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Oral history interview with Dorothy Dehner, 1965 October-1966 December

Interviewee:
Dehner, Dorothy, 1901-1994  Search this
Dehner, Dorothy, 1901-1994  Search this
Interviewer:
Krauss, Rosalind E  Search this
Subject:
McCoy, Garnett  Search this
Smith, David  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Women artists  Search this
Women sculptors  Search this
Women painters  Search this
Women printmakers  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)13105
(DSI-AAA_SIRISBib)212623
AAA_collcode_dehner65
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212623
Online Media:

Oral history interview with Dorothy Dehner

Interviewee:
Dehner, Dorothy, 1901-1994  Search this
Interviewer:
Krauss, Rosalind E.  Search this
McCoy, Garnett  Search this
Names:
Smith, David, 1906-1965  Search this
Extent:
49 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1965 October-1966 December
Scope and Contents:
An interview of Dorothy Dehner conducted 1965 October-1966 December, by Garnett McCoy and Rosalind Krauss, for the Archives of American Art.
Both interviews involve discussion of Dehner's husband, David Smith.
Biographical / Historical:
Dorothy Dehner (1901-1994) was a sculptor, painter, and printmaker from New York, New York. Dehner was married to sculptor David Smith.
General:
Originally recorded on 2 sound tape reel. Reformatted in 2010 as 2 digital wav file. Duration is 2 hr., 40 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Topic:
Art, American  Search this
Women artists  Search this
Women sculptors  Search this
Women painters  Search this
Women printmakers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.dehner65
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dehner65
Online Media:

Oral history interview with Allan Sekula

Interviewee:
Sekula, Allan  Search this
Interviewer:
Panzer, Mary  Search this
Names:
Artforum  Search this
California Institute of the Arts  Search this
Ohio State University -- Faculty  Search this
Rhode Island School of Design  Search this
Students for a Democratic Society (U.S.)  Search this
University of California, San Diego  Search this
Altoon, John, 1925-  Search this
Antin, David  Search this
Antin, Eleanor  Search this
Ascott, Roy  Search this
Baldessari, John, 1931-  Search this
Barthes, Roland  Search this
Becker, Howard  Search this
Bercovitch, Sacvan  Search this
Beveridge, Karl  Search this
Brach, Paul, 1924-  Search this
Braderman, Joan  Search this
Burch, Noël, 1932-  Search this
Burn, Ian, 1939-1993  Search this
Captain Beefheart  Search this
Charlesworth, Sarah, 1947-2013  Search this
Chayefsky, Paddy, 1923-1981  Search this
Conde, Carol  Search this
Connell, Brian  Search this
Diddley, Bo, 1928-2008  Search this
Evans, Walker, 1903-1975  Search this
Farber, Manny  Search this
Feldman, Ronald, 1938-  Search this
Folks, Homer, 1867-1963  Search this
Fox, Terry, 1943-  Search this
Fried, Howard, 1946-  Search this
Ginsberg, Allen, 1926-1997  Search this
Graham, Dan, 1942-  Search this
Graves, Michael, 1934-2015  Search this
Halleck, DeeDee  Search this
Hanhardt, John G.  Search this
Hassan, Ihab, 1925-2015  Search this
Hayes, Woody, 1913-1987  Search this
Heinecken, Robert, 1931-  Search this
Higgins, Dick, 1938-1998  Search this
Hine, Lewis Wickes, 1874-1940  Search this
Kienholz, Edward, 1927-  Search this
Kirschenbaum, Baruch David, 1931-  Search this
Knowles, Alison, 1933-  Search this
Kosuth, Joseph.  Search this
Kozloff, Max  Search this
Kramer, Hilton  Search this
Krauss, Rosalind E.  Search this
König, Kasper  Search this
Liebling, Jerome  Search this
Lifson, Ben  Search this
Little Richard, 1932-  Search this
Lonidier, Fred  Search this
Lord, Catherine, 1949-  Search this
Lunn, Harry, 1933-1998  Search this
Mac Low, Jackson  Search this
Mandel, Mike  Search this
Matta, 1912-2002  Search this
Mayer, Grace M.  Search this
Michelson, Annette  Search this
O'Doherty, Brian  Search this
Pommer, Richard  Search this
Ramsden, Mel  Search this
Raskin, Jef  Search this
Reagan, Ronald  Search this
Rosler, Martha  Search this
Ross, David A., 1949-  Search this
Ruby, Jay  Search this
Ruscha, Edward  Search this
Salle, David, 1952-  Search this
Salvesen, Britt  Search this
Schimmel, Paul  Search this
Segalove, Ilene, 1950-  Search this
Stein, Sally  Search this
Steinmetz, Philip  Search this
Sultan, Larry  Search this
Van Riper, Peter  Search this
Wakoski, Diane  Search this
Wall, Jeff, 1946-  Search this
Extent:
12 Items (Sound recording: 12 sound files (6 hr.,14 min.), digital, wav)
143 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2011 August 20-2012 February 14
Scope and Contents:
An interview with Allan Sekula conducted 2011 August 20-2012 February 14, by Mary Panzer, for the Archives of American Art at Sekula's studio and home in Los Angeles, California and at the Museum of Modern Art in New York, New York.
Sekula speaks of his career and some of the mediums he works in; language and contemporary art; Roland Barthes; his relation to contemporary art; west coast conceptualism; genre switches; realism; documentary photography; Belgium and the industrial revolution; Meunier; minor figures; art history and marginalism; Roberto Matta; World War I; Homer Folks; Fish Story; historic cinema; economic factors of art shows and publication; galleries and the art world; growing up and his family; his father and moving; Ohio; his brothers and sisters; San Pedro; demographics of students at school; sports at school; Vietnam; protests; cross country and swimming; California; fishing; college; U.C. system; declaring a major; John Altoon; Ed Kienholz; exposure to art; visiting museums; Marcuse's classes; Baldessari's classes; course work and student life; student demonstrations; working in a library and exposure to books; father losing his job; science and working as a chemical technician; politics; his uncle committing suicide; moving away from his father; the draft; John Birch; Students for a Democratic Society; his mother; politics of his parents; Aerospace Folk Tales, autodidacts and scholarship; San Diego and Mexico; obtaining a camera and starting to use it; art school; CalArts; UCSD; Meditations on a Triptych; David Salle; Fred Lonidier; Phel Steinmetz; MFA and art training; poets; story of Allen Ginsberg and one of Sekula's sculptures; production and the audience; A Photograph is Worth a Thousand Questions, photography and the burden of tradition; pictorialism; moving to New York; Artforum; October; New York music scene; Captain Beefheart; Bo Diddley; Little Richard; Steichen and aerial photography; origins of October; New Criterion; Art Critic's Grant; teaching at Ohio State; television; technological historians; New York subway and getting a ticket for using French money; RISD lectures; Long Beach; photography; collages; Metro Pictures; New Topographics; School as a Factory; moral choice and the viewer; work method and the audience; Social Criticism and Art Practice; east and west coasts; Ed Ruscha; documentary; film, Los Angeles; cinema and social history; Ohio State Department of Photography and Cinema; Los Angeles Plays Itself; Committee in Solidarity with the People of El Salvador; Ohio State campus, anti-Semitism; Ronald Reagan and protest; influences and colleagues; intellectual genealogy; Michael Graves and Ohio State architecture; Bad Ohio; tenure; University Exposed; AIDS issue of October; The Body and the Archive; making film; Korean War; collectors and images. Sekula also recalls Eleanor Antin, Jeff Wall, Terry Fox, Lewis Hine, Walker Evans, Paul Saltman, Marcuse, Baldessari, Sacvan Bercovitch, Stanley Miller, Jef Raskin, Paul Brach, David Antin, Howard Fried, Peter Van Riper, Alison Knowles, Dick Higgins, Manny Farber, Ihab Hassan, Diane Wakoski, Jackson Mac Low, Martha Rosler, Lenny Neufeld, Joshua Neufeld, David Wing, Brian Connell, Max Kozloff, Ian Burn, Mel Ramsden, Carole Conde, Karl Beveridge, Barry Rosens, Tom Crow, John Copeland, Harry Lunn, Hilton Kramer, Grace Mayer, Carol Duncan, Eva Cockroft, Richard Pommer, Rosalind Krauss, Sally Stein, Paddy Chayefsky, John Hanhardt, Mel Ramsden, Sarah Charlesworth, Jospeh Kosuth, Baruch Kirschenbaum, Robert Heinecken, Brian O'Doherty, Howard Becker, Jay Ruby, Jerry Liebling, Anna Wilkie, Ronald Feldman, John Gibson, David Ross, Britt Salvesen, Larry Sultan, Mike Mandel, Roy Ascott, Ilene Segalove, Paul Schimmel, DeeDee Halleck, Noel Burch, Joan Braderman, Woody Hayes, Thom Andersen, John Quigley, Ron Green, Kasper Koenig, Dan Graham, Jonathan Green, Christa Wolf, Catherine Lord, Ben Lifson, and Annette Michelson.
Biographical / Historical:
Allan Sekula (1951-2013) was a photographer, filmmaker, and writer, based at the California Institute of the Arts in Valencia, California. Mary Panzer (1955- ) is a historian from New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Photographers -- California  Search this
Filmmakers -- California  Search this
Authors -- California  Search this
Topic:
Activism  Search this
Antisemitism  Search this
Architecture  Search this
Art -- Exhibitions -- Economic aspects  Search this
Art -- History  Search this
Art, Modern -- 20th century  Search this
Art -- Study and teaching  Search this
Conceptual art  Search this
Documentary photography  Search this
Korean War, 1950-1953  Search this
Music -- New York (State) -- New York  Search this
Photography  Search this
Realism  Search this
World War, 1914-1918  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.sekula11
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sekula11
Online Media:

Oral history interview with Allan Sekula, 2011 August 20-2012 February 14

Interviewee:
Sekula, Allan, 1951-2013  Search this
Sekula, Allan, 1951-2013  Search this
Interviewer:
Panzer, Mary, 1955-  Search this
Subject:
Altoon, John  Search this
Antin, David  Search this
Antin, Eleanor  Search this
Ascott, Roy  Search this
Braderman, Joan  Search this
Baldessari, John  Search this
Barthes, Roland  Search this
Becker, Howard  Search this
Bercovitch, Sacvan  Search this
Beveridge, Karl  Search this
Diddley, Bo  Search this
Brach, Paul  Search this
Burch, Noël  Search this
Burn, Ian  Search this
Captain Beefheart  Search this
Charlesworth, Sarah  Search this
Chayefsky, Paddy  Search this
Conde, Carol  Search this
Connell, Brian  Search this
Evans, Walker  Search this
Farber, Manny  Search this
Feldman, Ronald  Search this
Folks, Homer  Search this
Fox, Terry  Search this
Fried, Howard  Search this
Ginsberg, Allen  Search this
Graham, Dan  Search this
Graves, Michael  Search this
Halleck, DeeDee  Search this
Hanhardt, John G.  Search this
Hassan, Ihab  Search this
Hayes, Woody  Search this
Heinecken, Robert  Search this
Higgins, Dick  Search this
Hine, Lewis Wickes  Search this
Kienholz, Edward  Search this
Kirschenbaum, Baruch David  Search this
Knowles, Alison  Search this
König, Kasper  Search this
Kosuth, Joseph.  Search this
Kozloff, Max  Search this
Kramer, Hilton  Search this
Krauss, Rosalind E.  Search this
Liebling, Jerome  Search this
Lifson, Ben  Search this
Little Richard  Search this
Lonidier, Fred  Search this
Lord, Catherine  Search this
Lunn, Harry  Search this
Mac Low, Jackson  Search this
Mandel, Mike  Search this
Matta  Search this
Mayer, Grace M.  Search this
Michelson, Annette  Search this
O'Doherty, Brian  Search this
Pommer, Richard  Search this
Ramsden, Mel  Search this
Raskin, Jef  Search this
Reagan, Ronald  Search this
Rosler, Martha  Search this
Ross, David A.  Search this
Ruby, Jay  Search this
Ruscha, Edward  Search this
Salle, David  Search this
Salvesen, Britt  Search this
Schimmel, Paul  Search this
Segalove, Ilene  Search this
Stein, Sally  Search this
Steinmetz, Philip  Search this
Sultan, Larry  Search this
Van Riper, Peter  Search this
Wakoski, Diane  Search this
Wall, Jeff  Search this
Artforum  Search this
California Institute of the Arts  Search this
Ohio State University  Search this
Rhode Island School of Design  Search this
Students for a Democratic Society (U.S.)  Search this
University of California, San Diego  Search this
Type:
Interviews
Sound recordings
Topic:
Activism  Search this
Antisemitism  Search this
Architecture  Search this
Art -- Exhibitions -- Economic aspects  Search this
Art -- History  Search this
Art, Modern -- 20th century  Search this
Art -- Study and teaching  Search this
Conceptual art  Search this
Documentary photography  Search this
Korean War, 1950-1953  Search this
Music -- New York (State) -- New York  Search this
Photography  Search this
Realism  Search this
World War, 1914-1918  Search this
Record number:
(DSI-AAA_CollID)16239
(DSI-AAA_SIRISBib)370420
AAA_collcode_sekula11
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_370420
Online Media:

Oral history interview with Douglas Crimp, 2017 January 3-4

Interviewee:
Crimp, Douglas, 1944-2019  Search this
Crimp, Douglas, 1944-2019  Search this
Interviewer:
Fialho, Alex, 1989-  Search this
Subject:
Bordowitz, Gregg  Search this
Baker, Elizabeth C.  Search this
Belaygue, Christian  Search this
Cooke, Lynne  Search this
Copjec, Joan  Search this
Duchamp, Marcel  Search this
Elovich, Richard  Search this
Jonas, Joan  Search this
Kohlmeyer, Ida  Search this
Krauss, Rosalind E.  Search this
Lemann, Bernard  Search this
Leonard, Zoe  Search this
Michelson, Annette  Search this
Olander, William  Search this
Owens, Craig  Search this
Robinson, Marilynne  Search this
Santos, René  Search this
Torm, Fernando  Search this
Waldman, Diane  Search this
Warhol, Andy  Search this
Wodiczko, Krzysztof  Search this
Wolfe, Daniel  Search this
ACT UP (Organization)  Search this
Gay Activists Alliance  Search this
Rutgers University  Search this
Tulane University  Search this
University of Rochester  Search this
Visual Arts and the AIDS Epidemic: An Oral History Project  Search this
Century 21 Exposition (1962 : Seattle, Wash.)  Search this
Type:
Interviews
Sound recordings
Place:
Germany -- description and travel
New York (N.Y.) -- Description and travel
Topic:
AIDS activists  Search this
AIDS (Disease) and the arts  Search this
Art -- History -- Study and teaching  Search this
AIDS (Disease)  Search this
Mardi Gras  Search this
NAMES Project AIDS Memorial Quilt  Search this
Queer theory  Search this
Activists (LGBTQ)  Search this
Queer studies  Search this
Record number:
(DSI-AAA_CollID)17416
(DSI-AAA_SIRISBib)384973
AAA_collcode_crimp17
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_384973
Online Media:

Rosalind E. Krauss papers on David Smith, [ca. 1965-1972]

Creator:
Krauss, Rosalind E. (Epstein)  Search this
Krauss, Rosalind E. (Epstein)  Search this
Subject:
Smith, David  Search this
Ward, Cora Kelley  Search this
Topic:
Women art historians  Search this
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)9166
(DSI-AAA_SIRISBib)211361
AAA_collcode_kraurosa
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211361

