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Martha Jackson Gallery records

Creator:
Martha Jackson Gallery  Search this
Names:
Anderson, David K., 1935-  Search this
Appel, Karel, 1921-  Search this
Bacon, Francis, 1909-1992  Search this
Benrimo, Tom, 1887-1958  Search this
Boynton, Jack, 1928-2010  Search this
Bultman, Fritz, 1919-1985  Search this
Burri, Alberto, 1915-  Search this
Calcagno, Lawrence, 1913-  Search this
Francis, Sam, 1923-1994  Search this
Honegger, Gottfried, 1917-  Search this
Hultberg, John, 1922-  Search this
Jackson, Martha Kellogg  Search this
Jenkins, Paul, 1923-2012  Search this
Jones, Paul Haller, 1917-  Search this
Kruger, Louise, 1924-  Search this
Leslie, Alfred, 1927-  Search this
Lobdell, Frank, 1921-  Search this
Marini, Marino, 1901-1980  Search this
Nicholson, Ben, 1894-  Search this
Otero Rodríguez, Alejandro  Search this
Pozzatti, Rudy, 1925-  Search this
Richier, Germaine, 1904-1959  Search this
Scott, William, 1913-  Search this
Teshigawara, Sofu, 1900-  Search this
Ting, Walasse  Search this
Extent:
0.01 Linear feet
2 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1954-1964
Summary:
The Martha Jackson Gallery records consists of 2 microfilm reels and one letter, measuring 0.01 linear feet, and date from 1954 to 1964. Materials on microfilm are mostly artists' files containing mainly correspondence with Jackson and her son David Anderson concerning exhibitions, resumes, price lists, exhibition catalogs, checklists, and receipts. The one item in the collection that is an original document is a letter dated March 29, 1963, from John Hultberg in San Miguel de Allende, Mexico. Hultberg writes of the artist colony there, the difficulty of acquiring artist supplies in Mexico, studio arrangements, his sense "of serenity," his plans, and arrangements for an upcoming exhibition at the Martha Jackson Gallery. The letter was also microfilmed with the rest of the collection.
Scope and Contents:
The Martha Jackson Gallery records consists of 2 microfilm reels and one letter, measuring 0.01 linear feet, and date from 1954 to 1964. Materials on microfilm are mostly artists' files containing mainly correspondence with Jackson and her son David Anderson concerning exhibitions, resumes, price lists, exhibition catalogs, checklists, and receipts.

The one item that is an original document is a letter dated March 29, 1963, from John Hultberg in San Miguel de Allende, Mexico. Hultberg writes of the artist colony there, the difficulty of acquiring artist supplies in Mexico, studio arrangements, his sense "of serenity," his plans, and arrangements for an upcoming exhibition at the Martha Jackson Gallery. The letter was also microfilmed with the rest of the collection.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.

Series 1: Martha Jackson Gallery Records, 1954-1964
Biographical / Historical:
The Martha Jackson Gallery (established 1953) was a gallery in New York City. Martha Jackson opened her Gallery in New York City at 22 E. 66th St., moving three years later to 32 E. 69th St. The gallery specialized in modern American and European painting and sculpture, particularly Abstract Expressionists. Her son, David Anderson, worked with Jackson and took over the gallery after her death in 1969.
Related Materials:
Additional Martha Jackson Gallery records are available at the University of Buffalo Art Galleries.
Provenance:
Material on reel D246 was lent for microfilming by the Martha Jackson Gallery in September, 1965. One letter from John Hultberg (reel 2814) was donated.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Function:
Art galleries, Commercial -- New York (State)
Citation:
Martha Jackson Gallery records, 1954-1964. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.martjack
See more items in:
Martha Jackson Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw913e5516b-608a-449c-85cf-999dcb4b803c
EDAN-URL:
ead_collection:sova-aaa-martjack
Online Media:

