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Frida Kahlo (September), from Galería de la Raza 1975 Calendario

Artist:
Rupert García, born French Camp, CA 1941  Search this
Sitter:
Frida Kahlo  Search this
Medium:
screenprint on paper
Dimensions:
sheet: 23 × 17 1/2 in. (58.4 × 44.5 cm) image: 22 × 16 1/2 in. (55.9 × 41.9 cm)
Type:
Graphic Arts-Print
Date:
1975
Topic:
Ethnic\Mexican  Search this
Occupation\art\artist  Search this
Portrait female  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the Margaret Terrazas Santos Collection
Copyright:
© 1975, Rupert García
Object number:
2019.52.19
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7ab0316d8-9ad1-4e8a-bc9a-38665ea7d278
EDAN-URL:
edanmdm:saam_2019.52.19

Albert M. Bender papers

Creator:
Bender, Albert M. (Albert Maurice), 1866-1941  Search this
Names:
Adams, Ansel, 1902-1984  Search this
Adams, Virginia Best  Search this
Bremer, Anne, 1872-1923  Search this
Bufano, Beniamino, 1898-1970  Search this
Bufano, Virginia  Search this
Burgess, Gelett, 1866-1951  Search this
Danysh, Joseph A., 1906-1982  Search this
Dixon, Maynard, 1875-1946  Search this
Gogarty, Oliver St. John, 1878-1957  Search this
Kahlo, Frida  Search this
Kanaga, Consuelo, 1894-  Search this
Leon, Judah  Search this
Liebes, Dorothy  Search this
Magnes, Beatrice L.  Search this
Morgan, Julia, 1872-1957  Search this
Nash, John Henry, 1871-1947  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Partridge, Marian, d. 1940  Search this
Partridge, Roi, 1888-1984  Search this
Raphael, Johanna  Search this
Raphael, Joseph, 1869-1950  Search this
Rivera, Diego, 1886-1957  Search this
Stackpole, Ralph, 1885-1973  Search this
Extent:
675 Items ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1909-1941
Scope and Contents:
Single letters from Joseph Danysh, Maynard Dixon, Julia Morgan, and Georgia O'Keeffe; letters from Gelett Burgess, Judah Leon and Beatrice L. Magnes, Roi and Marian Partridge, Ralph Stackpole, Dorothy Wright Liebes, Oliver St. John Gogarty, and Ansel and Virginia Adams; correspondence with John Henry Nash; letters from Consuela Kanaga and her husband Barry McCarthy and an album of her photos of Africa; correspondence with Beniamino Benvenuto Bufano and Virginia Bufano, and financial and printed material; correspondence with Diego and Frieda Kahlo Rivera, customs declarations, and photos; correspondence with Joseph and Johanna Raphael, photos, and miscellany; and letters from Anne Bremer, biographical material, writings, photos, sketches, and printed material.
Biographical / Historical:
Art collector and patron; San Francisco, Calif.
Provenance:
Microfilmed with other art-related papers in Mills College Library, July 1981.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Art -- Collectors and collecting  Search this
Identifier:
AAA.bendalbe
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bendalbe

Frida Kahlo, Coyoacán, Mexico letter to Clara Strang Weatherwax, Berkeley, California

Creator:
Kahlo, Frida, 1907-1954  Search this
Weatherwax, Clara, 1905-1958  Search this
Subject:
Rivera, Diego  Search this
Strang, Gerry  Search this
Weatherwax, Clara  Search this
Popol vuh  Search this
Type:
Correspondence
Date:
1931 September 2
Record number:
(DSI-AAA)765
See more items in:
John Weatherwax papers relating to Frida Kahlo and Diego Rivera, 1928-1988, bulk 1931-1933
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_765
Online Media:

The Queen of Montgomery Street

Creator:
Weatherwax, John M. (John Martin), 1900-1984  Search this
Subject:
Kahlo, Frida  Search this
Type:
Writings
Place:
San Francisco, Calif.
Date:
circa 1930
Record number:
(DSI-AAA)766
See more items in:
John Weatherwax papers relating to Frida Kahlo and Diego Rivera, 1928-1988, bulk 1931-1933
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_766
Online Media:

Portrait of Frida Kahlo and Diego Rivera

Photographer:
Juley, Paul A., 1867-1937  Search this
Subject:
Kahlo, Frida  Search this
Rivera, Diego  Search this
Type:
Photographs
Place:
San Francisco, Calif.
Date:
1931
Topic:
Artists in groups  Search this
Painters  Search this
Record number:
(DSI-AAA)730
See more items in:
Chester Dale papers, circa 1883-2003, bulk 1920-1970
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_730

