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Joseph Lindon Smith papers

Creator:
Smith, Joseph Lindon, 1863-1950  Search this
Names:
Académie Julian  Search this
Alma-Tadema, Lawrence, Sir, 1836-1912  Search this
Beaux, Cecilia, 1855-1942  Search this
Benson, Frank Weston, 1862-1951  Search this
Brush, George de Forest, 1855-1941  Search this
Carson, Kit, 1809-1868  Search this
Gardner, Isabella Stewart, 1840-1924  Search this
James, Henry, 1843-1916  Search this
Loring, Charles Greely, 1828-1902  Search this
Manship, Paul, 1885-1966  Search this
Pershing, John J. (John Joseph), 1860-1948  Search this
Ross, Denman Waldo, 1853-1935  Search this
Sargent, John Singer, 1856-1925  Search this
Smith, Corinna Lindon, 1876-  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Extent:
8.8 Linear feet
Type:
Collection descriptions
Archival materials
Notebooks
Photographs
Prints
Interviews
Drafts (documents)
Sound recordings
Scrapbooks
Diaries
Sketchbooks
Drawings
Place:
Egypt, Antiquities
Egypt -- description and travel
Date:
1647-1965
bulk 1873-1965
Summary:
The papers of Boston and New Hampshire painter Joseph Lindon Smith date from 1647-1965, with the bulk of papers dating from 1873-1965, and measure 8.8 linear feet. Found within the papers are biographical materials; letters from family members, artists, museums, and art patrons; seven diaries by Smith and two by his wife Corinna, personal business records, notes and writings, files concerning charitable theatrical productions, one sketchbook and other art work, a scrapbook, printed material, photographs, and sound recordings of radio interviews and a radio program on Smith.
Scope and Content Note:
The papers of Boston and New Hampshire painter Joseph Lindon Smith date from 1647-1965, with the bulk of papers dating from 1873-1965, and measure 8.8 linear feet. Found within the papers are biographical materials; letters from family members, artists, museums, and art patrons; seven diaries by Smith and two by his wife Corinna, personal business records, notes and writings, files concerning charitable theatrical productions, one sketchbook and other art work, a scrapbook, printed material, photographs, and sound recordings of radio interviews and a radio program on Smith.

Scattered biographical material consists of family history documents for the Smith and Putnam families, a Jenkes family tree, and passports for Joseph Lindon Smith and his family.

Over three linear feet of letters are from family members, artists including Cecilia Beaux, Frank Benson, George DeForest Brush, and Denman Ross, museum staff concerned with work in Egypt, and art patrons including Isabella Stewart Gardner, and individuals involved with Smith's charitable pageants. There are scattered letters from Lawrence Alma-Tadema, Henry James, Charles G. Loring, Paul Manship, General John J. Pershing, John Singer Sargent, and Abbott Handerson Thayer. Among the subjects discussed are student life at the Académie Julian, the Smiths' travels, and individuals known by Smith.

Seven diaries written by Joseph Lindon Smith document his ravels in Egypt, Persia, Europe, and New Mexico. Two diaries were written by Corinna Smith during her travels to Beiram and Egypt.

Personal business records business records include contracts, price lists, lists of securities, and miscellaneous receipts of the Smith and Putnam families, Joseph Lindon Smith, Corinna Smith, and their daughter Lois Smith.

Notes include engagement calendars, notebooks, lists of art work, lecture notes, minutes of meetings, notes on family history and on travel, and an autograph by Kit Carson. Writings include miscellaneous typescripts by the Smiths and others concerning travel, work in Egypt and elsewhere, and anecdotes about various friends and acquaintances. There are also three drafts of "Egypt - My Winter Home."

Theatrical production files concern plays, pageants, and masques written and/or produced by the Smiths. Many of the performances were benefits, dedication or anniversary celebrations, such as a pageant given at Fenway Court in honor of Isabella Stewart Gardner, a pageant at the dedication of a memorial to Abbott Handerson Thayer, and the centenary celebration of the founding of Amherst, Massachusetts.

Art work includes a sketchbook with extensive notes, a painting, drawings by Joseph Lindon Smith, and prints by other artists.

A scrapbook contains clippings and an exhibition catalog from the St. Botolph Club. Additional printed material includes clippings, exhibition announcements and catalogs, press releases, programs, booklets, brochures, and books by others.

Photographs are of Smith, his family, friends including classmates from the Académie Julian, Isabella Stewart Gardner, Abbott Handerson Thayer, exhibition installations, military camp sites from World War I, travel scenes, and art work by Smith.

Audio recordings consist of four sound disc recordings of interviews for WKNE Radio, Keene, New Hampshire, with Corinna Smith and Barry Faulkner talking about Smith, and a program about Smith and his book Tombs, Temples, and Ancient Art.
Arrangement:
The collection is arranged as 11 series:

Series 1: Biographical Material, 1711-1948 (Box 1, 10; 5 folders)

Series 2: Letters, 1768-1965 (Box 1-4, OV 11; 3.5 linear feet)

Series 3: Diaries, 1904-1949 (Box 4; 11 folders)

Series 4: Personal Business Records, 1647-1959 (Box 4, 10; 11 folders)

Series 5: Notes and Writings, 1783-1963 (Box 4-6; 2.0 linear feet)

Series 6: Theatrical Production Files, 1897-1950 (Box 6-7, 10; 1.2 linear feet)

Series 7: Art Works, 1932-1943 (Box 8, 10; 8 folders)

Series 8: Scrapbook, 1888-1901 (Box 8; 1 folder)

Series 9: Printed Material, 1723-1963 (Box 8, OV 11; 0.8 linear feet)

Series 10: Photographs, 1884-1956 (Box 8-10; 0.5 linear feet)

Series 11: Audio Recordings, 1956 (Box 9-10; 2 folders)

All material is arranged chronologically except for the writings by others and travel photographs that are arranged alphabetically.
Biographical Note:
Joseph Lindon Smith (1863-1950) of Boston, Massachusetts and Dublin, New Hampshire, was a painter primarily known for his ability to meticulously depict the murals and tomb sculpture of Egypt and other ancient cultures.

Joseph Lindon Smith was born on October 11, 1863 in Pawtucket, Rhode Island, the son of wholesale lumberman Henry Francis Smith and Emma Greenleaf Smith, a cousin of John Greenleaf Whittier.

From 1880 to 1882, Smith studied drawing and painting at the Art School of the Boston Museum of Fine Arts under Frederic Crowninshield and Otto Grundman. Accompanied by his friend, Frank Benson, he attended the Académie Julian and studied under William Bouguereau, Gustave Boulanger, and Jules Lefebvre from 1883 to 1885.

Upon his return to Boston, Smith established a studio as a portrait and landscape painter, attracting the attention of Denman Ross, a professor of History of Fine Arts at Harvard University. In the early 1890s Smith and Ross began to travel extensively and Smith became interested in ancient civilizations of Mexico, China, and Southeast Asia. In 1892, during a trip to Italy, Smith befriended Isabella Stewart Gardner, for whom he copied famous paintings, and occasionally acted as agent in purchasing art work.

Making his first trip to Egypt in 1898, Smith became enthralled with the art work of the ancient civilization and devoted himself to painting copies of the tomb sculptures and murals for educational uses in museums and other public institutions. In 1899, he married Corinna Haven Putnam and the couple spent much of their married life traveling between the United States and the Middle East, especially Egypt. From 1910 to 1939, Smith was a member of the Joint Expedition of the Boston Museum of Fine Arts and Harvard University directed by Dr. George A. Reisner.

For fifty years, Smith was also sought out as a writer and producer of plays and theatrical pageants, fetes, and masques primarily staged for various charitable fund-raising events.

