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Archives of American Art Short Film Series: Oral History Interview with Ruth Asawa, 2002

Creator:
Archives of American Art  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2020-05-29T19:17:14.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
SmithsonianAAA
Data Source:
Archives of American Art
YouTube Channel:
SmithsonianAAA
EDAN-URL:
edanmdm:yt__sd_mNOa5iE

Hisako Hibi and Matsusaburo "George" Hibi papers

Creator:
Hibi, Hisako, 1907-1991  Search this
Hibi, Matsusaburo George, 1886-1947  Search this
Extent:
3.3 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
circa 1906-2000
Scope and Contents:
The papers of Japanes American artists Hisako Hibi and Matsusaburo "George" Hibi measure 3.3 linear feet and date from circa 1906-2000. These papers are mainly focused on Hisako Hibi's life and career, with some small elements related to Matsusaburo "George" Hibi. Included are biographical material consisting of immigration documents and interview transcripts; scrapbooks; photographs of family members; printed material including catalogs and newspaper clippings; personal and professional correspondence; records of works sold, loaned and donated; and few sketches. Also found is Matsusaburo's handwritten account of founding the art school at Topaz camp.
Biographical / Historical:
Hisako Hibi née Shimizu (1907-1991) was Japanese American an artist in Hayward and San Francisco, California. She was married to­ artist Matsusaburo "George" Hibi (1886-1947). Both artists were incarcerated at the Topaz relocation center in Utah during World War II.
Provenance:
Donated in 2022 by Ibuki Hibi Lee, Hisako and Matsusaburo "George" Hibi's daughter.
Restrictions:
This collection is temporarily closed to researchers due to archival processing. For more information, please contact Reference Services.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- San Francisco  Search this
Printmakers -- California -- San Francisco  Search this
Topic:
Women artists  Search this
Asian American artists  Search this
Japanese American artists  Search this
Japanese Americans -- Forced removal and internment, 1942-1945  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.hibihisa
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96ad4ec94-a26a-44a8-94e1-868fddd32f1d
EDAN-URL:
ead_collection:sova-aaa-hibihisa

Stamp Stories: Ruth Asawa

Creator:
National Postal Museum  Search this
Type:
YouTube Videos
Uploaded:
2021-02-10T19:52:00.000Z
YouTube Category:
Education  Search this
Topic:
Postal service;Letter mail handling;Stamp collecting  Search this
See more by:
SmithsonianNPM
Data Source:
National Postal Museum
YouTube Channel:
SmithsonianNPM
EDAN-URL:
edanmdm:yt_vFJ-d9Nnnwk

Oral history interview with Chuzo Tamotzu

Interviewee:
Tamotsu, Chūzō, 1888-1975  Search this
Interviewer:
Loomis, Sylvia Glidden  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
An American Group (Organization)  Search this
Artists Equity Association  Search this
Federal Art Project  Search this
New Deal and the Arts Oral History Project  Search this
Eddy, Stuart  Search this
Force, Juliana, 1876-1948  Search this
Knight, Frederic C., 1898-1979  Search this
Mandelman, Beatrice  Search this
Philipp, Robert, 1895-1981  Search this
Ribak, Louis, 1902-1979  Search this
Rush, Olive, 1873-1966  Search this
Extent:
11 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 September 3
Scope and Contents:
An interview of Chuzo Tamotzu (Tamotsu) conducted 1964 September 3 by Sylvia Loomis for the Archives of American Art.
Tamotzu discusses studying Occidental, Oriental art in Japan; traveling to Korea, Manchuria and China, South Sea Islands, Singapore, then Europe for a year; coming to New York in 1920; his involvement with An American Group; Juliana Force recruiting him for the Federal Art Project; being on the Easel Project and also on the Graphic Art Project; the Works Projects Administration; given "pink-slip" on the Project since he was not a U.S. citizen; stint in the U.S. Army, Office of Strategic Service doing propaganda paintings for psychological war material for the Japanese Army and soldiers; settling in Santa Fe, N.M.; Oriental painting; and Artist Equity Association. Tamotzu mentions Beatrice Mandelman, Louis Ribak, Robert Philip, Stuart Eddy, Frederick Knight, and Olive Rush.
Biographical / Historical:
Chuzo Tamotzu (1888-1975) was a Japanese American painter based in Santa Fe, New Mexico. Tamotzu was born in Japan and came to the United States in 1920. He moved to Santa Fe in 1948.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 40 min.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Occupation:
Painters -- New Mexico -- Santa Fe  Search this
Topic:
Federal aid to the arts  Search this
Painting, Japanese  Search this
Asian American art  Search this
Asian American artists  Search this
Arts, Japanese -- Western influences  Search this
Painting, Asian  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American painters  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.tamots64
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9606ba830-2b86-4e11-b2ed-09c487270421
EDAN-URL:
ead_collection:sova-aaa-tamots64
Online Media:

