almaraz and Elsa Flores papers, 1946-1996. Archives of American Art, Smithsonian Institution.
See more items in:
Carlos Almaraz and Elsa Flores papers
Carlos Almaraz and Elsa Flores papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-almacarl-ref103

Mark di Suvero at LA Louver Show

Subject:
Di Suvero, Mark  Search this
L.A. Louver Gallery  Search this
Type:
Photographs
Place:
Venice, Calif.
Date:
1990
Topic:
Artists at or with their work  Search this
Construction  Search this
Sculpting  Search this
Record number:
(DSI-AAA)7968
See more items in:
Mark di Suvero and di Suvero family papers, 1934-2005
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_7968

Oral history interview with Peter Goulds, 2008 Mar.24-July 28

Interviewee:
Goulds, Peter, 1948-  Search this
Goulds, Peter, 1948-  Search this
Interviewer:
Morgan, Susan Ford  Search this
Subject:
L.A. Louver Gallery  Search this
Type:
Sound recordings
Interviews
Topic:
Gallery directors -- California -- Los Angeles -- Interviews  Search this
Record number:
(DSI-AAA_CollID)15903
(DSI-AAA_SIRISBib)296471
AAA_collcode_goulds08
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_296471
Online Media:

Frederick Hammersley papers, circa 1860-2009, bulk 1940-2009

Creator:
Hammersley, Frederick, 1919-2009  Search this
Hammersley, Frederick, 1919-2009  Search this
Subject:
McLaughlin, John  Search this
Stone, Susie  Search this
Benjamin, Karl  Search this
L.A. Louver Gallery  Search this
Pomona College (Claremont, Calif.)  Search this
Type:
Diaries
Drawings
Scrapbooks
Interviews
Sketchbooks
Sound recordings
Video recordings
Topic:
Computer Art  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7270
(DSI-AAA_SIRISBib)209421
AAA_collcode_hammfred
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209421
Online Media:

Wall Pieces, L.A. Louver Gallery, Los Angeles, CA (1978), Digital Documents

Collection Creator:
Madsen, Loren, 1943-  Search this
Extent:
0.012 Gigabytes (Four computer files)
Container:
Folder ER24
Type:
Archival materials
Gigabytes
Date:
2017
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of electronic records with no duplicate access copies requires advance notice.
Collection Citation:
Loren Madsen papers, 1969-2019. Archives of American Art, Smithsonian Institution.
See more items in:
Loren Madsen papers
Loren Madsen papers / Series 1: Project and Exhibition Files / 1.1: Exhibition Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-madslore-ref196

Frederick Hammersley papers

Creator:
Hammersley, Frederick, 1919-2009  Search this
Names:
Chouinard Art Institute (Los Angeles, Calif.)  Search this
Hoshour Gallery  Search this
L.A. Louver Gallery  Search this
Modernism (Gallery)  Search this
Pomona College (Claremont, Calif.)  Search this
Benjamin, Karl  Search this
Brice, William, 1921-2008  Search this
Chuey, Robert  Search this
Hammersley, Anna Westberg  Search this
Hammersley, Harold  Search this
Lebrun, Rico, 1900-1964  Search this
McLaughlin, John, 1898-  Search this
Nowells, Lu  Search this
Stone, Susie  Search this
Extent:
35.05 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Drawings
Scrapbooks
Interviews
Sketchbooks
Sound recordings
Video recordings
Place:
Europe -- Description and Travel -- Photographs
Date:
circa 1860-2009
bulk 1940-2009
Summary:
The papers of Los Angeles Abstract Classicist painter and educator Frederick Hammersley measure 35.05 linear feet and date from circa 1860-2009, bulk 1940-2009. The papers contain biographical materials, 32 diaries, family and professional correspondence, personal business and financial records, estate records, writings, graphic design projects, teaching files, printed materials, scrapbooks, photographs, and works of art. There is a 0.3 linear foot unprocessed addition to this collection donated in 2020 that includes photographs of Hammersley's family, and most significantly for research, a study in pencil and a "model for making cubes," a paper document that can be stored flat and folded into a cube shape.
Scope and Contents:
The papers of Los Angeles Abstract Classicist painter and educator Frederick Hammersley measure 34.75 linear feet and date from circa 1860-2009, bulk 1940-2009. The papers contain biographical materials, 32 diaries, family and professional correspondence, personal business and financial records, estate records, writings, graphic design projects, teaching files, printed materials, scrapbooks, photographs, and works of art. 2015 and 2018 additions include a diary possibly written by Hammersley's mother, photograph albums and photographs, sketches and block prints, computer printouts, and hand painted grid color boxes used by Hammersley in teaching color theory. There is a 0.3 linear foot unprocessed addition to this collection donated in 2020 that includes photographs of Hammersley's family, and most significantly for research, a study in pencil and a "model for making cubes," a paper document that can be stored flat and folded into a cube shape.

