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Reuben Kadish papers, 1851-1995, bulk 1913-1995

Creator:
Kadish, Reuben, 1913-1992  Search this
Kadish, Reuben, 1913-1992  Search this
Subject:
Tully, Judd  Search this
Siqueiros, David Alfaro  Search this
Pollock, Jackson  Search this
Pollock, Charles C.  Search this
O'Keeffe, Georgia  Search this
Guston, Philip  Search this
Ashton, Dore  Search this
Cherry, Herman  Search this
Conant, Howard  Search this
De Kooning, Willem  Search this
Hiler, Hilaire  Search this
Langsner, Jules  Search this
Neininger, Urban  Search this
Type:
Drawings
Photographs
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Muralists -- California  Search this
Sculptors -- California  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)6128
(DSI-AAA_SIRISBib)216343
AAA_collcode_kadireub
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216343
Online Media:

Reuben Kadish papers

Creator:
Kadish, Reuben, 1913-1992  Search this
Names:
Ashton, Dore  Search this
Cherry, Herman  Search this
Conant, Howard  Search this
De Kooning, Willem, 1904-1997  Search this
Guston, Philip, 1913-1980  Search this
Hiler, Hilaire, 1898-1966  Search this
Langsner, Jules, 1911-1967  Search this
Neininger, Urban  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Pollock, Charles C.  Search this
Pollock, Jackson, 1912-1956  Search this
Siqueiros, David Alfaro  Search this
Tully, Judd  Search this
Extent:
7.9 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Photographs
Date:
1851-1995
bulk 1913-1995
Summary:
This collection, which measures 7.9 linear feet and dates from 1851 to 1995 (bulk 1913-1995), documents the life and career of muralist, sculptor, and educator Reuben Kadish. The papers contain biographical material, letters, personal business records, an exhibition file, notes, writings, artwork, printed material, photographs, and artifacts.
Scope and Content Note:
The Reuben Kadish papers measure 7.9 linear feet and date from 1851 to 1995 with the bulk of the material dating from 1913 to 1995. The collection documents the life and career of muralist, sculptor, and educator Reuben Kadish and contains biographical material, letters, personal business records, an exhibition file, notes, writings, artwork, printed material, photographs, and artifacts.

Biographical material, 1938-1992, includes résumés and personal identification items. Letters are from friends and colleagues including Herman Cherry, Philip Guston, Hilaire Hiler, Jules Langsner, Urban Neininger, Charles Pollock, and Jackson Pollock. One letter from the Leonard Stark family contains a small photograph of Georgia O'Keeffe.

Personal business records, 1952-1995, consist of legal documents, including estate papers for Ida and Reuben Kadish, and financial records. The only specific exhibition file documents the 1990 exhibition Reuben Kadish: Works from 1930 to the Present at the New Jersey State Museum in 1990.

Notes include unbound notes on mural painting, printmaking, sculpture, and other art-related topics, and handwritten translations by William H. Thomson of thirty classic texts by Homer, Horace, and Demosthenes. Writings, 1975-1992, consist of an autobiographical manuscript by Kadish, and typescripts concerning Kadish and other art-related topics by other authors including Dore Ashton, Herman Cherry, Howard Conant, and Judd Tully.

Artwork, undated and 1981-1992, includes a hundred sketches and seventeen watercolors by Kadish, and a drawing for DIG (Archeology) by Barbara Kadish. Printed material relates primarily to exhibitions for Kadish and others but also includes a baseball program autographed by Darryl Strawberry. Photographs include prints of Kadish and other artists working on murals, and photographs picturing family and friends.
Arrangement:
The collection is arranged into ten series, based on type of material. Although acquired as a gift before the rest of the collection was loaned to the Archives of American Art in 1998, eight photographs are described in Series 9: Photographs, with those included in the 1998 loan.

Each series is arranged chronologically, except Series 2: Letters and Series 6: Writings, which are arranged alphabetically according to the surname of the writer.

Missing Title

Series 1: Biographical Material, 1938-1992 (box 1, 3 folders)

Series 2: Letters, 1934-1995, undated (boxes 1-3, 2.5 linear ft.)

Series 3: Personal Business Records, 1952-1995 (boxes 3-4, 37 folders)

Series 4: Exhibition File, 1989-1991 (box 4, 1 folder)

Series 5: Notes, 1851-1853, 1937-1992, undated (boxes 4-5, 35 folders)

Series 6: Writings, 1963-1992, undated (box 5, 14 folders)

Series 7: Artwork, 1981-1992, undated (boxes 5, 10, 8 folders)

Series 8: Printed Material, 1934-1993, undated (boxes 5-7, 76 folders)

Series 9: Photographs, 1913-1992, undated (boxes 7-9, sol 10, 2.0 linear ft.)