Norie Sato papers, 1974-1991

Creator:
Sato, Norie, 1949-  Search this
Citation:
Norie Sato papers, 1974-1991. Archives of American Art, Smithsonian Institution.
Topic:
Video art  Search this
Asian American artists  Search this
Japanese American artists  Search this
Asian American printmakers  Search this
Asian American video artists  Search this
Women artists  Search this
Asian American sculptors  Search this
Women sculptors  Search this
Theme:
Women  Search this
Asian American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10699
(DSI-AAA_SIRISBib)214300
AAA_collcode_satonori
Theme:
Women
Asian American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214300

Norie Sato papers

Creator:
Sato, Norie, 1949-  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1974-1991
Summary:
The papers of video artist, printmaker, and sculptor Norie Sato measure 0.6 linear feet and date from 1974 to 1991. Biographical materials, correspondence, lecture, exhibition, and project files, printed material, and writings document Sato's activities to mid-career and her involvement in professional video and artist organizations primarily in Seattle, Washington.
Scope and Contents:
The papers of video artist, printmaker, and sculptor Norie Sato measure 0.6 linear feet and date from 1974 to 1991. Biographical materials, correspondence, lecture, exhibition, and project files, printed material, and writings document Sato's activities to mid-career and her involvement in professional video and artist organizations primarily in Seattle, Washington.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Japanese-born video artist, printmaker, and sculptor Norie Sato (1949- ) is based in Seattle, Washington and is known for her many site-specific installations that interact with their environment.

Sato moved to Seattle in 1972 and received her Master of Fine Arts degree in printmaking from the University of Washington. She is a founder of the Center for Contemporary Art (COCA) in Seattle and a member of the Seattle Arts Commission. Sato received the Washington State Governor's Arts and Heritage Award in 2014, among many other awards.
Provenance:
Donated 1991 by Norie Sato.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Video artists -- Washington (State) -- Seattle  Search this
Printmakers -- Washington (State) -- Seattle  Search this
Sculptors -- Washington (State) -- Seattle  Search this
Topic:
Video art  Search this
Asian American artists  Search this
Japanese American artists  Search this
Asian American printmakers  Search this
Asian American video artists  Search this
Women artists  Search this
Asian American sculptors  Search this
Women sculptors  Search this
Citation:
Norie Sato papers, 1974-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.satonori
See more items in:
Norie Sato papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cf50d855-075c-4559-98bf-5cfb4e752485
EDAN-URL:
ead_collection:sova-aaa-satonori

Matsumi Kanemitsu papers, circa 1947-1998

Creator:
Kanemitsu, Matsumi, 1922-1992  Search this
Citation:
Matsumi Kanemitsu papers, circa 1947-1998. Archives of American Art, Smithsonian Institution.
Topic:
Abstract expressionism  Search this
Asian American artists  Search this
Japanese American artists  Search this
Asian American painters  Search this
Japanese Americans -- Forced removal and internment, 1942-1945  Search this
Theme:
Asian American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6482
(DSI-AAA_SIRISBib)215669
AAA_collcode_kanemats
Theme:
Asian American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215669

Hisako Hibi and Matsusaburo "George" Hibi papers, circa 1906-2000

Creator:
Hibi, Hisako, 1907-1991  Search this
Hibi, Matsusaburo George, 1886-1947  Search this
Type:
Scrapbooks
Citation:
Hisako Hibi and Matsusaburo "George" Hibi papers, circa 1906-2000. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Asian American artists  Search this
Japanese American artists  Search this
Japanese Americans -- Forced removal and internment, 1942-1945  Search this
Theme:
Asian American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)22180
AAA_collcode_hibihisa
Theme:
Asian American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_22180

(At Home) On Art and Animation: Artist Talk with Kota Ezawa

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2020-12-17T01:11:42.000Z
YouTube Category:
Entertainment  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornmuseum
EDAN-URL:
edanmdm:yt_A67nY6D2nqk