Photograph of Frida Kahlo reclining on her bed in Coyoacán, Mexico

Photographer:
Dale, Chester, 1883-1962  Search this
Subject:
Kahlo, Frida  Search this
Type:
Photographs
Place:
Coyoacan, Mexico
Date:
between 1942 and 1945
Topic:
Illness  Search this
Record number:
(DSI-AAA)731
See more items in:
Chester Dale papers, circa 1883-2003, bulk 1920-1970
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_731

Photograph of Frida Kahlo and Diego Rivera reclining, Coyoacán, Mexico

Photographer:
Dale, Chester, 1883-1962  Search this
Subject:
Kahlo, Frida  Search this
Rivera, Diego  Search this
Type:
Photographs
Place:
Coyoacan, Mexico
Date:
between 1942 and 1945
Record number:
(DSI-AAA)732
See more items in:
Chester Dale papers, circa 1883-2003, bulk 1920-1970
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_732

Photograph of Frida Kahlo and Diego Rivera with Chester Dale

Subject:
Dale, Chester  Search this
Kahlo, Frida  Search this
Rivera, Diego  Search this
Type:
Photographs
Place:
Coyoacan, Mexico
Date:
between 1942 and 1945
Topic:
Art patrons  Search this
Record number:
(DSI-AAA)738
See more items in:
Chester Dale papers, circa 1883-2003, bulk 1920-1970
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_738

Prentiss Taylor papers, 1885-1991

Creator:
Taylor, Prentiss, 1907-1991  Search this
Subject:
Van Vechten, Carl  Search this
Landeck, Armin  Search this
O'Neill, Eugene  Search this
Hurston, Zora Neale  Search this
Kahlo, Frida  Search this
Field, Rachel  Search this
Stein, Gertrude  Search this
Toklas, Alice B.  Search this
Hughes, Langston  Search this
Robinson, Bill  Search this
Rivera, Diego  Search this
Robeson, Paul  Search this
Pinckney, Josephine  Search this
Van Doren, Mark  Search this
Golden Stair Press  Search this
American University (Washington, D.C.)  Search this
Society of Washington Printmakers (Washington, D.C.)  Search this
Type:
Photographs
Scrapbooks
Drawings
Writings
Sketchbooks
Prints
Sound recordings
Topic:
Art teachers -- Washington (D.C.)  Search this
Lithography -- 20th century -- Washington (D.C.)  Search this
Lithographers -- Washington (D.C.)  Search this
Painters -- Washington (D.C.)  Search this
Art therapy  Search this
Harlem Renaissance  Search this
Printmakers -- Washington (D.C.)  Search this
Record number:
(DSI-AAA_CollID)9232
(DSI-AAA_SIRISBib)211427
AAA_collcode_taylpren
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211427
Online Media:

John Weatherwax papers relating to Frida Kahlo and Diego Rivera, 1928-1988, bulk 1931-1933

Creator:
Weatherwax, John M. (John Martin), 1900-1984  Search this
Subject:
Sinclair, Upton  Search this
Scheyer, Galka E.  Search this
Rivera, Diego  Search this
Packard, Emmy Lou  Search this
Kahlo, Frida  Search this
Type:
Photographs
Topic:
Popol vuh  Search this
Artists -- California -- San Francisco  Search this
Mural painting and decoration, Mexican -- Influence  Search this
Mural painting and decoration, American -- Foreign influences  Search this
Mayas  Search this
Record number:
(DSI-AAA_CollID)9609
(DSI-AAA_SIRISBib)211815
AAA_collcode_weatjohn
Theme:
Latino and Latin American
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211815
Online Media:

Emmy Lou Packard Papers, 1900-1990

Creator:
Packard, Emmy Lou, 1914-1998  Search this
Subject:
Covarrubias, Miguel  Search this
Edmunds, John  Search this
Rivera, Diego  Search this
Reynolds, Malvina  Search this
Refregier, Anton  Search this
Lange, Dorothea  Search this
Kahlo, Frida  Search this
O'Higgins, Pablo  Search this
O'Gorman, Juan  Search this
American Civil Liberties Union  Search this
Public Works of Art Project  Search this
Type:
Scrapbooks
Sketches
Photographs
Interviews
Diaries
Topic:
Works of art  Search this
Printmakers -- California -- San Francisco  Search this
Painters -- California -- San Francisco  Search this
Mural painting and decoration, American  Search this
Mural painting and decoration, Mexican  Search this
Muralists -- California -- San Francisco  Search this
Record number:
(DSI-AAA_CollID)5519
(DSI-AAA_SIRISBib)211816
AAA_collcode_packemmy
Theme:
Latino and Latin American
Women
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211816
Online Media:

Albert Kahn papers, 1875-1970

Creator:
Kahn, Albert, 1869-1942  Search this
Subject:
Kahlo, Frida  Search this
Barlow, Myron  Search this
Bacon, Henry  Search this
Trowbridge, Alexander Buell  Search this
Toscanini, Arturo  Search this
Stoughton, Arthur A.  Search this
Rivera, Diego  Search this
Milles, Carl  Search this
Mason, George D.  Search this
Kahn, Ernestine Krolik  Search this
Type:
Diaries
Watercolors
Scrapbooks
Renderings
Lithographs
Photographs
Motion pictures (visual works)
Notebooks
Drawings
Sound recordings
Awards
Sketchbooks
Etchings
Notes
Typescripts
Lectures
Topic:
Architecture, American  Search this
Architects -- Michigan -- Detroit  Search this
Record number:
(DSI-AAA_CollID)7638
(DSI-AAA_SIRISBib)209801
AAA_collcode_kahnalbp
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209801
Online Media:

Nickolas Muray papers, 1910-1992

Creator:
Muray, Nickolas, 1892-1965  Search this
Subject:
Kahlo, Frida  Search this
New York University  Search this
Type:
Photographs
Topic:
Photography -- Study and teaching  Search this
Photographers -- United States  Search this
Portrait photography  Search this
Record number:
(DSI-AAA_CollID)5512
(DSI-AAA_SIRISBib)212736
AAA_collcode_muranick
Theme:
Latino and Latin American
Lives of American Artists
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212736
Online Media:

Chester Dale papers, circa 1883-2003, bulk 1920-1970

Creator:
Dale, Chester, b. 1883-0  Search this
Subject:
Batigne, Claire  Search this
Batigne, Renee  Search this
Braque, Georges  Search this
Burkhardt, Rudy  Search this
Cantor, Irving  Search this
Cassatt, Mary  Search this
Cézanne, Paul  Search this
Cooper, Maria  Search this
Cooper, Veronica  Search this
Dale, Maud  Search this
Dale, Mary Towar Bullard  Search this
Dalí, Salvador  Search this
Dalí, Gala  Search this
Dmitri, Ivan  Search this
Dufy, Raoul  Search this
Elizabeth II, Queen of Great Britain  Search this
Frost, Robert  Search this
Hamilton, Edith  Search this
Ingersoll, R. Sturgis (Robert Sturgis)  Search this
Kahlo, Frida  Search this
Kessel, Dmitri  Search this
MacNeil, Neil  Search this
Mayes, Herbert R. (Herbert Raymond)  Search this
Mellon, Paul  Search this
Mellon, Timothy  Search this
Orozco, José Clemente  Search this
Picasso, Pablo  Search this
Rivera, Diego  Search this
Salles, Georges  Search this
Wyeth, Jamie  Search this
Wyeth, Andrew  Search this
Wyeth, Nicholas  Search this
Dallas Museum of Art  Search this
Allentown Art Museum  Search this
Amherst College  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
National Gallery of Art (U.S.)  Search this
Parrish Art Museum  Search this
Type:
Photographs
Scrapbooks
Sound recordings
Travel diaries
Topic:
Art -- Collectors and collecting  Search this
Art dealers -- France -- Paris  Search this
Art, French--19th century  Search this
Art, French--20th century  Search this
Art, Modern -- 20th century -- Collectors and collecting  Search this
Art, Modern--19th century--Collectors and collecting  Search this
Motion pictures (visual works)  Search this
Record number:
(DSI-AAA_CollID)7178
(DSI-AAA_SIRISBib)209315
AAA_collcode_daleches
Theme:
Diaries
Latino and Latin American
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209315
Online Media:

Florence Arquin papers, 1923-1985

Creator:
Arquin, Florence, 1900-1974  Search this
Subject:
Williams, Samuel  Search this
Wright, Frank Lloyd  Search this
Rebay, Hilla  Search this
Rivera, Diego  Search this
Kahlo, Frida  Search this
United States  Search this
Art Institute of Chicago  Search this
Federal Art Project  Search this
Type:
Prints
Sketches
Photographs
Topic:
Art -- Study and teaching  Search this
Art, Latin American  Search this
Art critics  Search this
Authors -- Illinois -- Chicago  Search this
Hispanic American art  Search this
Photographers  Search this
Women artists -- Illinois -- Chicago  Search this
Record number:
(DSI-AAA_CollID)5413
(DSI-AAA_SIRISBib)213884
AAA_collcode_arquflor
Theme:
Latino and Latin American
Women
Sketches & Sketchbooks
Lives of American Artists
Government Sponsorship of the Arts
American Art and Artists in a Global Context
Photography
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213884
Online Media:

Albert M. Bender papers, 1909-1941

Creator:
Bender, Albert M. (Albert Maurice), 1866-1941  Search this
Subject:
Adams, Virginia Best  Search this
Bremer, Anne  Search this
Bufano, Beniamino  Search this
Bufano, Virginia  Search this
Burgess, Gelett  Search this
Danysh, Joseph A.  Search this
Dixon, Maynard  Search this
Gogarty, Oliver St. John  Search this
Kahlo, Frida  Search this
Kanaga, Consuelo  Search this
Leon, Judah  Search this
Liebes, Dorothy  Search this
Magnes, Beatrice L.  Search this
Morgan, Julia, 1872-1957  Search this
Nash, John Henry  Search this
O'Keeffe, Georgia  Search this
Partridge, Marian  Search this
Partridge, Roi  Search this
Raphael, Johanna  Search this
Raphael, Joseph  Search this
Rivera, Diego  Search this
Stackpole, Ralph  Search this
Adams, Ansel  Search this
Topic:
Art -- Collectors and collecting  Search this
Record number:
(DSI-AAA_CollID)9895
(DSI-AAA_SIRISBib)212397
AAA_collcode_bendalbe
Theme:
Lives of American Artists
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212397

John Weatherwax papers relating to Frida Kahlo and Diego Rivera

Topic:
Popol vuh
Creator:
Weatherwax, John M. (John Martin), 1900-1984  Search this
Names:
Kahlo, Frida  Search this
Packard, Emmy Lou, 1914-1998  Search this
Rivera, Diego, 1886-1957  Search this
Scheyer, Galka E.  Search this
Sinclair, Upton, 1878-1968  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1928-1988
bulk 1931-1933
Summary:
This small collection of scattered papers of American writer John Weatherwax (1900-1984) dates from 1928 to 1988 (bulk 1931-1933), and measures 0.4 liner feet. The papers document Weatherwax's relationship with Mexican artists Frida Kahlo and Diego Rivera. In 1931, John Weatherwax approached Rivera to illustrate his English translation of the Mayan story of creation, the Popol Vuh. Rivera agreed and produced twenty-four watercolor illustrations for the text. The papers contain Weatherwax's translation, "Seven Times the Color of Fire", as well as manuscript versions of two short stories he wrote about Diego Rivera and Frida Kahlo entitled "The Queen of Montogomery Street" and "Diego". Also found within the collection are correspondence, manuscripts and notes, printed materials, and photographs.
Scope and Content Note:
This small collection of scattered papers of American writer John Weatherwax (1900-1984) dates from 1928 to 1988 (bulk 1931-1933), and measures 0.4 liner feet. The papers document Weatherwax's relationship with Mexican artists Frida Kahlo and Diego Rivera. In 1931, John Weatherwax approached Rivera to illustrate his English translation of the Mayan story of creation, the Popol Vuh. Rivera agreed and produced twenty-four watercolor illustrations for the text. The papers contain Weatherwax's translation, "Seven Times the Color of Fire", as well as manuscript versions of stories he wrote about Diego Rivera and Frida Kahlo, including one entitled "The Queen of Montgomery Street". Also found are several draft manuscripts of stories concerning Diego Rivera, which include "Diego", "Diego, Galka and Toby", the latter about art dealer Galka Scheyer's visit to Diego Rivera's studio in San Francisco containing references to the Blue Rider exhibition she organized in the early 1930s of the work of the artists collective, the "Blue Four" (Dar Blaue Vier).

Also found within the collection is scattered correspondence, including letters from painter, printmaker, and muralist Emmy Lou Packard concerning Diego and Frida, two telegrams from American novelist Upton Sinclair to John Weatherwax, and a letter from the Russian filmmaker, Sergei Eisenstein, to Rivera introducing Weatherwax. Additional manuscripts and notes, printed materials, and photographs are also found within the papers.
Arrangement:
Series 1: Correspondence, 1928-1988 (Box 1, 5 folders)

Series 2: Manuscripts and Notes, circa 1930-1971 (Box 1, 14 folders)

Series 3: Printed Material, 1931-1987 (Box 1, 4 folders)

Series 4: Photographs, circa 1930s, 1974 (Box 1, 3 folders)
Biographical Note:
American writer John Weatherwax (1900-1984) was born in Aberdeen, Washington, and attended the University of Washington in Seattle for two years before going to Harvard College in 1921. His studies focused on English literature, business, mythology, and world literature. Weatherwax wrote a number of children's stories and, in 1934, co-authored with his sister and brother-in-law Gerald Strang, The Coming of the Animals, a series of California Native American stories.

