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Florence Knoll Bassett papers

Creator:
Knoll, Florence, 1917-  Search this
Names:
Cranbrook Academy of Art  Search this
Cranbrook Kingswood School (Bloomfield Hills, Mich.)  Search this
Hans G. Knoll Furniture Company  Search this
Knoll Associates, inc.  Search this
Knoll International, inc.  Search this
Cheek, Leslie, 1908-  Search this
Eames, Charles  Search this
Gandhi, Indira, 1917-1984  Search this
Graham, Katharine, 1917-  Search this
Helm, John  Search this
Johnson, Philip, 1906-2005  Search this
Knoll, Walter C.  Search this
Miller, R. Craig  Search this
Milles, Carl, 1875-1955  Search this
Raseman, Rachel de Wolfe  Search this
Reagan, Nancy, 1923-  Search this
Saarinen, Eero, 1910-1961  Search this
Saarinen, Eliel, 1873-1950  Search this
Slavin, Maeve  Search this
Extent:
2 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Drawings
Photographs
Sketchbooks
Date:
1932-2000
Summary:
The papers of architect and designer Florence Knoll Bassett, measure approximately 2 linear feet dating from 1932 to 2000. Through correspondence, sketches, drawings, designs, subject files, photographs, and printed material, the collection selectively documents Knoll Bassett's education, her work with Knoll Associates from the 1940s until her resignation in 1965, and projects undertaken since her retirement. It is an important source of information on the development of interior architecture and design from the 1940s to the 1970s.
Scope and Content Note:
The papers of architect, and interior designer and planner Florence Knoll Bassett, measure approximately 2 linear feet dating from 1932 to 2000. The collection selectively documents Knoll Bassett's education and her career at Knoll Associates, Inc. from the 1940s until her resignation in 1965, in addition to personal design projects and other activities after leaving the company. It is an important source of information on the development of interior architecture and design from the 1940s to the 1970s, chronicling the Knoll mission to synthesize space, furniture, and design by creating interiors based on practical use, comfort, and aesthetics.

The collection documents the growth of Knoll's international reputation for its modern furnishings and interiors and the impact of a business philosophy that encompassed design excellence, technological innovation, and mass production. The material includes a chronology of Knoll Bassett's career; a portfolio of sketches, drawings and designs; photographs of Knoll Bassett and others; subject files containing sketches and photographic material; letters from friends, colleagues, clients and others; awards received by Knoll Bassett throughout her career; and printed material.

Much of the material is annotated with historical and biographical notes written by Knoll Bassett which provide invaluable contextual information for the materials found therein. The notes are dated 1999 in the Container Listing, under the assumption that they were written by Florence Knoll Bassett as she was arranging her archival papers.
Arrangement:
Before donating her papers to the Archives of American Art, Knoll Bassett organized the material in portfolios and color-coded files and designed four containers for them. Because the method of arrangement in itself provides insight into Knoll Bassett's style and creativity the collection has been minimally processed with the addition of acid-free materials for preservation reasons and the transcription of labels which may, over time, become detached. The original order of the collection has been retained throughout.

The collection was organized into what Bassett termed "storage units," the first container being divided into three units and the collection as a whole being divided into six units. Knoll Bassett supplied a detailed inventory of the contents of each container and the subjects represented in each porfolio or folder. Subject headings from this inventory have been used in the Series Description/Container Listing. Knoll Bassett also supplied a vita summarizing her career and copies of this, and her original container inventory are enclosed with the collection and can be consulted at AAA's research center in Washington D.C.

The collection is arranged as seven series. These series represent the categories into which Knoll Bassett organized the material, with the exception that Letters and Awards are presented as two series in the finding aid. Most of the items in Series 1 to 4 are presented as portfolios in spiral-bound notebooks and the remainder of the collection is organized in folders.

Series 1: Biographical Material, 1932-1999 (Box 1; 1 portfolio)

Series 2: Selected Publications, 1946-1990, 1999 (Box 1; 1 portfolio)

Series 3: Drawings, Sketches, and Designs, 1932-1984, 1999 (Boxes 1-2; 2 portfolios)

Series 4: Photographs and Printed Material, 1956-1997, 1999 (Box 2; 1 portfolio)

Series 5: Subject Files, circa 1930s-1999 (Box 3; 1.0 linear ft.)

