An illustration depicting Fray Junipero Serra holding a small Indian child in his arms. Mission Play San Gabriel, California.
Local Numbers:
AC0200-0000080 (AC Scan)
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Indians of North America -- California Search this
Indians of North America -- California Search this
Type:
Archival materials
Picture postcards
Postcards
Photographs
Place:
California
Scope and Contents:
Black-and-white photograph (photomechanical reproduction) of a statue of Fray Serra with an Indian child at his side. Serra wears the traditional friar's robe while the boy wears a band on his head and cloth on his waist.
General:
Series I, Box 1, U.S.A.--California--Missions.
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
A tinted photomechanical reproduction ("Hand Colored Work") of a photograph of a man holding the strings to ring the three bells. He wears a hat and a serape of some sort and has Indian features (?).
General:
Series I, Box 1, U.S.A.--California---Missions.
Publisher in Los Angeles. Printed in Germany.
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Historic sites -- California -- 1920-1930 Search this
Indians of North America -- California -- 1920-1930 Search this
Photographs documenting Native American Public Programs events, including images of Native American artists and examples of their work during demonstrations and lectures at the National Museum of Natural History. Photographs were mostly made by Smithsonian photographers, including Carl C. Hansen, Richard Strauss, Chip Clark, Laurie Minor-Penland, Eric Long, Alan Hart, Rick Vargas, Dane Penland, and Christina Taccone. Included are a large number of photographs of Don Tenoso (Hunkpapa), an artist-in-residence at the National Museum of Natural History, and performances by James Luna (Luiseno/Digueno), Guillermo Gomez-Pena (Chicano), and Coco Fusco. Crafts and arts depicted include beadwork, basket weaving, dollmaking, peyote fanmaking, weaving, hand games, quilting, clothing making, leatherwork, woodcarving, saddlemaking, sculpture, painting, story-telling, and performance art. There are also images of Dolores Lewis Garcia and Emma Lewis Garcia (daughters of Acoma potter Lucy M. Lewis) and their pottery, Joallyn Archambault with artists, and the 1990 American Indian Theater Company reception.
Other depicted artists include Maynard White Owl Lavadour (Cayuse/Nez Perce), Evangeline Talshaftewa (Hopi), Lisa Fritzler (Crow), Marian Hanssen, Vanessa Morgan (Kiowa/Pima), Marty Good Bear (Mandan/Hidatsa), Katie Henio and Sarah Adeky (Navajo), Geneva Lofton and Lee Dixon (Luiseno), Chris Devers (Luiseno), Mary Good Bear (Mandan), Robert and Alice Little Man (Kiowa), Lisa Watt (Seneca), Jay McGirt (Creek), Bill Crouse (Seneca), Kevin Johnny-John (Onondaga), Rose Anderson (Pomo), Francys Sherman and Margaret Hill (Mono), Thelene Albert and Annie Bourke (White Mountain Apache), Bob Tenequer (Laguna), Jimmy Abeyeta (Navajo), Lou Ann Reed (Acoma), Melissa Peterson (Makah), Jennifer and Kallie Keams Musial (Navajo), Joyce Growing Thunder-Fogarty and Juanita Fogarty (Assiniboine/Sioux), David Neel (Kwakiutal), Mervin Ringlero (Pima), Jhon Goes-In-Center (Oglala), D. Montour (Delaware/Mohawk), Rikki Francisco (Pima), Annie Antone (Papago), Angie Reano-Owen (Santo Domingo Pueblo), Carol Vigil (Jemez), Gregg Baurland (Miniconjou), Greg Colfax (Makah), Lydia Whirlwind-Soldier (Sicangu Dakota), Martin Red Bear (Oglala), Michael Rogers (Paiute), Alta Rogers (Yurok/Paiute), Dorothy Stanley (Miwok), Lisa Little Chief (Dakota), Tom Haukaas (Sicangu Dakota), Nora Navanjo-Morsie (Santa Clara Tewa), Seneca Women's Singing Society, Molly Blankenship and Martha Ross (Eastern Cherokee), Julia Parker (Miwok/Pomo), Candy and Claudia Cellicion (Zuni), Sally and Lorraine Black (Navajo), Carmen Quinto-Plunkett (Tlingit), Ina McNeil (Hunkpapa), and Ellen and Faye Quandelancy (Zuni), and Rikki Francisco (Pima).