Weatherwax met Mexican muralist Diego Rivera and painter Frida Kahlo in San Francisco when the couple stayed with sculptor Ralph Stackpole in his studio on Montgomery Street. Rivera was there to work on a commission to paint a mural for the San Francisco Stock Exchange. At the time Weatherwax was working on an English translation of the ancient Mayan codex, Popol Vuh, and asked Rivera if he would provide illustrations for the manuscript. Although the translation was never published, Rivera agreed and produced twenty-four watercolor illustrations for the text.

Weatherwax revealed his admiration for Diego and Frida by writing a manuscript entitled "The Queen of Montgomery Street" , a clever short story about Frida's and Diego's experiences in San Francisco. Probably written as a gift to the Rivera's, the central figures of "The Queen of Montgomery Street" where Diego as King and Frida as Queen. He also wrote a story entitled "Diego".
Provenance:
Seema Weatherwax donated her husband's papers to the Archives of American Art, Smithsonian Institution in 1988.
Restrictions:
Use of original papers requires an appointment.
Rights:
The John Weatherwax papers relating to Diego Rivera and Frida Kahlo are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists -- California -- San Francisco  Search this
Mural painting and decoration, Mexican -- Influence  Search this
Mural painting and decoration, American -- Foreign influences  Search this
Mayas  Search this
Genre/Form:
Photographs
Citation:
John Weatherwax papers relating to Frida Kahlo and Diego Rivera, 1928-1988, bulk 1931-1933. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.weatjohn
See more items in:
John Weatherwax papers relating to Frida Kahlo and Diego Rivera
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-weatjohn
Online Media:

Frida Kahlo

Artist:
Magda Pach, 1884 - 1950  Search this
Sitter:
Frida Kahlo, 6 Jul 1907 - 13 Jul 1954  Search this
Medium:
Oil on canvas
Dimensions:
Frame: 67.2 × 57 × 4.1cm (26 7/16 × 22 7/16 × 1 5/8")
Stretcher: 51.1 × 41cm (20 1/8 × 16 1/8")
Type:
Painting
Place:
United States\New York state
Date:
1933
Topic:
Costume\Jewelry\Necklace  Search this
Costume\Jewelry\Earring  Search this
Interior  Search this
Frida Kahlo: Visual Arts\Artist  Search this
Frida Kahlo: Female  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.2015.136
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Exhibition:
20th Century Americans: 1930-1960
On View:
NPG, South Gallery 321
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm40c7940f9-a115-40cd-a998-25782fa2d06b
EDAN-URL:
edanmdm:npg_NPG.2015.136

Emmy Lou Packard Papers

Creator:
Packard, Emmy Lou, 1914-1998  Search this
Names:
American Civil Liberties Union  Search this
Public Works of Art Project  Search this
Covarrubias, Miguel, 1904-1957  Search this
Edmunds, John, 1913-  Search this
Kahlo, Frida  Search this
Lange, Dorothea  Search this
O'Gorman, Juan, 1905-  Search this
O'Higgins, Pablo, 1904-  Search this
Refregier, Anton, 1905-  Search this
Reynolds, Malvina  Search this
Rivera, Diego, 1886-1957  Search this
Extent:
9.4 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketches
Photographs
Interviews
Diaries
Date:
1900-1990
Summary:
The Emmy Lou Packard papers measure 9.4 linear feet and date from 1900 to 1990, and focus on the career of painter, printmaker, muralist, and sculptor Emmy Lou Packard. Also found are extensive materials relating to Packard's personal and professional relationship with muralist Diego Rivera and painter Frida Kahlo, with whom Packard lived for one year in Mexico. Papers include correspondence, financial records, notes, writings, exhibition files, photographs, and printed material.
Scope and Contents note:
The Emmy Lou Packard papers measure 9.4 linear feet and date from 1900 to 1990, and focus on the career of painter, printmaker, muralist, and sculptor Emmy Lou Packard. Also found are extensive materials relating to Packard's personal and professional relationship with muralist Diego Rivera and painter Frida Kahlo, with whom Packard lived for one year in Mexico. Papers include correspondence, financial records, notes, writings, exhibition files, photographs, and printed material.

Biographical materials include resumes, personal forms, and certificates. Correspondence is with family, friends, and colleagues, including muralist Anton Refregier, songwriter Malvina Reynolds, and composer John Edmunds. There is one letter from Dorothea Lange. Also found is correspondence with various political and arts organizations, such as the American Civil Liberties Union and the Russian magazine Soviet Woman. Much of the correspondence discusses personal relationships and political and art-related activities. Additional correspondence with and concerning Diego Rivera and Frida Kahlo is arranged in Series 6.

Personal business records found within the papers include studio real estate and rent records, insurance records, price lists for artwork, consignment records, and miscellaneous receipts. There is one interview transcript of an interview with Packard for the Radical Elders Oral History Project. The papers include a series of notebooks/diaries, address lists, and other notes.