Series 6: Letters, circa 1930s-2000 (Box 4; 7 folders)

Series 7: Awards, 1954-1999 (Box 4; 6 folders)
Biographical Note:
Florence Knoll Bassett was born Florence Schust in 1917 and was affectionately known as Shu by her colleagues and friends. She was orphaned at age 12 and then cared for by Emile Tessin, a friend of the family whom her mother had appointed as Florence's legal guardian in the event of her death. When arrangements were being made for Florence to attend boarding school she was given the opportunity to make the selection. Kingswood School in Bloomfield Hills, Michigan, held a strong aesthetic appeal for her and she "made an immediate decision that it was the right place for me," beginning her architectural studies under the school's art director, Rachel de Wolfe Raseman.

At Kingswood Knoll Bassett met the Saarinen family, studying under Eliel Saarinen and developing her interest in texture and color through her friendship with Loja Saarinen who supervised the school's weaving studio. Following Florence's graduation from Kingswood in 1934, Eliel Saarinen encouraged her to spend some time at Cranbrook Academy of Art before attending an accredited architecture school. She spent the next two years at Cranbrook working closely with advanced students and artists such as the Saarinens and Carl Milles, and gaining experience in all aspects of design.

Knoll Bassett then studied for two years at the Architectural Association in London, spending summers with the Saarinens in Europe. She completed her formal training at the Illinois Institute of Technology where she studied under Mies van der Rohe, whom she credits with having "a profound effect on my design approach and the clarification of design."

After graduation Knoll Bassett worked for architecture firms in Boston and New York where she met Hans Knoll who was then in the process of establishing a furniture business. In 1943 she began working for him in her spare time as an interior space planner and designer. In 1946 the two were married and formed Knoll Associates, Inc.

As director of the Knoll Planning Unit, Knoll Bassett established herself as one of the most important and influential interior planners and designers of the second half of the twentieth century. Believing that intelligent design "strikes at the root of living requirements and changing habits," she established the practice of working closely with the corporate sector to determine the needs of the people who would actually use the spaces that her company designed. Her connections with leading contemporary architects and designers, and the company's commitment to crediting designers by name and paying them royalties, laid the foundations for the strong working relationships upon which the commercial success of Knoll Associates was built. Drawing on a pool of top architects and designers, many of whom were personal friends, Knoll Bassett directed the company's Bauhaus approach, incorporating design excellence, technological innovation, and mass production in a seamless package of "total design."

While Knoll Bassett oversaw the creative process of the Planning Unit's operations in its entirety, she was also directly responsible for many of the individual elements used in the Unit's projects. During the war years, she worked with her designers to overcome the scarcity of materials, establishing Knoll Textiles in response to the dearth of available fabrics and textile colors, and developing the company's hallmark style of spare clean lines and vibrant colors in a functional, comfortable, and aesthetically appealing space. Finding that much of the "fill-in" furniture, primarily cabinetry, that she envisaged in many of her plans was not available, Knoll Bassett designed the pieces herself. She used the Knoll showrooms as "experimental laboratories" to convince clients to use modern ideas and materials, showcasing and putting into production the classic designs of people such as Eero Saarinen, Mies van der Rohe, Jens Risom, Harry Bertoia, Isamu Noguchi, and Marcel Breuer.

After the war Knoll Associates expanded to Europe through a series of government contracts which resulted ultimately in the formation of Knoll International. When Hans Knoll died suddenly in an automobile accident in 1955 Florence became president of the company. She married Harry Hood Bassett in 1958 and began to divide her time between New York and Florida. In 1959 she sold her interest in Knoll Associates to Art Metal and retired as President of the company the following year, while continuing to work as a consultant and serving as Design Director. In 1961 she became the first woman to be awarded the Gold Medal for Industrial Design by the American Institute of Architects, one of many awards received over the course of her career. In 1965 she resigned from Knoll Associates entirely after completing the interior design for the CBS headquarters in New York.

