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Forbes Watson papers

Topic:
Arts (Magazine)
Creator:
Watson, Forbes, 1880-1960  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Pepsi-Cola Company  Search this
Public Works of Art Project  Search this
Red Cross  Search this
United States. Dept. of the Treasury. Section of Fine Arts  Search this
United States. Dept. of the Treasury. Section of Painting and Sculpture  Search this
United States. Public Buildings Administration. Section of Fine Arts  Search this
Adams, Ansel, 1902-1984  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Beal, Gifford, 1879-1956 -- Photographs  Search this
Brancusi, Constantin, 1876-1957  Search this
Bruce, Edward, 1879-1943  Search this
Citron, Minna Wright, 1896-1991  Search this
Coleman, Glenn O., 1887-1932  Search this
Dows, Olin, 1904-1981  Search this
Genthe, Arnold, 1869-1942  Search this
Glackens, Ira, 1907-1990  Search this
Klonis, Stewart, 1901-1989  Search this
Kroll, Leon, 1884-1974 -- Photographs  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Kuniyoshi, Yasuo, 1889-1953 -- Photographs  Search this
Mangravite, Peppino, 1896-  Search this
Manship, Paul, 1885-1966  Search this
Marsh, Reginald, 1898-1954 -- Photographs  Search this
Matisse, Henri, 1869-1954  Search this
Morgenthau, Henry, 1891-1967  Search this
Pène Du Bois, Guy, 1884-1958  Search this
Ray, Man, 1890-1976  Search this
Rowan, Edward Beatty, 1898-1946  Search this
Saint-Gaudens, Homer, b. 1880 -- Photographs  Search this
Shimin, Symeon, 1902-  Search this
Sterne, Maurice, 1878-1957  Search this
Tucker, Allen, 1866-1939  Search this
Watson, Nan, 1876-1966  Search this
Weber, Max, 1881-1961  Search this
Zorach, William, 1887-1966  Search this
Photographer:
Gallatin, A. E. (Albert Eugene), 1881-1952  Search this
Sheeler, Charles, 1883-1965  Search this
Extent:
13.92 Linear feet
Type:
Collection descriptions
Archival materials
Notes
Photographs
Drafts (documents)
Scrapbooks
Place:
United States -- Social conditions -- 1933-1945
New York N.Y. -- Buildings, structures, etc., Photographs
Date:
1840-1967
bulk 1900-1960
Summary:
The papers of New York City art critic, writer, and lecturer Forbes Watson date from 1840-1967 with the bulk of materials dating from 1900-1960 and measure 13.92 linear feet. Found are biographical materials, correspondence, business records relating to the Arts Publishing Corporation, records documenting Watson's work for the Public Works of Art Project and the Section of Painting and Sculpture, reference files, an exhibition file from the Pepsi-Cola Company's Third Annual Exhibition, writings and notes, ten scrapbooks and loose pages, printed materials, and photographs.
Scope and Content Note:
The papers of New York City art critic, writer, and lecturer Forbes Watson date from 1840-1967 with the bulk of materials dating from 1900-1960 and measure 13.92 linear feet. Found are biographical materials, correspondence, business records relating to the Arts Publishing Corporation, records documenting Watson's work for the Public Works of Art Project and the Section of Painting and Sculpture, reference files, an exhibition file from the Pepsi-Cola Company's Third Annual Exhibition, writings and notes, ten scrapbooks and loose pages, printed materials, and photographs.

Biographical material includes Watson's Harvard diploma, documents concerning his service with the Red Cross in World War II, biographical accounts, and obituaries.

Correspondence is primarily with colleagues and includes scattered letters from Alfred H. Barr, Jr., Ira Glackens, Allen Tucker, and Max Weber. Other letters are from artists, art historians, and museum curators. A notebook contains shorthand drafts of letters from Watson.

Business records include personal business records consisting of various tax and stock records. The Arts Publishing Corporation records concern Watson's tenure as editor of The Arts magazine and contains a contract, correspondence, financial records, stockholders reports, press releases, a scrapbook, and issues of The Arts. Also included are business records pertaining to the Art in Federal Buildings, Inc..

The U.S. Treasury Department file is the largest series and documents Watson's federal employment as technical director, chief advisor, and consultant for Treasury Department's public art programs - the Public Works of Art Project and the Section of Painting and Sculpture. The files contain correspondence, financial reports, prospectuses, exhibition files, typescripts, clippings, exhibition catalogs, miscellaneous printed material, and photographs, and a scrapbook. The files contain a record of Watson's and other federal administrators' interactions with many artists during the Depression Era. Correspondence is primarily between Watson and Edward Bruce, Olin Dows, Henry and Elinor Morgenthau, and Edward B. Rowan. Found are scattered letters from artists including Yasuo Kuniyoshi, Paul Manship, and William Zorach, among many others. There are exhibition files for "Art for Bonds," "Army at War," and "War Against Japan." There are also photographs of U. S. Treasury Department events including a radio broadcast by John Dewey, Robert La Follette, Jr., and Sumner Welles.

Documents from the Pepsi-Cola Company's Third Annual Exhibition at the National Academy of Design contains a prospectus, an exhibition catalog and artists' statements.

Artist/Patron files contain reference material concerning painters, sculptors, photographers, dancers, composers, authors, art collectors, art dealers, and museum administrators. Files may include writings, notes, artworks, exhibition catalogs and other printed materials. Of particular note are photographs, which include portrait photographs of artists and of artists in their studios. Notable photographers include Ansel Adams, Arnold Genthe, Man Ray, photographs of New York City by Charles Sheeler and a photo of Henri Matisse by A. E. Gallatin. Files for Nan Watson, Symeon Shimin, and Glenn O. Coleman contain artworks. A file for Constantin Brancusi contains legal documents concerning U. S. Customs vs. Brancusi.

Art and Architecture files consist of reference material including photographs and notes concerning miscellaneous unattributed art works, American architecture, and furnishings.

Notes and writings consist of miscellaneous notes and typescripts of lectures and published articles, and notebooks.

Nine scrapbooks and loose scrapbook pages contain clippings of articles written by Watson, lists, and exhibition announcements and catalogs. Additional printed material includes clippings, copies of the Hue and Cry newspaper, exhibition announcements and catalogs, press releases, calendars of events, brochures for the Art Students League, book catalogs, published books, and miscellaneous printed material.

Photographs are of Forbes Watson; family members including his wife, painter Nan Watson; and members of the Art Students League including Peggy Bacon, Minna Citron, Stewart Klonis, Yasuo Kuniyoshi, and Reginald Marsh. There are also photographs of juries for the Carnegie Institute International Exhibitions that include colleagues Alfred H. Barr, Jr., Gifford Beal, Guy Pene DuBois, Leon Kroll, Henri Matisse, Homer Saint-Gaudens, and Maurice Sterne.
Arrangement:
The collection is arranged as 11 series:

Missing Title

Series 1: Biographical Material, 1902-1960 (Box 1; 4 folders)

Series 2: Correspondence, 1913-1960 (Box 1; 33 folders)

Series 3: Business Records, 1920-1944 (Box 1-3, 14, 22; 2.0 linear feet)

Series 4: U. S. Treasury Department File, 1926-1945 (Box 3-6, 14, 17, 22, OV 21; 3.4 linear feet)

Series 5: File for Pepsi-Cola Company's Third Annual Exhibition "Paintings of the Year," 1946 (Box 6; 5 folders)

Series 6: Artist/Patron Files, 1840-1967 (Box 6-9, 15, OV 21; 2.8 linear feet)

Series 7: Art and Architecture File, 1929-1930 (Box 9; 35 folders)

Series 8: Notes and Writings, 1875-1950 (Box 9-10, 22; 1.3 linear feet)

Series 9: Scrapbooks, 1904-1951 (Box 9, 11, 14, BV 18, BV 19, BV 20; 1.8 linear feet)

Series 10: Printed Material, 1900-1961 (Box 10, 12-13, 16-17, 22; 1.5 linear feet)

Series 11: Photographs, 1900-1950 (Box 13, 22; .4 linear feet)

All material is arranged chronologically, with the exception of the Artist/Patron Files which are arranged alphabetically.
Biographical Note:
Forbes Watson (1879-1960) worked primarily in New York City and Washington, D.C. as an art critic, writer, lecturer, and consultant to the U. S. Treasury Department's Public Works of Art Project and Section of Painting and Sculpture (Section of Fine Arts).

Forbes Watson was born on November 27, 1879 in Boston, the son of stockbroker John Watson and his wife Mary. Watson grew up in Cambridge, Massachusetts, attending the Phillips Academy in Andover, and graduating from Harvard University in 1902. After a brief period of freelance writing, he was hired by The New York Evening Post as an art critic in 1911 and worked there until 1917. In 1910, he married Agnes, professionally known as painter Nan Watson.

During World War I, Watson served with an American volunteer ambulance unit with the French army, later working with the American Red Cross in Paris. After the war, he moved back to New York City and worked as art critic for The World, from the early 1920s until 1931 and as editor of The Arts magazine from 1923-1933. Watson also lectured at the Art Students League, and at various universities and arts organizations.

In 1933, Watson moved to Washington, D.C. to serve as technical director of the U. S. Treasury Department's short-lived Public Works of Art Project. In October 1934, Watson was employed as Chief Adviser to the Treasury Department's Section of Painting and Sculpture (later renamed the Section of Fine Arts) and later as Consultant to the Secretary's Office of the Treasury. During World War II, he organized various traveling exhibitions including "Art for Bonds" that promoted the sale of war bonds. Watson retired in 1946 and lived in Gaylordsville, Connecticut.

Watson was the author of numerous essays and reviews, and several books including American Painting Today and Winslow Homer, a biography of the noted American artist. With Edward Bruce, he produced a pictorial volume Art in Federal Buildings, Vol. I: Mural Designs. At his death he was working on his autobiography.