Biographical materials include resumes and biographies, calendars, military records, family genealogies, school records, high school and college yearbooks, and awards. There are also sound and video recordings of talks, interviews, and television appearances. Scattered materials relating to Hammersley's parents, Anna Westberg Hammersley and Harold Hammersley, are also found in the series.

Correspondence consists of letters from family and close friends as well as business correspondence with collectors and professional art associations. Family correspondents include Hammersley's immediate family and aunts and cousins. Additional noteworthy correspondents include fellow artists Karl Benjamin, William Brice, Robert Chuey, Rico Lebrun, and John McLaughlin, among others.

There are 23 diaries written by Frederick Hammersley dating from 1935-2008, with a gap spanning 1954-1972. Also found are six diaries written by Harold Hammersley dating from 1940-1959 and three by Anna Hammersley from 1909-1965.

Hammersley's writings include college class notes, essays, poetry, lecture notes, grant applications, and proposals. There are also sound recordings of lectures and talks as well as drafts and a final copy of an article published in the journal Leonardo in 1970.

Teaching files consist of class lecture notes, student evaluations, and grade books for classes likely taught at Pomona University and the Chouinard Art Institute.

Graphic design projects contain materials from Hammersley's company Handsome Cards for which he designed greeting and holiday cards. Also included are various freelance designs and draft designs for exhibition catalogs. General financial and business records focus on Hammersley business relationships and transactions with galleries and museums and his efforts to promote his art. Galleries and museums represented in the files include Modernism Gallery (San Francisco), L.A. Louver Gallery (Venice, California), and Hoshour Gallery (Albuquerque). This series also contains tax returns and expense ledgers. Also found are scattered materials from the household of Anna and Harold Hammersley.

Estate records are found for Frederick Hammersley, Susie Hammersley Stone, Anna and Harold Hammersley, Frederick Hammersley Sr., Mrs. E. Hammersley, Maude Eliza Hammersley, Dorothy Hutchinson Hammersley, and Basil Edward Pratt. These files include wills and yearly financial reports.

Printed material consists of newspaper and magazine clippings, exhibition catalogs and announcements, and printed copies of Hammersley's graphic designs. The series is extensive and contains clippings and exhibition material that represents Hammersley's entire career as an artist. Also found are packets of printed materials created by Hammersley to represent the careers of his friends and colleagues.

Scrapbooks consist of eleven "scrapfiles," postcard albums, and clippings scrapbooks created by Frederick Hammersley and Anna Hammersley. Scrapfiles refers to the original title created by the Hammersleys. Frederick's scrapbooks contain clippings of art, criticisms of his work, and news mentions of his career. Anna's scrapbooks contain one postcard album and 4 scrapbooks and scrapfiles of news clippings relating to subjects of her personal interest.

Photographs include snapshots of Hammersley; images of Hammersley with family and friends; travel photographs, many of them taken in Europe during World War II; photographs of exhibitions; and photographs of Hammersley's artwork. Most of the photographs were labeled and dated by Hammersley. There are six photo albums created by Frederick Hammersley and four albums compiled by his parents Harold and Anna Hammersley.

Artwork consists of Hammersley's sketchbooks, drawings, and paintings from high school and college classes, designs for exhibition catalogs, and cards and printouts for his computer drawings series. Also included are geometric color studies on panel and artwork for a bank mural proposal from 1977. Drawings and design work by Susie Stone, Hammersley's sister are also included, as well as two works by Lu Nowels.
Arrangement:
The collection is arranged as 13 series.

