Search Results

Collection Creator:

Bultman, Fritz, 1919-1985  Search this

Container:

Box 10, Folder 11

Type:

Archival materials

Date:

1963

Collection Restrictions:

Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Fritz Bultman papers, 1928-2010, bulk 1940s-1990s. Archives of American Art, Smithsonian Institution.

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Fritz Bultman papers

Fritz Bultman papers / Series 10: Photographs

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9e7fd37ab-e3e8-47a1-b0be-81e2b6c74193

EDAN-URL:

ead_component:sova-aaa-bultfrit-ref347

Collection Creator:

Ybarra-Frausto, Tomás, 1938-  Search this

Extent:

(clipping)

Container:

Box 14, Folder 31

Type:

Archival materials

Date:

1993

Collection Restrictions:

The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.

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Tomás Ybarra-Frausto research material

Tomás Ybarra-Frausto research material / Series 1: Subject Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw933a5b584-7e1e-4a0e-8407-ad42e5c55d60

EDAN-URL:

ead_component:sova-aaa-ybartoma-ref921

Collection Creator:

Levi, Julian E. (Julian Edwin), 1900-1982  Search this

Container:

Box 6, Folder 34

Type:

Archival materials

Date:

undated

Collection Restrictions:

The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. office.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Julian E. Levi papers, 1846-1981. Archives of American Art, Smithsonian Institution.

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Julian E. Levi papers

Julian E. Levi papers / Series 9: Photographs / 9.1: Artwork / Artwork by Levi

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw90f4b8759-72f7-40f5-885d-982cf840c0fe

EDAN-URL:

ead_component:sova-aaa-levijuli-ref192

Container:

Box 11 of 12

Type:

Archival materials

Collection Citation:

Smithsonian Institution Archives, Accession 84-081, Smithsonian Institution. Office of Design and Construction, Project Files

See more items in:

Project Files

Project Files / Box 11

Archival Repository:

Smithsonian Institution Archives

EDAN-URL:

ead_component:sova-sia-fa84-081-refidd1e2937

Collection Creator:

Ho, Ron  Search this

Container:

Box 1, Folder 7

Type:

Archival materials

Date:

1992-1993

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Ron Ho papers, 1975-2003. Archives of American Art, Smithsonian Institution.

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Ron Ho papers

Ron Ho papers / Series 1: Ron Ho Papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9bdecf191-d61d-4eea-b407-e861b65f1af8

EDAN-URL:

ead_component:sova-aaa-horon-ref21

Container:

Box 4 of 5

Type:

Archival materials

Collection Citation:

Smithsonian Institution Archives, Accession 02-047, Freer Gallery of Art and Arthur M. Sackler Gallery. Office of Public Affairs, Audiovisual Records

See more items in:

Audiovisual Records

Audiovisual Records / Box 4

Archival Repository:

Smithsonian Institution Archives

EDAN-URL:

ead_component:sova-sia-fa02-047-refidd1e1134

Collection Creator:

Berman, Eugene, 1899-1972  Search this

Extent:

4.9 Linear feet (Box, 2-9)

(Box, 2-9; 4.9 linear feet)

Type:

Archival materials

Date:

1933-1956

Scope and Contents note:

Photographs are of Eugene Berman (including ones taken by Russell Lynes), his wife, colleagues, exhibition installations, art work, and various travel locations. There are also commercially produced photographs of various scenes and art work primarily in Italy and Mexico, publicity photographs of ballet and opera performers, and stereographs of novelty subjects.