Packard's reference files and personal papers documenting her professional and close personal relationship with Diego Rivera and Frida Kahlo are arranged into a separate series. They include her research files for a planned book on the two artists, personal letters between Packard and the couple, as well as several interesting photographs. Also found in this series are notes, writings, and printed materials relating to Diego Rivera, Frida Kahlo, and other Mexican artists, such as Covarrubius, Juan O'Gorman, and Pablo O'Higgins.

The collection also includes typescripts and additional writings by Packard and others. Artwork consists of orginal drawings and prints by Packard and others not directly associated with projects. Exhibition and project files for many of Packard's commissioned projects are also found within the collection, including her files for the restoration of Anton Refregier's Rincon Annex Post Office mural in San Francisco and the Coit Tower murals in San Francisco. Many of the project files contain correspondence, reports, contracts, printed material, photographs, and artwork.

The papers also include photographs of Packard, her family, residences, artwork, friends, and colleagues, including Cesar Chavez, Juan O'Gorman, Malvina Reynolds, Charles Safford, Ralph Stackpole, and Tennessee Williams. Two scrapbooks are found, as well as additional printed materials such as clippings and exhibition announcements and catalogs. There are also two artifact items, a vinyl record of Malvina Reynolds and a political campaign button.
Arrangement note:
The collection is arranged into fifteen series.

Series 1: Biographical Material, 1942-1985 (Box 1; 1 folder)

Series 2: Correspondence, 1919-1990 (Box 1-3; 2.6 linear feet)

Series 3: Personal Business Records, 1945-1985 (Box 3; 21 folders)

Series 4: Interview Transcript, 1979 (Box 3; 1 folder)

Series 5: Notes, 1900-1985 (Box 3-4, 10; 1.1 linear feet)

Series 6: Reference Files on Diego Rivera and Frida Kahlo, 1929-1986 (Box 5, 10, OV 11; 0.9 linear feet)

Series 7: Writings by Packard, 1953-1984 (Box 6; 17 folders)

Series 8: Writings by Others, 1955-1984 (Box 6; 19 folders)

Series 9: Artwork, 1921-1976 (Box 6; 10 folders)

Series 10: Exhibition Files, 1950-1964 (Box 6, OV 11; 5 folders)

Series 11: Project Files, 1953-1985 (Box 6-7, 10, OV 11; 1.8 linear feet)

Series 12: Photographs, 1914-1982 (Box 8, 10; 0.8 linear feet)

Series 13: Scrapbooks, 1947-1950 (Box 8, 10; 0.2 linear feet)

Series 14: Printed Material, 1936-1988 (Box 8-9, 10; 1 linear foot)

Series 15: Artifacts, 1984 (Box 9-10, OV 11; 2 folders)
Biographical/Historical note:
Emmy Lou Packard was born in Imperial Valley, California on April 15, 1914, to Walter and Emma Leonard Packard. In the late 1920s she lived with her family in Mexico City where she became acquainted with Diego Rivera, from whom she received regular art criticism and encouragement. She graduated from the University of California, Berkeley and completed courses in fresco and sculpture at the California School of Fine Arts in 1940. That year and the next, Packard worked as a full-time painting assistant to Rivera on his 1,650 square-foot fresco at the World's Fair in San Francisco. During this project, Packard became very close to Rivera and Frida Kahlo and returned to Mexico with them and spent a year living with the couple.

From then on, except for in 1944-1945 working for a defense plant, Packard worked and grew in various aspects of her art. In addition to her work in fresco, Packard is known for her work in watercolor, oil, mosaic, laminated plastic, concrete, and printmaking, both in linocuts and woodblocks. She received numerous commissions that included installations for ships, hotels, and private homes for which she executed large woodcuts and mural panels. During the 1950s and 1960s, Packard was hired to restore several historic murals, most notably the Rincon Annex Post Office mural by Anton Refregier and the Coit Tower murals in San Francisco.

Between 1966 and 1967 she was commissioned by architects to design and execute a number of concrete and mosaic pieces, one of which went to the Mirabeau Restaurant in Kaiser Center, Oakland. She also designed and executed a mural for the Fresno Convention Center Theater during that same period. In 1973-1974, she designed and supervised a glazed brick mural for a public library in Pinole, California.