Following her retirement Knoll Bassett devoted more time to private commissions and other interests such as her campaign against billboards in Miami in the mid 1980s. She spent summers in Vermont and winters in Florida with her husband, until his death in 1991. In July 2001, Metropolis magazine published a rare interview with Knoll Bassett in which she reflects upon the life she so skillfully documented in the extraordinary gift of her archival papers to the Archives of American Art.
Provenance:
The collection was donated to the Archives of American Art by Florence Knoll Bassett in 2000.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Interior decoration firms  Search this
Interior decorators  Search this
Furniture designers  Search this
Architects  Search this
Women architects  Search this
Interior decoration  Search this
Design, Industrial  Search this
Women designers  Search this
Designers  Search this
Genre/Form:
Sketches
Drawings
Photographs
Sketchbooks
Citation:
Florence Knoll Bassett papers, 1932-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.knolflor
See more items in:
Florence Knoll Bassett papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-knolflor
Online Media:

Florence Knoll Bassett papers, 1932-2000

Creator:
Bassett, Florence Knoll, 1917-  Search this
Subject:
Miller, R. Craig  Search this
Knoll, Walter C.  Search this
Johnson, Philip  Search this
Helm, John  Search this
Graham, Katharine  Search this
Gandhi, Indira  Search this
Eames, Charles  Search this
Cheek, Leslie  Search this
Raseman, Rachel de Wolfe  Search this
Milles, Carl  Search this
Saarinen, Eero  Search this
Reagan, Nancy  Search this
Slavin, Maeve  Search this
Saarinen, Eliel  Search this
Knoll International, inc.  Search this
Knoll Associates, inc.  Search this
Hans G. Knoll Furniture Company  Search this
Cranbrook Kingswood School (Bloomfield Hills, Mich.)  Search this
Cranbrook Academy of Art  Search this
Type:
Sketches
Drawings
Photographs
Sketchbooks
Topic:
Interior decoration firms  Search this
Interior decorators  Search this
Furniture designers  Search this
Architects  Search this
Women architects  Search this
Interior decoration  Search this
Design, Industrial  Search this
Women designers  Search this
Designers  Search this
Record number:
(DSI-AAA_CollID)6312
(DSI-AAA_SIRISBib)224053
AAA_collcode_knolflor
Theme:
Sketches & Sketchbooks
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_224053
Online Media:

Terence Harold Robsjohn-Gibbings papers

Creator:
Robsjohn-Gibbings, Terence Harold, 1905-  Search this
Names:
Hadrian's Villa (Tivoli, Italy)  Search this
Robsjohn-Gibbings (Firm)  Search this
Dunn, Alan, 1900-  Search this
Hadrian, Emperor of Rome, 76-138 (Homes and Haunts) -- Italy -- Tivoli  Search this
Petty, Mary  Search this
Richter, Gisela Marie Augusta, 1882-1972  Search this
Extent:
14.4 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketchbooks
Photographs
Date:
1915-1977
1898
Summary:
The papers of furniture and interior designer Terence Harold Robsjohn-Gibbings measure 14.4 linear feet and date from 1898 to 1977 with the bulk of material dating from 1915 to 1977. Found within the papers are biographical material, correspondence, writings, project files, printed materials, artwork including 4 sketchbooks, 30 scrapbooks documenting Robsjohn-Gibbings career, and photographs of Robsjohn-Gibbings and his work.
Scope and Contents:
The papers of furniture and interior designer Terence Harold Robsjohn-Gibbings measure 14.4 linear feet and date from 1898 to 1977, with the bulk of material dating from 1915 to 1977. Found within the papers are biographical material, correspondence, writings, project files, printed materials, artwork including 4 sketchbooks, 30 scrapbooks documenting Robsjohn-Gibbings career, and photographs of Robsjohn-Gibbings and his work.

Biographical materials consist of a key to the city of San Francisco, an award certificate, a photograph of a table from Robsjohn-Gibbings' personal art collection, and a ring design.

Correspondence is primarily with Robsjohn-Gibbings' friends, business associates, and scholarly researchers discussing relationships, business commissions, and his professional work. Correspondents of note include illustrators Alan Dunn and Mary Petty, and classical art historian Gisela Richter.