Biographical/Historical note:
Native American Public Programs was founded in 1989 as a part of the Department of Education in the National Museum of Natural History. Under the directorship of Aleta Ringlero, its main activity was the arranging of demonstrations by Native American artists and craftsmen in the exhibition areas of the museum.
Local Call Number(s):
NAA Photo Lot 91-26
Location of Other Archival Materials:
Audio of James Luna's lecture for the Native American Public Programs office held in National Anthropological Archives in MS 7514.
Dolls made by Don Tenoso for the Native American Public Programs office held in Department of Anthropology collections in accession 390905.
Additional photographs of Tenoso held in the Smithsonian Institution Archives in SIA2009-2222 and 90-13726.
Photo Lot 91-26, Native American Public Programs photograph collection relating to Native American artists and art, National Anthropological Archives, Smithsonian Institution
50 Stereographs (circa 50 printed stereographs, halftone and color halftone)
1,000 Stereographs (circa, albumen and silver gelatin (some tinted))
239 Prints (circa 239 mounted and unmounted prints, albumen (including cartes de visite, imperial cards, cabinet cards, and one tinted print) and silver gelatin (some modern copies))
96 Prints (Album :, silver gelatin)
21 Postcards (silver gelatin, collotype, color halftone, and halftone)
Photographs relating to Native Americans or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, cliff dwellings, and grave mounds and excavations. The collection also includes images of prisoners at Fort Marion in 1875, Sioux Indians involved in the Great Sioux Uprising in Minnesota, the Fort Laramie Peace Commission of 1868, Sitting Bull and his followers after the Battle of the Little Bighorn, and the aftermath of the Wounded Knee Massacre in 1890.
There are studio portraits of well-known Native Americans, including American Horse, Big Bow, Four Bears, Iron Bull, Ouray, Red Cloud, Red Dog, Red Shirt, Sitting Bull, Spotted Tail, Three Bears, and Two Guns White Calf. Depicted delegations include a Sauk and Fox meeting in Washington, DC, with Lewis V. Bogy and Charles E. Mix in 1867; Kiowas and Cheyennes at the White House in 1863; and Dakotas and Crows who visited President Warren G. Harding in 1921. Images of schools show Worcester Academy in Vinita, Oklahoma; Chilocco Indian School; Carlisle Indian Industrial School; Haskell Instittue, and Albuquerque Indian School.
Some photographs relate to the Centennial Exposition in Philadelphia, 1876; World's Columbian Exposition in Chicago, 1893; Louisiana Purchase Exposition in St. Louis, 1903; and Centennial Exposition of the Baltimore and Ohio Railraod, 1876. Expedition photographs show the Crook expedition of 1876, the Sanderson expedition to the Custer Battlefield in 1877, the Wheeler Survey of the 1870s, Powell's surveys of the Rocky Mountain region during the 1860s and 1870s, and the Hayden Surveys.
Outstanding single views include the party of Zuni group led to the sea by Frank Hamilton Cushing; Episcopal Church Rectory and School Building, Yankton Agency; Matilda Coxe Stevenson and a companion taking a photographs of a Zuni ceremony; John Moran sketching at Acoma; Ben H. Gurnsey's studio with Indian patrons; Quapaw Mission; baptism of a group of Paiutes at Coeur d'Alene Mission; court-martial commission involved in the trial of Colonel Joseph J. Reynolds, 1877; President Harding at Sitka, Alaska; Walter Hough at Hopi in 1902; and Mrs. Jesse Walter Fewkes at Hopi in 1897.
Biographical/Historical note:
George V. Allen was an attorney in Lawrence, Kansas and an early member of the National Stereoscope Association. Between the 1950s and 1980s, Allen made an extensive collection of photographs of the American West, mostly in stereographs, but also including cartes-de-visite and other styles of mounted prints, photogravures, lantern slides, autochromes, and glass negatives.