Matsumi Kanemitsu papers

Creator:
Kanemitsu, Matsumi  Search this
Extent:
3.1 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1947-1998
Summary:
The papers of Matsumi Kanemitsu measure 3.1 linear feet and date from 1947-1998. The papers document Kanemitsu's career through biographical material; correspondence with friends, family, artists, universities, and galleries; professional files such as teaching files and work on juried shows; personal and business financial records; printed materials, photographs, and artwork.
Scope and Contents:
The papers of Matsumi Kanemitsu measure 3.1 linear feet and date from 1947-1998. The papers document Kanemitsu's career through biographical material; correspondence with friends, family, artists, universities, and galleries; professional files such as teaching files and work on juried shows; personal and business financial records; printed materials, photographs, and artwork. Biographical material includes resumes, contact and business cards, assorted notes written by Kanemitsu in English and Japanese, and National Geographic membership certificates. Correspondence consist of a mix of personal letters with family and friends, many of which were other artists, as well as professional letters with galleries, museums and colleagues in both English and Japanese. Noteable correspondence include the Akron Art museum, Harold Rosenberg, Harriet and Esteban Vicente, MOMA, Paul Jenkins, Peter Pollack, William De Kooning and others. Professional files document Kanemitsu's academic appoitments, roles serving on the exhibition jury for the Utah '88: Painting and Sculpture exhibition and as a Friends of Little Tokyo Arts (FOLTA) member, commission work and an application for the John Simon Guggenheim Memorial Foundation Fellowship. Personal business records include sale, consignment and loan recipets, shipping records, gallery correspondence and other documents related to the creation, commission and sale of Kanemitu's work such as artwork inventory lists, gallery consignment records and commission invoices. This series also includes records pertaining to Kanemitu's travel and buisness expenses, personal finances and art collecting. Printed Material includes exhibition announcements, invitations and catalogs, magazines, posters, a posthumous retrospective exhibition catalog written in English and Japanese, clippings in English and Japanese and other miscellaneous materials. Photographic Material primarily include photographs of Kanemitsu, his children and friends. Also found are photographs of artwork, miscellaneous photographs of a winter landscape, a house and street in Japan and two slides of artwork titled Phil. The artwork series consists of two small paintings by Kanemitsu as well as a childhood drawing by his daughter Patia Valazquez.
Arrangement:
The collection is arranged as seven series

Series 1: Biographical Material, circa 1947-1992 (0.4 Linear feet: Box 1)

Series 2: Correspondence, circa 1947-1992 (1.3 Linear feet: Box 1-2)

Series 3: Professional Files, circa 1961-1990 (0.3 Linear feet: Box 2)

Series 4: Personal Business , circa 1959-1991 (0.4 Linear feet: Box 3)

Series 5: Printed Material, 1961-1998 (0.5 Linear feet: Box 3, OV 1)

Series 6: Photographic Material, circa 1960-1992 (0.2 Linear feet: Box 3)

Series 7: Artwork, circa 1970s (2 Folders: Box 3)
Biographical / Historical:
Matsumi Kanemitsu (1922-1992), also known as Mike Kanemistu was a Japanese American painter based in both New York City, New York and Los Angeles, California. Although born in Utah, Kanemitsu lived in Japan until he was eighteen. In 1940 he returned to the United States, joining the Army in 1941. But after the attack on Pearl Harbor, he was arrested and sent to a series of Army detention camps. With art supplies provided by the American Red Cross, he began to draw with pen and ink and pastels. Eventually, he was released and volunteered for overseas duty as a hospital assistant in Europe. His Army tour ended in 1946. After the war, he studied with Fernand Leger in Paris; with Kuniyoshi, Sternberg, and others at the Art Student's League in New York; and with sculptor Karl Metzler in Baltimore. A highly recognized second generation Abstract Expressionist in New York, Kanemitsu came to live permanently in Los Angeles after recieving a Ford Foundation Fellowship in 1961 to work at the Tamarind Lithography Workshop where he created a series of prints that translated sumi painting techniques into lithography. He exhibited widely throughout the United States, as well as Japan, and is work is owned by a number of public institutions in the United States and Japan. In addition to his practice, Kanemitsu also held professorial positions at a number of universities and art institutions including the University of California Berkely, the Chouinard Art Institute, amd the Otis Art Institute.
Provenance:
Donated 1994 and 1998 by Nancy Uyemura, Kanemitsu's former student, friend, and executor.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- Los Angeles  Search this
Topic:
Abstract expressionism  Search this
Asian American artists  Search this
Japanese American artists  Search this
Asian American painters  Search this
Japanese Americans -- Forced removal and internment, 1942-1945  Search this
Citation:
Matsumi Kanemitsu papers, circa 1947-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kanemats
See more items in:
Matsumi Kanemitsu papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93ce28e72-1191-423f-affd-528ac9f1cc1d
EDAN-URL:
ead_collection:sova-aaa-kanemats