Forbes Watson died on May 31, 1960 in New Milford, Connecticut.
Provenance:
The Forbes Watson papers were donated by Watson's widow, Nan Watson, in 1961. An additional folder of material was donated in 2018 by the Museum of Modern Art via Michelle Elligott, Chief of Archives, Library and Research.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- New York (State) -- New York  Search this
Arts administrators -- New York (State) -- New York  Search this
Topic:
Art and state  Search this
Art, American  Search this
Art publishing  Search this
Architecture, New York State, New York -- Photographs  Search this
Architecture -- New York, N.Y. -- Photographs  Search this
New Deal, 1933-1939  Search this
World War, 1939-1945 -- Art and the war  Search this
Authors -- New York (State) -- New York  Search this
Federal aid to the arts  Search this
Genre/Form:
Notes
Photographs
Drafts (documents)
Scrapbooks
Citation:
Forbes Watson papers, 1840-1967, bulk 1900-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.watsforb
See more items in:
Forbes Watson papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-watsforb
Online Media:

Mills College Art Gallery letters

Creator:
Mills College. Art Gallery  Search this
Names:
Adams, Ansel, 1902-1984  Search this
Albers, Josef  Search this
Feininger, Lyonel, 1871-1956  Search this
Kroll, Leon, 1884-1974  Search this
Lebrun, Rico, 1900-1964  Search this
Moholy-Nagy, László, 1895-1946  Search this
Ray, Man, 1890-1976  Search this
Taubes, Frederic, 1900-  Search this
Extent:
1,147 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1843-1959
Scope and Contents:
Letters to the gallery from Berenice Abbott, Ansel Adams, Josef Albers, Alexander Archipenko, Thomas H. Benton, G. Paul Bishop, Edgar Bissantz, Lou Block, Beniamino Bufano, Douglas Connelly, Imogen Cunningham, Mary Dawson, Richard Dodge, Bill Dole, Misha Dolmkoff, Weiner Drewes, Claire Falkenstein, Lyonel Feininger, William A. Gaw, John Edwards, Joel H. Hildebrand, Clarence Kennedy, Leon Kroll, Gaston Lachaise, Dorothea Lange, Rico Lebrun, Fernand Leger, Katia Mann, Thomas Mann, Pierre Matisse, L. Moholy-Nagy, Alexander Nepote, Richard Neutra, Sonya Noskowiak, Amédée Ozenfant, Homer Page, Jose Perotti, Henry R. Poore, Raynard Puccinelli, Man Ray, Franz Rederer, Rosenberg, Dean Rusk, Karl Schmidt-Rotluff, Bernhard Sopher, Eugene Speicher, Henry Swift, Frederic Taubes, Willard Van Dyke, Hamilton Wolf, Grant Wood, and Roger Sturtevant.
Provenance:
Microfilmed with other art-related papers in Mills College Library, July 1981.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Function:
Art galleries, University and college -- California
Identifier:
AAA.millcoll
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-millcoll

Forbes Watson papers, 1840-1967, bulk 1900-1960

Creator:
Watson, Forbes 1880-1960  Search this
Uniform title:
Arts (Magazine)  Search this
Subject:
Bacon, Peggy 1895-1987  Search this
Barr, Alfred H. Jr. 1902-1981  Search this
Beal, Gifford 1879-1956  Search this
Brancusi, Constantin 1876-1957  Search this
Citron, Minna Wright 1896-1991  Search this
Pène du Bois, Guy 1884-1958  Search this
Klonis, Stewart 1901-1989  Search this
Kroll, Leon 1884-1974  Search this
Kuniyoshi, Yasuo 1889-1953  Search this
Marsh, Reginald 1898-1954  Search this
Matisse, Henri 1869-1954  Search this
Saint-Gaudens, Homer b. 1880  Search this
Sterne, Maurice 1878-1957  Search this
Adams, Ansel 1902-1984  Search this
Bruce, Edward 1879-1943  Search this
Coleman, Glenn O. 1887-1932  Search this
Dows, Olin 1904-1981  Search this
Genthe, Arnold 1869-1942  Search this
Glackens, Ira 1907-1990  Search this
Kuniyoshi, Yasuo 1889-1953  Search this
Mangravite, Peppino 1896-  Search this
Manship, Paul 1885-1966  Search this
Morgenthau, Henry 1891-1967  Search this
Ray, Man 1890-1976  Search this
Rowan, Edward Beatty 1898-1946  Search this
Shimin, Symeon 1902-  Search this
Tucker, Allen 1866-1939  Search this
Watson, Nan 1876-1966  Search this
Weber, Max 1881-1961  Search this
Zorach, William 1887-1966  Search this
Art Students League (New York, N.Y.)  Search this
a Pepsi-Cola Company  Search this
Public Works of Art Project  Search this
Red Cross  Search this
United States Dept. of the Treasury Section of Painting and Sculpture  Search this
United States Dept. of the Treasury Section of Fine Arts  Search this
United States Public Buildings Administration Section of Fine Arts  Search this
Photographer:
Gallatin, A. E (Albert Eugene) 1881-1952  Search this
Sheeler, Charles 1883-1965  Search this
Physical description:
13.92 linear feet
Type:
Scrapbooks
Collection descriptions
Photographs
Place:
New York N.Y
New York State
New York
United States
Date:
1840
1840-1967
bulk 1900-1960
1933-1945
Topic:
Architecture  Search this
Art, American  Search this
Art and state  Search this
Art publishing  Search this
Federal aid to the arts  Search this
New Deal, 1933-1939  Search this
World War, 1939-1945--Art and the war  Search this
Buildings, structures, etc  Search this
Social conditions  Search this
Local number:
AAA
AAA watsforb
Restrictions & Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center
See more items in:
Forbes Watson papers, 1840-1967, bulk 1900-1960
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:siris_arc_211525

Mills College Art Gallery letters, 1843-1959

Creator:
Mills College Art Gallery  Search this
Subject:
Feininger, Lyonel 1871-1956  Search this
Kroll, Leon 1884-1974  Search this
Lebrun, Rico 1900-1964  Search this
Moholy-Nagy, László 1895-1946  Search this
Ray, Man 1890-1976  Search this
Taubes, Frederic 1900-  Search this
Adams, Ansel 1902-1984  Search this
Albers, Josef  Search this
Physical description:
1147 items (on partial microfilm reel)
Type:
Archival materials
Collection descriptions
Date:
1843
1843-1959
Local number:
AAA 2295
AAA
AAA millcoll
Restrictions & Rights:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy
See more items in:
Mills College Art Gallery letters, 1843-1959
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:siris_arc_212394

Waintrob-Budd photographs of American artists

Creator:
Waintrob-Budd (Firm : New York, N.Y.)  Search this
Names:
American Academy of Arts and Letters  Search this
Budd (Firm : New York, N.Y.)  Search this
Adrian, Barbara, 1931- -- Photographs  Search this
Archipenko, Alexander, 1887-1964 -- Photographs  Search this
Avery, Milton, 1885-1965 -- Photographs  Search this
Barnet, Will, 1911- -- Photographs  Search this
Benton, Thomas Hart, 1889-1975 -- Photographs  Search this
Biddle, George, 1885-1973 -- Photographs  Search this
Bosa, Louis, 1905- -- Photographs  Search this
Botkin, Henry, 1896-1983 -- Photographs  Search this
Browne, Byron, 1907-1961 -- Photographs  Search this
Carroll, John, 1892-1959 -- Photographs  Search this
Constant, George, 1892-1978 -- Photographs  Search this
De Creeft, José, 1884-1982 -- Photographs  Search this
De Diego, Julio, 1900- -- Photographs  Search this
Delaunay, Sonia -- Photographs  Search this
Dickinson, Edwin Walter, 1891-1978 -- Photographs  Search this
Duchamp, Marcel, 1887-1968 -- Photographs  Search this
Evans, Walker, 1903-1975 -- Photographs  Search this
Floch, Joseph, 1895-1977 -- Photographs  Search this
Gablik, Suzi -- Photographs  Search this
Goodrich, Lloyd, 1897-1987 -- Photographs  Search this
Gottlieb, Adolph, 1903-1974 -- Photographs  Search this
Goulet, Lorrie, 1925- -- Photographs  Search this
Grosz, George, 1893-1959 -- Photographs  Search this
Hare, David, 1917- -- Photographs  Search this
Harkavy, Minna, b. 1895 -- Photographs  Search this
Hayter, Stanley William, 1901- -- Photographs  Search this
Hofmann, Hans, 1880-1966 -- Photographs  Search this
Hopper, Edward, 1882-1967 -- Photographs  Search this
Hopper, Jo N. (Josephine Nivison), 1883-1968 -- Photographs  Search this
Jenkins, Paul, 1923-2012 -- Photographs  Search this
Kantor, Morris, 1896-1974 -- Photographs  Search this
Krasner, Lee, 1908-1984 -- Photographs  Search this
Kroll, Leon, 1884-1974 -- Photographs  Search this
Lawrence, Jacob, 1917-2000 -- Photographs  Search this
Levi, Julian E. (Julian Edwin), 1900-1982 -- Photographs  Search this
Levine, Jack, 1915-2010 -- Photographs  Search this
Levy, Ellen K -- Photographs  Search this
Lijn, Liliane, 1939- -- Photographs  Search this
Lipchitz, Jacques, 1891-1973  Search this
Lowry, W. McNeil (Wilson McNeil), 1913-1993 -- Photographs  Search this
Marsh, Reginald, 1898-1954 -- Photographs  Search this
Mayor, A. Hyatt (Alpheus Hyatt), 1901-1980 -- Photographs  Search this
Menkes, Sigmund, 1896-1986 -- Photographs  Search this
Motherwell, Robert -- Photographs  Search this
Root, Edwin -- Photographs  Search this
Rorimer, James J. (James Joseph), 1905-1966 -- Photographs  Search this
Shahn, Ben, 1898-1969  Search this
Sheerin, Jerry -- Photographs  Search this
Soyer, Moses, 1899-1974 -- Photographs  Search this
Soyer, Raphael, 1899-1987 -- Photographs  Search this
Speicher, Eugene E. (Eugene Edward), 1883-1962 -- Photographs  Search this
Speyer, Darthea -- Photographs  Search this
Steinberg, Saul -- Photographs  Search this
Sweeney, James Johnson, 1900- -- Photographs  Search this
Waintrob, A. L., 1908-  Search this
Waintrob, Sidney J., 1903-  Search this
Walker, Hudson D. (Hudson Dean), 1907-1976 -- Photographs  Search this
Walkowitz, Abraham, 1880-1965 -- Photographs  Search this
Zorach, William, 1887-1966 -- Photographs  Search this
Extent:
68 Items ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Date:
1953-1980
Scope and Contents:
REEL 1817: Photographs of: Will Barnet, Jose de Creeft (2), Sonia Delaunay, Walker Evans, Joseph Floch, Suzi Gablik (2), Adolph Gottlieb (also filmed on reel 1886, fr. 33-34), Lorrie Goulet, Minna Harkavy, William Hayter (2), Paul Jenkins, Lee Krasner (2), Lilliane Lijn, Jerry Sheerin (2), and Darthea Speyer (2). Also included is a group photo of Jose de Creeft, Jacques Lipchitz, George Biddle, Thomas Benton, and Ben Shahn at the American Academy of Arts & Letters Ceremonial, May 20, 1964.
REEL 1886: Photographs of: Barbara Adrian, Alexander Archipenko, Milton Avery, Will Barnet, Isabel Bishop, Louis Bosa, Henry C. Botkin, Byron Browne, John Carroll, George Constant, Julio de Diego, Edwin Dickinson, Marcel Duchamp, Joseph Floch, Lloyd Goodrich, Adolph Gottlieb, Lorrie Goulet, George Grosz, David Hare, Minna Harkavy, Hans Hofmann, Edward Hopper, Josephine Hopper, Morris Kantor, Leon Kroll, Jacob Lawrence, Julian Levi, Jack Levine, Reginald Marsh, A. Hyatt Mayor, Sigmund Menkes, Robert Motherwell, Edwin Root, James Rorimer (a cropped version erroneously microfilmed as Sidney Waintrob appears on reel 1817, fr. 1193), Moses Soyer, Raphael Soyer, Eugene Speicher, Saul Steinberg, James Johnson Sweeney, Hudson Walker, Abraham Walker, and William Zorach.
UNMICROFILMED Two photographs: Ellen K. Levy and McNeil Lowry.
Arrangement:
REEL 1817: Microfilmed with AAA's Photographs of Artists Collection II, and appear on microfilm in alphabetical order under artist with other unrelated photographs.
Biographical / Historical:
Photographic studio; New York, N.Y. Sidney J. and his brother A. L. (Bud) Waintrob specialized in photographing artists, curators and other art world personalities. They worked under the name Budd [Studio] before using Waintrob-Budd.
Provenance:
Photographs on reel 1817 and unmicrofilmed photos donated 1974-1987 by Sidney J. Waintrob; photographs on reel 1886 donated 1979-1980 by Samuel I. Hoffberg, whose relationship to Waintrob-Budd is unclear.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Rights:
Authorization to publish quote, or reproduce requires written permission from David Stekert. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists -- United States -- Photographs  Search this
Identifier:
AAA.wainbudd
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wainbudd