Series 1: Biographical Material, 1919-2008 (2.5 linear feet; Box 1-3, 31, 33, 37)

Series 2: Correspondence, circa 1900-2009 (3.1 linear feet; Box 3-6, 37)

Series 3: Diaries, 1909-2008 (2.1 linear feet; Box 6-8, 37)

Series 4: Writings, Lectures, and Notes, circa 1940-2009 (0.6 linear feet; Box 8-9, 37)

Series 5: Teaching Files, circa 1950-1993 (0.2 linear feet; Box 9)

Series 6: Graphic Design Projects, circa 1945-1980 (0.4 linear feet; Box 9-10, 31)

Series 7: Personal Business and Financial Records, 1897-2008 (3.2 linear feet; Box 10-13, 24, 33, 35, 37)

Series 8: Estate Records, 1898-2001 (0.7 linear feet; Box 13, 24, 37)

Series 9: Printed Material, 1945, 2011 (3.6 linear feet; Box 13-17, 31, 37, 42, OV45)

Series 10: Scrapbooks, circa 1890-1960s (3.3 linear feet; Box 17-18, 25-29)

Series 11: Photographs, circa 1860s-2007 (10.7 linear feet; Box 18-23, 29-31, 37-43)

Series 12: Artwork and Artifacts, 1934-2009 (3.2 linear feet; Box 22, 31-32, 35, 38, 42, 44, OV46-56)

Series 13:Unprocessed Addition, undated (0.3 linear feet; Box 66)
Biographical / Historical:
Painter, graphic designer, and educator Frederick Hammersley (1919-2009) spent most of his career in Los Angeles and New Mexico. He is closely associated with the hard-edge abstraction painting style of the Abstract Classicists of Southern California.

Hammersley was born on January 5, 1919 to Anna Westberg and Harold Hammersley in Salt Lake City, where his father worked for the U.S. Department of the Interior. The family lived in Utah and Idaho before finally settling in San Francisco. Hammersley attended the University of Idaho and later enrolled in the Academy of Advertising Art in San Francisco. In 1940, Hammersley began taking classes at the Chouinard Art Institution in Los Angeles.

Hammersley's studies were interrupted by World War II military service from 1942 to 1946. He was stationed first in Paris as a draftsman in the Signal Corp and was eventually promoted to Army sargeant in the Office of Military Government in Berlin. While in Paris, he visited Picasso's studio several times and also took classes at the Ècole des Beaux Arts at the end of the war. When he returned home in 1946, the GI Bill subsidized his final year of study at Chouinard, now the California Institute of Arts, and three years at the Jepson Art Institute in Los Angeles.

Hammersley made his living as an art professor in California for twenty years, where he taught at the Jepson Art Institute and Pomona College in Claremont. He moved to Albuquerque after accepting a teaching position at the University of New Mexico in 1968. In 1971, Hammersley resigned his teaching position and devoted himself to painting.

Hammersley's reputaton as a painter began in 1948 when one of his small paintings was accepted in an annual exhibition at the San Francisco Museum of Modern Art. In 1958, several of his works were included in the seminal exhibition Four Abstract Classicists, organized by Jules Langsner and Peter Selz and shown at the Los Angeles County Museum of Art. Hammersley, and fellow painters Lorser Feitelson, Karl Benjamin, and John McLaughlin, were dubbed the "hard-edged painters," whose style consisted of flat, colored geometric shapes that were a sharp contrast to the more popular Abstract Expressionism. The label stuck and in the mid 1970s, Hammersley submitted several works of art for a show called L.A. Hard Edge, a show that featured art from the 1950s and 1970s.

