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Tommi Parzinger collection

Creator:
Robsjohn-Gibbings, Terence Harold, b. 1905  Search this
Parzinger, Tommi, 1903-1981.  Search this
Names:
American Designers' Institute  Search this
Charak of Boston  Search this
Cooper-Hewitt Design Archive  Search this
Katzenbach & Warren  Search this
Norddeutscher Lloyd  Search this
Palumbo Gallery  Search this
Parzinger Originals (Firm)  Search this
Textile Workers Union of America  Search this
Cameron, Donald  Search this
Parzinger, Tommi, 1903-1981.  Search this
Robsjohn-Gibbings, Terence Harold, b. 1905  Search this
Rosenthal, Rena.  Search this
Tritt, Olga.  Search this
Widdicomb, William.  Search this
Extent:
5 Cubic feet
Type:
Collection descriptions
Archival materials
Photographic prints
Photographs
Clippings
Blueprints
Catalogs
Drawings
Awards
Articles
Sketches
Correspondence
Date:
1935-1981
Summary:
This collection does not represent the entire Parzinger archive. The German firm, K.P.M., has the drawings Parzinger produced for the line of ceramics and a part of the documentation for the work in the United States was damaged or lost in a 1951 flood in the Madison Avenue office. However, enough of the archive remains to document a significant part of the designer's work from the 1940s-1970s. Included in the collection are brochures, ad sheets, magazine pages, chart-like sheets of furniture designs, drawings or blueprints, clippings, photographs, press articles, and pages of notes. The collection does not include business papers which were deliberately excluded for space reasons.
Arrangement note:
Materials are arranged into ten record groups: I. Furniture Designs for Willow & Reed, Salterini, Parzinger Originals and others; II. Silver Design; III. Ceramic/China Design; IV. Designs for Objects made of non-precious metals; V. Objects of Miscellaneous or Obscure Materials; VI. Designs for Enamel Work; VII. Designs for Textiles and/or Wallcoverings; IX. Lighting Fixture Design (electric); and X. Miscellaneous Items. There are also seven 3-ring binders containing photographs of Parzinger's furniture, silver, ceramics, and metalwork from the 1930s--the 1970s. There are notes on the backs of many of the photographs. There are also sketches of his designs for clients. Binder 7 contains photographs of 63 furniture designs by T.H. Robsjohn-Gibbings.
Biographical/Historical note:
Tommi (Anton) Parzinger (1903-1981) was born in Munich and received professional design training there at the Kunstgewebeschule (School of Arts and Crafts).He began his career as a freelance designer in Germany and Austria, working in ceramics, wallpapers, lighting, textiles, and furniture. In 1932 he came to the United States as a prize for winning a poster contest for North German Lloyd, the steamship company. In 1935 he settled in New York and became associated with Rena Rosenthal ("smart furniture and accessories shop") as a designer of china, glassware and furniture. Furniture became is primary focus in 1938 he became a designer for Charak of Boston. In 1939 he formed his own business, Parzinger, Inc., 54 East 57th Street, designing silver as well as furniture. Renamed Parzinger Originals in 1946, the firm also had addresses at 32 East 57th Street; 601 Fifth Avenue and 441 Madison Avenue. Donald Cameron became his partner. In addition to his own firm, he designed furniture, fabrics, lighting and a range of accessories for other firms, including Salterini (wrought iron), Hofstatter (furniture), Dorlyn (brass), and Willow & Reed (rattan). He also produced custom designs for interior decorators and many private clients. In 1996 and 1998 his work was shown by Palumbo Gallery, 972 Lexington Avenue, New York City.
Separated Materials note:
The Cooper-Hewitt departments of Drawings and Prints, Applied Arts, and Textiles and Wallcoverings has additional materials on Parzinger in their collections.
Provenance:
All materials were donated to the museum by Donald Cameron in 1998.
Restrictions:
Unprocessed; access is limited; Permission of Library Director required; Policy.
Occupation:
Interior designers -- United States  Search this
Industrial designers -- Germany  Search this
Industrial designers -- United States  Search this
Furniture designers -- Germany  Search this
Furniture designers -- United States  Search this
Interior designers -- Germany  Search this
Topic:
Design -- History -- 20th century -- Sources  Search this
Genre/Form:
Photographic prints
Photographs
Clippings
Blueprints
Catalogs
Drawings
Awards
Articles
Sketches
Correspondence
Identifier:
SIL-CH.1998-19-1
Archival Repository:
Smithsonian Libraries
EDAN-URL:
ead_collection:sova-sil-ch-1998-19-1