The Louis K. Meisel Gallery selected records, 1964-2003

Creator:
Louis K. Meisel Gallery  Search this
Louis K. Meisel Gallery  Search this
Subject:
Rose, Barbara  Search this
Rivers, Larry  Search this
Messer, Thomas M.  Search this
Meisel, Susan Pear  Search this
Vogel, Dorothy  Search this
Taylor, Elizabeth  Search this
Stamos, Theodoros  Search this
Sadat, Anwar  Search this
Warhol, Andy  Search this
Vogel, Herbert  Search this
Baldessari, John  Search this
Battcock, Gregory  Search this
Bourdon, David  Search this
Close, Chuck  Search this
Baeder, John  Search this
Kramer, Hilton  Search this
Krauss, Rosalind E.  Search this
Meisel, Louis K.  Search this
Eddy, Don  Search this
Estes, Richard  Search this
Flack, Audrey  Search this
Goings, Ralph  Search this
Type:
Photographs
Theme:
Art Gallery Records  Search this
Record number:
(DSI-AAA_CollID)15671
(DSI-AAA_SIRISBib)282709
AAA_collcode_louikmei
Theme:
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_282709
Online Media:

Clement Greenberg papers, 1937-1983

Creator:
Greenberg, Clement, 1909-1994  Search this
Greenberg, Clement, 1909-1994  Search this
Subject:
Smith, David  Search this
Smith, Kimber  Search this
Solomon, Deborah  Search this
Still, Clyfford  Search this
Truitt, Anne  Search this
Waddington, Leslie  Search this
Wisenski, Kurt  Search this
Motherwell, Robert  Search this
Frankenthaler, Helen  Search this
Noland, Kenneth  Search this
O'Faolin, Nuala  Search this
Olitski, Jules  Search this
Pepper, Beverly  Search this
Sander, Ludwig  Search this
Moffett, Kenworth  Search this
Krauss, Rosalind E.  Search this
Kainen, Jacob  Search this
Hosaisson, Philippe  Search this
Hofmann, Hans  Search this
Gottlieb, Adolph  Search this
Goodnough, Robert  Search this
Fuller, Peter  Search this
Francis, Sam  Search this
Feeley, Paul  Search this
Emmerich, André  Search this
Dzubas, Friedel  Search this
Dorazio, Piero  Search this
Diebenkorn, Richard  Search this
Connolly, Cyril  Search this
Davis, Gene  Search this
Bush, Jack  Search this
Caro, Anthony  Search this
Bannard, Walter Darby  Search this
Rothko, Mark  Search this
Baziotes, Ethel  Search this
Avedisian, Edward  Search this
Newman, Barnett  Search this
American Committee for Cultural Freedom  Search this
Type:
Transcripts
Interviews
Etchings
Photographs
Reports
Topic:
Art criticism -- New York (State) -- New York  Search this
Art -- Japan  Search this
Art -- India  Search this
Modernism (Art)  Search this
Art -- Economic aspects  Search this
Record number:
(DSI-AAA_CollID)11085
(DSI-AAA_SIRISBib)211173
AAA_collcode_greeclep
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211173
Online Media:

Darabjerd III

Artist:
Frank Stella, American, b. Malden, Massachusetts, 1936  Search this
Medium:
Acrylic on canvas
Dimensions:
120 1/8 X 180 1/4 IN. (305.1 X 457.8 CM.)
Type:
Painting
Date:
(1967)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972
Accession Number:
72.278
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Formalist Abstraction
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py26ffbb7cc-5ad5-464b-8fa6-6d94942f6f32
EDAN-URL:
edanmdm:hmsg_72.278

Torso of a Young Man

Artist:
Constantin Brancusi, French, b. Hobitza, Romania, 1876–1957  Search this
Medium:
Bronze on stone and wood bases
Dimensions:
18 1/8 x 11 1/2 x 9 1/8 in. (46.1 x 29.2 x 23.0 cm.) on stone base: 6 1/4 x 8 1/2 x 6 3/4 in. (15.8 x 21.5 x 17.1 cm.); on wood base: 34 1/8 x 11 1/2 x 11 1/2 in. (86.6 x 29.0 x 29.0 cm.)
Type:
Sculpture
Date:
1924
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.611
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
European Modernism (Early 20th century)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py29e56e57f-b809-4133-991a-63a3640d9108
EDAN-URL:
edanmdm:hmsg_66.611

Prometheus

Artist:
Constantin Brancusi, French, b. Hobitza, Romania, 1876–1957  Search this
Medium:
Bronze
Dimensions:
5 3/8 × 6 3/4 × 5 3/8 in. (13.7 × 17.2 × 13.7 cm)
Type:
Sculpture
Date:
1911
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.612
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
European Modernism (Early 20th century)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2cd6bcd22-7bf3-4169-b42d-314bbc5e1f9c
EDAN-URL:
edanmdm:hmsg_66.612