During the late 1970s and 1980s, Hammersley exhibited in several one-man shows, including at L.A. Louver in Venice, California, the Hoshour Gallery in Albuquerque, and the Corcoran in Washington, D.C. In 2000, the Laguna Art Museum presented a traveling exhibition organized by the Museum of Fine Arts in Sante Fe, and the Pomona College Museum of Art organized a retrospective in 2007. His work is in museum collections across the country, including the Los Angeles County Museum of Art (LACMA), the San Francisco Museum of Modern Art, the Santa Barbara Museum of Art, the Albright-Knox Art Gallery in Buffalo, and the Corcoran Gallery of Art. Hammersley died in 2009 at the age of 90. He was survived by his sister, Susie Hammersley Stone.
Related Materials:
The Archives of American Art also holds the Tamara Webster papers relating to Frederick Hammersley.
Provenance:
Frederick Hammersley donated his papers to the Archives of American Art in nine accessions from 1974 to 2008. The Frederick Hammersley Foundation donated additional papers in 2012, 2015, 2018 and 2020 via Executive Director, Kathleen Shields.
Restrictions:
This collection is temporarily closed to researchers due to archival processing and digitization of the 2015 and 2018 additions. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New Mexico  Search this
Painters -- California -- Los Angeles  Search this
Art teachers -- California -- Los Angeles  Search this
Topic:
Color in art  Search this
Painting, Abstract  Search this
Computer Art  Search this
Art -- Study and teaching  Search this
World War, 1939-1945 -- Photographs  Search this
Genre/Form:
Diaries
Drawings
Scrapbooks
Interviews
Sketchbooks
Sound recordings
Video recordings
Citation:
Frederick Hammersley papers, circa 1860-2009, bulk 1940-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hammfred
See more items in:
Frederick Hammersley papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hammfred
Online Media:

Personal Business and Financial Records

Collection Creator:
Hammersley, Frederick, 1919-2009  Search this
Extent:
3.2 Linear feet (Box 10-13, 24, 33, 35, 37)
Type:
Archival materials
Date:
1897-2008
Scope and Contents:
After Hammersley resigned from the University of New Mexico in 1971, he supported himself financially by selling his artwork. This series documents Hammersley's diligent efforts to promote his art through exhibitions and sales. Also contained in this series are tax returns, price lists, and receipts for living expenses and art supplies. The gallery and museum records include correspondence, expense ledgers, consignment agreements, art transport records, invoices and receipts, and insurance records. Hammersley had a decades long relationship with several galleries, including Modernism Gallery (San Francisco), L.A. Louver Gallery (Venice, California), and Hoshour Gallery (Albuquerque). The acceptance and rejection notices contain a compilation of material that documents Hammerlsey submissions to art shows and exhibitions.

Also found are personal financial and business records from Anna and Harold Hammersley's household including 10 household income journals, deeds, insurance records, receipts, retirement information, stocks, an appraisal, and tax records.
Arrangement:
Materials are arranged by document type with individual business contacts interfiled alphabetically. Financial records for family members are filed at the end of the series.
Collection Restrictions:
This collection is temporarily closed to researchers due to archival processing and digitization of the 2015 and 2018 additions. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Frederick Hammersley papers, circa 1860-2009, bulk 1940-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hammfred, Series 7
See more items in:
Frederick Hammersley papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hammfred-ref431

L.A. Louver Gallery

Collection Creator:
Hammersley, Frederick, 1919-2009  Search this
Container:
Box 11, Folder 15
Type:
Archival materials
Date:
1978-1980
Collection Restrictions:
This collection is temporarily closed to researchers due to archival processing and digitization of the 2015 and 2018 additions. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Frederick Hammersley papers, circa 1860-2009, bulk 1940-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Frederick Hammersley papers
Frederick Hammersley papers / Series 7: Personal Business and Financial Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hammfred-ref498

L.A. Louver Gallery

Collection Creator:
Hammersley, Frederick, 1919-2009  Search this
Container:
Box 11, Folder 16
Type:
Archival materials
Date:
1981-1984, 1999
Collection Restrictions:
This collection is temporarily closed to researchers due to archival processing and digitization of the 2015 and 2018 additions. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Frederick Hammersley papers, circa 1860-2009, bulk 1940-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Frederick Hammersley papers
Frederick Hammersley papers / Series 7: Personal Business and Financial Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hammfred-ref499