Parish-Hadley Associates, Inc. collection

Topic:
House beautiful
Interior design (New York, N.Y.)
House & garden
Architectural digest (Los Angeles, Calif : 1925)
Creator:
Parish, Henry, Mrs., II  Search this
Parish-Hadley Associates  Search this
Hadley, Albert  Search this
Names:
Bank of New York  Search this
Cooper-Hewitt Design Archive  Search this
Gracie Mansion (New York, N.Y.)  Search this
Lenox Hill Neighborhood Association  Search this
McMillen Inc.  Search this
National Newark & Essex Bank (N.J.)  Search this
Northern Trust Bank  Search this
Paine Webber Inc.  Search this
Parish-Hadley Associates  Search this
Parsons School of Design  Search this
Ritz-Carlton Hotels (Firm)  Search this
White House (Washington, D.C.)  Search this
Andrew, Duke of York, 1960-  Search this
Astor, Brooke  Search this
Astor, Vincent, 1891-1959  Search this
Baldwin, Billy  Search this
Brown, Eleanor McMillen  Search this
Cameron, Libby  Search this
Chinsee, George.  Search this
Hadley, Albert  Search this
Hager, Gary.  Search this
Kleinberg, David.  Search this
Kwiatkowski, Henryk  Search this
McMahon, David  Search this
Mellon, Constance A.  Search this
Mellon, Rachel Lambert  Search this
Onassis, Jacqueline Kennedy, 1929-1994  Search this
Parish, Henry, Mrs., II  Search this
Rockefeller, Happy.  Search this
Whitney, Betsey Cushing Roosevelt, 1908-  Search this
Williams, Bunny, 1944-  Search this
York, Sarah Mountbatten-Windsor, Duchess of, 1959-  Search this
Extent:
11 Boxes (13 albums)
Type:
Collection descriptions
Archival materials
Drafts (documents)
Awards
Designs
Press releases
Drawings
Templates
Clippings
Articles
Speeches
Slides (photographs)
Date:
[196-]-1994
Summary:
The Parish-Hadley Collection documents the history of the New York City design firm from 1962-1994.Particular emphasis is on Sister Parish (Mrs. Henry Parish II) and Albert Hadley. Magazine clippings from various publications make up the majority of the collection as well as gossip column excerpts about Parish-Hadley or infamous clients. The slides date mostly from the 1980s-1990s and depict some but not all Parish-Hadley projects.
Arrangement note:
Materials are arranged in 13 albums

Organized by album title. The albums contain magazine and newspaper clippings, sketches, templates, speeches, and press releases, project slides. Arranged alphabetically by client, or in lieu of a client name, by project name (There is some overlap in the albums and the album labels are not accurate).
Biographical/Historical note:
Dorothy "Sister" Parish born Dorothy May Kinnicutt in Morristown, New Jersey. Sister is a nickname given to her by her three brothers. She graduated from the Foxcroft School for Girls, an elite Virginia boarding school. She began her career in 1933. It was the year of the "Crash" and financial necessity prompted her to set up shop, "Mrs. Henry Parish II Interiors", in Far Hills, New Jersey, where she began decorating houses for friends. She had no formal training but attributes her taste and instinct for quality to European travel, exposure to art, and, most of all to her upbringing. Alone, and then together with her partner, Albert Hadley, who joined the firm in 1962, she has decorated houses of every size and kind throughout the world. It is said that she represents the "undecorated" look; Vogue magazine calls her "the most famous of all living American women interior designers whose ideas have influenced life-styles all over America."

Sister Parish--grande dame of American decor--shaped the American domestic aesthetic of various Kennedys, Astors, Paleys, and Whitneys. Parish-Hadley was the upper-crust New York firm formed by Mrs. Parish and the Tennessee-born decorator Albert Hadley.

Mr. Hadley, a graduate of and former teacher at Parsons School of Design in both New York and Paris, established his own design firm before joining McMillen, Inc. He began his legendary association with Mrs. Henry Parish II in 1962, when they co-founded the distinguished design firm of Parish-Hadley Associates, which grew to encompass 25 associates and staff members.

Described by The New York Times as "the most illustrious American decorating team of the 20th century," Parish-Hadley's client register includes names of the Kennedys, Rockefellers, Astors, Gettys, Whitneys and Vanderbilts. Parish's cozy, yet dignified style, combined with Hadley's Modernism and attention to architectural space, has led to Parish-Hadley's constant surviving achievement.

The partnership lasted until the death of Sister Parish in 1994. After closing Parish-Hadley in late 1999, Hadley opened a new office and continues collaborating with clients toward his goal to "help them realize more than they thought possible within the framework of their own tastes." His impressive roster of distinguished clients includes former Vice President and Mrs. Albert Gore, Diane Sawyer and Mike Nichols, former Ambassador and Mrs. Henry Grunwald and Mrs. Vincent Astor.
Location of Other Archival Materials Note:
Parish-Hadley Associates, Inc. papers; Also located at The John F. Kennedy Library of the National Archives and Records Administration. Boston, Mass.
Provenance:
All materials donated by Mr. Albert Hadley in 1999. Unprocessed.
Restrictions:
Unprocessed; access is limited; Permission of Library Director required; Policy.
Occupation:
Interior designers -- United States  Search this
Topic:
Interior decoration -- United States -- History -- 20th century -- Sources  Search this
Genre/Form:
Drafts (documents)
Awards
Designs
Press releases
Drawings
Templates
Clippings
Articles
Speeches
Slides (photographs)
Identifier:
SIL-CH.2000-3-1
Archival Repository:
Smithsonian Libraries
EDAN-URL:
ead_collection:sova-sil-ch-2000-3-1