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
Indians of North America -- California Search this
Type:
Collection descriptions
Archival materials
Copy negatives
Copy color slides
Photographs
Date:
circa 1989
Scope and Contents note:
Images of art pieces by Harry Fonseca, many of which depict his representation of the mythical figure Coyote. Included are copies of the 115 color slides Fonseca used in his lecture at the Smithsonian in 1989. There are also images of his "Stone Poems" series, each Smithsonian-exhibited piece, and views of the exhibit as a whole.
Biographical/Historical note:
Harry Fonseca is a Nisenan Maidu artist who was influenced by basketry designs, his experience as a Maidu dancer, and creation stories and myths. In 1979, he started his Coyote series, which depicts Coyote the trickster in non-traditional settings. Fonseca lectured on his work at the Smithsonian on February 9, 1989 as part of an exhibition of his art in the National Museum of Natural History.
Local Call Number(s):
NAA Photo Lot 89-25
Reproduction Note:
Copy slides and negatives made by Smithsonian Institution, 1989.
Location of Other Archival Materials:
The National Museum of the American Indian holds two paintings by Fonseca.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
This copy collection has been obtained for reference purposes only. Contact the repository for terms of use and access.
Indians of North America -- California Search this
Type:
Collection descriptions
Archival materials
Pages
Date:
November 4, 1889
Scope and Contents:
In languages spoken at Napa [Wappo], San Jose, Stockton, and Suisun; vocabulary of 17 words in Stockton; and transmittal note. Redding, California, November 4, 1889.
In handwriting of a scribe. Contents: "Tirumenasa and The daughters of Tsararokkiemila." 17 pages. Places: Pitt River. "Berit loses the Daughter of Taretkiemila and his own hair by dreaming of Kahit." 6 pages. Places: Mt. Shasta. "The Journey of Sedit and Poharamasherit to the land of Puidalladekiemila. 30 pages. Places: Pitt River, Lassen Butte. "Death of Suptcit and Resurrection of the Nompatits by Winispukic." 10 pages. Places: Sacramento River. "Sedit buys three barks of Nohlospatkilis." 8 pages. Place: Stillwater. "Sulaloimis at Nelwakut." 16 pages. Places: Sacramento River, Anderson. "Sedit and Kalihuri at Dekesnorton." 10 pages. Places: Sacramento River. "Tsileuherit and the Tcitiwirik Sisters." 10 pages. Places: Sacramento River, Lassens Butte. ""Kuril splits himself and becomes the Man and Woman Kukipiwit." 7 pages. Places: Redding, Rockbridge (near Shasta City). "Memtulitkiemila and Tsuratkiemila on Puimem." 9 pages. Places: Pitt River. "Pitisherit and Klakherit." 26 pages. "The Birth of Walokitila and Tumukitila." 19 pages. Places: List of geographic locations with this myth gives "Wintun name" and translation. "The visit of Puipawinmak and Tsikipatharamas to their brother Topiwaikalalti in the land of Topitcikiemila. 23 pages. Places: Sacramento River, Redding, Pitt River, McCloud River, places near Anderson, and Shasta City, Stillwater.
"Hlutcustcinaila and Nopyarhpak's daughters." 27 pages. Places: McCloud River. Sedit "wolf" (coyote) in Wintun.--Curtin, Wintun vocabulary. Manuscript #841, recorded 1888-1889, Shasta County, California.