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Eugene Berman papers, 1926-1975. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.bermeuge, Series 5

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Eugene Berman papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9bbaaf28c-c506-4ad2-b5ee-0f77b337cd12

EDAN-URL:

ead_component:sova-aaa-bermeuge-ref63

Collection Creator:

Lazzari, Pietro, 1898-1979  Search this

Extent:

3.8 Linear feet (Boxes 8-12, 13, MGP 1, MGP 4)

Type:

Archival materials

Date:

1878-1980, undated

Scope and Contents note:

Photographs (and 2 x 2 slide transparencies) are of Lazzari, his family, colleagues, his studio, models, art classes, artwork, gallery installations, art-related events, and travel locations in Italy, Kashmir, and the United States. There are photographs of notable individuals including Lyndon Johnson, Leslie Howard, and Johnny Weissmuller, as well as reference photographs of Edward Minor Gallaudet, Pope Paul VI, Eleanor Roosevelt, John Rust, Adlai Stevenson, Norman Thomas, and individuals at the Lindbergh kidnapping trial. Reference photographs also show miscellaneous industrial scenes, urban and rural locations, cattle, horses, and the circus.

Photographs of miscellaneous celebrities include: Johnny Weissmuller with Leslie Howard, undated; Silvana Mangano (autographed photo of actress), undated; Angelo Musco (actor?), undated; Piacentini (autographed photo of boxer), 1921; Cesare Impenado (autographed photo of athlete), 1925; and Mauricio d'Oncoro (?) (autographed photo of actor), 1962. Glass plate negatives are housed separately and closed to researchers.

Collection Restrictions:

The collection is open for research. Use requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Pietro Lazzari papers, 1878-1998. Archives of American Art, Smithsonian Institution.

Sponsor:

Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.

Identifier:

AAA.lazzpiet, Series 8

See more items in:

Pietro Lazzari papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw91826bf21-7a42-4046-a452-1b151da08c5a

EDAN-URL:

ead_component:sova-aaa-lazzpiet-ref159

Collection Creator:

Ho, Ron  Search this

Extent:

0.4 Linear feet (Box 1)

Type:

Archival materials

Date:

1975-2003

Scope and Contents:

The series comprises the Bellevue Arts Award, Best of the Eastside Award, and Pacific Northwest Arts and Crafts Fair awards; correspondence with Helen Drutt, Tacoma Art Museum, Society of North American Goldsmiths, Susan Biskeborn, Seattle Art Museum, and others; files for the exhibitions Good as Gold: Alternative Materials in American Jewelry (1981), A Room of One's Own: Asian American Installation Art (1993), and exhibitions at the Wing Luke Asian Museum; and printed materials relating to Ho that consist of clippings, exhibition catalogs and announcements, Pacific Lutheran University Alumni material, and a few miscellaneous items.

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Ron Ho papers, 1975-2003. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.horon, Series 1

See more items in:

Ron Ho papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9c807b849-3140-43ca-bc3f-9bb776087db1

EDAN-URL:

ead_component:sova-aaa-horon-ref26

Collection Creator:

Held, John, 1947-  Search this

Extent:

7 Folders (Box 8)

Type:

Archival materials

Date:

1977-1995

Scope and Contents note:

Transcripts are of interviews conducted by John Held, Jr. with Al Ackerman, John Cage, Ray Johnson, Allan Kaprow, and interviews with Held, William Gaglione, and Milan Knizak. There is also an interview with Held conducted by Ruud Janssen.

The interview with Al Ackerman discusses mail art history, specific art pieces, and personal philosophies. The interview with John Cage covers Cage's autobiography; early influences; travels; meeting Merce Cunningham, Peggy Guggenheim, and Marcel Duchamp; and experiences at Black Mountain College. The interview with William Gaglione is a discussion on mail artists, Fluxus, and the mail art network. The interview with Rudd Janssen discusses the artist's introduction to mail art, personal philosophies and definition of terms, performance art, and collaborative works. The interview with Ray Johnson covers mail art, chane, personal correspondence, sources of input, art criticism of Johnson's works, paintings, materials and techniques, and Black Mountain College. The interview with Allan Kaprow discusses happenings, artistic influences, Black Mountain College, John Cage, George Segal, and performance and installation art. The interview with Milan Knizak briefly covers mail art and George Maciunas.