Oral history interview with Douglas Crimp

Interviewee:
Crimp, Douglas  Search this
Interviewer:
Fialho, Alex, 1989-  Search this
Names:
ACT UP (Organization)  Search this
Century 21 Exposition (1962 : Seattle, Wash.)  Search this
Gay Activists Alliance  Search this
Rutgers University -- Faculty  Search this
Tulane University -- Students  Search this
University of Rochester -- Faculty  Search this
Visual Arts and the AIDS Epidemic: An Oral History Project  Search this
Baker, Elizabeth C., 1934-  Search this
Belaygue, Christian  Search this
Bordowitz, Gregg  Search this
Cooke, Lynne  Search this
Copjec, Joan  Search this
Duchamp, Marcel, 1887-1968  Search this
Elovich, Richard  Search this
Jonas, Joan, 1936-  Search this
Kohlmeyer, Ida, 1912-1997  Search this
Krauss, Rosalind E.  Search this
Lemann, Bernard, 1905-  Search this
Leonard, Zoe  Search this
Michelson, Annette  Search this
Olander, William  Search this
Owens, Craig  Search this
Robinson, Marilynne  Search this
Santos, René, 1954-1986  Search this
Torm, Fernando  Search this
Waldman, Diane  Search this
Warhol, Andy, 1928-1987  Search this
Wodiczko, Krzysztof  Search this
Wolfe, Daniel, 1960-  Search this
Extent:
5 Items (Sound recording: 5 sound files (6 hr., 2 min.), digital, wav)
69 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Germany -- description and travel
New York (N.Y.) -- Description and Travel
Date:
2017 January 3-4
Scope and Contents:
An interview with Douglas Crimp, conducted 2017 January 3-4, by Alex Fialho, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at Crimp's home in New York, New York.
Crimp speaks of growing up in Coeur d'Alene, Idaho; his athleticism in water skiing and ice skating; sibling rivalry as a child; seeing art for the first time at the Seattle World Fair; being closeted and conflicted as a young gay man in 1950s Idaho; attending Tulane University in New Orleans and the culture shock he experienced there; his first year in Tulane's rigorous architecture program and ultimately changing his major to art history; the pageantry of Mardi Gras parades and the gay society he explored; writing an undergraduate paper analyzing Marcel Duchamp's "The Large Glass"; deciding to go to New York City; finding his voice as an art critic while beginning his career at Art News and Art International; his extensive analysis of Joan Jonas; attending Firehouse dances sponsored by Gay Activist Alliance and coming into his sexuality; being a patient of esteemed doctor Dr. Dan William; first learning of the AIDS crisis and epidemic through a New York Times article in 1981 describing a gay cancer; receiving an NEA art critic grant and spending a year in Germany from 1985-86; returning to find friends and acquaintances sick with HIV/AIDS or having died from it; the Dia Conversations; his role as editor of October and bringing queerness and AIDS to the forefront; joining ACT UP; the genesis of October's AIDS double issue in 1987-1988 and its success; how the journal issue changed the course of his career and steered him to teach gay studies and further his work with AIDS activism; the inner workings of ACT UP meetings; the sense of community ACT UP provided and the empowerment everyone felt; noting a sense of personal and professional urgency during the crisis; the timeline of his AIDS writings; his reaction to seeing the AIDS quilt for the first time at the March on Washington; writing to a wide, non-academic audience; his 1988 course at Rutgers University on AIDS video; his complex relationships with Rosalind Krauss and Annette Michelson; the poor coverage of the AIDS epidemic in the media and how it informed his writing; the understanding of the need for safe sex practices and writing "How to Have Promiscuity in an Epidemic;" teaching courses on AIDS at the University of Rochester and how his teaching interest evolved into queer theory and studies; evaluating Warhol's work with a queer lens; writing about his experience with queer life in New York City in the 1970s to counter the condescending conservative narrative; his current writing projects and interests; experience in demonstrations held by ACT UP; and the tremendous communal support he felt during his seroconversion. Crimp also recalls Marilynne Summers (Robinson), Bernard Lemann, Marimar Benetiz, Ida Kohlmeyer, Lynn Emory, Diane Waldman, Betsy Baker, Lucinda Hawkins, Christian Belaygue, Krzysztof Wodiczko, Rosalind Krauss, Joan Copjec, Gregg Bordowitz, Terri Cafaro, Rene Santos, Craig Owens, Fernando Torm, Bill Olander, Richard Elovich, Daniel Wolfe, Hector Caicedo, Lynne Cooke, and Zoe Leonard.
Biographical / Historical:
Douglas Crimp (1944- 2019) was a professor and art critic in New York, New York. Alex Fialho (1989- ) is a curator and arts writer who is the Programs Director for Visual AIDS in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art critics -- New York (State) -- New York -- Interviews  Search this
Educators -- New York (State) -- New York  Search this
Topic:
AIDS activists  Search this
AIDS (Disease) and the arts  Search this
Art -- History -- Study and teaching  Search this
AIDS (Disease)  Search this
Mardi Gras  Search this
NAMES Project AIDS Memorial Quilt  Search this
Queer theory  Search this
Activists (LGBTQ)  Search this
Queer studies  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.crimp17
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-crimp17
Online Media:

Rosalind E. Krauss papers on David Smith

Creator:
Krauss, Rosalind E.  Search this
Names:
Smith, David, 1906-1965  Search this
Ward, Cora Kelley, 1920-1989  Search this
Extent:
0.2 Linear feet ((partially microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Date:
[ca. 1965-1972]
Scope and Contents:
Writings; and photographs.
REEL 3090: A xerox copy of "The Sculpture of David Smith," a doctoral dissertation written for Harvard University in April, 1969. (138 pp.)
UNMICROFILMED: A photocopy of Krauss' typescript used in part for the book THE SCULPTURE OF DAVID SMITH, A CATALOG RAISONNE, 1977; and five photographs taken by Cora Ward of David Smith's sculpture.
Biographical / Historical:
Art historian; New York, N.Y.
Provenance:
Material on reel 3090 donor is unspecified; and unmicrofilmed material donated 1972 by Rosalind E. Krauss.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Topic:
Women art historians  Search this
Identifier:
AAA.kraurosa
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kraurosa