Edward Bruce, Washington, D.C. letter to Leon Kroll

Creator:
Bruce, Edward, 1879-1943  Search this
Kroll, Leon, 1884-1974  Search this
Bruce, Edward, 1879-1943  Search this
Subject:
Treasury Relief Art Project  Search this
United States. Dept. of the Treasury. Section of Painting and Sculpture  Search this
Type:
Correspondence
Date:
1937 October 4
Record number:
(DSI-AAA)10990
See more items in:
Leon Kroll papers, circa 1900-1988
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_10990
Online Media:

Paul Manship to Leon Kroll

Creator:
Manship, Paul Howard, 1885-1966  Search this
Kroll, Leon, 1884-1974  Search this
Manship, Paul Howard, 1885-1966  Search this
Type:
Correspondence
Date:
ca. 1935
Record number:
(DSI-AAA)5883
See more items in:
Leon Kroll papers, circa 1900-1988
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5883

Leon Kroll papers, circa 1900-1988

Creator:
Kroll, Leon, 1884-1974  Search this
Kroll, Leon, 1884-1974  Search this
Subject:
Manship, Paul  Search this
Nichols, Hobart  Search this
Sterne, Maurice  Search this
Faulkner, Barry  Search this
Bruce, Edward  Search this
Henri, Robert  Search this
Langsam, Julie  Search this
Bishop, Isabel  Search this
Glackens, William J.  Search this
Speicher, Eugene Edward  Search this
Williams, Esther  Search this
Biddle, George  Search this
Beal, Gifford  Search this
Type:
Sketchbooks
Interviews
Drawings
Theme:
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9170
(DSI-AAA_SIRISBib)211365
AAA_collcode_krolleon
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211365
Online Media:

Frank K. M. Rehn Galleries records

Creator:
Frank K. M. Rehn Galleries  Search this
Names:
Bartlett, Frederic Clay, 1873-1953  Search this
Bellows, George, 1882-1925  Search this
Brook, Alexander, 1898-1980  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Chappell, Warren, 1904-  Search this
Clancy, John C., 1897-1981  Search this
Coleman, Glenn O., 1887-1932  Search this
Cook, Howard Norton, 1901-1980  Search this
Cuthbert, Virginia, 1908-2001  Search this
Dasburg, Andrew, 1887-1979  Search this
Gellatly, John, 1853-1931  Search this
Hawthorne, Charles Webster, 1872-1930  Search this
Henri, Robert, 1865-1929  Search this
Hopper, Edward, 1882-1967  Search this
Hopper, Jo N. (Josephine Nivison), 1883-1968  Search this
James, Alexander, 1890-1946  Search this
Kroll, Leon, 1884-1974  Search this
Luks, George Benjamin, 1867-1933  Search this
Mangravite, Peppino, 1896-  Search this
Marsh, Felicia Meyer, 1912-1978  Search this
Marsh, Reginald, 1898-1954  Search this
McFee, Henry Lee, 1886-1953  Search this
Melchers, Gari, 1860-1932  Search this
Orton, J. Robert  Search this
Pepper, Charles Hovey, 1864-1950  Search this
Phillips, Duncan, 1886-1966  Search this
Poor, Henry Varnum, 1887-1970  Search this
Russo, Alexander  Search this
Spalding, John T.  Search this
Sparhawk-Jones, Elizabeth, 1885-1968  Search this
Speicher, Eugene Edward, 1883-1962  Search this
Spruance, Benton, 1904-1967  Search this
Strater, Henry, 1896-  Search this
Tucker, Allen, 1866-1939  Search this
Tucker, Richard Derby, 1903-  Search this
Winters, Denny Sonke, 1907-1985  Search this
Young, Mahonri Mackintosh, 1877-1957  Search this
Extent:
21.8 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketchbooks
Photographs
Date:
1858-1969
bulk 1919-1968
Summary:
The Frank K. M. Rehn Galleries records measure 21.8 linear feet and are dated 1858-1969 (bulk 1919-1968). The records consist mainly of business correspondence with collectors, artists, museums and arts organizations, colleagues, and others. A small amount of Frank K. M. Rehns personal correspondence and a few stray personal papers of individual artists are interfiled. Also included are financial records, scrapbooks, printed matter, miscellaneous records, and photographs documenting most of the history of a highly regarded New York City art gallery devoted to American painting.
Scope and Content Note:
The Frank K. M. Rehn Galleries records measure 21.8 linear feet and are dated 1858-1969 (bulk 1919-1968). The records consist mainly of business correspondence with collectors, artists, museums and arts organizations, colleagues, and others. A small amount of Frank K. M. Rehn's personal correspondence and a few stray personal papers of individual artists are interfiled. Also included are financial records, scrapbooks, printed matter, miscellaneous records, and photographs documenting most of the history of a highly regarded New York art gallery devoted to American painting.

Series 1: Correspondence contains correspondence with artists, museums and arts organizations, collectors, colleagues, and others documents the workings of Rehn Galleries from its earliest days through 1968. A small amount of Frank K. M. Rehn's personal correspondence and a few scattered personal papers of individual artists are interfiled with the business correspondence.

Series 2: Financial Records includes banking, insurance, and investment records, tax returns and related documentation, miscellaneous financial records and paid bills. Among the insurance records are detailed monthly schedules listing paintings with titles, artists, and insurance values. Miscellaneous financial records include inventories of gallery stock, notes regarding business expenses and income, and receipt books recording incoming paintings. Also included are a small number of items concerning the personal business of Frank Rehn and John Clancy.

Five volumes of Scrapbooks (Series 3) contain clippings and a small number of exhibition catalogs documenting the activities of Rehn Galleries and many of its associated artists. Additional Printed Matter in Series 4 includes material relating to Rehn Galleries and its artists, as well as publications produced by Rehn Galleries. General, art-related printed matter consists of articles, auction catalogs, advertisements, and publications of various museums, arts organizations, and schools. There is also material about artists not affiliated with Rehn Galleries. Additional printed items concern miscellaneous subjects that are not art-related.

Series 5: Miscellaneous Records, includes artwork, lists and notes, and writings. Photographs in Series 6 are of people including artists represented by Rehn as well as several not affiliated with the gallery. Noticeably absent are likenesses of Frank Rehn and John Clancy. Photographs of works of art are by Rehn Galleries' artists and others. Reginald Marsh's photographs consist of family and personal photographs that were either given to Rehn Galleries or perhaps loaned for research use, and include views of Marsh from early childhood through later life, photographs of family and friends, and a small family album. Also included are photographs are of Marsh's childhood drawings.
Arrangement:
Series 1: Correspondence is arranged alphabetically and Series 3: Scrapbooks is in rough chronological order. Series 2, and 4-6 are arranged in categories, as indicated in the Series Descriptions/Container Listing. Unless otherwise noted, items within each folder are arranged chronologically.

The collection is arranged into 6 series:

Missing Title

Series 1: Correspondence, 1858-1969, undated (Boxes 1-15; 14.4 linear ft.; Reels 5849-5869)

Series 2: Financial Records, 1919-1968, undated (Boxes 15-17; 2.6 linear ft; Reel 5869)

Series 3: Scrapbooks, 1919-1940 (Boxes 23-24; 0.6 linear ft.; Reels 5869-5870)

Series 4: Printed Matter, 1882-1969, undated (Boxes 18-20; 2.4 linear ft.; Reels 5870-5872)

Series 5: Miscellaneous Records, circa 1920-1968 (Boxes 20-21; 0.7 linear ft; Reel 5872)

Series 6: Photographs, 1871-1966, undated (Boxes 22, 24, OV 25; 1.0 linear ft.; Reel 5872)
Historical Note:
Frank K. M. Rehn (1886-1956), son of the marine painter Frank Knox Morton Rehn, after several years' experience as an employee of the Milch Galleries and as exhibition manager for the Salmagundi Club, opened his own art gallery in 1918. In its earliest years, the gallery operated as the Galleries of Frank K. M. Rehn. From the mid 1920s through the mid 1940s, the name used was Frank K. M. Rehn Galleries. As early as 1946, the gallery was referred to simply as Rehn Galleries. The gallery closed in 1981.

Throughout its existence, Rehn Galleries specialized in representing American painters. During the first five years Rehn's operation was a private gallery at 6 West 50th Street, New York City. Among the artists he first represented were older, established men such as J. Alden Weir, George Inness, Alexander Wyant, Theodore Robinson, Thomas Dewing, and John H. Twachtman. Occasionally, Rehn handled works by such luminaries of the period as Robert Henri, George Luks, and John Singer Sargent. Among the living artists affiliated with the gallery in its first years were Daniel Garber, Walter Griffin, Dodge MacKnight, and Robert Spencer. Rehn's most popular artist during this time was Childe Hassam, who sued for recovery of a painting that, although acquired by Rehn through a reputable dealer, had been stolen from Hassam's studio many years earlier.

Despite the newspaper publicity surrounding Hassam's lawsuit, the business was a successful venture almost immediately. Very early, a number of important collectors including Duncan Phillips, John Gellatly, John T. Spaulding, Albert McVitty, E. W. Root, and C. Vanderbilt Barton displayed confidence in Rehn's judgment and integrity, which enhanced his gallery's reputation and stature among both collectors and artists. In 1923, the gallery moved to 693 Fifth Avenue and began operating as Rehn Galleries, a commercial gallery in the same building that housed in a building that housed Kennedy and Company and the Bourgeois Galleries. At this time, Rehn hired an assistant, John C. Clancy (1897-1981), who had formerly been with Henry Reinhardt and Son and M. Knoedler.