Arrangement:

Materials are arranged alphabetically by interviewee name.

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

John Held papers relating to mail art, 1947-2018. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art.

Identifier:

AAA.heldjohn, Series 5

See more items in:

John Held papers relating to mail art

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9ca77a1bc-5572-4baf-9ac9-839c969d8731

EDAN-URL:

ead_component:sova-aaa-heldjohn-ref400

Artist:

Waterston, Darren 1965-  Search this

Author:

Robinson, James  Search this

Tyler, Florence  Search this

Author:

Victoria and Albert Museum  Search this

Subject:

Whistler, James McNeill 1834-1903 Harmony in Blue and Gold: The Peacock Room  Search this

Physical description:

95 pages color illustrations 22 cm

Type:

Exhibitions

Exhibition catalogs

Place:

Great Britain

Date:

2020

Topic:

Installations (Art)  Search this

Call number:

N6537.W314 A4 2020

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1157384

Creator:

Lippard, Lucy R.  Search this

Names:

Addison Gallery of American Art  Search this

Alliance for Cultural Democracy  Search this

Art Workers Coalition  Search this

Museum of Modern Art (New York, N.Y.)  Search this

Political Art Documentation/Distribution (Organization)  Search this

Printed Matter, Inc.  Search this

Studio International (Firm)  Search this

University of Colorado -- Faculty  Search this

Women's Caucus for Art  Search this

Andre, Carl, 1935-  Search this

Chicago, Judy, 1939-  Search this

Darboven, Hanne  Search this

Edelson, Mary Beth  Search this

Hammond, Harmony  Search this

Henes, Donna  Search this

Johnson, Ray, 1927-  Search this

Judd, Donald, 1928-  Search this

LeWitt, Sol, 1928-2007  Search this

Pearson, Henry, 1914-2006  Search this

Stevens, May  Search this

Extent:

70.5 Linear feet

0.454 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Sound recordings

Interviews

Photographs

Date:

1930s-2010

bulk 1960-1990

Summary:

The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 70.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

There is a 17.0 linear foot unprocessed addition to this collection donated in 2015 and 2021 that incudes research files (press clippings, notes, correspondence, ephemera) related to the publications 'Lure of the Local' and 'Undermining' are a significant portion. In addition there are approximetley 50 notebooks ranging from 1965-1996, containing notes and daily tasks. Printed material and ephemera includes promotional materials for talks and public engagements, as well as press clippings of reviews and other news items featuring Lippard. Another significant portion of the addition is labeled "miscellaneous professional correspondence."Materials date from circa 1965-2010.

Scope and Contents:

The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 70.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

A small amount of biographical material comprises resumes and an address book.

Correspondence files document all aspects of Lippard's professional life including her relationships with artists such as Carl Andre, Judy Chicago, Hanne Darboven, Ray Johnson, Sol LeWitt, and Henry Pearson; feminist artists including Mary Beth Edelson, Harmony Hammond, Donna Henes, and May Stevens; political and art-related activist groups such as Alliance for Cultural Democracy, Art Workers Coalition, Political Art Documentation/Distribution, Printed Matter, and Women's Caucus for Art; galleries and museums including Addison Gallery of American Art and the Museum of Modern Art, and publishers including Art International and Art Forum. The series also traces the development of Lippard's involvement in activist causes including censorship and the rights of artists, Central America and the impact of U.S. policy on the region, and equality and reproductive rights for women, as well as her interest in conceptual and minimalist art. The series includes scattered artwork and photographs of artists.

Writings are primarily by Lippard and include correspondence, manuscript drafts, extensive notes, and publication records for some of her best-known books such as The Graphic Work of Philip Evergood (1966), Six Years: The Dematerialization of the Art Object (1973), Eva Hesse (1976), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990), as well as essays for publications such as Art Forum and Studio International and contributions to exhibition catalogs. Also found are edited transcripts from conferences, symposia and interviews conducted by and of Lippard, some audio recordings of interviews and symposia, including an interview with Donald Judd, and notes and typescripts for lectures and speeches.

