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Kirkpatrick, Joey and Flora Mace

Collection Creator:
Scanga, Italo, 1932-2001  Search this
Container:
Box 8, Folder 38-39
Type:
Archival materials
Date:
1997
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Italo Scanga papers, circa 1930-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Italo Scanga papers
Italo Scanga papers / Series 3: Artist Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92da52fbd-553e-43b3-93a6-2341e50f7c56
EDAN-URL:
ead_component:sova-aaa-scanital-ref106

Oral history interview with Joey Kirkpatrick, 2005 August 17-18

Interviewee:
Kirkpatrick, Joey, 1952-  Search this
Interviewer:
Herman, Lloyd E  Search this
Subject:
Burford, Byron  Search this
Calder, Alexander  Search this
Chihuly, Dale  Search this
Cohen, Reba  Search this
Demetrion, James  Search this
Doty, Mark  Search this
Dove, Arthur Garfield  Search this
Edwards, Steven Dale  Search this
Giacometti, Alberto  Search this
Handler, Audrey  Search this
Hinds, Chuck  Search this
Mace, Flora  Search this
Moore, Ben  Search this
Morris, William  Search this
O'Keeffe, Georgia  Search this
Patrick, Peggy  Search this
Ragovin, Howard  Search this
Scanga, Italo  Search this
Schiele, Egon  Search this
Tagliapietra, Lino  Search this
Vigeletti, Sylvia  Search this
Art Institute of Chicago  Search this
Des Moines Art Center  Search this
Iowa State University  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck School  Search this
University of Iowa  Search this
Type:
Interviews
Sound recordings
Place:
Iowa -- Description and travel
Topic:
Ceramics -- Study and teaching  Search this
Decorative arts  Search this
Sculpture -- Technique  Search this
Glass art  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)12851
(DSI-AAA_SIRISBib)255873
AAA_collcode_kirkpa05
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_255873
Online Media:

Oral history interview with Flora Mace and Joey Kirkpatrick, 2005 August 17-18

Interviewee:
Mace, Flora, 1949-  Search this
Interviewer:
Herman, Lloyd E  Search this
Subject:
Kirkpatrick, Joey  Search this
Anderson, Dale  Search this
Anderson, Doug  Search this
Benglis, Lynda  Search this
Ben Tré, Howard  Search this
Borenstein, Joan  Search this
Chihuly, Dale  Search this
Dehoff, Bill  Search this
Dehoff, Sarah  Search this
Littleton, Harvey K.  Search this
Moore, Ben  Search this
Morris, William  Search this
Pfaff, Judy  Search this
Pilloff, Bensen  Search this
Pilloff, Francine  Search this
Rooney, Alice  Search this
Rosenfield, Betsy  Search this
Royal, Rich  Search this
Saxe, Dorothy  Search this
Saxe, George  Search this
Scanga, Italo  Search this
Shirley, Jon  Search this
Shirley, Mary  Search this
Statom, Therman  Search this
Stroemple, George R.  Search this
Tagliapietra, Lino  Search this
Vallien, Bertil  Search this
Welch, Ann  Search this
Wilmarth, Christopher  Search this
Wolff, Ann  Search this
Zynsky, Toots  Search this
Foster/White Gallery  Search this
Habatat Galleries  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
Rhode Island School of Design  Search this
Walla Walla Foundry  Search this
Type:
Sound recordings
Interviews
Topic:
Decorative arts  Search this
Glass artists -- Washington (State) -- Seattle -- Interviews  Search this
Women artists  Search this
Glass art  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)11940
(DSI-AAA_SIRISBib)255912
AAA_collcode_mace05
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_255912
Online Media:

Oral history interview with Flora Mace and Joey Kirkpatrick

Interviewee:
Mace, Flora, 1949-  Search this
Kirkpatrick, Joey  Search this
Interviewer:
Herman, Lloyd E.  Search this
Names:
Foster/White Gallery  Search this
Habatat Galleries  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
Rhode Island School of Design -- Students  Search this
Walla Walla Foundry  Search this
Anderson, Dale, 1944-  Search this
Anderson, Doug, 1943-  Search this
Ben Tré, Howard, 1949-2020  Search this
Benglis, Lynda, 1941-  Search this
Borenstein, Joan  Search this
Chihuly, Dale, 1941-  Search this
Dehoff, Bill  Search this
Dehoff, Sarah  Search this
Littleton, Harvey K.  Search this
Moore, Ben  Search this
Morris, William, 1957-  Search this
Pfaff, Judy, 1946-  Search this
Pilloff, Bensen  Search this
Pilloff, Francine  Search this
Rooney, Alice, 1926-2019  Search this
Rosenfield, Betsy  Search this
Royal, Rich  Search this
Saxe, Dorothy  Search this
Saxe, George  Search this
Scanga, Italo, 1932-2001  Search this
Shirley, Jon, 1938-  Search this
Shirley, Mary  Search this
Statom, Therman, 1953-  Search this
Stroemple, George R.  Search this
Tagliapietra, Lino  Search this
Vallien, Bertil, 1938-  Search this
Welch, Ann  Search this
Wilmarth, Christopher  Search this
Wolff, Ann  Search this
Zynsky, Toots, 1951-  Search this
Extent:
5 Items (Audio: 5 wav files (3 hrs., 17 min.), digital)
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
2005 August 17-18
Scope and Contents:
An interview of Flora Mace and Joey Kirkpatrick conducted 2005 August 17-18, by Lloyd E. Herman, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artists' home and studio, in Seattle, Washington.
They discuss their first meeting at Pilchuck Glass School in Stanwood, Washington, in 1979; the structure of classes and teaching philosophies at Pilchuck in the late '70s and early '80s; the change in equipment and the growth of the Pilchuck campus through the years; their first projects together, which were wire drawings made by Flora and based on Joey's sketches; leaving Pilchuck after the summer session and moving together to Waterville, New Hampshire, where they worked in a studio at the Rhode Island School of Design with Dale Chihuly; building up a body of work and then having to decide whose work it was, at a time when collaborating and co-signing was not standard practice; going back to Pilchuck every summer for 14 years after first meeting there in 1979; beginning to teach as a collaborative team at Pilchuck in 1981, the first women to teach glass blowing at that school; building their house together on the grounds of Pilchuck, a design which was then emulated for dormitories at the school; convincing Dale Chihuly to lower the class size at Pilchuck to 10, down from 20, to allow teachers to work more closely with the students; early shows of their work at Habatat Galleries in Royal Oak, Michigan, Ivor Kurland Gallery in Los Angeles, California, and Foster-White Galleries in Seattle, Washington; the support of their sisters and families throughout the years, mostly in providing them a place to stay as they traveled cross country; their relationships with collectors; what each artist brings to the partnership, including vision, inspiration, and technique; the influence of water on their work, as both artists are drawn to the sea and the tides; the purpose of their work, and what they feel it can bring to the viewer; the challenge given to the artists by Joan Borenstein to make 30 glass goblets, all with different fruits and vegetables; having their work cast at the Walla Walla Foundry; and the ideas behind various bodies of work, including the "Bird Pages" and the large latticino fruit. A more in-depth discussion of each artist's childhood, education, and artistic experiences prior to their meeting at Pilchuck can be found in the individual artist's interviews. They recall Italo Scanga, Bill Morris, Ben Moore, Rich Royal, Howard Ben Tre, Toots Zynsky, Therman Statom, Harvey Littleton, Lino Tagliapetra, Chris Wilmarth, Judy Pfaff, Lynda Benglis, Alice Rooney, Bertil Vallien, Ann Wolff, Betsy Rosenfield, George and Dorothy Saxe, Doug and Dale Anderson, Jon and Mary Shirley, Sarah and Bill Dehoff, Francine and Benson Pilloff, George Stroemple, Ann Welch, and others.
Biographical / Historical:
Joey Kirkpatrick (1952- ) and Flora Mace (1949- ) are glass artists from Seattle, Washington. Lloyd E. Herman (1936- ) is a curator and former director of the Smithsonian American Art Museum's Renwick Gallery of Art and is currently from Seattle, Washington. Mace and Kirkpatrick have been working collaboratively on glass since the late 1970s.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 5 digital wav files. Duration is 3 hrs., 17 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Decorative arts  Search this
Glass artists -- Washington (State) -- Seattle -- Interviews  Search this
Women artists  Search this
Glass art  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.mace05
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98d0bff3c-9050-48a3-b06f-e1e6ab7ef3f1
EDAN-URL:
ead_collection:sova-aaa-mace05
Online Media:

Oral history interview with Joey Kirkpatrick

Interviewee:
Kirkpatrick, Joey  Search this
Interviewer:
Herman, Lloyd E.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Art Institute of Chicago -- Student  Search this
Des Moines Art Center  Search this
Iowa State University -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck School  Search this
University of Iowa -- Students  Search this
Burford, Byron, 1920-2011  Search this
Calder, Alexander, 1898-1976  Search this
Chihuly, Dale, 1941-  Search this
Cohen, Reba  Search this
Demetrion, James  Search this
Doty, Mark  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Edwards, Steven Dale  Search this
Giacometti, Alberto, 1901-1966  Search this
Handler, Audrey  Search this
Hinds, Chuck  Search this
Mace, Flora, 1949-  Search this
Moore, Ben  Search this
Morris, William, 1957-  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Patrick, Peggy  Search this
Ragovin, Howard  Search this
Scanga, Italo, 1932-2001  Search this
Schiele, Egon, 1890-1918  Search this
Tagliapietra, Lino  Search this
Vigeletti, Sylvia  Search this
Extent:
2 Items (Sound recording: 2 sound files (2 hr., 2 min.), digital, wav, 2 5/8 in.)
51 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Iowa -- Description and Travel
Date:
2005 August 17-18
Scope and Contents:
An interview of Joey Kirkpatrick conducted 2005 August 17-18, by Lloyd E. Herman, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home and studio, which she shares with Flora Mace, in Seattle, Washington.
Ms. Kirkpatrick discusses her childhood in Des Moines, Iowa, as the third daughter among four; her early interest in art and, beginning in fifth grade, working at the Des Moines Art Center; her mother's creativity and love for art and design; visiting her aunt Elaine in Chicago and attending adult classes at the Art Institute of Chicago; seeing an Egon Schiele show at the Des Moines Art Center and its influence on her; her sense, even at an early age, that she was going to be an artist; going to college at the University of Iowa and getting a BFA in drawing; working in ceramics at the University of Iowa and studying under her mentor, Howard Ragovin; beginning to make sculptures out of chicken wire and papier-mâché and becoming interested in three-dimensional forms and planes; her most profound artistic influences, including Arthur Dove, Georgia O'Keeffe, Alexander Calder, and Alberto Giacometti; meeting Steven Dale Edwards during her last year in college and learning how to blow glass from him; blowing glass at a facility geared towards ceramic engineers at Iowa State University in Ames, Iowa, after college; working at the Art Center throughout and continuing to paint while living with her grandmother; working at a daycare center where she functioned as an art therapist; seeing an advertisement in Craft Horizons magazine for Pilchuck Glass School; working as a tree topper in Des Moines to get the money to go to Pilchuck; showing up at Pilchuck with an armful of her drawings; meeting Flora Mace, her collaborator and life partner, at Pilchuck; how the two eventually came to collaborate and cosign their work; and how they work together. A more in-depth discussion of the pair's lifelong collaboration is discussed in a joint interview of Kirkpatrick and Mace. Kirkpatrick also recalls Byron Burford, Peggy Patrick, Reba Cohen, Mark Doty, Jim Demetrion, Dale Chihuly, Chuck Hinds, Italo Scanga, Bill Morris, Ben Moore, Sylvia Vigeletti, Audrey Handler, and Lino Tagliapetra, and others.
Biographical / Historical:
Joey Kirkpatrick (1952- ) is a glass artist from Seattle, Washington. Lloyd E. Herman (1936- ) is a curator and former director of the Smithsonian American Art Museum's Renwick Gallery of Art and is currently from Seattle, Washington.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 2 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Ceramics -- Study and teaching  Search this
Decorative arts  Search this
Sculpture -- Technique  Search this
Glass art  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.kirkpa05
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95154467a-422e-401a-bc09-6376186fa604
EDAN-URL:
ead_collection:sova-aaa-kirkpa05
Online Media:

Oral history interview with Flora Mace, 2005 August 17-18

Interviewee:
Mace, Flora, 1949-  Search this
Interviewer:
Herman, Lloyd E  Search this
Subject:
Calder, Alexander  Search this
Chihuly, Dale  Search this
Handler, Audrey  Search this
Kirkpatrick, Joey  Search this
Moore, Ben  Search this
Morris, William  Search this
Stankard, Paul  Search this
Wheaton, Frank  Search this
Wheaton, Mary  Search this
4-H Youth Development Program (U.S.)  Search this
Contemporary Glass Gallery  Search this
International Farm Youth Exchange  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
Plymouth State College  Search this
University of Illinois.  Search this
University of Utah  Search this
Wheaton Glass Village  Search this
Type:
Interviews
Sound recordings
Place:
Norway -- description and travel
Topic:
Decorative arts  Search this
Depression in women  Search this
Glass artists -- Washington (State) -- Seattle -- Interviews  Search this
Women artists  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)13288
(DSI-AAA_SIRISBib)255870
AAA_collcode_mace05a
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_255870
Online Media:

Oral history interview with Ginny Ruffner, 2006 September 13-14

Interviewee:
Ruffner, Ginny, 1952-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Duchamp, Marcel  Search this
Dohne, Deborah  Search this
Kirkpatrick, Joey  Search this
Leach, Mark  Search this
Mace, Flora  Search this
Robbins, Tom  Search this
Littleton, Maurine  Search this
Smith, Alvy Ray  Search this
Tschida, Fred  Search this
Scott, George C.  Search this
University of Georgia  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Art -- Philosophy  Search this
Glass artists -- Washington (State) -- Interviews  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)13551
(DSI-AAA_SIRISBib)264953
AAA_collcode_ruffne06
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_264953
Online Media:

Oral history interview with William Morris, 2009 July 13-14

Interviewee:
Morris, William, 1957-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Benaroya, Jack  Search this
Benaroya, Rebecca  Search this
Campbell, Joseph  Search this
Carpenter, James  Search this
Chihuly, Dale  Search this
Demarco, Ricky  Search this
Graves, Nancy Stevenson  Search this
Hauberg, John H. (John Henry)  Search this
Hydman-Vallien, Ulrica  Search this
Jung, C. G. (Carl Gustav)  Search this
Karan, Donna  Search this
Kirkpatrick, Joey  Search this
Libenský, Stanislav  Search this
Lipofsky, Marvin  Search this
Lipski, Donald  Search this
Mace, Flora  Search this
Marioni, Dante  Search this
Moore, Benjamin P.  Search this
Oppenheim, Dennis  Search this
Pfaff, Judy  Search this
Saxe, Dorothy  Search this
Saxe, George  Search this
Scanga, Italo  Search this
Seguso, Livio  Search this
Signoretto, Pino  Search this
Smith, Kiki  Search this
Stroemple, George R.  Search this
Tagliapietra, Lino  Search this
Vallien, Bertil  Search this
California State University, Chico  Search this
Central Washington University  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
San Carlos Borromeo Basilica (Carmel, Calif.)  Search this
Type:
Interviews
Sound recordings
Place:
British Isles -- Description and travel
Topic:
Art -- Study and teaching  Search this
Ceramics -- Study and teaching  Search this
Glass artists -- Washington (State) -- Interviews  Search this
Sculptors -- Washington (State) -- Interviews  Search this
Record number:
(DSI-AAA_CollID)15699
(DSI-AAA_SIRISBib)283555
AAA_collcode_morris09
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_283555
Online Media:

Figure and Child with Wands

Artist:
Joey Kirkpatrick, born Des Moines, IA 1952  Search this
Flora C. Mace, born Exeter, NH 1949  Search this
Medium:
blown glass
Dimensions:
30 7/8 × 7 7/8 × 5 in. (78.4 × 20.0 × 12.7 cm)
Type:
Decorative Arts-Glass
Crafts
Date:
1985
Topic:
Abstract  Search this
Figure  Search this
Figure\child  Search this
Credit Line:
Smithsonian American Art Museum, Gift of John and Earlene Taylor
Copyright:
© 1985, Joey Kirkpatrick/Flora C. Mace
Object number:
1997.125.3
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Renwick Gallery
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7b9bd112c-5380-4840-9d85-c94d29402447
EDAN-URL:
edanmdm:saam_1997.125.3