Joseph Lindon Smith died on October 18, 1950 in Dublin, New Hampshire.
Related Material:
The papers of Smith's wife, Corinna Putnam Smith, are available at The Schlesinger Library of Radcliffe College, Cambridge, Massachusetts.
Provenance:
The Joseph Lindon Smith papers were donated by Jessie T. Hale, Smith's granddaughter, in 1977 and 1978.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Joseph Lindon Smith papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters -- New Hampshire -- Dublin  Search this
Topic:
Historical drama  Search this
Community theater  Search this
Art, Egyptian  Search this
Art, Ancient  Search this
Art, Egypt  Search this
Genre/Form:
Notebooks
Photographs
Prints
Interviews
Drafts (documents)
Sound recordings
Scrapbooks
Diaries
Sketchbooks
Drawings
Citation:
Joseph Lindon Smith papers, 1647-1965, bulk 1873-1965. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.smitjose
See more items in:
Joseph Lindon Smith papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-smitjose
Online Media:

Alexander Robertson James papers

Creator:
James, Alexander, 1890-1946  Search this
Names:
Faulkner, Barry, 1881-1966  Search this
Gugler, Eric, 1889-1974  Search this
James, Frederika Paine  Search this
James, Henry, 1843-1916  Search this
James, William, 1842-1910  Search this
James, William, 1882-1961  Search this
Kent, Rockwell, 1882-1971  Search this
Lankes, Julius J., 1884-1960  Search this
Sargent, John Singer, 1856-1925  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Wilder, Thornton, 1897-1975  Search this
Extent:
3.6 Linear feet ((on 7 microfilm reels))
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1893-1983
bulk 1914-1946
Scope and Contents:
Family and professional correspondence; exhibition and sales records; sketches; sketchbooks; photographs and printed materials documenting the career and activities of Alexander James.
A marriage certificate; a genealogy of the James family; autobiographical notes; passports for James and his wife Frederika Paine James; a diary with entries by both James (1907) and his mother (1921); loose pages from diaries kept by James and his wife (intermittent, 1917-1939). Correspondence to and from James family members, including eight letters from his father, William James; letters to and from colleagues, friends, museums, galleries, clients, and posthumous exhibition correspondence. Correspondents include Abbott Handerson Thayer, Rockwell Kent, and Eric Gugler.
There are also biographical notes on Abbott Handerson Thayer; a notebook containing James' description of his gesso techniques; Frederika James' notes on her husband's paintings and her account of a family trip to France; reminiscences of James by Barry Faulkner and Thornton Wilder; exhibition files containing correspondence, lists of works, address lists, guest books, clippings and catalogs (1937-1978); commission files; a card file with information on James' paintings, exhibitions and sales; sketches of landscapes and people including sketches of his father and John Singer Sargent.
Five sketchbooks (one too faint to film); an oil study of his father; three watercolors of Giverny, France; three pigment studies (unfilmed); 12 woodcuts by Julius J. Lankes; and a sketch of James by his brother, William James; expense journals; bank records; tax returns; insurance figures for paintings; a notebook of sales' records; price lists; invoices and receipts for materials; deeds; a will; certificates of name changes; photos of James, his studio and his work; photos and a photo album of William James and other family members; two albums of exhibition photos; photos of two sketches of James, one by John Singer Sargent, and the other by Barry Faulkner.
Arrangement:
Reels 4195-4201: I. Biographical materials. II. Family correspondence. III. General correspondence. IV. Writings. V. Exhibition files. VI. Commission files. VII. Card file. VIII. Art works. IX. Financial materials. X. Legal materials. XI. Photographs. XII. Photograph albums. XIII. Printed materials. Chronologically arranged except for commission files which are arranged alphabetically by name of subject.
Biographical / Historical:
Portrait painter. The younger son of psychologist William James (1842-1910), brother of painter William James (1882-1961), and nephew of novelist Henry James, Alexander James was actually christened Francis Temple Tweedy James in 1890. In 1925 he had his name officially changed to Alexander Robertson James. Later in life he dropped the Robertson and became Alexander James. He studied with Abbott Handerson Thayer and was a close friend of John Singer Sargent and Rockwell Kent.
Related Materials:
Also found in the Archives on microfilm only (reel 3828) is a bound volume containing 37 letters from William James to his youngest son, Alexander James, one letter from his mother, Alice Howe Gibbens James, and 11 postcards.
Provenance:
Donated 1986 by Michael James, the son of Alexander James, except for the bound volume on reel 3828 which was lent for microfilming.
Rights:
Reel 3828: Authorization to publish, quote, or reproduce must be obtained from Alexander R. James, Glandore, County Cork, Ireland.
Occupation:
Portrait painters  Search this
Painters -- New Hampshire  Search this
Topic:
Gesso  Search this
Sculptors -- United States -- Interviews  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.jamealex
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jamealex

Emmet family papers

Creator:
Emmet family  Search this
Names:
Berkshire Museum  Search this
Danforth Museum  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Beaux, Cecilia, 1855-1942  Search this
Casals, Pablo, 1876-1973  Search this
De Glehn, Jane Erin Emmet, 1873-1961  Search this
De Glehn, Wilfrid-Gabriel, 1870-1951  Search this
Doyle, Nancy  Search this
Emmet, Julia Colt Pierson, 1829-1908  Search this
Emmet, Lydia Field, 1866-1952  Search this
Emmet, Robert, 1778-1803  Search this
Fontanne, Lynn  Search this
James, Henry, 1843-1916  Search this
La Farge, Bancel, 1865-1938  Search this
Lunt, Alfred  Search this
MacMonnies, Frederick William, 1863-1937  Search this
Metcalfe, Susy  Search this
Millay, Edna St. Vincent, 1892-1950  Search this
Monod, Lucien  Search this
Morgan, Elizabeth Emmet, d. 1934  Search this
Ormond, Violet Sargent  Search this
Quilter, Roger, 1877-1953  Search this
Rand, Ellen Emmet, 1875-1941  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Sargent, Emily, 1857-  Search this
Sargent, John Singer, 1856-1925  Search this
Sherwood, Robert E. (Robert Emmet), 1896-1955  Search this
Sherwood, Rosamond, 1899-  Search this
Sherwood, Rosina Emmet, 1854-1948  Search this
White, Stanford, 1853-1906  Search this
Extent:
9.1 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketchbooks
Photographs
Video recordings
Drawings
Diaries
Sound recordings
Date:
1792-1989
bulk 1851-1989
Summary:
The Emmet Family papers document the lives and careers of two generations of the Emmet family from New Rochelle, New York and Stockbridge, Massachusetts, whose artistic talents flourished during the later 19th through the mid-20th centuries. The collection dates from 1792 to 1989, with the bulk of the material dating from 1851-1989, and measures 9.1 linear feet. Through biographical material, two diaries, correspondence, writings and notes, exhibition files, business records, printed material, two scrapbooks, artwork, and photographs of family, friends, exhibitions, and artwork, the papers provide both a rich overview and detailed insights into the daily lives, relationships, and careers of many members of the family. The collection focuses in particular on sisters Lydia Field Emmet, Jane Erin Emmet de Glehn, and Rosina Emmet Sherwood, their mother, Julia Colt Pierson Emmet, and their cousin Ellen Gertrude "Bay" Emmet, all noted painters and illustrators.
Scope and Content Note:
The Emmet Family papers document the lives and careers of two generations of the Emmet family from New Rochelle, New York and Stockbridge, Massachusetts. The collection dates from 1792 to 1989, with the bulk of the material dating from 1851-1989, and measures 9.1 linear feet. Through biographical material, two diaries, correspondence, writings and notes, exhibition files, business records, printed material, two scrapbooks, artwork, and photographs of family, friends, exhibitions, and artwork, the papers provide both a rich overview and detailed insights into the daily lives, relationships, and careers of many members of the family. The collection focuses in particular on sisters Lydia Field Emmet, Jane Erin Emmet de Glehn, and Rosina Emmet Sherwood, their mother, Julia Colt Pierson Emmet, and their cousin Ellen Gertrude "Bay" Emmet, all noted painters and illustrators, whose artistic talents flourished during the late nineteenth through the mid-twentieth centuries.

Biographical material consists of family trees and family histories; individual biographical accounts, award certificates, and documentation for Julia Colt Pierson Emmet, Rosina Emmet Sherwood, Lydia Field Emmet, Jane Erin Emmet de Glehn, and Wilfrid de Glehn; a diary titled "Sedgemere Diary" containing drawings and entries primarily by Rosina Emmet Sherwood, and a smaller diary which mentions Rosina's son, future playwright Robert Sherwood; a documentary by Nancy B. Doyle on two VHS videocassettes, entitled The Emmets: Portrait of a Family; and artifacts comprising a rear-view optical device and locks of hair from an early nineteenth century generation of the Emmet family.