A small number of files document Lippard's teaching work during the 1970s and 1980s, primarily at the University of Colorado, Boulder where she taught several courses and seminars.

Exhibition files document Lippard's involvement with exhibitions she helped to organize or curate such as A Different War: Vietnam in Art (1989-1991) 557,087 and 955,000 (1969, 1970), 2,972, 453 (1971) c.7,500 (1973-1974) and those for which she wrote catalog contributions.

Printed material includes a collection of articles written by Lippard and a small amount of material concerning events, such as speaking engagements, in which Lippard was involved. Other printed material reflects Lippard's wide range of artistic, political and activist interests and documents exhibitions and performances and the activities of art-related and political groups. Material includes many exhibition catalogs, announcements, invitations, printed posters, news clippings, journal articles, brochures, pamphlets and other publications.

Artwork includes sixteen items by unidentified artists, including two by children. Photographs consist primarily of photographs of works of art in addition to a small number of photos of exhibition installations.

There is a 17.0 linear foot unprocessed addition to this collection donated in 2015 and 2021 that incudes research files (press clippings, notes, correspondence, ephemera) related to the publications 'Lure of the Local' and 'Undermining' are a significant portion. In addition there are approximetley 50 notebooks ranging from 1965-1996, containing notes and daily tasks. Printed material and ephemera includes promotional materials for talks and public engagements, as well as press clippings of reviews and other news items featuring Lippard. Another significant portion of the addition is labeled "miscellaneous professional correspondence."Materials date from circa 1965-2010.

Arrangement:

The collection is arranged as nine series:

Missing Title

Series 1: Biographical Material, circa 1960s-circa 1980s (Box 1; 2 folders)

Series 2: Correspondence, 1950s-2006 (Boxes 1-28, 51, OVs 54-63; 28.8 linear feet)

Series 3: Writings, 1930s-1990s (Boxes 28-41, 51-52, OVs 64-66; 13.24 linear feet, ER01; 0.454 GB)

Series 4: Teaching Files, 1966-1993 (Boxes 41, 52; 0.76 linear feet)

Series 5: Exhibitions, 1960s-1990s (Boxes 42-45, 52, OVs 67-68; 4.2 linear feet)

Series 6: Printed Material, 1940s-2007 (Boxes 45-49, 52, OVs 69-77; 5.3 linear feet)

Series 7: Artwork and Ephemera, circa 1960s-circa 1990s (Boxes 50, 53; 4 folders)

Series 8: Photographs, 1950s-circa 1990s (Boxes 50, 53, OV 71; 1.0 linear foot)

Series 9: Unprocessed Addition, circa 1965-2010, (Boxes 78-94; 17.0 linear feet)

Biographical / Historical:

New York and New Mexico writer and art critic, Lucy R. Lippard, is the curator of numerous exhibitions and the author of over twenty-four books and other writings that trace the emergence of minimalist and conceptual art and document Lippard's commitment to feminism and political activism.

Born in New York City in 1937, Lippard earned a B.A. from Smith College in 1958 and an M.A. in 1962 from New York University's Institute of Fine Arts. In the 1960s she began writing art criticism for the journals Art International and Artforum. In 1966 she curated the landmark exhibition Eccentric Abstraction at the Fischbach Gallery in New York City. Lippard then curated the first of four defining conceptual art exhibitions that became known as her "numbers" shows, each titled after the populations of the cities in which they took place, with catalogs in the form of a set of 10 x 15 cm index cards. Opening at the Seattle Art Museum in 1969, 557,087 was followed by 955,000 in Vancouver, Canada, a few months later. 2,972,453 was held at the Centro de Arte y Comunicacíon in Buenos Aires in 1971 and c.7500 opened in Valencia, California, in 1973-1974 before traveling to several other venues in the United States and Europe.

