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Antonio Sotomayor papers, circa 1920-1988

Creator:
Sotomayor, Antonio, 1904-1985  Search this
Subject:
Little, Philip  Search this
Labaudt, Lucien  Search this
Morley, Grace  Search this
Long, Emilie  Search this
Franco, Johan  Search this
Farr, Fred  Search this
Gerstle, William Lewis  Search this
Fried, Alexander  Search this
Reed, Alma M.  Search this
Pflueger, Timothy Ludwig  Search this
Robinson, Elmer E. (Elmer Edwin)  Search this
Rivera, Diego  Search this
Oldfield, Otis  Search this
Moya del Pino, Jose  Search this
Orozco, José Clemente  Search this
Sotomayor, Grace  Search this
Von Hagen, Victor Wolfgang  Search this
Salinger, Jehanne Bietry  Search this
Salinger, Pierre  Search this
Sauer, Carl Ortwin  Search this
Entenza, John  Search this
Pan American Union  Search this
Delphic Studios  Search this
Type:
Sketchbooks
Sketches
Photographs
Topic:
Muralists -- California -- San Francisco  Search this
Works of art  Search this
Caricatures and cartoons  Search this
Mural painting and decoration -- 20th century  Search this
Illustration of books  Search this
Illustrators -- California -- San Francisco  Search this
Art, Modern -- 20th century -- California -- San Francisco  Search this
Latino and Latin American artists  Search this
Theme:
Latino and Latin American  Search this
Sketches & Sketchbooks  Search this
American Art and Artists in a Global Context  Search this
Record number:
(DSI-AAA_CollID)5549
(DSI-AAA_SIRISBib)212812
AAA_collcode_sotoanto
Theme:
Latino and Latin American
Sketches & Sketchbooks
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212812
Online Media:

James A. McGrath papers, 1950-2011

Creator:
McGrath, James A., 1928-  Search this
Subject:
Wiley, William T.  Search this
Tobey, Mark  Search this
Rauschenberg, Robert  Search this
Type:
Drawings
Poems
Prints
Postcards
Paintings
Sketches
Illustrated letters
Christmas cards
Photographs
Topic:
Performance artists -- California -- San Francisco  Search this
Illustrators -- California -- San Francisco  Search this
Record number:
(DSI-AAA_CollID)15948
(DSI-AAA_SIRISBib)301046
AAA_collcode_mcgrjame
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_301046
Online Media:

James A. McGrath papers

Creator:
McGrath, James A.  Search this
Names:
Rauschenberg, Robert, 1925-2008  Search this
Tobey, Mark  Search this
Wiley, William T., 1937-2021  Search this
Extent:
5.4 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Poems
Prints
Postcards
Paintings
Sketches
Illustrated letters
Christmas cards
Photographs
Date:
1950-2011
Summary:
The papers of arts educator James A. McGrath measure 5.4 linear feet and date from 1950-2011. Included are McGrath's papers concerning his artist's residencies and workshops for the United States Information Agency (USIA) in the Yemen Republic, Saudi Arabia, and the Republic of the Congo, 1990-1995. Also found are McGrath's papers concerning artist William Wiley. These papers date from Wiley's high school days and includes correspondence, writings, student files, printed materials, photographs, and artwork. Letters from Wiley to McGrath span several decades and provide details about his artwork, family, and travels.
Scope and Content Note:
The papers of arts educator James A. McGrath measure 5.4 linear feet and date from 1950-2011. Included are McGrath's papers concerning his artist's residencies and workshops for the United States Information Agency (USIA) in the Yemen Republic, Saudi Arabia, and the Republic of the Congo, 1990-1995. Also found are McGrath's papers concerning artist William Wiley. These papers date from Wiley's high school days and includes correspondence, writings, student files, printed materials, photographs, and artwork. Letters from Wiley to McGrath span several decades and provide details about his artwork, family, and travels.

James McGrath's papers regarding his artist's residencies and workshops are currently unprocessed.

Wiley's high school student files consist of exams and two Columbia High School yearbooks with contributions from Wiley. Correspondence includes mostly letters written from Wiley to McGrath, some of which are illustrated. There are also Christmas cards, postcards, prints and a wedding invitation and photograph of Wiley and his wife Mary. Wiley writes about his artwork, family, travels and his mother's death. There are also letters to McGrath from Wiley's first and second wives, Dorothy and Mary, his mother, and artists Robert Rauschenberg and Mark Tobey.