Oral history interview with Nathan Oliveira

Interviewee:
Oliveira, Nathan, 1928-2010  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Albright, Ivan, 1897-1983  Search this
Beckmann, Max, 1884-1950  Search this
Bengston, Billy Al  Search this
Boyle, Keith  Search this
De Kooning, Willem, 1904-1997  Search this
Diebenkorn, Richard, 1922-1993  Search this
Jackson, Martha Kellogg  Search this
Oldfield, Otis, 1890-1969  Search this
Extent:
92 Pages (Transcript, 1978-1980 sessions)
28 Pages (Transcript 1981 session)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1978 Aug. 9-1981 Dec. 29
Scope and Contents:
An interview of Nathan Oliveira conducted 1978 Aug. 9-1981 Dec. 29, by Paul Karlstrom, for the Archives of American Art.
Oliveira speaks of his family background and ancestry; his childhood; his education; the development of his interest in art; working as a bookbinder; his inspirations from the old masters; studying with Max Beckmann and Otis Oldfield; his U.S. Army service; working with Richard Diebenkorn; getting established in galleries as a printmaker; teaching printmaking; his European travels; living in Illinois and its effect on his career; moving to California; and meeting and working with Martha Jackson. He recalls Billy Al Bengston, Ivan Albright, and Willem de Kooning, and discusses de Kooning's influence on him.
Oliveira also speaks of subject matter in his paintings, and his departure from and his later return to the human figure; the relationship between artist and model; the importance and persistence of the figurative tradition in American art; artists he admires. He recalls Keith Boyle and Frank Lobdell.
Biographical / Historical:
Nathan Oliveira (1928-2010) was a painter, printmaker, and sculptor from Stanford, Calif.
General:
Originally recorded on 3 sound tape reels and 2 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 5 hrs., 39 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
1978-1980 session; transcript: Transcript available on microfilm.
Occupation:
Artists' models  Search this
Topic:
Figurative art  Search this
Printmakers -- California -- Interviews  Search this
Artists' models -- California -- Interviews  Search this
Painters -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.olivei78
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw973f41c6a-7f70-45ec-a356-536ec0195244
EDAN-URL:
ead_collection:sova-aaa-olivei78
Online Media:

Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art

Creator:
Finch College. Museum of Art  Search this
Varian, Elayne H.  Search this
Names:
Acconci, Vito, 1940-  Search this
Anderson, David K., 1935-  Search this
Benglis, Lynda, 1941-  Search this
Benyon, Margaret, 1940-  Search this
Bochner, Mel, 1940-  Search this
Brooks, James, 1906-1992  Search this
Castelli, Leo  Search this
Chase, Doris, 1923-  Search this
Cross, Lloyd G.  Search this
Davis, Douglas  Search this
Dwan, Virginia  Search this
Feigen, Richard L., 1930-  Search this
Glimcher, Arnold B.  Search this
Gottlieb, Adolph, 1903-1974  Search this
Graham, Dan, 1942-  Search this
Hollander, Irwin  Search this
Insley, Will, 1929-2011  Search this
Jackson, Martha Kellogg  Search this
Janis, Sidney, 1896-1989  Search this
Kirby, Michael  Search this
Levine, Les, 1935-  Search this
Lichtenstein, Roy, 1923-1997  Search this
Mazur, Michael, 1935-2009  Search this
Meyer, Ursula, 1915-  Search this
Nauman, Bruce, 1941-  Search this
O'Doherty, Brian  Search this
Parsons, Betty  Search this
Richter, Hans, 1888-1976  Search this
Siegelaub, Seth, 1941-  Search this
Smith, Tony, 1912-1980  Search this
Sonfist, Alan  Search this
Weiner, Sam  Search this
Wise, Howard  Search this
Extent:
20.9 Linear feet
Type:
Collection descriptions
Archival materials
Transcripts
Interviews
Photographs
Sound recordings
Video recordings
Museum records
Date:
1943-1975
bulk 1964-1975
Summary:
The exhibition records of the Contemporary Study Wing of the Finch College Museum of Art measure 20.9 linear feet and date from 1943 to 1975, with the bulk of records dating from the period its galleries were in operation, from 1964 to 1975. Over two-thirds of the collection consists of exhibition files, which contain a wide range of documentation including artist files, checklists, correspondence, writings, photographs, interviews, numerous films and videos, artist statements, printed materials, and other records. Also found within the collection are administrative records of the museum, artist files, and papers of the Contemporary Wing's director and curator, Elayne Varian, which were produced outside of her work at Finch College.
Scope and Contents:
The exhibition records of the Contemporary Study Wing of the Finch College Museum of Art measure 20.9 linear feet and date from 1943 to 1975, with the bulk of records dating from the period its galleries were in operation, from 1964 to 1975. Over two-thirds of the collection consists of exhibition files, which contain a wide range of documentation including artist files, checklists, correspondence, writings, photographs, interviews, numerous films and videos, artist statements, printed materials, and other records. Also found within the collection are administrative records of the museum, artist files, and papers of the Contemporary Wing's director and curator, Elayne Varian, which were produced outside of her work at Finch College.

Administrative records include records relating to the general operation of the Contemporary Wing concerning fundraising, professional associations, budget, contact information for artists, donors, and lenders to exhibitions. Also found are records of the permanent collection of artworks acquired by the museum between 1964 and 1975 from contemporary artists and collectors of contemporary art.

Artist files contain basic biographical information on over 150 contemporary artists, with scattered correspondence, photographs, technical information about artworks, artist statements, and other writings. Artist files also include an incomplete run of artist questionnaires gathered by the New York Arts Calendar Annual for 1964.