Packard had one-woman shows at the San Francisco Museum of Art, Raymond and Raymond Gallery (San Francisco), Addison Gallery of American Art (Andover, Mass.), Connecticut Academy of Fine Arts, Pushkin Museum (Moscow), and March Gallery (Chicago). Emmy Lou Packard died in 1998.
Related Archival Materials note:
Also found in the Archives of American Art is an oral history interview with Emmy Lou Packard conducted by Mary Fuller McChesney in 1964.
Provenance:
Emmy Lou Packard donated her papers to the Archives of American Art from 1984-1988.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Emmy Lou Packard papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Sculptors -- California -- San Francisco  Search this
Topic:
Works of art  Search this
Printmakers -- California -- San Francisco  Search this
Painters -- California -- San Francisco  Search this
Mural painting and decoration, American  Search this
Mural painting and decoration, Mexican  Search this
Muralists -- California -- San Francisco  Search this
Genre/Form:
Scrapbooks
Sketches
Photographs
Interviews
Diaries
Citation:
Emmy Lou Packard papers, 1900-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.packemmy
See more items in:
Emmy Lou Packard Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-packemmy
Online Media:

Prentiss Taylor papers

Creator:
Taylor, Prentiss, 1907-1991  Search this
Names:
American University (Washington, D.C.). Fine Arts Dept. -- Faculty  Search this
Golden Stair Press  Search this
Society of Washington Printmakers (Washington, D.C.)  Search this
Field, Rachel, 1894-1942  Search this
Hughes, Langston, 1902-1967  Search this
Hurston, Zora Neale  Search this
Kahlo, Frida  Search this
Landeck, Armin, 1905-  Search this
O'Neill, Eugene, 1888-1953  Search this
Pinckney, Josephine, 1895-1957  Search this
Rivera, Diego, 1886-1957  Search this
Robeson, Paul, 1898-1976  Search this
Robinson, Bill, 1878-1949  Search this
Stein, Gertrude, 1874-1946  Search this
Toklas, Alice B.  Search this
Van Doren, Mark, 1894-1972  Search this
Van Vechten, Carl, 1880-1964  Search this
Extent:
20.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Drawings
Writings
Sketchbooks
Prints
Sound recordings
Date:
1885-1991
Summary:
The collection measures 20.4 linear feet, dates from 1885 to 1991 (bulk dates 1908-1986) and documents the career of Harlem Renaissance lithographer, teacher, and painter Prentiss Taylor. The collection consists primarily of subject/correspondence files (circa 16 ft.), reflecting Prentiss' career as a lithographer and painter, his association with figures prominent in the Harlem Renaissance, notably Carl Van Vechten and Langston Hughes, his activities as president of the Society of Washington Printmakers and other art organizations, his work in art therapy treating mental illness, and his teaching position at American University. The subject files contain mostly correspondence, but many include photographs and printed material. Also included are biographical, financial, legal and printed material; several hundred photographs; notes and writings; sketchbooks, drawings and a few prints by Taylor; and scrapbooks dating from 1885-1956.
Scope and Content Note:
The collection measures 20.4 linear feet, dates from 1885 to 1991 (bulk dates 1908-1986) and documents the career of Harlem Renaissance lithographer, teacher, and painter Prentiss Taylor. The collection consists primarily of subject/correspondence files (circa 16 ft.), reflecting Prentiss' career as a lithographer and painter, his association with figures prominent in the Harlem Renaissance, notably Carl Van Vechten and Langston Hughes, his activities as president of the Society of Washington Printmakers and other art organizations, his work in art therapy treating mental illness, and his teaching position at American University. The subject files contain mostly correspondence, but many include photographs and printed material. Also included are biographical, financial, legal and printed material; several hundred photographs; notes and writings; sketchbooks, drawings and a few prints by Taylor; and scrapbooks dating from 1885-1956.

The Langston Hughes files contain photocopies of letters from Hughes, greeting cards, ten original photographs of Hughes, and an autographed card printed with Hughes' poem, The Negro Speaks of Rivers. In addition, there is a contract between Hughes and Taylor, witnessed by Carl Van Vechten, forming the Golden Stair Press, through which many of Hughes' poems were printed with illustrations by Taylor. A rare edition of their first publication, The Negro Mother, is found here. Also found in this file is a 1932 final copy of Scottsboro Limited, another collaborative effort between Taylor and Hughes that focused on a case where nine black youths were falsely accused of raping two white women. The collection contains extensive correspondence about Taylor's lithograph of the same title and the printing of the publication. Other rare Harlem Renaissance publications found within Taylor's papers include Golden Stair Broadsides, Opportunity Journal of Negro Life, The Rebel Poet, and Eight Who Lie in the Death House, several of which were also illustrated by Taylor.

Prentiss Taylor's long association with Langston Hughes and other figures of the Harlem Renaissance stemmed from his early friendship with Carl Van Vechten. Taylor's papers contain correspondence with Van Vechten, autographed copies of Van Vechten's booklets, and numerous photographs of notable Harlem Renaissance figures, many taken by Van Vechten, including Zora Neale Hurston, Bill "Bojangles" Robinson, Eugene O'Neill, Diego Rivera and Frida Kahlo, Paul Robeson, and many others. Also found are period photographs of Charleston, South Carolina and Harlem street scenes.