Correspondence forms the bulk of the collection and illustrates the interaction between members of this large and influential family and their colleagues and friends, offering a wide-ranging view of life in the late nineteenth through the mid-twentieth centuries, and through two World Wars. The series consists of letters between family members, primarily Julia Colt Pierson Emmet and her daughters, as well as cousins Henry James, Ellen "Bay" Emmet Rand, and Rosamond Sherwood, and friends Cecilia Beaux, Louis Bancel LaFarge, Frederick MacMonnies, Lucien Monod, Roger Quilter, Augustus Saint-Gaudens, Emily and John Singer-Sargent, Violet Sargent Ormond, and Stanford White. Topics include experiences of the Emmets while studying art in Paris, Rosina's presentation at Queen Victoria's court, Lydia's work at the Columbia Exposition, Jane's marriage to Wilfrid de Glehn and her friendship with John Singer Sargent, portrait painting activities, the troubles of their friend Susy Metcalfe in her marriage to Pablo Casals, and the activities of Rosina's son, playwright Robert Emmet Sherwood, and friends Alfred Lund and Lynn Fontanne.

Writings and notes consist of scattered manuscripts and poems by family members, two notebooks, one identified as belonging to Jane Erin Emmet de Glehn, and typescripts about Wilfrid de Glehn following his death. Also found is a book, Out of Town, written and illustrated by Rosina Emmet Sherwood, and Edna St Vincent Millay's poem "Autum Daybreak" written in Millay's handwriting.

Exhibition files document an exhibition held at the Berkshire Museum/Danforth Museum in Pittsfield/Farmingham, Massachusetts in 1982 entitled The Emmets: A Family of Women Painters, and include two audio cassettes of recordings from the "Art for Lunch" series at the Berkshire Museum discussing the exhibition.

Business records include account books belonging to Lydia Field Emmet and Rosina Emmet Sherwood, both of which document income from artwork and other sources, and expenses; a contract for the reproduction of Lydia Field Emmet's artwork; and a document concerning ownership of property, possibly of Emmet family ancestors.

Printed Material consists of clippings, exhibition announcements and catalogs, and reproductions of artwork by Emmet family members and others.

Two scrapbooks contain a combination of drawings, primarily by Rosina Emmet Sherwood, reproductions of artwork, and photographs.

Artwork includes drawings and sketchbooks by Julia Colt Pierson Emmet, Rosina Emmet Sherwood, Lydia Field Emmet, Jane Erin Emmet de Glehn Ellen Emmet Rand, and other Emmet relatives, illustrating the early development of their talent.

Photographs are of family members, including Julia Colt Pierson Emmet and William Jenkins Emmet, their daughters Lydia Field Emmet, Jane Erin Emmet de Glehn and husband Wilfrid de Glehn, Rosina Emmet Sherwood and husband Arthur Murray Sherwood, and Robert Emmet Sherwood as a young man. Also found are photos of friends Richard Harding Davis, Frederick MacMonnies, and Augustus Saint-Gaudens; a series of photographs of the installation at Arden Galleries, New York (1936) for the exhibition Paintings, Drawings and Sculptures by Five Generations of the Emmet Family; and photographs of artwork by Emmet family members.
Arrangement:
The Emmet family papers are arranged as nine series.

Series 1: Biographical Material, circa 1855-1988 (0.6 linear feet; Boxes 1, 10, OV 12)

Series 2: Correspondence, 1792-1985 (6.2 linear feet; Boxes 1-7)

Series 3: Writings and Notes, circa 1870s-1981 (11 folders; Box 7)

Series 4: Exhibition Files, 1947-1983 (0.3 linear feet; Boxes 7-8)

Series 5: Business Records, circa 1799-1945 (7 folders; Box 8)

Series 6: Printed Material, 1872-1989 (0.35 linear feet; Boxes 8, 10)

Series 7: Scrapbooks, 1870-1890 (0.2 linear feet; Boxes 8, 10)

Series 8: Artwork, circa 1850-circa 1920 (0.35 linear feet; Boxes 8, 10)

Series 9: Photographs, circa 1870s-circa 1950s (1 linear foot; Boxes 8-9, 11)
Biographical Note:
The Emmet family, descended from patriot Thomas Addis Emmet, brother of Irish martyr Robert Emmet, counts many physicians, lawyers, and writers (including cousin Henry James) among its ranks. Although evidence of artistic talent existed in several previous generations, it flourished during the later 19th through the mid-20th centuries in the professional portraiture of sisters Rosina Emmet Sherwood, Lydia Field Emmet, Jane Erin Emmet de Glehn, and their cousin Ellen "Bay" Emmet Rand.

The eldest daughter of Julia Colt Pierson Emmet (1829-1908), herself a talented illustrator who had studied under Daniel Huntington, Rosina "Posie" Emmet (1854-1948) studied under William Merritt Chase at his Tenth Street Studio in New York and under Robert-Fleury at the Academie Julian in Paris. Before her marriage to Arthur Murray Sherwood in 1887, Rosina established a studio in New York and continued to submit illustrations to various publications. During her marriage, she slowed her creative activities, until financial reverses dictated her return to her career around the turn of the 20th century. Her daughter Rosamond Sherwood (1899-1990) was also a portrait painter. Her son, Robert Emmet Sherwood (1896-1955) became a four-time Pulitzer Prize-winning playwright.

Lydia Field Emmet (1866-1952) studied under Collin, Bouguereau, MacMonnies, and Robert-Fleury at the Academie Julian. Upon her return to New York, Lydia continued her studies under Chase, Kenyon Cox, H. Siddons Mowbray, and Robert Reid at the Art Students League, as well as at Chase's Shinnecock Summer School of Art. She established her portrait studio in New York City and began spending summers at Stockbridge, Massachusetts, where she built her home, "Strawberry Hill," in 1905. Best known for her portraits of children, Lydia's subjects were members of the socially prominent families of New York, Boston, and Philadelphia.

The youngest sister, Jane Erin Emmet (1873-1961), also studied with Chase in New York, and in Paris. In 1904, she married British landscape painter Wilfrid Von Glehn, who had visited the United States with his friend John Singer Sargent. (The Von Glehns' surname was changed to De Glehn, in 1919.) Settling in London, Jane continued her painting, befriended many artists and composers, and accompanied her husband and Sargent on several art-related journeys through Europe.

The Emmet sisters' cousin, Ellen Gertrude "Bay" Emmet (1875-1941), studied in New York at the Art Students League and under Frederick MacMonnies in Paris, becoming a National Academician in 1934. She married William Blanchard Rand in 1911 and settled in Salisbury, Connecticut. After the stock market crash of 1929, Bay's portraits of prominent society figures provided most of her family's income.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel 4544) including one scrapbook, compiled by Rosina Emmet Sherwood, consisting of portrait sketches, drawings of her dogs, genre scenes, travel views, and photographs of travels, friends, actors, and the ship "Scythia,". Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
In 1988-1991, the bulk of the Emmet family papers were donated by Rosamond Sherwood, daughter of Rosina Emmet Sherwood (via Katharine Emmet Bramwell of New York), by Rosamond Sherwood's estate (via F. Douglas Cochrane, executor, from Boston), and by Rosamond's nieces, Virginia Sherwood and Julia Shipway. Additionally, one scrapbook was lent for microfilming in 1990 and subsequently donated by Mrs. Earl Maize. Douglas Cochrane then loaned another scrapbook for microfilming (reel 4344) in 1991 which was returned to Mrs. Earl Maize.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Emmet family papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters -- England -- London  Search this
Topic:
Art -- Study and teaching -- France -- Paris  Search this
Works of art  Search this
Women painters -- New York (State)  Search this
Painting, American -- New York (State)  Search this
Illustrators -- New York (State)  Search this
Playwrights  Search this
Portrait painters -- New York (State) -- New York  Search this
Singers  Search this
World War, 1914-1918  Search this
World War, 1939-1945  Search this
Genre/Form:
Scrapbooks
Sketchbooks
Photographs
Video recordings
Drawings
Diaries
Sound recordings
Citation:
Emmet family papers, 1792-1989 (bulk 1851-1989). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.emmefami
See more items in:
Emmet family papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-emmefami
Online Media:

John White Alexander papers

Creator:
Alexander, John White, 1856-1915  Search this
Names:
MacDowell Club of New York  Search this
Abbey, Edwin Austin, 1852-1911  Search this
Alexander, Elizabeth A., d. 1947  Search this
Carnegie, Andrew, 1835-1919  Search this
Chase, William Merritt, 1849-1916  Search this
Gibson, Charles Dana, 1867-1944  Search this
James McNeill Whistler, 1834-1903  Search this
James, Henry, 1843-1916  Search this
La Farge, John, 1835-1910  Search this
Levy, Florence N. (Florence Nightingale), 1870-1947  Search this
Millet, Francis Davis, 1846-1912  Search this
Remington, Frederic, 1861-1909  Search this
Stevenson, Robert Louis, 1850-1894  Search this
Extent:
11.9 Linear feet
Type:
Collection descriptions
Archival materials
Awards
Interviews
Photographs
Sketchbooks
Scrapbooks
Medals
Date:
1775-1968
bulk 1870-1915
Summary:
The papers of the painter, muralist, and illustrator John White Alexander measure 11.9 linear feet and date from 1775 to 1968, with the bulk of materials dating from 1870 to 1915. Papers document Alexander's artistic career and many connections to figures in the art world through biographical documentation, correspondence (some illustrated), writings, 14 sketchbooks, additonal artwork and loose sketches, scrapbooks, photographs, awards and medals, artifacts, and other records. Also found is a souvenir engraving of a Mark Twain self-portrait.
Scope and Contents:
The papers of the painter, muralist, and illustrator John White Alexander measure 11.9 linear feet and date from 1775 to 1968, with the bulk of materials dating from 1870 to 1915. Papers document Alexander's artistic career and many connections to figures in the art world through biographical documentation, correspondence (some illustrated), writings, 14 sketchbooks, additonal artwork and loose sketches, scrapbooks, photographs, awards and medals, artifacts, and other records. Also found is a souvenir engraving of a Mark Twain self-portrait.

Biographical Information includes multiple essays related to Alexander, his family, and others in his circle. Also found is an extensive oral history of Alexander's wife Elizabeth conducted in 1928. Correspondence includes letters written by Alexander to his family from New York and Europe at the start of his career, and later letters from fellow artists, art world leaders, and portrait sitters of Alexander's. Significant correspondents include Charles Dana Gibson, Florence Levy, Frederick Remington, Robert Louis Stevenson, Henry James, John La Farge, Francis Davis Millet, and Andrew Carnegie. Correspondence includes some small sketches as enclosures and illustrated letters.

Certificates and records related to Alexander's career are found in Associations and Memberships, Legal and Financial Records, and Notes and Writings, which contain documentation of Alexander's paintings and exhibitions. Scattered documentation of Alexander's memberships in various arts association exists for the American Academy of Arts and Letters, the American Academy in Rome, the National Academy of Design, the Onteora Club in New York, the Royal Academy of Fine Arts in Munich, Germany, the Ministère de L'Instruction Publique et des Beaux-Arts, the Union Internationale des Beaux Arts et des Lettres, and the Metropolitan Museum of Art. Notes and Writings include speeches written by Alexander, short stories and essays written by his wife, and articles by various authors about Alexander. Extensive documentation of the planning and construction of the Alexander Memorial Studio by the MacDowell Club is found, along with other awards, medals, and memorial resolutions adopted by arts organizations after Alexander's death.

Artwork includes fourteen sketchbooks with sketches related to Alexander's commercial illustration and cartooning, murals, paintings, and travels. Dozens of loose drawings and sketches are also found, along with two volumes and several dozen loose reproductions of artwork, among which are found fine prints by named printmakers. Many sketches are also interspersed throughout the correspondence. Eight Scrapbooks contain mostly clippings, but also scattered letters, exhbition catalogs, announcements, invitations, and photographs related to Alexander's career between 1877 and 1915. Additional Exhibition Catalogs and later clippings, as well as clippings related to the career of his wife and other subjects, are found in Printed Materials.

Photographs include many portraits of Alexander taken by accomplished photographers such as Zaida Ben-Yusuf, Aimé Dupont, Curtis Bell, Elizabeth Buehrmann, and several signed Miss Huggins, who may have been Estelle Huntington Huggins, a New York painter and photographer. Portraits of others include Alexander's friends William Merritt Chase and Edward Austin Abbey. Also found are photographs of groups, juries, family, friends, and studios in New York, Paris, and New Jersey, and a handful of scenic photographs of Polling, Bavaria, where Alexander had an early studio. A large number of photographs of works of art are found, many with annotations. Among the photographs of murals are a small collection of snapshots of the Carnegie Institute murals in progress. Miscellaneous artifacts include a palette, several printing plates, and an inscribed souvenir engraving of a self-portrait caricature of Mark Twain.
Arrangement:
The collection is arranged into 11 series. Glass plate negatives are housed separately and closed to researchers.

Series 1: Biographical Information, circa 1887-1968 (Box 1, OV 23; 0.1 linear feet)

Series 2: Correspondence, circa 1870-1942 (Box 1; 0.7 linear feet)

Series 3: Associations and Memberships, circa 1897-1918 (Box 1; 2 folders)

Series 4: Legal and Financial Records, 1775, 1896-1923 (Box 1; 5 folders)

Series 5: Notes and Writings, circa 1875-1943 (Boxes 1-2; 0.3 linear feet)

Series 6: Awards and Memorials, circa 1870-1944 (Box 2, OV 24; 0.8 linear feet)

Series 7: Artwork, circa 1875-1915 (Boxes 2-3, 6, 14-16, OV 23; 1.5 linear feet)

Series 8: Scrapbooks, circa 1877-1915 (Boxes 17-22; 1.8 linear feet)

Series 9: Printed Materials, circa 1891-1945 (Boxes 3-4, OV 23; 1.5 linear feet)

Series 10: Photographs, circa 1870-1915 (Boxes 4-8, MGP 1-2, OV 25-43, RD 44-45; 4.2 linear feet)

Series 11: Artifacts, circa 1899-1915 (Box 6, artifact cabinet; 0.4 linear feet)
Biographical / Historical:
John White Alexander was born in 1856 in Allegheny City, Pennsylvania. He was orphaned at age five and taken in by relatives of limited means. When Alexander left school and began working at a telegraph company, the company's vice-president, former civil war Colonel Edward Jay Allen, took an interest in his welfare. Allen became his legal guardian, brought him into the Allen household, and saw that he finished Pittsburgh High School. At eighteen, he moved to New York City and was hired by Harper and Brothers as an office boy in the art department. He was soon promoted to apprentice illustrator under staff artists such as Edwin A. Abbey and Charles Reinhart. During his time at Harpers, Alexander was sent out on assignment to illustrate events such as the Philadelphia Centennial celebration in 1876 and the Pittsburgh Railroad Strike in 1877, which erupted in violence.

Alexander carefully saved money from his illustration work and traveled to Europe in 1877 for further art training. He first enrolled in the Royal Art Academy of Munich, Germany, but soon moved to the village of Polling, where a colony of American artists was at its peak in the late 1870s. Alexander established a painting studio there and stayed for about a year. Despite his absence from the Munich Academy, he won the medal of the drawing class for 1878, the first of many honors. While in Polling, he became acquainted with J. Frank Currier, Frank Duveneck, William Merritt Chase, and other regular visitors to the colony. He later shared a studio and taught a painting class in Florence with Duveneck and traveled to Venice, where he met James Abbott McNeill Whistler.

Alexander returned to New York in 1881 and resumed his commercial artwork for Harpers and Century. Harpers sent him down the Mississippi river to complete a series of sketches. He also began to receive commissions for portraits, and in the 1880s painted Charles Dewitt Bridgman, a daughter of one of the Harper brothers, Parke Godwin, Thurlow Weed, Walt Whitman, and Oliver Wendell Holmes. Alexander met his wife Elizabeth, whose maiden name was also Alexander, through her father, James W. Alexander, who was sometimes mistaken for the artist. Elizabeth and John White Alexander married in 1887 and had a son, James, in 1888.

Alexander and his family sailed for France in 1890, where they became a part of the lively literary and artistic scene in Paris at the time. Among their many contacts there were Puvis de Chavannes, Auguste Rodin, and Whistler, who arrived in Paris shortly thereafter. Alexander absorbed the new aesthetic ideas around him such as those of the symbolists and the decorative style of art nouveau. Critics often note how such ideas are reflected in his boldly composed paintings of women from this period, who titles drew attention to the sensual and natural elements of the paintings. His first exhibition in Paris was three paintings at the Société Nationale des Beaux Arts in 1893, and by 1895 he has become a full member of the Société.