Patti Warashina papers

Creator:
Warashina, Patti, 1940-  Search this
Names:
Lee Nordness Galleries  Search this
Currier, Anne, 1950-  Search this
Kottler, Howard, 1930-1989  Search this
Lipofsky, Marvin, 1938-2016  Search this
Lucero, Michael, 1953-  Search this
Sperry, Robert, 1927-1998  Search this
Extent:
4.8 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Photographs
Date:
circa 1900-1991
bulk 1970-1989
Summary:
The papers of ceramicist and sculptor Patti Warashina (b. 1940) date from circa 1900 and 1957 through 1991, bulk 1970-1989. The collection consists of 4.8 linear feet of correspondence and printed material reflecting the many ceramic and craft exhibitions and other projects Warashina participated in throughout the United States, and her associations with other ceramicists. Also included are biographical documents, writings, art works, several photographs, and a video.
Scope and Content Note:
The Patti Warashina papers measure 4.8 linear feet and date from circa 1900 and 1957 through 1991 (bulk 1970-1989). The collection documents the artistic and teaching career of Seattle-based sculptor and ceramicist Patti Warashina predominantly through correspondence and printed material reflecting the many ceramic and craft exhibitions and other projects Warashina participated in throughout the United States, and her associations with other ceramicists. Also included are biographical documents, writings, art works, several photographs, and a video.

Biographical material includes family trees, diplomas, awards, and documents relating to Warashina's family Japanese internment during WWII. Correspondence, 1968-1991, relating to exhibitions and other projects, is with galleries, museums, purchasers, publishers, and others, among them the Lee Nordness Gallery (N.Y.), Morgan Gallery (Kansas City), and Theo Portney Gallery (Seattle). Additional correspondence files contain letters received, 1977-1990, many addressed to Warashina and her husband Bob (Robert Sperry), from friends, colleagues, former students and family members, including Nancy Carmen, Anne Currier, Deborah Horrell, Matthew Kangas, Howard Kottler, Marvin Lipofsky, Michael Lucero, and others.

Ten photographs, circa 1900-1944, are portraits of Warashina's relatives and family, and several snapshots, circa 1970s, are of former students and works of art. Printed material, 1961-1990, includes newspaper and magazine clippings, programs, journals, newsletters, exhibition announcements, exhibition catalogs, and workshop announcements for Warashina's various sculpture and ceramic lectures. Writings include both published and unpublished works by Warashina, including an artist's statement for a possible lecture at the 1986 conference of the National Council on Education for the Ceramic Arts (NCECA). Also found here are handwritten notes on a panel discussion titled Cultural and Racial Heritage: Sources and Imagery in which Warashina was a participant along with artists Aminah Brenda Lynn Robinson, María Brito Avellana, and Indira Johnson. Art work consists of blue line drawings for her sculpture "Red Earth," 1986 as well as a pen and ink sketch of Warashina by an unidentified artist. A videocassette, 1987, is of the television program "The Big A: Different Ways of Seeing", in which Warashina appears briefly.
Arrangement:
The Patti Warashina papers are arranged as seven series based primarily on type of material. The correspondence in Series 2 is arranged chronologically for exhibitions and projects and general letters received. Additional letters received are arranged by name of author.

Missing Title

Series 1: Biographical Material, 1974-1991, undated (Box 1; 3 folders)

Series 2: Correspondence, 1957, 1967-1991, undated (Boxes 1-3; 2.0 linear feet)

Series 3: Photographs, circa 1900- circa 1959, 1971, undated (Box 3; 3 folders)

Series 4: Printed Material, 1961-1990, undated (Boxes 3-6, OV 7; 2.0 linear feet)

Series 5: Writings and Notes, 1984, 1986, 1989, undated (Box 6; 4 folders)

Series 6: Artwork, 1986, undated (Box 6; 2 folders)

Series 7: Miscellany, 1987, undated (Box 6; 2 folders)
Biographical Note:
Patti Warashina is a Japanese American ceramicist and sculptor. She was born in 1940 as Masae Patricia Warashina in Spokane, Washington to third generation Japanese emigrants. She received her undergraduate degree from the University of Washington, Seattle, where she studied with sculptors Robert Sperry, Harold Myers, Rudy Autio, Shoji Hamada, Shinsaku Hamada, and Ruth Penington. She received her first solo exhibition in 1962 at the Phoenix Art Gallery in Seattle the same year she graduated with an M.F.A. from the University of Washington. Warashina later married fellow student Fred Bauer and from 1964 to 1970 exhibited as Patti Bauer.