Clement Greenberg papers

Creator:
Greenberg, Clement, 1909-1994  Search this
Names:
American Committee for Cultural Freedom  Search this
Avedisian, Edward, 1936-2007  Search this
Bannard, Walter Darby, 1934-  Search this
Baziotes, Ethel  Search this
Bush, Jack, 1909-  Search this
Caro, Anthony, 1924-  Search this
Connolly, Cyril, 1903-1974  Search this
Davis, Gene, 1920-1985  Search this
Diebenkorn, Richard, 1922-1993  Search this
Dorazio, Piero, 1927-  Search this
Dzubas, Friedel, 1915-  Search this
Emmerich, André  Search this
Feeley, Paul, 1910-1966  Search this
Francis, Sam, 1923-1994  Search this
Frankenthaler, Helen, 1928-2011  Search this
Fuller, Peter, 1947-1990  Search this
Goodnough, Robert, 1917-  Search this
Gottlieb, Adolph, 1903-1974  Search this
Hofmann, Hans, 1880-1966  Search this
Hosaisson, Philippe  Search this
Kainen, Jacob  Search this
Krauss, Rosalind E.  Search this
Moffett, Kenworth  Search this
Motherwell, Robert  Search this
Newman, Barnett, 1905-1970  Search this
Noland, Kenneth, 1924-  Search this
O'Faolin, Nuala  Search this
Olitski, Jules, 1922-2007  Search this
Pepper, Beverly  Search this
Rothko, Mark, 1903-1970  Search this
Sander, Ludwig, 1906-  Search this
Smith, David, 1906-1965  Search this
Smith, Kimber, 1922-1981  Search this
Solomon, Deborah  Search this
Still, Clyfford, 1904-  Search this
Truitt, Anne, 1921-2004  Search this
Waddington, Leslie  Search this
Wisenski, Kurt  Search this
Extent:
8.6 Linear feet
Type:
Collection descriptions
Archival materials
Transcripts
Interviews
Etchings
Photographs
Reports
Date:
1937-1983
Summary:
The papers of art critic, author, and lecturer Clement Greenberg measure 8.6 linear feet and date from 1937 to 1983. The bulk of the collection consists of letters from art critics, artists, family, friends, galleries, and museums. Notable correspondents include Jack Bush, Anthony Caro, Richard Diebenkorn, Friedel Dzubas, Helen Frankenthaler, Adolph Gottlieb, Hans Hofmann, Morris Louis, Robert Motherwell, Charles Pollock, Jules Olitski, David Smith, and Anne Truitt among others. Also found are biograpical materials, personal business and financial records, an etching by Kurt Wisneski, printed materials, and two reports by Greenberg concerning his travels.
Scope and Content Note:
The papers of influential New York art critic Clement Greenberg measure 8.6 linear feet and date from 1937 to 1983. The bulk of the papers (7 feet) consists of letters from art critics, artists, family, friends, galleries, and museums, with some letters from Greenberg. Correspondents include Edward Avedisian, Darby Bannard, Ethel Baziotes, Jack Bush, Anthony Caro, Gene Davis, Richard Diebenkorn, Piero Dorazio, Friedel Dzubas, Andre Emmerich, Paul Feeley, Sam Francis, Helen Frankenthaler, Robert Goodnough, Adolf Gottleib, Hans Hofmann, Philippe Hosiasson, Jacob Kainen, Rosalind Krauss, Robert Motherwell, Ken Moffett, Barnett Newman, Kenneth Noland, Jules Olitski, Beverly Pepper, Ludwig Sander, David Smith, Kimber Smith, Clyfford Still, Anne Truitt, and Leslie Waddington.

Biographical materials include a transcript of an interview with Greenberg conducted by Deborah Solomon in 1983. Greenberg's personal business and financial records include correspondence regarding his lectures and seminars, requests for his writings, student queries, documents regarding his television and radio appearances, royalty statements, and receipts for gifts of works of art. Also found within business records are documents relating to Greenberg's testimony at the Mark Rothko Trial in 1974.

Artwork consists of one etching by Kurt Wisenski entitled "Spring." The papers contain very few of Greenberg's writings about art. Found are lists of artists, and reports written by Greenberg on the state of art in Japan and India in 1967, likely related to his membership in the American Committee for Cultural Freedom. Printed material includes scattered clippings concerning art and exhibition announcements.

One series of ACCESS RESTRICTED papers contains documents relating to Greenberg's role as a trustee in the David Smith estate; correspondence between Greenberg with Andre Emmerich and Peter Fuller, Nuala O'Faolain, and the Greenberg family; and some financial materials regarding the sale and loan of Greenberg's art collection.
Arrangement:
The collection is arranged as 7 series:

Missing Title

Series 1: Biographical Information, circa 1950s-1983 (Box 1; 2 folders)

Series 2: Business and Financial Records, 1940-1983 (Box 1; 12 folders)

Series 3: Correspondence, 1937-1983 (Boxes 1-8; 7 linear feet)

Series 4: Artwork, 1973 (Box 8; 1 folder)

Series 5: Writings and Notes, 1967-1983 (Box 8; 3 folders)

Series 6: Printed Material, 1950-1982 (Box 8; 2 folders)

Series 7: Restricted Material, 1963-1983 (Boxes 9-11; 1.2 linear feet)
Biographical Note:
Clement Greenberg was a highly influential art critic working in New York City from the 1940s through the 1960s. He was an advocate of modern art, particulary the abstract expressionist movement, and one of the first critics to recognize the significance of Jackson Pollock's work.