Lippard's first book, The Graphic Work of Philip Evergood was published in 1966, followed by Pop Art the same year, and a collection of her early essays, Changing, in 1971. Six Years: The Dematerialization of the Art Object (1973) and From the Center: Feminist Essays on Women's Art (1976) documented the emergence of conceptual art and the early years of feminist art respectively. In 1976 Lippard published her seminal book on the life and work of Eva Hesse.

Between 1977 and 1978 Lippard lived on a farm in Devon, England, and worked on a novel, The First Stone, about the role of politics in the lives of three generations of women. During her walks across the English countryside she became interested in landscape art and conceived of her book Overlay: Contemporary Art and the Art of Prehistory which was subsequently published in 1983. Other books include Get the Message?: A Decade Of Art For Social Change (1984), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990). Lippard has also written regular columns on art and politics for the Village Voice, In These Times and Z Magazine, and has been a contributing editor of Art in America.

Lippard was radicalized during a trip to Argentina in 1968 when she was invited to be a juror at the Museo Nacional de Bellas Artes in Buenos Aires. On her return to the United States she became heavily involved in anti-war activities and the Art Workers Coalition. She is a co-founder of several feminist and artist organizations including the feminist collective Heresies, which produced Heresies: A Feminist Journal on Art and Politics from 1977-1992, Ad Hoc Women Artists, Alliance for Cultural Democracy, Artists Call Against U.S. Intervention in Central America, Women's Action Coalition, and Women's Art Registry. In 1976 she was a founder of Printed Matter, a New York nonprofit dedicated to producing artists' publications. She also worked closely with Franklin Furnace, an artist-run space devoted to the promotion of artists' books, installation art, and video and performance art, and served on the organization's International Committee.

Lippard has been a visiting professor at the School of Visual Arts, the University of Colorado, Boulder, and the University of Queensland, Australia, and was Eminent Artist in Residence at the University of Wyoming Department of Art in 2015. She has received honorary doctorates in fine arts from Maine College of Art, the Massachusetts College of Art, Moore College of Art, San Francisco Art Institute, and others, and awards including a Guggenheim Fellowship, two National Endowment for the Arts grants in criticism, the Smith College Medal, the ArtTable Award for Distinguished Service to the Visual Arts, and the Bard College Center for Curatorial Studies Award for Excellence.

Lippard has lived in New Mexico since 1992 and works as a freelance writer and speaker.

Related Materials:

Also found in the Archives of American Art is an oral history interview with Lucy Lippard conducted in 2011 March 15, by Sue Heinemann, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, funded by a grant from the A G Foundation.

Provenance:

Lucy R. Lippard donated her papers in several increments between 1972-1995, 2006, 2015 and 2021.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Curators -- New York (State) -- New York  Search this

Authors -- New York (State) -- New York  Search this

Art critics -- New York (State) -- New York  Search this

Topic:

Art -- Study and teaching  Search this

Artists -- Political activity  Search this

Art criticism  Search this

Feminism and art  Search this

Women authors  Search this

Women art critics  Search this

Art, Modern -- 20th century  Search this

Conceptual art  Search this

Minimal art  Search this

Women museum curators  Search this

Women educators  Search this

Genre/Form:

Sound recordings

Interviews

Photographs

Citation:

Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Terra Foundation for American Art

Identifier:

AAA.lipplucy

See more items in:

Lucy R. Lippard papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9101c6a69-dde9-42ed-94cc-d03650c249ed

EDAN-URL:

ead_collection:sova-aaa-lipplucy

Extent:

8.70 cu. ft. (9 document boxes) (7 12x17 boxes) (1 16x20 box)

Type:

Collection descriptions

Archival materials

Manuscripts

Date:

1846-1995

Descriptive Entry:

These records are the official minutes of the Board. They are compiled at the direction of the Secretary of the Smithsonian, who is also secretary to the Board, after approval by the Regents' Executive Committee and by the Regents themselves. The minutes are edited, not a verbatim account of proceedings. For reasons unknown, there are no manuscript minutes for the period from 1857 through 1890; and researchers must rely on printed minutes published in the Annual Report of the Smithsonian Institution instead. Minutes are transferred regularly from the Secretary's Office to the Archives. Minutes less than 15 years old are closed to researchers. Indexes exist for the period from 1907 to 1946 and can be useful.