Influences in Warashina's art include California funk and sculptural ceramics. Her work is best known for its whimsical themes expressed through low-fire highly colored figurative images. Together with fellow artists Robert Sperry, Howard Kottler and Fred Bauer, she brought national recognition to the department of ceramics at the University of Washington's School of Art beginning in the 1980s.

Patti Warashina is a recipient of several awards for achievements in the field of crafts, most recently the Twining Humber Award granted by Seattle's Artists Trust in 2002. She received the Governor's Award of Special Commendation for the Arts in 1980 in addition to grants from the National Endowment for the Arts in both 1975 and 1986. In 1978, Warashina was awarded a World Craft Council Travel Grant which allowed her to conduct research on the ceramic arts process in Japan, Hong Kong, Singapore, Thailand, Bali and the Philippines. Warashina's teaching career spans over 30 years and includes positions at the University of Wisconsin, Eastern Michigan University, and at her alma mater where she has taught for over 25 years. Her work is featured in several museum collections in both the U.S. and abroad including the American Craft Museum in New York, the Seattle Art Museum and Henry Art Gallery, the Smithsonian American Art Museum's Renwick Gallery (Washington, DC), the Art Gallery of Western Australia, and the Ichon World Ceramic Center in Korea. Since her marriage to ceramicist Robert Sperry in 1976, she has used Patti Warashina as her professional name. Patti Warashina is a resident of Seattle, Washington.
Provenance:
The Patti Warashina papers were donated by the artist to the Archives of American Art in 1991.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Ceramicists -- Washington (State) -- Seattle  Search this
Sculptors -- Washington (State) -- Seattle  Search this
Topic:
Japanese American families -- Photographs  Search this
Asian American art  Search this
Asian American artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American sculptors  Search this
Asian American ceramicists  Search this
Women artists  Search this
Women ceramicists  Search this
Women sculptors  Search this
Genre/Form:
Video recordings
Photographs
Citation:
Patti Warashina papers, circa 1990-1991, bulk 1970-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.warapatt
See more items in:
Patti Warashina papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw959631d63-cd0b-4c29-b6df-dadc4b149ee0
EDAN-URL:
ead_collection:sova-aaa-warapatt
Online Media:

Oral history interview with Ruth Asawa and Albert Lanier, 2002 June 21-July 5

Interviewee:
Asawa, Ruth, 1926-2013  Search this
Interviewer:
Johnson, Mark  Search this
Subject:
Karlstrom, Paul J  Search this
Lanier, Albert  Search this
Albers, Anni  Search this
Albers, Josef  Search this
Fuller, R. Buckminster (Richard Buckminster)  Search this
Black Mountain College (Black Mountain, N.C.)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Ruth Asawa and Albert Lanier, 2002 June 21-July 5. Archives of American Art, Smithsonian Institution.
Topic:
Asian American art  Search this
Asian American artists  Search this
Asian American sculptors  Search this
Japanese American art  Search this
Japanese American artists  Search this
Women artists  Search this
Women sculptors  Search this
Art -- Philosophy  Search this
Japanese Americans -- Forced removal and internment, 1942-1945  Search this
Theme:
Asian American  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)12222
(DSI-AAA_SIRISBib)230409
AAA_collcode_asawa02
Theme:
Asian American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_230409
Online Media:

Reba Stewart letter to Yutaka Ohashi, 1969 September 2

Creator:
Ohashi, Yutaka, 1923-1989  Search this
Subject:
Stewart, Reba  Search this
Citation:
Reba Stewart letter to Yutaka Ohashi, 1969 September 2. Archives of American Art, Smithsonian Institution.
Topic:
Asian American art  Search this
Asian American artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American painters  Search this
Theme:
Asian American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6964
(DSI-AAA_SIRISBib)209093
AAA_collcode_ohasyuta
Theme:
Asian American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209093

Kenzo Okada exhibition catalogs, 1965-1976

Creator:
Okada, Kenzo, 1902-1982  Search this
Citation:
Kenzo Okada exhibition catalogs, 1965-1976. Archives of American Art, Smithsonian Institution.
Topic:
Asian American art  Search this
Asian American artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American painters  Search this
Theme:
Asian American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6965
(DSI-AAA_SIRISBib)209094
AAA_collcode_okadkenz
Theme:
Asian American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209094