Elayne Varian's personal papers include curatorial records, a course schedule and syllabus related to her teaching activities, and various writings. Curatorial projects documented in Varian's papers include three programs produced outside of Finch College, including a juried show at the New York State Fair in 1967, a film series at Everson Museum of Syracuse University, and an exhibition at Guild Hall in East Hampton in 1973. Several of Varian's writing projects involved interviews, which are also found in this series in the form of sound recordings and transcripts. Interview-based writing projects include individual profiles on Brian O'Doherty and Babette Newberger, and interviews conducted for an article on the artist-dealer relationship published in Art in America (January 1970). Dealers interviewed for the latter project include Leo Castelli, Virginia Dwan, John Gibson, Richard Feigen, Arnold Glimcher, Fred Mueller, Martha Jackson, Sidney Janis, Betty Parsons, Seth Siegelaub, and Howard Wise. Artists interviewed include Roy Lichtenstein, Adolph Gottlieb, and Charles Ross.

Exhibition files, comprising the bulk of the collection, document exhibitions held in the Contemporary Wing during its existence from 1964 to 1975. Types of records found in the series include exhibition catalogs, correspondence, loan agreements, lists, contact information, insurance valuations of artworks, photographs, biographical information on artists, clippings, posters, press releases, and other publicity materials. In addition to the rich textual and photographic records found for exhibitions, numerous audiovisual recordings are also found, some of which were made in preparation for an exhibition, some document mounted exhibitions, and others are artworks themselves or components of artworks exhibited in the galleries. Interviews with artists, dealers, and others involved in exhibitions include Alan Sonfist, Mel Bochner, Hans Richter, Ruth Richards, James Brooks and Janet Katz, Margaret Benyon, Irwin Hollander (transcript only), David Anderson, Doris Chase, Will Insley, Michael Kirby, Les Levine, Ursula Meyer, Brian O'Doherty, Charles Ross, Tony Smith, Douglas Davis, Jane Davis, Russ Connor, Les Levine, Michael Mazur, Paul Gedeohn, and physicists Lloyd G. Cross, Allyn Z. Lite, and Gerald Thomas Bern Pethick. Video artworks, recordings of performances, or components of multimedia artworks are found by artists Vito Acconci, Kathy Dillon, Douglas Davis, Dan Graham, Les Levine, Bruce Nauman, Michael Netter, Eric Siegel, and Robert Whitman. A film of the Art in Process: The Visual Development of a Structure (1966) exhibition is found, and video recordings of artists Lynda Benglis, Michael Singer, and Sam Wiener form as part of the documentation for the Projected Art: Artists at Work (1971) exhibition.
Arrangement:
The collection is arranged as 4 series.

Missing Title

Series 1: Administrative Records, 1950-1975 (2 linear feet; Boxes 1-2, 22, OV 23)

Series 2: Artist Files, 1958-1975 (2.4 linear feet; Boxes 3-4, 22, OV 23, FC 27-28)

Series 3: Elayne Varian Personal Papers, 1965-1970 (1.3 linear feet; Boxes 5-6)

Series 4: Exhibition Files, 1943-1975 (14.9 linear feet; Boxes 6-22, OV 24-25, FC 26)
Biographical / Historical:
The Contemporary Study Wing of the Finch College Museum of Art, later called simply the "Contemporary Wing," was established in 1964 by the president of Finch College, Roland De Marco, as an extension the Finch College Museum of Art in New York City.

Its mission was to educate art history students at the Manhattan women's college who were interested in working with contemporary art. DeMarco, himself an art collector, hired Elayne Varian as director and curator of the contemporary wing. DeMarco met Varian in the New York office of the prominent international art dealership Duveen Brothers, where she had worked since the mid-1940s, most recently as an art dealer. Varian received her art education in Chicago, where she studied art history and education at the University of Chicago, and took classes in film at the Bauhaus and in fine art the Art Institute of Chicago. Sensitive to emerging art movements in galleries and studios around the city of New York, as the contemporary wing's curator, Varian quickly established a reputation for thoughtfully conceived, cutting-edge exhibitions which were consistently well-received by the press.

Under Varian, the Contemporary Wing carried out a dual mission of showing work of living artists and educating students and the public about the artwork and museum work in general. Varian used the galleries to provide practical training to students interested in a gallery or museum career throughout its existence. For several years, she also maintained an assistantship position for post-graduate museum professionals to gain experience in the field, many of whom went on to careers in museums across New York State.