Series 10: Artifacts, undated (box 9, 1 folder)
Biographical Note:
Reuben Kadish was born in Chicago on January 29, 1913. His father and mother were from Latvia and the Ukraine respectively.

In 1921, the family moved to East Los Angeles, California, where Kadish studied painting under Lorser Feitelson. During this time, he befriended Jackson Pollock and Philip Guston, who attended the Manual Arts High School.

During a trip to New York City in 1930, Kadish was impressed with the modern art, especially the work of the Surrealists, which he saw there. Upon his return to Los Angeles the following year, Kadish attended the Otis Art School, the Stickney School of Art in Pasadena, and Los Angeles City College. He also shared a studio with Philip Guston.

In 1933, Kadish, Guston and Jules Langsner were apprenticed to Mexican muralist, David Alfaro Siqueiros. Their most notable work being the mural "Triumph of Good Over Evil", at the University of Morelia in Mexico. During the next three years, the three young artists collaborated on painting murals in California and Mexico. After another visit to New York, Kadish was invited to San Francisco by Bill Gaskin to head the art division of the WPA project there, a position he occupied until 1940.

From 1940, Kadish worked as a coppersmith and welder at the Bethlehem Steel Works in San Francisco until 1942, when he joined the Army as a member of the War Artist Unit, serving in India and Southeast Asia during World War II. In 1944, he rejoined his wife Barbara in the Bay Area, but they soon returned to New York City, where Kadish worked for Stanley William Hayter at Atelier 17. In the summer of 1945, the Kadish painted with Jackson Pollock and Lee Krasner in a shared Long Island house on Slow's Point in Amagansett.

In 1946, the Kadishes moved to a dairy farm in Vernon, New Jersey, where they supported themselves by farming until 1957. A catastrophic fire in the studio destroyed most of Kadish's paintings in 1947, causing him to turn his interest to creating sculpture.

After teaching art and design at the Newark School of Fine and Industrial Art in 1957, Kadish taught sculpture at the Brooklyn Museum Art School from 1958-1959. In 1960, he began his thirty-year teaching career at Cooper Union, which ended only a few months before his death on September 20, 1992 in Manhattan.
Related Material:
Other resources relating to Reuben Kadish in the Archives of American Art include an oral history interview with Kadish, April 15, 1992.
Provenance:
The eight photographs on Reel 5660 were donated to the Archives of American Art in 1984 by Reuben Kadish. The other material on Reels 5655-5660 was lent for filming in 1998 by Morris and Ruth Kadish, brother and sister-in-law of Reuben Kadish, and executors of his estate, and subsequently donated to the Archives of American Art in 2002.
Restrictions:
The collection is open for research. Use requires an appointment. Microfilmed portion must be consulted on microfilm.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Muralists -- California  Search this
Sculptors -- California  Search this
Genre/Form:
Drawings
Photographs
Citation:
Reuben Kadish papers, 1851-1995, bulk 1913-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kadireub
See more items in:
Reuben Kadish papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw974482335-aae0-4e72-8e41-8c2fb3fe28f8
EDAN-URL:
ead_collection:sova-aaa-kadireub
Online Media:

Edward Dugmore papers

Creator:
Dugmore, Edward, 1915-  Search this
Names:
Drake University  Search this
Abend, George  Search this
Arnold, Anne, 1926-  Search this
Brandt, Warren, 1918-  Search this
Briggs, Ernest, 1923-  Search this
Cherry, Herman  Search this
Copley, Alfred L.  Search this
Crehan, Hubert  Search this
Day, Lucien B., 1916-  Search this
Drexler, Rosalyn  Search this
Grillo, John, 1917-  Search this
Harris, Harvey, 1915-1999  Search this
Hultberg, John, 1922-  Search this
Kadish, Reuben, 1913-1992  Search this
Kaldis, Aristodimos, 1899-1979  Search this
McChesney, Mary Fuller  Search this
Morris, Kyle  Search this
Pace, Pam  Search this
Pace, Stephen, 1918-2010  Search this
Pollock, Charles C.  Search this
Still, Clyfford, 1904-1980  Search this
Voulkos, Peter, 1924-2002  Search this
Weber, Hugo, 1918-1971  Search this
Extent:
2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1937-1993
Summary:
The papers of painter and instructor Edward Dugmore measure 2.0 linear feet and date from 1937-1993. Found within this small collection are biographical materials, scattered business and financial records, notes, a file concerning the Drake University Summer Session, printed material, and photographs. The bulk of the papers consist of correspondence exchanged with art critic Hubert Crehan and artist colleagues including George Abend, Ernie Briggs, Herman Cherry, Lucien Day, Harvey Harris, Reuben Kadish, Mary Fuller McChesney, and Clyfford Still.
Scope and Content Note:
The papers of painter and instructor Edward Dugmore measure 2.0 linear feet and date from 1937-1993. Found within this small collection are biographical materials, scattered business and financial records, notes, a file concerning the Drake University Summer Session, printed material, and photographs. The bulk of the papers consist of correspondence exchanged with art critic Hubert Crehan and artist colleagues including George Abend, Ernie Briggs, Herman Cherry, Lucien Day, Harvey Harris, Reuben Kadish, Mary Fuller McChesney, and Clyfford Still.