The Rehn Galleries soon enjoyed a regular following among museum curators and collectors visiting from out of town. The gallery's roster of artists grew along with its reputation. Rehn focused almost exclusively on American painters, occasionally showing drawings and prints by artists who were primarily painters; notable exceptions were sculptor Mahonri Young and Henry Varnum Poor who, in addition to being a painter, was known for his work in ceramics. Among the painters eventually represented were: Peggy Bacon, George Bellows, Alexander Brook, Charles Burchfield, John F. Carlson, John Carroll, Howard Cook, Jon Corbino, Virginia Cuthbert, Andrew Dasberg, Sidney Gross, Edward Hopper, Alexander James, Irving Kaufmann, Yeffe Kimball, Leon Kroll, Peppino Mangravite, Reginald and Felicia Meyer Marsh, Henry Mattson, Henry Lee McFee, Kenneth Hayes Miller, Charles Rosen, Robert Riggs, Alexander Russo, Elizabeth Sparhawk-Jones, Eugene Speicher, Henry Strater, Richard Derby Tucker, Franklin C. Watkins, and Denny Winters.

In 1930, Rehn Galleries moved one block south to the Air France Building at 683 Fifth Avenue, and remained there for thirty years. John C. Clancy, Rehn's long-time assistant, became Gallery Director in 1953 after a stroke prevented Rehn from continuing to run his business in an active capacity. Eventually, Rehn's widow sold Clancy the gallery, which he continued to operate under varying names, including Rehn Gallery, Frank K. M. Rehn Galleries, Frank Rehn Gallery, and Rehn Galleries. From 1960 until 1966, The Rehn Galleries were at 36 East 61st Street from 1960 until 1966, when the gallery moved to a space formerly occupied by Kootz Gallery at 855 Madison Avenue, where it remained in business for another fifteen years.
Related Material:
John Clancy interview by Paul Cummings, July 10, 1970. Oral History Program, Archives of American Art, Smithsonian Institution.

Samuel Adler Papers, 1902-1979. Archives of American Art, Smithsonian Institution. Contains a recording (1 cassette; untranscribed) of Beverly Chesler interviewing John Clancy about the history of Rehn Galleries, 1973; Samuel Adler is present and participates briefly in the interview.

In addition, the Archives of American Art has among its collections personal papers and oral history interviews of artists and collectors associated with the Rehn Galleries. Researchers are advised to conduct a name search in the Smithsonian Institution Research Information System (SIRIS).
Provenance:
The Frank K. M. Rehn Galleries records were loaned by John Clancy for microfilming in 1959; in 1966, this same material was donated to the Archives. Mr. Clancy made subsequent gifts of additional gallery records in 1978 and 1981. In 1985, the Whitney Museum of American Art donated to the Archives correspondence with Edward Hopper that John Clancy had loaned the museum many years earlier. A death mask of George Luks received with the collection is on extended loan to the National Portrait Gallery, Smithsonian Institution.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Works of art  Search this
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Scrapbooks
Sketchbooks
Photographs
Citation:
Frank K. M. Rehn Galleries records, 1858-1969 (bulk 1919-1968). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.franrehg
See more items in:
Frank K. M. Rehn Galleries records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-franrehg
Online Media:

A. Hyatt Mayor papers

Creator:
Mayor, A. Hyatt (Alpheus Hyatt), 1901-1980  Search this
Names:
Metropolitan Museum of Art (New York, N.Y.)  Search this
Moffett & Sheldon  Search this
Arms, John Taylor, 1887-1953  Search this
Bacchelli, Mario  Search this
Berenson, Bernard, 1865-1959  Search this
Biddle, George, 1885-1973  Search this
Crawford, Ralston, 1906-1978  Search this
Hirsch, Joseph, 1910-1981  Search this
Huntington, Anna Hyatt, 1876-1973  Search this
Ivins, Barbara  Search this
Ivins, Katherine  Search this
Kent, Norman, 1903-1972  Search this
Kroll, Leon, 1884-1974  Search this
Mayor, Alfred G.  Search this
Mayor, Joseph Henry  Search this
Parrish, Maxfield, 1870-1966  Search this
Pound, Ezra, 1885-1972  Search this
Sachs, Maurice, 1906-1945  Search this
Sanchez, Emilio, 1921-1999  Search this
Extent:
5 Linear feet ((partially microfilmed on 3 reels))
0.4 Linear feet (Addition)
Type:
Collection descriptions
Archival materials
Date:
1815-1980
Scope and Contents:
Correspondence; scrapbooks and diaries; writings; photographs; medals; passport; engagement calendars; and printed material.
REEL 1344: Letters, 1931-1977, from John Taylor Arms, George Biddle, Mario Bacchelli, Ralston Crawford, Joseph Hirsch, Norman Kent, Leon Kroll, Ezra Pound, Maxfield Parrish, Emilio Sanchez, Barbara and Katherine Ivins, and others. Also included is a photograph of a 1961 poster exhibition, a lecture announcement and Mayor's lecture schedule, writings, and miscellany.
REEL 2322: Ten volumes, 1917-1927, composed while traveling and studying, mostly in Europe. Six volumes contain postcards of architecture and art, a few photos, and typescripts and transcripts of letters to Mayor's grandmother "Minn" [Andella Hyatt], and to "Aunt Anna" [Anna Hyatt Huntington]. He writes about his studies, daily activities, friends, and others, including Bernhard Berenson at i Tatti. Three volumes are diaries written while in Florence, Italy, 1924-1925, Europe, 1925, and Egypt, 1927; and one volume contains reminiscenses of Leon Kroll and Maurice Sachs.
REEL 2336: 20 letters from Mayor to his wife from Spain, 1959, and Europe, 1966; an annotated, 99-page manuscript by Mayor, "The Mutations of Greece"; a travel diary, 1927; and a copy of MAGAZINE OF ART, 1952, with an article by Mayor, "Writing and Painting in China."
UNMICROFILMED: Papers, 1815-1980, including: a passport, 1949-1953; engagement calendars, 1966-1979; personal and business correspondence, 1911-1979; letters to Eliza Cadwell Blackwell (Mayor) from Francis Blackwell, 1815-1819; photographs of Mayor, his family and others, and negatives; published and unpublished writings by Mayor including handwritten notes, typescripts of lectures, galley proofs and newsletters containing articles by Mayor; 3 medals awarded to Francis Blackwell Mayor, 1852-1855; A. Hyatt Mayor's degree from Princeton, 1922, and a citation from the Museum of Fine Arts, Boston, 1971; printed material concerning Mayor's aunt, Anna Hyatt Huntington, catalogs, clippings; and miscellany.
Among the photos are: 4 cased daguerreotypes, 1 cased ambrotype, and 11 tintypes, including one taken by Moffett & Sheldon, Newark, N.J., 2 possibly of Alfred G. Mayor, ca. 1868, 1 of Alfred G. Mayor, ca. 1880, and 2 of Joseph Henry Mayor, ca. May 26, 1880.
ADDITION: Manuscripts and writings.
Biographical / Historical:
A. Hyatt Mayor (1901-1980) was a museum curator, art historian, and writer, from New York, N.Y. Former curator of prints at the Metropolitan Museum of Art.
Related Materials:
A. Hyatt Mayor Papers, 1904-1946, are located at Syracuse University Libraries Special Collections Research Center.
Provenance:
Material on reel 1344 was lent for microfilming 1977-1978 by A. Hyatt Mayor; a portion was subsequently donated 1980-1981 by Virginia Mayor, his widow, along with additional (unmicrofilmed) material. Material on reels 2322 & 2336 lent for microfilming 1981 by Martha Smith, Mayor's daughter. An additional group of manuscripts and writings was received in 1985 from the Metropolitan Museum of Art, which had borrowed the material from Mrs. Mayor and returned it to AAA at her request.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art museum curators -- New York (State) -- New York  Search this
Art historians -- New York (State) -- New York  Search this
Topic:
Art -- History  Search this
Function:
Art museums -- New York (State)
Identifier:
AAA.mayoa
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mayoa

Arnold Newman photographs of artists

Creator:
Newman, Arnold, 1918-2006  Search this
Names:
Abercrombie, Gertrude, 1909-1977 -- Photographs  Search this
Albers, Josef -- Photographs  Search this
Albright, Ivan, 1897-1983 -- Photographs  Search this
Avery, Milton, 1885-1965 -- Photographs  Search this
Bacon, Peggy, 1895-1987 -- Photographs  Search this
Baziotes, William, 1912-1963 -- Photographs  Search this
Bemelmans, Ludwig, 1898-1962 -- Photographs  Search this
Blai, Boris, 1893-1985 -- Photographs  Search this
Bloch, Julius T. (Julius Thiengen), 1888-1966 -- Photographs  Search this
Botkin, Henry, 1896-1983 -- Photographs  Search this
Brook, Alexander, 1898-1980 -- Photographs  Search this
Burchfield, Charles Ephraim, 1893-1967 -- Photographs  Search this
Burliuk, David, 1882-1967 -- Photographs  Search this
Calder, Alexander, 1898-1976 -- Photographs  Search this
Castellon, Federico -- Photographs  Search this
Cikovsky, Nicolai, 1894- -- Photographs  Search this
Criss, Francis, 1901-1973 -- Photographs  Search this
Davidson, Jo, 1883-1952 -- Photographs  Search this
Davis, Stuart, 1892-1964 -- Photographs  Search this
De Kooning, Willem, 1904-1997  Search this
Evergood, Philip, 1901-1973 -- Photographs  Search this
Feininger, Lyonel, 1871-1956 -- Photographs  Search this
Florsheim, Richard A., 1916-1979 -- Photographs  Search this
Gropper, William, 1897-1977 -- Photographs  Search this
Gross, Chaim, 1904-1991 -- Photographs  Search this
Groth, John, 1908-1988 -- Photographs  Search this
Guglielmi, Louis, 1906-1956 -- Photographs  Search this
Guston, Philip, 1913-1980 -- Photographs  Search this
Gwathmey, Robert, 1903-1988 -- Photographs  Search this
Hare, David, 1917- -- Photographs  Search this
Hirshfield, Morris, 1872-1946 -- Photographs  Search this
Hofmann, Hans, 1880-1966 -- Photographs  Search this
Hopper, Edward, 1882-1967 -- Photographs  Search this
Jenkins, Paul, 1923-2012 -- Photographs  Search this
Jules, Mervin, 1912- -- Photographs  Search this
Kantor, Morris, 1896-1974 -- Photographs  Search this
Kaplan, Joseph, 1900-1980 -- Photographs  Search this
Knaths, Karl, 1891-1971 -- Photographs  Search this
Kroll, Leon, 1884-1974 -- Photographs  Search this
Kuniyoshi, Yasuo, 1889-1953 -- Photographs  Search this
Lassaw, Ibram, 1913-2003 -- Photographs  Search this
Laurent, Robert, 1890-1970 -- Photographs  Search this
Lawrence, Jacob, 1917-2000 -- Photographs  Search this
Levi, Julian E. (Julian Edwin), 1900-1982 -- Photographs  Search this
Levine, Jack, 1915-2010 -- Photographs  Search this
Lipchitz, Jacques, 1891-1973  Search this
Sheeler, Charles, 1883-1965 -- Photographs  Search this
Stella, Joseph, 1877-1946 -- Photographs  Search this
Extent:
0.6 Linear feet ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
ca. 1940-1960
Scope and Contents:
Photographs of 47 American artists taken by Newman.
REEL 153: Artists include: Gertrude Abercrombie, Josef Albers, Ivan Albright, Milton Avery, Peggy Bacon, William Baziotes, Ludwig Bemelmans, Boris Blai, Julis Bloch, Harry Botkin, Alexander Brook, Charles Burchfield, David Burliuk, Alexander Calder, Federico Castellon, Nicolai Cikovsky, Francis Criss (2), Jo Davidson, Willem De Kooning, Philip Evergood, Lyonel Feininger, Richard Florsheim, William Gropper, Chaim Gross (2), John Groth, Louis Guglielmi, Philip Guston, Robert Gwathmey, David Hare, Morris Hirshfield, Hans Hofmann, Edward Hopper, Paul Jenkins, Mervin Jules, Morris Kantor, Joseph Kaplan, Karl Knaths, Leon Kroll, Ibram Lassaw, Robert Laurent, Julian Levi, Jack Levine, and Jacques Lipchitz.
REEL 1027: Stuart Davis, Yasuo Kuniyoshi, and Charles Sheeler.
UNMICROFILMED: Jacob Lawrence (2) and Joseph Stella (2).
Biographical / Historical:
Portrait photographer; New York City; b. New York, N.Y., Mar. 3, 1918; d. June 6, 2006, New York, N.Y.
Provenance:
Donated 1961 by Arnold Newman.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Photographers -- New York (State) -- New York  Search this
Topic:
Artists -- United States -- Photographs  Search this
Identifier:
AAA.newmarno
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-newmarno