Green Apple

Artist:
Flora C. Mace, born Exeter, NH 1949  Search this
Joey Kirkpatrick, born Des Moines, IA 1952  Search this
Medium:
glass
Dimensions:
16 1/4 x 15 x 14 3/4 in. (41.3 x 38.2 x 37.5 cm.)
Type:
Decorative Arts-Glass
Crafts
Date:
1994
Topic:
Object\fruit\apple  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the James Renwick Alliance
Object number:
1995.16.1
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Renwick Gallery
On View:
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor, 55B
Smithsonian American Art Museum, Luce Foundation Center
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk735871ab8-e6c0-4b2d-8583-b097632c6ef1
EDAN-URL:
edanmdm:saam_1995.16.1

Zanfirico Apple

Artist:
Flora C. Mace, born Exeter, NH 1949  Search this
Joey Kirkpatrick, born Des Moines, IA 1952  Search this
Medium:
glass
Dimensions:
12 3/4 x 12 3/4 x 12 in. (32.4 x 32.4 x 30.5 cm.)
Type:
Decorative Arts-Glass
Crafts
Date:
1994
Topic:
Object\fruit\apple  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the James Renwick Alliance
Object number:
1995.16.2
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Renwick Gallery
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7a93a0369-b0b9-450d-b6ec-615146f223ec
EDAN-URL:
edanmdm:saam_1995.16.2

Zanfirico Plum

Artist:
Flora C. Mace, born Exeter, NH 1949  Search this
Joey Kirkpatrick, born Des Moines, IA 1952  Search this
Medium:
glass
Dimensions:
8 x 11 x 8 5/8 in. (20.3 x 28.0 x 21.9 cm.)
Type:
Decorative Arts-Glass
Crafts
Date:
1994
Topic:
Object\fruit\plum  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the James Renwick Alliance
Object number:
1995.16.3
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Renwick Gallery
On View:
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor, 55B
Smithsonian American Art Museum, Luce Foundation Center
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7106993df-a934-4cc0-8631-eaf32c0bd2f6
EDAN-URL:
edanmdm:saam_1995.16.3

Pear

Artist:
Flora C. Mace, born Exeter, NH 1949  Search this
Joey Kirkpatrick, born Des Moines, IA 1952  Search this
Medium:
glass
Dimensions:
25 1/4 x 16 x 15 5/8 in. (64.2 x 40.7 x 39.7 cm.)
Type:
Decorative Arts-Glass
Crafts
Date:
1994
Topic:
Object\fruit\pear  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the James Renwick Alliance
Object number:
1995.16.4
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Renwick Gallery
On View:
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor, 55B
Smithsonian American Art Museum, Luce Foundation Center
Smithsonian American Art Museum, Luce Foundation Center, 4th Floor
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7d00a0f6c-97dd-4024-ac69-e3b6a4c4b84c
EDAN-URL:
edanmdm:saam_1995.16.4

Siegfried Kills Fafner

Designer:
Thomas S. Buechner, born New York City 1926-died Corning, NY 2010  Search this
Glassblower:
William Morris, born Carmel, CA 1957  Search this
Robbie Miller, born London, England 1955  Search this
Flora C. Mace, born Exeter, NH 1949  Search this
Joey Kirkpatrick, born Des Moines, IA 1952  Search this
Medium:
gold painted blown glass and silicone
Dimensions:
10 5/8 x 10 3/4 in. (27.0 x 27.3 cm) diam.
Type:
Decorative Arts-Glass
Crafts
Date:
1986
Topic:
Figure male  Search this
Mythology\Nordic\Nibelung  Search this
Literature\character\Fafner  Search this
Literature\character\Siegfried  Search this
Credit Line:
Smithsonian American Art Museum, Gift of an anonymous donor
Object number:
1991.159
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Renwick Gallery
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk790e42795-9546-4093-8eaa-c0f79cdf663c
EDAN-URL:
edanmdm:saam_1991.159