Donald Deskey collection

Creator:
Deskey, Donald, 1894-  Search this
Names:
Brunswick-Balke-Collender Company  Search this
Centre de recherche en ├ęconomie et statistique (Paris, France)  Search this
Charak Furniture Company  Search this
Cooper-Hewitt Design Archive  Search this
Deskey Associates, Inc.  Search this
Deskey-Vollmer, Inc.  Search this
Donald Deskey Associates, Inc.  Search this
Johnson & Johnson, Inc.  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Procter & Gamble Company  Search this
Radio City Music Hall (New York, N.Y.)  Search this
Widdicomb Furniture Company  Search this
Deskey, Donald, 1894-  Search this
Extent:
75 Cubic feet
Type:
Collection descriptions
Archival materials
Proposals
Labels
Clippings
Renderings
Slides
Stationery
Letters patent
Financial records
Photographs
Drawings
Client lists
Correspondence
Organizational charts
Reviews
Patents
Lantern slides
Technical reports
Date:
1927-1989
Summary:
Project files containmagazine and newspaper clippings, reviews, correspondence, renderings, floor plans, perspective drawings, site plans, sketches, preliminary drawings, patents, stationery, labels, and technical reports. There is an extensive collection of photographs and slides of many of Deskey's packaging designs, interiors, furnishings, and exhibition installations. The files of Donald Deskey Associates include organizational charts, client files, proposals, and financial records. Some of Deskey's personal correspondence, speeches, articles, and family photographs are included. Materials cover the period from 1927-1975.
Arrangement note:
Arranged into six records groups: 1) architecture/interiors projects; 2)Donald Deskey Associates; 3) industrial design projects; 4) reference; 5) Donald Deskey's personal papers; and 6) photographs. A special collection of more than one thousand slides of Deskey's work are boxed separately.
Biographical/Historical note:
Industrial, interior, and packaging designer. Born Blue Earth, Minnesota, November 23, 1894. By 1943, he had established Donald Deskey Associates in New York. Along with Dreyfuss, Bel Geddes, and Loewy, Deskey was one of the great industrial design pioneers in the 1930s.

He is best known for his designs for the furnishings and interiors of Radio City Music Hall in 1932, and for his work for companies such as: Widdicomb Furniture Company, Grand Rapids, Michigan; W & J Sloane, New York; and Estey Manufacturing Company, Owosso, Michigan. Deskey is also known for his familiar packaging designs for Procter & Gamble products, such as Crest toothpaste, Prell shampoo, and Tide detergent.

Donald Deskey Associates also was responsible for lamppost #10, the streetlight still in use today in New York City. Materials from this archival collection were featured in Cooper-Hewitt's 1994 exhibition and accompanying book, "Packaging the New: Design and the American Consumer, 1925- 1975."
Location of Other Archival Materials Note:
Cooper-Hewitt, National Design Museum, Drawings and Prints Department. Approximately 3,000 drawings for furniture and textile designs.
Cooper-Hewitt, National Design Museum, Applied Arts Department. Two tables, handles, and a glass bottle and box designed by Deskey.
Cooper-Hewitt, National Design Museum, Textiles Department. One textile designed by Deskey.
Other sources of archival information on Deskey include, the Procter & Gamble Archive, Cincinnati, Ohio, and Deskey Associates, New York City.
Provenance:
The Deskey collection was donated to the museum in three installments.

In 1975, Deskey deposited at Cooper-Hewitt, National Design Museum,, hundreds of drawings, 3 four-drawer file cabinets of material, and several oversized packages comprising the bulk of his papers covering the period from 1927-1965. These items were officially donated to the museum in 1988.

In 1992, Deskey Associates of New York made an additional gift consisting of, approximately 1,000 35mm slides that documented projects from the 1960s through 1980s, and focused primarily on designs for packaging.

In 1994, Donald Deskey's nephew, Robert Deskey presented the Museum with, 120 postcards, letters, and family photographs.
Restrictions:
Unrestricted research use onsite by appointment. Permission of staff required to photograph materials.
Occupation:
Packaging designers -- United States  Search this
Interior designers -- United States  Search this
Industrial designers -- United States  Search this
Topic:
Packaging -- Design  Search this
Street lighting -- New York (State) -- New York  Search this
Buildings, Prefabricated -- United States  Search this
Plastics -- Design  Search this
Interior decoration -- United States -- 20th century  Search this
Design, Industrial -- United States  Search this
Furniture design -- United States  Search this
Art deco -- United States  Search this
Genre/Form:
Proposals
Labels
Clippings
Renderings
Slides
Stationery
Letters patent
Financial records
Photographs
Drawings
Client lists
Correspondence
Organizational charts
Reviews
Patents
Lantern slides
Technical reports
Identifier:
SIL-CH.1975-11-77
Archival Repository:
Smithsonian Libraries
EDAN-URL:
ead_collection:sova-sil-ch-1975-11-77

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