Independent and secession artist societies emerged throughout Europe during this period, and Alexander exhibited with several of them, including the Société Nouvelle in Paris, the Munich Secession, and the Vienna Secession. He was also elected an honorary member of the Royal Society of Belgian Artists and the Royal Society of British Painters in London. His exhibited works sold well, and his influence began to be felt back in the United States. Andrew Carnegie and John Beatty of the Carnegie Institute consulted closely with Alexander in the planning and execution of the first Carnegie International Exhibitions. Alexander also became active in supporting younger American artists who wanted to exhibit in Europe, a stance which resulted in his resignation from the Society of American Artists in Paris, which he felt had become a barrier to younger artists. His promotion of American art became an central aspect of his career for the remainder of his life, most visibly through his presidency of the National Academy of Design from 1909 until shortly before his death in 1915. He also served frequently on juries for high-profile exhibitions, and was a trustee at the Metropolitan Museum of Art, the New York Public Library, and the national Institute of Arts and Letters. Around 1912, he helped to form the School Art League in New York, which provided art instruction to high school students.

Alexander returned to the United States nearly every summer while based in Paris, and among his commissioned paintings were murals for the newly-constructed Library of Congress, completed around 1896. In 1901, the Alexanders returned to New York permanently. The demand for portraits continued, and he had his first solo exhibition at the Durand-Ruel Galleries in 1902. Around 1905 he received a commission for murals at the new Carnegie Institute building in Pittsburgh for the astounding sum of $175,000. He created 48 panels there through 1908. During this period, the Alexanders spent summers in Onteora, New York, where Alexander painted his well-known "Sunlight" paintings. There they became friends and collaborators with the actress Maude Adams, with Alexander designing lighting and stage sets, and Elizabeth Alexander designing costumes for Adams' productions such as Peter Pan, the Maid of Orleans, and Chanticleer. The couple became known for their "theatricals" or tableaux, staged at the MacDowell Club and elsewhere, and Elizabeth Alexander continued her design career when her husband died in 1915.

Alexander left several commissions unfinished upon his death at age 59, including murals in Wisconsin, Ohio, and Harrisburg, Pennsylvania. Elizabeth Alexander held a memorial exhibition at Arden Galleries a few months after his death, and a larger memorial exhibition was held by the Carnegie Institute in 1916. Alexander won dozens of awards for artwork in his lifetime, including the Lippincott Prize at the Pennsylvania Academy of the Fine Arts in 1899, the Gold Medal of Honor at the Paris Exposition Universelle in 1900, the Gold Medal at the Panama Pacific Exposition of 1901, and the Medal of the First Class at the Carnegie Institute International Exhibition in 1911. In 1923, the Alexander Memorial Studio was built at the MacDowell colony in New Hampshire to honor his memory.
Provenance:
Papers were donated in 1978 and 1981 by Irina Reed, Alexander's granddaughter and in 2017 by Elizabeth Reed, Alexander's great grandaughter.
Restrictions:
Use of the original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Rights:
The John White Alexander papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Muralists -- New York (State) -- New York  Search this
Portrait painters -- New York (State) -- New York  Search this
Works of art  Search this
Portrait painting -- 20th century  Search this
Portrait painting -- 19th century  Search this
Illustrators -- New York (State) -- New York  Search this
Portrait painting, American  Search this
Genre/Form:
Awards
Interviews
Photographs
Sketchbooks
Scrapbooks
Medals
Citation:
John White Alexander papers, 1775-1968, bulk 1870-1915. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.alexjohn
See more items in:
John White Alexander papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-alexjohn
Online Media:

Francis Davis Millet and Millet family papers

Creator:
Millet, Francis Davis, 1846-1912  Search this
Names:
Titanic (Steamship)  Search this
Abbey, Edwin Austin, 1852-1911  Search this
Booth, Hilda Millet  Search this
James, Henry, 1843-1916  Search this
Millet, John A. P. (John Alfred Parsons), 1888-1976  Search this
Sargent, John Singer, 1856-1925  Search this
Sharpey-Schafer, Joyce A.  Search this
Extent:
3.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Diaries
Sketchbooks
Travel diaries
Date:
1858-1984
bulk 1858-1955
Summary:
The Francis Davis Millet and Millet family papers measure 3.3 linear feet and are dated 1858-1984, with a few scattered early eighteenth-century items, such as legal documents and printed matter. The bulk of the materials dates from 1858 to 1955. Found are biographical materials, diaries/journals, family letters, notes and writings, art work, printed matter, miscellaneous records, and photographs documenting Millet's wide-ranging artistic and writing career and personal life, including his death aboard the Titanic. Also of interest are approximately twenty ink caricatures attributed to John Singer Sargent.
Scope and Content Note:
The Francis Davis Millet and Millet family papers measure 3.3 linear feet and are dated 1858-1984, with a few scattered early eighteenth-century items, such as legal documents and printed matter. The bulk of the material dates from 1858 to 1955. Found are biographical materials, diaries/journals, family letters, notes and writings, art work, printed matter, miscellaneous records, and photographs documenting Millet's wide-ranging artistic and writing career and personal life, including his death aboard the Titanic. Also of interest are approximately twenty ink caricatures attributed to John Singer Sargent.

Biographical material consists of biographical and genealogical notes; also, memorial resolutions, invitations, and programs with several related items tipped in. Diaries/journals for the period 1858-1911 (16 vols., plus excerpts and transcripts) record Civil War experiences, the Russo-Turkish War, travels throughout Europe, to the northwest United States and Alaska, the Orient, and Panama.

Letters from F. D. Millet to his family date from his years at Harvard, art training in Antwerp, residence in Italy, and service as a correspondent during the Russo-Turkish War. Millet's letters include a few received from friends and associates, original letters sent by Millet to others, along with typescript copies of incoming letters. Also included is a file of letters addressed to Millet and others concerning the purchase and restoration of the Grange, his Broadway studio. There are four letters from Millet to his girlfriend Velma Marie Morse and scattered letters to Velma's father, A.P. Morse, and Fred Chapman. Photocopies of letters from sister Kathleen Millet to her friend Margherita describe her brother's adventures during the Russo-Turkish War, and include an account of his wedding. His sister Lucia Millet's letters to her family were written while she was in England living as a member of her brother's household, and are rich with details of Frank's daily life, work, travels, friends, and the American colony in Broadway. The letters of Lily Millet consist mainly of condolence messages sent upon the death of her husband, but also include letters from Samuel L. Clemens, Henry James, Ellen Terry [Carew], Charles Dudly Warner, her children, and others.

Included in the collection are Millet's extensive research notes about costumes and artifacts of various historical periods and locations that served as reference for details in his murals. Also included are his notebooks about Italian art, Bulgarian history and costume, and the Philippines. Writings by Millet consist of articles, short stories, lectures and speeches. Writings about him include texts by various relatives (all but one are unpublished). The most extensive written piece is by niece Hilda Millet Booth and son John [Albert] Parsons Millet, and is accompanied by early drafts, notes, and related correspondence.

Art work by Millet includes twelve volumes of sketchbooks dating from his student days in Antwerp through 1896, along with loose sketches, drawings, and two watercolors. Most were executed while traveling, and include landscapes, building, and local peoples. Works by other artists include 20 caricatures drawn in ink, attributed to John Singer Sargent.

Among the printed matter are newspaper articles by F. D. Millet, along with clippings about or mentioning him, reproductions, exhibition catalogs and announcements. Of interest are Vienna Exposition memorabilia, and a full length biography, Soldier of Fortune: F. D. Millet, 1846-1912 by granddaughter Joyce A. Sharpey-Schafer. Miscellaneous records include drawings sketches, notes, printed matter, and photographs relating to the Abbot's Grange in Broadway that served as Millet's studio.

Photographs of people include F. D. Millet, his father Asa Millet with granddaughter Kate, and Mary Anderson. Photographs of works of art are by Millet and other artists.
Arrangement:
The collection is arranged into eight series:

Series 1: Biographical material, circa 1864-1934 (Box 1, OV 5; 6 folders; Reel 5903)

Series 2: Diaries/Journals of Francis Davis Millet, 1858-1911 (Box 1; 0.5 linear ft.; Reels 5903-5904)

Series 3: Letters, 1867-1915, undated (Boxes 1-2; 0.5 linear ft.; Reel 5904)

Series 4: Notes and Writings, 1891-1970, undated (Box 3; 1.0 linear ft.; Reels 5904-5906)

Series 5: Art Work, 1872-1908, undated (Box 4; 0.5 linear ft.; Reels 5906-5907)

Series 6: Printed Matter, 1764-1984, undated (Box 4; 0.25 linear ft.; Reel 5907 and unfilmed)

Series 7: Miscellaneous Records, 1724-1897, undated(Box 4; 7 folders; Reel 5907)

Series 8: Photographs, circa 1883-circa 1910, undated (Box 4; 7 folders; Reel 5907)
Biographical Note:
During his lifetime, Francis Davis Millet (1846-1912), always known as Frank, was a prominent artist who was well known for murals that contained exactingly accurate historical details. His broad-ranging career included work with worlds' fairs in Vienna, Chicago, Paris, and Tokyo as a juror, administrator, mural painter/decorator, or advisor. In addition, Frank Millet was a newspaper writer who published short stories and enjoyed adventures as a war correspondent during the Russo-Turkish War and in the Philippines during the Spanish American War.