Greenberg was born in 1909 to Russian immigrants in Bronx, New York. After graduating from Syracuse University in 1930, he married and had a child, David. He settled in New York City while working at the United States Customs Department as an appraiser.

In the late 1930s, Clement Greenberg attended a meeting of the U.S. Works Progress Administration and heard Hans Hofmann speak of avant-garde art. In 1939, he wrote one of his first important critical pieces "Avant-Garde and Kitsch" for the Partisan Review. Greenberg argued that the avant-garde art movement rose out of the need to defend and maintain high art standards against the decline in taste brought about by America's consumerism and capitalist culture.

In 1940, Greenberg joined Partisan Review as an editor. He became art critic for the Nation in 1942, and was associate editor of Commentary from 1945 until 1957. In December 1950, he joined the CIA-fronted American Committee for Cultural Freedom.

Throughout the 1940s through the 1960s Greenberg continued to write and, in his essays and articles, he promoted the work of Abstract Expressionists, among them Jackson Pollock, Willem de Kooning, Hans Hofmann, Barnett Newman, and Clyfford Still. He particularly championed Jackson Pollock. Greenberg wrote several seminal essays that defined his views on art history in the 20th century. "Greenberg on Collage" was one one of his most important.

Greenberg's views on pop art were mixed. He also became less enamored with Abstract Impressionism, particularly the second generation. However, he became very interested in the Color-Field and Hard-Edge painters.

Through the 1960s Greenberg's views informed a younger generation of art critics including Michael Fried and Rosalind E. Krauss. Some writers maintain that Greenberg's views were so well-respected that he had too much of an influence on the world of art. In time, Greenberg's antagonism to Postmodernist theories and other modern art movements caused him to lose much of his credibility among both artists and art critics.

Greenberg died at the age of eighty-five in 1994.

Since his death, letters edited by his widow, Janice Van Horne and a re-evaluation of his writings have helped to restore his reputation within the art world.
Related Material:
The Portland Art Museum holds Clement Greenberg's private art collection as well as a library of exhibition catalogs.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming (reels N69-91, N70-7, and N737). Most, but not all, of these papers were later donated by Greenberg. Loaned materials not donated at a later date remain with the lender and are not described in the container listing of this finding aid.
Provenance:
Clement Greenberg initally lent material for microfilming in 1968-1969. He donated most of this material with additional papers in several accretions between 1984 to 1991.
Restrictions:
Use of original papers requires an appointment. Some of the collection is ACCESS RESTRICTED: documents relating to the estate of David Smith; some correspondence with Peter Fuller, Nuala O'Faolain, and the Greenberg family; and sale and loan agreements. Contact the reference staff for more information about permission to use this portion of the collection.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- New York (State) -- New York  Search this
Topic:
Art criticism -- New York (State) -- New York  Search this
Art -- Japan  Search this
Art -- India  Search this
Modernism (Art)  Search this
Art -- Economic aspects  Search this
Genre/Form:
Transcripts
Interviews
Etchings
Photographs
Reports
Citation:
The Clement Greenberg papers, 1937-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.greeclep
See more items in:
Clement Greenberg papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-greeclep
Online Media:

The Louis K. Meisel Gallery selected records

Creator:
Louis K. Meisel Gallery  Search this
Names:
Baeder, John  Search this
Baldessari, John, 1931-  Search this
Battcock, Gregory, 1937-  Search this
Bourdon, David  Search this
Close, Chuck, 1940-  Search this
Eddy, Don, 1944-  Search this
Estes, Richard, 1932-  Search this
Flack, Audrey  Search this
Goings, Ralph  Search this
Kramer, Hilton  Search this
Krauss, Rosalind E.  Search this
Meisel, Louis K.  Search this
Meisel, Susan Pear  Search this
Messer, Thomas M.  Search this
Rivers, Larry, 1925-2002  Search this
Rose, Barbara  Search this
Sadat, Anwar, 1918-1981  Search this
Stamos, Theodoros, 1922-1997  Search this
Taylor, Elizabeth, 1932-2011  Search this
Vogel, Dorothy  Search this
Vogel, Herbert  Search this
Warhol, Andy, 1928-  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1964-2003
Summary:
The Louis K. Meisel Gallery selected records measure 0.4 linear feet and date from 1964-2003. The records of this New York gallery consist of correspondence with artists and other individuals, writings by Louis K. Meisel, subject files on Gregory Battcock and Jason Seley, and photographs. Correspondence documents the gallery's dealings with its artists.
Scope and Contents note:
The Louis K. Meisel Gallery selected records measure 0.4 linear feet and date from 1964-2003. The records of this New York gallery consist of correspondence with artists and other individuals, writings by Louis K. Meisel, subject files on Gregory Battcock and Jason Seley, and photographs. Correspondence documents the gallery's dealings with its artists.