Local Numbers:
NAA MS 3535
Local Note:
These myths have been catalogued for many years as "California myths" on the basis of place-names, but have not been more specifically identified. However, three stories mention Sedit, "wolf" (or "Coyote") in Wintun (see Curtin, Manuscript Number 841, Wintun vocabulary recorded 1888-89, Shasta County, California); and one story gives the "Wintun name" in a list of geographic locations. Presumably all of the stories are Wintun.--MCB, 5/66
Other Title:
Tirumenasa and The daughters of Tsararokkiemila
Berit loses the Daughter of Taretkiemila and his own hair by dreaming of Kahit
The Journey of Sedit and Poharamasherit to the land of Puidalladekiemila
Death of Suptcit and Resurrection of the Nompatits by Winispukic
Sedit buys three barks of Nohlospatkilis
Sulaloimis at Nelwakut
Sedit and Kalihuri at Dekesnorton
Tsileuherit and the Tcitiwirik Sisters
Kuril splits himself and becomes the Man and Woman Kukipiwit
Memtulitkiemila and Tsuratkiemila on Puimem
Pitisherit and Klakherit
The Birth of Walokitila and Tumukitila
The visit of Puipawinmak and Tsikipatharamas to their brother Topiwaikalalti in the land of Topitcikiemila
Indians of North America -- California Search this
Type:
Collection descriptions
Archival materials
Date:
undated
Scope and Contents:
Includes notes on "Nosa" (Yana) myths and customs from "Jake," October 13, 1884 ?, 1 page; "Nosi" story, 1 page; miscellaneous vocabulary notes, partially identified as Nosa from Curtin's vocabulary Number 2060, 9 pages; fragment of a draft concerning analogies between Magyar and North American Indian myths, 3 pages; vocabulary notes, unidentified language (not Nosa), 4 pages. 18 pages total.
Local Numbers:
NAA MS 269-a
Local Note:
Found with Curtin's Karok myths, which had formerly been catalogued as Wintun myths recorded by Powell; therefore these notes had also formerly been assumed to be Wintun, and are incorrectly listed in Harvey Pitkin's Wintun bibliography, International Journal of Linguistics, Volume 28, Number 1, 1962, page 45, item 12.
General:
Previously titled "Miscellany in Curtin's handwriting."
Topic:
Language and languages -- Documentation Search this
Also letter to Frederick W. Hodge, with emendations to the manuscript. San Francisco, California. April 27, 1905. Autograph letter signed. 1 page. Includes discussion of "Current Tribal names that are Ambiguous. "Ute, Paiute, Shoshoni, Bannock, Snake; and sections on Gabrielino, Serrano, Luiseno, San Juan Capistrano, Agua Caliente, Cahuilla, Santa Barbara, Monachi, Kawaiisu, Tubatulabal.
Title page of manuscript carries A. note S. : F. W. H. [Hodge]: "This material has been extracted for the Dictionary of Tribes ["Handbook of American Indians," Bureau of American Ethnology-Bulletin 30, Washington, 1907, 1910] by Dr Swanton."
MS 2028 Notebook containing North American Indian and other vocabularies collected by A.S. Gatschet and others, and miscellaneous notes and bibliographic references
Creator:
Gatschet, Albert S. (Albert Samuel), 1832-1907 Search this
The material is in the handwriting of A.S. Gatschet, in a composition book. In the same volume are numerous miscellaneous notes, many in German script; brief bibliographic notes, and notes of an apparently personal nature. There are also extracts from the Codex Wangianus, from Charles Lyell, and from others. In addition, there is a Chinese vocabulary in Chinese characters, on pages 11, 13, 15, 17, 19, 21, 23, and one sheet pasted in book.
Partial contents: Carib terms (obtained from Maria Antonia, a native of Rio Frio, Costa Rica (or Chulpan, native name), 6 pages. Guatuso words, 3 pages. (same source.) Apache words and sentences, page 112. Santa Ana vocabulary (additional page.) Hopi vocabulary, page 113. Jemez vocabulary, page 113. Tehua (Tewa) page 114. Isleta vocabulary, page 114. Yohuns (Yojuane) vocabulary, page 115. Notes to vocabularies, page 115. Dakota language (words, etc.) page 122-129. Apache language (words, etc.) page 130. Dakota (Santee), page 131. Hidatsa, page 132. List of American languages, pages 133-138. Nevome grammatical notes, page 148. (Kasua) vocabulary, pages 151-152. Tobikhars (Gabrieleno) vocabulary, page 153. Island of LaCruz page 154 (from California Farmer- 1836). Few Poosepatuck words, page 154. Received by A.S. Gatschet, September 6, 1875. Chibcha vocabulary pages 155-170. Arawak language of Guiana in its linguistic and ethnological relations. By D.G. Brinton (1871) - Extracts from, pages 188-190. Chabas, les Papyrus---de Berlin, 1863- vocabulary in hieroglyphic symbols, pages 194-5. Hidatsa vocabulary, pages 206-208.