Printed materials include exhibition catalogs and announcements, news and magazine clippings, and the books Distraction, Lyrica and Almost Old/New Poems, all illustrated by Wiley.

Artwork by Wiley includes block prints, sketches and drawings, poems, paintings, prints and posters. Photographs are of Wiley's high school yearbook staff, art work and exhibitions, and a dinner honoring Wiley. There is a signed high school photograph of Wiley and a booklet of photographs of an exhibition of McGrath's art. There are also slides of artwork by Wiley, Bob Hudson and Bill Allan.
Arrangement:
The papers are arranged as 2 series.

Missing Title

Series 1: James A. McGrath Papers Concerning William T. Wiley (Box 1-3, OVs 4-6; 2.0 linear feet)

Series 2: Unprocessed James A. McGrath Papers, circa 1990-1995 (Boxes 7-9, OVs 10-12)
Biographical Note:
Arts educator James A. McGrath was a high school art teacher at Columbia High School in Richland, Washington where he taught William T. Wiley in the mid-1950s. They remained life-long friends. Later, McGrath worked at the Institute of American Indian Arts in Santa Fe as Director of Arts, Professor of Painting, and Dean. In 1973 he became Director of Arts, Humanities and Culture in the Department of Defense and was stationed in Japan, Korea, Okinawa, Taiwan and the Philippines. He also worked for the United States Information Agency in Yemen, Saudi Arabia and the Republic of the Congo. He continues to be active as an arts education specialist.

William T. Wiley (b. 1937)is a contemporary artist painting and teaching primarily in the San Francisco area. His artwork is associated with the Bay area Funk Movement. Wiley studied at the California School of Fine Arts and completed his MFA in 1962. One year later he joined the faculty of the UC Davis art department along with artists Robert Arneson and Roy DeForest. Wiley's students included Bruce Nauman and Deborah Butterfield.

Wiley's first solo exhibition was held at the San Francisco Museum of Modern Art in 1960, and he had works in the Venice Biennial (1980) and Whitney Biennial (1983), as well as major exhibitions at the San Francisco Museum of Modern Art and the M.H. de Young Memorial Museum in San Francisco. His artwork is in the collections of the Art Institute of Chicago, the Museum of Modern Art, the Whitney Museum of American Art, the Corcoran Gallery of Art, the San Francisco Museum of Modern Art, the Hirshhorn Museum and Sculpture Garden and the Los Angeles County Museum of Art, among many others. Wiley was the recipient of the Guggenheim Fellowship Award in 2004 and, in 2009, the Smithsonian American Art Museum presented a retrospective exhibition of Wiley's career.
Related Material:
The Archives of American Art also holds several collections related to William T. Wiley including an oral history interview conducted by Paul J. Karlstrom, October 8-November 20, 1997 and the William T. Wiley illustrated journals on microfilm reel 910. The University of Washington also holds papers of James A. McGrath.
Separated Material:
Six Documenta catalogs, originally donated to AAA with the James A. McGrath Papers Concerning William T. Wiley, were transferred to the Smithsonian Institution Libraries.
Provenance:
The papers were donated by James A. McGrath in five accessions between 2010-2015. A drawing on tree bark was donated by William T. Wiley in 2016.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- California -- San Francisco  Search this
Painters -- California -- San Francisco  Search this
Topic:
Performance artists -- California -- San Francisco  Search this
Illustrators -- California -- San Francisco  Search this
Genre/Form:
Drawings
Poems
Prints
Postcards
Paintings
Sketches
Illustrated letters
Christmas cards
Photographs
Citation:
James A. McGrath papers, 1950-2011. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mcgrjame
See more items in:
James A. McGrath papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f46f5e33-d56b-4f72-9bdc-6c6a5de8071b
EDAN-URL:
ead_collection:sova-aaa-mcgrjame