Among the correspondents are John Baeder, Chuck Close, Don Eddy, Richard Estes, Audrey Flack, Ralph Goings, Richard McClean, Theodoros Stamos, and others. Also found are letters from Larry Rivers, Anwar el-Sadat, Robert Hughes, and Tom Messer.

Writings include a typescript by Louis K. Meisel on becoming an art dealer. A subject file on art historian Gregory Battcock contains several reviews, scattered materials including letters, clippings, lists, press releases, and a photograph of Battcock with David Bourdon, Hilton Kramer, Rosalind Krauss, Barbara Rose, and others attending an International Art Association of Art Critics conference. There are subject files on Jason Seley containing photographs, correspondence, and printed materials.

Photographs include a photograph of Louis K. Meisel and his wife, Susan Meisel with Photorealists artists at a book party. Also found are photographs of John Baldesarri with Herbert and Dorothy Vogel; and Andy Warhol and Elizabeth Taylor.
Arrangement note:
The collection is arranged as 4 series:

Series 1: Correspondence, 1964-2003 (Box 1; 0.2 linear feet)

Series 2: Writings, circa 1970s (Box 1; 1 folder)

Series 3: Subject Files, 1974-1981 (Box 1; 5 folders)

Series 4: Photographs, circa 1980s-1993 (Box 1; 0.1 linear feet)
Biographical/Historical note:
Louis K. Meisel (1942- ) opened the Louis K. Meisel Gallery on Prince Street in the SoHo neighborhood of New York City in 1966. The gallery has promoted the work of realist painters, sculptors, and photographers. Louis K. Meisel Gallery has also championed another genre of American realism, the Pin-up; the gallery has an extensive collection of vintage and contemporary Pin-ups. Artists represented include: John Baeder, Robert Bechtle, Charles Bell, Chuck Close, Audrey Flack, Ronald Kleemann, Mel Ramos, and Theodoros Stamos, among others.

Born in 1942 in Brooklyn, Louis K. Meisel has had a varied career as an art dealer, writer, and collector. Meisel attended Columbia University, 1964 and the New School for Social Research in New York, 1963-1965. Credited with coining the phrase, Photorealism in the late 1960s, Meisel defined the qualities of the Photorealist artist.

Louis K. Meisel has written numerous books and articles on Photorealism, the American Pin-Up, and other art-related topics. He has also lectured at academic and art-related institutions, including the Arts and Crafts Center in Pittsburgh, Pennsylvania, 1978; Wharton School, University of Pennsylvania, 1980, 2002; the Natural History Museum, Smithsonian Institution, 1993; and the Ringling School of Art and Design in Sarasota, Florida, 2002. His collecting interests have been wide-ranging. In addition to his extensive collection of Photorealist paintings and Pin-up illustrations, Meisel is a collector of 1940s Moderne, tin toys, Art Deco statues, and naturalia.

Since 2000, Louis K. Meisel, in partnership with Frank Bernarducci, has operated the Bernarducci. Meisel. Gallery on 57th Street in New York as a venue for established and emerging artists.
Provenance:
The Louis K. Meisel Gallery selected records were donated by Louis K. Meisel in 1990 and 2009.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Photographs
Citation:
Louis K. Meisel Gallery selected records, 1973-2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.louikmei
See more items in:
The Louis K. Meisel Gallery selected records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-louikmei
Online Media:

Thel, (sculpture)

Sculptor:
Pepper, Beverly 1924-2020  Search this
Medium:
Cor-Ten steel and sod
Type:
Sculptures-Earthwork
Sculptures-Site-specific
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by Dartmouth College Hood Museum of Art Hanover New Hampshire 03755 Accession Number: S.977.144
Located Dartmouth College Lawn on College Street, between Wheeler Hall, Steele Hall & Fairchild Science Center Hanover New Hampshire
Date:
1976-1977. Installed Sept. 1977. Dedicated May 24, 1978
Topic:
Abstract--Geometric  Search this
Literature--Blake--Book of Thel  Search this
Control number:
IAS 87480058
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_23442

Basalt Ritual, (sculpture)

Sculptor:
Pepper, Beverly 1924-2020  Search this
Medium:
Basalt
Type:
Sculptures-Outdoor Sculpture
Sculptures
Date:
1985-86
Topic:
Abstract--Geometric  Search this
Control number:
IAS 87480001
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_23385

Damiano Wedge, (sculpture)

Sculptor:
Pepper, Beverly 1924-2020  Search this
Medium:
Forged steel
Type:
Sculptures
Owner/Location:
Brett-Mitchell Lynhurst Ohio
Date:
1978
Topic:
Abstract--Geometric  Search this
Control number:
IAS 87480002
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_23386

Dallas Pyramid, (sculpture)

Sculptor:
Pepper, Beverly 1924-2020  Search this
Medium:
Cor-Ten steel
Type:
Sculptures-Outdoor Sculpture
Sculptures
Date:
1971
Topic:
Abstract--Geometric  Search this
Control number:
IAS 87480003
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_23387

Zig Zag, (sculpture)

Sculptor:
Pepper, Beverly 1924-2020  Search this
Medium:
Enamelled stainless steel
Type:
Sculptures
Owner/Location:
Albright-Knox Art Gallery 1285 Elmwood Avenue Buffalo New York 14222
Date:
1967
Topic:
Abstract--Geometric  Search this
Control number:
IAS 87480004
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_23388

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