L.A. Louver Gallery

Collection Creator:
Hammersley, Frederick, 1919-2009  Search this
Container:
Box 11, Folder 17
Type:
Archival materials
Date:
2000-2003
Collection Restrictions:
This collection is temporarily closed to researchers due to archival processing and digitization of the 2015 and 2018 additions. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Frederick Hammersley papers, circa 1860-2009, bulk 1940-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Frederick Hammersley papers
Frederick Hammersley papers / Series 7: Personal Business and Financial Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hammfred-ref500

L.A. Louver Gallery

Collection Creator:
Hammersley, Frederick, 1919-2009  Search this
Container:
Box 11, Folder 18
Type:
Archival materials
Date:
2004-2005
Collection Restrictions:
This collection is temporarily closed to researchers due to archival processing and digitization of the 2015 and 2018 additions. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Frederick Hammersley papers, circa 1860-2009, bulk 1940-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Frederick Hammersley papers
Frederick Hammersley papers / Series 7: Personal Business and Financial Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hammfred-ref501

Galleries: L.A. Louver Gallery (Venice, California)

Collection Creator::
Hirshhorn Museum and Sculpture Garden. Department of Painting and Sculpture  Search this
Container:
Box 30 of 35
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 469, Hirshhorn Museum and Sculpture Garden. Department of Painting and Sculpture, Curatorial Records
See more items in:
Curatorial Records
Curatorial Records / Box 30
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0469-refidd1e16564

#398 The First Annual Awards in the Visual Arts, 5/7/1982-8/8/1982 (2 folders)

Collection Creator::
National Museum of American Art. Office of the Registrar  Search this
Container:
Box 46 of 55
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 453, National Museum of American Art. Office of the Registrar, Records
See more items in:
Records
Records / Box 46
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0453-refidd1e12302

L.A. Louver Gallery [Folder]

Additional name:
L.A. Louver (Firm)  Search this
Louver Gallery (Los Angeles, Calif.)  Search this
Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Place:
Los Angeles (Calif.)
Topic:
Art Organizations  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_98016

Sui Jianguo : 12 September-18 October 2014 / edited by Christina Carlos and Lisa Jann

Artist:
Sui, Jianguo 1956-  Search this
Editor:
Carlos, Christina,  Search this
Jann, Lisa  Search this
Contributor:
Goulds, Peter  Search this
Su, Lei  Search this
Deacon, Richard 1949-  Search this
Publisher:
L.A. Louver Gallery  Search this
Subject:
Sui, Jianguo 1956-  Search this
Physical description:
65 pages : color illustrations ; 30 cm
Type:
Exhibitions
Exhibition catalogs
Date:
2014
21st century
Topic:
Sculpture, Chinese  Search this
Call number:
NB1049.S85 A4 2014
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1031249

K.H. Hödicke, Standbilder, 1980-1982 : Galerie Gmyrek, Düsseldorf; Annina Nosei Gallery, New York; L.A. Louver Gallery, Los Angeles; Galerie Folker Skulima, Berlin, 1983

Author:
Hödicke, K. H (Karl Horst) 1938-  Search this
Galerie Gmyrek  Search this
Subject:
Hödicke, Karl Horst 1938-  Search this
Physical description:
55 p. : ill. (some col.) ; 27 cm
Type:
Books
Exhibitions
Date:
1983
C1983
Call number:
ND588.H564 A4 1983
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_640177

K.H. Hödicke : Marisa del Re Gallery, New York, May 28-June 26, 1987, L.A. Louver Gallery, Venice, October 20-November 28, 1987, Galerie Folker Skulima, Berlin, March 18-April 28, 1988

Author:
Hödicke, K. H (Karl Horst) 1938-  Search this
Marisa del Re Gallery  Search this
L.A. Louver Gallery  Search this
Galerie Folker Skulima  Search this
Subject:
Hödicke, Karl Horst 1938-  Search this
Physical description:
[36] p. : chiefly col. ill. ; 27 cm
Type:
Exhibitions
Place:
Germany (West)
Date:
1987
[1987]
20th century
Topic:
Painting, German  Search this
Call number:
ND588.H564 A4 1987
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_647643

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