The Contemporary Wing's best-known exhibitions formed a series of six shows called Art in Process, held between 1965 and 1972. Each of the Art in Process shows took a different medium, including painting, sculpture, collage, conceptual art, installation art, and serial art, and brought the process of art-making into the gallery with the artworks in various ways. For example, for Art in Process V (1972), the show about installation art, the galleries were open to the public for the entire process of its installation, allowing visitors to watch the works take shape. Another show entitled Documentation (1968) exhibited artworks with documentation such as artist's notes, sales records, and conservation records, bringing to light the value of record-keeping in the visual arts. Two exhibitions entitled Projected Art were also innovative, with the first (1966-1967) bringing experimental films from the cinema to the galleries, and the second (1971) showing artists' processes via footage and slides of artists working. Another show, Artists' Videotape Performances (1971), involved both screening of and creation of works in the gallery using a range of experiments with recent video technology. The museum also participated in an experimental broadcast of an artwork entitled Talk Out! by Douglas Davis, in which a telephone in the gallery allowed visitors to participate in its creation while it was broadcast live from Syracuse, NY. Other exhibitions that showcased experimentation in art included N-Dimensional Space (1970), on holography in art, Destruction Art(1968), on destructive actions being incorporated into contemporary art-making, and Schemata 7 (1967), a show about the use of environments in contemporary art, whose working title was "Walk-in Sculpture."

Other popular exhibitions at the Contemporary Wing included shows on Art Deco (1970) and Art Nouveau (1969). Several shows mined the private collections of prominent contemporary art collectors including Martha Jackson, Betty Parsons, George Rickey, Paul Magriel, Jacques Kaplan, Josephine and Philip Bruno, and Carlo F. Bilotti. A number of exhibitions featured contemporary art from overseas including Art from Belgium (1965), Art from Finland (1973), Seven Swedish Painters (1965), and Art in Jewelry (1966), which featured mainly international jewelry artists. Retrospective exhibitions of Hans Richter, Hugo Weber, and James Brooks were also held.

Hundreds of contemporary artists were shown at the Contemporary Wing in the eleven years of its existence, including many who came to be leading figures in contemporary art, and some who already were, including Andy Warhol, Roy Lichtenstein, Mel Bochner, Eva Hesse, Lynda Benglis, Bruce Nauman, Robert Morris, Lawrence Weiner, Robert Smithson, Sol Le Witt, Dan Flavin, Philip Pearlstein, and Yayoi Kusama, to name just a few.

The Contemporary Wing and the entire Finch College Museum of Art shut its doors in 1975, when Finch College closed due to lack of funds. The permanent collection was sold at that time, and the proceeds were used to pay Finch College employee salaries. Elayne Varian went on to the position of curator of contemporary art at the John and Mabel Ringling Museum in Sarasota, Florida. She died in 1987.
Related Materials:
Also found in the Archives of American Art is an oral history interview with curator Elayne Varian conducted by Paul Cummings, May 2, 1975.
Provenance:
The Archives of American Art acquired these records from the Finch College Museum of Art after it closed permanently in June 1975.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Video artists -- New York (State) -- New York  Search this
Museum administrators -- New York (State) -- New York  Search this
Museum curators -- New York (State) -- New York  Search this
Topic:
Art dealers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Gallery directors  Search this
Gallery owners  Search this
Genre/Form:
Transcripts
Interviews
Photographs
Sound recordings
Video recordings
Museum records
Citation:
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art, 1943-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.finccoll
See more items in:
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ed5f13a2-eeb3-452a-8735-204ff25576b5
EDAN-URL:
ead_collection:sova-aaa-finccoll
Online Media:

Research material on Martha Jackson

Creator:
Rand, Harry  Search this
Names:
Martha Jackson Gallery  Search this
National Museum of American Art (U.S.) -- Exhibitions  Search this
Breeskin, Adelyn Dohme, 1896-1986  Search this
Brooks, James, 1906-1992  Search this
Calcagno, Lawrence, 1913-  Search this
Diebenkorn, Richard, 1922-1993  Search this
Dine, Jim, 1935-  Search this
Falkenstein, Claire, 1908-1997  Search this
Gilhooly, David  Search this
Hartigan, Grace  Search this
Hultberg, John, 1922-  Search this
Jackson, Martha Kellogg  Search this
Jenkins, Paul, 1923-2012  Search this
Katz, Alex, 1927-  Search this
Nevelson, Louise, 1899-1988  Search this
Stanczak, Julian, 1928-2017  Search this
Wayne, June, 1918-2011  Search this
Extent:
0.4 Linear feet ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1953-1984
Scope and Contents:
Research material for an exhibition THE MARTHA JACKSON MEMORIAL COLLECTION held at the National Museum of American Art, June 21-September 15, 1985, and a catalog (Smithsonian Institution Press, 1985). Included are clippings and press releases, 1953-1975, and letters, 1979-1984, from artists and Jackson's colleagues and employees including Herb Aach, Garo Antreasian, Amy Baker, Dorothy Beskind, Dennis Bing, Norman Bluhm, Naomi Blum, Grace Borgegenicht, Mrs. Toni Borgzinner, Keith Boyle, Charles Brady, Adelyn Breeskin, James Brooks, Fritz Bultman, Lawrence Calcagno, Christo Capralos, Vardea Chryssa, Christopher Colt, Richard Diebenkorn, Jim Dine, Hisao Domoto, Seymour Drumlevitch, Frank Duncan, Claire Falkenstein, David Gilhooly, Ives Goucher, Clement Greenberg, Grace Hartigan, Gottfried Honegger, John Hultberg,
Harry Jackson, Paul Jenkins, Alfred Jenson, Lester Johnson, Alex Katz, Lillian Kiesler, Kenneth Koch, Lee Krasner, Elaine Kurtz, Bruce Lowney, Alexandra Luke, Ed McGowin, Carlos Merida, Sadamasa Motonaga,Louise Nevelson, Tom Parish, Jackson Pollock (Betty Parsons Gallery concerning Pollock),Israel Rosen, John Salt, Peter Spinelli, Julian Stanczak, Francisco Toledo, June Wayne, and Edward Weiss. Several of the correspondents wrote brief memoirs of their relationships with Jackson.
Biographical / Historical:
Art historian, curator; National Museum of American Art, Washington, D.C. Jackson (1907-1969) was an art collector, dealer, and painter. She operated the Martha Jackson Gallery, New York City. Her collection was given to the National Museum of American Art in 1981 by her estate.
Provenance:
Lent for microfilming 1988 by Harry Rand. The Martha Jackson memorial collection was donated to the National Museum of American Art in 1981 by Jackson's estate.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Art historians  Search this
Museum curators  Search this
Identifier:
AAA.randharr
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw989edfcdc-8f5d-4760-87a0-b924d52dae78
EDAN-URL:
ead_collection:sova-aaa-randharr

Oral history interview with Claire Falkenstein, 1995 Mar. 2-21

Interviewee:
Falkenstein, Claire, 1908-1997  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Appel, Karel  Search this
Francis, Sam  Search this
Jackson, Martha Kellogg  Search this
Lusk, George  Search this
Still, Clyfford  Search this
Tapie, Michel  Search this
University of California, San Francisco. School of Fine Arts  Search this
Galerie Stadler  Search this
Women in the Arts in Southern California Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Claire Falkenstein, 1995 Mar. 2-21. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women sculptors  Search this
Women painters  Search this
Women designers  Search this
Women educators  Search this
Women authors  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)12659
(DSI-AAA_SIRISBib)215849
AAA_collcode_falken95
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215849
Online Media:

Oral history interview with Joan Ankrum, 1997 November 5-1998 February 4

Interviewee:
Ankrum, Joan, 1913-2001  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Ankrum, Morris  Search this
Broderson, Morris  Search this
Feitelson, Lorser  Search this
Lundeberg, Helen  Search this
Hirshhorn, Joseph H.  Search this
Jackson, Martha Kellogg  Search this
Zeitlin, Jake  Search this
Ankrum Gallery  Search this
Pasadena Playhouse  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Joan Ankrum, 1997 November 5-1998 February 4. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women art dealers  Search this
Deaf artists  Search this
Hearing impaired  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)12691
(DSI-AAA_SIRISBib)216355
AAA_collcode_ankrum97
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216355
Online Media:

Oral history interview with Joan Ankrum

Interviewee:
Ankrum, Joan  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Ankrum Gallery  Search this
Pasadena Playhouse  Search this
Ankrum, Morris, d. 1964  Search this
Broderson, Morris, 1928-2011  Search this
Feitelson, Lorser, 1898-1978  Search this
Hirshhorn, Joseph H.  Search this
Jackson, Martha Kellogg  Search this
Lundeberg, Helen, 1908-1999  Search this
Zeitlin, Jake, 1902-1987  Search this
Extent:
195 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1997 November 5-1998 February 4
Scope and Contents:
An interview of Joan Ankrum conducted 1997 November 5-1998 February 4, by Paul Karlstrom, for the Archives of American Art, in Pasadena, California.
Ankrum discusses her status as a role model for women due to her independence in leaving a difficult marriage and establishing a new career; her theater and film career and association with the Pasadena Playhouse; her discovery of Morris Broderson, the hearing-impaired nephew of her husband Morris Ankrum; encouraging Broderson's artistic talent and efforts to help him learn to speak and interact socially; her career as director of the Ankrum Gallery in Los Angeles and the artists, collectors and dealers she became involved with, among them Lorser Feitelson and Helen Lundeberg, Joseph Hirshhorn, Martha Jackson and Jake Zeitlin.
Biographical / Historical:
Joan Ankrum (1913-2001) was a gallery owner from Los Angeles, California.
General:
Originally recorded on 6 sound cassettes. Reformatted in 2010 as 24 digital wav files. Duration is 5 hrs., 50 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art dealers -- California -- Los Angeles  Search this
Actors -- California -- Los Angeles  Search this
Topic:
Women artists  Search this
Women art dealers  Search this
Deaf artists  Search this
Hearing impaired  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.ankrum97
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw977864658-a763-4f66-a3c3-5d0321352cd1
EDAN-URL:
ead_collection:sova-aaa-ankrum97
Online Media:

Oral history interview with Claire Falkenstein

Interviewee:
Falkenstein, Claire, 1908-1997  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Creator:
Women in the Arts in Southern California Oral History Project  Search this
Names:
Galerie Stadler  Search this
University of California, San Francisco. School of Fine Arts  Search this
Women in the Arts in Southern California Oral History Project  Search this
Appel, Karel, 1921-  Search this
Francis, Sam, 1923-1994  Search this
Jackson, Martha Kellogg  Search this
Lusk, George, 1902-  Search this
Still, Clyfford, 1904-1980  Search this
Tapie, Michel  Search this
Extent:
3 Sound cassettes (Sound recording (60 min. each), analog)
51 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1995 Mar. 2-21
Scope and Contents:
An interview of Claire Falkenstein conducted 1995 Mar.2-21, by Paul Karlstrom, for the Archives of American Art, Women in the Arts in Southern California Oral History Project, in Falkenstein's studio, Venice, Calif.
Falkenstein discusses the evolution of her work; the benefit of being alone to her personal and artistic growth; her "vocabulary of art" which she created while at the University of California at Berkeley; her largest commission at St. Basil's Cathedral in Los Angeles and her views on religion and art; the influence on her of George Lusk, a visiting artist and philosopher from Paris; studying the nude figure and how it taught her personal expression; her family background and introduction to art; teaching in the Bay Area at the California School of Fine Arts; her friendships with other artists there such as Clyfford Still; her reasons for leaving the Bay Area to go to Paris; and meeting Michel Tapie and the Stadler Gallery group. She recalls Karl Appel, Martha Jackson, Clyfford Still, Sam Francis, and others.
Biographical / Historical:
Claire Falkenstein (1908-1997) was a sculptor of Venice, Calif.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview was provided by the Margery and Harry Kahn Philanthropic Fund of the Jewish Communal Fund of New York.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Sculptors -- California  Search this
Painters -- California  Search this
Jewelers -- California  Search this
Educators -- California  Search this
Authors -- California  Search this
Topic:
Women artists  Search this
Women sculptors  Search this
Women painters  Search this
Women designers  Search this
Women educators  Search this
Women authors  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.falken95
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92b93f322-68ce-46e1-a128-abcf6f2c5584
EDAN-URL:
ead_collection:sova-aaa-falken95
Online Media:

Dorr Bothwell papers, 1900-2006

Creator:
Bothwell, Dorr Hodgson, 1902-2000  Search this
Subject:
Adnan, Etel  Search this
Adams, Virginia Best  Search this
Adams, Ansel  Search this
Jackson, Martha Kellogg  Search this
Packard, Emmy Lou  Search this
Howard, Charles  Search this
Falkenstein, Claire  Search this
Chinn, Benjamen  Search this
Pollock-Krasner Foundation  Search this
Type:
Drawings
Sketchbooks
Photographs
Visitors' books
Interviews
Travel diaries
Scrapbooks
Collages
Sketches
Contracts
Awards
Diaries
Lecture notes
Citation:
Dorr Bothwell papers, 1900-2006. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women painters  Search this
Women educators  Search this
Women printmakers  Search this
Artists' studios -- Photographs  Search this
Surrealism  Search this
World War, 1939-1945  Search this
Women muralists  Search this
Theme:
Sketches & Sketchbooks  Search this
Women  Search this
Lives of American Artists  Search this
Audio - Visual  Search this
Record number:
(DSI-AAA_CollID)6774
(DSI-AAA_SIRISBib)208900
AAA_collcode_bothdorr
Theme:
Sketches & Sketchbooks
Women
Lives of American Artists
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208900
Online Media:

G. Alan Chidsey papers, 1920-1979

Creator:
Chidsey, G. Alan  Search this
Subject:
Hartley, Marsden  Search this
Jackson, Martha Kellogg  Search this
McCausland, Elizabeth  Search this
Stieglitz, Alfred  Search this
Citation:
G. Alan Chidsey papers, 1920-1979. Archives of American Art, Smithsonian Institution.
Topic:
Painting, Modern -- 20th century  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7407
(DSI-AAA_SIRISBib)209564
AAA_collcode_chidg
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209564

Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art, 1943-1975, bulk 1964-1975