Historical Note:

The Smithsonian Institution was created by authority of an Act of Congress approved August 10, 1846. The Act entrusted direction of the Smithsonian to a body called the Establishment, composed of the President; the Vice President; the Chief Justice of the United States; the secretaries of State, War, Navy, Interior, and Agriculture; the Attorney General; and the Postmaster General. In fact, however, the Establishment last met in 1877, and control of the Smithsonian has always been exercised by its Board of Regents. The membership of the Regents consists of the Vice President and the Chief Justice of the United States; three members each of the Senate and House of Representatives; two citizens of the District of Columbia; and seven citizens of the several states, no two from the same state. (Prior to 1970 the category of Citizen Regents not residents of Washington consisted of four members). By custom the Chief Justice is Chancellor. The office was at first held by the Vice President. However, when Millard Fillmore succeeded to the presidency on the death of Zachary Taylor in 1851, Chief Justice Roger Brooke Taney was chosen in his stead. The office has always been filled by the Chief Justice since that time.

The Regents of the Smithsonian have included distinguished Americans from many walks of life. Ex officio members (Vice President) have been: Spiro T. Agnew, Chester A. Arthur, Allen W. Barkley, John C. Breckenridge, George Bush, Schuyler Colfax, Calvin Coolidge, Charles Curtis, George M. Dallas, Charles G. Dawes, Charles W. Fairbanks, Millard Fillmore, Gerald R. Ford, John N. Garner, Hannibal Hamlin, Thomas A. Hendricks, Garret A. Hobart, Hubert H. Humphrey, Andrew Johnson, Lyndon B. Johnson, William R. King, Thomas R. Marshall, Walter F. Mondale, Levi P. Morton, Richard M. Nixon, Nelson A. Rockefeller, Theodore Roosevelt, James S. Sherman, Adlai E. Stevenson, Harry S. Truman, Henry A. Wallace, William A. Wheeler, Henry Wilson.

Ex officio members (Chief Justice) have been: Roger B. Taney, Salmon P. Chase, Nathan Clifford, Morrison R. Waite, Samuel F. Miller, Melville W. Fuller, Edward D. White, William Howard Taft, Charles Evans Hughes, Harlan F. Stone, Fred M. Vinson, Earl Warren, Warren E. Burger.

Regents on the part of the Senate have been: Clinton P. Anderson, Newton Booth, Sidney Breese, Lewis Cass, Robert Milledge Charlton, Bennet Champ Clark, Francis M. Cockrell, Shelby Moore Cullom, Garrett Davis, Jefferson Davis, George Franklin Edmunds, George Evans, Edwin J. Garn, Walter F. George, Barry Goldwater, George Gray, Hannibal Hamlin, Nathaniel Peter Hill, George Frisbie Hoar, Henry French Hollis, Henry M. Jackson, William Lindsay, Henry Cabot Lodge, Medill McCormick, James Murray Mason, Samuel Bell Maxey, Robert B. Morgan, Frank E. Moss, Claiborne Pell, George Wharton Pepper, David A. Reed, Leverett Saltonstall, Hugh Scott, Alexander H. Smith, Robert A. Taft, Lyman Trumbull, Wallace H. White, Jr., Robert Enoch Withers.