Millet was among the founders of the School of the Museum of Fine Arts, Boston, and was influential in the early days of the American Federation of Arts. Millet was involved with the American Academy in Rome from its inception and served as Secretary from 1904-1911. In 1911, Millet went to Rome as Chief Administrator of the newly combined Schools of Fine Arts and Classical Studies. He died aboard the Titanic while traveling to New York City on Academy business.

1846 -- born in Mattapoisett, Mass.

1864 -- enlisted as a private in the 60th Massachusetts Militia during Civil War, serving as a drummer; also acted as a surgical assistant to his physician father in the army of the Potomac

1869 -- graduated from Harvard University, where he studied modern languages and literature

1869-1870 -- learned lithography while working on the Boston Advertiser

1871-1872 -- studied at the Royal Academy of Fine Arts, Antwerp, where he won the silver medal (1871) and was awarded the gold medal (1872); traveled through Germany with 3 other American Students

1873 -- Secretary to Charles Francis Adams, Jr., Massachusetts' commissioner to the Vienna Exposition member of the Vienna Exposition; jury correspondent for the New York Herald and the New York Tribune; traveled through southern Europe and Turkey

1873-1874 -- traveled in Greece, Italy, Switzerland, and Germany

1875 -- toured Italy; returned to Boston and set up a studio on Tremont Street

1876 -- exhibited The Bay of Naples at the Philadelphia Centennial Exposition, where he represented the Boston Advertiser and was a correspondent for the American Architect and Building News; assisted John La Farge in decorating Trinity Church, Boston; founded the School of the Boston Museum of Fine Arts with La Farge and W. M. Hunt

1877 -- exhibited portraits of Charles Francis Adams, Jr. and Samuel L. Clements at the National Academy of Design

1877-1878 -- special war correspondent to the New York Herald and Times of London, and special artist to the London Graphic, reporting on the Russo-Turkish War; Russia awarded him the Cross of St. Stanislaus and the Cross of St. Anne for military advice and exceptional service (informing Russian officers of a ford that would allow them to cross into Turkey more easily) and the Iron Cross of Romania

1878 -- returned to Paris to paint; served on fine arts jury at the Exposition Universelle in Paris; exhibited in the Paris Salon and at the British Royal Academy

1879 -- married Elizabeth (Lily) Greeley Merrill in Paris; returned to the United States, settling in East Bridgewater, Mass., where he set up a studio that included an accurate reconstruction of a colonial era kitchen

1880 -- lectured on costumes at the School of the Museum of Fine Arts, Boston; birth of daughter, Katharine Field; became a member of the Society of American Artists; worked with Louis Comfort Tiffany on the decoration of the Seventh Regiment Armory, New York City

1881 -- shared studio in New York with Edwin Austin Abbey; birth of son, Edwin Abbey; commissioned by the Class of 1861 to design two windows for Harvard University Memorial Hall

1882 -- traveled in northern German and Scandinavia with Edwin Austin Abbey and R. Swain Gifford; elected an Associate member of the National Academy of Design

1883 -- traveled to England

1884 -- birth of Laurance, in London; settled with family in Broadway, Worcestershire (spending the winters of the next decade in New York); along with Edwin Austen Abbey, John Singer Sargent, and Alfred Parsons, he established a colony that at various times included Edwin Howland Blashfield, Lawrence Alma-Tadema, and Henry James, along with various other writers, actors, musicians

1885 -- traveled with Charles Francis Adams, Jr. throughout the U.S. and its territories, and to Mexico; elected a National Academician, National Academy of Design

1886 -- purchased "Russell House," that became his permanent home in Broadway, Worcestershire; and moved studio to "Abbot's Grange"

1887 -- translated "Sebastopol" by Tolstoy from French to English for publication

1888 -- birth of John Alfred Parsons

1889 -- awarded silver medal, Salon des Artistes, Paris

1890 -- published a collection of short stories, A Capillary Crime and Other Tales; purchased the "Abbot's Grange" that had been serving as his studio for the previous four years

1891 -- elected vice-president of National Academy of Design; for Harper's Magazine traveled with Alfred Parsons and Poultney Bigelow on a trip down the Danube in one-man canoes, from the Black Forest to the Black Sea (their illustrated narrative was published in the magazine, Feb.-May 1892; the following year, it appeared in book form as From the Black Forest to the Black Sea)

1892-1893 -- director of decorations for the White City of the World's Columbian Exposition, acting as a close advisor to the fair's architect Daniel Burnham; served on New York jury of the Columbian Exposition; once the Exposition opened, he served as Director of Functions and Ceremonies and also provided public relations and advertising services

1897 -- completed restoring "Abbot's Grange" to its 16th century appearance; completed lunette, Agriculture, commissioned for the Bank of Pittsburgh

1898 -- went to the Philippines to cover the Spanish American War as a special correspondent to Harper's Weekly, the London Times, and the New York Sun

1899 -- published Expedition to the Philippines, P. Bigelow, co-author

1900 -- appointed U. S. representative to the Paris Universal International Exposition where he was in charge of decoration of the Government Pavilion, and was a member of the Jury of Selection and the Fine Arts Jury; awarded Chevalier de la Legion of Hounneur by the French government in appreciation for his services to the Paris Exposition

1905 -- traveled to northwest United States, Alaska, and British Columbia; completed mural, The Treaty of the Traverse des Sioux, July 23, 1851, commissioned for the Minnesota State Capitol; became a charter member of the American Academy in Rome

1906 -- traveled to North Africa, Italy, and France

1907 -- completed mural, The Fourth Minnesota Regiment Entering Vicksburg, July 4, 1863, commissioned for the Minnesota State Capitol; completed mural, Foreman of the Grand Jury Rebuking the Chief Justice of New Jersey, 1774, commissioned for the Essex County Courthouse, Newark, New Jersey; traveled to Cuba

1908 -- completed The History of Shipping from the Earliest Recorded Use of Boats until the Present Time commissioned to decorate the ceiling of the Custom House, Baltimore; traveled to Japan as Special Commissioner to the proposed World's Fair in Tokyo [the fair was never held]; awarded "First Class Order of the Sacred Treasure" by the Japanese government; additional travel to Germany, Italy, Russia, Turkey, and China; elected Secretary of the American Academy in Rome; elected a member of the National Institute of Arts and Letters

1909 -- completed frieze of 13 panels, The History of the Settlement of Ohio, and several portraits commissioned by the Cleveland Trust Company; also responsible for the general color scheme of the building; completed frieze of 35 panels, The History of Mail Delivery, commissioned for the Post Office in the Federal Building, Cleveland; also responsible for determining the general color

1910 -- influential in the founding of the American Federation of Arts; served as its Secretary until his death; appointed to Federal Commission of Fine Arts; elected a member of the American Academy of Arts and Letters

1911 -- completed lunettes, The Repulse of the Dutch, September 3, 1609, and The Purchase of the Land, 1658, and 12 small historical panels, commissioned for the Hudson County Courthouse, Jersey City, New Jersey; also responsible for the general color scheme of the building; traveled to Panama with Lily and Mr. and Mrs. C. F. Adams, Jr.; elected Vice Chairman of the Fine Arts Committee, American Academy in Rome; moved to Rome to serve as Chief Administrator of the consolidated schools of the American Academy in Rome and the American School of Classical Studies in Rome following the death of Charles F. McKim (Millet was a charter member and had served as Secretary since its inception)

1912 -- died aboard the S. S. Titanic, while heading to New York City on American Academy in Rome business
Related Material:
Found within the holdings of the Archives of American Art are several collections related to Francis Davis Millet, including five letters from Millet to Miss Ward and "Ticknor" and a collection of Francis Millet Rogers research material regarding Francis Davis Millet. The Philip Martiny papers contains two group photographs that include F. D. Millet. A letter describing a visit to Millet's studio is among the William Cushing Loring Papers. The American Academy in Rome records include documents created by F. D. Millet in his capacity as Secretary from 1904-1907 and as Chief Administrator in Rome, 1911-1912.
Separated Material:
The Archives of American Art also holds material lent for microfilming. Charles S. Millet loaned photographs, biographical information, and miscellaneous items in 1974 (reel 849). In 1976, he loaned an album of photographs of F. D. Millet's murals in the Baltimore Customs House, with related printed matter (reel 1080). Lent materials were returned to Charles S. Millet.
Provenance:
The Francis Davis Millet and Millet family papers were received between 1974 and 1996 from several family members. Most were gifts from Dr. John A. P. Millet, son of F. D. Millet, in 1974 and 1976. In 1974, Charles S. Millet, grandnephew of F. D. Millet, donated a copy of his brief biography he wrote on F. D. Millet and lent materials for microfilming. Also in 1974, Mrs. William King, granddaughter of F. D. Millet gave photographs of F. D. Millet and his art work, along with various printed matter. Additional letters to F. D. Millet were given by grandson, Frank D. Millet, in 1977.