Creator:
Finch College. Museum of Art  Search this
Varian, Elayne H. (Elayne Hanley), 1913-1987  Search this
Subject:
Acconci, Vito  Search this
Glimcher, Arnold B.  Search this
Benglis, Lynda  Search this
Anderson, David K.  Search this
Bochner, Mel  Search this
Benyon, Margaret  Search this
Janis, Sidney  Search this
Castelli, Leo  Search this
Brooks, James  Search this
Jackson, Martha Kellogg  Search this
Hollander, Irwin  Search this
Insley, Will  Search this
Gottlieb, Adolph  Search this
Graham, Dan  Search this
Smith, Tony  Search this
Siegelaub, Seth  Search this
Richter, Hans  Search this
Parsons, Betty  Search this
O'Doherty, Brian  Search this
Nauman, Bruce  Search this
Kirby, Michael  Search this
Chase, Doris  Search this
Cross, Lloyd G.  Search this
Davis, Douglas  Search this
Dwan, Virginia  Search this
Feigen, Richard L.  Search this
Wise, Howard  Search this
Weiner, Sam  Search this
Sonfist, Alan  Search this
Mazur, Michael  Search this
Meyer, Ursula  Search this
Lichtenstein, Roy  Search this
Levine, Les  Search this
Type:
Transcripts
Interviews
Photographs
Sound recordings
Video recordings
Museum records
Citation:
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art, 1943-1975, bulk 1964-1975. Archives of American Art, Smithsonian Institution.
Topic:
Art dealers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Gallery directors  Search this
Gallery owners  Search this
Theme:
Communities, Organizations, Museums  Search this
Art Gallery Records  Search this
Record number:
(DSI-AAA_CollID)8114
(DSI-AAA_SIRISBib)210285
AAA_collcode_finccoll
Theme:
Communities, Organizations, Museums
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210285
Online Media:

Theo Hios papers, 1938-1994

Creator:
Hios, Theo, 1908-1999  Search this
Subject:
Bier, Elmira  Search this
Canaday, John  Search this
Jackson, Martha Kellogg  Search this
Osver, Arthur  Search this
Porter, Fairfield  Search this
Weston, Harold  Search this
Type:
Sketchbooks
Citation:
Theo Hios papers, 1938-1994. Archives of American Art, Smithsonian Institution.
Topic:
Painting, American  Search this
Graphic arts -- New York (State) -- New York  Search this
Art, Greek  Search this
Art, Byzantine  Search this
War photography  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Photography  Search this
Record number:
(DSI-AAA_CollID)9016
(DSI-AAA_SIRISBib)211205
AAA_collcode_hiostheo
Theme:
Sketches & Sketchbooks
Lives of American Artists
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211205

John Hultberg papers, 1942-1993

Creator:
Hultberg, John, 1922-2005  Search this
Subject:
Kantor, Morris  Search this
Drexler, Lynne Mapp  Search this
Jackson, Martha Kellogg  Search this
Spohn, Clay Edgar  Search this
Martha Jackson Gallery  Search this
Citation:
John Hultberg papers, 1942-1993. Archives of American Art, Smithsonian Institution.
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Theme:
Diaries  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9026
(DSI-AAA_SIRISBib)211215
AAA_collcode_hultjohn
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211215

Martha Jackson Gallery records, 1954-1964

Creator:
Martha Jackson Gallery  Search this
Subject:
Appel, Karel  Search this
Bacon, Francis  Search this
Benrimo, Tom  Search this
Boynton, Jack  Search this
Bultman, Fritz  Search this
Burri, Alberto  Search this
Calcagno, Lawrence  Search this
Francis, Sam  Search this
Honegger, Gottfried  Search this
Hultberg, John  Search this
Jenkins, Paul  Search this
Jones, Paul Haller  Search this
Kruger, Louise  Search this
Leslie, Alfred  Search this
Lobdell, Frank  Search this
Marini, Marino, 1901-1980  Search this
Nicholson, Ben  Search this
Otero Rodríguez, Alejandro  Search this
Pozzatti, Rudy  Search this
Richier, Germaine  Search this
Scott, William  Search this
Teshigawara, Sofu  Search this
Ting, Walasse  Search this
Anderson, David K.  Search this
Jackson, Martha Kellogg  Search this
Citation:
Martha Jackson Gallery records, 1954-1964. Archives of American Art, Smithsonian Institution.
Theme:
Art Movements and Schools  Search this
Record number:
(DSI-AAA_CollID)9039
(DSI-AAA_SIRISBib)211228
AAA_collcode_martjack
Theme:
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211228

