Indians of North America published by January Productions. Contains 5 filmstrips, 5 audio cassettes, and a teacher's guide.
The original filmstrips and audio cassettes are restricted due to condition. Textual material is accessible by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment.
Some materials in this collection may be protected by copyright. It is the user's responsibility to ascertain whether any such rights exist, and to obtain any other permission necessary to reproduce materials. Please contact NMAI Archives Center for more information.
Identification of specific item; Date (if known); Ella Clark collection of American Indian Educational filmstrips, box # and folder #, NMAI.AC.382; National Museum of the American Indian Archives Center, Smithsonian Institution.
Material comprises 56 typed pages manuscript, transcriptions of 2 songs and descriptive analyses of 2 songs. The title page of a manuscript "Songs and Instrumental Music of the Tule Indians of Panama," is filed herein. 56 pages text, 9 pages descriptive analyses, and 11 pages transcriptions, once filed under catalog number 3090, are no longer present. Possibly this manuscript was published in Smithsonian Miscellaneous Collections, Volume 77, Number 11, "Study of Tule Music", 1926.)
NAA MS 3090
The following have been returned to Harrington Collection, ELM, 3/78. Another copy of "Music and Customs of the Tule Indians of Panama," found in J. P. Harrington storeroom, 4/65. "Songs and Instrumental Music of the Tule Indians of Panama." 22 page manuscript, 5 pages in the hand of J. P. Harrington, found in J. P. Harrington storeroom, 4/65.
Photographs probably made by Ruth Bunzel during her fieldwork among the Quiche in Chichicastenango, Guatemala, in 1930-32. Images include Quiche Indians and families, a church (probably the Church of Santo Tomás), a procession and ceremony, and landscapes.
Ruth Leah Bunzel (1898-1990) started a career in anthropology after acquiring a secretarial job with Franz Boas at Columbia University in 1922. With support from Boas, Bunzel regularly traveled to the Southwest to study Zuni potters from 1924-1929. Studying under Boaz, she earned a Ph.D. from Columbia University in 1929. Her papers on Zuni ceremonialism as well as creation myths, kachinas, and poetry were published in the 47th Annual Report of the Bureau of Ethnology. From 1930 to 1932 she studied the Highland Mayan village of Chichicastenango and later published Chichicastenango, A Guatemalan Village (1952). She also conducted fieldwork in the village of Chamula in Chiapas, Mexico, and published a comparative study of the two villages entitled "The Role of Alcoholism in Two Central American Communities" (1940).
Local Call Number(s):
NAA Photo Lot 2007-10
Location of Other Archival Materials:
The National Anthropological Archives holds the Ruth Lean Bunzel papers and drawings of Kachinas collected by Bunzel (MS 4609).
Correspondence between Bunzel and the BAE held in the National Anthropological Archives in MS 4846 and records of the Bureau of American Ethnology.
A photograph of Bunzel held in National Anthropological Archives Photo Lot 92-35.
A video oral history of Bunzel, created as part of the "History of Anthropology Series" produced by the University of Florida's Department of Anthropology, is held in the Human Studies Film Archive in HSFA 89.10.8.
Nitrate negatives are in cold storage and require advanced notice for viewing.
Photo Lot 2007-10, Ruth Leah Bunzel photographs of Quiche Indians of Guatemala, National Anthropological Archives, Smithsonian Institution
Enlargements of photographs made by Donald Bush Cordry during his time in Mexico. These were mounted for a 1970s Bellas Artes-sponsored traveling exhibit based on Cordry's collection of Mexican Indian costumes. Included are images of Mexican Indians, fiestas and dances, pottery, boats, weaving, spinning, masks, vendors and markets, churches, and shrines. Depicted tribes include the Huichol, Mestizo, Tarascan, Seri, Mayo, Tepehua, Totonac, Nahua, Mazatec, Cuicatec, Chinantec, Zapotec, Mixe, Amusgo, Huave, Mixtec, Chapanec, Zoque, Tzotzil, and Maya. Additionally, there are some self portraits of Donald Cordry and his wife Dorothy.
Donald Bush Cordry (1907-1978) was an artist and photographer who studied the art of Mexican Indians. In 1931, Cordry made his first trip to Guerrero, Mexico, where he became interested in contemporary mask making. In 1934, Cordry moved to New York to work as a marionette designer for puppeteer Tony Sarg. While there, he contacted George G. Heye to learn more about Mexican Indian art. This led to a series of collecting expeditions from 1935 to 1938, during which Cordry collected Mexican masks and other artifacts for the Museum of the American Indian, Heye Foundation.
Local Call Number(s):
NAA Photo Lot 87-38, USNM ACC 361232
Location of Other Archival Materials:
Additional photographs made by Cordry can be found in the National Anthropological Archives in Photo Lot 82-14.
Donald Cordry and his wife, Dorothy Mann Cordry, also donated clothing and musical instruments from Mexico to the Department of Anthropology in accessions 361232 and 355866.
The National Museum of the American Indian Archives holds the Donald Bush Cordry collection of photographs and negatives, 1933-1940, as well as artifacts collected by Cordry.
Photographs of the Donald Cordry Mexican mask exhibit can be found in the National Anthropological Archives in Photo Lot 80-3.
The Donald Cordry Mexican mask collection can be found in the Department of Anthropology in accession 355867.
No restrictions. All requests for duplication and use must be submitted in writing and approved by the Smithsonian Institution Archives. Contact SIA Reference Staff for further information (email email@example.com)
On back: Grosvenor Prints, 28-32 Shelton St, London WC 2H9HP. 8 Je 94. £35
Files containing Sturtevant's students' grades have been restricted, as have his students' and colleagues' grant and fellowships applications. Restricted files were separated and placed at the end of their respective series in boxes 87, 264, 322, 389-394, 435-436, 448, 468, and 483. For preservation reasons, his computer files are also restricted. Seminole sound recordings are restricted. Access to the William C. Sturtevant Papers requires an apointment.
William C. Sturtevant papers, National Anthropological Archives, Smithsonian Institution
The papers of William C. Sturtevant were processed with the assistance of a Wenner-Gren Foundation Historical Archives Program grant awarded to Dr. Ives Goddard. Digitization and preparation of these materials for online access has been funded through generous support from the Arcadia Fund.
Restrictions pertaining to the use of these materials may apply (based on contracts/copyright). Access restrictions may also apply if viewing/listening copies are not currently available. Viewing/listening copies can be made for a fee. Contact reference staff for details