Regents on the part of the House of Representatives have included: Edward P. Boland, Frank T. Bow, William Campbell Breckenridge, Overton Brooks, Benjamin Butterworth, Clarence Cannon, Lucius Cartrell, Hiester Clymer, William Colcock, William P. Cole, Jr., Maurice Connolly, Silvio O. Conte, Edward E. Cox, Edward H. Crump, John Dalzell, Nathaniel Deering, Hugh A. Dinsmore, William English, John Farnsworth, Scott Ferris, Graham Fitch, James Garfield, Charles L. Gifford, T. Alan Goldsborough, Frank L. Greene, Gerry Hazleton, Benjamin Hill, Henry Hilliard, Ebenezer Hoar, William Hough, William M. Howard, Albert Johnson, Leroy Johnson, Joseph Johnston, Michael Kirwan, James T. Lloyd, Robert Luce, Robert McClelland, Samuel K. McConnell, Jr., George H. Mahon, George McCrary, Edward McPherson, James R. Mann, George Perkins Marsh, Norman Y. Mineta, A. J. Monteague, R. Walton Moore, Walter H. Newton, Robert Dale Owen, James Patterson, William Phelps, Luke Poland, John Van Schaick Lansing Pruyn, B. Carroll Reece, Ernest W. Roberts, Otho Robards Singleton, Frank Thompson, Jr., John M. Vorys, Hiram Warner, Joseph Wheeler.

Citizen Regents have been: David C. Acheson, Louis Agassiz, James B. Angell, Anne L. Armstrong, William Backhouse Astor, J. Paul Austin, Alexander Dallas Bache, George Edmund Badger, George Bancroft, Alexander Graham Bell, James Gabriel Berrett, John McPherson Berrien, Robert W. Bingham, Sayles Jenks Bowen, William G. Bowen, Robert S. Brookings, John Nicholas Brown, William A. M. Burden, Vannevar Bush, Charles F. Choate, Jr., Rufus Choate, Arthur H. Compton, Henry David Cooke, Henry Coppee, Samuel Sullivan Cox, Edward H. Crump, James Dwight Dana, Harvey N. Davis, William Lewis Dayton, Everette Lee Degolyer, Richard Delafield, Frederic A. Delano, Charles Devens, Matthew Gault Emery, Cornelius Conway Felton, Robert V. Fleming, Murray Gell-Mann, Robert F. Goheen, Asa Gray, George Gray, Crawford Hallock Greenwalt, Nancy Hanks, Caryl Parker Haskins, Gideon Hawley, John B. Henderson, John B. Henderson, Jr., A. Leon Higginbotham, Jr., Gardner Greene Hubbard, Charles Evans Hughes, Carlisle H. Humelsine, Jerome C. Hunsaker, William Preston Johnston, Irwin B. Laughlin, Walter Lenox, Augustus P. Loring, John Maclean, William Beans Magruder, John Walker Maury, Montgomery Cunningham Meigs, John C. Merriam, R. Walton Moore, Roland S. Morris, Dwight W. Morrow, Richard Olney, Peter Parker, Noah Porter, William Campbell Preston, Owen Josephus Roberts, Richard Rush, William Winston Seaton, Alexander Roby Shepherd, William Tecumseh Sherman, Otho Robards Singleton, Joseph Gilbert Totten, John Thomas Towers, Frederic C. Walcott, Richard Wallach, Thomas J. Watson, Jr., James E. Webb, James Clarke Welling, Andrew Dickson White, Henry White, Theodore Dwight Woolsey.

Topic:

Museums -- Administration  Search this

Museum trustees  Search this

Genre/Form:

Manuscripts

Citation:

Smithsonian Institution Archives, Record Unit 1, Smithsonian Institution. Board of Regents, Minutes

Identifier:

Record Unit 1

See more items in:

Minutes

Archival Repository:

Smithsonian Institution Archives

EDAN-URL:

ead_collection:sova-sia-faru0001

Author:

Kusama, Yayoi  Search this

Chiu, Melissa  Search this

Dumbadze, Alexander Blair 1973-  Search this

Jones, Alex  Search this

Sutton, Gloria  Search this

Tezuka, Miwako  Search this

Kusama, Yayoi Works Selections  Search this

Seattle Art Museum  Search this

Broad (Art museum : Los Angeles, Calif.)  Search this

Art Gallery of Ontario  Search this

Cleveland Museum of Art  Search this

High Museum of Art  Search this

Editor:

Yoshitake, Mika  Search this

Host institution:

Hirshhorn Museum and Sculpture Garden  Search this

Subject:

Kusama, Yayoi  Search this

Physical description:

223 pages : color illustrations ; 28 cm

Type:

Exhibitions

Exhibition catalogs

Place:

Japan

Date:

2017

Topic:

Installations (Art)  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1071374

Interviewer:

Schmuckli, Claudia  Search this

Julien, Isaac  Search this

Interviewee:

Wangechi Mutu  Search this

Host institution:

Legion of Honor (San Francisco, Calif.),.)  Search this

Physical description:

159 pages, 9 unnumbered pages color illustrations 28 cm

Type:

Exhibitions

Interviews

Expositions

Exhibition catalogs

Catalogues d'exposition

Place:

United States

Kenya

États-Unis

Date:

2021

21st century

21e siècle

Topic:

Women, Black, in art  Search this

Art, Kenyan  Search this

Art, Modern  Search this

Collage  Search this

Installations (Art)  Search this

Multimedia (Art)  Search this

Women artists, Black  Search this

Femmes noires dans l'art  Search this

Art kenyan  Search this

Art  Search this

Œuvres multimédias (Art)  Search this

Collage (Art)  Search this

Femmes artistes noires  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1155745

Author:

Zervigón, Andrés Mario  Search this

Smithsonian Libraries African Art Index Project DSI  Search this

Subject:

Allen, Siemon  Search this

Marasela, Senzeni 1977-  Search this

Type:

Articles

Place:

South Africa

Date:

2002

Topic:

Installations (Art)  Search this

Call number:

N81 .A887X

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_750735

Author:

Pak, Ch'an-gyŏng 1965-  Search this

Subject:

Pak, Ch'an-gyŏng 1965-  Search this

Physical description:

115 pages illustrations 26 cm

Type:

Exhibitions

Expositions

Exhibition catalogs

Date:

2019

21st century

21e siècle

Topic:

Art, Korean  Search this

Video art  Search this

Installations (Art)  Search this

Art coréen  Search this

Art vidéo  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1099820

Artist:

Kubota, Shigeko 1937-2015  Search this

Editor:

Papernik-Shimizu, Erica  Search this

Writer of supplemental textual content:

Sutton, Gloria  Search this

Host institution:

Museum of Modern Art (New York, N.Y.),.)  Search this

Physical description:

104 pages, 2 unnumbered pages, 5 pages, 2 unnumbered pages illustrations (chiefly color), facsimiles, portraits 28 cm

Type:

Exhibitions

Expositions

Exhibition catalogs

Catalogues d'exposition

Place:

New York (State)

New York

Japan

Japon

Date:

2021

Topic:

Performance art  Search this

Video installations (Art)  Search this

Women artists  Search this

Installations vidéo (Art)  Search this

Femmes artistes  Search this

ART / General  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1155405

Artist:

Gates, Theaster 1973-  Search this

Editor:

Desrosiers, Daisy  Search this

Host institution:

Colby College Art Museum  Search this

Subject:

Johnson Publishing Company (Chicago, Ill.)  Search this

Physical description:

143 pages illustrations, portraits 24 cm

Type:

Exhibitions

Expositions

Exhibition catalogs

Catalogues d'exposition

Place:

United States

Date:

2021

Topic:

African American artists  Search this

Women, Black, in art  Search this

Installations (Art)  Search this

Artistes noirs américains  Search this

Noires dans l'art  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1155428

Creator:

National Museum of the American Indian  Search this

Type:

YouTube Videos

Uploaded:

2012-05-23T19:15:52.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

See more by:

SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_GX4JLsFwQIs