Lawrence Calcagno papers, 1934-1980

Creator:
Calcagno, Lawrence, 1913-  Search this
Subject:
Boggs, Charles  Search this
Brewer, Richard J.  Search this
Cohen, Adele  Search this
Delaney, Beauford  Search this
Einhorn, Marilyn  Search this
Foshee, Rufus  Search this
Gutierrez, Alberto  Search this
Jackson, Martha Kellogg  Search this
Obermer, Nesta  Search this
Rothko, Mark  Search this
Spohn, Clay Edgar  Search this
Solomon, Hyde  Search this
Yaddo (Artist's colony)  Search this
Gallery of Modern Art (Scottsdale, Ariz.)  Search this
Martha Jackson Gallery  Search this
Tirca Karlis Gallery (Provincetown, Mass.)  Search this
McRoberts and Tunnard Limited  Search this
Museo de Arte Moderno  Search this
New Arts (Art gallery)  Search this
Zuni Gallery (Buffalo, N.Y.)  Search this
Citation:
Lawrence Calcagno papers, 1934-1980. Archives of American Art, Smithsonian Institution.
Theme:
Lives of American Artists  Search this
Audio - Visual  Search this
Record number:
(DSI-AAA_CollID)9238
(DSI-AAA_SIRISBib)211433
AAA_collcode_calclawr
Theme:
Lives of American Artists
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211433

Lynne Drexler papers, 1956-1980

Creator:
Drexler, Lynne Mapp, 1928-1999  Search this
Subject:
Jackson, Martha Kellogg  Search this
Spohn, Clay Edgar  Search this
Hofmann, Hans  Search this
Citation:
Lynne Drexler papers, 1956-1980. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women painters  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9332
(DSI-AAA_SIRISBib)211528
AAA_collcode_drexlynn
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211528
Online Media:

Research material on Martha Jackson, 1953-1984

Creator:
Rand, Harry  Search this
Subject:
Jackson, Martha Kellogg  Search this
Dine, Jim  Search this
Falkenstein, Claire  Search this
Gilhooly, David  Search this
Hartigan, Grace  Search this
Hultberg, John  Search this
Jenkins, Paul  Search this
Katz, Alex  Search this
Nevelson, Louise  Search this
Stanczak, Julian  Search this
Wayne, June  Search this
Breeskin, Adelyn Dohme  Search this
Brooks, James  Search this
Calcagno, Lawrence  Search this
Diebenkorn, Richard  Search this
National Museum of American Art (U.S.)  Search this
Martha Jackson Gallery  Search this
Citation:
Research material on Martha Jackson, 1953-1984. Archives of American Art, Smithsonian Institution.
Theme:
Art Market  Search this
Record number:
(DSI-AAA_CollID)10431
(DSI-AAA_SIRISBib)213832
AAA_collcode_randharr
Theme:
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213832

Interview with Martha Jackson

Creator:
Jackson, Martha Kellogg, 1907-1969  Search this
Varian, Dorothy, 1895-1985  Search this
Subject:
Martha Jackson Gallery  Search this
Type:
Sound Recording
Date:
circa 1969
Citation:
Martha Kellogg Jackson and Dorothy Varian. Interview with Martha Jackson, circa 1969. Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art, 1943-1975. Archives of American Art, Smithsonian Institution.
Topic:
Art galleries, Commercial  Search this
Dealers  Search this
Record number:
(DSI-AAA)12302
See more items in:
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art, 1943-1975, bulk 1964-1975
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12302

Martha Jackson letter to Lee Krasner

Creator:
Jackson, Martha Kellogg, 1907-1969  Search this
Krasner, Lee, 1908-  Search this
Subject:
Pollock, Jackson  Search this
Type:
Correspondence
Date:
1956 Oct. 16
Citation:
Martha Kellogg Jackson. Martha Jackson letter to Lee Krasner, 1956 Oct. 16. Jackson Pollock and Lee Krasner papers, circa 1914-1984. Archives of American Art, Smithsonian Institution.
Topic:
Condolence notes  Search this
Record number:
(DSI-AAA)13801
See more items in:
Jackson Pollock and Lee Krasner papers, circa 1914-1984, bulk 1942-1984
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13801

Interview with David Anderson

Creator:
Anderson, David K., 1935-2009  Search this
Varian, Elayne H. (Elayne Hanley), 1913-1987  Search this
Subject:
Anderson, David K.  Search this
Jackson, Martha Kellogg  Search this
Martha Jackson Gallery  Search this
Type:
Sound Recording
Date:
between 1969 and 1975
Citation:
David K. Anderson and Elayne H. (Elayne Hanley) Varian. Interview with David Anderson, between 1969 and 1975. Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art, 1943-1975. Archives of American Art, Smithsonian Institution.
Topic:
Art market  Search this
Record number:
(DSI-AAA)15290
See more items in:
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art, 1943-1975, bulk 1964-1975
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15290

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