Page 114- Brief discussion of location of "Tehua" (Tanoan) pueblos. Gatschet, A.S. Pages 151-52 in notebook- "Kasua" vocabulary. June, 1875. Loew, Oscar. Page 153- Brief vocabulary of the "Tobokhars, extinct tribe at the San Gabriel Mission, collected from an old sick chief, [by] Oscar Lowe, June, 1875...(Fernando Quinto, who recollects Fremont's Exped..." This is not the same as the main "Tobikhar" vocabulary from Lowe in Bureau of American Ethnology Manuscript 774. Page 113- Note on "Moqui" (Hopi) language, with brief vocabulary. Gatschet, A.S. 1 slip bound between pages 112-113 in notebook- Eleven words and phrases of the Santa Ana or Silla language. Gatschet, A.S. Pages 122-129-Dakota vocabularies. 1890's? Autograph document. Gatschet, A.S.
Contents: Carib terms (obtained from Maria Antonia (or Chulpan, native name), 6 pages. Guatuso words, 3 pages (same source) Apache words and sentences, page 112. Santa Ana vocabulary (additional page) Hopi vocabulary page 113. Jemez vocabulary page 113. Tehua (Tewa) page 114. Isleta vocabulary page 114. Yohuns (Yojuane) vocabulary page 115. Notes to vocabularies, page 115. Dakota language (words, etc.) pages 122-129. Apache language (words, etc.) page 130. Dakota (Santee) page 131. Hidatsa page 132. List of American Languages, pages 133-138. Nevome grammatical notes page 148. Kasua vocabulary pages 151-152. Tobikhars (Gabrieleno) vocabulary page 153. Island of LaCruz page 154 8from California Farmer - 1836). Few Poosepatuck words, page 154. Received from A. S. Gatschet September 6, 1875. Chibcha vocabulary pages 155-170. Arawak language of Guiana in its linguistic and ethnological relations By D. G. Brinton (1871) - Extracts from pages 188-190 Chabas, les Papyrus --- de Berlin, 1863- vocabulary in hieroglyphic symbols, page 194-5. Hidatsa vocabulary pages 206-208.
Contents: Tanoan. Gatschet, A. S. Brief discussion of location of "Tehua" (Tanoan) pueblos. 1/3 page, page 114. Barbareno Chumash. Loew, Oscar. "Kasua" vocabulary. June, 1875. Pages 151-52 in notebook. Gabrielino. Loew, Oscar. Brief vocabulary of "Tobikhars, extinct tribe at the San Gabriel Mission, collected from an old sick chief, [by] Oscar Loew, June, 1875...(Fernando Quinto. who recollects Fremont's Exped..." Page 153 in notebook. This is not the same as the main "Tobikhar" vocabulary from Loew in Bureau of American Ethnology Manuscript 774. Hopi. Gatschet, A. S. Note on "Moqui" (Hopi) language, with brief vocabulary. Page 113 (1/4 page) in notebook. Page 113 on Microfilm Negative Reel 11 (Hopi manuscript reel). Sia. Gatschet, A. S. Eleven words and phrases of the Santa Ana or Silla language. 1 slip, bound between pages 112-113 in notebook. Dakota Gatschet, A. S. Dakota vocabularies. [1890s ?] Autograph document. 7 pages.
MS 2114-a Comparative vocabulary of San Antonio (Salinan), San Miguel (Salinan), San Luis Obispo (Obispeno), Santa Rosa (Island Chumash), Santa Inez (Inezeno Chumash), Purisima (Purismeno Chumash), Santa Barbara (Barbareno Chumash), and Ventura (Ventur...
Creator:
Henshaw, Henry W. (Henry Wetherbee), 1850-1930 Search this
Manuscript 2114-a, National Anthropological Archives, Smithsonian Institution
Sponsor:
Digitization and preparation of these materials for online access has been funded by the National Science Foundation under BCS Grant No. 1561167 and the Recovering Voices initiative at the Smithsonian's National Museum of Natural History.
