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Oral history interview with John Mason, 2006 August 28

Interviewee:
Mason, John 1927-2019  Search this
Interviewer:
Smith, Paul J  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Subject:
Sullivan, Louis H. 1856-1924  Search this
Fuller, R. Buckminster (Richard Buckminster) 1895-1983  Search this
Wright, Frank Lloyd 1867-1959  Search this
Voulkos, Peter 1924-2002  Search this
Soldner, Paul  Search this
Peterson, Susan 1925-2009  Search this
Melchert, Jim 1930-  Search this
Kienholz, Edward 1927-  Search this
Coplans, John  Search this
Sheets, Millard 1907-1989  Search this
Hopps, Walter  Search this
Koshalek, Richard  Search this
Price, Kenneth 1935-2012  Search this
McClain, Mac  Search this
Marer, Fred  Search this
Ballard, Richard  Search this
Otis Art Institute Students  Search this
Chouinard Art Institute (Los Angeles, Calif.) Students  Search this
Ferus Gallery (Los Angeles, Calif.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Physical description:
Transcript: 47 pages
Type:
Sound recordings
Interviews
Place:
California
Los Angeles
Date:
2006
2006 August 28
Topic:
Ceramicists  Search this
Sculptors  Search this
Decorative arts  Search this
Local number:
AAA
AAA mason06
Restrictions & Rights:
This transcript is open for research. Access to the entire audio recording is restricted. Contact Reference Services for more information
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:siris_arc_265527

Oral history interview with John Mason

Interviewee:
Mason, John, 1927-2019  Search this
Interviewer:
Smith, Paul J.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Chouinard Art Institute (Los Angeles, Calif.) -- Students  Search this
Ferus Gallery (Los Angeles, Calif.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Otis Art Institute -- Students  Search this
Ballard, Richard  Search this
Coplans, John  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Hopps, Walter  Search this
Kienholz, Edward, 1927-  Search this
Koshalek, Richard  Search this
Marer, Fred  Search this
McClain, Mac  Search this
Melchert, Jim, 1930-  Search this
Peterson, Susan, 1925-2009  Search this
Price, Kenneth, 1935-2012  Search this
Sheets, Millard, 1907-1989  Search this
Soldner, Paul  Search this
Sullivan, Louis H., 1856-1924  Search this
Voulkos, Peter, 1924-2002  Search this
Wright, Frank Lloyd, 1867-1959  Search this
Extent:
47 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2006 August 28
Scope and Contents:
An interview of John Mason conducted 2006 August 28, by Paul Smith, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Smith's office, in New York, N.Y.
Mason speaks of his childhood in rural Nevada; early interests in photography and jazz; moving to Los Angeles to attend the Los Angeles County Art Institute, now Otis College of Art and Design; attending Chouinard Art Institute; experiences working at Vernon Kilns and with the head designer Elliot House; opening Glendale Boulevard Studio with Peter Voulkos; his association with Ferus Gallery; and teaching experiences at Pomona College, University of California at Berkeley, University of California at Irvine, and Hunter College. He also discusses the development of the Hudson River series exhibition; solo exhibitions at Los Angeles County Museum of Art, LA Louver Gallery, Pasadena Art Museum, now Norton Simon Museum of Art, and others; participation in group exhibitions such as, "Sculpture Off the Pedestal" at Grand Rapids Museum of Art; imagery found in his work including the orbit, the figure, the torque, the spear form, the vertical form, the cross or X form, symmetry and the monolith; an interest in Frank Lloyd Wright and Louis Sullivan; the architectural qualities in his work; the foresight of Buckminster Fuller; and the accelerating change in technology that has taken place over the course of his career. Mason recalls Susan Peterson, Kenneth Price, Paul Soldner, Mac McClain, Fred Marer, Millard Sheets, Edward Kienholz, Walter Hopps, James Melchert, John Coplans, Richard Ballard, Richard Koshalek, and others.
Biographical / Historical:
John Mason (1927-2019 ) was a ceramicist of Los Angeles, California. Paul Smith (1931- ) is Director Emeritus, American Craft Museum of New York City, N.Y.
General:
Originally recorded on 5 sound discs. Reformatted in 2010 as 5 digital wav files. Duration is 4 hrs., 26 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire audio recording is restricted. Contact Reference Services for more information.
Topic:
Ceramicists -- California -- Los Angeles -- Interviews  Search this
Sculptors -- California -- Los Angeles -- Interviews  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.mason06
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mason06
Online Media:

Jan Butterfield papers

Creator:
Butterfield, Jan  Search this
Names:
Lapis Press  Search this
Pacific Enterprises  Search this
Bell, Larry, 1939-  Search this
Bischoff, Elmer, 1916-1991  Search this
Dugmore, Edward, 1915-  Search this
Francis, Sam, 1923-1994  Search this
Gehry, Frank O., 1929-  Search this
Goode, Joe, 1937-  Search this
Greene, George  Search this
Guston, Philip, 1913-1980  Search this
Harrison, Helen Mayer, 1929-  Search this
Harrison, Newton, 1932-  Search this
Hopkins, Henry, 1928-2009  Search this
Hudson, Robert, 1938-  Search this
Irwin, Robert, 1928-  Search this
Karp, Michael  Search this
Kienholz, Edward, 1927-  Search this
Nauman, Bruce, 1941-  Search this
Nordman, Maria  Search this
Orr, Eric, 1939-1998  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reinhardt, Ad, 1913-1967  Search this
Resnick, Milton, 1917-2004  Search this
Roche, Jim  Search this
Ruscha, Edward  Search this
Shaw, Richard, 1941 Sept. 12-  Search this
Still, Clyfford, 1904-1980  Search this
Turrell, James  Search this
Wheeler, Douglas  Search this
Wortz, E.  Search this
Wortz, Melinda  Search this
Young, R. Joshua  Search this
Interviewee:
Cage, John, 1912-1992  Search this
Extent:
15 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sound recordings
Video recordings
Transcripts
Interviews
Scrapbooks
Date:
1950-1997
Summary:
The papers of Jan Butterfield measure 15 linear feet and date from circa 1950 to 1997. Papers contain hundreds of recorded interviews with and lectures by artists, panel discussions of artists and art historians, as well as extensive writings by Butterfield. Also found are project files, personal business records, printed materials, photographs, and additional sound and video recordings related to art subjects.
Scope and Contents:
The papers of Jan Butterfield measure 15 linear feet and date from circa 1950 to 1997. Papers contain hundreds of recorded interviews with and lectures by artists, panel discussions of artists and art historians, as well as extensive writings by Butterfield. Also found are project files, personal business records, printed materials, photographs, and additional sound and video recordings related to art subjects.