Printed materials include clippings, exhibition catalogs and announcements, and press releases. Photographs are of artwork, Dugmore, and colleagues, including Lewin Alcopley, Anne Arnold, Warren Brandt, Ernest Briggs, Herman Cherry, Hubert Crehan, Lucien Day, Rosalyn Drexler, John Grillo, John Hultberg, Reuben Kadish, Aristodemus Kaldis, Kyle Morris, Stephen and Pam Pace, Charles Pollock, Peter Voulkos, and Hugo Weber.
Arrangement:
The collection is arranged into 7 series:

Missing Title

Series 1: Biographical Material, 1948-1993 (Box 1; 3 folders)

Series 2: Correspondence, circa 1943-1992 (Box 1, 2; 1.5 linear feet)

Series 3: Business Records, circa 1951-1972 (Box 2; 2 folders)

Series 4: Notes, circa 1969-1980 (Box 2; 1 folder)

Series 5: Drake University Summer Session File, 1972-1973(Box 2; 5 folders)

Series 6: Printed Material, circa 1937-1993 (Box 2; 25 folders)

Series 7: Photographs, circa 1960-1983 (Box 2; 9 folders)
Biographical Note:
Edward Dugmore (1915-1996) was a painter and arts instructor working in New York, San Francisco, Illinois, and Maryland.

Edward Dugmore was born in 1915 in Hartford Connecticutt, the son of Walter and Ellen Spragg Dugmore. Dugmore received a four year scholarship to study painting at Hartford Art School from 1934 to 1938. In 1938, he also married Edith Oslund. He briefly studied lithography and etching under Thomas Hart Benton at the Kansas City (Missouri) Art Institute in 1941. After serving in the U.S. Marine Corps during World War II, he returned to New York City. From 1946 to 1948, he taught painting and drawing at St. Joseph's College in West Hartford, Connecticut.

In 1948, Dugmore moved to San Francisco and began two year's study of art under the G.I. Bill at the California School of Fine Arts, were he befriended Clyfford Still and Ernest Briggs. He co-founded the artists' collaborative Metart Gallery, where he had his first solo exhibition in 1950.

From 1951 to 1952, Dugmore studied at the University of Guadalajara, Mexico, earning a master's degree in fine arts. In 1952, he moved back to New York City where he had solo exhibitions at the Stable Gallery over the following three years. He also had solo exhibitions at the Howard Wise Gallery in New York and Cleveland during the 1960s.

Between 1961 and 1962, Dugmore was Visiting Artist at the University of Southern Illinois, and in 1970, he was Visiting Artist at the Des Moines Art Center and Drake University. From 1964 to 1974, he taught painting and drawing part time at the Pratt Institute, and in 1965, he was Artist-in-Residence at the Montana Institute of Fine Arts, sponsored by a Ford Foundation Grant. From 1973 to 1982, he taught part time at the Maryland Institute, College of Art in Baltimore, Maryland.

Dugmore's paintings are in the collections of the Albright-Knox Art Gallery, the Walker Art Center, the Corcoran Gallery of Art, and the Hirshhorn Museum and Sculpture Garden.

Edward Dugmore died in 1996 in Minneapolis, Minnesota.
Related Material:
Among the holdings of the Archives of American Art is a transcribed oral history interview with Edward Dugmore conducted by Tram Combs in 1994.
Provenance:
The Edward Dugmore papers were donated in several increments between 1980 to 1993 by the artist.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painters -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
Edward Dugmore papers, 1937-1993. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dugmedwa
See more items in:
Edward Dugmore papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95a15c01f-3132-4a5c-86a4-347793f29def
EDAN-URL:
ead_collection:sova-aaa-dugmedwa

Triad : Alcopley, Herman Cherry, Reuben Kadish

Author:
Copley, Alfred L  Search this
Cherry, Herman  Search this
Kadish, Reuben 1913-1992  Search this
David Findlay Jr., Inc  Search this
Subject:
Copley, Alfred L  Search this
Cherry, Herman  Search this
Kadish, Reuben 1913-1992  Search this
Physical description:
[17] p. : col. ill. ; 14 x 20 cm
Type:
Books
Exhibitions
Date:
2008
2008]
20th century
Topic:
Art, American  Search this
Call number:
N6512 .T734 2008
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_835414

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