In 1987, granddaughter Joyce A. Sharpey-Schafer donated documents she had used while writing a biography of Millet. In 1996, David M. Emerson, grandnephew of F. D. Millet, donated loose sketches and miscellaneous printed matter.

In 2003, additional letters were donated by grandsons Mr. Harry Flynn and Frank D. Millet, and again in 2006 by Frank D. Millet.
Restrictions:
Use of originals requires an appointment.
Rights:
The Francis Davis Millet and Millet family papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters  Search this
Topic:
Mural painting and decoration  Search this
Works of art  Search this
Art -- Study and teaching  Search this
Russo-Turkish War, 1877-1878  Search this
Artists' studios  Search this
United States -- History -- Civil War, 1861-1865  Search this
Painting, American  Search this
Genre/Form:
Photographs
Diaries
Sketchbooks
Travel diaries
Citation:
Francis Davis Millet and Millet family papers, 1858-1984 (bulk 1858-1955). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.millfran
See more items in:
Francis Davis Millet and Millet family papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-millfran
Online Media:

William James papers

Creator:
James, William, 1882-1961  Search this
Names:
De Glehn, Jane Erin Emmet, 1873-1961  Search this
Duveneck, Elizabeth Boott, 1846-1888  Search this
James, Alexander, 1890-1946  Search this
James, Catherine Barber, 1782-1859  Search this
James, Henry, 1843-1916  Search this
James, Marcia Ames, 1797-1886  Search this
James, William, 1771-1837  Search this
James, William, 1797-1868  Search this
James, William, 1842-1910  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Warner, Langdon (1881-1955)  Search this
Extent:
0.3 Linear feet ((on 2 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1883-1957
Scope and Contents:
Letters, 1887-1935, a scrapbook, 1925-1951, clippings, art works, and photographs, 1883-1957.
REEL 3828: A photograph by Dr. Charles Putnam of James sitting on his father's (psychologist William James) lap, ca. 1886.
REEL 4392: Twelve letters, from James to his brother Henry and his parents, 1887-1935, and a letter from Abbott Handerson Thayer regarding a pair of boots James ordered, 1904; a scrapbook containing clippings, 1925-1951, an exhibition catalog, 1929, and photographs of James, his brother Alec (Alexander Robertson), and his works of art; 4 clippings, undated and 1950; 2 self-portrait sketches, a portrait sketch of a woman, and a drawing of James by Jane deGlehn; photographs of James, his family, including one of an obscured pose by his uncle Henry James, his friends, including Langdon Warner, 1883-1957, and Elizabeth Boott Duveneck; photographs of portrait paintings of James' ancestors, including Catherine Barber James, Marcia Ames James, William James of Albany, and Reverend William James; and 23 photographs of James' works of art.
Biographical / Historical:
Portrait painter, instructor; Cambridge, Mass. Born in Cambridge, Massachusetts. Son of psychologist William James (1842-1910), brother of portrait painter Alexander Robertson James, and nephew of novelist Henry James. Pupil of Benson and Tarbell and teacher at Boston Museum of Fine Arts School, 1913-1926.
Provenance:
Donated 1986 and 1987 by William James III, the son of William James, except for the photograph on reel 3828, which was lent for microfilming.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art teachers -- Massachusetts  Search this
Portrait painters -- Massachusetts  Search this
Topic:
Painting, American -- Massachusetts  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.jamewill
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jamewill

Lilla Cabot Perry and Perry family papers [microfilm]

Creator:
Perry, Lilla Cabot  Search this
Names:
Berenson, Bernard, 1865-1959  Search this
Davis, Charles H. (Charles Harold), 1856-1933  Search this
James, Henry, 1843-1916  Search this
Lowell, James Russell, 1819-1891  Search this
Monet, Claude, 1840-1926  Search this
Perry, Margaret  Search this
Perry, Thomas Sergeant, 1845-1928  Search this
Robinson, Edwin Arlington, 1869-1935  Search this
Tarbell, Edmund Charles, 1862-1938  Search this
Extent:
4 microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1861-[ca. 1943]
Scope and Contents:
Biographical documents; correspondence; diaries; writings; photographs; and printed material. Included are letters to and from Lilla Cabot Perry, and selected letters to and from her husband Thomas Sergeant Perry and daughter Margaret Perry from family members, artists, writers, poets and friends. Correspondents include: Bernard Berenson, Henry James, James Russell Lowell, Claude Monet, Edwin Arlington Robinson, and Edmund Charles Tarbell. Also included are French identification cards for Lilla Cabot Perry and her husband, 1897; diaries of Lilla Cabot Perry, 1874?/1875, 1886, and of Thomas Perry, 1887-1894; guest book of Thomas and Margaret Perry; poems, and "Reminiscences of Claude Monet" by Lilla Cabot Perry; typed commentary by Edwin Arlington Robinson for the jacket of Perry's THE JAR OF DREAMS, with notes by her; "Reminiscences of Edwin Arlington Robinson" by Margaret Perry; inscribed photographs of Henry James and James Russell Lowell, and a signed photograph of Claude Monet; an obituary of Perry; and a Memorial Exhibition catalog.
Biographical / Historical:
Impressionist painter and author; Boston, Mass., Giverny, France, and Hancock, N.H.; b. 1848; d. 1933. Thomas Sergeant Perry, author, educator; Boston, Mass., Giverny, France, and Hancock, N.H. Lilla Cabot Perry studied painting at Cowles Art School in Boston with Dennis Miller Bunker and Robert Vonnoh, and in Paris at the Julian and Colarossi academies, and at Alfred Stevens' studio. She had a house in Giverny, France and introduced numerous American artists, who came to Giverny to paint, to her neighbor, Claude Monet. She wrote several books of poetry including FROM THE GARDEN OF HELLAS, THE HEART OF THE WEED and THE JAR OF DREAMS. In 1874, she married Thomas Sergeant Perry, a tutor in French and German at Harvard University and later an instructor in English. He was also the author of several books. The Perrys had three daughters, Margaret, Alice, and Edith. Alice married Joseph Clark Grew, a diplomat who was United States ambassador to Turkey and Japan, and undersecretary of state.
Provenance:
Lent for microfilming 1992 by Colby College Library, Special Collections.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Painters -- New Hampshire -- Hancock  Search this
Painters -- France -- Giverny  Search this
Painters -- France -- Giverny  Search this
Painters -- Massachusetts -- Boston  Search this
Painters -- New Hampshire -- Hancock  Search this
Topic:
Women painters -- Massachusetts -- Boston  Search this
Women painters -- New Hampshire -- Hancock  Search this
Painting, Modern -- 20th century -- United States  Search this
Impressionism (Art) -- United States  Search this
Impressionism (Art) -- France -- Giverny  Search this
Identifier:
AAA.perrlill
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-perrlill

Alma Strettell Harrison letters

Creator:
Harrison, Alma Strettell, 1856-1939  Search this
Names:
James, Henry, 1843-1916  Search this
Sargent, John Singer, 1856-1925  Search this
Extent:
17 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1886-1921
Scope and Contents:
Six letters to Harrison from John Singer Sargent, 1886-1921, and eleven letters from Henry James, 1907-1915. Sargent mainly comments on plays and concerts, and James mainly writes thank-yous and routine comments on the weather.
Biographical / Historical:
Art collector; Boston, Mass.
Provenance:
The letters were lent for microfilming by Christine Harrison, daughter-in-law of Alma Harrison.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Art -- Collectors and collecting  Search this
Identifier:
AAA.harralma
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-harralma