Antonio Sotomayor papers

Creator:
Sotomayor, Antonio, 1904-  Search this
Names:
Delphic Studios  Search this
Pan American Union  Search this
Entenza, John, 1903-  Search this
Farr, Fred, 1914-1973  Search this
Franco, Johan, 1908-  Search this
Fried, Alexander, 1902-1988  Search this
Gerstle, William Lewis, 1868-1947  Search this
Labaudt, Lucien, 1880-1943  Search this
Little, Philip, 1857-1942  Search this
Long, Emilie  Search this
Morley, Grace, 1900-1985  Search this
Moya del Pino, Jose, 1891-1969  Search this
Oldfield, Otis, 1890-1969  Search this
Orozco, José Clemente, 1883-1949  Search this
Pflueger, Timothy Ludwig, 1892-1946  Search this
Reed, Alma M.  Search this
Rivera, Diego, 1886-1957  Search this
Robinson, Elmer E. (Elmer Edwin), b. 1894  Search this
Salinger, Jehanne Bietry  Search this
Salinger, Pierre  Search this
Sauer, Carl Ortwin, 1889-  Search this
Sotomayor, Grace  Search this
Von Hagen, Victor Wolfgang, 1908-1985  Search this
Extent:
1.6 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Sketches
Photographs
Date:
circa 1920-1988
Summary:
The collection documents the career of Bolivian born painter and illustrator, Antonio Sotomayor, his interest in Latin American art and artists, and his association with the San Francisco arts community. Materials found in the collection include letters, writings, sketches and sketchbooks, printed material and photographs.
Scope and Content Note:
The collection documents the career of Bolivian born painter and illustrator, Antonio Sotomayor, his interest in Latin American art and artists, and his association with the San Francisco arts community.

The collection consists primarily of correspondence, writings, artwork, printed material, and photographs documenting Sotomayor's career, his interest in Latin American art and artists, and his association with the San Francisco arts community.
Arrangement:
The collection is arranged as six series:

Missing Title

Series 1: Correspondence, 1931-1988, undated (box 1, 21 folders)

Series 2: Writings, 1932-1946, undated (box 1, 11 folders)

Series 3: Artwork, 1935, undated (box 1, 23 folders)

Series 4: Printed Material, 1935-1987 (boxes 1-2, 12 folders)

Series 5: Photographs, circa 1920-1984, undated (box 2, 13 folders)

Series 6: Oversized Material, 1941, 1958, undated (2 OV folders)
Biographical Note:
Antonio Sotomayor was born in Bolvia and came to San Francisco in 1923. He was educated at the Escuela de Belleas Arts in La Paz and the Hopkins Institute of Art in San Francisco. Primarily known for his murals and paintings, Sotomayor was also an illustrator, caricaturist, designer, ceramicist, and educator. Over the course of his career his work was exhibited in the United States, France, Italy, Spain, Mexico, and South America and he became known as the popular "artist laureate" of San Francisco where he lived with his wife, Grace. He died of cancer in 1985 at the age of 82.
Provenance:
The Antonio Sotomayor papers were donated to the Archives of American Art by Grace Sotomayor in 1998.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- San Francisco  Search this
Cartoonists -- California -- San Francisco  Search this
Topic:
Muralists -- California -- San Francisco  Search this
Works of art  Search this
Caricatures and cartoons  Search this
Mural painting and decoration -- 20th century  Search this
Illustration of books  Search this
Illustrators -- California -- San Francisco  Search this
Art, Modern -- 20th century -- California -- San Francisco  Search this
Latino and Latin American artists  Search this
Genre/Form:
Sketchbooks
Sketches
Photographs
Citation:
Antonio Sotomayor papers, circa 1920-1988. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sotoanto
See more items in:
Antonio Sotomayor papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9720668e9-bd70-4a75-8c58-f2546521f7d4
EDAN-URL:
ead_collection:sova-aaa-sotoanto

Oral history interview with Nancy Hom

Interviewee:
Hom, Nancy  Search this
Interviewer:
Ho, Melissa  Search this
Names:
Pandemic Oral History Project  Search this
Extent:
1 Item ((29 min.), digital, mp4)
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Date:
2020 August 30
Scope and Contents:
An interview with Nancy Hom conducted 2020 August 30, by Melissa Ho, for the Archives of American Art's Pandemic Oral History Project at Hom's home in San Francisco, California.
Biographical / Historical:
Nancy Hom (1949 - ) is a Chinese American artist, curator, illustrator and non-profit arts consultant in San Francisco, California. Hom was executive director of the Kearny Street Workshop, San Francisco, California.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the audio is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the audio recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Artists -- California -- San Francisco  Search this
Arts administrators -- California -- San Francisco  Search this
Illustrators -- California -- San Francisco  Search this
Topic:
Asian American art  Search this
Asian American artists  Search this
Asian American illustrators  Search this
Asian American curators  Search this
Chinese American art  Search this
Chinese American artists  Search this
Women artists  Search this
Women arts administrators  Search this
Pandemics  Search this
COVID-19 (Disease)  Search this
COVID-19 (Disease) and the arts  Search this
COVID-19 (Disease) -- Social aspects  Search this
Genre/Form:
Interviews
Video recordings
Identifier:
AAA.hom20
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92349f1bc-5995-4dc4-bb9d-534b383bed02
EDAN-URL:
ead_collection:sova-aaa-hom20
Online Media:

Judith Clancy papers

Creator:
Clancy, Judith, 1933-  Search this
Names:
Soyer, Moses, 1899-1974  Search this
Extent:
178 Items
Type:
Collection descriptions
Archival materials
Date:
1949-1977
Scope and Contents:
Correspondence; Clancy's writings about Moses Soyer, whom she studied with, and modeled for; curriculum vitae; photographs of Clancy and of her art work; sketches; exhibition catalogs; and clippings.
Biographical / Historical:
Artist, illustrator, artists' model; San Francisco, California. Married name Judith Clancy Johns.
Provenance:
Donated 1978 by Judith Clancy Johns.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Artists' models -- California -- San Francisco  Search this
Illustrators -- California -- San Francisco  Search this
Topic:
Women artists  Search this
Identifier:
AAA.clanjudi
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw996870a5b-c2ec-4f86-ac6d-a935bf71758d
EDAN-URL:
ead_collection:sova-aaa-clanjudi

Giacomo Patri papers

Creator:
Patri, Giacomo, b. 1898  Search this
Names:
Patri School for Art Fundamentals  Search this
Eloesser, Leo  Search this
Kent, Rockwell, 1882-1971  Search this
Robeson, Paul, 1898-1976  Search this
Extent:
4.6 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Sketchbooks
Date:
1905-1983
Scope and Contents:
Biographical material, letters, personal business records, photographs, artworks, calendars and a journal, printed material, scrapbooks, writings, and subject files.
Biographical materials includemembership cards and other documents. Letters, 1926-1983, are from Rockwell Kent, Burton Wasserman, Ted Goertzel and others. Business records include bank books, tax records, insurance policies and a ledger. Photographs, 1907-1968, are of Patri, his family, school and artworks. The illustrated journal dates from 1915 and the calendars with diary-style entries date 1951-1957. Artworks consist of 16 sketchbooks, 17 prints, many loose sketches, tracings, and scratch boards for a book on Polish-American blue collar worker and notes for classes, some illustrated.
Printed material includes WHITE COLLAR, a book of linocuts by Patri printed in 1940 and 1975, a small book THIS IS MY OWN by Rockwell Kent as well as loose chapters from the book, an edition of STORM OVER BRIDGES illustrated by Patri, and clippings. Also included are 2 scrapbooks of printed illustrations; writings, including short stories by Patri, interviews and an unpublished manuscript about Marino Marini; and subject files containing correspondence, printed material, writings, sketches and photographs on Paul Robeson, Dr. Leo Eloesser and the Spanish Civil War, The Patri School for Art Fundamentals, and other topics.
Biographical / Historical:
Illustrator, painter, instructor; San Francisco, Calif. b. 1898, Italy; d. 1978;Emigrated to The United States from Italy in 1916. Studied at The California School of Fine Arts. In 1940 he published a "Novel in Block Prints" entitled WHITE COLLAR, a story of workers during the Depression. In 1948 he founded the Patri School for Art Fundamentals which was aimed at teaching adults with no art background.
Provenance:
Donated 1982-1984 by Tamara Rey Patri, widow of Patri.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Art teachers -- California -- San Francisco  Search this
Illustrators -- California -- San Francisco  Search this
Topic:
Artists' illustrated books  Search this
Artists' illustrated books  Search this
Illustrated books -- 20th century  Search this
Function:
Art Schools -- California -- San Francisco
Genre/Form:
Interviews
Sketchbooks
Identifier:
AAA.patrgiac
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90ca3166c-9d0d-4f6e-bc8b-45306ae78464
EDAN-URL:
ead_collection:sova-aaa-patrgiac

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