Photographs of Miye Matsukata, 1970

Creator:
Desloovere, Liliane  Search this
Subject:
Matsukata, Miye  Search this
Citation:
Photographs of Miye Matsukata, 1970. Archives of American Art, Smithsonian Institution.
Topic:
Asian American jewelers  Search this
Asian American metal-workers  Search this
Asian American art  Search this
Asian American artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Women artists  Search this
Women painters  Search this
Theme:
Asian American  Search this
Craft  Search this
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7051
(DSI-AAA_SIRISBib)209184
AAA_collcode_desllili
Theme:
Asian American
Craft
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209184

Slides of jewelry designed by Miye Matsukata, [ca. 1970]

Creator:
Fields, Mrs. Herbert  Search this
Subject:
Matsukata, Miye  Search this
Citation:
Slides of jewelry designed by Miye Matsukata, [ca. 1970]. Archives of American Art, Smithsonian Institution.
Topic:
Decorative arts  Search this
Jewelry making  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American jewelers  Search this
Asian American metal-workers  Search this
Japanese American art  Search this
Japanese American artists  Search this
Women artists  Search this
Women designers  Search this
Theme:
Asian American  Search this
Craft  Search this
Women  Search this
Patronage  Search this
Record number:
(DSI-AAA_CollID)7052
(DSI-AAA_SIRISBib)209185
AAA_collcode_fielmrs
Theme:
Asian American
Craft
Women
Patronage
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209185

Alexandra S. Watkins papers relating to Miye Matsukata, 1969-1980

Creator:
Watkins, Alexandra Solowij, 1933-  Search this
Subject:
Matsukata, Miye  Search this
Citation:
Alexandra S. Watkins papers relating to Miye Matsukata, 1969-1980. Archives of American Art, Smithsonian Institution.
Topic:
Jewelry making  Search this
Women artists  Search this
Asian American art  Search this
Asian American artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American jewelers  Search this
Asian American metal-workers  Search this
Theme:
Women  Search this
Asian American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7216
(DSI-AAA_SIRISBib)209353
AAA_collcode_watkalex
Theme:
Women
Asian American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209353

Sarepta Pierpont Ostrum papers relating to Miye Matsukata jewelry, 1979-1982

Creator:
Ostrum, Sarepta Pierpont, 1922-  Search this
Subject:
Matsukata, Miye  Search this
Citation:
Sarepta Pierpont Ostrum papers relating to Miye Matsukata jewelry, 1979-1982. Archives of American Art, Smithsonian Institution.
Topic:
Jewelry  Search this
Women artists  Search this
Decorative arts  Search this
Asian American art  Search this
Asian American artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American jewelers  Search this
Asian American metal-workers  Search this
Women jewelers  Search this
Jewelry making  Search this
Theme:
Asian American  Search this
Craft  Search this
Women  Search this
Patronage  Search this
Record number:
(DSI-AAA_CollID)7224
(DSI-AAA_SIRISBib)209363
AAA_collcode_ostrsare
Theme:
Asian American
Craft
Women
Patronage
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209363

Miye Matsukata note with sketch to Lula Court Bartlett, 1974

Creator:
Matsukata, Miye, 1922-1981  Search this
Subject:
Bartlett, Mary Lula Cort  Search this
Citation:
Miye Matsukata note with sketch to Lula Court Bartlett, 1974. Archives of American Art, Smithsonian Institution.
Topic:
Jewelry making  Search this
Asian American art  Search this
Asian American artists  Search this
Women artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American jewelers  Search this
Asian American metal-workers  Search this
Women jewelers  Search this
Theme:
Women  Search this
Asian American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7250
(DSI-AAA_SIRISBib)209400
AAA_collcode_matsmiyn
Theme:
Women
Asian American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209400

Checklists of Yasuo Kuniyoshi prints, [ca. 1960-1963]

Creator:
Davis, Richard A. (Richard Allen), 1923-  Search this
Subject:
Kuniyoshi, Yasuo  Search this
Citation:
Checklists of Yasuo Kuniyoshi prints, [ca. 1960-1963]. Archives of American Art, Smithsonian Institution.
Topic:
Asian American art  Search this
Asian American artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American painters  Search this
Asian American photographers  Search this
Asian American printmakers  Search this
Theme:
Asian American  Search this
Patronage  Search this
Record number:
(DSI-AAA_CollID)7391
(DSI-AAA_SIRISBib)209548
AAA_collcode_davirich
Theme:
Asian American
Patronage
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209548

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