Writings by Robsjohn-Gibbings consist of 13 essays, 2 copies of the draft manuscript The Cuckoo Sings, 2 manuscript drafts of Furniture of Classical Greece, and a notebook of collected inspirational quotations. There is also a translation of a selection of Heinz Kahler's Hadrian und Seine Villa Bei Tivoli.

Project files include photographs and portfolios of 28 commercial and residential commissions; photographs and watercolor renderings of designs produced by Robsjohn-Gibbings Ltd.; photographs and portfolios of designs for Widdicomb Furniture Company; and printed material and research related to the furniture designs for Saridis of Athens. The series also includes portfolios of residences photographed by Ezra Stoller Associates, and photographs and notes for a 25 year Interior Design retrospective exhibition.

Printed material includes published books by Robsjohn-Gibbings, annotated books on Hadrian's Villa and decorative sculpture, catalogs, clippings, press releases, and miscellaneous printed material.

Photographs are of Robsjohn-Gibbings, his friends, his New York office and Athens apartment, and photo shoots for Life and Look magazines.

There are 24 volumes documenting Robsjohn-Gibbings career from 1936 to 1963, an additional 4 volumes of press coverage of his books, and 2 more volumes documenting European art and historical interior design.

Artwork includes 4 sketchbooks of classical Greek and Roman furniture designs rendered in graphite and watercolor by Robsjohn-Gibbings.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Materials, 1942-1970 (4 folders, Box 1)

Series 2: Correspondence, circa 1940-1976 (0.2 linear feet; Box 1)

Series 3: Writings, circa 1930-1976 (0.5 linear feet; Box 1, BV 12)

Series 4: Project Files, circa 1930-1976 (4 linear feet; Box 1-2, Box 6-8, BV 13-16, OV 42-53, OV 55)

Series 5: Printed Material, 1898-1977 (1.9 linear feet, Box 2-4, Box 9)

Series 6: Photographic Materials, 1915-1976 (0.3 linear feet; Box 4, Box 9, OV 54)

Series 7: Scrapbooks, 1936-1970 (5.9 linear feet, Box 9-11, BV 17-41)

Series 8: Artwork, circa 1930-1976 (0.5 linear feet; Box 4-5, Box 9)
Biographical / Historical:
Terence Harold Robsjohn-Gibbings (1905-1976) was a furniture and interior designer who lived and worked in New York City and Athens, Greece.

Robsjohn-Gibbings was born in England and studied architecture at London University. In 1930, he immigrated to America, and six years later opened his own interior decorating firm, Robsjohn-Gibbings Ltd., on Madison Avenue. Throughout the 1940s and 50s, he was one of the most recognized decorators in America and designed homes for Doris Duke, Alfred Knopf, and Thelma Chrysler Foy. One of his earliest commissions was Hilda Boldt Weber's 43 room Casa Encantada mansion in Bel-Air, for which he created more than 200 custom pieces of furniture between 1934 and 1938.

From 1943 to 1956, Robsjohn-Gibbings was the principal designer for the Widdicomb Furniture Company in Grand Rapids, Michigan. These residential furnishings reflected an elegant, simplistic aesthetic and were regularly showcased in the magazines Town and Country, Interior Design, Vogue, and House Beautiful.

He was a critic of the prevailing taste in Bauhaus modernism and Queen Anne, Georgian, and Spanish extravagance and expressed these views on design and aesthetics in the books Goodbye, Mr. Chippendale (1944), Mona Lisa's Moustache (1947), and Homes of the Brave (1953).

In 1960, he and his collaborator, Carlton Pullin, met the Greek furniture makers Susan and Eleftherios Saridis, who commissioned Robsjohn-Gibbings to design a line for their company, Saridis of Athens. These pieces were modeled after classical Greek forms and aesthetics, and are detailed in Robsjohn-Gibbings' Furniture of Classical Greece (1963).