Interviews and Lectures include hundreds of interviews conducted by Butterfield between 1971 and 1987 with contemporary artists about whom she was writing at the time. The artists Robert Irwin and Sam Francis are represented particularly well. Also found are slide talks, class discussions, and lectures given by artists, which are assumed to have been recorded by Butterfield in most cases. Also among the recordings are recorded performances by John Cage, Joe Goode, Newton and Helen Harrison, Jim Roche, and George Greene. Panel discussions include two notable recordings involving Milton Resnick, one with the painter Edward Dugmore in 1959, and the other with the painter Ad Reinhardt at The Club in 1961, which was later dubbed "The Attack."

The bulk of the writings relate to Butterfield's published work The Art of Light and Space, represented here in multiple drafts, research, and photographs of works of art by the artists discussed in the work including Robert Irwin, James Turrell, Maria Nordman, Douglas Wheeler, Bruce Nauman, Eric Orr, Larry Bell, DeWain Valentine, Susan Kaiser Vogel, and Hap Tivey. Also found are extensive drafts and research for catalog essays for exhibitions of Larry Bell, Richard Shaw, Robert Hudson, and Elmer Bischoff. Drafts of articles and publicity writing are mainly about artists but also some galleries and other art events. There are a few transcripts of recorded interviews, and it appears that many of the writings are based on Butterfield's interviews.

Project files include records relating to Butterfield's involvement with the production of a catalog for the corporate art collection of Pacific Enterprises. These also include additional artist interviews and artist files containing research and writing, mainly by her associate Michael Karp. Also found are photographs and sound recordings for the Waterfront Project at the San Francisco Art Institute, an interdisciplinary community-centered development project that involved Larry Bell, Robert Irwin, Melinda Wortz, Eric Orr, Dr. E. Wortz, Frank Gehry, Newton and Helen Harrison, Josh Young, and students at the Art Institute. And finally, project files include photographs, interviews, and printed material related to publications of Lapis Press, where Butterfield was Executive Director.

Personal business records include correspondence, price lists, financial records, notes, press releases, and career documentation of Butterfield. Printed materials include articles by Butterfield, articles about Butterfield, and articles by Henry Hopkins, most of which are photocopies. There are also clippings, exhibition catalogs, exhibition posters, and publicity. Of note is a disassembled scrapbook pertaining to the controversial Ed Kienholz exhibition at the Los Angeles County Museum of Art in 1966, and a directory of art spaces in Los Angeles from 1978.

Most of the photographs are of works of art by artists about whom Butterfield wrote. Also found are a few files of photographs of artists, some taken by Butterfield, including Philip Guston, Ed Kienholz, Henry Hopkins with Clyfford Still, Robert Irwin, Robert Rauschenberg, and James Turrell. Additional video and sound recordings include artist installations, a documentary on Sam Francis, and an acoustiguide for an Ed Ruscha exhibition.
Arrangement:
This collection is arranged as 7 series.

Missing Title

Series 1: Interviews and Lectures (Boxes 1-5; 4.2 linear feet)

Series 2: Writings (Boxes 5-7, 16, OV 17; 3.7 linear feet)

Series 3: Project Files (Boxes 8-10, 16; 1.6 linear feet)

Series 4: Personal Business Records (Boxes 10-11, OV 17-19; 1.1 linear feet)

Series 5: Printed Materials (Boxes 11-12, 16, OV 17-19; 1.8 linear feet)

Series 6: Photographs (Boxes 12-14, 16; 2.2 linear feet)

Series 7: Sound and Video Recordings (Box 15; 0.4 linear feet)
Biographical / Historical:
Jan Butterfield (1937-2000) was an art writer and critic of contemporary art who spent most of her career in California. She is best known for her writings on late twentieth century installation and craft artists, particularly those who worked in California and the American West.

Butterfield was born Jan Van Alstine in Los Angeles, California in 1937 and attended the Univeristy of California, Los Angeles. She received numerous fellowships and grants from the National Endowment for the Arts as an art critic, and contributed art writing to dozens of exhibition catalogs and art publications including Art International, Images and Issues, Art News, Art in America, and Flash Art. Her most ambitious work of writing was The Art of Light and Space (Abbeville Press: 1993), which profiles the work of contemporary artists Robert Irwin, James Turrell, Maria Nordman, Douglas Wheeler, Bruce Nauman, Eric Orr, Larry Bell, DeWain Valentine, Susan Kaiser Vogel, and Hap Tivey. She was also the author of a 1972 monograph of the Abstract Expressionist painter Sam Francis.

Butterfield held positions in public relations at the Los Angeles County Museum of Art from its opening until 1970, and at the Fort Worth Art Museum from 1970 to 1974. She taught at Northwood Experimental Art Institute in Dallas, Texas, the San Francisco Art Institute, San Jose State University, and Mills College in Oakland, California between 1973 and 1983. At the San Francisco Art Institute, she was Director of the extension program and Coordinator of the visiting artist program and the Waterfront Project between 1976 and 1978. In 1984, Butterfield and the artist Sam Francis co-founded the Lapis Press, where she served as Executive Director from its founding until 1988.

Butterfield was married twice, the second time to Henry Hopkins, Museum Director at LACMA, the Museum of Fine Art of Houston, and the San Francisco Museum of Modern Art. She died in 2000 after an extended illness.
Related Materials:
Also found among the collections of the Archives of American Art is a 1981 panel discussion on Bay area art criticism sponsored by the National Women's Caucus for Art, in which Butterfield participated, as well as an oral history interview Butterfield conducted with Helen Lundeberg for the Archives' Oral History Program in 1980.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming on reel 1042 including two volumes of scrapbooks. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Jan Butterfield lent material in 1975 for microfilming. She donated the Robert Irwin material in 1980 of and most of the interviews and audio tapes in 1989. An additional 12 feet of papers, including some material previously loaned and microfilmed, along with two additional audio tapes, were donated by Butterfield's brother, and Trustee of the Jan Butterfield Trust, Derek Van Alstine in 2002.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- California -- San Francisco  Search this
Art historians -- California -- San Francisco  Search this
Authors -- California -- San Francisco  Search this
Topic:
Women art critics  Search this
Women art historians  Search this
Women authors  Search this
Genre/Form:
Photographs
Sound recordings
Video recordings
Transcripts
Interviews
Scrapbooks
Citation:
Jan Butterfield papers, 1959-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.buttjan
See more items in:
Jan Butterfield papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-buttjan
Online Media:

Oral history interview with Bruce Conner

Interviewee:
Conner, Bruce, 1933-2008  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Guilbaut, Serge  Search this
Names:
Berman, Wallace, 1926-1976  Search this
DeFeo, Jay, 1929-1989  Search this
Ginsberg, Allen, 1926-1997  Search this
Hedrick, Wally, 1928-2003  Search this
Kienholz, Edward, 1927-  Search this
McClure, Michael  Search this
Extent:
37 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1974 March 29
Scope and Contents:
An interview of Bruce Conner conducted 1974 March 29, by Paul Karlstrom and Serge Guilbaut, for the Archives of American Art, in San Francisco, California.
Interview of Bruce Conner, conducted by Paul Karlstrom and Serge Guilbaut for the Archives of American Art, in San Francisco, on March 29, 1974. Conner speaks of his education and move to San Francisco; the art scene in California in the 1960s; the development and theory behind much of his work; his early paintings and collages; his assemblages; the sculpture A Child [1959] and its showing at the de Young Museum in 1959-60; his interaction with Beat writers; about the coining of the words "beatnik" and "hippie" and subsequent commercial exploitation of the Beat generation; and his attitude towards political protest. He also recalls Michael McClure, Wallace Berman, Ed Kienholz, Jay DeFeo, Wally Hedrick, Allen Ginsberg and others.
Biographical / Historical:
Bruce Conner (1933-2008) was a painter and filmmaker from San Francisco, California.
General:
Poor sound quality due to loud background noise.
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav file. Duration is 1 hr., 26 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art -- California -- San Francisco  Search this
Beat generation  Search this
Bohemianism -- California -- San Francisco  Search this
Experimental films  Search this
Filmmakers -- California -- San Francisco -- Interviews  Search this
Painters -- California -- San Francisco -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.conner74mar
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-conner74mar
Online Media:

Oral history interview with Allan Sekula

Interviewee:
Sekula, Allan  Search this
Interviewer:
Panzer, Mary  Search this
Names:
Artforum  Search this
California Institute of the Arts  Search this
Ohio State University -- Faculty  Search this
Rhode Island School of Design  Search this
Students for a Democratic Society (U.S.)  Search this
University of California, San Diego  Search this
Altoon, John, 1925-  Search this
Antin, David  Search this
Antin, Eleanor  Search this
Ascott, Roy  Search this
Baldessari, John, 1931-  Search this
Barthes, Roland  Search this
Becker, Howard  Search this
Bercovitch, Sacvan  Search this
Beveridge, Karl  Search this
Brach, Paul, 1924-  Search this
Braderman, Joan  Search this
Burch, Noël, 1932-  Search this
Burn, Ian, 1939-1993  Search this
Captain Beefheart  Search this
Charlesworth, Sarah, 1947-2013  Search this
Chayefsky, Paddy, 1923-1981  Search this
Conde, Carol  Search this
Connell, Brian  Search this
Diddley, Bo, 1928-2008  Search this
Evans, Walker, 1903-1975  Search this
Farber, Manny  Search this
Feldman, Ronald, 1938-  Search this
Folks, Homer, 1867-1963  Search this
Fox, Terry, 1943-  Search this
Fried, Howard, 1946-  Search this
Ginsberg, Allen, 1926-1997  Search this
Graham, Dan, 1942-  Search this
Graves, Michael, 1934-2015  Search this
Halleck, DeeDee  Search this
Hanhardt, John G.  Search this
Hassan, Ihab, 1925-2015  Search this
Hayes, Woody, 1913-1987  Search this
Heinecken, Robert, 1931-  Search this
Higgins, Dick, 1938-1998  Search this
Hine, Lewis Wickes, 1874-1940  Search this
Kienholz, Edward, 1927-  Search this
Kirschenbaum, Baruch David, 1931-  Search this
Knowles, Alison, 1933-  Search this
Kosuth, Joseph.  Search this
Kozloff, Max  Search this
Kramer, Hilton  Search this
Krauss, Rosalind E.  Search this
König, Kasper  Search this
Liebling, Jerome  Search this
Lifson, Ben  Search this
Little Richard, 1932-  Search this
Lonidier, Fred  Search this
Lord, Catherine, 1949-  Search this
Lunn, Harry, 1933-1998  Search this
Mac Low, Jackson  Search this
Mandel, Mike  Search this
Matta, 1912-2002  Search this
Mayer, Grace M.  Search this
Michelson, Annette  Search this
O'Doherty, Brian  Search this
Pommer, Richard  Search this
Ramsden, Mel  Search this
Raskin, Jef  Search this
Reagan, Ronald  Search this
Rosler, Martha  Search this
Ross, David A., 1949-  Search this
Ruby, Jay  Search this
Ruscha, Edward  Search this
Salle, David, 1952-  Search this
Salvesen, Britt  Search this
Schimmel, Paul  Search this
Segalove, Ilene, 1950-  Search this
Stein, Sally  Search this
Steinmetz, Philip  Search this
Sultan, Larry  Search this
Van Riper, Peter  Search this
Wakoski, Diane  Search this
Wall, Jeff, 1946-  Search this
Extent:
12 Items (Sound recording: 12 sound files (6 hr.,14 min.), digital, wav)
143 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2011 August 20-2012 February 14
Scope and Contents:
An interview with Allan Sekula conducted 2011 August 20-2012 February 14, by Mary Panzer, for the Archives of American Art at Sekula's studio and home in Los Angeles, California and at the Museum of Modern Art in New York, New York.
Sekula speaks of his career and some of the mediums he works in; language and contemporary art; Roland Barthes; his relation to contemporary art; west coast conceptualism; genre switches; realism; documentary photography; Belgium and the industrial revolution; Meunier; minor figures; art history and marginalism; Roberto Matta; World War I; Homer Folks; Fish Story; historic cinema; economic factors of art shows and publication; galleries and the art world; growing up and his family; his father and moving; Ohio; his brothers and sisters; San Pedro; demographics of students at school; sports at school; Vietnam; protests; cross country and swimming; California; fishing; college; U.C. system; declaring a major; John Altoon; Ed Kienholz; exposure to art; visiting museums; Marcuse's classes; Baldessari's classes; course work and student life; student demonstrations; working in a library and exposure to books; father losing his job; science and working as a chemical technician; politics; his uncle committing suicide; moving away from his father; the draft; John Birch; Students for a Democratic Society; his mother; politics of his parents; Aerospace Folk Tales, autodidacts and scholarship; San Diego and Mexico; obtaining a camera and starting to use it; art school; CalArts; UCSD; Meditations on a Triptych; David Salle; Fred Lonidier; Phel Steinmetz; MFA and art training; poets; story of Allen Ginsberg and one of Sekula's sculptures; production and the audience; A Photograph is Worth a Thousand Questions, photography and the burden of tradition; pictorialism; moving to New York; Artforum; October; New York music scene; Captain Beefheart; Bo Diddley; Little Richard; Steichen and aerial photography; origins of October; New Criterion; Art Critic's Grant; teaching at Ohio State; television; technological historians; New York subway and getting a ticket for using French money; RISD lectures; Long Beach; photography; collages; Metro Pictures; New Topographics; School as a Factory; moral choice and the viewer; work method and the audience; Social Criticism and Art Practice; east and west coasts; Ed Ruscha; documentary; film, Los Angeles; cinema and social history; Ohio State Department of Photography and Cinema; Los Angeles Plays Itself; Committee in Solidarity with the People of El Salvador; Ohio State campus, anti-Semitism; Ronald Reagan and protest; influences and colleagues; intellectual genealogy; Michael Graves and Ohio State architecture; Bad Ohio; tenure; University Exposed; AIDS issue of October; The Body and the Archive; making film; Korean War; collectors and images. Sekula also recalls Eleanor Antin, Jeff Wall, Terry Fox, Lewis Hine, Walker Evans, Paul Saltman, Marcuse, Baldessari, Sacvan Bercovitch, Stanley Miller, Jef Raskin, Paul Brach, David Antin, Howard Fried, Peter Van Riper, Alison Knowles, Dick Higgins, Manny Farber, Ihab Hassan, Diane Wakoski, Jackson Mac Low, Martha Rosler, Lenny Neufeld, Joshua Neufeld, David Wing, Brian Connell, Max Kozloff, Ian Burn, Mel Ramsden, Carole Conde, Karl Beveridge, Barry Rosens, Tom Crow, John Copeland, Harry Lunn, Hilton Kramer, Grace Mayer, Carol Duncan, Eva Cockroft, Richard Pommer, Rosalind Krauss, Sally Stein, Paddy Chayefsky, John Hanhardt, Mel Ramsden, Sarah Charlesworth, Jospeh Kosuth, Baruch Kirschenbaum, Robert Heinecken, Brian O'Doherty, Howard Becker, Jay Ruby, Jerry Liebling, Anna Wilkie, Ronald Feldman, John Gibson, David Ross, Britt Salvesen, Larry Sultan, Mike Mandel, Roy Ascott, Ilene Segalove, Paul Schimmel, DeeDee Halleck, Noel Burch, Joan Braderman, Woody Hayes, Thom Andersen, John Quigley, Ron Green, Kasper Koenig, Dan Graham, Jonathan Green, Christa Wolf, Catherine Lord, Ben Lifson, and Annette Michelson.
Biographical / Historical:
Allan Sekula (1951-2013) was a photographer, filmmaker, and writer, based at the California Institute of the Arts in Valencia, California. Mary Panzer (1955- ) is a historian from New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Photographers -- California  Search this
Filmmakers -- California  Search this
Authors -- California  Search this
Topic:
Activism  Search this
Antisemitism  Search this
Architecture  Search this
Art -- Exhibitions -- Economic aspects  Search this
Art -- History  Search this
Art, Modern -- 20th century  Search this
Art -- Study and teaching  Search this
Conceptual art  Search this
Documentary photography  Search this
Korean War, 1950-1953  Search this
Music -- New York (State) -- New York  Search this
Photography  Search this
Realism  Search this
World War, 1914-1918  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.sekula11
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sekula11
Online Media:

Ed Kienholz holiday card to Dore Ashton

Creator:
Kienholz, Edward, 1927-  Search this
Ashton, Dore, 1928-2017  Search this
Kienholz, Edward, 1927-  Search this
Type:
Artworks
Date:
1968 December
Record number:
(DSI-AAA)16385
See more items in:
Dore Ashton papers, circa 1928-2014
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16385
Online Media:

Oral history interview with Joan Brown

Interviewee:
Brown, Joan, 1938-1990  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Berman, Wallace, 1926-1976  Search this
Bischoff, Elmer, 1916-1991  Search this
Bothwell, Dorr  Search this
Conner, Bruce, 1933-2008  Search this
DeFeo, Jay, 1929-1989  Search this
Hedrick, Wally, 1928-2003  Search this
Herms, George, 1935-  Search this
Kienholz, Edward, 1927-  Search this
McClure, Michael  Search this
Neri, Manuel, 1930-  Search this
Staempfli, George W.  Search this
Extent:
152 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1975 July 1-September 9
Scope and Contents:
An interview of Joan Brown conducted 1975 July 1-September 9, by Paul Karlstrom, for the Archives of American Art.
Brown speaks of her family background, childhood, and Catholic education; the influence of Egyptian art, Francis Bacon, Willem De Kooning, and others; her instructors at the California School of Fine Arts including Dorr Bothwell and Elmer Nelson Bischoff; her trips to Europe; abstract expressionism, figurative painting, funk art and regionalism; San Francisco's painters, poets and musicians in the late 1950s; women as professional artists; and her imagery. She recalls Wallace Berman, Bruce Conner, Jay DeFeo, Wally Hedrick, George Herms, Edward Kienholz, Michael McClure, Manuel Neri, George W. Staempfli, and others.
Biographical / Historical:
Joan Brown (1938-1990) is a painter from San Francisco, California. Studied at the California School of Fine Arts 1955-1960 under Elmer Bischoff and others.
General:
Originally recorded on 4 sound tape reels. Reformatted in 2010 as 7 digital wav files. Duration is 6 hr., 12 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript: Patrons must use microfilm copy.
Occupation:
Painters -- California -- San Francisco  Search this
Educators -- California -- San Francisco  Search this
Topic:
Figurative art  Search this
Abstract expressionism  Search this
Women artists  Search this
Women painters  Search this
Women educators  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.brown75
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-brown75

Oral history interview with George Herms

Interviewee:
Herms, George, 1935-  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Ferus Gallery (Los Angeles, Calif.)  Search this
Alexander, Robert  Search this
Asher, Betty  Search this
Berman, Wallace, 1926-1976  Search this
Di Prima, Diane  Search this
Dwan, Virginia  Search this
Hopps, Walter  Search this
Kienholz, Edward, 1927-  Search this
Lamantia, Philip, 1927-  Search this
McClure, Michael  Search this
Parker, Charlie, 1920-1955  Search this
Extent:
8 Sound cassettes (Sound recording (60 min.), analog)
162 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Date:
1993 Dec. 8-1994 Mar 10
Scope and Contents:
An interview of George Herms conducted 1993 Dec. 8-1994 Mar. 10, by Paul Karlstrom, for the Archives of American Art.
Herms discusses the development of his ideas and art. He recalls individuals and events associated with avant-garde art activity in California from the 1950s to present (1990s). He recalls Philip Lamantia, Charlie Parker, Wallace Berman, Robert Alexander, Ferus Gallery, Walter Hopps, Edward Kienholz, Virginia Dwan, Betty Asher, Michael McClure, and Diane di Prima, among others.
Biographical / Historical:
George Herms (1935- ) is an assemblage and collage artist of Los Angeles and San Francisco, Calif. Central participant in the West Coast Beat culture.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1959 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Beat generation  Search this
Identifier:
AAA.herms93
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-herms93
Online Media:

Oral history interview with Duane Hanson

Interviewee:
Hanson, Duane  Search this
Interviewer:
Kirwin, Liza  Search this
Names:
O.K. Harris Gallery (New York, N.Y.)  Search this
Carter, Dudley  Search this
De Andrea, John, 1941-  Search this
Grygo, George  Search this
Hauser, Alonzo, 1909-1988  Search this
Karp, Ivan C., 1926-2012  Search this
Kienholz, Edward, 1927-  Search this
McVey, William Mozart, 1905-1995  Search this
Milles, Carl, 1875-1955  Search this
Rood, John, 1902-1974  Search this
Extent:
3 Items (Sound recording, sound cassettes)
39 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1989 August 23-24
Scope and Contents:
An interview of Duane Hanson conducted 1989 August 23-24, by Liza Kirwin, for the Archives of American Art.
Hanson speaks of his years growing up in rural Minnesota; his Swedish ancestry; the influence of his wives and family on his art; his teaching career spanning sixteen to twenty years; his experiences at Cranbook; discussions of his place in the art world as a Realist, Hyperrealist, or New Realist; influence of contemporary sculptors of the time on his work; the importance of American art being able to break into the Russian art scene; his process and the pitfalls and advantages of different types of materials, including bronze and polyester resin; the schedule he follows when working and how the pace of his schedule and deadlines affect his art; whether the materials he employs contributed to his cancer; the discussion of his disease, subsequent treatment, and how it impacted his art; the change in focus from his earlier pieces centered around war or social upheaval to his newer, satirical work such as "Jogger" or "Sunbather with Black Bikini," which featured more athletic or trendy characterizations of people; his thought process in choosing what to sculpt; discussions of his exhibition at the Whitney Museum and various galleries in the United States, Germany, Japan, New Zealand, and Australia, among others; and his ecological concerns. Duane Hanson also recalls Andy Warhol, John DeAndrea, Carl Milles, John Rood, Julius Schmidt, William McVey, Rodin, Robert Rauschenberg, Roy Lichtenstein, Claes Oldenburg, and others.
Biographical / Historical:
Duane Hanson (1925-1996) was a sculptor from Davie, Florida. Hanson was best known for his life-size figures, often dressed in real clothes.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview provided by the Lannan Foundation.
Occupation:
Artists' models  Search this
Artists' models  Search this
Topic:
Figure sculpture  Search this
Sculpture -- Technique  Search this
Pop art  Search this
Sculptors -- Florida -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hanson89
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hanson89
Online Media:

Oral history interview with Virginia Dwan

Interviewee:
Dwan, Virginia  Search this
Interviewer:
Stuckey, Charles F.  Search this
Names:
Dwan Gallery (Los Angeles, Calif.)  Search this
Dwan Gallery (New York, N.Y.)  Search this
Andre, Carl, 1935-  Search this
Arman, 1928-2005  Search this
De Maria, Walter, 1935-2013  Search this
Guston, Philip, 1913-1980  Search this
Heizer, Michael, 1944-  Search this
Kienholz, Edward, 1927-  Search this
Klein, Yves, 1928-1962  Search this
Kline, Franz, 1910-1962  Search this
LeWitt, Sol, 1928-2007  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reinhardt, Ad, 1913-1967  Search this
Ryman, Robert, 1930-2019  Search this
Smithson, Robert  Search this
Snelson, Kenneth, 1927-2016  Search this
Tinguely, Jean, 1925-  Search this
Extent:
192 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1984 March 21-June 7
Scope and Contents:
An interview of Virginia Dwan conducted 1984 March 21-June 7, by Charles F. Stuckey, for the Archives of American Art.
Dwan speaks of her background and education; her early interest in art; starting her gallery in 1959 in Los Angeles; the early days of her gallery; the development of her circle of artists; early shows; financing the gallery; "shopping" for art and artists; public and critical reaction to her gallery's shows; the decision to go to New York, and getting established there; making decisions about what to show; collectors; the closing of the Dwan Gallery; and her life since. She also relates anecdotes about the creation and execution of Robert Smithson's "Spiral Jetty" and reminisces about numerous artists with whom she was associated, including: Jean Tinguely, Robert Rauschenberg, Yves Klein, Ad Reinhardt, Ed Kienholz, Philip Guston, Arman, Robert Smithson, Franz Kline, Kenneth Snelson, Carl Andre, Sol Lewitt, Michael Heizer, Walter De Maria, and Robert Ryman.
Biographical / Historical:
Virginia Dwan (1931- ) is an art dealer from New York, New York.
General:
Originally recorded on 10 sound cassettes. Reformatted in 2010 as 19 digital wav file. Duration is 11 hr., 20 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
For information on how to access this interview contact Reference Services.
Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from Anne Kovach. Contact Reference Services for more information.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.dwan84
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dwan84

Oral history interview with Barbara Bloom

Interviewee:
Bloom, Barbara, 1951-  Search this
Interviewer:
McElhinney, James Lancel, 1952-  Search this
Names:
Bennington College -- Students  Search this
Biennale di Venezia  Search this
California Institute of the Arts -- Students  Search this
Baldessari, John, 1931-  Search this
Berger, John  Search this
Brock, Paul  Search this
Broodthaers, Marcel  Search this
Byars, James Lee  Search this
Castelli, Leo  Search this
Cotton, Paul, 1939-  Search this
Duchamp, Marcel, 1887-1968  Search this
Fischl, Eric, 1948-  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Gorney, Jay, 1896-1990  Search this
Gould, Claudia, (Art museum curator)  Search this
Higgins, Dick, 1938-1998  Search this
Irwin, Robert, 1928-  Search this
Kappe, Ray, 1927-  Search this
Kienholz, Edward, 1927-  Search this
Knowles, Alison, 1933-  Search this
Mullican, Matt, 1951-  Search this
Mulvey, Laura  Search this
Orr, Eric, 1939-1998  Search this
Paik, Nam June, 1932-  Search this
Palestine, Charlemagne  Search this
Paz, Octavio, 1914-  Search this
Ruppersberg, Allen, 1944-  Search this
Ruscha, Edward  Search this
Salle, David, 1952-  Search this
Sontag, Susan, 1933-2004  Search this
Tcherepnin, Serge  Search this
Tillim, Sidney, 1925-  Search this
Trockel, Rosemarie, 1952-  Search this
Wheeler, Doug, 1939-  Search this
Wilde, Oscar, 1854-1900  Search this
Young, La Monte  Search this
Extent:
9 Items (Sound recording: 9 sound files (6 hr., 12 min.), digital, wav)
132 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Europe -- description and travel
Germany -- description and travel
Germany (East) -- Description and Travel
Holland -- Description and Travel
Netherlands -- description and travel
Date:
2012 October 18-2013 January 31
Scope and Contents:
An interview of Barbara Bloom conducted 2012 October-2013 January 31, by James McElhinney, for the Archives of American Art, at Bloom's home and studio, in New York, New York.
Bloom speaks of growing up in Brentwood, California; her first experience with art; her childhood and exposure to creativity; the influence of art and philosophy; going to museums as a kid; living in Monte Factor and then Los Angeles; her creative process, influences, and life as an artist; art mentors and art lessons with Cathy Herman; traveling with her family; her mom being an actress; attending Bennington College in Vermont, the 1960s, the and collage aesthetic; attending CalArt; the changes in art education at the university level; drugs use; Fluxus; John Cage and attending 4'33; living in Europe and specifically Netherlands, Germany, and Holland; books and love of reading; her daughter; the post-studio era; film and meta-movies; making "The Diamond Lane;" images and objects' connection to meanings; The Gaze; undressing the wall; Homage to Jean Seberg, Godard, Berlin; East Germany; being agnostic and Jewish; Venice Biennale; collectors; cycle of shows; MFA programs; The Tip of the Iceberg; surgeries; hospital visit, personal training, and recovery; The Seven Deadly Sins; her father; Tellus Magazine; Judaism; fabrications and drawings; archives; relationship between the artist and the viewer; her husband; 010011.net; recent show; and As It Were, So To Speak. Bloom also recalls Monte and Betty Factor, Ed Kienholz, Ron Kappe, Robbie Robe, Ray Kappe, Matt Mullican, Eric Orr, Robert Irwin, Doug Wheeler, Total: digital recordings; Claire Steinman, Rosemarie Trockel, Ash Grove, James Lee Byars, Frances Rey, Sidney Tillim, Norman O. Brown, Paul Cotton, Paul Brock, Buckminster Fuller, John Baldessari, Nam June Paik, Dick Higgins, Alison Knowles, Serge Tcherepnin, Simone Forte, Charlemagne Palestine, La Monte Young, David Salle, Eric Fischl, Marcel Broodthaers, Susan Sontag, Tim Maul, Caroline Tisdale, Marcel Duchamp, Laura Mulvey, John Berger, Oscar Wilde, Ed Ruscha, Isabella Kacprzak, Octavio Paz, Leo Castelli, Allen Ruppersberg, Jay Gorney, Claudia Gould, Susan Bronstein, Donald Judd, Robert DuGrenier, Pistoletto, Anthony Coleman, Mel Bochner, and Ken Saylor.
Biographical / Historical:
Barbara Bloom (1951- ) is a photographer, designer, and installation artist in New York, New York. James McElhinney (1952- ) is an artist and professor in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Designers -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Topic:
Art -- Collectors and collecting  Search this
Art -- Study and teaching  Search this
Fluxus (Group of artists)  Search this
Judaism  Search this
Women artists  Search this
Women photographers  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.bloom12
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bloom12
Online Media:

Oral history interview with Peter Agostini

Interviewee:
Agostini, Peter  Search this
Interviewer:
Roberts, Colette, 1910-  Search this
Names:
Columbia University -- Faculty  Search this
United States. Works Progress Administration  Search this
Bontecou, Lee, 1931-  Search this
Chamberlain, John, 1927-2011  Search this
Chryssa, 1933-2013  Search this
Cornell, Joseph  Search this
Cézanne, Paul, 1839-1906  Search this
De Chirico, Giorgio, 1888-  Search this
De Kooning, Willem, 1904-1997  Search this
Demuth, Charles, 1883-1935  Search this
Di Suvero, Mark, 1933-  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Dubuffet, Jean, 1901-1985  Search this
Duchamp, Marcel, 1887-1968  Search this
Ferber, Herbert, 1906-1991  Search this
Flannagan, John Bernard, 1895?-1942  Search this
Giacometti, Alberto, 1901-1966  Search this
Greenberg, Clement, 1909-1994  Search this
Hague, Raoul, 1905-1993  Search this
Hare, David, 1917-1992  Search this
Hartley, Marsden, 1877-1943  Search this
Hopper, Edward, 1882-1967  Search this
Judd, Donald, 1928-1994  Search this
Kaprow, Allan  Search this
Kienholz, Edward, 1927-  Search this
Kline, Franz, 1910-1962  Search this
Kohn, Gabriel, 1910-1975  Search this
Kolbe, Georg, 1877-1947  Search this
La Tour, Onya, 1896-1976  Search this
Lachaise, Gaston, 1882-1935  Search this
Lassaw, Ibram, 1913-2003  Search this
Lippold, Richard, 1915-2002  Search this
Lipton, Seymour, 1903-1986  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Maillol, Aristide, 1861-1944  Search this
Manship, Paul, 1885-1966  Search this
Marca-Relli, Conrad, 1913-2000  Search this
Marin, John, 1870-1953  Search this
Marisol, 1930-2016  Search this
Matisse, Henri, 1869-1954  Search this
Melville, Herman, 1819-1891  Search this
Mondrian, Piet, 1872-1944  Search this
Morris, Robert, 1931-2018  Search this
Nakian, Reuben, 1897-1986  Search this
Noguchi, Isamu, 1904-1988  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Oldenburg, Claes, 1929-  Search this
Poe, Edgar Allan, 1809-1849  Search this
Pollock, Jackson, 1912-1956  Search this
Pompon, François, 1855-1933  Search this
Reinhardt, Ad, 1913-1967  Search this
Rivera, Diego, 1886-1957  Search this
Roszak, Theodore, 1907-1981  Search this
Rothko, Mark, 1903-1970  Search this
Samaras, Lucas, 1936-  Search this
Scarpitta, Salvatore, 1919-2007  Search this
Segal, George, 1924-2000  Search this
Sheeler, Charles, 1883-1965  Search this
Smith, David, 1906-1965  Search this
Smith, Tony, 1912-1980  Search this
Spaventa, George, 1918-  Search this
Stankiewicz, Richard, 1922-1983  Search this
Sugarman, George, 1912-1999  Search this
Tobey, Mark  Search this
Whitman, Walt, 1819-1892  Search this
Zorach, William, 1887-1966  Search this
Extent:
99 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1968
Scope and Contents:
An interview of Peter Agostini conducted in 1968, by Colette Roberts, for the Archives of American Art at 151 Avenue B, New York, New York.
Mr. Agostini speaks of his childhood spent living throughout the five boroughs of New York; his interactions with clients of his father's acting employment agency; his early education in Catholic school and the creative freedom allotted by the nuns; his first feelings of isolation as an artist at the age of seven; the development of a sense of communication as the result of the loss of his mother at the age of three and time spent at a school for orphans; his early realization and vision of artistic destiny; his religious interests which lead to mysticism in his earlier work; his time spent working freely in the DaVinci Studio with Spaventa; the discovery by Hess of his works in Gallerie Grimaud; his attainment of the Longview Grant; his working experience throughout the Depression as part of the WPA casting plaster mannequins while working indirectly with Pollack as well as Marca Relli; his subsequent move to designing department store windows (use of Mondrian-like forms and lines); his feelings of his position as an observer; the importance of communication through art (communication without words); his rejection of the Abstract Expressionist group and choice of independence; the influence of the sculpture of Kolbe and Bache in the thirties; Clement Greenberg's distaste for his work; his feelings about the relative failure to sell his work due its unusual edginess and mystery; his role in the introduction of the work of contemporary European artists (Chausserian, Gauthier, Modrian) to the American group; his description of his own work as "traditionless"; his feelings of self-importance as one of the most original sculptors in the art world; his influence on the younger generation, particularly Marisol; the enslavement to originality that the younger generation faces; his attitudes towards American Art forms and their lack of rebellious spirit; the virtues of the American writers, such as Poe, Whitman, and Melville as American "knapsack" writers; his personal technique which places an emphasis on the "skin" or volume of something; his attempt to create quiet art, or art that merely indicates features; his frustration with teaching and the problems of regurgitated knowledge; the role of Meyer Shapiro in his teaching career at Columbia; the formation of the Club and its similarity to the Cubist's café scene; his opinions on the relationship of sex and sensuality in American art; his personal struggles, including the loss of his second wife and two of his brothers, in addition to the estrangement of his only daughter by his first wife; his feelings on the role of psycho analysis and personal history in a work of art; his present works which feature the "swell." For the majority of the second half of the interview Ms. Roberts asks Mr. Agostini to express his opinions on the work of: Kline; DeKooning; Duchamp; Oldenburg; La Tour; DeChirico; Maillol; Pompon; Rothko; Chardin; Cezanne; Giacometti; Reinhardt; Chryssa; Tony Smith; Segal; Lachaise; Zorach; Manship; Flannagan; Kelly; Lassaw; David Smith; Hare; Lipton; Ferber; Lippold; Roszak; Nakian; Noguchi; Hague; Kohn; di Suvero; Chamberlain; Kaprow; Sugarman; Stankiewicz; Bontecou; Scarpitta; Cornell; Keinholz; Rivera; Judd; Robert Morris; O'Keeffe; Samaras; Mark Tobey; Marin; Pollock; Hartley; Dove; Macdonald-Wright; Demuth; Sheeler; Hopper; Mirot; Matisse; DuBuffet.
Biographical / Historical:
Peter Agostini (1913-1993) was a sculptor from New York, New York.
General:
Originally recorded on 3 sound tape reels. Reformatted in 2010 as 28 digital wav files. Duration is 10 hrs., 37 min.
Transferred from 4 3" reels.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Abstract expressionism  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.agosti68
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-agosti68
Online Media:

[Photographs of California artists]

Collector:
Karlstrom, Paul J.  Search this
Names:
Kienholz, Edward, 1927-  Search this
Oliveira, Nathan, 1928-2010  Search this
Siegriest, 1899-1989  Search this
Wood, Beatrice -- Photographs  Search this
Extent:
21 Items (photographic prints)
Type:
Collection descriptions
Archival materials
Date:
1976-1993
Scope and Contents:
Photographs taken or compiled by Karlstrom as Director and Area Collector for the Archives of American Art, including: six color snapshots and five negatives of Louis Siegriest and Nathan Oliveira taken during an oral history interview of Siegriest conducted by Karlstrom; 7 color slides of Edward Kienholz, taken at Kienholz's home in Hope, Idaho, 1975; and 2 snapshots of Beatrice Wood, 1992, taken during an oral history interview session. Also donated is one snapshot of Wood taken by an unknown photographer, Nov. 3, 1993, at Scripps College, Calif.
Biographical / Historical:
Karlstrom: Director and area collector of the Archives of American Art, San Francisco office. Siegriest: painter and graphic artist; Oakland, California. Oliveira: painter and teacher; Stanford, California. Keinholz: assemblage artist; California and Idaho. Wood: Ceramist, Calif.
Provenance:
Donated by Paul Karlstrom 1980-2001.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Assemblage artists -- Idaho -- Hope  Search this
Topic:
Artists -- Idaho -- Photographs  Search this
Painters -- California -- Photographs  Search this
Identifier:
AAA.karlpaul
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-karlpaul

Margery Byers papers

Creator:
Byers, Margery  Search this
Names:
Bengston, Billy Al  Search this
Irwin, Robert, 1928-  Search this
Kienholz, Edward, 1927-  Search this
Kuntz, Roger, 1926-1975  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
McLaughlin, John, 1898-1976  Search this
Extent:
3 Items
Type:
Collection descriptions
Archival materials
Date:
1962
Scope and Contents:
Two letters, from John McLaughlin and Stanton Macdonald-Wright regarding their features in LIFE magazine; and an edited typescript about Billy Al Bengston, Robert Irwin, Edward Kienholz, Roger Kuntz, Stanton Macdonald-Wright, and John D. McLaughlin by Byers and published in LIFE.
Biographical / Historical:
Writer (New York City).
Provenance:
Donated 1982 by Margery Byers.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Authors -- New York (State) -- New York  Search this
Topic:
Women authors  Search this
Identifier:
AAA.byermarg
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-byermarg

Dwan Gallery records

Creator:
Dwan Gallery  Search this
Names:
Dwan Gallery (Los Angeles, Calif.)  Search this
Dwan Gallery (New York, N.Y.)  Search this
Anastasi, William, 1933-  Search this
Andre, Carl, 1935-  Search this
Arakawa, Shusaku, 1936-  Search this
Arman, 1928-2005  Search this
Dwan, Virginia  Search this
Flavin, Dan, 1933-  Search this
Goodnough, Robert, 1917-  Search this
Guston, Philip, 1913-1980  Search this
Kienholz, Edward, 1927-  Search this
Klein, Yves, 1928-1962  Search this
Kline, Franz, 1910-1962  Search this
LeWitt, Sol, 1928-2007  Search this
Mitchell, Joan, 1926-1992  Search this
Morris, Robert, 1931-2018  Search this
Oldenburg, Claes, 1929-  Search this
Parker, Raymond, 1922-  Search this
Rauschenberg, Robert, 1925-2008  Search this
Raysse, Martial, 1936-  Search this
Reinhardt, Ad, 1913-1967  Search this
Richenburg, Robert  Search this
Rivers, Larry, 1925-  Search this
Saint-Phalle, Niki de, 1930-  Search this
Scarpitta, Salvatore, 1919-2007  Search this
Smithson, Robert  Search this
Snelson, Kenneth, 1927-2016  Search this
Weber, John, 1932-2008  Search this
Extent:
2.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Slides (photographs)
Date:
1959-circa 1982
bulk 1959-1971
Summary:
The Dwan Gallery records measure 2.3 linear feet and consist primarily of files of exhibitions curated by Virginia Dwan at Dwan Galleries in Los Angeles (1959-1967) and New York (1965-1971). Found within this nearly comprehensive set of exhibition files may be lists of exhibited works, price lists, photographs, slides or color transparencies of installations, invitations, full-size posters, magazine and newspaper clippings and exhibition catalogs.
Scope and Contents:
The Dwan Gallery records measure 2.3 linear feet and consist primarily of files of exhibitions curated by Virginia Dwan at Dwan Galleries in Los Angeles (1959-1967) and New York (1965-1971). Found within this nearly comprehensive set of exhibition files may be lists of exhibited works, price lists, photographs, slides or color transparencies of installations, invitations, full-size posters, magazine and newspaper clippings and exhibition catalogs.