New York Artists Equity Association records

Creator:
New York Artists Equity Association  Search this
Names:
Art Bank (U.S.)  Search this
Artists Welfare Fund  Search this
Broome Street Gallery  Search this
Ashford, Doug  Search this
Avery, Frances  Search this
Babin, Angela  Search this
Berger, Ted  Search this
Bibro, Denise  Search this
Bolotsky, Marvin  Search this
Brodski, Judith  Search this
Carswell, Mary  Search this
Cohen, Jean  Search this
Concholar, Dan, 1939-  Search this
Diener, Bert  Search this
Facci, Domenico, 1916-1994  Search this
Fiene, Ernest, 1894-  Search this
Frankenthaler, Helen, 1928-2011  Search this
Fuller, Sue (1914-2006)  Search this
Gillespie, Dorothy, 1920-  Search this
Golub, Leon, 1922-2004  Search this
Goulet, Lorrie, 1925-  Search this
Gross, Chaim, 1904-1991  Search this
Gussow, Alan, 1931-1997  Search this
Gussow, Roy, 1918-2011  Search this
Hall, Nan  Search this
Hasen, Burt  Search this
Hayter, Stanley William, 1901-1988  Search this
Karp, Ivan C., 1926-2012  Search this
Kertess, Klaus  Search this
Knight, Gwendolyn  Search this
Kotik, Charlotte  Search this
Kramer, Hilton  Search this
Kroll, Leon, 1884-1974  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Laufman, Sidney, 1891-  Search this
Lawrence, Jacob, 1917-2000  Search this
Lipsky, Eleanor  Search this
Mandel, Howard, 1917-1999  Search this
Marinoff, Elaine  Search this
Marxer, Donna, 1934-  Search this
Millman, Edward, 1907-1964  Search this
Morris, George L. K., 1905-1975  Search this
Nevelson, Louise, 1899-1988  Search this
Newman, Arnold, 1918-2006  Search this
Newman, Elias, 1903-  Search this
O'Hanlon, Richard E. (Richard Emmett), 1906-1985  Search this
Phillips, Helen, 1913-  Search this
Phillips, Renée  Search this
Poroner, Palmer  Search this
Reeves, Ruth, 1892-1966  Search this
Refregier, Anton, 1905-  Search this
Rothschild, Lincoln, 1902-  Search this
Sandler, Irving, 1925-  Search this
Searles, Charles Robert, 1937-2004  Search this
Simon, Sidney, 1917-1997  Search this
Sloan, John, 1871-1951  Search this
Smart, Bill  Search this
Smith, David, 1906-1965  Search this
Steinbaum, Bernice  Search this
Stirton, Laura  Search this
Teller, Susan  Search this
Walker, Hudson D. (Hudson Dean), 1907-1976  Search this
Waterson, Harry  Search this
Wayne, June, 1918-2011  Search this
Winters, Denny Sonke, 1907-1985  Search this
Zaleski, Jean  Search this
Zerbe, Karl, 1903-1972  Search this
deLisser, Carolyn  Search this
Extent:
26.8 Linear feet
2.99 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Video recordings
Sketches
Scrapbooks
Sound recordings
Date:
1920-2012
Summary:
The records of the New York Artists Equity Association (NYAEA) measure 26.8 linear feet and 2.99 Gb and date from 1920-2012. The records include history and founding documents, presidents' files, board of directors' files that include monthly board meeting minutes, committee files and annual membership meeting minutes, general administrative and correspondence files, financial and legal files, event and program files, artists and subject files, extensive individual membership files, art project and exhibition files, Broome Street Gallery files, NYAEA publications that include issues of The Artists Proof, printed and digital materials, four scrapbooks, sketches created by artists attending a party in honor of Yasuo Kuniyoshi, and photographs of member artists and events.
Scope and Contents:
The records of the New York Artists Equity Association (NYAEA) measure 26.8 linear feet and 2.99 GB and date from 1920-2012. The records include history and founding documents, presidents' files, board of directors' files that include monthly board meeting minutes, committee files and annual membership meeting minutes, general administrative and correspondence files, financial and legal files, event and program files, artists and subject files, extensive individual membership files, art project and exhibition files, Broome Street Gallery files, NYAEA publications that include issues of The Artists Proof, printed and digital materials, four scrapbooks, sketches created by artists attending a party in honor of Yasuo Kuniyoshi, and photographs of member artists and events. The President's files appear to be complete and include files for presidents Yasuo Kuniyoshi, Louise Nevelson, Harry Waterson, Roy Gussow, Jacob and Gwendolyn Knight Lawrence, Karl Zerbe, Ernst Fiene, Sidney Laufman, Carolyn deLisser, Burt Hasen, and Bert Diener, among others. Committee files and meeting minutes are found, as well as general administrative and correspondence files which include information pertaining to the national level Association.

Event files include documentation of the Association's Art Thursday series, where they hosted talks and panels by artists. Artists referenced in these files include Jean Cohen, Charles Searles, Leon Golub, Doug Ashford, Bruno Palmer-Poroner, Dom Facci, Susan Teller, Eleanor Lipsky, Ted Berger, Hilton Kramer, Bernice Steinbaum, Laura Stirton, Jean Zaleski, Renee Philips, Denise Bibro, Dan Concholar, Irving Sandler, Angela Babin, Dorothy Gillespe, Donna Marxer, Nan Hall, Ivan Karp, Alan Gussow, Mary Carswell, Bill Smart, Charlotte Kotik, Klaus Kertess, Elaine Marinoff, and Judith Brodski. Additional events covered in this series include the annual awards dinner, masquerade balls, lectures, the Association's 55th Anniversary event, which includes recollections by Helen Frankenthaler, Sidney Simon, and Lorrie Goulet, as well as other events and programs. Videocassette and sound recordings of many of the events are found here.

Artists' and subject files contain mostly printed materials about a few artists and subjects or issues in which the Association was interested.

There are extensive files on individual members that include card files, applications, biographies, and clippings.

Project and exhibition files include material pertaining to the Artists Welfare Fund, the Art Bank artwork donation, and a few scattered exhibitions. Additional exhibition and event files are found in the series containing the Broome Street Gallery files.

Association publications consist of what appears to be a full run of Association newsletters and reports. The NYAEA newsletter changed its name to The Artists Proof in 1986. Additional printed materials include exhibition catalogs and announcements, programs, clippings, posters, and newsletters of other arts organizations. There are four scrapbooks (two unbound) that contain printed materials, and a few items of correspondence. One of the scrapbooks documents the annual "Bal Fantastique".

Artwork consists mostly of sketches and drawings by artists attending a 1948 dinner in honor of Yasuo Kuniyoshi. Photographs are of members and events. Photographers include Arnold Newman, Marvin Bolotsky, and Frances Avery, among others. Numerous notable artists are depicted in the images.
Arrangement:
The collection is arranged into sixteen series.

Missing Title

Series 1: History and Founding Documents, 1933-2000 (0.3 linear feet; Box 1, 27

Series 2: Presidents' Files, 1927-2007 (2.8 linear feet; Boxes 1-4)

Series 3: Board of Directors' Files, 1947-2003 (1.4 linear feet; Boxes 4-5)

Series 4: Committee and Meeting Files, 1950-2009 (1.5 linear feet; Boxes 5-6)

Series 5: General Administrative and Correspondence Files, circa 1930-2008 (2 linear feet; Boxes 7-8, 0.284 GB; ER01)

Series 6: Financial and Legal Files, 1947-2000 (1 linear foot; Box 9)

Series 7: Events and Programs, 1930-2010 (4.2 linear feet; Boxes 10-14, 27, 0.446 GB; ER02)

Series 8: Artists and Subject Files, 1930-1998 (0.4 linear feet; Box 14)

Series 9: Membership Files, 1920-2009 (4.4 linear feet; Boxes 14-18, 27, 2.26 GB; ER03)

Series 10: Project and Exhibition Files, 1934-2010 (2 linear feet; Boxes 19-20)

Series 11: Broome Street Gallery Files, 1990-2011 (2.7 linear feet; Boxes 21-23, 31)

Series 12: Association Publications, 1947-2012 (1 linear foot; Boxes 23-24)

Series 13: Printed Materials, 1930-2008 (1.6 linear feet; Boxes 24-25, 27, 31, OV 28, OV 29)

Series 14: Scrapbooks, 1947-1969 (0.3 linear feet; Box 25, OV 30)

Series 15: Artwork, 1947-2000 (0.1 linear foot; Box 26, 27)

Series 16: Photographs, 1930s-2004 (0.9 linear feet; Box 26, 27)
Biographical / Historical:
The New York Artists Equity Association (originally the Artists Equity Association) was created in 1947 to promote and support living American artists. Nine prominent New York artists founded the organization and elected Yasuo Kuniyoshi as the organization's first president. The original membership included 160 well-known American artists, but by the end of its first year, membership had grown to over one thousand. By the 1950s, the organization had grown into an influential national organization. Past and present members have included Milton Avery, Will Barnet, Romare Bearden, George Biddle, Isabel Bishop, Robert Blackburn, Paul Cadmus, Charles Burchfield, Stuart Davis, Jose de Creeft, Elaine and Willem de Kooning, Leon Golub, Chaim Gross, Rockwell Kent, Roy Lichtenstein, Robert Motherwell, Alice Neel, Isamu Noguchi, Jules Olitski, Philip Pearlstein, Henry Varnum Poor, Charles Scheeler, Ben Shahn, David Smith, Frank Stella, Andrew Wyeth, and many others.