In 1965, Robsjohn-Gibbings moved to Athens, Greece and continued designing residential and commercial spaces until his death in 1976.
Provenance:
Portions of the Terence Robsjohn-Gibbings papers were donated by the artist in 1966. In 1977, Margaret Carson donated a manuscript copy of The Cuckoo Sings. Later in 1977, the bulk of additional material in the collection was donated to the Archives of American Art by Robsjohn-Gibbing's associate and executor, Carlton Pullin.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Furniture design -- United States  Search this
Furniture designers -- New York (State) -- New York  Search this
Interior decorators -- New York (State) -- New York  Search this
Decorative arts  Search this
Genre/Form:
Scrapbooks
Sketchbooks
Photographs
Citation:
Terence Harold Robsjohn-Gibbings papers, 1898, 1915-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.robstere
See more items in:
Terence Harold Robsjohn-Gibbings papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-robstere
Online Media:

Grace Fakes papers

Creator:
Fakes, Grace, 1889-1970  Search this
Names:
Fakes, Bisbee and Robertson (Firm)  Search this
Extent:
53 Items ((on 2 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1907-1970
Scope and Contents:
Correspondence, sketches, printed material, and photographs.
REEL 1595: Correspondence; sketches; clippings; a book and brochure describing designs created by the interior design firm of Fakes, Bisbee and Robertson; and photographs of interior designs.
REEL 1597: Photographs of interior designs by Fakes.
Biographical / Historical:
Interior designer; New York, N.Y.
Provenance:
Lent for microfilming by Emily Guthrie Smith, Fakes' niece, 1979.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Interior decorators -- New York (State) -- New York  Search this
Topic:
Interior decoration  Search this
Function:
Interior decoration firms -- New York (State) -- New York
Identifier:
AAA.fakegrac
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-fakegrac

Tihany Design / [book] design: Mirko Ilić Corp

Title:
TD
Creator:
Tihany Design  Search this
Photographer expression:
Laignel, Eric  Search this
Book designer:
Mirko Ilić Corp.  Search this
Subject:
Tihany, Adam  Search this
Tihany Design  Search this
Physical description:
7 volumes : color illustrations ; 15 cm
Type:
Catalogs
Pictorial works
Trade catalogs
Place:
New York (State)
New York
Date:
2009
2016
21st century
Topic:
Interior decoration--History  Search this
Hotels--Decoration  Search this
Restaurants--Decoration  Search this
Bars (Drinking establishments)--Decoration  Search this
Interior decoration firms  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1071037

Wonderwall archives. 02 / [editing and writing, Satoko Suzuki ; English translation, Erica Sakai]

Author:
WonderWall Inc  Search this
Editor:
Suzuki, Satoko  Search this
Subject:
Katayama, Masamichi 1966-  Search this
WonderWall Inc  Search this
Physical description:
217 pages : color illustrations, plans ; 28 cm
Type:
Catalogs
Place:
Japan
Date:
2014
21st century
Topic:
Interior decoration firms  Search this
Interior decoration--History  Search this
Call number:
NK2084.Z9 W662 2014
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1063253

The AD 100 : architects

Title:
AD 100, architects
Architectural digest 100
Architectural digest one hundred
Architectural Digest
Physical description:
280 p. : col. ill., ports. ; 28 cm
Type:
Directories
Date:
1991
Topic:
Interior decoration  Search this
Architecture, Modern  Search this
Interior decorators  Search this
Interior decoration firms  Search this
Call number:
NK1705 .A73 1991
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_742204

Durban decor / Sally Munro ; photographs: Sally Chance

Author:
Munro, Sally  Search this
Chance, Sally  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Type:
Articles
Place:
South Africa
Durban
Date:
2003
Topic:
Interior decoration  Search this
Interior decoration firms  Search this
Interior decoration accessories  Search this
Call number:
NA7100 .C663
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_756356

Planning & managing interior projects / Carol E. Farren

Author:
Farren, Carol E  Search this
Physical description:
xvii, 314 p. : ill. ; 29 cm
Type:
Books
Place:
United States
Date:
1988
C1988
20th century
Topic:
Interior decoration--Planning  Search this
Interior decoration--History  Search this
Interior decoration firms--Management  Search this
Design services--Marketing  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_528273