95 letters from Rachel Field, 75 letters from Langston Hughes, 3 letters from Armin Landeck, 46 letters from Josephine Pinckney, 1 letter from Gertrude Stein, 7 letters from Alice B. Toklas, 1 postcard from Mark Van Doren, and 25 letters from Carl Van Vechten are photocopies. Originals of the Hughes and Toklas letters are located at the Yale University Library. Location of the remaining original letters are unknown.

The Prentiss Taylor papers offer researchers insight into the rich cultural documentation of the Harlem Renaissance and the development of twentieth-century printmaking as an American fine art.
Arrangement:
The collection is arranged into ten series. The largest series housing Subject Files is arranged alphabetically, primarily by name of correspondent, maintaining Taylor's original arrangement. The remaining series are arranged in chronological order. Oversized material from various series has been housed in Box 21 (Sol) and OV 22 and is noted in the Series Description/Container Listing Section at the appropriate folder title with see also/see references.

Series 1: Biographical Material, 1918-1985, undated (Box 1; 6 folders)

Series 2: Miscellaneous Receipts, 1929-1986, undated (Box 1; 11 folders)

Series 3: Insurance Records, 1960-1976 (Box 1; 1 folder)

Series 4: Notes, 1921-1984, undated (Box 1; 18 folders)

Series 5: Writings, 1924-1971, undated (Box 1-2; 51 folders)

Series 6: Art Work, 1916-1975, undated (Box 2; 14 folders)

Series 7: Scrapbooks, 1885-1956 (Box 2, 21; 10 folders)

Series 8: Printed Material, 1914-1990, undated (Box 2-3, 21; 29 folders)

Series 9: Photographs, 1908-1984, undated (Box 3, 21; 0.7 linear feet)

Series 10: Subject Files, 1885-1991, undated (Box 3-21, OV 22; 18.0 linear feet)
Biographical Note:
Prentiss Taylor was born in 1907 at the Washington, D. C. residence of his maternal grandmother, his birth assisted by his grandmother's cook, affectionately known as Cookie Belle.

In the 1920s, Taylor studied painting with Charles W. Hawthorne in Provincetown, but turned to lithography in the late 1920s to early 1930s during his enrollment at the Art Students League in New York City. He received further training in that medium at the George C. Miller workshop in New York. During this period, he also designed costumes for the American-Oriental Revue. Taylor worked primarily in the printmaking medium for the rest of his life, experimenting with various techniques and compositions and ultimately achieving a status as one this country's great lithographers. Taylor depicted mostly realistic and narrative scenes of subjects and themes that reflected his personal interests in music, architecture, religion and social justice.

During his time in New York, Taylor developed close friendships with poet Langston Hughes and writer Carl Van Vechten. He collaborated with Hughes in the formation of the Golden Stair Press to produce publications reflecting the ideas of the Harlem Renaissance. Taylor created a number of prints and illustration for the press and its publications.

After returning to Washington, D.C., Taylor's work was included in exhibitions at the Corcoran Gallery, the Smithsonian Institution, the Baltimore Museum of Art and the Virginia Museum of Fine Arts in Richmond. He was represented by the Franz Bader Gallery in Washington, D.C., and by the Bethesda Art Gallery in Maryland. In 1942, Taylor was elected President of the Society of Washington Printmakers, a position he held for thirty-four years. He also worked as an art therapist for more than thirty years and taught oil painting at American University from 1955-1975.

Prentiss Taylor died October 7, 1991 in Washington, D.C.
Related Material:
Prentiss Taylor papers are also located at the Yale University Library.
Separated Material:
The Archives of American Art also holds material lent for microfilming (reel 1392) including three notebooks detailing Taylor's lithographs, a gift and sales notebook, a guestbook, exhibition announcements, and a brochure. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Prentiss Taylor lent the Archives of American Art material for microfilming in 1978. Papers were donated in 1978 and 1984 by Taylor, and in 1992 and 2004 by his companion, Roderick S. Quiroz, for the estate of Prentiss Taylor.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Prentiss Taylor papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art teachers -- Washington (D.C.)  Search this
Lithography -- 20th century -- Washington (D.C.)  Search this
Lithographers -- Washington (D.C.)  Search this
Painters -- Washington (D.C.)  Search this
Art therapy  Search this
Harlem Renaissance  Search this
Printmakers -- Washington (D.C.)  Search this
Genre/Form:
Photographs
Scrapbooks
Drawings
Writings
Sketchbooks
Prints
Sound recordings
Citation:
Prentiss Taylor papers, 1885-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.taylpren
See more items in:
Prentiss Taylor papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-taylpren
Online Media:

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