R. L. Ormond material relating to John Singer Sargent

Creator:
Ormond, Richard  Search this
Names:
Detroit Institute of Arts  Search this
Helleu, Paul, 1859-1927  Search this
James, Henry, 1843-1916  Search this
Rockefeller, John D. (John Davison), 1839-1937  Search this
Sargent, John Singer, 1856-1925  Search this
Sargent, John Singer, 1856-1925  Search this
Wilson, Woodrow, 1856-1924  Search this
Extent:
0.2 Linear feet ((on 2 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1851-1979
Scope and Contents:
Typescripts of Sargent letters to various people, 1883-1923, and photographs from an exhibition on Sargent.
REEL 1407: Typescripts of 34 letters, mostly from Sargent to Emily Sargent, Miss Stephens, and to his sister, Mrs. F. Ormond.
REEL 1820: 49 photographs and a catalog from "John Singer Sargent and the Edwardian Age: The Documents," an exhibition at the Detroit Institute of Arts, 1979, organized jointly by the Leeds Art Galleries,the National Portrait Gallery, London, and the Detroit Institute of Arts, including photograph reproductions of Sargent, his parents, other family members, and his Chelsea studio; photos of Henry James, John D. Rockefeller, and Woodrow Wilson, with photographs of Sargent's portraits of them; photos of other Sargent sketches and paintings; and a photo reproduction of Paul Helleu at work in his studio.
Biographical / Historical:
Sargent was a portrait painter; London, England. R. L. (Richard L.) Ormond is Sargent's great nephew and a Sargent scholar. Sargent was born in Florence and educated in Europe. Portrayed members of high society and aristocracy and became one of the most sought after portraitists of his day.
Other Title:
Microfilm title: John Singer Sargent
Provenance:
Typescripts donated 1968 and the exhibition related photographs and catalog in 1979 by R. L. Ormond. The exhibition was organized jointly by Ormond from the National Portrait Gallery, London, and the Detroit Institute of Arts.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Rights:
Photographs and letters: Authorization to publish or reproduce must be obtained from R.L. Ormond, 8 Holly Terrace.
Occupation:
Portrait painters -- England -- London  Search this
Topic:
Portrait painting -- England -- London -- Photographs  Search this
Artists' studios -- England -- London -- Photographs  Search this
Identifier:
AAA.ormorl
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ormorl

Henry James letter to Antonio de Navarro

Creator:
James, Henry, 1843-1916  Search this
Navarro, Antonio de, 1860-1932  Search this
Subject:
Millet, Francis Davis  Search this
Type:
Correspondence
Date:
1912 April 17
Topic:
Condolence notes  Search this
Record number:
(DSI-AAA)13571
See more items in:
Francis Davis Millet and Millet family papers, 1858-1984, bulk 1858-1955
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13571
Online Media:

Daisy Miller 1 [sound recording]

Creator:
James, Henry 1843-1916  Search this
Physical description:
1 sound-tape reel : analog ; 7 in
Type:
Musical sound recordings
Topic:
Spoken word  Search this
Local number:
FW-ASCH-7RR-4821
Restrictions & Rights:
Restrictions on access. No duplication allowed listening and viewing for research purposes only
See more items in:
Moses and Frances Asch Collection, 1939-1986 228428
Data Source:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
edanmdm:siris_arc_340185

Daisy Miller II [sound recording]

Creator:
James, Henry 1843-1916  Search this
Physical description:
1 sound-tape reel : analog ; 7 in
Type:
Musical sound recordings
Topic:
Spoken word  Search this
Local number:
FW-ASCH-7RR-4822
Restrictions & Rights:
Restrictions on access. No duplication allowed listening and viewing for research purposes only
See more items in:
Moses and Frances Asch Collection, 1939-1986 228428
Data Source:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
edanmdm:siris_arc_340186

Henry James and American painting / Colm Tóibín, Marc Simpson, Declan Kiely

Author:
Tóibín, Colm 1955-  Search this
Simpson, Marc  Search this
Kiely, Declan  Search this
Host institution:
Pierpont Morgan Library  Search this
Subject:
James, Henry 1843-1916 Criticism and interpretation  Search this
James, Henry 1843-1916 Knowledge  Search this
James, Henry 1843-1916 Friends and associates  Search this
James, Henry 1843-1916 Manuscripts  Search this
James, Henry 1843-1916 Correspondence  Search this
Physical description:
176 pages : illustrations (chiefly color), facsimiles, portraits ; 27 cm
Type:
Books
Art
Criticism, interpretation, etc
Manuscripts
Records and correspondence
Date:
2017
19th century
20th century
Topic:
Painting, American  Search this
Painting in literature  Search this
Art and literature  Search this
Call number:
CT275.J27 T6 2017
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1084984

Notes (no. 15 of series) / by Mr. Henry James on a collection of drawings by Mr. George Du Maurier exhibited at the Fine Art Society's ... 1884

Author:
James, Henry 1843-1916  Search this
Du Maurier, George 1834-1896  Search this
Fine Art Society  Search this
Donor:
Hewitt, Sarah 1859-1930 DSI  Search this
Subject:
Du Maurier, George 1834-1896 Exhibitions  Search this
Physical description:
66 p. : ill. ; 22 cm
Type:
Books
Date:
1884
[1884]
Call number:
NC1479.D8 J27 1884
NC1479.D8J27 1884
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_229260

John Hay, friend of giants : the man and life connecting Abraham Lincoln, Mark Twain, Henry James, and Theodore Roosevelt / Philip McFarland

Author:
McFarland, Philip James  Search this
Subject:
Hay, John 1838-1905  Search this
Hay, John 1838-1905 Friends and associates  Search this
Lincoln, Abraham 1809-1865  Search this
Twain, Mark 1835-1910  Search this
James, Henry 1843-1916  Search this
Roosevelt, Theodore 1858-1919  Search this
Physical description:
xv, 366 pages : illustrations ; 24 cm
Type:
Books
Criticism, interpretation, etc
History
Place:
United States
Date:
2017
19th century
1849-1877
1865-1898
Topic:
American literature--History and criticism  Search this
History  Search this
Call number:
PS1903 .M34 2017
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1079810

Henry James : the mature master / Sheldon M. Novick

Author:
Novick, Sheldon M  Search this
Subject:
James, Henry 1843-1916  Search this
Physical description:
xix, 616 p., [16] p. of plates : ill ; 25 cm
Type:
Biography
Date:
2007
C2007
19th century
20th century
Topic:
Authors, American  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_841594

The Venetian hours of Henry James, Whistler and Sargent / Hugh Honour & John Fleming

Author:
Honour, Hugh  Search this
Fleming, John 1919-  Search this
Subject:
James, Henry 1843-1916 Criticism and interpretation  Search this
Sargent, John Singer 1856-1925 Criticism and interpretation  Search this
Whistler, James McNeill 1834-1903 Criticism and interpretation  Search this
Physical description:
179 p. : ill. (some col.), map, ports. ; 24 cm
Type:
Books
In art
Place:
Venice (Italy)
Date:
1991
Topic:
In literature  Search this
Call number:
NX653.V46 H66 1991
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_850611

The Venetian hours of Henry James, Whistler and Sargent / Hugh Honour & John Fleming

Author:
Honour, Hugh  Search this
Fleming, John 1919-  Search this
Subject:
James, Henry 1843-1916 Criticism and interpretation  Search this
Sargent, John Singer 1856-1925 Criticism and interpretation  Search this
Whistler, James McNeill 1834-1903 Criticism and interpretation  Search this
Physical description:
179 p. : ill. (some col.), map, ports. ; 24 cm
Type:
Books
In art
Place:
Venice (Italy)
Date:
1991
Topic:
In literature  Search this
Call number:
NX653.V46 H66
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_877918

Henry James, a life / Leon Edel

Author:
Edel, Leon 1907-1997  Search this
Subject:
James, Henry 1843-1916  Search this
Physical description:
xiv, 740 p., [24] p. of plates : ill., ports. ; 24 cm
Type:
Biography
Place:
Great Britain
Date:
1985
C1985
19th century
20th century
Topic:
Authors, American  Search this
Americans  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_743103

The painter's eye; notes and essays on the pictorial arts. Selected and edited with an introd. by John L. Sweeney

Author:
James, Henry 1843-1916  Search this
Physical description:
274 p. port. 21cm
Type:
Books
Date:
1956
Topic:
Art  Search this
Call number:
N7445 .J23 1956
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_646742

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