In 1959, the New York Chapter, with more members than all of the other states combined, re-organized into the New York Artists Equity Association. The Association maintained it own gallery, Broome Street Gallery, from 1991-2011. The organization remains active today and is located in SoHo.
Provenance:
The records were donated to the Archives of American Art by the New York Artists Equity Association in several increments between 1980-2016.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists -- United States  Search this
Function:
Arts organizations -- New York (State)
Art galleries, Commercial -- New York (State)
Genre/Form:
Photographs
Video recordings
Sketches
Scrapbooks
Sound recordings
Citation:
New York Artists Equity Association records, 1920-2012. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nyarteqa
See more items in:
New York Artists Equity Association records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nyarteqa

Oral history interview with Edith Gregor Halpert

Interviewee:
Halpert, Edith Gregor, 1900-1970  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington), 1920-  Search this
Names:
C.W. Kraushaar Art Galleries  Search this
Daniel Gallery  Search this
Downtown Gallery (New York, N.Y.)  Search this
Ferargil Galleries  Search this
Grand Central Art Galleries  Search this
M. Knoedler & Co.  Search this
Montross Gallery  Search this
New Gallery (New York, N.Y.)  Search this
Bacon, Peggy, 1895-1987  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Barrie, Erwin S., 1886-1983  Search this
Benton, Thomas Hart, 1889-1975  Search this
Brackman, Robert, 1898-  Search this
Bridgman, George Brant, 1864-1943  Search this
Brixey, Richard de Wolfe  Search this
Cahill, Holger, 1887-1960  Search this
Calder, Alexander, 1898-1976  Search this
Cary, Elisabeth Luther, 1867-1936  Search this
Chase, William Merritt, 1849-1916  Search this
Coleman, Glenn O., 1887-1932  Search this
Crowninshield, Frank, 1872-1947  Search this
Daniel, Charles, 1878-1971  Search this
Davis, Stuart, 1892-1964  Search this
Demuth, Charles, 1883-1935  Search this
Deskey, Donald, 1894-  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Dudensing, F. Valentine, 1892-1967  Search this
Fergusson, John Duncan, 1874-1961  Search this
Field, Hamilton Easter  Search this
Force, Juliana, 1876-1948  Search this
Ford, Ford Madox, 1873-1939  Search this
Frost, Robert, 1874-1963  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Goodyear, A. Conger (Anson Conger), 1877-1964  Search this
Greenberg, Clement, 1909-1994  Search this
Halpert, Samuel, 1884-1930  Search this
Hartley, Marsden, 1877-1943  Search this
Hirsch, Stefan, 1899-1964  Search this
Hopkinson, Charles, 1869-1962  Search this
Hopper, Edward, 1882-1967  Search this
Johns, Jasper, 1930-  Search this
Kline, Franz, 1910-1962  Search this
Knox, Seymour H., 1898-1990  Search this
Kroll, Leon, 1884-1974  Search this
Kuhn, Walt, 1877-1949  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Laurent, Robert, 1890-1970  Search this
Lawrence, Jacob, 1917-2000  Search this
Levine, Jack, 1915-2010  Search this
Levy, Julien  Search this
Locke, Charles, 1899-  Search this
Luks, George Benjamin, 1867-1933  Search this
Léger, Fernand, 1881-1955  Search this
Marin, John, Jr., 1915?-1988  Search this
McBride, Henry, 1867-1962  Search this
Mellon, Paul  Search this
Mercer, Henry Chapman  Search this
Montross, N. E. (Newman E), 1849-1932  Search this
Noguchi, Isamu, 1904-1988  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Pascin, Jules, 1885-1930  Search this
Picasso, Pablo, 1881-1973  Search this
Pollock, Jackson, 1912-1956  Search this
Pound, Ezra, 1885-1972  Search this
Rivera, Diego, 1886-1957  Search this
Robinson, Edward G., 1893-1973  Search this
Rockefeller, Abby Aldrich  Search this
Saarinen, Aline B. (Aline Bernstein), 1914-1972  Search this
Saklatwalla, Beram K.  Search this
Sandburg, Carl, 1878-1967  Search this
Shahn, Ben, 1898-1969  Search this
Sheeler, Charles, 1883-1965  Search this
Siporin, Mitchell, 1910-1976  Search this
Soutine, Chaim, 1893-1943  Search this
Steichen, Edward, 1879-1973  Search this
Stein, Gertrude, 1874-1946  Search this
Stella, Frank  Search this
Stern, Louis E., 1886-1962  Search this
Stieglitz, Alfred, 1864-1946  Search this
Tannahill, Robert Hudson  Search this
Vollard, Ambroise, 1867-1939  Search this
Weber, Max, 1881-1961  Search this
Whitney, Gertrude Vanderbilt, 1875-1942  Search this
Williams, William Carlos, 1883-1963  Search this
Wittenberg, Philip, 1895-1987  Search this
Zerbe, Karl, 1903-1972  Search this
Zorach, Marguerite, 1887-1968  Search this
Zorach, William, 1887-1966  Search this
Extent:
436 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Date:
1962-1963
Scope and Contents:
An interview of Edith Halpert conducted 1962-1963, by Harlan Phillips, for the Archives of American Art.
Halpert speaks of her childhood in Russia and growing up in New York City; working at Bloomindale's, Macy's, Stern Brothers, and Cohen Goldman; her marriage to artist Sam Halpert, his health, and living in Paris in 1925; becoming an art student at the Academy of Design and feeling that Leon Kroll was an excellent art teacher until he began to correct her drawings; when George Bridgman thought she was ruining his class; the Lincoln Square Arcade, when she and Ernest Fiener and Robert Brackman would rent Conan's studio evenings and bring in instructors; how Newman Montross influenced her more than anybody about showing her art that she loved; burning all of her work because Kroll said she had no talent; receiving a painting from John Marin; her friendship and working relationship with Abby Rockefeller and other family members.
She recalls opening the Downtown Gallery, in Greenwich Village, in 1926; a brief history of modern art; many artists helping decorate the new Daylight Gallery in 1930 and the first show being called "Practical Manifestations of Art"; meeting Robert and Sonia Delaunay in France; when she refused to allow Ezra Pound to speak at one of the gallery lectures because of his anti-Semite remarks and William Carlos Williams and Ford Madox Ford argued with her over it; experiencing jealousy and professional attacks from other dealers; the successful "Pop" Hart show and book in 1929; the "Thirty-three Moderns" show in 1930 at the Grand Central Galleries; the Jules Pascin show in 1930; in America, most of the art buyers supporters of culture were women, until the WPA and World War II, when it became fashionable for men to be involved; Ambroise Vollard's advice on selling art; handling the frustrations of working in the art field; friendships with Stuart Davis,Charles Sheeler, and Ben Shahn; how artists work through dry periods in their creativity and the "Recurrent Image" show; a discussion on modern art galleries of New York City, such as Daniel, Knoedler, Ferargil, the New Gallery, 291, the Grand Central, Kraushaar, and Montross; her travels through Pennsylvania and Maine for good examples of folk art for the gallery; the "The Artist Looks at Music" show; the non-competitive spirit of the early modern American artists; of being saved financially in 1940 by selling a William Harnett painting to the Boston Museum and then renting new space for the gallery.
Also, Mitchell Siporin bringing Halpert and Edmund Gurry to Mitchell Field during World War II for a camouflage show and consequently Downtown Gallery artists and others were enlisted in the camouflage corps for the U.S. Air Force; Charles Sheeler and his wife find Halpert a house in Newtown, Conn.; her decision in 1933 to push folk art for acquisition by the William Rockhill Nelson Gallery in Kansas City, Missouri; her great concern about what to do with her folk art literature collection; dismay and that no one writes about the history of folk art and those responsible for its creation and popularity; Louis Stern hiring her to organize a municipal exhibit in Atlantic City, N.J., with Donald Deskey designing the furniture and Holger Cahill managing the publicity; Joe Lillie helping her meet Fiorello La Guardia and Joe McGoldrick in 1934 about a municipal show in New York City, but it is moved to Radio City Music Hall through Nelson Rockefeller; the "Salons of America" show; wanting articles written about art for love rather than art for investment; working with Aline Saarinen on her book, "Proud Possessors;" letters from Stuart Davis, William Zorach and others that hurt her feelings; enjoying giving educational lectures and considering retirement because of ill health; the desire to write a book on the history of trade signs in folk art; feeling that the young artists are being ruined by too much support without working for it; planning to write a book entitled, "Unsung Heroes," about artists brave enough to experiment; organizing a show in Russia at her own expense; later representing the U.S. in art at the "American National Exposition"; the agitators and success of the exposition; Alfred Stieglitz and Georgia O'Keeffe.
Halpert also recalls Juliana Force, Gertrude Vanderbilt Whitney, Yasuo Kuniyoshi, Buckminster Fuller, George Luks, Edsel Ford, Max Weber, Danny Diefenbacker, Hamilton Easter Field, Frank Stella, Glenn Coleman, Margaret Zorach, Diego Rivera, Frida Kahlo, Henry Mercer, Romany Marie, Edward G. Robinson, Paul Mellon, Charles Pollet, Alex Brook, Lunca Curass, Dorothy Lambert, Duncan Candler, Frank Rhen, Louis Rittman, Bea Goldsmith, Arthur Craven, Robert Frost, Philip Wittenberg, Caesar de Hoke, Richard deWolfe Brixey, Seymour Knox, Walt Kuhn, Elisabeth Luther Cary, Charles Locke, Duncan Fergusson, Mrs. Solomon Guggenheim, Bob Tannahill, David Thompson, Marsden Hartley, Erwin Barrie, Robert Laurent, Conger Goodyear, Henry McBride, Edward Hopper, Charles Daniel, William Merritt Chase, Charles Hopkinson, Thomas Hart Benton, Frank Crowninshield, Alfred Barr, Lord Duveen, Jacob Lawrence, John Marin Jr., Karl Zerbe, Franz Kline, Arthur Dove, Julian Levy, Jack Levine, Valentine Dudensing, Peggy Bacon, Stefan Hirsch, Gertrude Stein, Isamu Noguchi, Jasper Johns, Chaim Soutine, B. K. Saklatwalla; Fernand Leger, Pablo Picasso, Ben Shahn, Charles Demuth, Alexander Calder, Jackson Pollock, Edward Steichen, Carl Sandburg, Clement Greenberg, and others.
Biographical / Historical:
Edith Halpert (1900-1970) was an art dealer from New York, N.Y.
General:
Originally recorded on 7 tape reels. Reformatted in 2010 as 27 digital wav files. Duration is 32 hrs., 27 min.
Provenance:
This interview is part of the Archives of American Art History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others. The transcript was microfilmed in 1996.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Topic:
Art -- Economic aspects  Search this
Camouflage  Search this
Folk art -- Collectors and collecting  Search this
Women art dealers  Search this
Identifier:
AAA.halper62
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-halper62
Online Media:

Oral history interview with Stuyvesant Van Veen

Interviewee:
Van Veen, Stuyvesant  Search this
Interviewer:
Nathan, Emily  Search this
Names:
Beckmann, Max, 1884-1950  Search this
Benton, Thomas Hart, 1889-1975  Search this
Boas, Franz, 1858-1942  Search this
Kroll, Leon, 1884-1974  Search this
Rich, Daniel Catton, 1904-1976  Search this
Walker, Hudson D. (Hudson Dean), 1907-1976  Search this
Extent:
51 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1981 May 5-14
Scope and Contents:
An interview of Stuyvesant Van Veen conducted 1981 May 5-14, by Emily Nathan, for the Archives of American Art.
Van Veen speaks of his family background and parental influence; his early training, and studying at the Pennsylvania Academy of the Fine Arts; his army service; some of his experiences as a young artist; early exhibits of his work; his mural work; anthropological drawings he did under Franz Boas for Columbia University in the 1930s. He recalls Max Beckmann, Thomas Hart Benton, Leon Kroll, Daniel Catton Rich and Hudson Dean Walker.
Biographical / Historical:
Stuyvesant Van Veen (1910-1988) was a painter from New York, N.Y.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 3 hr., 36 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Drawing -- New York (State) -- New York  Search this
Painters -- New York (State) -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.vanvee81
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-vanvee81
Online Media:

Oral history interview with Leonard Bocour

Interviewee:
Bocour, Leonard, 1910-1993  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Bocour Artist Colors (Firm)  Search this
Avery, Milton, 1885-1965  Search this
De Kooning, Willem, 1904-1997  Search this
Ganso, Emil, 1895-1941  Search this
Kroll, Leon, 1884-1974  Search this
Rothko, Mark, 1903-1970  Search this
Speicher, Eugene Edward, 1883-1962  Search this
Extent:
60 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1978 June 8
Scope and Contents:
An interview of Leonard Bocour conducted 1978 June 8, by Paul Cummings, for the Archives of American Art.
Bocour speaks of his early interest in art; early influences on him, especially Emil Ganso; studying at the Art Students League; his beginning in the paint business; artists he became acquainted with including Leon Kroll, Eugene Speicher, Milton Avery, Willem de Kooning, and Mark Rothko; the growth of his business, Bocour Artist Colors; technical changes in his product; the early use of acrylic paint; and his philosophies of collecting art work.
Biographical / Historical:
Leonard Bocour (1910-1993) was an art collector and paint manufacturer of New York, New York.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 4 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Paint industry and trade -- New York (State) -- New York  Search this
Paint  Search this
Art -- Collectors and collecting -- New York (State) -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.bocour78
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bocour78
Online Media:

Katharine Lane Weems papers

Creator:
Weems, Katharine Lane, 1899-  Search this
Names:
Brookgreen Gardens  Search this
World's Columbian Exposition (1893 : Chicago, Ill.) -- Photographs  Search this
Cornell, Katharine, 1893-1974  Search this
Cresson, Margaret French, 1889-1973  Search this
Gildersleeve, Basil L. (Basil Lanneau), 1831-1924  Search this
Grafly, Charles, 1862-1929  Search this
Hancock, Walker Kirtland, 1901-1998  Search this
Huntington, Anna Hyatt, 1876-1973  Search this
Kroll, Leon, 1884-1974  Search this
Lane, Gardiner M., 1859-1914  Search this
Lane, Katharine Ward, 1862-1893  Search this
Manship, Paul, 1885-1966  Search this
Marans, Moissaye, 1902-1977  Search this
Monjo, Enric, 1895-1976  Search this
Putnam, Brenda, 1890-1975  Search this
Weinman, Adolph A. (Adolph Alexander), 1870-1952  Search this
Wong, Anna May, 1905-1961  Search this
Extent:
14.8 Linear feet
3 Items (rolled docs)
Type:
Collection descriptions
Archival materials
Sketchbooks
Video recordings
Place:
Saranac Lake N.Y. -- Photographs
Date:
1865-1989
Scope and Contents:
Biographical material, extensive diaries, correspondence, notes, writings, business records, sketchbooks and drawings, project files, scrapbooks, printed materials, photographs and slides, motion picture film, and videotape relating to Weem's education and career as a sculptor. Also included are ca. 1 foot of papers of Weems' aunt, watercolorist Katharine Ward Lane (1862-1893), including letters, diaries, sketchbooks and photographs.
REEL 724: Biographical sketch, 1974; letters from Frederic Bartlett, George Demetrios, Walker Hancock, Leon Kroll, Lee Lawrie, Moissaye Marans, Adolph Alexander Weinman, and others; four sketchbooks, 1954-1965, containing pencil drawings of animals; a scrapbook of clippings, 1924-1941; and printed material.
UNMICROFILMED: Biographical material includes sketches and documents, and biographical information on Weems grandfather, Basil Lanneau Gildersleeve, and father, Gardiner Lane. Diaries (74 v.), 1906-1983, contain entries relating to art studies and her development as a sculptor; some include clippings and photographs. Correspondence, 1898-1989, includes letters from Gifford Beal, Margaret French Cresson, Charles Grafly, John Gregory, Walker Hancock, Malvina Hoffman, Anna Hyatt-Huntington, Paul Manship, Brenda Putnam, Gurdon Tarbox, and Adolph Weinman, discussing Weems' work and participation in various sculpture organizations. There are four notebooks on art history; recipes for clay and plaster; notes on patinas for bronze; lecture notes; lists of Weems' works and exhibitions; an exhibition guest book, 1931-1957; poems, 1933-1981; invoices and receipts, 1919-1981; copyright records, 1928-1978; and art work, including 15 v. of sketchbooks, 1913-1964, drawings and tracings of animal figures. and a copper printing plate mounted on a wood block.
Fourteen project files contain letters, drawings, photographs, and printed material on: an enlarging machine, the Saltus Medal for Merit, the frieze and Rhinoceros sculpture for the Biological Laboratories at Harvard, 1930-1942, including 7 reels of 16mm motion picture film (with script transferred to VHS), the Lotta Fountain, 1939-1974, Legion of Merit Medal, 1949-1952, War Department project, 1946, Goodwin Medal, 1949-1952, Wallace Goodrich Plaque, 1954, Hospital Teaching Clinic, 1955, Boston Museum of Science, 1964-1965, "Dolphins by the Sea" for the New England Aquarium, 1969-1979, Heredities Limited, 1971-1974, and the Museum School, 1977.
Included are two scrapbooks, one of clippings about the work of other artists and one containing poems, clippings of landscapes, animals, works by others, and autographed photographs of actresses Katharine Cornell and Anna May Wong and sculptor Brenda Putnam. Printed material includes clippings, 1911-1989; exhibition announcements and catalogs, 1922-1981; bulletins, programs, brochures on artists, organizations, Brookgreen Gardens, and supplies; reproductions of art works, and the books, Odds Were Against Me (1985, Weems autobiography, and Enrique Monjo (1955), inscribed by Mongo.
Photographs and slides, 1902-1988, are of Weems, family members, artists Charles Grafly, Walker Hancock, and Anna Hyatt-Huntington, Weems' house "The Chimneys," her studio, gardens, animals, works of art by Weems and others, exhibit installations, and views of New York City, Washington, D.C., Monticello, the University of Virginia, and Brookgreen Gardens. Nine albums, 1920-1980, contain photographs of an art class, Weems in her studio, her home, her friends, scenic views, and works of art. Videos and film include a videotape (5 min., U-matic) of an interview of Weems; a film, "From Clay to Bronze," showing the creation of Weems' sculpture "Dark Warrier" (transferred to VHS); motion picture film of the making of the sculpture "Rhinoceros" (transferred to digital betacam, VHS and DVD), and a home movie of a day at the beach, circa 1935.
The papers' of Weems' aunt, Katharine "Kitty" Ward Lane (d. 1893), include Lane's letters, 1898-1893, to her brother (Weems' father) and to other family members; a travel diary from Germany, 1886; notes; financial records, 1891-1892; 10 sketchbooks; printed material; and photographs, 1865-1893, of Lane, early views of Saranac Lake, and 9 views of the Columbia Exposition, 1893.
Biographical / Historical:
Sculptor; Boston, Mass. Died 1989. Specialized in animal sculpture. Studied at the School of the Museum of Fine Arts, Boston under Charles Grafly, Anna Hyatt-Huntington, George Demetrios, and Brenda Putnam. She married F. Carrington Weems in 1947. Named after her aunt, watercolor painter Katharine Ward Lane, who died in 1893.
Provenance:
Material on reel 724 lent for microfilming by Weems, 1974. The four sketchbooks on reel 724 were subsequently donated in 1989. Unmicrofilmed papers were donated 1975 and 1982 by Weems, and in 1989 by her estate. Eighteen diaries (1961-1965, 1967-1976 [1969 not included], 1978, and 1981-1983) and an apppointment book for 1966 donated by the Schlesinger Library, Radcliffe College, 1991.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Animal sculptors -- Massachusetts -- Boston  Search this
Sculptors -- Massachusetts -- Boston  Search this
Watercolorists -- Massachusetts -- Boston  Search this
Topic:
Animal sculpture -- United States  Search this
Art -- Study and teaching -- Massachusetts -- Boston  Search this
Artists' studios -- Photographs  Search this
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Genre/Form:
Sketchbooks
Video recordings
Identifier:
AAA.weemkath
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-weemkath

Paul Trebilcock papers

Creator:
Trebilcock, Paul, 1902-1981  Search this
Names:
Art Institute of Chicago  Search this
Coca-Cola Company -- Biography -- Portraits  Search this
Johns Hopkins University -- Biography -- Portraits  Search this
Portrait Center of America (New York, N.Y.)  Search this
Waldorf-Astoria Hotel (New York, N.Y.) -- Biography -- Portraits  Search this
Castaldo, Amaylia Chlarina, 1906-1987  Search this
Kroll, Leon, 1884-1974  Search this
Roosevelt, Franklin D. (Franklin Delano), 1882-1945 -- Portraits  Search this
Sargent, John Singer, 1856-1925  Search this
Seyffert, Leopold  Search this
Extent:
2.7 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Date:
1899-1983
Scope and Contents:
Biographical material, correspondence, personal business records, notes, writings, art work, a scrapbook, printed material, and photographs document the career of portrait painter Paul Trebilcock.
Biographical material, 1899-1969, includes a marriage certificate for Trebilcock's parents, resident alien papers for Trebilcock's 1927 stay in London, a declaration of American citizenship, and 2 international driving permits. Correspondence, 1902-1980, is primarily between Trebilcock, his colleagues including Leopold Seyffert and Leon Kroll, galleries and museums including the Art Institute of Chicago, and letters concerning his portrait of Franklin D. Roosevelt, and commissions for the Coca-Cola Company, Johns Hopkins University, and the Waldorf-Astoria Hotel. Several letters describe his brief meeting with John Singer Sargent in 1925.
Personal business records, 1917-1978, include legal documents such as William Trebilcock's will, court papers establishing the Portrait Center of America in partnership with Amaylia Castaldo, and apartment leases, and miscellaneous invoices and receipts. Notes, 1946-1975, consist of 2 engagement calendars, 4 notebooks annotating daily progress on paintings, 2 notebooks analyzing miscellaneous art works, exhibition labels, and lists of works. Writings, undated, consist of 6 essays by Trebilcock dealing with art-related topics. A project file, 1942, contains letters and drawings concerning work done for the War Production Board. Art work, undated, consists of a sketchbook and a drawing.
A scrapbook, 1924-1936, contains clippings and 9 exhibition catalogs. Printed material, 1899-1976, includes clippings, exhibition announcements and catalogs for Trebilcock and for others, programs, brochures, booklets, and 2 books, Paul Trebilcock - Portraits, and The Unofficial Palace of New York: A Tribute to the Waldorf-Astoria. Photographs, 1928-1983, are of Trebilcock, his teacher Leopold Seyffert, his studio, art works, and exhibition installations.
Biographical / Historical:
Paul Trebilcock (1902-1981) was a portrait painter, New York, N.Y. Born in Chicago, Illinois. He studied under Leopold Seyffert at the Art Institute of Chicago from 1923-1925. His subjects include prominent business, science and church figures. Notable is his portrait of Franklin D. Roosevelt, painted in the White House as a commission from Columbia University. Trebilcock's wife, Amaylia Castaldo, was also a portrait painter.
Provenance:
Donated 1982 and 1984 by Amaylia Castaldo Trebilcock, Trebilcock's widow. Funding for the microfilming of the collection was provided by Trebilcock's children, William A. Trebilcock and Adrienne Lynch.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Portrait painters -- Illinois -- Chicago  Search this
Topic:
Portrait painting -- 20th century -- United States  Search this
Portrait painting, American  Search this
Genre/Form:
Drawings
Sketchbooks
Identifier:
AAA.trebpaul
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-trebpaul