Artists that held exhibitions at the Dwan Gallery in New York and Los Angeles include: Robert Goodnough, Robert Richenburg, Larry Rivers, Philip Guston, Yves Klein, Salvatore Scarpitta, Arakawa, Martial Raysse, Ad Reinhardt, Arman, Franz Kline, Edward Kienholz, Claes Oldenburg, Niki de Sainte Phalle, Joan Mitchell, Robert Rauschenberg, Robert Morris, Dan Flavin, Raymond Parker, Kenneth Snelson, Carl Andre, Sol LeWitt, Robert Smithson, and Anastasi. Also, the exhibition files are nearly comprehensive and include: Language to be Looked at and/or Things to be Read annual series (1967-1970), Boxes (1964), Earth Works (1968), My Country 'tis of Thee (1962) and 10 (1967 and 1968). Many of the multiple artist shows were created and organized by gallery director John Weber and/or Virginia Dwan. Many of these exhibition files include full-sized posters and panoramic photos showing installations.

Also found are records created by a consulting firm hired by the Dwan Gallery to inventory the exhibition files prior to donation to the Archives of American Art. These guides appear at the beginning of each series and outline a chronology of exhibitions held at each branch.
Arrangement:
The collection is arranged into two series:

Missing Title

Series 1: Los Angeles Exhibition Files, 1959-1967, after 1981 (Box 1-2, 5, OV6, OV8; 1.3 linear feet)

Series 2: New York Exhibition Files, 1965-1971, after 1982 (Box 2-4, OV7; 1.0 linear feet)
Biographical / Historical:
In 1959, Virginia Dwan opened her first gallery on 1091 Broxton Avenue in the Westwood Village neighborhood of Los Angeles, California. Her independent wealth allowed her to open a gallery without worrying about business and sales. Three years after opening, the Dwan Gallery moved into a new Westwood Village space especially designed to express the gallery's contemporary aesthetic. In 1965, Virginia Dwan moved to New York City and founded an east coast branch of the Dwan Gallery at 29 West 57th Street.

Early exhibitions at the Dwan Gallery showed Abstract Expressionist artists and works of art from New York which Dwan consigned from other galleries. After traveling to New York and France, Virginia Dwan's interests and tastes manifested in exhibitions by 1961 with Yves Klein. Through Klein, Dwan made connections to other Nouveaux Réalistes artists that the gallery featured in solo and group shows. Later exhibitions featured Land and Minimilist artists. Dwan recognized that many of her shows were not considered salable but continued to show the avant-garde. She saw the gallery as an opportunity to expose the public to different styles of art.

Virginia Dwan maintained a close and personal relationship with many of her artists. She allowed large stipends to gallery artists and invited them to spend time at her home in Malibu, California. When working with artists concentrating on found objects, Dwan would accompany them on scavenger hunts and shopping trips. In the case of Robert Smithson and other Land Art artists, she traveled to offsite locations to visit works of art in progress. Dwan relied on her longtime gallery director, John Weber to interact with collectors as she preferred to maintain her connection with the artists.

The Dwan Gallery Los Angeles closed in mid-1967 but the New York branch remained open. By 1971, Virginia Dwan felt pressure to support her thirteen artists through a period of economic insecurity. She decided to close the gallery secretly and only informed her artists at the last minute. The final exhibition at Dwan Gallery New York closed in June of 1971.
Related Materials:
Also found within the Archives of American Art is an interview with Virginia Dwan conducted March 21 through June 1, 1984 by Charles Stuckey.
Separated Materials:
Dwan Gallery exhibition catalogs that were donated to the Archives in 1989 were transferred to the Smithsonian Institution American Art and National Portrait Gallery Library.

Bard College's Center for Curatorial Studies and Art in Contemporary Culture holds Dwan Gallery materials related to exhibitions in the Library and Archives.
Provenance:
The Dwan Gallery records were donated in 1996 by Virginia Dwan, the former owner of the gallery.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- New York (State) -- New York -- Exhibitions  Search this
Art -- California -- Los Angeles -- Exhibitions  Search this
Earthworks (Art)  Search this
Minimal art  Search this
Abstract expressionism  Search this
Artists -- United States  Search this
Function:
Art galleries, Commercial -- California
Art galleries, Commercial -- New York (State)
Genre/Form:
Photographs
Slides (photographs)
Citation:
Dwan Gallery records, 1959-circa 1982, bulk 1959-1971. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dwangall
See more items in:
Dwan Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dwangall
Online Media:

History as a Planter, (sculpture)

Sculptor:
Kienholz, Edward 1927-1994  Search this
Medium:
Wood, metal, paper, paint, soil, plant, aluminum container
Type:
Sculptures
Owner/Location:
Los Angeles County Museum of Art 5905 Wilshire Boulevard Los Angeles California 90036
Date:
1961
Topic:
Allegory--Arts & Sciences--History  Search this
Occupation--Farm--Sowing  Search this
Figure--Fragment--Leg  Search this
Control number:
IAS 75000567
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_1027

The Beanery, (sculpture)

Sculptor:
Kienholz, Edward 1927-1994  Search this
Medium:
Bar, tables, chairs, bottles, juke box, clothes, cast plaster figures, fiberglass, paint, varnishes
Type:
Sculptures
Owner/Location:
Kleiner Foundation Los Angeles California
Date:
1965
Topic:
Architecture interior--Commercial--Tavern  Search this
Portrait male  Search this
Figure group  Search this
Object--Foodstuff  Search this
Object--Furniture--Clock  Search this
Control number:
IAS 77002266
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_20800

Untitled (I'm not a Fig-Plucker, nor a Fig-Plucker's Son, but I'll pluck your figs 'til a Fig-Plucker comes), (sculpture)

Sculptor:
Kienholz, Edward 1927-1994  Search this
Medium:
Fiberglassed, taped canvas chair, medicine ball
Type:
Sculptures
Owner/Location:
Dwan Gallery 10846 Lindbrook Drive Los Angeles California
Date:
1963
Topic:
Object--Furniture--Chair  Search this
Object--Toy--Ball  Search this
Control number:
IAS 77002267
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_20801

The Friendly Grey Computer-Star Gauge Model 54, (sculpture)

Sculptor:
Kienholz, Edward 1927-1994  Search this
Medium:
Aluminum painted rocking chair, metal case, two instrument boxes with dials, plastic case containing yellow and blue lights, panel with numbers, bell, "rocker switch", pack of index cards, directions for operation, light switch, telephone receiver, doll's legs
Type:
Sculptures
Owner/Location:
Museum of Modern Art 11 West 53rd Street New York New York 10019 Accession Number: 605.65
Date:
1965
Topic:
Object--Other--Computer  Search this
Object--Furniture--Chair  Search this
Object--Toy--Doll  Search this
Control number:
IAS 77002268
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_20802

Back Seat Dodge - '38, (sculpture)

Sculptor:
Kienholz, Edward 1927-1994  Search this
Medium:
Reassembled 1938 Dodge, paints, flock and fiberglass, chicken wire, beer bottles, cast plaster figures
Type:
Sculptures
Owner/Location:
Dwan Gallery 10846 Lindbrook Drive Los Angeles California
Date:
1964
Topic:
Architecture--Vehicle--Automobile  Search this
Figure group  Search this
Object--Foodstuff--Beverage  Search this
Control number:
IAS 77002269
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_20803

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