Oral history interview with Flora Mace

Interviewee:
Mace, Flora, 1949-  Search this
Interviewer:
Herman, Lloyd E.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
4-H Youth Development Program (U.S.)  Search this
Contemporary Glass Gallery  Search this
International Farm Youth Exchange  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
Plymouth State College -- Students  Search this
University of Illinois. -- Student  Search this
University of Utah  Search this
Wheaton Glass Village  Search this
Calder, Alexander, 1898-1976  Search this
Chihuly, Dale, 1941-  Search this
Handler, Audrey  Search this
Kirkpatrick, Joey  Search this
Moore, Ben  Search this
Morris, William, 1957-  Search this
Stankard, Paul, 1943-  Search this
Wheaton, Frank  Search this
Wheaton, Mary  Search this
Extent:
3 Items (sound discs (3 hrs., 25 min.) Audio, digital)
58 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Norway -- description and travel
Date:
2005 August 17-18
Scope and Contents:
An interview of Flora Mace conducted 2005 August 17-18, by Lloyd E. Herman, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home and studio, which she shares with Joey Kirkpatrick, in Seattle, Washington.
Ms. Mace discusses growing up in New Hampshire, in a house that her family had lived in for generations; various family businesses, including clam-shucking; how her mother suffered from depression throughout her childhood; her grandparents, who played a large role in her upbringing; joining the 4-H and becoming a skilled shepherd; her family's hunting, fishing, and gathering, on which they survived during her childhood; the various art projects she did with her mother and grandmother, including making wreaths for friends and relatives; building tree houses out of scrap wood; trapping animals and making their pelts into clothes for her dolls; saving up her money from after school jobs and the 4-H competitions to buy tools; getting a scholarship from her grandmother's old employer to go to college; attending Plymouth State; her involvement in college athletics, including field hockey, skiing, and softball; early artistic influences, especially Alexander Calder; traveling to Norway on the International Farm Youth Exchange; attending the University of Illinois for graduate school and being their sculpture technician; attending a summer workshop at the University of Utah with Dale Chihuly; being invited by Chihuly to go to Pilchuck Glass School to continue her work; becoming an artist-in-residence at Wheaton Glass Village; having her first show at the Contemporary Glass Gallery (later the Heller Gallery) in New York; the growth of the studio glass movement in the late 1970s; and finally going to Pilchuck Glass School for the first time in 1979, where she met Joey Kirkpatrick. The continuation of Mace's story, and her lifelong collaboration with Kirkpatrick, is discussed in a joint interview of Kirkpatrick and Mace. Mace also recalls Bill Morris, Ben Moore, Audrey Handler, Paul Stankard, Mary and Frank Wheaton, and others.
Biographical / Historical:
Flora Mace (1949- ) is a glass artist from Seattle, Washington. Lloyd E. Herman (1936- ) is a curator and former director of the Smithsonian's American Art Museum's Renwick Gallery and currently lives in Seattle, Washington.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 6 digital wav files. Duration is 3 hrs., 25 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Decorative arts  Search this
Depression in women  Search this
Glass artists -- Washington (State) -- Seattle -- Interviews  Search this
Women artists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.mace05a
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97a282c98-cc3f-4a72-963c-5c245fbcf0ea
EDAN-URL:
ead_collection:sova-aaa-mace05a
Online Media:

Oral history interview with William Morris

Interviewee:
Morris, William, 1957-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
California State University, Chico -- Students  Search this
Central Washington University -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
San Carlos Borromeo Basilica (Carmel, Calif.)  Search this
Benaroya, Jack, 1921-2012  Search this
Benaroya, Rebecca  Search this
Campbell, Joseph, 1904-1987  Search this
Carpenter, James, 1949-  Search this
Chihuly, Dale, 1941-  Search this
Demarco, Ricky  Search this
Graves, Nancy Stevenson, 1940-1995  Search this
Hauberg, John H. (John Henry), 1916-  Search this
Hydman-Vallien, Ulrica, 1938-2018  Search this
Jung, C. G. (Carl Gustav), 1875-1961  Search this
Karan, Donna, 1948-  Search this
Kirkpatrick, Joey  Search this
Libenský, Stanislav, 1921-2002  Search this
Lipofsky, Marvin, 1938-2016  Search this
Lipski, Donald, 1947-  Search this
Mace, Flora, 1949-  Search this
Marioni, Dante, 1964-  Search this
Moore, Benjamin P.  Search this
Oppenheim, Dennis, 1938-2011  Search this
Pfaff, Judy, 1946-  Search this
Saxe, Dorothy  Search this
Saxe, George  Search this
Scanga, Italo, 1932-2001  Search this
Seguso, Livio, 1930-  Search this
Signoretto, Pino, 1944-  Search this
Smith, Kiki, 1954-  Search this
Stroemple, George R.  Search this
Tagliapietra, Lino  Search this
Vallien, Bertil, 1938-  Search this
Extent:
7 Items (Sound recording: 7 wav files (5 hr., 5min.), digital)
105 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
British Isles -- Description and Travel
Date:
2009 July 13-14
Scope and Contents:
An interview of William Morris conducted 2009 July 13-14, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Morris' home, in Stanwood, Washington.
William Morris speaks of his decision to stop working in glass in 2005; his deep connection to the natural world; working now with stone; the longstanding theme of man and nature in his work; his influence on the studio glass movement; use of installations; relationship to the greater art world; Cache [1993]; the importance of working in a team, particularly with Jon Ormbrek; studio practice and philosophy of working in the studio; series Man Adorned and first use of the human form; how his work evolves artistically; the influence of his travels on his work and his particular affinity for Mesoamerican culture; the process of choosing his subjects; growing up in Carmel, California, and frequenting the museum at the Carmel Mission Basilica; his early fascination with Native American artifacts and history in the museum; childhood spent hiking in the hills around Carmel and youth spent camping and rock-climbing; art instruction during childhood; ceramics work in high school; introduction to ideas of Carl Jung and Joseph Campbell by his high school teacher, Lloyd Baskerville; undergraduate work at California State University, Chico, working with Vernon Patrick; first experience with glass in high school, through the Fort Ord military base crafts department; brief studies at Central Washington University in Ellensburg, Washington; arriving at Pilchuck Glass School, Stanwood, Washington, in 1977 as a shop assistant/maintenance person; his first encounter with Dale Chihuly; 10 years as Chihuly's main assistant and de facto apprenticeship; his greater overall technical education at Pilchuck; the development of his own team as he continued to work with Chihuly; working with Chihuly and Italo Scanga; the synergy of working in a group and artistic cross-pollination at Pilchuck; the influence and mentorship of Judy Pfaff; working with Italian glass masters at Pilchuck; the influence of Pino Signoretto; his trip with Chihuly to the British Isles, which inspired his series Stone Vessels and series Standing Stones in the mid-1980s; his practice of working in series; series Petroglyph Vessels, and the beginning of narrative in his work; the importance of naiveté, experimentation, and a "confidence in innocence"; series Artifacts; the influence of Donald Lipski on Morris' installations; series Burial Urns and series Burial Rafts; series Canopic Jars; commissions for George Stroemple; the genesis of the series Rhyton; the transcendental/mythic qualities in his work; series Crow and Raven; more discussion of series Man Adorned; series Rattles; collaboration with fashion designer Donna Karan; the importance of glass as a material, and the importance of "play"; the value of an apprentice-type program; his work in bronze and with Nancy Graves; series Cinerary Urns and coming to terms with the deaths of close friends; series Mazorca; series Idolo and Idolito; series Native Species (2006); series Fish Traps; more discussion of his decision to leave glassworking; documentary film Creative Nature, 2008; "Myth, Object, and the Animal" exhibition; the adventurous spirit of the American studio glass movement, particularly in the early years; his preference for short workshops rather than longer teaching sessions; the aesthetic continuity of his work throughout his career; his appreciation of the community of collectors of glass art. He also recalls Ken Wiese, Robert and Terrie Kvenild, Bertil and Ulrica Vallien, Gary Galbraith, Stan Price, Dennis Oppenheim, Kiki Smith, Dante Marioni, Livio Seguso, Marvin Lipofsky, Benjamin Moore, Jamie Carpenter, Checco Ongaro, Lino Tagliapietra, Ricky DeMarco, Flora Mace, Joey Kirkpatrick, Trumaine Mason, Karen Willenbrink, Ross Richmond, Randy Walker, John Hauberg, Stanislav Libenský, Graham Graham, Charlie Cowles, George and Dorothy Saxe, and Jack and Rebecca Benaroya.
Biographical / Historical:
William Morris (1957- ) is a glass artist in Stanwood, Washington.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 7 digital wav files. Duration is 5 hr., 5 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art -- Study and teaching  Search this
Ceramics -- Study and teaching  Search this
Glass artists -- Washington (State) -- Interviews  Search this
Sculptors -- Washington (State) -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.morris09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a2dba5aa-31b2-4202-84d2-bae39f6d7c97
EDAN-URL:
ead_collection:sova-aaa-morris09
Online Media:

Oral history interview with Ginny Ruffner

Interviewee:
Ruffner, Ginny  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck Glass Center (Stanwood, Wash.) -- Faculty  Search this
University of Georgia -- Students  Search this
Dohne, Deborah  Search this
Duchamp, Marcel, 1887-1968  Search this
Kirkpatrick, Joey  Search this
Leach, Mark  Search this
Littleton, Maurine  Search this
Mace, Flora, 1949-  Search this
Robbins, Tom  Search this
Scott, George C., 1927-1999  Search this
Smith, Alvy Ray  Search this
Tschida, Fred  Search this
Extent:
36 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2006 September 13-14
Scope and Contents:
An interview of Ginny Ruffner conducted 2006 September 13-14, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home and studio, in Seattle, Washington.
Ruffner speaks of her new outdoor sculpture piece, "The Urban Garden," in Seattle, Washington; receiving her B.F.A. and M.F.A. in painting and drawing at the University of Georgia; developing an interest in glass after seeing Marcel Duchamp's, "The Bride Stripped Bare By Her Bachelors, Even (Large Glass)"; spending five years learning lampworking as an apprentice/employee; teaching experiences at Pilchuck School of Glass; moving to Seattle, Washington from Atlanta, Georgia; reading as a strong influence; the significance of language and words; an interest in mathematic theories, particle physics, and cosmology; various series of artwork including Beauty, Aesthetic Engineering, Balance, and Patterns of Thought; plans for her three-part pop-up book about creativity, imagination, and wonder; travels to Japan, Italy, Australia, Thailand, Taiwan, Hong Kong, Ireland, and France; universal and subjective concepts of beauty; her recovery from the accident she suffered in 1991; a change of perception following the accident; her dislike of labeling art as whimsical; the transformative effects of experiencing installation pieces; and exhibition and installation plans for the future. Ruffner also recalls Flora Mace, Joey Kirkpatrick, Deborah Dohne, Fred Tschida, Maurine Littleton, Tom Robbins, Alvy Ray Smith, George C. Scott, Mark Leach, and others.
Biographical / Historical:
Ginny Ruffner (1952- ) is a glass artist from Seattle, Washington. Mija Riedel (1958- ) is a curator and writer, from San Francisco, California.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 10 digital wav files. Duration is 3 hr.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art -- Philosophy  Search this
Glass artists -- Washington (State) -- Interviews  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.ruffne06
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw931b74bd9-b07a-4bd2-b0fd-6ac6c21fbf87
EDAN-URL:
ead_collection:sova-aaa-ruffne06
Online Media:

Joey Kirkpatrick [Folder]

Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Topic:
Artists  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_93077

Ulysses cylinders / Dale Chihuly & Seaver Leslie with Flora C. Mace & Joey Kirkpatrick

Author:
Chihuly, Dale 1941-  Search this
Leslie, Seaver W  Search this
Mace, Flora C. 1949-  Search this
Kirkpatrick, Joey  Search this
Subject:
Chihuly, Dale 1941-  Search this
Leslie, Seaver W  Search this
Joyce, James 1882-1941 Ulysses  Search this
Physical description:
156 pages : color illustrations ; 26 cm
Type:
Catalogs
Place:
United States
Date:
2014
20th century
21st century
Topic:
Glass artists  Search this
Glass art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1073979

Pear, (sculpture)

Sculptor:
Mace, Flora 1949-  Search this
Kirkpatrick, Joey 1952-  Search this
Medium:
Blown glass
Type:
Sculptures
Owner/Location:
Administered by Iowa State University Brunnier Art Museum 290 Scheman Building Ames Iowa 50011
Located Iowa State University Brunnier Art Museum Ames Iowa Accession Number: UM93.24
Date:
1992
Topic:
Object--Fruit--Pear  Search this
Control number:
IAS 65060041
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_466746

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