International interiors 2 : offices, studios, shops, restaurants, bars, clubs, hotels, cultural and public buildings / Lewis Blackwell

Author:
Blackwell, Lewis 1958-  Search this
Physical description:
256 p. : col. ill. ; 30 cm
Type:
Books
Date:
1990
C1990
20th century
Topic:
Interior decoration  Search this
Interior decorators  Search this
Architecture, Modern  Search this
Interior decoration firms  Search this
Call number:
NK1980 .I812 1990
NK1980.I812 1990
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_399399

Reproducing Scholten & Baijings / Project editor, Joe Pickard

Title:
Reproducing Scholten and Baijings
Editor:
Pickard, Joe  Search this
Contributing author:
Maharam, Michael  Search this
Schouwenberg, Louise  Search this
Subject:
Scholten, Stefan 1972-  Search this
Baijings, Carole 1973-  Search this
Scholten & Baijings (Firm)  Search this
Physical description:
347 pages : color illustrations ; 30 cm
Type:
Books
History
Place:
Netherlands
Date:
2015
Topic:
Interior decoration firms  Search this
Interior decoration  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1044243

Enlightened design : the exquisite creations of Magpie Home Fineware bring a new sparkle to Barrydale text, Louise McCann ; photographs, Amronski

Author:
McCann, Louise  Search this
Amronski  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Subject:
Magpie Home Fineware  Search this
Type:
Articles
Place:
South Africa
Date:
2006
Topic:
Interior decoration firms  Search this
Call number:
NK1700 .E454
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_914471

DIY diva

Author:
Smithsonian Libraries African Art Index Project DSI  Search this
Subject:
Bauer, Katy  Search this
Type:
Articles
Place:
South Africa
Cape Town
Date:
2007
Topic:
Interior decoration firms  Search this
Call number:
NK1700 .E454
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_914480

Wonderwall archives. 01 / [editing and writing, Satoko Suzuki ; English translation, Motohide Hatanaka]

Author:
Suzuki, Satoko  Search this
Subject:
WonderWall Inc  Search this
Physical description:
219 p. : col. ill., plans ; 28 cm
Type:
Books
Place:
Japan
Date:
2010
Topic:
Interior decoration firms  Search this
Interior decoration  Search this
Commercial buildings  Search this
Interior architecture  Search this
Call number:
NK2084.Z9 W66 2010
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_957561

Sanderson : the essence of English decoration / Mary Schoeser

Author:
Schoeser, Mary  Search this
Subject:
Arthur Sanderson & Sons History  Search this
Physical description:
200 p. : col. ill. ; 30 cm
Type:
Books
Place:
Great Britain
Date:
2010
19th century
20th century
Topic:
Interior decoration firms--History  Search this
Wallpaper--Design--History  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_959051

Morris & Co. : a revolution in decoration / Michael Parry

Title:
Morris and Company
Revolution in decoration
Author:
Parry, Michael  Search this
Morris & Co. (London, England)  Search this
Subject:
Morris, William 1834-1896 Influence  Search this
Morris & Co. (London, England) History  Search this
Physical description:
64 p. : ill. (chiefly col.) ; 24 cm
Type:
Books
Place:
England
Date:
2011
Topic:
Interior decoration firms--History  Search this
Arts and crafts movement--History  Search this
Call number:
NK1149.M67 P37 2011
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_971393

Wonderwall : Masamichi Katayama projects N°2 / [Masamichi Katayama ; contributors: Thom Browne ... [et al.] ; photography, Kozo Takayama ; editor, Satoko Suzuki ; translation, Motohide Hatanaka]

Title:
Masamichi Katayama projects N°2
Author:
Katayama, Masamichi 1966-  Search this
Browne, Thom  Search this
Suzuki, Satoko  Search this
Subject:
Katayama, Masamichi 1966-  Search this
WonderWall Inc  Search this
Physical description:
256 p. : chiefly col. ill. ; 31 cm
Type:
Books
Place:
Japan
Date:
2008
[c2008]
20th century
Topic:
Interior decorators  Search this
Interior decoration firms  Search this
Interior architecture--History  Search this
Call number:
NK2084.Z9 K362 2008
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_975691

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