Frank Seiberling research material on George Bellows

Creator:
Seiberling, Frank A., 1908-1990  Search this
Names:
Bellows, George, 1882-1925  Search this
Chase, William Merritt, 1849-1916  Search this
Henri, Robert, 1865-1929  Search this
Kroll, Leon, 1884-1974  Search this
Kuhn, Walt, 1877-1949  Search this
Pène Du Bois, Guy , 1884-1958  Search this
Seiberling, Frank, 1908-  Search this
Taylor, John Russell  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Date:
1934-1962
bulk 1934-1948
Scope and Contents:
Research material compiled in preparation for Seiberling's dissertation on Bellows, "George Bellows, 1882-1925: His Life and Development as an Artist" (University of Chicago, 1948).
Included are Seiberling's correspondence, 1934-1962, with Guy Pène du Bois, Walt Kuhn, Leon Kroll and Mrs. George Bellows; typescript copies of letters by George Bellows, a few compiled by Leon Kroll; writings, including Seiberling's dissertation and writings on Bellows by John Russell Taylor; research notes; clippings and exhibition catalogs; copyprints of photographs of Bellows, Bellows at a class taught by Robert Henri at the "Chase School," of Bellows at Henri's studio, and of works of art by Bellows, Henri, Everett Shinn and Diego Rivera.
Biographical / Historical:
Frank A. Seiberling (1908-1990) was an art historian. Bellows was a painter and a member of the Ashcan School. Member of the Eight.
Provenance:
Donated 1991 by Nancy Seiberling, widow of Frank Seiberling.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Art, American  Search this
Identifier:
AAA.seibfran
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-seibfran

Henry Ernest Schnakenberg papers

Creator:
Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this
Names:
American Academy of Arts and Letters  Search this
Artists Equity Association  Search this
Angel, John, 1881-1960  Search this
Bacon, Peggy, 1895-1987  Search this
Barye, Antoine-Louis, 1796-1875  Search this
Beal, Gifford, 1879-1956  Search this
Bierstadt, Albert, 1830-1902  Search this
Billings, Henry, 1901-  Search this
Bishop, Isabel, 1902-1988  Search this
Blume, Peter, 1906-1992  Search this
Bouché, Louis, 1896-1969  Search this
Brooks, Van Wyck, 1886-1963  Search this
Buller, Audrey, 1902-  Search this
Cadmus, Paul, 1904-1999  Search this
Calder, Alexander, 1898-1976  Search this
Catherwood, Frederick, 1799-1854  Search this
Congdon, William, 1912-1998  Search this
Day, Horace Talmage, 1909-1984  Search this
Dows, Olin, 1904-1981  Search this
Duchamp, Marcel, 1887-1968  Search this
Etting, Emlen, 1905-1993  Search this
Evergood, Philip, 1901-1973  Search this
Faulkner, Barry, 1881-1966  Search this
Fiene, Ernest, 1894-  Search this
Goff, Lloyd Lozés, 1919-  Search this
Guys, Constantin, 1805-1892  Search this
Hardy, Thomas, 1921-  Search this
Harnett, William Michael, 1848-1892  Search this
Hartl, Léon, 1889-  Search this
Homer, Winslow, 1836-1910  Search this
Hoyt, Whitney Ford, 1910-1980  Search this
Inness, George, 1825-1894  Search this
Ivins, William Mills, 1881-1961  Search this
Johnson, Eastman, 1824-1906  Search this
Kirstein, Lincoln, 1907-  Search this
Kroll, Leon, 1884-1974  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Laning, Edward, 1906-1981  Search this
Lasker, Joe  Search this
Leighton, Clare, 1899-  Search this
Locke, Charles, 1899-  Search this
Low, Sanford B. D. (Sanford Ballard Dole), 1905-1964  Search this
Lucioni, Luigi, 1900-1988  Search this
Marsh, Reginald, 1898-1954  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Parsons, Betty  Search this
Robus, Hugo, 1885-1964  Search this
Saint-Gaudens, Homer, b. 1880  Search this
Savery, Rockland  Search this
Schmidt, Katherine, 1898-1978  Search this
Shahn, Ben, 1898-1969  Search this
Sheeler, Charles, 1883-1965  Search this
Speicher, Eugene Edward, 1883-1962  Search this
Stamos, Theodoros, 1922-1997  Search this
Tait, Arthur Fitzwilliam, 1819-1905  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Watson, Forbes, 1880-1960  Search this
Watson, Nan, 1876-1966  Search this
Weisgard, Leonard, 1916-  Search this
Extent:
5.1 Linear feet ((partially microfilmed on 6 reels))
Type:
Collection descriptions
Archival materials
Date:
1905-1969
Scope and Contents:
Photographs, correspondence, appointment books, etchings, a scrapbook, printed materials, writings, and posters.
REEL D113: Primarily letters received from artists, 1940s-50s; background material for Ft.Lee and Amsterdam (N.Y.) murals; and miscellaneous printed material and photographs.
Correspondents include John Angel, Artists Equity, Peggy Bacon, Gifford Beal, Henry Billings, Isabel Bishop, Peter Blume, Louis Bouche, Van Wyck Brooks, Audrey Buller, Paul Cadmus, Alexander Calder, William Congdon, Horace T. Day, Olin Dows, Marcel Duchamp, Emlen P. Etting, Philip Evergood, Barry Faulkner, Ernest Fiene, Leon Hartl, Whitney F. Hoyt, William M. Ivins, Jr., Lincoln E. Kirstein, Leon Kroll, Yasuo Kuniyoshi, Edward Laning, Joseph L. Lasker, Clare Leighton, Charles W. Locke, Sanford B.D. Low, Luigi Lucioni, Reginald Marsh, Kenneth H. Miller, Nat'l Institute of Arts and Letters, Betty Parsons, Hugo Robus, Homer Saint-Gaudens, Katherine Schmidt, Ben Shahn, Charles Sheeler, Eugene Speicher, Theodoros Stamos, Franklin C. Watkins, Forbes and Nan Watson, and Leonard Weisgard.
REEL 847: Photographs, including 67 of Schnakenberg and friends, 1 of a portrait of him by Lloyd Goff, 95 of his oil paintings, 33 of his watercolors, 25 of his works in unidentified media, 29 of works by other artists, and 46 of pre-Columbian art from Central and South America. Among artists whose works are included are Antoine Louis Barye, Albert Bierstadt, Frederick Catherwood, Constantin Guys, Thomas Hardy, William Harnett, Winslow Homer, George Inness, Eastman Johnson, Yasuo Kuniyoshi, Reginald Marsh, Rockland Savery, Theodoros Stamos, and Arthur Fitzwilliam Tait.
REELS 850-853: Biographical information; personal and business correspondence; 17 diaries, mainly about Schnakenberg's travels, 1905-1960; appointment calendars, 1963-1969; 70 etchings by Schnakenberg; a scrapbook containing clippings, catalogs, and other printed material; a book published by G. Alan Chidsey on Schnakenberg; clippings, catalogs, and announcements; papers relating to gifts and acquisitions of works of art; receipts for Schnakenberg paintings from C.W. Kraushaar Galleries; a 650-page typescript for a book "The Background of Painting" by Schnakenberg; and drafts of speeches.
UNMICROFILMED: Six World War I posters designed by Schnakenberg; Christmas cards from artists and other friends; printed material; and a photograph of Lloyd Goff, inscribed to Schnakenberg, in front of one of his paintings, 1939.
Biographical / Historical:
Painter, etcher; Newton, Conn.
Provenance:
Material donated 1963-1971 by Schnakenberg and, after his death, by his estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Etchers -- Connecticut -- Newton  Search this
Painters -- Connecticut -- Newton  Search this
Topic:
Art, Prehistoric  Search this
Painting, Modern -- 20th century  Search this
Etching  Search this
Identifier:
AAA.schnh
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-schnh

Mary Turlay Robinson papers

Creator:
Robinson, Mary Turlay, 1887 or 8-1971  Search this
Names:
Beal, Gifford, 1879-1956  Search this
Block, Adolph, 1906-1978  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Hoffman, Malvina, 1887-1966  Search this
Kroll, Leon, 1884-1974  Search this
Myers, Ella Price  Search this
Myers, Frank Harmon, 1899-1956  Search this
Stieglitz, Alfred, 1864-1946  Search this
Terrell, Allen Townsend, 1897-1986  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Extent:
55 Items ((on 3 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1923-1971
Scope and Contents:
Letters, printed material, and bills.
REEL N/70-40: Letters to Robinson from Adolph Block, Malvina Hoffman, Leon Kroll, and Alfred Stieglitz about an exhibition for Georgia O'Keeffe, and pertaining to art exhibitions, the provenance of 2 Albert Pinkham Ryder paintings, the sale of a Pierre Bonnard painting, and the artistic standards of the Fontainebleau School of Fine Arts; clippings and exhibition catalogs; bills; and an article on portrait painter William Allen Wall by Robinson.
REEL 101: Letters from Gifford Beal, Edwin Dickinson, Nan Greacen Faure, Leon Kroll, Elizabeth Saltonstall, Allen Townsend Terrell, Franklin Watkins, and others concern personal and professional matters.
REEL 3471: Four letters from Ella Myers, widow of Robinson's friend Frank Harmon Myers, regarding Myers' paintings, and a letter from Harold Weston; and clippings and an exhibition catalog on Myers.
Biographical / Historical:
Painter, New York, N.Y.
Provenance:
Material donated by Robinson, 1970-1972.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Women artists  Search this
Identifier:
AAA.robimary
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-robimary

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